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PRIDE MONTH PRIDE MONTH
PRIDE MONT PRIDE MONTH WOOO!!!
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What is or isn’t a slur can be highly contextual, y'all.
“Jonny Sims bummed a fag off my ma” doesn’t contain a slur, but “What are you, some kind of fag?” does.
“Queer studies”, “the queer community” and “I’m queer”? Not a slur. Some bigot calling you a “dirty queer”? Slur.
“Be gay, do crimes” and “He’s gay” ≠ slur, but “Ew, that’s so gay” = slur.
In conclusion, stop buying into this fucking “q slur” bullshit. Queer people talking about the queer community aren’t using it as a slur any more than a gay man calling himself gay is using that term as a slur.
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It’s been foretold by the very stars that my destiny is to draw a goodra, sometime.
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A COMMUNITY LABEL?? HUH?? WHY??
Shapes of meeee
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Been experimenting with how my body looks like for a while, and fell on this, hexapedal, quadrupedal and bipedal all in one!
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Shapes of meeee
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Been experimenting with how my body looks like for a while, and fell on this, hexapedal, quadrupedal and bipedal all in one!
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Creating a main character with depth requires a careful selection of traits
Avoid the temptation to overload them with a plethora of flaws, wounds, and virtues. Instead, focus on developing one dominant positive trait, one glaring flaw, and one profound pain. This approach allows you to delve deeply into each aspect, creating a character who is not only realistic but also compelling. By embodying these three elements to the fullest, your protagonist will be more than just a collection of traits—they will be a multifaceted individual with a clear, meaningful story arc. Embrace this approach, and your hero will stand out as truly unique in the literary landscape.
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There's a lot of different ways to look at the editing process but this is personally what works for me:
Draft 1. Just get the story down. You can go back and look at things for consistency's sake but honestly don't worry about anything but getting your ideas down.
Draft 2. Make it make sense. This could be as simple as rewriting a line where you said a character is blond but is actually a brunette, or as complicated as completely deleting and/or rewriting a certain scene. Usually it's a combo of both.
Draft 3. All about character. Are your character's actions consistent? Would they really say that line? Are you sure?
Draft 4. All about style. Would that character really say that word? Does that paragraph have a good enough transition? ect.
Draft 5. Just another go around of the two above. Character consistency and style are very important, my friends, and you may need another Passover.
Draft 6. Spelling, flow, ect. You're reaching the end now. Polish it up.
Draft 7. Just reread It 3-5 times. Edit anything and everything you can.
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“This is your daily, friendly reminder to use commas instead of periods during the dialogue of your story,” she said with a smile.
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I've had this little idea in my head for a while now, so I decided to sit down and plot it out.
Disclaimer: This isn't meant to be some sort of One-Worksheet-Fits-All situation. This is meant to be a visual representation of some type of story planning you could be doing in order to develop a plot!
Lay down groundwork! (Backstory integral to the beginning of your story.) Build hinges. (Events that hinge on other events and fall down like dominoes) Suspend structures. (Withhold just enough information to make the reader curious, and keep them guessing.)
And hey, is this helps... maybe sit down and write a story! :)
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YOU WERE BEAUTIFUL…
OUTSTRETCHED LIKE
ANTENNAS TO HEAVEN
(painted in acrylic!)
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do your ever get excited to see certain mutuals in your notes like yes i pleased the Friend
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genetically unstable freak of nature
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Hey, I can just put that in a post! There's no way I'm ever going to be able to find the tumblr post that inspired this, but it was talking about how the term 'unalive' should refer to something that is to 'alive' the same way 'undead' is to 'dead'. A few people were trying to work out what that equivalent might be, and there were some fun possible examples thrown out (food service workers! anyone employed by a call centre!)
However. 'Undead' is a term that has a very specific meaning in relation to 'dead'. It doesn't mean 'alive', because 'alive' is opposite to 'dead'. It also doesn't mean 'not dead', because plenty of things are not dead that were never alive and are, thus, not undead, either. 'Undead' specifically means 'dead, but in a way that is wrong'.
Which means that, if 'unalive' is to 'alive' as 'undead' is to 'dead', then 'unalive' should mean something that is alive, but in a way that is wrong.
And just as 'undead' is not synonymous with 'alive', but shares traits with it, 'unalive' should not be synonymous with 'dead', but share traits with it. Something that is unalive should not be dead, but should have traits associated with death.
The unalive thing, then, should be something that is alive, but the wrong kind of alive, in a way that shares traits with death. Perhaps something too alive, too energetic, too exuberant, too enthusiastic, too aware and appreciative of every sensation or symptom of life. Perhaps something a little too hungry.
Like a fungus.
Or a wellness influencer.
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What are some chronic illnesses that can only occur in a fantasy setting?
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yeee they’re a slime! their “fire” is basically bubbles floating off of their body!
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Even more tethyr art because the world needed it
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Even more tethyr art because the world needed it
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