Tumgik
#&like my thing is i have trouble telling the difference between being an unstable person vs being a complex person.
jvzebel-x · 9 months
Text
🦋
x. polite because no one deserves to be purposefully treated rudely. kind because kindness keeps a person gentle. sweet because making people smile is uplifting. helpful for the same reason. supportive because if you dont have anything nice to say, it's extremely easy not to say anything at all. above all, do unto others what you would have them do unto you.
o. polite because it's the best way to fade all the way into the background. kind because i'm too afraid to let myself be cruel. sweet because of overwhelming&pathetic desperation to make people happy. helpful because it's too exhausting to cause waves. supportive because other's goals are a great distraction from my own. above all, a smile makes the best camouflage as long as no one can ever see you sweat.
x. lonely+isolated because of mental+physical health restrictions. i miss people-- i miss being surprised, i miss relating to people on any level that isn't abject pain. i miss connection, communion, community.
o. alone+introspective because it pays off to be so. i don't miss people at all-- in fact it is a true sign of growth that it is not my knee-jerk reaction to say that i hate them for everything that (an admittedly small sampling of) people have done to me.
x. i am so terrified of communication at this point, &traumatized by Other People just in general, that i regularly shut my notifications off on everything because the sound of any form of notification ring that i recognize can literally kick off vicious panic attacks and send me running for dark corners, lmao. i am pathetic-- but i am a survivor.
o: i am charming, fun, &social to varying degrees dependent on the work. i am adaptable, everything from the center of attention to support staff with ease. smiling through blood in my mouth&talking to basically anyone for minutes to hours is child's play-- literally, since that is when i learned it.
x. pride over the skills i've developed over a lifetime of nonsense. made possible by mania, perhaps.
o. shame over the skills i've developed over a lifetime of nonsense. put off by disassociation, definitely.
x. i am kind and small and smiling and invisible. please just leave me alone. please don't even look at me, i literally cannot bear it, i just want to be alone again, please do not hurt me, i will do anything to make you happy if you just promise not to hurt me.
o. i am vicious and bloody and loud, and i will make you look at me, i will make you see me. i will give you a reason for that sneer, &i have no problem giving and taking blood in the process. my blood is worth so much less that i will win this no matter what-- i am braver than you could ever be because i have nothing that i'm afraid i'll lose.
x: i just want to make people smile.
o: i just want to never see another living person ever again.
x: like me, like me, like me. please just like me. i just want to be safe from abject hatred. i just want to be likeable. i can be anything, anyone-- it isn't like i want to keep all my parts, anyway, just tell me what i need to toss to be normal. just tell me what to chop off to be loveable.
o: i will give you every reason to fucking hate me if that is what's going to happen, anyway. i have spent a lifetime becoming who i am, usually against my will-- i can finally look in the mirror without flinching, &i won't let anyone take that away from me. you'll pry my forced self-acceptance out of my cold, dead hands.
x: i have been so lucky. i have been so fucking lucky. every single day i am reminded of all the many ways it could have been worse, things could have been worse, life could have been worse. i am so lucky. i owe the red string everything for letting me finally be someone i like sometimes.
o: i might have been lucky, but somehow i doubt anyone treating my gratitude or happiness like a red flag would be capable of living a day in my life-- or any singular one of the days i've lived thus far. but i can definitely give them a taste if that's what they need to wipe the snide looks off their faces. i'll hate myself after for giving in to the temptation, though. i always do.
x: there's good in everything. if you look for it, there will always be good somewhere. you just need to look. happiness is a conscious decision. kindness is a conscious decision. being a decent person is a perpetual and conscious decision.
o: there's bad in everything, too, and the second i see it, i cannot unsee it. or forgive it, usually. why is it so much easier to see how much people fucking suck?
x: i want perfection. practice, constant effort, dedication-- i need perfection, i'll get perfection. if i can't, what's the point? if there's not even the possibility, what is the fucking point? how am i supposed to live if i know my lifelong goal is&always has been unattainable?
o. perfection isn't an objective possibility. how many times&different ways do i need to fail at the impossible reality before it actually settles in. it isn't possible. i'm dedicating my life to an impossible pursuit. more specifically, i'm committing myself to eternal&constant punishment for failure. why, though. why am i like this.
x. i hate myself so much sometimes i feel like i might actually lose my mind.
o. i am so full of pride sometimes i feel like i might burst at the fucking seams with it all.
x. i am terrified that i'm not capable of living unless it's fighting uphill. who am i without the struggle? who am i past the trauma?
o. if fighting uphill is what made me what i am, what does it matter if i never lose the edge? why should it matter if i need the extra motivation? if i can handle it, why should the struggle be a bad thing?
#so my bipolar diagnosis has been a central theme in my life for the past couple months right.#&i have a really. specific. relationship w my diagnosis lmao. bc its not like i can pretend im not certifiable lmao#but like also this diagnosis up until i literally lost parts of my sanity over turbo had only ever been used for several types#of negligence lmao.#&bc its been a Conversation lately ive been having to reflect on how i feel about it more than i have in. years probably lmao.#&like my thing is i have trouble telling the difference between being an unstable person vs being a complex person.#idk. something something what is the self without the Other? something something tree falls in the woods&no one hears it ect ect.#something something what makes anything real in regards to things so abstract&subjective?#bc until someone actually has the balls to slice me open&test my brain chemistry to put me out of my misery its all just a debate lmao.#idk lots of polarizing thoughts lately maybe.#... as always i dont really have a trigger warning specific for anything but it feels relevant anyway.#........... my doc is gonna have a field day. i dont want new meds but i have a feeling an adjustment is coming soon. 🫠🫠🫠#on the plus side tho! i have successfully kept my weight up past 105lbs for a solid week. so. solid win in all my other med departments.#(... i just remembered i had a bf once who used to HATE reading all my ramblings lmao he said i talked way too much&it showed.#i'm so fucking happy we broke up before that could actually sink in enough to ruin my big fucking mouth LMAO)#(edit: my doc had a field day lmao.)
6 notes · View notes
logicalarachnid · 4 months
Text
Spider-Man (2018) Aftermath Otto vs Spidey Boss-Battle Ramble
Just finished playing Spider-Man (2018) and that final Peter & Otto scene RUINED me. I expected to lose it when Aunt May would die, bcs they were setting it up to end like that, but gosh, I did not expect that heartbreaking scene between mentor and student.
To me, that final scene between them was such a good depiction of someone like Otto who is mentally unstable/ill, and it isn't their fault, but they lose their way and lash out. And Peter, who is like a carer, someone close to that hurt person, who loves them, and wants to help, but they can't anymore.
It's like Peter says to Otto when he tells him that he can't save him. "I guess you'll have to save yourself." It's the motions that they go through during the conversation, how it shifts because of how Peter doesn't respond the way Otto wants/hopes. The way Otto suffers, we can understand it and partially sympathise, and we are able to do this purely because of Peter's perspective, bcs of the journey we go through with him up to that point. Peter loves Otto, and it hurts to hear him talk the way he does. It hurts him to know about the terrible things Otto did that has hurt all of NYC...all of it is far from who he knew the man to be before.
"You were everything I wanted to be!" This line really got to me in particular. How, while Otto tires to backtrack and get out of the situation the best he can, if he could only convince Peter, it doesn't work, bcs it just shows Peter just how far gone Otto is from what he knew. And yet, despite that knowledge, despite his crimes, and despite the trouble, the betrayal, the physical assault made against him, the attempted manipulations, and Aunt May...despite all of it, Peter chose kindness. He chose to look after Otto.
Otto: I should have known you'd turn on me, just like all the others.
Peter: Turn? Turn? I worshipped you! Your mind...your conscience, wanting to help others...the way you never gave up!
Otto: That's because men like us have a duty. A responsibility. To use our talents in the service of others. Even if they don't appreciate it...we have to do what's best for those beneath us. Whether they understand it or not.
Peter: No. You're wrong. You were everything I wanted to be! You just...threw it away!
Otto: Yes, of course. You're right, Peter. I see that now. The neural interface affected my mind. But I can fix it. We can fix it...together. If you'll help me.
Peter: I'll do everything I can. I'll make sure you get the best help.
Otto: No! If they put me away, they'll take my arms! I'll be trapped in this *useless* body! Please, Peter.
Otto: That...wasn't me. You said...you'd never abandon me, you promised, remember? And, of course, you'll rest easy knowing your secret is safe with me.
Peter: You do what you think is best, Doc. It's all any of us can.
Otto: Peter-?
Peter: Even when it hurts like hell.
Otto: Peter? Where are you going? Peter? PETER!!
This whole bit shows Otto trying different tactics but at his core he's scared of being vulnerable, of not having his arms. I'm not sure if Otto came back for a few moments or not. However, I am sure that when he began to agree with Peter, telling him he was right, and trying to show that they're similar, and subtly said that they're superior to everyone else...that was definitely manipulative in nature.
Does he still care for Peter in some capacity? Honestly, it is difficult to tell, it was left ambiguous. I personally hope that somewhere deep down Otto does still care for Peter. He did tell him that he saw him as a son, but whether or not that was also manipulation or partially true idk. I hope we get to have a scene of him regarding Peter in the sequel, or a mention of him at least. I mean, Peter lost two people he loved in one day and both were very traumatising. Hopefully, it won't be swept under the rug completely.
7 notes · View notes
trashlie · 1 year
Note
oh you're 100% correct, i have nothing to add. a character doesn't have to be personable, relatable, likeable etc to be interesting and to drive the story forward. and i think ily does a great job at giving us enough information about the characters' backgrounds, motivations, fears, etc, to be able to view the story from different perspectives.
thx for the link to the thread <3 i think your theories make a lot of sense. i absolutely agree with you both that it's likely that kou will fail as the cfo, it's been hinted at multiple times. just in my opinion though, him realizing that being the heir isn't fulfilling him... doesn't seem like it'd be enough to break him free... like, even if we completely remove his motivation to please rand from the equation, being the heir is still his obligation, something he was born to do - whether it's his calling or not is secondary. and tbh i feel like his cultural background might play into it too. in the west, sure, children are more free to follow their dreams, do what they want. but in other places including east asia, children have certain obligations to their families, their own personal wishes are not as important. and even if culture is not a part of it, it's a status thing. he's not inheriting a small business, he's inheriting a megacorp that's been in his family for generations. he knows his family works differently. he knows people would give everything to be in his position. he knows there's a certain pressure from his family to take on this role. also. if he doesn't follow into rand's footsteps, then who? nol?? kousuke would never let that happen. yui would NEVER let him give up that position. i don't disagree with you and the person over on reddit, i just think this is a realization kou might come to much later. he'd have to be free from yui's control first, though.
i also wonder how much yujing exposing smth about the hiraharas/the company will affect kousuke. he already knows about yui's methods and it seems like he just… accepts it, makes use of it even (like when he told yui about nol's plans to study abroad, he knew exactly what he was doing). and it makes me think that he also knows that the family/company has skeletons in their closet, even if he doesn't know exactly what they are. kousuke is a business man. a capitalist. his morals mostly revolve around 'this will benefit the business/this will be bad for the business'. i feel like even if something horrible is exposed about the company/family, he'll try to rationalize it somehow. i just don't think he's at a point where he has the backbone to turn on the company/his family. yet.
something i thought of after sending my last ask... it's really interesting that after the fight, kousuke is reliving the incident from years ago when nol (allegedly) attacked him and was labeled as troubled/unstable/violent/dangerous. isn't it peculiar that this is what's replaying in his mind, rather than, say, him almost killing nol, or what they just talked about, or the phone call with rand? my gut is telling me that we are being shown this for a reason.
so… my own theory is that this incident with him attacking and almost killing his brother will be made public, and that this time kousuke will be labeled as unstable, dangerous, violent - just like nol was in the past. wouldn't that be ironic too, after all the time warning people that nol is troubled and dangerous? after trying so hard to be better than nol, to be rational and perfect? after saying (during the fight in minhyuk's room) that he's never laid a finger on nol? the media has already been reporting on nol's case, so they'll probably find out that his admission to jail will be delayed (my guess is he'll be in the hospital for a couple of days at least). there'll be questions, rumours, and there are plenty of witnesses too. even if people don't understand exactly what happened between the brothers, they know kousuke made nol fall from the second floor, then chased after him, then nol ended up in the hospital in a bad enough condition to delay his admission. maybe i'm dramatic, but if that doesn't look like attempted murder, then i don't know.
rand is facing a big dilemma now as well. if he covers it all up, it'll send nol (and all the witnesses including shinae&friends) the message that nol is insignificant to him, and that the chairman is not beyond using questionable methods to cover things up. on the other hand, if he lets kousuke take the blow, it'll worsen his relationship with kousuke, and significantly tarnish the company's image. both hirahara brothers getting violent in the span of just a couple of weeks? absolutely devastating for the family's reputation and the business. it's a lose lose situation. and how would kousuke take it if he knows it's his fault? when the public, the partners, the investors, etc start thinking that the future heir is unstable? sure, i guess he can try to turn it around and blame nol for provoking him, but people saw what they saw, and the result remains the same.
honestly i might be completely wrong though!! there's so many ways it all could play out, and i'm curious what you think about my theory. i'm also starting to think that i'll not be a single event, but a combination of various things that'll make kousuke crash and burn. i saw a rumor that kousuke's growth will be the second half of s2, but i'm not sure if it's true. like you, i'm very interested in the time skips though, and where he'll be in a couple of months, and in a couple of years. - lil anon 💗 (btw i'll be gone for a couple of days, so i'll leave you alone for now. have a good sunday. take care!)
oh sorry i think i forgot to draw a proper conclusion to my theory oops ;; anyways basically i feel like the incident with him almost killing nol will severely tarnish his public image, make him question the past incident that lead to nol being taken away (and yui's part in it), and eventually make him come to some very uncomfortable conclusions about himself and his made-up reality. we even saw in one of the panels that the ground underneath him was starting to crack and split in two. he'll probably try to continue on as he did and keep up his usual appearances to the people around him/at work for as long as he can, and try to repair his image/reputation... but the incident will definitely be eating away at him. especially if other things like him failing as the cfo, yujing's expose, etc add on to that.
anyways that's all for now. like i said i'll be gone for a while, so please don't feel pressured to reply quickly. take your time. byeeee <3 - lil anon
I took some time to reply to this - since you said you'd be gone for a little bit, but also because it's such a GOOD, long ask I wanted to be sure I could give it all the attention I could, because you make some REALLY compelling points that I definitely want to get into! I really hoped to have this answered, you know, a few days ago lol but I had the most HARROWING last couple days lol bUT I'M HERE NOW!!!!!!
I really love what you have to say! I hadn't thought too much of how the media will cover this - I tend to focus so much on emotional sides of things and when it comes to logical parts of plot lmao it's the asks like yours that really help me out! The fact that Rand pointedly wanted to keep this quiet, too, makes me feel like it's a nod to potential fall out from this.
There's something that is so tragic and fascinating about the possible irony of Kousuke being the one labeled a violent person, ESPECIALLY if it turns out Nol never really was - and I still stand by that thought so far, or at least that Nol didn't attack unprovoked. (I saw a very interesting thought, btw, on reddit, that I haven't fully digested, but someone pointed out quimchee once said Nol's near-sightedness plays a role in the story, or would come to, and they went on to note that, yknow, Kousuke and Yui are nearly identical and is it possible that Nol could have had an altercation with HER thinking it was him? But of course what does that make of Kousuke in that flashback and the huff huff huff? Anyway just a little thing I want to throw out there that I haven't really made up my mind on yet lol.)
We've seen Nol and Kousuke heavily foiled a lot, and especially as we get deeper into it as we have been, learning how much Kousuke resented the traits Nol possesses that he doesn't, the fact that it seems like Kousuke's entire recollection of whatever happened is completely fabricated because he can't handle the truth ("Sometimes those that experience trauma create falsified memories to cope"), wouldn't it be just such an inverse parallel for Kousuke to be labeled a violent person, except on reasonable grounds this time? I definitely had not considered that possibility, but now that you've mentioned it, it's been sitting at the back of my mind and I've been thinking over it the last week or so.
I definitely think something like that could be the crack that makes him start coming to - or at least confronting - those uncomfortable realizations, because right, it needs to be something that shakes him up. And I think, especially if Yujing's expose has anything to say for it - and I imagine it might because why else were we shown Yujing looking at that article - it would at the very least bring him to crossroads with his relationship with Yui and that made up reality of his.
A lot of the way he talks to Nol feels like he's projecting - the way he's always accusing him of starting the fights, of being difficult when he's not, things like that, which have always felt like that readjustment of Kousuke's reality. Nol is the difficult one, so he always believes he is. And thus, the more we learn about it, the more I wonder if Nol ever was the attacker, or if it was just in defense that Kousuke was able to warp the violence and attack, if it was something that Yui fed into. I just can't get over her "You won't have to see that awful boy for a while." It just seems too much like her hand is in this, right?
If he comes to that uncomfortable realization that maybe the things he believes, the things he's been projecting were never about Nol, he'd absolutely crumble and god I think it would mess him up even more than he already is? And like, he's pretty badly off lol. Would he ever be able to continue his job when his world is literally unraveling? Again, I'm SO CURIOUS where we're going to find Kousuke after our time skips, because I think there's a lot of potential to really rattle him up coming out.
And yes, like you said about Yujing's expose, I've also wondered about the way it will affect Kousuke. I wonder how much of it is about Yui as opposed to the Hiraharas in general as a family - which admittedly is mostly Yui, but certainly contains Kousuke in this regard. And now adding what looks like attempted murder into the books makes it so hard to separate him from Yui, even if he does usually try to distance himself from her. It makes it look like he's following right in her footsteps, that he's just like she is.
But also I think Kousuke having to contend with the reality of his mother is definitely one of those contributing factors to breaking him down. The thing I'm coming to realize about him is that he seems to operate on two levels - or maybe this is just how he makes sense to me? When he was arguing with Nol in the party, he was playing dumb, deflecting and throwing things back at Nol. And it was similar earlier in the night, after Nol's pool jump. Kousuke actively rewrites the story, but he IS aware of the reality, because he said so much in 212 after he'd chased down Nol.
Kousuke KNOWS he has actively tried to tear Nol down. He KNOWS he's sabotaged his happiness at every turn because he couldn't bear for one moment for Nol to possibly excel to possibly contend with him. He was already so jealous of all the traits Nol possesses that Kousuke never has, how could he bear to let Nol know Rand's love, too? How could he bear for Nol to be the one Rand was proud of. So it's like... what is Kousuke aware of and what isn't he? I think when it comes to the belief that Nol is violent and vicious, that is real - he truly believes that because that experience was so traumatic to him he rewrote that memory. But what about Yui? Because you are right - he knows what she is capable of and has absolutely knowingly sabotaged Nol via her. But when Shinae calls her a wrench, he got SO upset. Like, disturbing his reality upset. Sometimes I wonder if it's a similar thing, where on some level he knows what Yui is and what she does and thus has an inkling that maybe she's done it to him, but because he cannot handle that kind of thought, that possible truth, he has to rewrite it? idk idk the needs a lot of lmao therapy to unpack everything he's dealing with.
I feel like i've probably gotten really off topic but lmao to try to get back on: I think you are right and this could be one of the things that really cracks that foundation. I think Yujing's piece, too, can get a rise out of him even if it's just that it's an attack on his mom, on his family name, on his family company because you are right - these are his identity, this is how he sees himself. Even if he doesn't have any joy working, even if it ever starts to feel like a prison sentence, this is his role, this is what he was born for, he's the inheritor of the family fortune. But what does any of that mean if the Hirahara name is smeared? What does it mean if the media starts looking into their practices? We know there's a whole side story going on involving Yui and drugs (the implications that something involving medications and tea, Nol's time in the mental facility and his extreme aversion to medication, providing Sangchul date-rape drugs for.... "recreation") and there definitely seems to be an angle between this and Yujing's friend, the one she mentioned to Shinae who'd been through a similar experience. I think this is where it all beings, too - Yujing wanting to help her friend and started digging around and the leads brought her to Yui. (There's a really heinous theory that involves Yui, daterape drugs, and Kousuke that could have culminated in his fall out with his friends but god I don't want that one to be true because it's truly awful and involves Yui, once again, invading Kousuke's privacy and pushing him into uncomfortable situations. Like just thinking about it makes me feel sick.)
What I'm getting at is it's very possible that there could be a story trail there, that could definitely make the public opinion on the Hiraharas and their company turn sour and lose rank. What is Kousuke if he doesn't have that? Who is he if that identity because something ugly, a mark he cannot remove? That coupled with the potential for the media to learn of his violent altercation with his brother? WOOF.
It's funny you mention that about his growth being in s2 because I'm pretty sure i remember quimchee saying some time back that Kousuke's growth had already started - don't quote me on this but my brain connects it to the time when Kousuke was trying to win Shinae's trust with the beaver. But I think what you've heard is right and while the growth has BEGUN it won't happen until later, that we have some events to get through before Kousuke can even begin to CONTEND with the uncomfortable truths he needs to face.
I think Shinae definitely kickstarted Kousuke's growth, in that she has made him face the way he treated Nol, the ways he failed him, and she remains a reminder of this even as recently as 141! But it's only kickstarted, the wheels are turning but they aren't going fast enough yet. Kousuke admitting those fears of his, acknowledging how he tore Nol down so he could never get ahead? I think that's definitely part of it - but it's just a fraction of what he needs to do, and unfortunately he has to break some more to get there.
I'm... really nervous for him and Yujing's article, ngl, because there's a lot that I don't think Kousuke is ready to face, and the idea of the family name and business being tarnished absolutely affects him as that is his entire identity. But also what you said about this altercation ALSO makes me nervous. Supposing the news gets out, Rand has to make a choice that feels like he's choosing between his sons - and also he's got to be strategic because of Yui. It's easy to play off helping Nol and his case as being done for the family, lest Nol embarrass the family even more. But this dilemma isn't that easily played off - if he lets Kousuke take that blow, it affects the company image and name, and that's an attack against Yui. Rand has a dedication to them, and it's his duty to protect their image at al costs. Something in 218 makes me wonder if he WOULD cover it up and continue to send that message of Nol's insignificance - a very nihilistic outlook of what does it matter if he tries or not isn't it better for Nol to believe this anyway? Isn't it better to protect the family? But also!!!! The other point you made - and I think something we were talking about last week - is if it's found that Rand covered up something like this, it aligns him in the public's eye with Yui, that he is cut from the same cloth, that he, too, will stoop to whatever level to get what he wants in the name of the company. Maybe it wouldn't come out now - maybe it would come out as part of Yujing's piece - the idea of Rand sacrificing himself in order to bring down Yui. If the public learns that he covered up a violent situation between his sons, if he hid his son's instability, all of this just plays into those blows.
Anyway WOOF this is long and I'm sorry I feel like it's not a satisfactory response but I REALLY LOVE what you sent in and I think there's a LOT to think about and that you are probably on to something. I think the likelihood of Kousuke - at some point, perhaps not just yet in this moment - being labeled as the violent, unstable person that he's labeled Nol is quite high and it feels narratively in line with the ways they've been pit against each other. I think it also is a big enough event to shake things up enough FOR Kousuke to contend with the things he's not ready to face, to come to grips with those very uncomfortable truths. I fear he has a LOT of turbulence ahead, which, I think makes sense, actually, because we've been watching Nol LITERALLY go through it, and we have to assume at some point the truth will come out, and it will be revealed that he never was what the public made of him. And I think to get there, we're going to have to watch Kousuke tumble.
It's gonna be ROUGH ;A; lol
5 notes · View notes
softshuji · 2 months
Note
story time about the ex ? You mention him here and there and he seems like a douchebag so its got me a bit curious not even going to lie 😂
Sure! It's been ages now, it'll be uhhh 3 years? (gonna put this under a cut)
I think since we broke up in summer. It's kinda stupid. He was 10 years older than me, we met when I was 20 and he turned 31 when I turned 21 and we worked together when I worked at waterstones. We only stayed together for about a year and a half, by which time he told me that he was breaking up with me (which he did in public btw, in front of my friends) because he said he had a girlfriend and she found out about us, and I didn't know about it up until then. And he sorta publicly humiliated me because all our work friends knew we were seeing each other, but also knew he was already in a relationship but didn't tell me. I didn't work there anymore by that time so I just cut myself off from there.
He had said he wanted to stay friends and at the time I thought that maybe wasn't a bad idea since the only other option was to lose him all together (and I was very unstable at the time and felt like I needed him in my life) but it wasn't something sustainable since it was just hurting me more. And then he mentioned only a week later that he felt too guilty speaking to me, that I made him feel bad and he had "tried to stop things" and I was the one who kept pushing them along. (this didn't happen because who the hell asks you to come to their house to have sex if they're the one trying to stop things?) I'm very very lucky that during that time, I didn't end up pregnant or in trouble of some sort, because I wasn't experienced enough to know the repercussions- especially since in hindsight he was never going to take responsibility for our relationship anyway.
I think personally, that was the wakeup call for me. One thing I hate is being blamed for things I haven't done and I realized I had invested so much time into him and he claimed to give a shit about me but didn't and just wanted to use me cos I was young and stupid and inexperienced. There's a difference between saying you love someone and then loving them because they make you feel loved and better about yourself. And that's what it was.
So I kind of had this moment two weeks later after the on and off breakdowns in which I just couldn't do it anymore. And the icing on the cake was when he sent me a message two weeks before his wedding, asking me if I wanted to meet up and stuff and I just wasn't going to do it. So I cut him off. Deleted his number and his Instagram and never spoke to him again. And y'know? I felt relief. Like it felt like a weight had been lifted. And I got back into so many things again, and became a better version of myself after all of it.
Yeah I do have a lot of insecurities still because of this and it's part of the reason why I can't read cheating in fics. But there you go.
Moral of the story is, sometimes you think you can't live without someone, that you need them, but absolutely no one is worth losing your self respect for. What matters most is you being the best version of yourself.
0 notes
keefwho · 10 months
Text
July 21 - 2023 Friday
7:18 AM
Time to cover some embarrassing feelings since the weekend is approaching. They are leftovers of becoming too lost in my thoughts and current situation. The best thing I can do is admit them and work through them, I should not be ashamed. I’ve felt good knowing I always have bestie time in the evenings even if just for a little bit. I should know in my heart that there will always be a next time even if those times end up few and far between. The weekends throw that up in the air because how much she likes to do and socialize. I get worried that I won’t get the time I want. Even more embarrassing is I worry about how close she might get to someone else in case I get outperformed which seems easy. 
Both of these feelings have to do with how detached I’ve gotten lately. I more or less fell into the thought that we’re a couple when we aren’t and was behaving unhealthy in a way that wasn’t fair to myself or the relationship. Even if only briefly, I was re-understanding the importance of being on my own more and letting things be what they are naturally. It is easy for me to fall back down though, especially this early into figuring things out. I gotta stay vigilant and catch what I can. All I can expect from myself is my best. 
Step one is to realize I’m already setting myself up for failure by thinking I’m going to repeat the same cycles or that everything is going to work against me. I’m already inherently predicting failure and it would be helpful if I could keep catching thoughts that actively work against me. 
8:35 AM
The big goal is not to hinge my entire existence on one person or group like I’ve done in the past. 
5:51 PM
Oops, I’m thinking too hard again. It’s stuff I’ve heard before. I’m having thoughts like “What the point of trying, it won’t work out,” or “I must be a real lose, look at the state of my life.” Two very powerful thoughts that I know can make me go down a pretty wicked spiral. I think I just need to talk to someone about it, anyone I feel comfortable with. Someone who will listen. I’m also trying to defuse on my own first. 
6:47 PM
At least I’m aware of the state my mind is in even if I’m finding it hard to defuse. It almost feels hopeless but I know thats just another thought. I really just need someone to talk to but I’m having trouble picking who.
9:49 PM
Too often I am not true to myself. I don’t let my desires be known and I fester. I try to placate everyone. It’s hard to remember I’m valid too. 
I crave reassurance in different forms but I know better than to give into it unless I’m coming from a genuine place. Often times I want to hear certain things to make me feel better about myself but it’s a temporary solution, a mask. I know my issues run deep and have to be confronted no matter how hard or scary it might be. 
10:48 PM
It might just be the intoxication but my entire being is screaming at me to tell my friend how much I want to discuss things. I always have something heavy to talk about, too much I feel. I know it can be an unstable thing to always be addressing struggles, especially when a lot of them are repeats caused completely by me. It’s hard to tell if my feelings should be taken seriously sometimes. Because they can also come from a place that only wants to cover up things I don’t like about myself. It takes a lot of restraint to keep things inside that might not be legitimate. Like an alcoholic avoiding a drink when it’s all he craves. 
8:13 AM (The Next Day)
I forgot to do a journal entry which I think is important now that I’m trying to look at what I’m proud of doing and what I could have done better. I already don’t remember a lot about how I felt but I’ll summarize what I can.
Breakfast was half a totinos pizza and a granola bar while I watched Twitch until work time. I did my warmups slowly and had to stop doing the commission because I just didn’t have the brain power to do it justice for some reason. I couldn’t focus on anything or tell if I was doing a good job. Instead I worked on my VR bathroom world and finished the last of the animations. After stream I skipped my boxing workout on account of my still strained back but I did make the spontaneous decision to go out with mom to see a nearby wildfire. It was a very short trip but a trip nonetheless. I ended up cleaning the area around my toilet despite not feeling like cleaning. I took an extra thorough shower for no particular reason. I just wanted to give a little extra care to my body today. Lunch was a nice little chicken burger with some doritos. Despite my still suffering mental capacity, I worked on and finished an emote set for someone and almost finished the next one too. Then I worked a little bit more on the world. I started to emotionally slip in the afternoon and was saved by some Zelda time with the bestie. After she fell asleep I finished my drink while watching MoonMoon. 
I can say I was proud of getting a lot of things done today despite the mental hurdle. I didn’t have to work on anything after putting off the commission. I also didn’t have to clean or work on those emotes or anything else but I did anyways. Thats one thing I’ve been getting good at, doing my best even though I know it might not be very good. The point is that I did anything at all. I’m also proud of recognizing that some of m strong feelings last night didn’t need to be broadcasted or entertained because I knew they weren’t genuine and I would calm down. Acting on some feelings will do more harm than good. It’s hard identifying which ones are like that though.
As for what I could have done better, I don’t know what could have prevented me from slipping in the evening. I was trying not to go too far. Maybe I could have picked something to do to occupy myself because I know I was sort of letting it happen by doing nothing. I want to make sure I’m not running from it though. Its hard to keep those feelings in awareness and also do something else in the meantime. 
1 note · View note
occultfolk · 4 years
Text
Tumblr media
Lets talk: chakras!
in this post, we'll talk about chakras! what they are, why its important to keep them balanced and how they can aid/hinder our spiritual journey.
FAQs |
I. what even are chakras? Chakras points of energy throughout the body where the physical and higher selves meet.
II. what do they do? each chakra corresponds to massive nerve centers and major organs in the body. each of the 7 chakras also contains our spiritual states of being.
INTRODUCTION |
so what ARE the 7 chakras? glad you asked! let's break them down, one by one, because in order to begin to unblock or even open our chakras, we need to understand them throughly.
before we begin, let's do a little meditation lesson. lie down on a comfortable, flat surface. now, using your pendulum, hover over each of your chakra points — if the pendulum moves with the flow of the position of your body, the chakra is open. but if it does not move, it is blocked.
now, this comes with a grain of salt because while it can be a useful simple way to check the chakras, it cannot be the only way you check them.
SEVEN CHAKRAS |
Tumblr media
1. Root Chakra (Muladhara)
The root chakra represents our foundation. On the human body, it sits at the base of the spine and gives us the feeling of being grounded. When the root chakra is open, we feel confident in our ability to withstand challenges and stand on our own two feet. When it's blocked, we feel threatened, as if we're standing on unstable ground.
Location: Base of spine, in tailbone area
What it controls: Survival issues such as financial independence, money, and food
Mantra: "I can't grow from an unsteady foundation."
Color: Red
Element: Earth
Stone: Hematite
2. Sacral Chakra (Swadhisthana)
The sacral chakra helps inform how we relate to our emotions and the emotions of others. It also governs creativity and sexual energy. Those with a blocked sacral chakra could feel a lack of control in their lives.
Location: Lower abdomen, about 2 inches below the navel
What it controls: Your sense of abundance, well-being, pleasure, and sexuality
Mantra: "I always honor others but not before myself."
Color: Orange
Element: Water
Stone: Tiger's Eye
3. Solar Plexus Chakra (Manipura)
The third chakra, the solar plexus chakra, speaks to your ability to be confident and in control of your life. Think back to the last time you had butterflies or felt a pit in the stomach: That's the Manipura chakra at work. If your solar plexus chakra is blocked, you might feel overwhelming amounts of shame and self-doubt. Those with open sacral chakras are free to express their true selves.
Location: Upper abdomen in the stomach area
What it controls: Self-worth, self-confidence, and self-esteem
Mantra: "Self-love starts when I accept all parts of myself."
Color: Yellow
Element: Fire
Stone: Amber
4. Heart Chakra (Anahata)
The heart chakra is the bridge between the lower chakras (associated with materiality) and the upper chakras (associated with spirituality). As the name suggests, this chakra can influence our ability to give and receive love—from others and ourselves. Someone with a blocked heart chakra will have difficulty fully opening up to the people in their life. If someone's heart is open, they can experience deep compassion and empathy.
Location: Center of chest, just above the heart
What it controls: Love, joy, and inner peace
Mantra: "When I love myself, loving others comes easily."
Color: Green
Element: Air
Stone: Rose Quartz
5. Throat Chakra (Vishuddha)
The throat chakra gives voice to the heart chakra and controls our ability to communicate our personal power. When it's functioning at full capacity, it allows us to express ourselves truly and clearly. Someone with a blocked throat chakra will feel like they have trouble finding the words to say how they truly feel.
Location: Throat
What it controls: Communication, self-expression, and truth
Mantra: "I speak my truth, always."
Color: Light Blue/Turquoise
Element: Sound/Music
Stone: Aquamarine
6. Third-Eye Chakra (Ajna)
As we move up the body, we're getting closer to communion with the divine. The third-eye chakra controls our ability to see the big picture and connect to intuition. Think of it as the eye of the soul: It registers information beyond the surface level. Visions and intuitive hits are not uncommon for someone with an open third-eye chakra.
Location: Forehead between the eyes (also called the Brow Chakra)
What it controls: Intuition, imagination, and wisdom
Mantra: "I am open to exploring what cannot be seen."
Color: Dark Blue/Purple
Element: Light
Stone: Amethyst
7. Crown Chakra (Sahasrara)
The crown chakra, the highest chakra, sits at the crown of the head and represents our ability to be fully connected spiritually. When you fully open your crown chakra—something very few people ever do!—you're able to access a higher consciousness.
Location: The very top of the head
What it controls: Inner and outer beauty, spiritual connection
Lesson: "I am a vessel for love and light."
Color: Violet/White
Element: Divine Consciousness
Stone: Clear quartz
BLOCKED/OPEN |
now that we have a better understanding of the chakras, what they do and more important where they are, we can talk about the reasons we might have blocks, and the things we can do to reopen those blocks and therefore progress in our spiritual journies.
i read a book about charkas a while ago, and then i feel it explains the reasons better than i could, here is an excerpt from that book.
"A blocked chakra means energy is stuck or hindered. You might think of it as a blocked artery. In order for energy and information to flow, the channels through which they flow must be open. You will have difficulty getting to work on time if the roads are blocked by traffic. In the same way, the chakras cannot work at optimal levels when the pathways have blockages. These blockages can be physical, emotional or psychological, spiritual, karmic, or energetic.
The blocks can be physical, in the literal sense, such as fatty deposits in the arteries, a tumor, a cyst, or excess waste. We can create blockages in the physical body through poor dietary choices, lack of exercise, overexertion, and lifestyle choices such as overwork, drug use, or lack of sleep.
Blocks in the chakras can also be emotional or psychological, such as stored emotions from the past or mental illness such as anxiety, depression, or addiction. We accumulate emotional toxins and residue from not properly processing and digesting emotions and experiences. These toxins result in blocking the energy flow of the chakras.
Blocks can be spiritual in nature. They can come from outside spiritual forces or from within. If we refuse to honor the spiritual side of who we are, we block the higher chakras. Being spiritually rigid and strict can also restrict the flow of energy. Remember, whether the forces are external or internal, without your conscious awareness they can create harm.
Blockages can also come from our karma. The word karma in Sanskrit literally means “action.” In life we perform actions that are good or nourishing, bad or harmful, or neutral. An example of a good action might be giving money to charity. A bad action might be intentionally lying or deceiving. A neutral action might be making the bed (which, if you dig deeper, can also be considered a good action, depending on the circumstances). In the East, certain religions and philosophies adhere to the principle that we accumulate karma throughout lifetimes, and we carry it forth into our current life. The definition of karma, in this sense, assumes a belief in reincarnation and asserts that karma is not simply the action performed but also the consequences of that action. Good karma carried forward can give us favor in our current lifetime. Bad karma is a debt we must repay in this or future lifetimes.
Finally, the blocks can be energetic. I explained a little about energetic blockages when I spoke about my astrological chart. We are a part of this earth, our solar system, and the universe. The influence of the earth’s energy and elements, as well as of the energy of the sun, moon, and planets in our solar system, is strong and undeniable. Ayurveda, the five-thousand-year-old medical system from India, recognizes these energetic forces and acknowledges them as a means of healing. You can learn more about Ayurveda by reading my book The Wheel of Healing with Ayurveda: An Easy Guide to a Healthy Lifestyle. Ayurveda works on the principles of the five elements — space, air, fire, water, and earth — which work together to create the three doshas, or mind-body types, of Vata (space and air), Pitta (fire and water), and Kapha (water and earth). These elements and mind-body types are relevant in recognizing energetic blocks within your body and the chakras. This awareness will give you more tools toward your healing of the chakras and provide a superspeed highway to creating energy flow." — CHAKRA HEALING FOR VIBRANT ENERGY by Michelle S. Fondin.
so how do we unblock them then? well, its more complicated than can be explained in a single tumblr post, but i will tell you how to get the energies moving whilst you work through the blocks and figure them out.
we need to understand, that we are all different, and our spiritual journies will all be different. the same goes for things like chakras.
1st Chakra (Root)
Element: The root chakra is associated with earth, so walking barefoot in the sand, grass, or dirt can be beneficial. Any time spent in nature is helpful for this chakra.
Nutrition: Eat healthy red foods like tomatoes, beets, berries, and apples.
Wear and Decorate: Use accents of red and wear red jewelry, clothing, or shoes.
Sound: lam
2nd Chakra (Sacral)
Element: The sacral chakra is associated with water, which means swimming or spending time by bodies of water like lakes and oceans is beneficial.
Nutrition: Eat orange foods like carrots, oranges, melons, or mangoes.
Wear and Decorate: Surround yourself with orange accessories or tones.
Sound: vam
3rd Chakra (Solar Plexus)
Element: The solar plexus chakra is associated with the element of fire, so enjoy sitting around a bonfire or soak up bright sunlight.
Nutrition: Eat yellow foods like bananas, ginger, turmeric, pineapple, and corn.
Wear and Decorate: Wearing yellow clothing, jewelry, and accessories would be beneficial.
Sound: ram
4th Chakra (Heart)
Elements: The heart chakra is associated with air, so breathing deeply will help to clear the energy at this level. Drive with the windows open, fly a kite, or take a boat ride.
Nutrition: Eat green foods including broccoli, avocado, and leafy greens like kale or spinach.
Wear and Decorate: Accent your life with all shades of green.
Sound: yum
5th Chakra (Throat)
Element: The throat chakra is associated with ether (similar to spirit), so sitting in an open space under a clear sky is a fabulous way to get this energy flowing appropriately.
Nutrition: Eat blue foods like blueberries, currants, dragon fruit, and kelp.
Wear and Decorate: Use all blue tones.
Sound: ham
6th Chakra (Third Eye)
Element: The third eye chakra is associated with light. To balance and open this chakra, sit in stillness in the sunlight or relax in a window as the sun pours in.
Nutrition: Eat indigo foods including purple kale, grapes, and blackberries.
Wear and Decorate: Wearing indigo clothing or jewelry and decorating with accents of this color will be useful.
Sound: sham
7th Chakra (Crown)
Element: The crown chakra is affiliated with all the elements, so connecting with your wholeness rather than a single element is the recommended practice. Spend time in meditation, chanting, or prayer.
Nutrition: At this level, the nutrition is no longer for the physical body. This chakra is not nourished with food, but with spiritual practices. Practice self-reflection and curiosity.
Wear and Decorate: Wearing violet clothing or jewelry and decorating with accents of this color will be useful.
Sound: om
CONCLUSION |
hopefully you all understand chakras a bit better now! but, if any questions are to come up that you can't seem to find an answer to, my ask box is always open! (like my chakras).
2K notes · View notes
onbeinganangel · 3 years
Text
warmup ficlet for @the-starryknight! she picked 'i know we’re not together but i might die today so i’m going to kiss you just in case there is no later' from this wee list of kisses and asked me to drarry it up and I rubbed my hands together in glee knowing fully well i was about to put together a hell of an angst sandwich
not beta'd, not edited, just angst with a happy ending directly from my heart to yours! (cw: some canon-style mentions of blood, violence, injury and also kind of patient/healer relationship)
damned if you do it and damned if you don’t
(draco/harry, 1.8k)
Draco had pictured it so often throughout his life he sometimes couldn’t honestly believe he had made it all the way to twenty-seven.
He remembers saying it after being thrown on his arse by the family Abraxan. He’d been very little, then. Five or six, maybe. He’d cried, big fat tears running down his face, and when his Mother finally managed to pull his tiny fists down and stop him from hiding his crying behind them, he’d announced, “Maman, I am dying.” She had assured him he very much wasn’t. They’d had scones with big heaped spoonfuls of clotted cream and raspberry jam in the garden and he’d soon forgotten about his fall.
A few years later, he fell off his broom and straight into the lake. Dobby had spelled him dry to avoid him getting in trouble and he was still heaving, coughing up water and panicking when he told the Elf, “Dobby, I am dying.”
Then there was the incident at Hogwarts. He still felt the sharp talons on his skin way after the hippogriff was far, far away, as he bled, holding onto the gashes on his arm and announced to the whole class, “I am dying, it’s killed me!”
Between the ages of sixteen and eighteen, it was more constant. It was the heavy burn of the Mark settling on his arm, it was the feeling of all his organs lighting up in pain and his bones breaking under Crucio after Crucio, it was the sounds of Nagini slithering outside his bedroom door at night, the sickening thud of death, the unsettling screaming, his aunt’s shrill nails-on-chalkboard voice, Greyback’s growls. A neverending chant of “I am dying, I am dying, I am dying, I am dying” inside his head.
It was confiding in a ghost, it was crying because the fear of failure was so intense he reckons he would have preferred to be dead then, it was the only person he believed was actually kind and pure and incapable of willingly inflicting pain on anyone slashing him open and leaving him for dead on a bathroom floor. Draco had looked at Snape, murmuring spell after spell over him, and he’d whispered, “I am dying.”
It was learning how to be numb, how to not feel, how to keep everyone out of his mind and away from his thoughts, it was the paralysing terror of crawling around in the shadows, the bone-deep dread of dropping leftover bread rolls on the floor by the bars on the dungeon and kicking them swiftly into the other side, where they kept his classmates. It was sneaking a blanket or two down and saying to himself, “If they find out…”
It was the persistent horror of knowing you don’t believe in what you’re doing and knowing you’re damned if you do it and damned if you don’t. Between the ages of sixteen and eighteen, Draco would lie in his bed at night — his own at home, his own in the dorms, Pansy’s in the girls’ dorms when it got bad, and he would say it to himself, hoping it would become true, “I am dying.”
But he hadn’t. Despite all odds, Draco is happy. Twenty-seven. He’s got friends, a flat, a job he loves and he’s good at. He’s no longer spat at on the streets. He survived, he made amends, he managed it all. Most of all, he had managed not to die.
Until now, that is. This time he’s pretty certain he won’t be afforded such luck. He feels the curse hit him square on the chest. It’s his own fault, really, for not realising there was someone already in the room he entered. He’d been too busy throwing a rather flourished Incarcerous across the room at the two potions dealers he’d been running after for the past five minutes to notice the third man.
Draco is falling backwards before he has time to even think about anything, his wand clanking noisily seconds before he joins it on the floor.
Then: “Incarcerous.” He hears it — muffled but there. And after, “Fuck, Draco.”
He’s way too familiar with the way his Auror partner works not to know it’s him when the strong arms wrap around him and pull him up. “Oh, Merlin,” he hears. His eyes flutter back open for a couple of seconds and he can tell he was right, even if it’s all blurry: red robes, orange hair, worried blue eyes.
Fear. “I am dying,” he thinks. “Harry,” he says.
“You’re gonna see Harry alright,” Ron says. “He’s gonna have words about having to heal you again,” it’s almost like a joke. Like a Ronald-typical joke. But there’s an edge of worry there. There’s panic. Ronald doesn’t panic.
And it dawns on him. Draco tries to look down but it’s all red. The burgundy of his robes, the sticky dark red of drying blood on his hands and the fresh and vivid blood still pouring out of his chest. He’s not gonna make it to St. Mungo’s, he’s never going to make it to Harry.
“I am dying,” he says, and Ron makes a noise that can only be described as half agony, half agreement.
It smells like St. Mungo’s when he wakes up thinking “I am dying.” Very faintly, he hears the same voice he always hears in his dreams. Maybe he is dead. The voice never sounds like this in his dreams, though: disembodied, frantic, quick. Draco catches half words, half sentences, half conversations that don’t make sense. A different voice is saying “just do it” and “you’re powerful enough” and “sod protocol” and “I am his partner, I brought him here.” The voice from his dreams responds with things like “unstable” and “I don’t know” and “can you please try” and a “I can’t get in touch with her” and “not without consent forms” and a louder, angry “he’s not going to d—“
Draco tries to move towards the voice.
“Draco!” Says the first voice and three pairs of feet come towards him.
“Don’t try to open your eyes, don’t try to talk, don’t try to move, okay? We have stopped the bleeding for now, but we’re still trying to reverse the curse.”
“Harry.” His Harry.
“Yes, hello. We have got to stop meeting like this.”
“I am dying,” Draco croaks out.
“I won’t let you.”
Draco wants to speak. He wants to say “I am dying, I don’t want to die without telling you,” but he has no strength. His thoughts are going faster than the newest Firebolt as he hears Harry tell whoever else is in the room (Ron?) to leave. He wonders if this is it. This what they show you in the films: your life flashing before your eyes right before you die. He thinks of Harry shaking his hand after his Auror graduation ceremony. “Well done, Malfoy,” he’d said. He thinks of that first time he’d been invited over to Ron and Hermione’s, a few weeks after he became Ron’s partner, and Harry had laughed at his stories, lips wine-red and plump, eyes kind like he’d never expected. He thinks of every moment of almost in between them, every moment where Draco considered blurting it out, saying what was on his mind. The Christmas Gala as he towered over Harry and fixed the little chain on his robes for him, and that night at that dingy club for Hermione’s birthday where they’d stared at each other for forty minutes and when Draco had decided he couldn’t take it anymore, he found out that Harry had left. Or just last month when they’d gone out to buy a housewarming present for Luna and ended up eating leftovers on Harry’s sofa, exhausted from people and walking. There are too many. Too many instances of hesitation, too many “nearly-but-not-quites.”
And he’ll die and won’t ever get the chance to tell him, to kiss his handsome, stupid, precious face, and it aches — it hurts almost as much as that spot just to the left of his breastbone where the Curse had hit, where he was profusely bleeding not long ago.
“Closer,” he manages, very quietly.
Harry approaches, but not close enough, not even close enough for Draco to grab at him.
“Cl— clos—uh—closer,” he tries again.
And Harry’s right there, by his bed and he looks beautiful in his Healer robes (unheard of, really) and Draco is blinking his view into a sharper focus and listing all the things he knows he loves, the things he doesn’t want to forget: the white-ish storm of a scar that slashes through Harry’s eyebrow, the shiny (shinier than usual?) green eyes, the touch of stubble, the slightly crooked nose, the lips — oh, the lips, plump and sweet looking and Draco will never get to find out just how sweet. And then, he has to do it. Because if he’s going to die anyway, he may as well use his last breath on this.
He pushes himself off the pillow slightly and his hand pulls Harry’s green robes closer until their lips meet, clumsily and hard — Harry not expecting it, Draco waning from the efforts of pulling Harry closer, but Draco will die knowing he’s kissed Harry. And if there’s no later, at least he’s done it. At least Harry knows.
“Stop. You’ll hurt yourself,” Harry says, and pushes him back down. Gently, like everything he does.
“But—“
“I know, darling. Me too.”
Darling? Harry… too?
“I’m going to heal you, okay? I’m going to heal you and we’ll do that again. I’ll take you to dinner, or brunch, I know you like brunch. Or just coffee. We’ll go to the pictures. I’ll hold your hand. We’ll go flying. We’ll go clubbing and I’ll dance with you, I promise I will, and I’ll let you tell me how bad I am. I’ll find you a copy of that book you were talking about with Hermione, no matter how much it costs. I’ll throw my name around if I have to, okay? And we’re going to do that again, properly. When I’m not your healer and you’re not hurting. I’m going to heal you now, you just—“ he stops, then, breathing wild and panicked.
Then, a small sob. A kiss to his forehead. Draco doesn’t remember closing his eyes.
“You just hold on, yeah? Don’t go anywhere.”
And Draco would cry if he had the strength, he would say yes to all those plans and more, but he focuses on the feeling of Harry’s magic sinking into his body like and he holds on, just like he was told to. He holds on, even if he doesn’t know exactly to what. And he thinks maybe he’ll get lucky again, and he’ll stop picturing himself dead like he’s been doing his whole life. Harry’s magic feels like love, like poetry, like cascading words of affection whispered into the space between his ribs, it feels like hope. And Draco holds on and thinks to himself, as loud as a thought can go, “I am not dying.”
155 notes · View notes
whitehotharlots · 3 years
Text
The point is control
Tumblr media
Whenever we think or talk about censorship, we usually conceptualize it as certain types of speech being somehow disallowed: maybe (rarely) it's made formally illegal by the government, maybe it's banned in certain venues, maybe the FCC will fine you if you broadcast it, maybe your boss will fire you if she learns of it, maybe your friends will stop talking to you if they see what you've written, etc. etc. 
This understanding engenders a lot of mostly worthless discussion precisely because it's so broad. Pedants--usually arguing in favor of banning a certain work or idea--will often argue that speech protections only apply to direct, government bans. These bans, when they exist, are fairly narrow and apply only to those rare speech acts in which other people are put in danger by speech (yelling the N-word in a crowded theater, for example). This pedantry isn't correct even within its own terms, however, because plenty of people get in trouble for making threats. The FBI has an entire entrapment program dedicated to getting mentally ill muslims and rednecks to post stuff like "Death 2 the Super bowl!!" on twitter, arresting them, and the doing a press conference about how they heroically saved the world from terrorism. 
Another, more recent pedant's trend is claiming that, actually, you do have freedom of speech; you just don't have freedom from the consequences of speech. This logic is eerily dictatorial and ignores the entire purpose of speech protections. Like, even in the history's most repressive regimes, people still technically had freedom of speech but not from consequences. Those leftist kids who the nazis beheaded for speaking out against the war were, by this logic, merely being held accountable. 
The two conceptualizations of censorship I described above are, 99% of the time, deployed by people who are arguing in favor of a certain act of censorship but trying to exempt themselves from the moral implications of doing so. Censorship is rad when they get to do it, but they realize such a solipsism seems kinda icky so they need to explain how, actually, they're not censoring anybody, what they're doing is an act of righteous silencing that's a totally different matter. Maybe they associate censorship with groups they don't like, such as nazis or religious zealots. Maybe they have a vague dedication toward Enlightenment principles and don't want to be regarded as incurious dullards. Most typically, they're just afraid of the axe slicing both ways, and they want to make sure that the precedent they're establishing for others will not be applied to themselves.
Anyone who engages with this honestly for more than a few minutes will realize that censorship is much more complicated, especially in regards to its informal and social dimensions. We can all agree that society simply would not function if everyone said whatever they wanted, whenever they wanted. You might think your boss is a moron or your wife's dress doesn't look flattering, but you realize that such tidbits are probably best kept to yourself. 
Again, this is a two-way proposition that everyone is seeking to balance. Do you really want people to verbalize every time they dislike or disagree with you? I sure as hell don't. And so, as part of a social compact, we learn to self-censor. Sometimes this is to the detriment of ourselves and our communities. Most often, however, it's just a price we have to pay in order to keep things from collapsing. 
But as systems, large and small, grow increasingly more insane and untenable, so do the comportment standards of speech. The disconnect between America's reality and the image Americans have of themselves has never been more plainly obvious, and so striving for situational equanimity is no longer good enough. We can't just pretend cops aren't racist and the economy isn't run by venal retards or that the government places any value on the life of its citizens. There's too much evidence that contradicts all that, and the evidence is too omnipresent. There's too many damn internet videos, and only so many of them can be cast as Russian disinformation. So, sadly, we must abandon our old ways of communicating and embrace instead systems that are even more unstable, repressive, and insane than the ones that were previously in place.
Until very, very recently, nuance and big-picture, balanced thinking were considered signs of seriousness, if not intelligence. Such considerations were always exploited by shitheads to obfuscate things that otherwise would have seemed much less ambiguous, yes, but this fact alone does not mitigate the potential value of such an approach to understanding the world--especially since the stuff that's been offered up to replace it is, by every worthwhile metric, even worse.
So let's not pretend I'm Malcolm Gladwell or some similarly slimy asshole seeking to "both sides" a clearcut moral issue. Let's pretend I am me. Flash back to about a year ago, when there was real, widespread, and sustained support for police reform. Remember that? Seems like forever ago, man, but it was just last year... anyhow, now, remember what happened? Direct, issues-focused attempts to reform policing were knocked down. Blotted out. Instead, we were told two things: 1) we had to repeat the slogan ABOLISH THE POLICE, and 2) we had to say it was actually very good and beautiful and nonviolent and valid when rioters burned down poor neighborhoods.
Now, in a relatively healthy discourse, it might have been possible for someone to say something like "while I agree that American policing is heavily violent and racist and requires substantial reforms, I worry that taking such an absolutist point of demanding abolition and cheering on the destruction of city blocks will be a political non-starter." This statement would have been, in retrospect, 100000000% correct. But could you have said it, in any worthwhile manner? If you had said something along those lines, what would the fallout had been? Would you have lost friends? Your job? Would you have suffered something more minor, like getting yelled at, told your opinion did not matter? Would your acquaintances still now--a year later, after their political project has failed beyond all dispute--would they still defame you in "whisper networks," never quite articulating your verbal sins but nonetheless informing others that you are a dangerous and bad person because one time you tried to tell them how utterly fucking self-destructive they were being? It is undeniably clear that last year's most-elevated voices were demanding not reform but catharsis. I hope they really had fun watching those immigrant-owned bodegas burn down, because that’s it, that will forever be remembered as the most palpable and consequential aspect of their shitty, selfish movement. We ain't reforming shit. Instead, we gave everyone who's already in power a blank check to fortify that power to a degree you and I cannot fully fathom.
But, oh, these people knew what they were doing. They were good little boys and girls. They have been rewarded with near-total control of the national discourse, and they are all either too guilt-ridden or too stupid to realize how badly they played into the hands of the structures they were supposedly trying to upend.
And so left-liberalism is now controlled by people whose worldview is equal parts superficial and incoherent. This was the only possible outcome that would have let the system continue to sustain itself in light of such immense evidence of its unsustainability without resulting in reform, so that's what has happened.
But... okay, let's take a step back. Let's focus on what I wanted to talk about when I started this.
I came across a post today from a young man who claimed that his high school English department head had been removed from his position and had his tenure revoked for refusing to remove three books from classrooms. This was, of course, fallout from the ongoing debate about Critical Race Theory. Two of those books were Marjane Satropi's Persepolis and, oh boy, The Diary of Anne Frank. Fuck. Jesus christ, fuck.
Now, here's the thing... When Persepolis was named, I assumed the bannors were anti-CRT. The graphic novel does not deal with racism all that much, at least not as its discussed contemporarily, but it centers an Iranian girl protagonist and maybe that upset Republican types. But Anne Frank? I'm sorry, but the most likely censors there are liberal identiarians who believe that teaching her diary amounts to centering the suffering of a white woman instead of talking about the One Real Racism, which must always be understood in an American context. The super woke cult group Black Hammer made waves recently with their #FuckAnneFrank campaign... you'd be hard pressed to find anyone associated with the GOP taking a firm stance against the diary since, oh, about 1975 or so.
So which side was it? That doesn't matter. What matters is, I cannot find out.
Now, pro-CRT people always accuse anti-CRT people of not knowing what CRT is, and then after making such accusations they always define CRT in a way that absolutely is not what CRT is. Pro-CRTers default to "they don't want  students to read about slavery or racism." This is absolutely not true, and absolutely not what actual CRT concerns itself with. Slavery and racism have been mainstays of American history curriucla since before I was born. Even people who barely paid attention in school would admit this, if there were any more desire for honesty in our discourse. 
My high school history teacher was a southern "lost causer" who took the south's side in the Civil War but nonetheless provided us with the most descriptive and unapologetic understandings of slavery's brutalities I had heard up until that point. He also unambiguously referred to the nuclear attacks on Hiroshmia and Nagasaki as "genocidal." Why? Because most people's politics are idiosyncratic, and because you cannot genuinely infer a person to believe one thing based on their opinion of another, tangentially related thing. The totality of human understanding used to be something open-minded people prided themselves on being aware of, believe it or not...
This is the problem with CRT. This is is the motivation behind the majority of people who wish to ban it. It’s not because they are necessarily racist themselves. It’s because they recognize, correctly, that the now-ascendant frames for understanding social issues boils everything down to a superficial patina that denies not only the realities of the systems they seek to upend but the very humanity of the people who exist within them. There is no humanity without depth and nuance and complexities and contradictions. When you argue otherwise, people will get mad and fight back. 
And this is the most bitter irony of this idiotic debate: it was never about not wanting to teach the sinful or embarrassing parts of our history. That was a different debate, one that was settled and won long ago. It is instead an immense, embarrassing overreach on behalf of people who have bullied their way to complete dominance of their spheres of influence within media and academe assuming they could do the same to everyone else. Some of its purveyors may have convinced themselves that getting students to admit complicity in privilege will prevent police shootings, sure. But I know these people. I’ve spoken to them at length. I’ve read their work. The vast, vast majority of them aren’t that stupid. The point is to exert control. The point is to make sure they stay in charge and that nothing changes. The point is failure. 
27 notes · View notes
appleteeth · 3 years
Text
Bruce Week Fic #2
Tuesday (July 20): Trapped, Shield
They could tell they were in trouble, but nobody wanted to make the call to retreat. It was clear the building was unstable from the fight with a villain who enjoyed throwing photon beams their way, but they didn’t know just how bad. Tony’s suit was off the grid, so he didn’t have FRIDAY to warn him of the structural damage at the foundations. Their comms were emitting a sort of pathetic whine from yet more blasts that wiped out pretty much any communication above waving their hands frantically, so any Avengers out of the building couldn’t tell them just how much the building was swaying.
So they had exactly ten seconds to get the heck out of dodge when they heard the floors start to collapse underneath them.
Bruce waved them away, ready to go down with the ship, so to speak, so he could continue the fight with the supervillain without pause. Hulk had climbed out of much worse than thirty floors of steel and concrete. The team members who could fly or teleport grabbed anyone who couldn’t and crashed through the windows, and they had done this so many times, Bruce wasn’t even scared of the impending doom around him
HULK NOT BANNER’S LACKEY.
“What--” but the floor was collapsing and Bruce fell into darkness before he could finish.
He immediately knew this wasn’t like the other times. He wasn’t waking up from having transformed and having helped save the day. Instead, he was waking up in enough pain to know he was in trouble.
He took a deep breath before he tried to move anything, and found his left arm was either broken or felt like it was, his right was trapped under heavy rubble and his right leg was impaled on a large metal pole. He knew he was bleeding in various places as the concrete beneath him felt wet but in his current state, he couldn’t do a thing about it.
BANNER EXPECT HULK TO HELP HIM NO MATTER WHAT.
The sound of Hulk in his head was so much louder when he had a head injury. It felt like he was screaming out into the world, and for a moment Bruce couldn’t hear anything else.
“Hulk… could you pick your moments a little better?” he asked with a hacking cough in replace of a laugh.
NOT FUNNY. BANNER DON’T APPRECIATE HULK.
“It’s hard to appreciate… ow… you when you’re refusing to help me right now.”
BANNER NEED TO LEARN TO APPRECIATE WHAT HULK DOES FOR HIM.
“I do! When do I not?”
BANNER HATE HULK.
Banner sighed and closed his eyes in desperation. Why couldn’t Hulk have had this argument with him when he wasn’t slowly dying? Why couldn’t he have screamed at him this morning, before the supervillain decided to destroy a whole city block?
“I don’t… hate you.”
Even he wasn’t convinced by his words.
“Okay, maybe I do."
Hulk snorted in agreement. That angered Bruce and if he could throw his hands up in surrender, he would have.
"I’m sorry, no, I do. I never wanted this life. I wanted to be a scientist, I wanted to marry Betty, I wanted kids. I wanted a normal damn life with the height of excitement being getting to go to conferences in different countries.”
Hulk didn’t answer this time, so he continued.
“And instead… I lost it all. I had to run for years, hoping my own goddamned government didn’t catch up with me and experiment on me, or worse, turn me into Patient Zero as hundreds of others become what I am. I had to abandon everything. And even now, when I’m supposed to be part of this incredible team, I'm still nothing more than your handler. And all because I’m not allowed to keep even the clothes on my fucking back when I so much as trip over a damn curb.
“So yeah, I don’t appreciate you. I hate what I’ve become and I can’t help but blame you for it.”
There was silence once more and Bruce just listened to the faraway sounds of rubble still moving and things still crashing through what was left of the floors.
Hulk saved Banner. Banner would have died when Hulk appeared. Wouldn’t’ve got the life he wanted anyway.
And boy, he couldn’t argue with that.
Hulk always in Banner. Gamma only made me real. Hulk with Banner when Banner was kid, getting beat up by dad.
“Bullshit,” Bruce rasped, although he felt his defences were slowly collapsing like the building around him.
It’s true. Banner too smart for dad. Banner tried to be good kid but dad hated him. Hated us. Killed mom and said it was our fault.
A sob escaped Bruce’s lips before he could try to stop it.
Hulk always been there for Banner. Hulk always saving Banner.
And it all came flooding back. The blackouts as a kid and waking up to see his bedroom in disarray, like a beast had torn everything to shreds. It was his only way of coping with the abuse. His only way to gain some sort of control when he felt so helpless. His counsellors said he acted like he was a completely different person, but Bruce didn't remember anything that he did. He wasn't sure he even believed them.
And then, when his dad died, when he finally got away from the misery that was his life, he assumed he was cured. How stupid had he been?
He had buried so much of his past, hated who he was even when he was too young to even process hatred. He suppressed everything because that way he might stop the pain. And that had created the creature he now shared a life with.
Banner needed Hulk, Hulk said, much gentler this time, knowing everything Bruce was thinking, feeling everything he was feeling. Banner always need Hulk.
“You… saved me," he finally replied weakly.
Still do.
“Is this why you wanted to bring this up now? When I’m trapped and can’t refuse to listen to you?”
Banner stubborn. Like Hulk.
“That’s fair.” he sighed and wished he could wipe the tears falling down his face. “I’m sorry. You saved my life. You keep saving my life. And you’re a hero.”
Banner hero too.
He was surprised by that. He always assumed Hulk thought of himself as the hero between them. And then he realised something else.
“I always thought you hated me.”
Resent, not hate. Never hate.
“What can I do to help you? To show you I don’t hate you?”
Let me out when not angry. Let Hulk feel something more than anger.
Bruce nodded feverishly, his vision starting to blur and his body going numb.
And let Hulk eat ice-cream.
He choked out a laugh as his body succumbed to his wounds and felt Hulk envelop his mind, releasing him from his pain and healing him. Saving him yet again.
29 notes · View notes
animeyanderelover · 3 years
Note
OMG ! Been waiting for this day for months to make a request ! Would have done earlier low key I hate social media cuz I get bullied but after bookmarking all your stuff for months you made me reconsider and I started a tumblr mainly cuz of your stuff ! If its ok could I request Kurapika and Leorio sharing a love they are like my favs ! Btw you really helped me in this pandemic so thanks a lot and also take care of yourself during this capitalistic nightmare of a holiday they call V-Day XD
😭. Tell me who your bullies are so I can fight them😡. Don’t let their words get through your head, you’re precious and you’re loved by many people❤️💖💝.
Tw: Yandere themes, unhealthy mindset, unhealthy relationship, possessiveness, obsessiveness, delusions, paranoia, overprotectiveness, mentions of kidnapping, death
Leorio and Kurapika sharing a darling
Tumblr media
⛓🧳They’re good friends, sure. But I can somehow imagine that there would be a lot of troubles when it comes to sharing a darling. First of all, Kurapika as a possessive guy would never share the darling with anyone and doesn’t even let them see his friends all that often. That’s how paranoid he is. And if Leorio would fall for you, Kurapika wouldn’t be above threatening him to stay away and better not try anything.
⛓🧳So in order for this to work I think you were most likely Leorio’s darling at first. Leorio is fine with letting you out and is also the type to proudly show you off to his friends and that pretty often. So Kurapika will fall for you during the many times he met you. At first he might just think that he sees you as a good friend and will often point out things to Leorio where he shouldn’t be so careless since it might affect your health.
⛓🧳Once Kurapika realizes his feelings for you he’s the type to drive himself crazy with worries and the fact that Leorio tends to let you out so often will increase his worries only tenfold. And he would instantly tell Leorio about this. He is aware and since you’re Leorio’s darling this would be another story as if you would have been Kurapika’s darling first. I don’t say that it would have been impossible in such a case to share, just much more harder.
⛓🧳There was a heavy argument over this, Leorio protesting against Kurapika’s new feelings and the way he thought he had the right to tell him how to treat you and Kurapika being angry at Leorio for being so incredibly stupid and just taking you anywhere. What if you would get hurt?! Gon and Killua had to stop those two before this might have ended in a fist fight.
⛓🧳It stands open to question whether Gon and Killua made the suggestion to share, the both of them came up on their own with it or even you were the one who came up with the idea. Let’s just say at the beginning none of those two would be really happy about it. Kurapika not because he’s possessive and Leorio endangers, in his opinion, your health with his carelessness. Leorio is on a more open side and would be ready to share, but he loves it when you’re happy and knows that if Kurapika would have the chance, he would lock you all day in, which wouldn’t be very good for your mental health.
⛓🧳The road is rocky and hard, let’s just say it like this. They will often get in arguments about how to treat you since their Yandere types are very different and there are in general a lot of opposite opinions about you. You’ll often have to step in before a fiercely argument turns into a physical fight. They wouldn’t kill each other of course, but both of them are on the impulsive side.
⛓🧳In the end they might come to a more or less unstable agreement since at one point you might get overwhelmed by them playing a game of tug of war with you to treat you like they think you should be treated. You will be allowed to go outside, you and Leorio needed a lot of time to convince Kurapika from this. But only if he can accompany you. He doesn’t really trust Leorio with you alone which will offend Leorio a lot, but at that point he’s just glad that he manages to convince Kurapika to let you out at all. Good luck when going out with those two under people. Kurapika will constantly hold you close to him with eyes glaring at pretty much everyone looking at you. Leorio’s natural jealousy and Kurapika’s paranoia aren’t that good of a mix and you can only feel sorry for everyone who gets yelled at by Leorio or terrorized by Kurapika. Be aware that Kurapika will be almost hasty to bring you back into your shared house again and only the slightest thing is needed for him to drag you back.
⛓🧳How the time between you is assigned is another issue. Both of them, especially Kurapika, need a lot of time alone with you. Whilst Leorio might be more willing to share the time with you together with Kurapika, he can’t deny that that blonde sometimes seriously ticks him off with the way he always thinks he knows how to treat you better and often lectures Leorio about how to treat you properly.
⛓🧳Another important thing to mention in here is Kurapika’s want to start a family. Per se Leorio isn’t against a family, but he has a problem the moment he realizes you don’t want one. That’s when there’ll blossom another argument between those two. Leorio would be a really happy man if he would have a family, but your happiness will always come first and like hell he’ll watch you being forced to do something that’ll influence your life so heavily. I don’t say Kurapika would force you into this, but he’ll lose patience rather quickly and will get pushy.
⛓🧳Kurapika’s intensity is in general a thing that can be really unnerving, especially with those red eyes of his that’ll make you want to disappear in a magic hole. On the other hand Leorio is really touchy whilst Kurapika has a bit more respect when it comes to private space.
⛓🧳Leorio has a really hard time to hold Kurapika back from killing and will often fail horribly. Getting rid of threats is another of those sensitive topics under them. Leorio is loud mouthed and hotheaded and when pissed off enough the type to throw hands and give someone a blue eye. But he’s more of a big talk and dogs that bark usually don’t bite. But that’s a whole different story with Kurapika. His reaction isn’t all that verbal. It’s a more quiet and far more terrifying one with his eyes glowing scarlet red and staring at whoever caused him to feel that way, who endangered you. And that person has to die.
⛓🧳The funny thing here is that we actually could have a good dynamic since we have the goofy and more harmless one and the intense and paranoid guy. But it’s all about how they click together. It isn’t the worst one, believe me, there are far worse ones. But here and there there might be the need for a few improvements. But I guess sometimes it’ll be laughable to watch those two constantly together and bickering each other over the small things. Leorio is the more fun guy to be with since Kurapika tends to be a bit too serious from time to time. Kurapika is the one who’s more quiet, but overbearing nonetheless. Both of them have to hold the other back from certain things in order to not overwhelm or scare you. So Kurapika has to keep an eye on Leorio not getting too touchy and Leorio has to make sure that Kurapika doesn’t get too vehement with you.
94 notes · View notes
redhoodieone · 4 years
Text
Wrong Number Part 2
A/N: Here’s Part 2! Uh…I don’t really know what to say other than…enjoy it! Hopefully, I can post Part 3 sometime next week.
Warnings: Language, Sexual Content, Text Message Nudes, and Mutual Masturbation.
I’m in complete shock. I know I’m frozen because I can’t literally take my eyes off the text message Jason sent to me. It’s clear; it’s in black and white, staring right at me.
Do you ever think we’ll meet each other?
He wants to meet me. Jason wants to meet me in person!
I want to text him back, but my mind is full of many ridiculous questions and the fears of Jason being a serial killer, or rapist, or just an insane Arkham escapee blows up in my head.
Before I knew it, I see the three bubbles on my screen.
I’m sorry. That was selfish of me to ask you that even though we’re still practically strangers to each other. Forget I asked, please?
My heart suddenly hurts like fuck. The pain I’m instantly feeling is very familiar. A broken heart?
It’s pure agony when I notice Jason texting me again.
I’m not going to be able to text tonight, sweetheart. I’m working late with my brothers. I’ll text you tomorrow. Have a good night. Sweet dreams.
I can’t believe I did this. How could I do this to a guy who’s been so funny, so sweet, and such a good friend in only just four days through text messages?
I seriously fucked up. And now I have no one to talk to until I fall asleep.
And as strange as it is, I only sleep well after I talk to him.
 ————————————————————————------------------------------
And true to his word, Jason texts me at five in the morning, only to let me know he made it home safe after working with his brothers.
We only spoke about our jobs once. He told me he works alongside police officers and tracks down criminals and helps brings justice to the city. He seemed almost hesitant to tell me and turned the conversation to me as if he doesn’t like talking about work. He made it clear that he would rather keep his work private, and I didn’t push him to tell me more. I didn’t want to ask a lot of questions, even if I’m sometimes curious about it, because I wouldn’t want to make him uncomfortable about it.
I had told him I’m a waitress at the local diner just a block away from GCPD, and how I’m a late-night writer who dreams of publishing my novel on love and loss. And after I confessed about the book I wrote to Jason, I noticed he was very enthusiastic about that and even told me he wants to read it.
And as the shy and insecure person that I am, I became embarrassed and said no.
That only fueled the fire between us. Jason went on to explain he loves to read. His favorite literature consists of Shakespeare (particularly Hamlet), George Orwell’s 1984 and Animal Farm, and even poetry from Edgar Allen Poe.
He even went into depth of how The Tell-Tale Heart mirrors his own reflection of life and stuck with him during a depressing time in his life.
It wasn’t until after we shared our love for literature that I found myself falling for Jason. As ridiculous and insane as that sounds, I couldn’t help but feel as if he’s the missing piece in my life.
It’s as if he’s the words to my story.
Important, but very valuable to a writer.
I was basically on a high that had me grinning like an idiot, giggling like a moron, and jumping in my seat as my stomach twists and turns like a roller coaster, when Jason refused to take no for an answer after I said he couldn’t read my novel. He even said his dad has connections to businesses in Gotham and could even help me get it published.
As much as I would want that, I couldn’t help but feel that it seems too good to be true. What if his dad took my novel and publish it as his own? What if I get cheated out of a contract and didn’t get paid fairly like I should? What if it’s basically a soul-sucking scam to just fuck my entire life up?
Jason must have sensed my hesitation after that, because he then began to tell me about his brothers.
How his older brother Dick still treats him like a kid, even though Jason is taller and stronger than him.
How his younger brother Tim is a computer nerd and often geeks out over the oddest things.
And how his youngest brother Damian is really a demon spawn, who tries to be tough shit, but is really a soft teddy bear.
He even has a sassy but wise butler, Alfred, who frightens him and sometimes reminds him of Vito Corleone from The Godfather. But the older man loves Jason as much as his dad, Bruce.
The stories about Jason’s family are the best. I always find myself excited to see what he texts me about his family.
How he and his brothers fight over their dad’s car, how they wrestle and spar to see who’s the strongest one, and how whenever one’s in trouble, the other three are already finding ways to save or bail the troubled one out.
It all makes me feel good to know they’re a close family. Especially when my cold, harsh reality reminds me I don’t have a family.
My parents died when I was just fifteen years old. I was in the school library alone during afterhours; reading on a beanbag chair because I didn’t want to go home. At that particular time, my parents were hanging around a different crowd. A crowd that was into drugs and gambling, and possibly other illegal activities I don’t even know about.
So, I chose to stay in the school library that night, sitting in my favorite beanbag chair the librarian allows me to use, reading a favorite horror book, munching away on a hot pocket (a snack also from the librarian), and just enjoy the silence but comfortable environment I would call home.
Then I was told they died in a car accident, but after eavesdropping on Commissioner Gordon and the other cops, I heard there could have been a hit on them.
The car accident happened only a block away from our apartment.
The brakes were cut.
The car was burning too much oil.
The airbags were taken out.
Many noticeable factors couldn’t pinpoint the real crime. Eventually, they just called it a “car accident”, and everything fishy about the case was ignored and never brought up again.
I suffered and struggled a lot in foster homes until I turned 18. I didn’t have any other family members to get into contact with, so I had to make do with the foster care system. After being shipped to three unstable and cruel homes, the last family only dealt with me until I turned 18 and I was soon kicked out. I did get lucky enough to get a job at the diner I’m working at since the new manager needed a pretty young girl to serve the customers.
I even went to Gotham Community College for a year but dropped out when I couldn’t pass any math and science classes.
It was fucking hard.
Science was confusing as hell.
Math was just evil and useless.
I hated those classes so much.
I only passed my English classes because reading and writing only made sense to me.
I even took a creative writing class and poetry class only to discover I want to write.
I want to be a writer.
So, I dropped out of college and decided to work full time at the diner as a waitress. Since no one wants to live and work in Gotham, I’m lucky enough to work morning and night without any issues. As dangerous and scary Gotham can be, I have nowhere else to go, so that’s why I stay here.
Maybe that’s why I’m eager to meet Jason. After everything I’ve been through, maybe I do need a little unpredictability.
Chances.
Risks.
The more I consider meeting Jason, the more I can imagine him being my family.
Or being a part of his.
Maybe.
 ————————————————————————--------------------------------
“You’re not going to meet him, right???” Stacey raises her voice at me in sheer annoyance and panic. She crosses her arms and glares at me to answer her. “Right, Y/N???”
I sigh as softly as I can while wiping down the booths and tables for the night. In the midst of a battle, I find myself growling with irritation when I can’t wipe away the sticky maple syrup spills on the hard surface.
“He could be a fat, old man who picks up on teenage girls! He’s probably some 40-year-old loser who still lives on his mom’s basement playing Street Fighter with kids! What if he tricks you into meeting up in a hotel room and has his way with you? Then what, Y/N?! Does that sound like a good idea to you?!” Stacey snaps.
I exhale deeply and stand up straight; after leaning over the table to reach the opposite side for some time. Turning around, I face Stacey Patterson, a tall, petite, pretty blonde, fresh face girl straight out of high school. She’s a waitress like me, and after only working here for a year, we’ve become close friends; always looking after each other in dangerous Gotham City.
“I didn’t say I was going to meet him, Stacey. We’re just talking about it,” I answer timidly.
Despite being five years older than Stacey, she still intimidates the hell out of me. Whether it’s her 5’11 height, loud voice, or natural evil glare, I can never speak up or defend myself. No matter how hard I try, I just can’t take a stand.
Because what if I actually piss her off? What if she stops being my friend?
Because I don’t think I could live in Gotham and not have any friends and not know anyone.
Stacey is like my best friend, and her friends Amber and Holly hang out in our group. Stacey even says they’re my friends, too, even though I clearly know they only put up with me because of her.
And if Amber and Holly aren’t my friends, then I’ll just have Stacey. And if I don’t have Stacey, I’ll only have Jason.
And who knows if Jason is who he says he is, and if he’s even real.
“Don’t give me that bullshit, Y/N! You’re totally thinking about Jason! You’re thinking about meeting up with him because I could see it in your eyes!” Stacey declares. She waves her arms around to emphasize her point. “You like this guy! You have feelings for a guy you’ve never even met!”
“That is not true,” I argue weakly.
“Yes, it is! And we don’t even know if it’s a guy!”
“Jason is a guy, and I can tell!”
“Oh, really? How? Do tell.”
I stare at Stacey with a serious expression, except my cheeks are burning with embarrassment as usual. “He...comes off like a guy. I know he is. I can tell through his text messages,” I say.
“Anybody can sound like anyone through text messages. That’s how people catfish victims online!” Stacey argues.
“I’m a writer, Stacey. I just...have a feeling, okay? I know Jason says who he is, and I believe him,” I say strongly, as I push a lose strand of my hair behind my ear. “I’m doing this the smart way, too. When he and I decide when we should meet up, I’ll let you know. Maybe we can make it a group thing. I bring a friend. He brings a friend.”
Stacey sighs in defeat when she realizes I’m not backing down. She glances up at me with a stern face. “Fine. When you two decide when you’re both going to meet up, I’ll be there. I’ll be there to make sure he’s not on America’s Most Wanted, and to make sure he doesn’t try to lure you to his mom’s basement. BUT...you have to go on a date. A REAL date with a guy we both know, AND who could be good for you,” she states loudly and clearly.
“But Stacey-”
“Hey! Only until this Jason guy comes to Gotham and we meet him! Until then, I want you to give this guy a chance. A fair chance! For me...please???” Stacey pleads. She pouts and gives me her puppy dog eyes, which she knows I always give in to.
I’m too nice. Mom always said I was too nice, and that one day it’ll get me in trouble.
I’m still wondering when that’ll happen.
“Okay, I’ll give this guy a chance. I swear I will,” I promise and salute her. “But who’s the guy?”
Stacey grins in success and hugs me tightly. “Good! Because you’re like my sister, Y/N, and I just want to see you happy. You deserve it,” she says softly. “And it’s Chace. Remember him? He’s the drummer from, WakeHell. He moved in right next door to me, and I know you two will hit it off right!”
Chace????
Oh yeah. I know him.
He’s a total bad boy. A bad boy I don’t even think I could deal with.
I force a smile but then frown, because the only guy in my life who makes me happy is Jason.
Who I only text.
Who I haven’t even met.
 ————————————————————————---------------------------------
The next day is a lazy day since it’s my day off. I spent the majority of it sleeping, doing laundry, and just doing minor cleaning around my apartment until it’s 9:00 P.M.
And Cruel Intentions is on TV.
Lying on the couch with my second glass of Vodka Cranberry, I find myself really buzzed and horny. Ryan Phillippe back then was hot, and him making out with Reese Witherspoon is doing things to me.
My phone bings. It’s Jason.
What are you up to tonight, sweetheart?
Just a night in, a cup of glasses of vodka and cranberry, and Cruel Intentions is on TV.
I barely realize I’m buzzed and texting Jason. But my horny side doesn’t care.
I sorry I’m buzzed right now lol.
LOL no worries. I just came back from the bar with my brothers. We had a successful night and decided to get some drinks. We even had Tim and Damian use fake I.D’s.
I laugh and snort. Thank God no one heard me do that.
That’s good...we wouldn’t want Tim and Damian to be left out. They’re your baby brothers, Jay.
Jay? I really like it when you call me that. And I especially like you buzzed. LOL.
I like me buzzed too! I think I’m way more fun and free!
LOL!!! Exactly, princess!
I smile down at my phone. I love it when he calls me princess.
You said you’re watching Cruel Intentions? I just found it on TV. Wow...this movie’s old LOL.
Shut up!!! I find young Ryan Phillppe sexy in this movie!
You seriously find him sexy??? The guy’s a whiny brat! A pussy! Fuck, this movie woulda been sexier if we actually saw the douchebag eat out Cecile and saw him fuck Annette AND Kathryn!
I gasp out loud and giggle.
Then it would have been a porno! Not a movie! Hahaha!!!!
That’s fine with me, princess!
I softly whimper at just the thought of Jason watching porn. Closing my eyes, I imagine how he would sound, touch himself, and look when he’s pleasuring himself.
My eyes shoot open when I hear Sebastian telling Cecile he wants to kiss her…down there. I quickly turn my attention to the TV and watch the movie. Even though he takes advantage of a clueless, drunk girl in the movie, just the thought of him eating her out makes me clench my thighs.
It’s been too long. WAY TOO LONG!
The last guy I was seeing didn’t like to eat me out; claimed it was disgusting and unnecessary to do before sex.
As if sucking his dick was glamorous AND fun!
My thoughts are interrupted when Jason texts me.
You’re quiet tonight…does this scene turn you on???
The laughing emojis he texts me should hurt my feelings since I can easily be embarrassed over sexual things but…he’s right.
I’m turned on with just the thought of getting eaten out.
I boldly text Jack back. Unashamed and VERY buzzed.
You have no idea. Just imagining him eating me out, writing the alphabet with his tongue, and making me have an explosion is making me wet my panties right now.
I laugh to myself just seeing that Jason read my text message and is responding fast. The texting bubbles have never looked so good.
You’re…you’re wet right now????
Yes. Soooo fucking wet.
A surge of drunken confidence hits me, and I quickly shove off my pajama shorts until they’re on the floor. In just my white tank top and pink panties, I bravely slip my fingers into my damp panties and rub the wetness against my sensitive clit.
And with my other hand, I raise my cell phone and snap a picture of fingers in my wet panties.
And I send the picture to Jason.
I bite my lip in anticipation when I see he read my text message and saw my picture. The texting bubbles do not appear on the screen. He’s not texting me back.
Frowning, I wonder if I freaked Jason out. Maybe I crossed the line. Maybe I made him uncomfortable. Maybe I’m just not sexy.
Suddenly, my phone beeps. Unlocking my cell phone screen, I see two text messages AND a picture.
Oh, fuck sweetheart…that’s fucking sexy. You’re fucking sexy…
Jason sends me a picture of him wearing his boxer briefs, and his hand holding his hard, thick cock, showing me the outline and shape of his boner.
Delicious. I can feel my pussy clench just from imagining Jason fucking me with his cock.
Fuck doll...you’re doing this to me.
I whimper pathetically and can’t help but continue to rub my clit and respond back. I can see my juices staining my panties.
Are you touching yourself too?
Fuck yeah. Just seeing your fingers playing with your wet, pretty pussy got me hard. I’m jacking off to your picture.
Would you want me like I want you?
Fuck yes, sweetheart. I probably want you more than you want me.
I slip a finger inside my pussy and moan. My thumb runs fast hard circles on my clit, and I’m soon pushing in two fingers. I’m fucking myself crazy, but I imagine Jason is finger fucking me because my fingers wouldn’t get me off so fast.
And his fingers are thick. His hands are fucking huge!
I bite my bottom lip. “Fuck...I can’t believe I’m going to do this,” I whisper to myself. I snap another picture of my fingers shoved in my pussy, and how I’ve gotten wetter. I send him the picture with the truth.
I need to cum so bad. I wish it was you touching me.
Yeah? What would you want me to do to you, doll?
Fuck that picture’s so hot.
I’d want you to finger me. Eat me out. Fuck me hard.
Jason sends me another picture of him stroking his cock but with his hand in his underwear. I can see a wet spot where his tip is; stained with his precum. I want a taste of it so badly.
Fuck I would baby. Your pussy looks so good enough to eat. I’d fucking eat you out until you can’t cum anymore. I bet you taste delicious.
Oh fuck…I’m so close. I want your cock so bad, Jay. You’re gonna make me cum…
Rub your clit harder baby. Fuck your pussy fast and hard with your fingers. Imagine they’re my fingers, baby. I’d fuck you so hard and deep. 
I want to see your cum, okay? Take a picture of that pretty pussy and show me what I did to you.
I do what Jason says. Behind his words, I can feel his authority. Even though I can’t hear Jason’s voice, just reading his words makes me burst like fireworks. My thumb rubs my clit harder, and I crook my fingers just right until I push against my g-spot until I cum. My orgasm is intense, and I force myself to snap a picture of my soaked underwear and fingers. I sent it to him with a lazy smile.
My phone beeps. Jason sent me a picture of his thick, juicy, cum covering his abdominal muscles. I smile a little with pride. 
Fuck that was hot, sweetheart. I needed that. 
Me too. Now, I’m sleepy. 
LOL, I’m tired too. Get some sleep, okay? We’ll talk in the morning.  
Okay…goodnight Jay.  
I roll over onto my side and shut off the TV. Pulling my UGG throw blanket over my body, I snuggle up to fall asleep. My phone beeps again. Opening one eye, I reach over to read the text message. 
Goodnight doll. Sweet dreams.  
185 notes · View notes
cognacdelights · 4 years
Text
before you go
Tumblr media
my outer banks masterlist
add yourself to my taglist
summary: jj myabank has finally cleared up his act and enlisted in the military. however, when the time comes to ship out for his first overseas tour, saying goodbye is a lot harder than he imagined. 
warnings: vague mentions of abuse. sad fluff. 
A heavy sigh left her lips as she stepped forward, towards the fully kitted out boy before her. Her eyes were wide - with both heartache and pride - as she took the entirety of him in. If anybody had told her a year ago that JJ Maybank, Kildare Island’s resident troublemaker, would have cleaned up his wayward stoner boy act and enlisted in the military, she would have laughed in their face. Yet here they were, in their final few moments before his first tour of The Middle East - his first tour of active combat.
“Come here, you,” her voice was soft as a small smile upturned the corners of her lips. She opened her arms for the blonde boy, taking a second step towards where he stood - his heavy, over-sized backpack sat beside his feet. As her arms coiled around his athletic, toned body, he relaxed into the comfort of her warm embrace; the same warm embrace he had taken shelter in many, many times before. However, this time, it was different. This time, it would be their last dose of physical contact for five whole months.
JJ’s heart wrenched as the realisation that he had to leave her behind sunk in. Nuzzling his head further into the crook of her neck, he took in the familiar scent that he adored so much - savouring the sweet aroma of her perfume for as long as he possibly could. She placed a gentle, tender kiss in his tousled, blonde hair, her arms tightening their hold around his broad, muscular shoulders. Both had spent weeks preparing for this moment, upon hearing the news of his deployment. Yet, here - in the moment, both were unable to comprehend the weight of their emotions.
For years, she had been his safe place, his haven, his escape from the cruel realities of his world. Despite her being three years older, she had grown up with him; in fact, she had grown up with all of them. JJ, John B and Pope. Even Kiara. They were cut from the same cloth, fruits of the same seed, children of The Cut; all they had was each other but none of them minded. They got through life together, no matter what challenges were thrown their way, with each other at their side.
Her maturity meant that she knew of the demons that he faced; she was aware the second he showed up to their designated hangout spot with a swollen, bruised eye and a busted lip several weeks after his mother’s selfish disappearance. She didn’t make a fuss in front of everyone, and she let him tell his epic, fabricated story of how he had gotten into a fight with some of the rich kids from Figure Eight. But when he caught her eye, all he could see was the heartbreak she harboured for him and the yearning to take his pain away.
Since that day, she had become his crutch; she tried to keep him out of trouble, she made sure that he ate, she went above and beyond to make sure that he was safe. As they grew older, and the evil his father projected upon him intensified, she became his home; she would clean up the cuts and the bruises, she would hold him close at night and whisper tender words into his ear as he cried himself to sleep, she would comfort his trembling body through the vicious nightmares. She was there for him like nobody else was, like nobody else could be.
“I swear to God, if you don’t come back to me alive and in one piece I will find you, in Heaven or Hell - and I will make The Middle East seem like a day trip to the county fair. Do you understand me?” she threatened. Her voice held an air of teasing to her words, yet JJ knew that she was somewhat serious. In all of their chaotic, dysfunctionally beautiful moments, he had become her home too. They were all each other really knew, which was why saying goodbye was so painfully difficult for the both of them.
“I don’t doubt that one bit,” JJ chuckled in response - his arms proceeding to clinch her petite frame considerably tighter than before. His chapped lips placed a placid, loving kiss against the exposed skin of her neck as his glazed-over eyes squeezed themselves shut, the tips of his lashes tickling as they grazed over her collarbone. “I’m going to miss you so much, Y/N,” he mumbled, his words barely coherent as he forced himself even further into her embrace. He was achingly reluctant to let go of her - the uncertainty of having to face the barbarity of the big, wide world without her hand to hold his unsettling him massively.
“I’m going to miss you too, J,” she whispered in an endearing tone, “more than you know.” Her fingers tangled themselves nonchalantly in the disheveled ends of his dirty blonde hair, twirling the straw-like strands clockwise around her plastic, stick-on nails. It was these trivial comforts that he would miss the most; sometimes all he needed in life was her to run her dainty fingers through his hair as he relaxed into her compassionate embrace.
“Private Maybank,” a bellowing, emotionless voice hollered, interrupting their tender moment together, “put your bit of fluff down and get your sorry backside on that plane, now.” On command, JJ retreated from the safety of her affectionate grasp - his unwillingness to let go evident in the way his calloused, bear-like hands lingered hesitantly on the cold skin of her arms.
“Yes, Sarge,” he conformed to his orders, sending his Sergeant an understanding nod. She peered upwards at the now straight-postured boy, her eyes wide and poised to spill the salty tears which brimmed her waterline. However, she held them back with all her might; she knew that just one tear would compromise everything he had worked so hard for. One, single tear shed by her would have him refusing to leave for combat in an instant. That was the one thing she couldn’t have, no matter how much she wanted it. The military had done so much for JJ - it had taught him things that she could never. He was a better person now - a better man. She wasn’t going to stand in the way of that.
“I love you,” he uttered the weighted words. Those three forbidden words were rarely voiced by JJ Maybank, and had never been directed towards anybody other than her. He knew that he loved her - and he had for a while, he just wasn’t entirely sure how much he loved her. JJ had always been confused when it came to her, he was afraid of mistaking platonic tenderness for romantic affection. He couldn’t distinguish between them in his own behaviour towards her, nevertheless in her behaviour towards him. All he could decipher was that there was a love there - and that was all he needed for the time being.
“I love you too,” she forced her chapstick-coated lips upwards into a small, but meaningful, smile. With those words surpassing her lips, he picked up the hefty, cumbersome backpack which had remained at his feet and threw it over his shoulder. JJ hesitated for a fleeting second before nodding his head as his ultimate goodbye - he couldn’t bring himself to physically say the word, it was too final. “Stay safe,” her weak, unstable voice called out as he made his way towards the dreaded barrack doors.
She felt a heavy arm curl around her petite shoulders as she watched him go. The gathering tears which she had so valiantly fought back whilst in his presence prevailed as they began to spill down her blush-tinted cheeks. A sob croaked from her throat as she settled herself into the soothing, reassuring hold of John B. Silently, she willed him not to turn around for one last, longing glance. She didn’t want him to see her so feeble, so hurt.
“He’ll be okay,” John B consoled her in his deep, mellow tone, “it’s JJ. He’s got the survival instincts of a cockroach, he’d survive a nuclear war, even on weed. There’s no getting rid of that boy.”
565 notes · View notes
spockandawe · 3 years
Note
Bingqiu
HELL YEAH HELL YEAH
Downsides:
I’m not a... huge fan of the pov character being like ‘i’m not gay, tho! i’m not!’ even though I do think it gets resolved in a fairly timely way. And it fits with Shen Qingqiu’s oblivious personality, haha. But in this case, how do I put this. It played not-great with the book’s pacing (uneven, but I don’t really mind) and a central conceit that I like a lot, which is that our main character spends quite some time convinced that his love interest wants him dead.
I don’t necessarily need the book to linger, directly over relationship development for me to be into it, and I absolutely LOVE a dynamic where one person is like ‘hah, you want me dead’ and has to realize they have things very backwards. But in this case, by the time Shen Qingqiu is coming around to ‘oh, you don’t want me dead!’ he slides right into the ‘but i’m straight!’ side track, and by the time he becomes willing to consider that maybe he’s less straight than previously assumed, we’re practically at the fuck or die climax of the novel.
Which isn’t terrible, I honestly adore this relationship. And I do think that binghe’s breakdown over seeing that he fucked shen qingqiu hits much harder if he still feels 100% insecure that his shizun wants him around, period. But I do sometimes wish that we’d gotten a little more opportunity for them to be... platonically-close-with-background-slow-mo-queer-awakening, if you know what I mean.
Upsides:
Oh lord, it’s hard to know what to say here, because the accurate response is Everything. Let’s see. Well, to start with, I adore the emotional high of reading a relationship that starts on such unstable footing (maigu ridge) and works itself out in the end (that marriage extra tho). Reading about Binghe being so unhappy and lonely and insecure and then being loved will never stop doing it for me.
Usually, a teacher/student dynamic would be not my favorite, but something about the shizunfucker genre clicks well with me for some reason. Especially for a student like Luo Binghe, where we’re told about how much he suffered as a child, and how alone he was, and all the ways that original flavor Shen Qingqiu mistreated him, because then, it opens the door to such an intense adoration of a teacher that treats him well and takes care of him. I haven’t read a shixiong/shidi book that plays with quite same themes, but I don’t think it would hit me in quite the same way (yuwu goes there a little, but even though the ship is great, it's not THIS kind of adoration). There’s something about ships with this sort of intense codependence that really work for me, and this book absolutely nails that.
But also, the power dynamics in here are FASCINATING to me. Erha is the main point of shizunfucker comparison that I have, which really is too small of a sample size to judge from. But I don’t think I’d like either of these as much if the teacher was also the driving force behind the relationship. I don’t just mean that in a top/bottom way, but more pursuer vs pursuee. And to go with that, I do also like how hard Binghe has to pursue to get anywhere with Shen Qingqiu. I like... suffering XD As long as it ends happily. And this book really delivers. Tgcf is romantic and all, but I can’t personally conceptualize eight hundred years. I have trouble visualizing 13/16 years. But three years, then five years? I can picture that, and it hurts. The dream flashback where Binghe is telling Shen Qingqiu that he can’t go on....... that hit me right in the stomach.
Also too, not canon-based, because even if it’s a standard genre feature, I don’t have much patience for strict gong/shou roles, but... For a character as needy as Binghe, this is a situation where I absolutely have no trouble setting aside what the book says and substituting a different reality. And I do love me a pair of switches. And I also love me a boy who is very enthusiastic about sex, and very, very bad at it, which is canon, which delights me. The neediness in this relationship, and binghe’s CLEAR room for growth make me much more interested in exploring a post-canon relationship than I tend to be for the other relationships (caveat: i am still prodding at new depths of hua cheng’s issues, and am much more interested than i used to be, but binghe still fascinates me more)
And this may sound weird, but..... I love me a manipulative, needy love interest. It’s real easy for it to play badly, and it’s real easy for it to leave a bad taste in my mouth, but bingqiu works really well for me. It adds tasty tension before the relationship is established, and once the relationship is established and Shen Qingqiu is well aware that Binghe will cry at the drop of a hat, I still love love love to see him folding like a damp paper towel anyways. It’s a flaw, but it’s a flaw that adds depth and flavor to their relationship that I really, really adore.
Okay, I’m losing coherence here. But I just have to copy one excerpt, I just. I love them so, so much.
Shen Qingqiu said, “The way you called ‘shishu’ was too insincere. From now on, don’t call him that.”
Resentfully, Luo Binghe said, “When he calls me a little brute or a thankless wretch, he’s sincere enough.”
Shen Qingqiu couldn’t resist laughing at that. His folding fan was sitting beside the couch, and he picked it up to give Luo Binghe a few taps on the head. “Was he wrong? You dare lay your wolf claws on this teacher’s body? If you’re not a little brute, then what are you?”
The words came too smoothly, and he himself hadn’t realized that this was pushing the bounds of propriety. The tail end of his words lifted the corner of his mouth, in a way that was frivolous yet heavy, a bit coquettish, and extremely undignified.
Luo Binghe looked down at him from above. Watching Shen Qingqiu beneath him, he felt some sort of fire beginning to burn wildly in his heart and stomach. He subconsciously moved to place a leg between Shen Qingqiu’s knees, but suddenly afraid he’d be kicked off the bamboo couch, he quickly dropped his head down to let Shen Qingqiu swat him with his fan to his heart’s content. “Even if I am a little brute, then I’m only Shizun’s little brute. Other people can’t call me that.”
100 notes · View notes
littleabriel-blog · 3 years
Text
My Problem with Loki
Loki is a character beloved by many people. He has been for a decade now, although some people who read comics before the Marvel Cinematic Universe was a thing were fans of him long before the first Thor came out. Over the years since his appearance in that movie the character has gone through a lot of changes, evolving from a villain to an anti-hero both in the MCU and in the comics, the latter even killing off his original incarnation to reincarnate him in a younger body resembling Tom Hiddleston in the hopes that the comics could capitalize on his popularity in order to sell more books. That move, unfortunately, did not bear fruit, with Loki’s solo series being canceled after only five issues. However, Loki remained popular in the movies, so much so that when he was killed off in Infinity War, people were pissed.
As a result of his enduring popularity, Kevin Feige and company decided to give Loki his own solo series on Disney+ when the decision was made to create a string of MCU tie-in shows to supplement the movies, and boost subscription numbers to Disney’s new streaming service. Fans of the character rejoiced. Finally, our favorite character was going to be in the spotlight, and not be merely a supporting character for Thor and hopefully not a butt monkey for the Avengers like he was in the third act of the movie of the same name. WandaVision and The Falcon and The Winter Soldier had previously had well-received and successful debuts on that same platform, and it was hoped that Loki would do the same. Loki turned out to be the most successful of the Disney+ MCU shows that have come out so far, scoring highest in the ratings. As of this writing, it holds a 93% fresh rating on Rotten Tomatoes and an 8.5 on IMDb.
Those numbers, however, don’t reflect the entire audience and there were a lot of people who were not altogether happy with the product we received. Many people who had been hardcore fans of Loki since Tom Hiddleston first put on the horned helmet were not pleased, myself included.  
The show wasn’t all bad. It did set up the multiverse, introduced Kang, introduced Mobius. The special effects were outstanding, a lot of the gags were hilarious, and we did get some character development from Loki before the spotlight fell away from him and he became all about panting after the real main character...more on that in a few.  
So many things, however, were wrong.  
If you liked the show, thought it was perfect, and were a fan of the romance, that’s perfectly fine. There is no such thing as a wrong opinion on a work of fiction. Everyone has their interpretations, everyone has their likes and dislikes, and there is nothing wrong with liking the show. There is also nothing wrong with not liking the show. This is a concept that people on both sides of the debate fail to understand, and I have witnessed flame wars, harassment from individuals on both sides, harassment of creators on social media from both sides, and various bits of biphobia, homophobia, transphobia, and other assorted types of phobias on display. I have seen people accuse people who have different opinions on the show than them of “not being a true Loki fan” and stating that people who have certain interpretations of the character don’t “truly know Loki”.
I’m not here to do that, and I assure you, if you liked the show, that’s fine. You’re allowed to. I’m allowed to not like it, and I’m allowed to explained why I didn’t like it just as you’re allowed to explain why you did. As long as both of us are being respectful, expressing an opinion is good. There is expressing an opinion and offering constructive criticism, however, and then there is namecalling, trolling, and having a tantrum and accusing someone of being “aggressive” when they don’t share the same opinion you do.
There is a huge difference between saying “I find the character of Sylvie to be problematic, and here is why” and “I think fans of Sylvie are sick and need therapy”, and people need to learn the difference between the two. Unfortunately, you have people who have become very protective of their favorite characters and tend to take any criticism leveled at said characters personally. It’s basically “You don’t like them? Well then you don’t like me, and since you don’t like me, I don’t like you.” Which is, frankly, a dangerous mentality to have. We are talking about fictional characters, not real people, and there is no need to jump to the defense of someone who does not exist. It is those people who tend to demonstrate that they have unstable personalities and immaturity, and they are the ones I have started blocking on Twitter because, being an adult woman, I don’t have the patience to deal with immature nonsense like that.
So, if you read this and then decide you want to hunt me down to give me a piece of your mind, tell me that I’m not a “true” fan of Loki, and accuse me of whatever, don’t bother. This piece isn’t here for that. It’s here because I wanted to compile my thoughts and feelings in a way that would better for me to articulate. It’s more or less a venting mechanism, purely for my benefit. If someone else gets something out of it, fine. If the creators of the show happen to see it, which is very unlikely because A) I’m not exactly going to push it onto them on their social media to get them to read it and B) they already get bombarded with tons of opinions on the show on a daily basis and aren’t going to care about one more voice added to the mix, even one who has basically compiled a novel, then alright.
And it is a novel, because I have a lot to say about Loki. I have been a huge fan of the character since long before Tom Hiddleston began playing him. My first encounter with Marvel’s Loki came in the form of the X-Men comics, specifically The Asgardian Wars run. It’s available in trade, and you should check it out. I read that run when I was around 10 years old, and I enjoyed Loki as the bad guy in the two stories that make up the collection. The first has him creating a special wish fountain that has a monkey’s paw effect in that it imbues mortals with special gifts and powers, and has the potential to make Earth a better place, but at the cost of killing every magical person and being on Earth. The X-Men and Alpha Flight find out about this after a plane piloted by the wife of one of the X-Men happens to crash in the general location the fountain is located. The two teams go to investigate, Shaman and Snowbird who are both magical beings begin dying, it’s discovered Loki created the fountain in order to score brownie points with The Ones Who Sit Above In Shadow (a pantheon of deities who are basically the Gods to the Asgardians), and after a lengthy battle Loki is defeated, he shuts down the fountain under pressure from The Ones, and slinks back to Asgard with tail between his legs.
In the second story, set after the heroes of Earth had helped Asgard defeat Surtur, Loki’s attention is caught by Storm, who at the time was depowered. He kidnaps her and brings her to Asgard intending to use her to replace Thor as the Goddess of the Storm, and use her as a pawn to, what else, conquer Asgard and seize the throne.  
I really enjoyed Loki then, and felt sorry that he never appeared in any other X-Men story, not even in an issue of the New Mutants, and that team boasted an actual Valkyrie (Danielle Moonstar) as one of its members. I was a kid at the time and read pretty much exclusively X-Men since those were the books my father purchased for me. I never felt right about asking him for other books since we were a family with money struggles and I didn’t want to be more of a burden by requesting Thor or Avengers comics--that, and I just didn’t find Thor or the Avengers all that interesting at the time, a sentiment shared by a lot of people until the first Iron Man made us actually care about Tony Stark. I wouldn’t have an opportunity to start reading more comics featuring Loki until I was an adult and able to visit comic book stores on my own. I read several runs that featured him as a character, including Ragnarok, the Broxton, OK run where Loki first appeared as a woman, Dark Reign, and finally Siege. I also went back and read Walt Simonson’s legendary run on The Mighty Thor, which I highly recommend.  
Suffice it to say, I’ve been a fan of the character for a long time, and in fact when Tom Hiddleston was cast in the role for Thor, I remember thinking that he was too young. But then I figured it was Hollywood, of course they’re going to deage Loki so that he appears closer in age to his adopted brother in contrast to the comics pre-Siege where Loki was often drawn to look like he was as old as Odin and therefore could be Thor’s uncle or even father as opposed to brother.  
Over the years I grew to enjoy the MCU’s version of the character, enjoy Tom Hiddleston in the role, and like most other people was greatly saddened by his death in Infinity War. Like other fans, I looked forward to his solo series and had high hopes for it. Hopes that were, unfortunately, dashed.
It Was Rushed
In the MCU, it took Loki years to go from troubled young god, to villain, to ambivalent ally, to anti-hero, to hero. Literally, years. Months had passed between the end of Thor and the beginning of Avengers during which Loki endured who-knows-what at the hands of Thanos. We don’t know exactly what still. The Loki series didn’t answer that, I guess because they didn’t want to devote precious screentime to an interesting backstory for what was supposed to be the main character when they could focus on something else instead. That something else will be elaborated on.
In Episode 1, Loki is still the villain from Avengers, something he would have remained as into The Dark World. It would take him being in Asgard’s prisons for a year and then him accidentally getting his adopted mother Frigga killed in order for him to begin to do a heel-face turn. From this, we can clearly see that a transition from ax-crazy bad guy to anti-hero is not going to happen overnight. For this person I shall call Ragnarok Loki, it was a process that took time. He suffered a complete mental breakdown while in Asgard’s prison, a fragile emotional state that was compounded by the anger and massive guilt he felt at Frigga’s death.  
Even after that, he still hadn’t completely abandoned his villainous ways. At the end of The Dark World we find out that after faking his supposed death earlier in the movie, Loki has assumed Odin’s form and taken his place on Asgard’s throne. In Ragnarok, Loki is still sitting on the throne in Odin’s form, and shows no indication at all that he feels any remorse for giving his adopted father amnesia, stripping away his magic, and abandoning him on Earth to whatever fate he might meet. Loki remains a selfish bastard throughout Ragnarok until the third act, after Thor had treated him to a taste of his own medicine by sticking a taser on him and then giving him a speech about becoming predictable and complacent.  
Loki’s arc was one that spanned four movies and six years, since in-universe there were a couple of years between The Dark World and Ragnarok. That meant that his character development took actual time and was realistic. It was one of the things that drew people to the character, the fact that he had a very relatable and believable redemption arc.
Compare that to Episode 1. In less than a day he goes from being the Loki that we saw in Avengers, batshit crazy, selfish, callous, and untrusting, to making personal confessions to a man he had just met only a couple hours previously and agreeing to help the organization that had arrested, stripped, imprisoned, tried, and almost executed him.
What?
I will give the show this: In Episode 2, he shows that he’s still up to his old tricks when he feeds Mobius and the agents all that horsecrap about how a Loki works in the Ren Faire tent, and then revealing that he plans to take over the TVA when he confronts his variant in the futuristic Wal-Mart. The weeping confession to Mobius, that I can’t really get over. How do you go from haughty, arrogant, and “trust is for children and dogs”, to “I don’t enjoy hurting people” in just a couple of hours? The show never indicated that it was a manipulation tactic on Loki’s part. Instead, we were basically told to believe that they became friends just that fast. That emotionally stunted and closed-off Loki made a connection with another person in a matter of hours. Makes sense. Don’t get me wrong, I like Mobius and feel he makes a good foil for Loki. I hope to see more of him in the future. I just have a tough time finding their friendship all that believable.
This would not be the only relationship in the show that happened too fast that we were forced to just buy, which leads me to Sylvie.
She’s the variant that the TVA had been hunting, that Mobius recruited Loki to help capture. And while I normally hate it when people ascribe a certain label onto a new female character because reasons (ones that are usually misogynistic), I think it fits rather well in Sylvie’s case.
Enter The Mary Sue
Mary Sue is a term that gets thrown around a lot. To sum up the meaning in very simple terms, it refers to a character who is too perfect to be believable. Mary Sues are often author-self inserts in fiction, they’re usually the love interest for at least one male hero and it’s usually the male hero the author will admit to having a crush on, their scenes usually are presented much more descriptively than those of the other characters, the story will revolve around them often at the expense of the development and plots for the other characters of the story, and they’re presented as beautiful, powerful, intelligent, beautiful, special, strong, beautiful, and desirable. Yes, beautiful is on the list more than once, and it’s deliberate.
The term comes from an old Star Trek parody fanfic, and while it is usually applied to original characters in fan fiction, the term has been used to describe characters in canon media as well. Some examples of characters who have been described as Mary Sues would include Bella from the Twilight books, Felicity from the show Arrow, Jaenelle Angelline from Anne Bishop’s The Black Jewel novels, Sookie Stackhouse from True Blood, Rey from the last Star Wars trilogy, and Jean Grey from the X-Men comics. Note I do not necessarily agree that those characters are Mary Sues, I have merely heard these characters referred to as Mary Sues, and when I look at them objectively I can kind of see where the accusations come from. Some other terms that can apply are Creator’s Pet and of course Author Self-Insert. Not all Mary Sues are Author Self-Inserts, but a lot of them are. Also, not all characters who can be labeled Mary Sues are female, though they often are. The male version of a Mary Sue is called a Marty Stu, and a couple of characters I’ve seen get ascribed that label include Harry Potter, Daemon Sadi from Anne Bishop’s The Black Jewel novels, Edward from Twilight, and Red Hulk from Marvel Comics. Even Batman and Wolverine haven’t been immune from the Marty Stu stamp, although you can argue that it does apply in their cases especially depending on who’s writing them. Sometimes it is painfully obvious they are author self-inserts...the aforementioned Bella is a good example. Others, you can only speculate on. And while there are theories going around that Sylvie is someone’s self-insert, we don’t have definitive proof of that.
There are good arguments, however, for her being labeled a Mary Sue and Creator’s Pet.
First are her powers. In the show we are told that Sylvie taught herself magic, especially her ability to “enchant”, the power to get into the minds of others and manipulate them. The fact that she taught herself would indicate that her education and skill in using magic should be lacking, right? She should not be as good as, say, someone who learned magic from his foster mother who herself was taught by Asgardian witches?
Yet in the show, Sylvie not only runs circles around Loki magically wise, she even teaches him a few tricks. This is startlingly in contrast to the comics. Loki’s Sylvie is partially based on the character Sylvie Lushton from the Young Avengers, a bad guy who was once a normal girl whom Loki imbued with powers before his death at the hands of the Sentry during the events of 2010’s Siege storyline. In the comics, Loki not only gave Sylvie her powers, but he was the one who taught her how to use them. Now, of course things in the MCU are not going to follow the way things are in the comics. MCU Loki is nowhere near as old as comics Loki and has so far not demonstrated the ability to give other beings powers. And MCU Sylvie is a composite of Sylvie Lushton and Lady Loki, which is also problematic, but we’ll get to that.
But the point is that Sylvie had no training. Her magic is some improvised slapped-together stuff that at best she picked up here and there and at worst she just pulled out of her ass. Now, knowing that, we’re supposed to buy that she can mop the floor magically wise with someone who was formally trained by a sorceress? And that furthermore, she can school him as well?
To make up for her lack of experience and knowledge, Loki is nerfed. Power wise and intellectually wise, he is nerfed. In Thor and Avengers Loki is smart, well-spoken, and a master manipulator. At one point he is able to turn all of the Avengers against one another, and while his magic has never been anywhere near the level it was at in the comics pre-Siege (after his resurrection, he was powered down and is currently nowhere near the powerhouse he had been prior to 2011) he was able to pull off some impressive displays of skill nonetheless. Shape shifting, illusion casting, it was a good repertoire.  
In Episode 3, however...well, he does use teleportation to some impressive affect during his fight with Sylvie, but he still doesn’t get the upperhand. And he should. Loki is a better trained fighter, better trained in sorcery, and realistically should have at the least managed to incapacitate his variant. He doesn’t however, because the moment he meets Sylvie his IQ drops about 20 points. He falls easily for her tricks, makes laughable plans, gets drunk and draws too much attention when he knows that is a bad idea, and manages to get them both stuck on a moon that will soon be dust courtesy of the rogue planet about to crash into it. Loki has made some blunders in the various MCU movies he’s been in, mostly due to his own arrogance and tendency to underestimate his foes, but he’s not that stupid. In fact, in The Dark World he screams at Thor and calls him an idiot for drawing attention to themselves by hijacking an elven ship and crashing into every column and statue within a fifty-foot radius.
Where exactly is that smart, calculating, more careful Loki we know from the films? He’s been transformed and dumbed down, in an attempt to prop Sylvie up. It’s a tired trope, making the male character a dumbass in order to make the female character look good. Well, I should say male-presenting and female-presenting characters in this case, but their supposed gender fluidity really is not represented well and it’s completely contradicted later on, but we’ll get to that.
Anyway, making the male character stupid in order to make the female character look better by comparison is not empowering. It’s insulting. It implies that women are not smart or capable enough to meet men on equal footing, that the only way we can shine is not by virtue of our own strengths, but merely by making us look better than the men.
She doesn’t just outshine Loki intellectually and power wise, she outshines him period. The show from Episode 3 on becomes about Sylvie. She is the show’s main focus, and Loki? He’s relegated to the role of supporting character in the series that’s named after him. Supporting character, and love interest. From Episode 3 on, the show might as well be called Sylvie.
Now, some people will say that since Sylvie is a Loki, the show was indeed focusing on Loki. The problem is, the show is very inconsistent as to whether or not Sylvie really is a Loki or a different person entirely. I will explain more later, but the writers seem to change Sylvie’s identity to suit whatever narrative they want to present to the audience, including the pre-Pixar Disney romance they foist upon us.
The Romance, and why some find it gross
One major characteristic of the Mary Sue is that she always draws the romantic and sexual interest of the main male character, who may or may not be a Marty Stu himself. Oftentimes he’s not, and Loki does not fit the criteria of a Marty Stu by any stretch of the imagination. These romances always happen fast with little to no buildup. There is no what writers of romance call “slow burn”, it’s just throw Mary at the male character, hook them up, and get the audience to buy it. Basically, it’s reminiscent of the romance stories in the Classical Era Disney animated films. Snow White, Sleeping Beauty, and Cinderella all fall madly in love with their princes within minutes of meeting them. There’s no getting to know each other, there is no preamble, there is no slow courtship, no real drama to speak of. It’s basically Love At First Sight or True Love. This trend continues even into the Disney Renaissance. In The Little Mermaid, Ariel is willing to make a deal with a witch to give up her fins for a prince she hasn’t even spoken to yet. He doesn’t even know she exists, and she leaves her home and family behind, gives up her voice, all for a mere shot at hooking up with him.
That’s not love, that’s lust. That’s hormones overruling your brain, and it’s an insulting trope, one that feminists have railed against for years. Disney has made a little progress. The movie Frozen took the mickey out of the Love At First Sight/True Love trope with the song “Love Is An Open Door” and the prince Anna wanting to marry turning out to be a major sleazebag who just wants to use her, but we still only have three Disney princesses (Elsa, Moana, and Merida) who have never had love interests and two (Anna and Rapunzel) whose love stories come close to being slow burns, out of 12 official Princesses. There’s still a long way to go, and boy is there a major step backwards in Loki.  
In Episode 3, Loki fights Sylvie and they end up on Lamentis 1. Sylvie spends a good portion of the time insulting and trying to kill Loki, and Loki finds himself having to defend himself from her. That changes once they get on the train going to the Arc. After sneaking aboard the train using a disguise and a flimsy story, the two Lokis sit in a booth, where Loki proceeds to drink champagne. It is then that, out of nowhere, the conversation shifts from how Sylvie learned her powers to the topic of love.
Why? Why would you bring that up in conversation with someone who was doing her best to kill you a couple hours prior?
Then Loki makes things worse by asking Sylvie if she has a beau waiting for her. Why? It doesn’t make sense. The two of you are at each other’s throats, she’s done her best to kill you, neither of you trusts the other, and, completely out of left field, you decide to basically ask “So...are you single?”
Now, enemies to lovers is a trope that can work when done right. Typically, it’s a very subtle, slow progression that the audience witnesses over time in a novel, movie or television series. Weeks and even months will go by in the narrative during which the two people go from wanting each other dead to developing feelings for one another. There’s usually a “will they, won’t they period” that lasts for some time that’s full of teases and flirting before the couple does hook up and gives the audience the resolution. Done in this way, enemies to lovers can work.
This...this is not the right way to do enemies to lovers. Within a couple of hours Loki and Sylvie go from hatred and doing their damnedest to stabbing one another in the backs, to having a connection that causes a nexus event?
By the way, that nexus event makes no sense. In Episode 2, it is established that it is impossible to create a nexus event in an apocalypse. It is why Sylvie was able to avoid capture by the TVA for so long. In fact, just minutes prior to the two of them almost dying in Episode 4, Sylvie flat-out says that she figured out that she needed to hide in apocalypses because she discovered she didn’t create a nexus event when she hid in them.
Now the two of them are able to create a nexus event in the midst of an apocalypse? Why? Their “connection” isn’t going to lead to any consequences...they were about to die. No one else need never have known about the “moment” the two of them shared. It’s very confusing and the only purpose it really serves is to paint Loki and Sylvie as soulmates, which doesn’t make sense in the context of the show. The concept of soulmates is that for every person, there is someone out there they are predestined to be with. Loki is a show that, at the core of it, is about rejecting predestination and embracing free will. In that context, the idea of soulmates is ludicrous and contradictory to the message that we make our own destiny. This is why True Love is unrealistic, and I hate to break it to you romantics out there, but Love At First sight does not exist.
Infatuation At First Sight exists, but that is not Love, no matter what your hormones are telling you. Love takes time to evolve, and it takes work to maintain. It sure as hell doesn’t happen after less than 12 hours of knowing each other, during which a huge chunk of time was devoted to trying to manipulate, outsmart, and murder the person you’re supposedly in love with. No one falls in love in less than 12 hours, period, unless it’s a Classical Era Disney animated movie. They basically turned Loki into a big Disney Romance trope. I have a very hard time buying that Loki, who we have established is emotionally stunted and closed off, would form a love connection in just a few hours, especially with someone who was doing her best to murder him in that timespan.
That is not the only reason this relationship is problematic. The term “Selfcest” has been thrown around, and a lot of defenders of this particular ship claim that the term was very recently made up in social media for the sole purpose of badmouthing this particular romance. That is not the case. Selfcest is a term that has existed among fiction writers for years, it’s just that more people have recently become aware of it thanks to this show. The trope has been used and referred to in various works of fiction, especially in fantasy and science fiction where cloning, alternative universes, and magic occur. A lot of the insults I get from people who can’t stand that I don’t like the romance basically go along the lines of saying selfcest doesn’t exist. No, it doesn’t...in reality. But this isn’t reality, is it? It’s fiction. It’s a fictional world where such a thing could be possible, and even in works where it’s not possible it’s often alluded to.
In A Song Of Ice And Fire, we have the infamous twincest relationship going on between Cersei and Jamie Lannister, and it is heavily implied that sleeping with her brother is the closest that Cersei can get to banging herself and that is why she does it. Jamie is basically everything she feels she should have been and was denied due to being born a woman. In fact, in later books when he reunites with her after having been away from King’s Landing for over a year, during which time he’s grown a beard and shaved his head, Cersei no longer finds him as attractive since they no longer look as much alike.
And with advances in cloning, selfcest might be possible in the future. We already have sex robots, and people with money are capable of making those robots look like themselves. There is nothing stopping them from doing it.
Knowing all of this, the argument of “selfcest doesn’t exist!” falls flat. And it especially falls flat when you’re referring to a fictional universe where a large purple man once killed off half the population of said universe with a snap of his fingers, where scientists turn into giant green monsters, the Norse gods not only exist but regularly interact with people on Earth, and there’s such a thing as a Sorcerer Supreme.
As I have said, the show has been rather inconsistent in stating what exactly Sylvie’s identity is. One moment, we are told Sylvie is a Loki and that she and Loki are the same person. Mobius says it, Kang says it multiple times, Judge Renslayer says it, the director and the writers state it in interviews. But then in the next breath, they contradict it by saying that she’s not a Loki, she’s Sylvie and a different person.  
You can’t have it both ways. Which is it? Either she’s a Loki, or she’s not. The narrative is very confusing and it changes depending on how they want us to see Sylvie, especially in relation to her romance with Loki. It’s so much easier to avoid the selfcest/incest accusations when you can say they are different people. But then they say they’re the same person. Make up your minds!
Since the show first established that Sylvie is a Loki, I’m going with that. Especially since we saw a bit of her backstory. She grew up in Asgard as a member of the royal family, which means she had Odin as a father, Frigga as mother, and Thor as brother. She may or may not have the same DNA as Loki. We never got confirmation either way, and there are people who argue that they don’t to which I have to ask: How do you know? The show never tells us! “Oh, well, there’s Alligator Loki, are you going to say he has the same DNA as well?” Well, we are never told how exactly Alligator Loki came to be. Is he actually an alligator, or is he Loki who somehow got permanently stuck when he shapeshifted? People tend to forget that he can do that. Ragnarok established that he can turn into a snake, and a deleted scene actually had the childhood story go that Loki turned into a rug to cover a hole in the ground and then dumped Thor into it. There is the scene where Doctor Strange drops Loki through a portal, and Thor is left poking at a business card, and it is clear that for a moment he thinks that Loki turned into that. We know Loki can shapeshift, so Alligator Loki can very well have the same DNA. We just don’t know, because the show never explains it for the same reason the show cut out the scenes with Throg fighting Loki...to devote more screentime to Sylki.
Even if they don’t have the same DNA, it’s still established that they are the same person, they have the same family, they’re both the God/dess of Mischief, and even Sylvie herself acknowledges that she is a Loki despite the fact that she changed her name. So selfcest very much applies here, and a good argument can be made that selfcest is the ultimate in incest...after all, there isn’t anyone else you’re more related to than yourself. It is very understandable, therefore, that a lot of people would be very, very uncomfortable with such a relationship. Having the same DNA would merely be the icing on the very gross cake.
Furthermore, just because selfcest does not exist in reality does not mean someone can’t find the concept distasteful. “It’s not real!” “It’s just fiction!” Yes, and people are allowed to have their own feelings and opinions on fiction. If they find the idea of selfcest hard to stomach, that’s their prerogative and you really have no right to tell them they are wrong for feeling that way. They should not have to justify to anyone why they feel that way either. No one owes you an explanation for why they find real world incest or cannibalism distasteful, so they don’t owe you an explanation for this.
“Well, of course Loki would fall for himself...he’s a narcissist!” Is he though? Is he really? Having dealt with my fair share of narcissists in my life, I have to wonder if the fans who say that, along with the writers, know what a narcissist really is.
Is Loki a narcissist?
Bringing up Cersei Lannister again, the novels she appears in establishes that she is an extreme narcissist. She sleeps with her twin brother because it’s the closest she can come to sleeping with herself, and she desires to do that because she is a narcissist. A narcissist is someone whose personality is defined by an inflated sense of self-importance, troubled relationships, lack of empathy for others, and an excessive deep-seated need for attention and admiration. It’s a very simplistic definition, and there are plenty of YouTube videos devoted to delving into narcissists into more depth, as well as videos on how to cope with the aftermath of abuse at the hands of narcissists. Narcissists are so devoted to themselves that they ignore the needs and the feelings of those in their lives, which often results in abusive behavior. There are entire support groups that exist for victims of narcissists.
At first glance, one can see why some might consider Loki a narcissist. He does engage in some pretty selfish behavior, he goes to great lengths to get attention, his relationships to his family are indeed fraught with drama, and he seems to have a pretty overinflated ego. He even goes so far as to write a play featuring himself as the central character, and build a giant golden statue of himself after taking over Asgard in the guise of Odin. But really, is his ego truly that big? Or he is overcompensating for his self-hatred and self-disgust?
Loki suffered quite the emotional blow when he found out his true heritage, a revelation that shook him to his very core. Of course, his relationship with his father suffered as a result...the man lied to him for his entire life. Their relationship really was not that great even before that since Odin found it easier to relate to Thor, who was more like him in personality, than to Loki, who was more cerebral and quieter. Loki’s relationship to Frigga fared much better. He’s quick to forgive her involvement in covering up the truth about his parentage, and it is obvious that they are close. Even his relationship with Thor prior to the events of the movie is not all that bad, the two brothers are affectionate and playful, and when Loki interrupts Thor’s coronation, it’s not just for the sake of creating trouble, but to postpone Thor taking the crown for another little while because he is not fit to rule. At the time Thor had yet to go through his character development arc on Earth and he was still an overly arrogant, bloodthirsty, elitist douchebag, so Loki really had a good point.
A true narcissist would have done what Loki did just for the sake of making life difficult for Thor. Also, he would have done it because he wanted the throne. Loki states repeatedly that he never wanted to rule. A true narcissist would have been all smiles about taking the throne instead of being reluctant about it as Loki was when Frigga handed him Gungnir.
Throughout the films, and in the first episode of the series, we see that Loki does indeed love his family and is capable of feeling guilt over the things that he does to them, intentionally or not. Narcissists typically don’t feel remorse. As far as they are concerned, they are perfect and can do no wrong, so they have nothing to feel bad about. If they hurt you, it’s because you deserved it. You shouldn’t have provoked their ire.
Loki feels bad for getting Frigga killed, and then later on Odin. Then he is in tears when Odin dies, and later at the mere thought of never seeing Thor again when the two brothers talk in an elevator on Sakaar. Those are not the actions of someone who is incapable of loving anyone but himself, as I’ve seen so many people claim about him. And the fact that he sacrificed himself to save his brother also kind of kills the whole “narcissist” narrative.
In Episode 1, Loki breaks down and confesses to Mobius that he doesn’t like hurting people. He does it because it’s part of the façade, and admits that he sees himself as weak. A few episodes later, he admits to a memory illusion Sif that he craves attention “because I’m a narcissist” and admits to being afraid of being alone. That is far more self-reflection than a typical narcissist is capable of in my experience. As I said, narcissists tend to think they are perfect. A true narcissist would never admit to having any flaws, and sure as hell would never admit that they are a narcissist. As far as the true narcissist is concerned, if you find them flawed in any way, that’s on you. The narcissist has no need for self-reflection because they honestly see nothing wrong with themselves, and believe that they don’t need to change...it’s everyone else who does.
A good real-life example from my past is a former friend I’ll call D. D was a self-proclaimed brat who was quite proud of the fact that she could be difficult to be in a relationship with and tended to go through men like tissue paper. She was demanding, self-centered, extremely jealous, manipulative, and prone to wild mood swings. She could and did go from zero to insane at the drop of a hat. In the time I knew her, she left a string of burnt guys behind, and according to her it was because they just weren’t man enough to handle her. She also left behind a string of broken former friends, to the point where there really needed to be a support group for former friends of D who suddenly had her turn them into Public Enemy Number 1 when they either started taking attention away from D, or...well, that was it really. As I said, she was a very jealous person and had a chronic need to be the center of attention, especially if there were men around. Anyway, instead of working on herself to become less self-involved, self-absorbed, and more empathetic, she double downed on her abrasiveness and constant need for attention until she finally wore the poor man down and he either ghosted her or outright dumped her. She never broke up with them, preferring to keep them around for as long as they were willing in order to toy with them as a cat does with a mouse.  I tried to talk to her about her horrible behavior, but instead of taking my constructive criticism and maybe using it to make some needed changes, she completely turned on me and did her best to make my life hell until I finally cut her out of it. I learned two things: Narcissists don’t want help because they don’t feel they need it and they are never going to change as a result, and never, ever try to confront a narcissist. It’ll only end badly.  
A more famous example? Former US President Donald Trump. I won’t get into that, because really all you need to do is perform a quick Google search to see what all he’s done and witness his narcissism on full display. But really, place him side by side with Loki. Do you see any similarities at all? Maybe on the surface, but when you go deeper...no. Loki is not a narcissist. He’s capable of deep self-reflection, owns his faults, is capable of loving others, and feels remorse. I would argue that anyone who says he is a narcissist, either does not know the character, or hasn’t ever actually dealt with a narcissist in real life, to which I can only say: Lucky you.  
I honestly would argue that calling Loki a narcissist is actually doing a disservice to victims of abuse from actual narcissists.
What about Sylvie? Well, in contrast to Loki who does show remorse while Mobius is playing that “This Is Your Life” reel for him, Sylvie shows no remorse or regret. She knows that the TVA agents she kills are as much victims as she is. They are innocent variants who were kidnapped from Earth and forced to work for the TVA after having their memories wiped. She knows this, yet the first time we see her she burns a bunch of TVA agents alive, and she just stands there watching as they scream in agony. In the next episode she says right out that she’s “having some fun” while possessing the body of C-90 and murdering more agents. She is not at all sorry about doing what she did, and we’re supposed to be understanding since she was kidnapped as a child. Okay, but the entire TVA didn’t do that. The agents she kills didn’t personally kidnap her. The only one we see who was directly involved in that is Renslayer. Sylvie “did what she had to do”, fine. But she doesn’t feel bad about it, at all. The flashback to her as a child takes great pains to try to show us what a good person she is when she cries out “Help him!” as another prisoner is being beaten, but I guess she grew out of it.
We don’t know if Sylvie has any other narcissistic traits besides lack of remorse because, well, the show really doesn’t do much to show her personality. Other than killing people, trying to kill Loki, and then flirting with Loki, we just don’t really see much to her. It’s another trait of a Mary Sue. Mary Sues often have bland, one-dimensional personalities. After all, their only purpose is usually to serve as love interests for one or more male characters. Mary Sues break the “show, don’t tell” rule by having the other characters verbally inform us about their traits, usually while singing their praises, but we don’t actually see those traits in the Mary Sue herself.
Loki calls Sylvie “amazing”, but how amazing is she, really? She kills people she knows are victims, she endangers the timeline just to sneak into the TVA, and then she kills Kang despite knowing that there is a very good chance that doing so could unleash something far, far worse than him. Then again, it doesn’t have to make sense when you’re pushing an unwanted and unasked for romance on an audience who was expecting a scifi show, not a romance.
I have spoken in a few places about this. Romance is fine, but in a show that blatantly places itself in the scifi genre, it really should only be the background, not center stage. When I expressed this opinion, I got accused of being dismissive of an essential part of the human experience. Well, first of all, congratulations: You just invalidated the existence of people on the asexual and aromantic spectrums, not to mention people who are celibate by choice. Second, that is why we have the romance genre. To tell stories centered around romance. I like romance, I read romance novels, and I sometimes write romantic fiction. But there are some places where it just is not appropriate.
There are people who say that adding romance makes things more interesting. Nope, in those cases it’s just a smokescreen, something used to hide plot holes and distract us from just how empty the story really is. Writers like to say that if you need a romance to make things more interesting, then you really don’t have much of a story in the first place. And sadly, Loki does have some plot holes. The nexus event on Lamentis is a good example, and the romance is definitely used to distract us from that. People were so focused on “oh wow, they’re having a moment, they’re soulmates!” that they didn’t think “waitaminute...didn’t they say that nexus events can’t occur in apocalypses?”
We really did not need a romance in Loki. Period. It was unnecessary, it was distracting, a lot of people found it disturbing, and it actively hurt a marginalized group.
Loki Is A Queer Icon!...maybe
I am not going to say that the relationship between Loki and Sylvie is not a bisexual one. A bisexual relationship is a bisexual relationship regardless of whether or not the person the bisexual person is with is the opposite sex. Saying otherwise is biphobic. Biphobic people in both the straight and the queer communities have been excluding bisexual people who happen to be in opposite sex relationships for years because apparently one stops being bisexual once they get into a relationship with someone of the opposite sex. This is horseshit. I’ve been in relationships with CIS men, did I stop being attracted to other men, women, nonbinary, genderfluid, agender, and other genderqueer people? No. No, I didn’t, because while I was entangled, I was not dead. Heterosexual people don’t stop being attracted to other members of the opposite sex when they are in relationships, it’s no different with queer people.
So, stop saying that Loki and Sylvie are not a bisexual relationship. You’re not doing us any favors at all, and in fact you’re only helping the biphobes who want to kick us out of Pride and other queer spaces for daring to date members of the opposite sex.
I will address the “Bit of both” line however. In Episode 3, Loki has that response to Sylvie’s questioning about whether there had been any would-be princesses or princes in his life. Again, a conversation that comes out of nowhere. She stated outright that she didn’t trust him, clearly wanted him dead, and now she’s asking if he’s single. Whatever.
Anyway, people went nuts when Loki answered “A bit of both”. It was confirmation that Loki was bisexual, it was celebrated on social media...and it is really biphobic and Kate Herron, who is bisexual herself, really should have known better.
Biphobic people have long tried to sow division between the bi and trans communities (unsurprisingly, biphobia and transphobia tend to go hand-in-hand) by saying that the concept of being bisexual is transphobic. “Bi” means two, ergo bisexual people are only attracted to two genders, specifically CIS men and CIS women. It never occurs to anyone that the “two genders” a bisexual person could be attracted to could be, say, women (and yes, I include trans women in that, since they are in fact women, get over it) and non-binary people, or agender and gender-fluid people, it’s always CIS men and CIS women. This despite the fact that the definition of bisexual has been “attraction to more than one gender” since long before the Bisexual Manifesto was put out in 1990.
Some people have tried to remedy this by adopting the moniker of “pansexual” instead, which A) is basically reinforcing what biphobes are saying about bisexuals and creating even more division and B) doesn’t just mean “attraction to trans people as well, I’m not transphobic, I promise!” “Pansexual” is not interchangeable with “bisexual”. Pansexual is attraction to all genders. Bisexual means attraction to more than one gender, but not necessarily to all genders. You can have a bisexual person, for instance, who is attracted to all genders except for men. If you are attracted to more than one gender, but not to all genders, you are bisexual, and labeling yourself pansexual is lying and basically caving in to the biphobes.
I’m not trying to police what people call themselves...if you want to use the two terms interchangeably, if you want to call yourself bisexual, or pansexual, it’s fine. But just evaluate the reasons why. Are you calling yourself pansexual because you really think you can be, or are you just calling yourself that out of fear of being labeled transphobic? The latter, in my opinion, is not a really good reason, and it only helps deliver the biphobic message that bisexual people are transphobic.
So, by saying “a bit of both”, Loki is really helping to reinforce that biphobic assertion that bisexual people are attracted just to CIS men and CIS women. It’s disappointing, but it is Disney so I suppose that is the best we can expect for now. It just shows that Disney really has a long way to go.
What’s more problematic is the supposed genderfluid representation. Now, I am a CIS woman. As such, I feel unqualified to really say that the representation is shitty and fluidphobic. However, if I’m not qualified to say that it is, then Kate Herron and the writers are unqualified to say that it isn’t. Rule of thumb: If members of a marginalized group are telling you that you did a poor job of representing them and that you are being transphobic or fluidphobic, instead of ignoring and dismissing their concerns like a good portion of the population already does, it’s a really good idea to listen to what they are saying and learn how you can do better.
There have been some genderfluid and trans people who expressed that they liked the show, and good for them. But I have seen a lot of very valid criticisms and concerns from genderfluid and trans people about the representation on the show, and I think they really should be listened to. Kate, you and I are queer, but we are still CIS women. Ergo, we have no say in whether or not the way you attempted to present Loki’s gender fluidity is transphobic. If genderfluid people say it’s fluidphobic or trans people say it’s transphobic, then it is indeed fluidphobic/transphobic. To say otherwise is gaslighting a marginalized community who already faces gaslighting on a daily basis.
I will touch on a couple of things.
First, in Episode 5, Loki asks a bunch of his variants if they have ever encountered a female version of themselves, a question that is met with varying levels of incredulousness and even disgust. If Loki was truly genderfluid, this question wouldn’t have been asked. Genderfluid means the person shifts genders along the spectrum. Loki does this in the comics. Comicbook Loki switches between masculine and feminine presenting on the drop of a dime, especially in his current incarnation. Loki in the MCU we are told is also genderfluid, and should also be able to hop along the gender spectrum on a whim. There should not be a “female variant” therefore, since they are all the same gender. There could be a female presenting variant, but that is not the same thing. They would still be all genderfluid in that case. Also, Sylvie’s nexus event would not have been “being born the Goddess of Mischief”. Okay, the show never actually says that is the nexus event that led to her being arrested, but it heavily implies it. If Sylvie is a Loki, and as a Loki is genderfluid, her being the “Goddess” of Mischief should never have been an issue since they can change genders anyway.
Second, making Lady Loki a separate person is problematic. A lot of genderfluid people felt that this move invalidated their identity by basically showing that the same person cannot indeed be different genders along the spectrum. I don’t feel I’m totally qualified to really get into this. I will just say that if you’re going to write a genderfluid character, maybe at least get an actual genderfluid person to advise in the writing room.
Third, there is a transphobic movement called trans exclusionary radical feminism. You might have heard of it. Unfortunately, it is a very widespread movement that has done a lot of harm to the trans community, successfully blocking funding to organizations that help trans people, blocking laws that would benefit trans people, and the movement includes celebrities like Graham Linehan and JK Rowling.
One of the weapons they like to use against trans women is the concept of “autogynephilia”. It is basically the sexual fetish of becoming aroused from thinking of oneself as a woman.  Many, many of these transphobic “feminists” love to say that trans women are merely men who have this particular sexual fetish.
It’s bullshit of course. Maybe there is a small segment of the male population that has that fetish, but trans women are not included in that. For trans women, things like dressing as women, changing their names, having state and federal issued IDs that say they are female, and being able to use the restrooms and change rooms that match the gender they actually are as opposed to the one they were assigned at birth is not a matter of sexual arousal. It’s a matter of making their external realities match their internal ones. It’s a matter of validation of their identities as women. Sexual gratification has nothing to do with it.
Now, Loki is not trans, but genderfluid people do tend to fall under the trans umbrella. We have Loki, a supposedly genderfluid individual and masculine presenting, falling head over heels in love with a feminine presenting version of himself. Maybe it’s just me, but it just seems like a form of autogynephilia to me.
Way to go, Kate...you just gave the TERFs more ammo.
One more note: At one point, Kate tweeted a list of the different Loki emojis, and “jokingly” included #FiretruckLoki with an emoji of a firetruck. Kate, you do realize that a “joke” transphobes love to harp on is that they can identify as an attack helicopter, right?
It’s his way of learning self-love!
That is not how you learn self-love.
First, the people who are making this argument often contradict themselves by then saying that Sylvie is a different person. Again, make up your minds. Either Sylvie is the same person as Loki, or she’s not. You can’t have it both ways, and you can’t continue to change the narrative to fit whatever it is you want to shove down the audience’s throats.
Second, romantic love and self-love are two different things entirely. Loki isn’t feeling self-love with Sylvie, he’s feeling romantic love. That’s not learning self-love. That's narcissism, and it’s character regression in his case. He’s supposed to be evolving past being a self-centered, egotistical shitweasel, and falling in love with a variant of himself makes him, as Mobius put it, “a seismic narcissist”. It’s not character development.  
Third, this argument tends to come in the same breath as saying that Loki is a narcissist so of course he would fall for a variant of himself. If Loki is a narcissist though, why would he need to learn self-love? Narcissists already love themselves, that is the very definition of the word. If Loki needs to learn self-love, that would imply that he actually hates himself, which is the opposite of narcissism. Again, the writers and the fans who make these arguments when they feel the need to defend this relationship need to make up their minds. Either he’s a narcissist and therefore already loves himself too much, or he hates himself and needs to learn to love himself. It’s once again changing the narrative to fill a plothole.  
Fourth, the whole learning self-love and trust narrative is completely thrown out the window in Episode 6 when Sylvie decides to toy with Loki’s emotions, using his feelings for her against him by kissing him as a distraction so she could grab Kang’s temp pad and toss Loki back to the TVA. To Sylvie, her revenge was more important than the bond she had with him. The move basically set Loki’s progress back several steps. What little progress he made anyway.
TL:DR, is there hope for Season 2?
Whew, this went on for a while, didn’t it? Told you I had a lot to say.
As I have said, if you liked the first season of Loki and think I am completely full of shit, that’s fine and it’s your prerogative. More power to you.  
But, and this is a huge but, that does not give you the right to harass and bully people who did not like it.
I have witnessed horrible things from both sides of the now split Loki fandom on social media. Harassment and even death threats towards the creators. Telling people who don’t like the Loki and Sylvie relationship that they need to drink bleach. Homophobic attacks. Gatekeeping.  
There’s constructive criticism and sharing your opinions, and then there is...this.
Both sides need to chill.
Anyway.
Even though Kate Herron has left the show, Michael Waldron is still the showrunner and as such I am not altogether optimistic for Season 2. I would like to see more emphasis on Loki himself for that season. Yes, it’s a novel thought, wanting a show that is called Loki to actually be about Loki, but here we are.
I would like to see actual character development in Loki rather than the old “true love transforms bad boy and conquers all” trope. There is a reason Disney has started to abandon that trope in their animated movies. They’ve been getting dragged about it for decades.
If Sylvie must return, there needs to be some actual consistency surrounding her character. The show needs to decide if she is a Loki or not and stick with whichever one they decide. And seriously, no more romance. Frankly, after what she pulled in Episode 6, I will be severely disappointed if the writers have Loki crawling back to her. That would make him pathetic, and Loki deserves better.
Really, Loki does not need a romance, period. He’s too emotionally immature, he has a lot of character growth to go through, and a romance would do nothing but be a distraction and an impediment to that growth. Anyone who got married too young can confirm that it is important to learn more about yourself and figure yourself out before you even think of getting involved with another person, who should not be your whole world. The Loki and Sylvie romance was reminding me of Classic Disney in another not-good way in that the two of them, especially on Loki’s side, were starting to revolve around one another and that does not make for a healthy relationship. Again, turning Loki into a Disney Prince (or, seeing as how he’s supposed to be genderfluid, Princess). Stop it.
Again, the romance was a smokescreen. It was a distraction from just how thin the plot was. Please, for the love of G-d, give more focus to the actual plot.
Do some research and talk to some psychologists for healthy ways Loki can “learn self-love" and develop as a character. If Ragnarok Loki can do it without relying on a romance with a variant with himself, then surely TVA Loki can pull it off.
Speaking of talking to people, listen to the concerns of the trans and genderfluid fans. Listen, talk to them, maybe get a couple in the writer’s room. CIS people should not write genderfluid people, and this season is a good example of why.
Please remember that Loki is not an idiot. Yes, he has pulled some fast ones and hasn’t been the greatest planner, but he is not downright stupid like he was in season 1.
And...really that’s all I have. As I have said, this thesis really wasn’t about making suggestions to the creators because I seriously doubt they will ever even see this. This was more less me screaming into the void, venting because I was that upset about what I saw as character assassination happening to one of my favorite characters. Keeping all of this in was proving to be bad for my blood pressure.  
I am attached to the character, have been for years. Loki is just one character in the MCU who I love, who I want to see done right. I had been looking forward to his solo series for a very long time, and the disappointment I felt was something that I just couldn’t keep in. I kept my mouth shut when they killed off Tony Stark for no reason other than that Ronnie Downey, Jr. didn't want to renew his contract. I didn’t say anything at the Russo Brothers’ “happy ending” for Steve Rogers, even though I feel it made no sense and is a massive plot hole.  
What they did to Loki, however...I couldn’t keep silent.
12 notes · View notes
Note
more of this! imagine that the child has reached puberty and has become more emotionally unstable/reckless/edgy/distracted from school and etc
they're trying to gain some kind of independence from their parent and do not fall for "childish" stuff anymore, so the level of tension between parent|child is high and it leads to unpleasant conflicts
how will single dad!axis&allies cope with the feeling when their child is growing up?
who would have an easier time understanding and connecting with the teen? (poor england)
Oof- poor england indeed :')
Allies and Axis Dads Dealing With Teens!
Allies:
America Realized his child was getting older the day he wanted to take them to McDonald's and tried to buy them a happy meal. When the kid turned it down Alfred immediately assumed they were sick. After talking it over with England, it turns out that every annoying bratty thing America did as a child has finally came full circle. Then when he realized they were getting older and wanting to become more independent, it made him extremely emotional. He had a bizarre mix of being awfully proud, and kind of scared. He realized that his kid could turn out just like him, and honestly even America himself saw how dangerous that was! All in all it's a solid 8/10 on the getting along with a bratty teen scale. Though he now joins Britain for more drinks over being an exhausted parent.
England had to go through this once, and was hoping it wouldn't happen again. Him and his child had verbal fights at least once a week. England was trying his hardest to understand but he was so set on "losing another child" that he forgot for a moment what was happening. He eventually calmed down after one fight in particular. His now teen wanted to hangout with some friends at a sleepover, but it was a school night. England said no and the kid spat back at him that 'uncle Alfred' would have been a better dad, and they ran off to their room. After being stunned for a second, he poured himself a drink. Eventually the two made up after England shared his feelings about the whole situation. Both the Father and the child felt guilty over the argument. From there on they both agreed to try and compromise.
France is another to get into petty arguments with his child. Most of the time it was over how the kid dressed. They wanted to branch out and find their own style. They felt like a doll and France was the little girl who picked out the outfits. Infact, France's kid felt smothered. One day France had enough and packed away the teens clothes, and then all hell broke lose. Between the insulting remarks, and a few sobs things were left in a sour atmosphere. It took a few days for them to really even talk to each other. Though France was the first to apologize. He was just scared he'd lose his pride and joy. Soon enough this lead to them going on clothes shopping, and France realized that his kid learned something important for themselves. How to be their own person, even if it's against the rest of the world. And France couldn't have been prouder.
China is probably the worst of them all when it comes down to understanding his kid during these trying times. They (affectionately) argue over the smallest things. Foods too hot and or cold? Argue about it. Why are you wearing no jacket when it rains? Another argument. Even though China argues with his kid, by the end of the day, there seems to be a silent forgiveness between them. Only once or twice did the teen run off to Japan, who very fondly understands China's way. Even so, he talks them into going back since China is all they have left, and this situation will blow over eventually.
Russia can be extremely patient when he needs to be. And let me tell you, his patience was certainly tested when his kid started going through puberty! Russia's kid has discovered how to manipulate him through his past trauma as a country. And so for a couple weeks Russia (via slightly concerned) was doing everything he could for his teen. Once someone pointed it out Ivan went through two phases. The first phase was silent parental anger. Which his kid picked up on immediately, especially after they realized they couldn't get Russia to do everything for them anymore. Then a small fight broke out between them. Russia was dealing with the sarcastic remarks up until his kid told him that he deserved to be alone. That's when Russia snapped and spat back, how he'd rather be alone than deal with a terrible little monster. Then it grew silent. And then phase two hit. Realization. Not just that his kid was growing up, but his kid was starting to develope some of his intimidating and threatening habits. Russia tries hard to be nice to others, but he was never fully aware that his antics could hurt this badly. It was a rude awakening for both the kid, and the father. Things got emotional, but it turned out for the better. Even if they still sometimes bicker.
Canada had one hell of a time dealing with a bratty teen. He hardly had it in him to punish his child, and it caught up to him. America had come over to the house and witnessed Canada's kid pretty much walk all over him. It was America who talked to Canada about tough love. And he tried it out. His kid was in shock when his phone was missing off the counter, and started to tear up when Canada explained that it was taken away until they, at the very least, talked about the difference between respect and disrespect. Canada was very close to giving into his kid's pleas to return his phone, but managed to stand his ground. Even after they talked things over. There was an akward silence between them until the punishment was over. But it was going to be a long sturggle for Canada and having to figure out how to deal with this new attitude that pops up every now and again.
Axis:
Germany is very much so a 'I will get respect or else' kind of parent. He's never had to punish his kid before, and usually has the patience of a god. Via a bit confusing sometimes with his parenting skills, but he gets by. But as soon as his teen starts stepping out of line and pushing their boundaries he straight up goes and tells them if they don't like it, tough luck. His rules his house. But with thought love comes the love part. The kid will storm off, and when dinner comes around Germany will bring them food and try to talk more about it. He'll say stuff like 'you might not like my rules, but they're there for a reason' or 'Its okay to be mad or upset, but this is how the world tends to work, and I just want to see you manage'. He really loves his kid, and tries but having two headstrong German's (adopted or not) can be a hassel. They both now understand that sometimes it's better to just walk away and cool off before discussing the topic further.
Japan isn't a real strict dad so long chores are done, and his child is happy. But then puberty hot and the kid became a completely different person. Japan sensed it right off the bat and decided to distance himself from his kid than try and make them see reason. Though this eventually hurt the kids feelings. You see, the kid began tossing out figurines and manga Japan gifted them. He didn't mind if they grew out of it, but at least give it away to another person. His pride was hurt, and it got hurt more when he caught his kid trying to sneak out of the house and run away. That's when he realized he had to deal with this head on. Even if he hated it. The worst part was how okay the teen was with just leaving. They became too dumbfounded at Japan's tears to even register why he was crying. Japan had actually fallen to his knees, quivering. He told them that if they really wanted to leave him that badly it was okay. And that whatever he did to upset them was his fault alone. It only dawned on his kid why he was acting like this when Japan mentioned something about them tossing out memories, and how he should have seen it coming. Japan's crying was a last ditch effort to try and fix what he thought was broken. His kid on the other hand had started to tear up as well, and despite any discomfort, they got done next to him and hugged him. He eventually hugged back, telling them they were his world. No one knows that the two ever struggled, especially since then they patched things up quickly.
Italy was a hot mess when his kid started asking for different foods, and wanted to spend more time away from him. Family was everything and it hurt him that his teen was pushing him away. Italy just got to the point where he accepted that it was happening. His kid started staying out late, and Italy would eat alone, but keep a plate out for his kid. Until one night his kid didn't come home. He panicked and didn't even bother calling Germany before he went searching throughout the night for his kid. So when he returned next day, heartbroken and feeling sick to his stomach, he finally gave in and cried. The door that night was carefully opened and closed and that's when the teen saw the damage they caused. Their father had a phone in hand, and a Missing person paper printed out, along with a gazillion tissues. He had passed out on the couch like this. Morning came around, and Italy just about passed out from joy and relief seeing his kid sleeping on the floor. He was so relieved that he carefully shook his kid awake, and immediately started balling his eyes out when they said 'good morning'. Many years and apologies were shed that morning. Italy had actually gave the kid a curfew, and they were only allowed to break that if they told him where they were going.
Ta-stinking-da! I had way to much trouble with these, but I think they're pretty good. Yet again gave myself the feels with this. Let me know what you guys think! ❤️
20 notes · View notes
Text
Morality-Focused Frameworks Of Discussion As Acts of Control
This is a post in response to a larger conversation I’ve been having with @eshusplayground. I have a perspective that I think would be really relevant to the conversation but I also don’t want to derail the specific focus of the following posts she’s been making recently.
(Trigger Warning For Abuse Discussion and Brief Mentions of Rape)
---
So I’m in the Hellraiser fandom. More specifically, I’m a Pinhead/Kirsty shipper.
For those of you that don’t know, Pinhead is a demonic torturer from hell who’s design is inspired by the BDSM community. Characters who open a magical puzzle box have unknowingly given themselves away to his violent underworld community of eternal torment and depravity. Hellraiser is a film about romantic and sexual horror, and there’s quite a lot in there about abuse and trauma. Kirsty is a traumatized person, and in my personal opinion, very likely a CSA victim.
And I ship these two characters together.
So the subject matter of my particular fandom is extremely intense and niche and complicated to navigate, although YMMV (I have no trouble with this franchise, but I cannot really handle GOT or American Horror Story, for example). After I grew interested in Hellraiser and integrated into it’s fandom, my perspectives about the way we have conversations about villainous characters started to have a major shift.
I often see people have these intense conversations (and arguments) about where a particular character exists on a moral scale, with the subtext (or outright text) that if they tip too far one way or another, they can be rendered unworthy of their own subgroup of fans within their own fandom. People who love those characters or find them shippable are then subject to moral judgements.
So how does one apply such logic to a psychosexual torture demon?
The answer is you can’t.
The frameworks people online use to have these discussions do not make any sense when talking about my fandom. Hellraiser is a dark horror fairytale presenting disturbing, surreal images and behaviors in order to discuss complex and difficult experiences and perspectives. The monsters within it, like Pinhead, are more metaphor than anything.
Now, my follower count is too low and my fandom is too niche for me to really be on the receiving end of a lot of the cruelty that manifests online about the moral validity of the fiction I enjoy. That said, between the anti-kink TERFS and the younger folks involved in purity culture on this site, I can imagine exactly what it would look like. You know what they would look like.
“You’re an Abuse Apologist!”
“You’re an Abuse Fetishist!”
“You’re reinforcing sexism!”
“he’s an irredeemable torturer, you’re probably okay with literal real world rape lmao uwu”
“This is bad kink representation and you’re complicit in the abuse real men do to women because you like this!”
Now, setting aside the fact that the canon lore context of Pinhead involves him having a human soul brainwashed by a monster god to become what he is, and is also in a roundabout sense “redeemed” in canon, I think most people utilizing this kind of framework would assume that I believe Pinhead can be redeemed in the way online Discourse (tm) means it, because that’s how we talk in fandom about the villains we really like.
I do not want to redeem Pinhead. I don’t think he even needs redeeming. I don’t even see value in that conversation at all. Redemption is not a concept that makes sense for what he is, or what he could become as a character. The framework of Pinhead as a Real-World-Equivalent Human Male Abuser who Cannot Be Redeemed From His Actions would inevitably dominate all conversation, regardless of the fact that it is inherently incorrect and detrimental to real, robust literary analysis of the narrative he exists within and how brilliantly it actually interacts with male on female abuse as a subject. By nature of it’s gross oversimplification and misrepresentation, It ruins the potential for greater, more nuanced and complex conversations.
And that’s the thing: my engagement with this particular story and it’s characters has a lot to do with the potential in the narrative to examine how trauma interacts with love, desire and gender politics. Hellraiser has a very unique way of exploring that kind of subject through a storytelling aesthetic that appeals to me (horror/fairytale, gothic romance, etc).
This is about to get personal, so strap the fuck in.
I am the victim of gendered abuse, in that I had an emotionally abusive step father and sexism was absolutely a factor in why that manifested the way it did. I am also a second hand victim of gendered abuse, in that my biological father was a serial stalker and rapist, and other male abusers (or just self-centered family members) caused severe emotional destabilization in my childhood. I grew up viewing adult men as unstable, selfish children. My family endured a lot, and I came to resent the men in my mother’ life for not taking on the role of protector and nurturer when she needed them most. I had discovered the great lie of traditional masculinity: in the face of real crisis, grown men were not protectors. They did not hold together the domestic space. They abused or faltered and abandoned us. This was a repeated pattern among several men in different roles. I was often left picking up all the pieces, taking on roles as a child that these men could not. I had to have strength they did not.
My experience of desire for romantic intimacy with men and men in roles of stable, nurturing authority now inherently involves a jumbled emotional soup of fear, pain, and a deep longing that comes from a place of feminine vulnerability, a desire to be taken care of instead of being the caretaker.
The narrative of Hellraiser pushes a lot of buttons for me. It speaks to my own trauma experiences in a very specific way. In an effort to further that conversation, I’m trying to create a piece of art (a fic) inspired by the deeply personal feelings this film gives me.
For me, Pinhead represents the Jungian shadow masculine, a simultaneous mix of fear and desire, the potential for suffering and pleasure, and everything in between. These experiences are inherently intertwined for me. And Kirsty’s experiences mirror many of my own.
In other words, in order for me to get out of Hellraiser what I get out of Hellraiser, Pinhead has to be exactly what he is, and everything that he is. Which includes monstrosity. Which includes the potential for change. His place in the narrative must fully, truly embody this conversation I need to have with masculinity, which inherently involves painful, scary things.
Anybody demanding that I either denounce my interest in him as morally offensive because he’s a monster in the full sense of the word (and not just the aesthetic one like what is currently trending in Monster Boyfriend fandom), or force a traditional redemption arc upon him as if he were a real life human person who must repent for his real life sins, are essentially saying that I am not allowed to engage with this work of fiction in a way that is transformative for me. And that’s very unfortunate, because honestly, I think my perspective is so much more dynamic and has so much more to offer.
This is not just about basic catharsis. This is not even a power fantasy about emotionally transforming a powerful (white) dude, or “bad boy” fantasies, both standard arguments for villain stanning that feels like it has never truly represented me or the complexity of my experiences and interests. This is a full-on conversation and act of self expression I want to have through art about the experience of fear and trauma when dealing with men as a woman who desires men.
And I don’t think a person has to be traumatized in order to want to engage with this type of fiction. I want to be clear that my experience is not a justification for my interest (I do not need to justify myself), it is an example of a perspective that gets erased by the framework of these conversations.
To me, the framework of moral validity for enjoying fictional villains and monsters and whatever you please feels incredibly stifling to the complex, dynamic ideas and analysis that I want to engage in, because I, and many people I know, are consistently pressured to structure their thoughts with this framework as the only acceptable baseline of discussion. This is so ubiquitous that when people I’ve known have tried to engage in ways that diverge from that framework, the responses they get are outright confused or direct the conversation right back to the original framework they tried to avoid. Complex conversation gets steamrolled.
Somewhere in the conversation we were all having about acknowledging and discussing abuse and oppression, and acknowledging troubling patterns in media which reinforce the normalization of abuse and opression, some people decided that there was a very serious moral discussion to be had regarding the mere act of liking things which involve dark subject matter and complex, or even monstrous characters. They now argue that there are very clear cut, simple moral frameworks for A) telling stories and B) enjoying stories, and most importantly, that this moral framework is a valid justification for the social treatment and silencing of certain people.
A framework, by the way, which I think is actually not functionally a framework, because like the toxic American fundamentalist christian groups it’s thinking is structured from, it does not account for the vastly diverse moral landscape within it’s own space. There is no objectively consistent body of knowledge anybody is working from, because morals are derived from the human experience, which is inherently subjective.
Interestingly, no where does this have more of an impact than with marginalized people, and people like me, who want to express something deeper and more meaningful in the conversation about abuse and oppression than what this framework really offers us. To be honest, The more I see this kind of conversation making the rounds, the clearer it becomes that it’s a means of control and power game playing. It’s not about morality, but about how morality can be leveraged in order to silence truly diverse and nuanced perspectives and uphold people’s sense of self-comfort. It is a means of supplanting more convenient and easily digestible understandings of these highly complex subjects that require more intensive, thoughtful engagement, especially when it gets challenging. This kind of rhetoric absolves people of making room for complex and diverse experiences, and reinforces an (at face-value) easy to follow set of moral rules of how we are all allowed to think and feel.
The implication of all of this is that if we all adhere to the One True (alleged) Moral Framework of Fandom Engagement, then we will somehow come out on the other side with all the Good People having a Great Time having Squeaky Clean Fun. And I don’t think I should have to tell you at this point how stifling and disturbing the implications of that kind of mentality really are.
 Quite frankly, I think a lot of us are very tired of constantly speaking on other people’s terms.
32 notes · View notes