Another bejeweled spider web, shimmering in the starlight like a diamond necklace…
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「 starry sky in late autumn 」 @Nikko station
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and now it's october by Barbara Crooker
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October, crisp, misty, golden October, when the light is sweet and heavy.
Angela Carter
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-Sylvia Plath, from a letter to Aurelia Plath written c. August 1951
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Anton Chekhov, After The Theatre
[originally published 1892]
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Where was the slack, the loss
of early fierceness?
How did we come to be contained
in rooms?
— Diane di Prima, from “For Cameron,” Loba
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“You have my permission not to love me; I am a cathedral of deadbolts and I’d rather burn myself down than change the locks.”
— Rachel McKibbens, “Letter from My Brain to My Heart” (via poetrist)
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Midsummer can do strange things to the body
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You don’t ever know where
a sentence will take you, depending
on its roll and fold. I was walking
over the dunes when I saw
the red fox asleep under the green
branches of the pine. It flared up
in the sweet order of its being,
the tail that was over the muzzle
lifting in airy amazement
and the fire of the eyes followed
and the pricked ears and the thin
barrel body and the four
athletic legs in their black stockings and it
came to me how the polish of the world changes
everything, I was hot I was cold I was almost
dead of delight. Of course the mind keeps
cool in its hidden palace—yes, the mind takes
a long time, is otherwise occupied than by
happiness, and deep breathing. Still,
at last, it comes too, running
like a wild thing, to be taken
with its twin sister, breath. So I stood
on the pale, peach-colored sand, watching the fox
as it opened like a flower, and I began
softly, to pick among the vast assortment of words
that it should run again and again across the page
that you again and again should shiver with praise.
—Mary Oliver, “Fox”, in West Wind
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Parisian Wanderings, illustration June 2020.
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I keep doing that. Bleeding
belief, spilling it onto mats and garden beds.
Making love to whatever I consider holy:
the exiled light, the opening in everything,
what came before, spring, poets.
— Omar Sakr, from “What It Is to Be Holy,” The Lost Arabs
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“You were last seen walking through a field of pianos. No. A museum of mouths. In the kitchen of a bustling restaurant, cracking eggs and releasing doves. No. Eating glow worms and waltzing past my bedroom. Last seen riding the subway, literally, straddling its metal back, clutching electrical cables as reins. You were wearing a dress made out of envelopes and stamps, this was how you travelled. I was the mannequin in the storefront window you could have sworn moved. The library card in the book you were reading until that dog trotted up and licked your face. The cookie with two fortunes. The one jamming herself through the paper shredder, afraid to talk to you. The beggar. Hat outstretched bumming for more minutes. The phone number on the bathroom stall with no agenda other than a good time. The good time is a picnic on water, or a movie theatre that only plays your childhood home videos and no one hushes when you talk through them. When you play my videos I throw milk duds at the screen during the scenes I watch myself letting you go — lost to the other side of an elevator — your face switching to someone else’s with the swish of a geisha’s fan. My father could have been a travelling salesman. I could have been born on any doorstep. There are 2,469,501 cities in this world, and a lot of doorsteps. Meet me on the boardwalk. I’ll be sure to wear my eyes. Do not forget your face. I could never.”
— Megan Falley (via yan-wo)
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The mouth brims with roses. How can the earth bear it?
Like love is borne; that other light
that burns, and cannot be extinguished.
— Cheryl Pearson, from “Flamingo,” published in Frontier Poetry
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