Tender.
(Simon Riley × Reader)
He closes the door behind, as a pair of hands reach out to touch his shoulders, before they softly tug on the top of his attire. A sigh leaves his lips when you peel the heavy layer off him, freeing him from the stuffy suit.
You smile at him as he loosens his tie, and you hold out your hand to take it.
He watches you as you fold his suit, and set it down on the stool. Leaving it there to be laundered in the morning.
It's a sight he never thought he'd see, and the one he never got used to.
He wonders if Price ever thought the same.
"Never thought you'd settle down, Captain."
He saw his friend grinned, and his eyes crinkled with amusement.
"Never thought you'd bring someone either, Simon." He chuckled before he patted his back, "A beautiful one, too."
He quietly smiled, while his eyes searched for his lover unconsciously.
Lover.
What an easy word to say, for a tangled mess it left behind.
"Oh…" He heard his friend sighed, as he saw the bride bow down to let a tiny, curious hand touch the mantilla. "Look at her. What I won't do to see her smile."
He let out a snort when he saw his friend softened at the sight of her. Captivated. And tender-struck.
He'd call him mad, if he wasn't affected by it.
Just a little shift of his gaze, he found himself staring at a serene face—that is yours. His heart thrummed when you smiled at the little boy, who shyly hid from the bride behind you and his mother.
A sight that'd plague him for a lifetime.
He blinked, as her voice called him to the present.
"You've been quiet for a while now." She mused, "What's on your mind?"
He looks at her, and notes the way you press your lips together, waiting. "Nothing." Is all he said.
You didn't press it further, and he didn't know if it's alright to keep it that way. You knew that it was a lie, you both knew that, but you didn't show it. You understood him, and he yet again took advantage of it.
You give him a small smile, before you turn to the mirror.
That's when his silence falters.
He knew you didn't turn your back on him, and that you only looked away to unclasp your necklace. But his body tenses up, and compels itself to move towards her.
You're at a halt when his hands pull you into him all of the sudden, while his face is buried in the curve of your nape. "I love you." You heard him whisper, and for a moment, you almost thought he bit his tongue from stating further.
"I know." You murmured against his hair, as you stroked his cheek tenderly.
"I didn't deserve it." He spoke in a low tone—a tone that's reserved for confession.
"It's not your place to judge." You replied to him.
"I didn't love you the way you needed."
"You did. A million times in fact."
"I took your love for granted." His voice trembled when he spoke, "I took advantage of your kindness, and I made you think that you love me, even when—"
"Simon."
He didn't resist it when you took his hands into yours, as you stared into his eyes.
"I didn't love you against my will, I chose this myself." You told him, "You never forced me into this. If anything, I should be blamed for it, because I want you."
You give his hand a squeeze as an assurance.
"You're enough for me, Simon."
His eyes widen, before they soften up by your touch. He reaches up to hold your hand, and presses them against his face.
"You're too good for me." He said as he kissed you palm.
"Learn to live with it." You chuckled, "Because I'm not going anywhere."
"I wouldn't dream of it."
He recites the same promise, as he presses his lips against your finger. A kiss, that'll someday be replaced when he's on his knee.
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My brain is unwilling to let go of Twin AU prompts. Sorry for the long post lmao.
Jazz and Jason are getting pretty serious in their relationship, and honestly, they’ve both been hesitant to introduce their family members to one another despite constantly talking about them. They’ve been dating since she started her doctoral studies at Gotham U and she’s about to defend her dissertation, so it really is about time. He saved her in her first week as the Red Hood and he immediately felt at home with her (something, something liminal), she runs into him the next day at a coffee shop and thanks him for taking the time to help her.
Identities are obviously blown. Jason knows that her brother works in ‘politics’ and her younger sister is a travel blogger, and that the three of them don’t talk to her mad scientist parents anymore. Jazz knows that he came back from the dead, his adoptive family had a slew of issues in addition to their hero-complexes and that he would be prepared to kill for any one of his siblings. Their communication skills are top notch.
But then came the issue of actually meeting the family. Like Jazz knows all of the drama between the siblings but could not pick them out of a line up, or more importantly, know who to talk to if an emergency situation came up. Jason agrees, that yeah, it would probably be for the best if he could at least identify her little brother and sister if they had to like, meet at hospital or something.
So that was the plan. Invite just siblings over to their shared apartment, no parents and no fuss. (She even called Danny ahead of time to tell him not to portal straight into the apartment, he needed to walk in the door like a normal person. They could share Ghost King secrets later.)
Tim arrives first, he’d been working a case nearby and Jazz & Jason live pretty close to a nice coffeeshop, so he stopped along the way. He’d done some creeping to figure out that she drinks Chai so he brought one for her. Creepy and yet, endearing.
Ellie comes in second from the window, launching into a story about how annoying it was to find the place with all the gloom, didn’t this city have any respect for the dead? Tim doesn’t get it but Jason is laughing along so Tim files it away for later.
Dick comes in with a shit ton of Pizza he panic ordered, a fruit bouquet and two bottles of wine from Bruce’s cellar. Duke came along with him, a large tupperware of Alfred’s cookies.
Then Steph, Babs and Cass show up, immediately treating Jazz like family while also being hella suspicious about the whole thing. She notices them looking at her hands and Jazz explains that no, they weren’t doing this because Jason proposed. Steph and Cass are annoyed at Jason but tell Jazz she could do better if she wanted. Babs is happy they aren’t rushing into anything (she’s the only one besides Tim that knows how long they’ve been dating- this is just to throw out a red herring for the others)
Everyone is getting along and having a great time, Ellie being a natural entertainer along side Dick, everyone trying to tell embarrassing stories about Jason. Loud noises are coming from the hallway when they realize that neither Damian nor Danny had arrived.
Rushing out the door, the boys are alternating putting each other into choke holds and arguing about not being clones. Danny keeps phasing out of Damian’s grip and Damian keeps pulling out more knives. The hallway looks like it had been blown up and the two are continuing to yell at one another about going to a family dinner. Jason and Jazz just stare at them from the doorway, and wouldn’t you know it, they look like fucking twins.
Jazz grabs Danny, Jason grabs Damian, and everyone is fucking confused. Both sides of the family can confirm growing up with the twins, that neither are a clone. Ellie helpfully supplies that she’s the clone and that opens a whole other bag of chaos.
Eventually they get everyone to sit down for dinner and the night gets weirder from there.
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“when you play go, you pursue your desires in silence. you seduce, and you fall. you strip each other bare. and if your partner doesn't reciprocate, then it's just a game of go.”
go as an overarching symbol throughout the glory, both figuratively as a representation of dongeun’s revenge, and also as a metaphor for class and relations (between her and the men in her life, i.e. yeojeong and doyeong).
on a relational level, go is a game of seduction. it’s a mental sword dance, so to speak. dongeun learns it with revenge in mind - she plans to catch the interest of doyeong, the husband of the girl who destroyed her life. she uses go to approach him - she seduces him the very first time he sees her play, so much that he can’t get her out of his head. she uses go to entice him; she wins before he even knows that he’s playing.
dongeun learns go for the purposes of ensnaring doyeong, but it’s yeojeong who first teaches her go at all. and it’s go that becomes a cornerstone of their burgeoning relationship as well. throughout the seasons, go helps both of them, as something that centers them, tethers them to current life. for yeojeong, his sessions mentoring dongeun in go were the only thing that created a schedule for him in his most turbulent time (after his father died, etc.). it becomes their mode of communication - he asks her to make a play so that he can know she came by. a silent way of saying i’m alive.
and then there’s dongeun approaching doyeong to play go, then them meeting again at the park he designed. yeojeong also approaches doyeong to play go, also purposefully - the man who taught dongeun vs the man she learned to play for.
but for dongeun, go is never about the men so much as it is about herself. go becomes something she loves for what it is, a game that builds territories, a game where the enemy can be slowly and methodically destroyed as you take all their territories, like how she plans to take everything from yeonjin. it reminds her of the dreams of being an architect she had before she had to drop out of school from the bullying/assault.
doyeong says that one of his go teachers tells him that he was born holding the black stones. when dongeun plays with yeojeong for the first time, she says she has to start with the white stones, since she’s the beginner. that’s how they play, for months. when doyeong meets dongeun after finding out the beginnings of the truth, he says that this game is more difficult than the ones he’s played in the past (and she beats him, the first time they play prior to that meeting).
the black stones represent the upper hand, the wealthy. it’s a class metaphor, especially when related to doyeong. yeojeong also starts out with the black stones, maybe because of wealth, maybe because he’s learned it for far longer. maybe because life was kinder to him. dongeun starts at the bottom, with the white stones, because she has nothing and knows nothing.
but when she places her first stones on the go board, she plays with the black.
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I've been thinking about why Natsume Takashi's family called "Natsume" his mother and grandmother family name and not his father which normally should've been ??
We've always took this name for granted so we never question it even when we know about his family's history. I speak of myself that I never question it or find it weird till now ><
I feel it was something that triggered this idea suddenly but can't remember which event or scene did, or was it a late realization on my part or was it Seiji's remark in that scene hmmmm
I believe I find it weird because he had the same family name as Reiko herself .. since if Reiko was married then she too would go by her husband family's name thus her daughter too .. but Natsume had the same family as his grandmother not his mother which led to many questions in my mind either about him or Reiko but let's focus on Natsume for now …
It's weird, isn't it ?? or am I the only one that think that ??
It's known that the wife takes her husband's family name after getting married. also, his father is known unlike his mother's mysterious father so there's no reason to use his mother's family name. plus, his mother was the first to die too and he mostly was raised by his father, so it wasn't the other way around for him to maybe had his mother's family name.
Why give him his mother's family name then ?
his name "Natsume" Takashi wasn't passed down by only the yokai to link him to Reiko. I mean this name isn't exclusive in the yokai side of the world for it to make sense why he had this family name, even in the human world he's known as "Natsume".
Then I remember the orphanage incident that Seiji mentioned … how his relative never put him in one again in fear he might ruin their family image in society given how weird he is that he was kicked out of the orphanage .. "let's keep this disgrace within the family" they said (I so wanna kill them for this remark)
Do you think that's why they changed his family's name after his father's death ? So, they can blame it all on the other family "he's crazy like his grandmother, our family has no such weirdo" or to have an escape route by saying "he's not from the family" .. thus if he did another problem …. oooooooh wait … what if they changed his family name AFTER the orphanage incident ??? so that if he did another big incident or his name get to be known publicly then this name won't trace back to their family or image ?? ( this idea just clicked right now and .. I .. it make sense that I hate it ugh)
I'll stop here, I feel more damaged the more I think or talk about this and sure hope this whole idea in unfounded > - >
can someone tell me it makes no sense and nothing is weird in him going by his grandmother's family ?? T^T
this idea is painful if it's true >-<
NATSUME DOESN'T DERSERVE ALL OF THIS !!!
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