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#( eh idk where i was going with this )
eyrieofsynapses · 4 months
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why Aurora's art is genius
It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.
And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.
I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.
SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???
All positive feedback btw! No downers here. <3
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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!
Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.
Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.
THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)
Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:
Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:
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Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.
I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.
If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!
Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:
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Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.
A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):
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(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)
The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—
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—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.
(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)
Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!
One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!
And another thing re: rain, the use of it to establish perspective, particularly in panels like this—
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—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)
Additionally, the misting here:
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We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.
A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).
Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):
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First panel, listed in numbers because these build on each other:
The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.
The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.
The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.
A handful of miscellaneous notes on the second panel:
The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)
The flowing of fabric in the wind and associated variation in the lineart
The way Erin's tattoos interact with the fire he's pulling to his hand
The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)
I could go on. I won't because this is a lot of writing already.
Third panel gets paragraphs, not bullets:
Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.
Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)
And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.
Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.
Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):
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It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:
Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.
And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.
One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.
A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.
Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?
Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):
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The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:
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What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P
Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):
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They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.
Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.
And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3
...brownie points for getting all the way down here? Have a cookie.
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pixlokita · 1 year
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Been a while since I done a silent comic
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sentientsky · 6 months
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(here have a wip. he’s taking the divorce so so well)
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+ i am so tired. good omens night
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accirax · 9 months
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On my fetch quest to retrieve Xander's assigned color from the DRDT Demo Video, I noticed something interesting-- where everybody stands in the Class Trial totally changed between the demo video and now???
Here's where everybody stood in the Class Trial during the demo:
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(ignore the colors, they have no meaning) And here's where everybody canonically stands:
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Like I said, almost completely different. Here are a couple of my observations that I thought were most interesting:
Teruko and Eden are the only characters who stayed in the same location. Teruko always stood in front of MonoTV, and Eden was always to her right.
Arei and Hu always stood next to each other.
Veronika and Levi always stood next to each other, although they flipped which order they were standing in.
Originally, Xander was in the position opposite the circle from Teruko. Now, that's where David stands.
I have no idea what any of this might mean, and it might be completely arbitrary. Still, it's interesting what might have been going through the creator's head when they originally chose the demo placements, and then when those placements changed.
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hood-ex · 9 months
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Going through all the magic related tags on AO3 and finding nothing about Witch!Dick running a metaphysical shop.
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winepresswrath · 9 months
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I do gotta say tho, even tho I’m mad at aziraphale because he’s being a terrible boyfriend like what you said about the “I forgive you like” because WHAT. But also I really like the way the show really demonstrates the underlying cruelty of heaven and it’s angels. Really shows the hypocrisy of a group of beings who are supposed to do good, especially aziraphale who really buys into the heaven propaganda, who hurts people, particularly the person who means the most to him. Because like you said he fully just takes advantage of that devotion Crowley has for him. Insane, this shwo makes me INSANE
I missed this anon and yeah! The angels were one of my favourite parts of the season, and I think the strongest element aside from Neil Gaiman deciding he's just a simple man who wants to put his otp in situations. They are deeply awful and I kind of love them. They are the exact kind of moralizing hypocrites who are callous and cruel precisely because they think being on team good means everything they do is justified and it's actually impossible for them to be in the wrong (they're angels! is it even possible for them to do the wrong thing?).
but!! To me, they also seem like they're basically kids? Obviously they're not literally children, but there is this very consistent reoccurring joke about how childish/sheltered/immature they are. Muriel is the most obvious example, but the archangels come off like bratty twelve year olds to her sweet little kid.
Gabriel is basically teenager in love flipping off his family as he runs away with his backstreet guy. Uriel is constantly picking at Michael, Michael is playing at being in charge like it's a game, and it's ridiculously easy for both Aziraphale and Crowely to trick them obvious half assed lies. They're not allowed to ask questions! The Metatron treats them like badly behaved kids out past their curfew. At any point an old man with a beard may pop up to scold them and send them home, and they're all scared of doing something wrong by his standards and getting in trouble with this guy who is pointedly not God but who lines up exactly with the pop-culture idea of god the father, and who offers Aziraphale, among other things, a respite from the hard work of figuring out what the right thing to do is for himself. It's fine! You don't have to question the belief system you were born into or make a painful break with everything you've ever known! Aziraphale has had six thousand years on earth to grow up, but the other angels have been sitting in a sterile white box playing "i'm not touching you" games with each other and filing paperwork.
And I think that's extra interesting because this season also really emphasizes:
Heaven has Institutional Problems
Aziraphale isn't the only angel who's unhappy in heaven. Gabriel and Muriel were both completely miserable. They just didn't understand that they were unhappy because they'd never experienced anything else.
Angels who aren't Aziraphale can change and grow! There's very explicitly Gabriel being changed by love and Muriel growing up a bit on earth, and from a more fan-theory angle there's also Jimbriel, who I think is probably basically Gabriel minus the war and six thousand years of playing referee for Michael and Uriel while unleashing an assortment of plague and calamities on earth because that's God's will! Buck up champ.
We also get Gabriel and Beezelebub talking about how their underlings basically live for Armageddon, "if you can call that living." This is so bleak. They've all been on a six thousand year time out just dreaming of the day they get to beat the shit out of each other until they feel better, but it won't work because eternity is just more of the box.
Anyway I think it's going in a distinctly eden adjacent direction. Aziraphale is going to tempt those angels with knowledge and the capacity for change. I have veered so far from your ask anon i'm sorry you're right heaven really went all out on sucking this season & while Crowley and Aziraphale are both fucking it up Crowley refrains from being spectacularly cruel to Aziraphale about it and Aziraphale should learn to return the favour. I forgive you!! I forGIVE you. I forgive YOU. "you can be an angel again" is actually a worse thing to say than "you're a demon. i don't even like you." when he finally picks crowley over heaven i'm going to lose my mind.
#good omens spoilers#good omens season two spoilers#idk it makes me sad that i didn't like the humans very much this season because i think ideally they're central to this whole how to be#a person question i also hope we get to see more of hell next season because i do think they're stuck in basically the same place#with a different aesthetic! and the stick being#thrown into a torture pit instead of thrown into hell#or like. mindwiped and locked in an office for all eternity#gabriel broke my heart which is embarrassing but when he goes from not even understanding what music is to experiencing#the simple pleasure of sharing a song with someone for the very first time and almost immediately hits repeat for eternity... baby. baby bo#i would also like more crowley! this was very much the season of aziraphale#which is fine but i missed him yelling questions at god and the bits where it seemed he really wanted aziraphale's opinion instead of just#wanting aziraphale to develop better opinions#next season had better be crowley wrestles with the universe i am telling you!!!#remember three months ago when i was like eh... another good omens season#i bet it'll be cute but i'm content with my book#i don't go here i said strapping on my clown shoes#seriously though i do think crowley is scared to admit to wanting to be good both because god rejected him and he doesn't want#to be a sucker for her (he is only interested in being a sucker for aziraphale)#and like. chase after something he's barred from and has already been told isn't for him.#and that's why it's so hard for him to admit even to himself that he too would be unhappy ditching earth#in ways that parallel aziraphale's unwillingness to let go of heaven as a source of moral authority and goodness#but the way aziraphale goes oh no! i cannot trust my own judgement and desires. They are suspect!#my judgement is that crowley is good and also funny and sexy. my desires are for his company and also his body#therefore the source of these desires is also maybe bad. i mean he's a demon. he's got to be bad#right??? but no. but i saw him do a good thing. but maybe i didn't? I should probably take a stance on this.#and he makes this crowley's problem until the apocalypse but then the second he gets the chance to cram crowley and his feelings for him#back in a heaven approved box he jumps at it in a way that requires just being WILDLY insensitive and dismissive of crowley's feelings#he's not just being a dick about their relationship he is being a dick about crowley as a person. and he should know better but is choosing#not to because he wants the easy out so badly. anyway i love him he was my favourite character all season no notes#good omens
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gregoftom · 1 year
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pretty sure i’ve seen romance movies with scenes like this
#tomgreg#where do i even start with t his horseshit okay here we fucking go.#so tom's first instinct is to go to greg when he's on shaky ground with shiv. the only way  he feels safe is to have GREG with him.#who tf would want greg as an attack dog??!?!? lets be fucking real. when he says that i think he means just a dog. just someone loyal.#who loves him and won't dick him around. i think he's pretty tired of it by now.#he wants an alliance with like. ok in this show who would you pick to ally with. i love greg but he's abso useless in terms of skills that#would keep you safe. if anything TOM would keep HIM safe. in fact tom  himself says who else has taken care of you. literally spells it out.#he even says greg is a joke; will fail; will fuck up; so what use does he have for tom other than companionship. other than love?#a dog might do tricks for you but your main reason for getting one is usually love. right? at least it should be. it would be in tom's case.#and don't even fucking get me STARTED on ''do you wanna come with me? ...sporus?" like girl.#you know what you told him about nero and sporus right. and now you're saying to him; yeah i was talking about you.#you and me. you're my favourite and i wasn't joking when i said i'd marry you.#the whole while tom is asking greg to be his attack dog his fuckin. eyes and expression we get it you're in love with  him. like it's ridic.#and all this coming with phrasing it sounds like they're fucking ELOPING. I HATE IT!!!!!! SHUT UP! stop saying that fucking shit god. god#they are so annoying. anyway#the way tom's voice breaks as he says he has things to do [what things. will i find out later.] and the deal and!!#what am i gonna do with a soul anyways... i have you what do i need it for. and as that paragraph said somewhere. he castrates his soul.#then they giggle and are fucking annoying and greg'S HANDS LOOK LIK EHE'S ABOUT TO IDK. HUG TOM? AROUND THE MIDDLE MAYBE#or do something else. and then they just hug instead and i fucking. ugh. i've had enough tbh good fucking bye
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dutybcrne · 29 days
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Imagine if the remaining Khaenri'ahns, due to the influence of the curse or affliction of Abyssal energy they've been exposed to are able to see like. Warped visions of their old comrades/people via the leylines or in domains from first glance, where it would take others direct exposure or even special abilities to even begin to see them-
#☆ ┆ ( .ooc. );#//Kae as a kid seeing like. Spectres hanging around a domain and being creeped out#//Meanwhile bby!Luc is nonethewiser and happily tromping on over to pat the door of the domain to Prove he ain't scared of NOTHIN#//Kae trying not to scream and pull Luc away as he unknowingly makes the spectres part around him (bc his Vision) on his way#//Kae finally breaking through his terror and rushing forward to wrench Luc away when the spectres start acting weird and crowding him#//Cringing as he can almost feel them touching his head; whispering abt his role as Khaenri'ahs last hope while Luc yells at him#//Kae; older now; going to that same domain & being almost greeted by Them as he heads inside to investigate just What was going on there#//Getting a NASTY slew of Visions and torments bc he was WHOLLY unprepared for what they were tryna show him#//Dainsleif being Haunted by all the spectres in the Chasm; seeing shadowy figures everywhere he looks/walks#//Stalking him; whispering to him; calling his name; his title; begging for mercy; to be Saved; when he can scarcely do so for himself#//Bc that Abyssal device drained the HELL out of him; and with it amplifying the energy afflicting him; he can almost make out the faces#//Of each and every shadowy spectre coming at/near him. Can almost SEE the tormented faces of the Husks as they Challenge him#//Of HIS comrades; HIS people; hearing their dying; agonized screams through the agony of the Abyss's corruption#//The more affliction with Abyss energy; the clearer yet more Gruesome the images get#//As if it was always TEMPTATION in order to get the person to corrupt themselves more with it all along#//Baiting the person with things they can be intrigued by; be Desperate enough to seek out; feel GUILTY of and try to 'save them'#//Only to end up Ruined themselves when they fall far too deep into its clutches-#//Eh; idk where I was going with this lmao#//An attempt at horror plottings perhaps#//I do miss being able to fully; tho got a lil practice running Boo.thill hcs
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sskk-manifesto · 30 days
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Atsushi's back in the game!!! ۶( ˆ o ˆ )
#And Kouyou!!!!#Also. I can say Steinbeck is kinda 👀👀👀#King of the specific category of “I forget I like him until he's on screen”#I'm seriously unlocking memories with this rewatch. Like I haven't thought about it in two years–#but I just know when I was watching the anime for the first time I was being like#“Of COURSE the villains need to spend several minutes each episode explaining in detail how their own superpowers work so that the–#protagonists can get a perfect idea of how to best counter them. Why are villains made so freaking stupid in this show” aljhvwslchvqliyqwb#But. Eh. I guess that's just bsd to you.#Alsoooooo random thought of the day: I don't really favour how Tanizaki's ability was adapted in the anime.#I very well understand they were going for this green Matrix-like illusion effect‚ but every time someone says “... Snow?”#I'm like please explain where do you live that has snow glowing green.#Aamsjgvfaskjhfv sorry this is me being very. Cranky and nitpicky and having terrible audience etiquette in refusing to–#engage in suspension of disbelief. It just bugs me akvakcvqkyb I just feel like... Green is such a non-snow color–#that quite of completely disrupts the Light Snow / Sasame Yuki aesthetic. I would have liked it much better light blue or simply white.#What else. The way the Guild just goes on at stereotypes still troubles me a lot. The “usamericans can't be touched by laws–#because they use money to corrupt anyone” “foreign criminal organization come in our country to corrupt our pure and untouched soil”#Idk. Maybe all of it is true. Can it still be deemed a stereotype when it's objectively something that's happened before–#and will probably keep happening?#I suppose I'm just not a fan of the constant hostility against any foreigner. Idk.#This situation besides is extremely ironical. If you meet me irl it probably won't take long to see me being very outspoken about–#how much I despise usa cultural colonization of all other countries. It's something that really bothers me‚ how rooted and pervasive–#their influence is. So in a lot of ways I can relate to the author's sentiment#I just feel that. If you start treating them as stereotypes and ignore the complexity of a country and the wide spectrum of causes–#that contribute to its attitude in international relations. You end up practicing precisely what you're trying to criticize.#Okay this is the last time I'm getting into the politics of the Guild arc lol#random rambles#This time I took watching the episode slow I feel a little late
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captainshyguy · 3 months
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i do wish that people hadnt been so rabidly critical and vicious towards steven universe back in the day, because now it feels like u cant discuss any parts of the show u didnt like without getting lumped in with those guys lol
#like idk man i liked the show a bunch#but i did also fall off becayse like. yeah i can see the tragjectory of the show now!#i can see that it was always gona be about this broken family of the diamonda and all that#but like. idk man. i tend to prefer when we focus on the little guys#and yeah we did do some of that. but that (planned) swerve near the end there really lost my interest#like i know rose being pink does make her infiitely more complex and its a fine choice to make but it still didnt do anythng for me#i still would have mich preferred to focus on the corrupted gems#on the people with no power in this struggle#its lik how i understand that the diamonds are basically a metaphor for someones like. bigoted aunt or something#but that still doent mean that i like that the people who razed dozens of planets to the ground were given time and priority#over the footsoldiers man!!!#like yes yes i get it its a metaphor its a escalation what else where they gonan do but like idk man i can still not like that turn!!#i can still wish they just....idk overthrew them or bubbled them or something. idk pull an anndrias from aphibia. community service lol#i can still wish that steven had healed the corrupted gems like it felt like it was foreshadowed#(since. yknw. rose can heal physical things- and stevne can a bit too but he can astral project into -peoples minds.)#and the corruption was an inury of the mind first and formost.#like. why would u set that up and not do that jgsnsgknkjdnjkgds#i can stil lthink the proportion inconsistenies were weird and too me out of the moment#eh idk its frustrating#like it feels like u say somehng like this and u have one guy going 'ikr the ahow SUCKED steven shoulda KLLED THEM'#and another going 'omg its a KIDS SHOW SHUT UP FORVER NO CRITICSM'#abd im sitting here in the middle like i tihnk theres some nuance here lads. i think we can habe a middle ground#luke rambles
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icewindandboringhorror · 10 months
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Baby boy brother birthday photos from last year that I just realized I never uploaded!
#cats#also hopefully it's not weird to still post photos of George (the brown cat) even after his death a little while ago. I just have so many#beautiful old pictures of him that I still love but just never had the time to sort through or upload (my cat photos folder on my#computer had like 450 pictures in it or something lol... SO many). I feel like it's kind of just honoring or appreciating him#and not actually strange or anything. like what am I supposed to do. delete them?? I want to share them still because he is beautiful and#perfect ! idk. aNYWAY. Also this is their 2022 birthday when they turned 14 years old. (even though I think when I posted#their 2021 bday I might have said they were 14 then too. I was off by a year lol). 2023 when they turned 15 I unfortunately#was feeling kind of sick at the time and didn't really have the energy to do the decorations like I usually do. So they just got a few#treats and stuff. But I didn't know that would be george's last birthday lol. :/#They also do not really know or care though. they're cats who cannot process it or know the concept of birthdays so. eh#I still have no idea how these got lost on the computer though. Like I had them fully edited ready to post but just sitting in a folder??#Since MARCH 2022 lol... ??? the folder was in another folder of pictures so maybe that's how I overlooked it#But it's my 'once every 4 months computer organizing and clean out time' so I was going tghrough looking for pictures#I could drafts posts out of or sort or etc.#They got lots more treats for this birthday because one of my friends actually game me a few gifts for them#elderly boys.!!!!#I used to write in the little caption/image description sections to talk about them all individually but at some point tumblr broke that#feature and for so long they never saved or weren't visible so I stopped doing them and just ramble a bunch in the tags instead#but I kind of miss them. Thinking about old posts of the cats where I commented on each photo individually too lol.. the good ole days
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blazingflareon · 5 months
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ok but what if i just make sol unhinged for renegade
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the80hbee · 1 year
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wait. EXCUSE ME? what the everloving fuck is THIS, flanagan
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(book 2, burning bridge)
what the fuck. “If I were twenty years younger..”?! 
please tell me it’s not just me.
I was in the middle of washing an hour and a half’s worth of dishes when I suddenly remembered this moment. that felt relevant, by the way. fuck if I know why
idk maybe halt’s reaction is fine?? he does preface everything with an acknowledgement of the fact that he’s Much Older than alyss? so maybe this isn’t weird? it could be normal/understandable human reaction? y’all please. check me on this. I sincerely don’t know anymore.
is this kind of weird and slightly fucked up or is it just me
[image ids: two screenshots of white on black text. the first screenshot reads:
“The Ranger nodded. ‘More than I realized,’ he said. Alyss urged her horse close behind his and leaned over to kiss him on the cheek.
‘That’s for Will when you see him.’ A ghost of a smile touched Halt’s face.
‘You’ll understand if I don’t pass it on in person?’ he said. Alyss smiled and leaned over to kiss him again.
‘And that’s for you, you jaded, bad-tempered old Ranger.’“
the second screenshot reads:
“A little surprised by her own impulsiveness, she urged her horse ahead of him. Halt touched one hand to his cheek and looked after the slim blond figure.
If I were twenty years younger... he began.
Then he sighed and had to be honest with himself. Make that thirty years, he thought.”
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mirick-vn · 8 months
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I can't tell if Noé's a bigger fan of halloween or christmas.
Like, I can see him start putting up Christmas decorations the moment it hits midnight August 31 and the -ber months start rolling around.
But at the same time I feel like he's the type to be really, really psyched about halloween and literally gets so excited when kids start trick-or-treating
Either way, all I know is I can see Noé being very passionate about the holidays.
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baejax-the-great · 9 months
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I think some of the arguments about fan interpretations of characters and OOCness forget a fundamental part of human nature which is this: each of us perceives the world and the people in it in slightly different ways based on our own experiences.
Most people have certain characteristics they consider fundamental to their Blorbo and some characteristics that are less important and could be changed, ignored, or scrapped for AU purposes. Unfortunately, which specific characteristics fall into which category are not going to be the same from person to person. Sometimes the overlap between two people's interpretations will be huge, and those two people will probably enjoy the same fan content. Sometimes not so much.
Personally, I write for a ship that were childhood friends that became lovers. In many AUs, people have them meeting for the first time in adulthood, and for me, that changes the nature of the ship and their characters so much that I can't really get into it. I consider their childhood friendship fundamental to them as people, and those authors don't. Which is fine. Many other people like those AUs. Nobody here is really in the wrong, we just have different opinions on what makes these particular Blorbos them.
In almost all cases, someone out there will find your interpretation of a character OOC. And that's fine. Hopefully they are polite and simply choose not to read your fics/engage with your HCs/whatever. But I think all of us have had the experience of reading a wildly OOC take and seeing other people enthusiastically going along with this "wrong" interpretation of the characters and thinking, "What??!?!"
It's fine. It's normal. It's annoying as hell (people are wrong on the internet), but it's inevitable. And if you find that interpretation particularly heinous to your Blorbo sensibilities, the block button is your friend.
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