#2024 dancehall | Explore Tumblr Posts and Blogs

djladydior · 11 days

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Champion 2024 Dancehall Mix available on Audiomack

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horrainebless · 4 months

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TUN UP

Max wayne ft highlight 🔥

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yellodisney · 8 months

Audio

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afrotumble · 2 days

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Baby Cham & Bounty Killer | Tuff Gong | 1Xtra Jamaica 2024

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#baby cham #bounty killer #dancehall #1xtra jamaica 2024 #Youtube

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musicallysoundstranger1 · 18 days

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One part mysterious and one part wild!

#Mysterious dancer mask #mask #LaTonya G. Hilton #mosicallysoundgirl1 #US #USA #United States #2024 #2021 #2019 #another moment #music #dance #dancers #moody girl #dancehall #dance music

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female-rappers · 2 months

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Sita Lyrical - Kartel Song

#Sita Lyrical #music video #2024 #dancehall

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newleasemusic · 2 months

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OUT TODAY: Sonz Of Thunder UK drops video for track, 'Enjoy Life'

Brothers Shane and Dean Brown – aka SONZ OF THUNDER UK (SOTUK) – steps into 2024 with an uplifting vibe for the warm months ahead with video for single, ‘Enjoy Life’, available now across various major platforms. Shot on the heavenly coast of Ghana, the three-minute production features the duo living out the message of the reggaeton-esque cruiser: dust yourself off, put any wrongs to…

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#arts #dancehall #entertainment #feel good song #gospel #gospel music #indie group #indie music #Music #new music video 2024 #new releases 2024 #out today #reggae #Sonz Of Thunder UK - Enjoy Life #summer anthem #unsigned group #unsigned music

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worlmag · 4 months

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DEXTA DAPS - TRILOGY ALBUM 2024

Dexta Daps TRILOGY DEXTA DAPS – TRILOGY ALBUM 2024 TRACKLISTING 1. OK – Masicka 2. SHOWERS OF BLESSINGS 3. FRIENDSHIP SALEE – Chronic Law 4. WUK FI MINE – Rally Banks 5. STRENGTH 6. FOREVER 7. DEMON TIMEE 8. I WILLE 9. REGRETE 10. UNFAIR TRUTH 11. PURGE Jada Kingdom 12. SEE IT YAH Alaine 13. INDICTED (END-I-DID) 14. IN YOUE 15. BUTTERFLY 16. VANTA BLACK

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#2024 #ALBUM #Dancehall #DEXTA DAPS #Dexta Daps TRILOGY #KRISIS TRILOGY RIDDIM #music #Reggae

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dhusa · 4 months

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Jada Kingdom - What’s Up (Big Buddy) | Music Video (Dutty Money Riddim)

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#2024 #burna boy #dancehall #dutty money riddim #Go Go Club Riddim #jada kindgom #Rvssian

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nevzatboyraz44 · 4 months

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😡😡😡😡😡😡😡😡😡😡😡😡😡😡😡😡😡

☝️☝️☝️☝️☝️☝️☝️☝️☝️☝️☝️☝️☝️☝️☝️👍👍

😓😓😓😓😓😓😓😓😓😓😓😓😓😓😓😓😓

🇵🇸🇵🇸🇵🇸🇵🇸🇵🇸🇵🇸🇵🇸🇵🇸🇵🇸🇵🇸🇵🇸🇵🇸🇵🇸🇵🇸🇵🇸🇵🇸🇵🇸

🤲🤲🤲🤲🤲🤲🤲🤲🤲🤲🤲🤲🤲🤲🤲🤲🤲

😔😔😔😔😔😔😔😔😔😔😔😔😔😔😔😔😔

#free gaza #free palestine #türkiye #doğa #travel photography #travel destinations #travel #manzara #view #natural #europe #africa #SoundCloud

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7grandmel · 16 days

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Todays rip: 17/04/2024

Psy's End Stylehall

Season 6 Featured on: Transmission Archive ~ The SiIvaGunner All-Star Nuclear Winter Festival Collection

Ripped by Eva Twin

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Alright, so, sure, it wasn't very long ago that I covered a PSY rip, with The World Ends With PSY. But part of why I wanted to highlight that rip in particular other than to talk about The World Ends With You, was to showcase a rip that used PSY's music in an abnormal way for rips, using it in a way we don't really see much of nowadays. That isn't because The World Ends With PSY held some secret ingredient that no rip since has been able to capture, no no, quite the opposite - its because the style of PSY rips we've gotten for a majority of the channel's life, the ones like One Winged PSYcho - V.S. Sepsyrop, like Korean Idiot, and indeed like Psy's End Stylehall, are fucking bangers. PSY is at this point more than just an artist whose music can be made into fun mashups - PSY's vocals are an instrument in of themselves.

And like, I really, truly don't know enough about vocaloid or vocaloid music. I enjoy a Lagtrain from time to time, I love rips like Rolling Start and Willievan Afton Polkka, but its still a niche that's a fair bit out of my wheelhouse. Yet its these kinds of rips that all highlight, to a peasant like me, just what makes the scene tick - the sheer energy in a song like World's End Dancehall feels like the kind of thing you'd ONLY hear through the vocaloid scene. Yet in a way, it doesn't surprise me that I find the music so inherently appealing - it feels as if there's a fair bit of overlap in enjoyment between the art of high quality rips and the art of creating vocaloid music. Both fields are, in many cases, using something not meant to be an instrument, a noise turned music through pitch-shifting and other techniques, be that noise the voicebanks of a digital songstress, or the AHHs and EYYS of a South Korean pop artist. Hatsune Miku is everywhere, she is an instrument for artists to use more than she herself is an artist - yet all of the music featuring her vocals sounds so incredibly distinct from one another. Much the same, again, can be said for PSY.

Like, you'd think one would get tired of the guy after eight years of the same bit, after having annual PSY days where we get nothing BUT rips of the same PSY samples and sounds and bits. Yet each rip manages to sound different from the last, each rip able to find so much creativity in using the guy's vocal samples to ridiculous effect - and no matter how many years pass, Gangnam Style itself still bangs!! The amount of cool shit Psy's End Stylehall in particular does is just too much to list - the slight stuttering on the "Ga-Gangnam Style!!"'s in the song's intro, the constant yet unintrusive presence of Gangnam Style's backing instrumentation, the ways that PSY's vocals are used for both the backing AND the lead melody?? It's nutty, especially in music as chaotic in pace as that of wowaka's (who was also the artist behind Rolling Girl, paid tribute to in Rolling Start mentioned earlier). PSY rips didn't take long to be elevated above just standard mashup material on SiIva, and as late into the channel as Season 6, rippers like Eva Twin were still finding novel ways to use the man's voice.

Like, the way Gangnam Style's first verse vocals play in full at a pretty standard pace, only to suddenly be as if whisked away by World's End Dancehall picking up the pace at 0:49, raising the pitch in PSY's vocals, repeating a segment of the chorus over and over...or the way the chorus has PSY sing alongside his own "ops" repeating as a new form of percussion, on top of Gangnam Style's own instrumentation, on TOP of a layer of "Eyys" in the background - this is the kind of rip that I would just ADORE to see the inner workings of, just how many layers it must've taken to make such a full sound. And like, I've covered Eva Twin on here a good number of times, I still love I'll Face Gay Bowser to death, but Psy's End Stylehall is the kind of rip that leaves me outright amazed at how layered it all sounds. I need no attachment to vocaloid to know good music - and no amount of overexposure to PSY can make his rips any worse. Unfamiliarity and overfamiliarity meet in the middle for a rip I could almost recommend to anyone, a show of SiIvaGunner's sheer quality as of its most recent seasons, and a demonstration of just how deeply its team members care about music of all shapes and sounds.

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djladydior · 11 days

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Listen to Champion Gyal 3: 2024 Dancehall Mix on Youtube now 🇯🇲

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horrainebless · 3 months

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CAN YOU DO THE TUN UP DANCE ,ITS TRENDING ON TIKTOK

#drake #maxwayne #taylorswift #hiphop #dancehall #spotify #trap #cardib #music video #dance #nicky minaj #chris brown #new year 2024 #tiktok #instagram #youtu.be #fashion #dance music

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afrobeatsindacity · 1 month

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IWD: The Sparking Women Of Afrobeats

It's March again, which means International Women’s Month and another opportunity to celebrate women pushing the boundaries for productivity and creativity in all fields in every corner of the world. In Nigerian music, the last few years have seen a bold contingent of creative women advance the borders of what is possible for women in music, even in Nigeria’s patriarchal society. The music scene is still far from having an ideal balance of male and female stars, but considering the male-orientedness of the industry’s artists and background players, this group deserves even more praise for their ability to rise above all obstacles and occupy the section they do now. In doing so, they become a shining light to women in every field, an encouragement that women can rise to the top and pull down age-long barriers. Here are ten women, cut across generations and genres, who are lighting up the Afrobeats scene in 2024.

Tems

Tems rocketed to global fame with “Essence” and remained there via collaborations with Drake, Future and Rihanna, and brought her entire discography with her in this terrific journey, as a result of which even her most obscure releases from the past have been showered with millions of streams. But fans rightly want more, and as they await a debut album from the singer that will no doubt release this year, she’s kept them satisfied: “Me & U” and “Not An Angel” released last year, spinning her AfroRnB, Pop and Dancehall influences into spicy mixes, and allowing her balance gracefully on the ledge where she can appeal to both her Nigerian and western audiences. Tems is one of Nigeria's brightest revelations of the 2020s, and her album should confirm her status as a force in world music.

Tiwa Savage

The No. 1 African Bad Girl ruled African music through the 2010s, and was front and centre of the high-powered, dance-ready movement that we now know as Afropop. Now, she continues to advance Nigerian pop through its Amapiano era, entertaining a new generation with as much vim and vigour as she did with her Pop duo of “Kele Kele Love” and “Love Me, Love Me” over a decade years ago. Her royalty status in African music is beyond doubt, but she continues to prove it anyway, and with last year’s singles “Pick Up” and “Stamina” she kept pace with the rest of the industry, proving that the golden years of her career may actually be in front of her.

Asa

Asa is by now a household name in Nigerian music, being a practising artist for longer than some of her newest fans have been alive. The honeyed songstress made her breakout in 2007 with her self-titled debut album, the Cobhams-produced ethereal piece that introduced the key parts of her artistry: her melodious voice, guitar-strung melodies and her soulful writing. Seventeen years and 5 albums later, the Paris-born vocalist continues to captivate minds while adapting to changing times in Nigerian music, and her last album, V, highlighted her growth and reiterated her effusive songcraft, tapping into more modern Afropop while holding firm to her sonic identity. With the release of her latest, “Odo”, this year, Asa proves that she still has a lot to give the industry she helped build.

Yemi Alade

Yemi Alade, the self-styled Mama Africa, has lived up to that moniker in the ten years since “Johnny”, her explosive Afropop banger, announced her to the country and continent in 2014 as an instant star. Apart from her emotive music and its magnetic appeal to the dance floor, she has won hearts across the continent for her energetic performances and her very impressive polyglotism. She has come to represent a symbol of strength, excellence and femininity for African women, and with her latest release, the Mamapiano EP, having arrived in December, she shows no signs of stopping anytime soon.

Simi

Simi’s high-pitched, sonorous voice is instantly recognisable for any keen follower of Nigerian music. She made her debut in 2014 via a series of catchy, playful singles—“E No Go Funny”, “Open And Close”, and “Jamb Question” and its Falz-featuring remix, before diving into the romantic depths, a field her vocals were always made to excel at. Her eponymous debut album arrived in 2017, bringing the arc of her introduction to a fitting close, and since its release, it has been an unstoppable upward journey for the songstress. Her most recent offering, To Be Honest, consolidated on her growth even further, as she scripted tales of life, love and friendship into one coherent package, and its reception proves her place in the music scene remains secure.

Niniola

Nigeria’s queen of Afro-House gets a lot less credit than she deserves, but Nigeria’s Amapiano-directed era, borrowing heavily from South Africa, was foreshadowed by her genre-bending “Maradona” way back in 2017. Two albums, 2017’s This Is Me and 2020’s Colors And Sounds established her position, as she tried her hands on a number of sonic experiments between Afropop, South African House and Dancehall, and brilliantly pulled off most of them. Years later, she remains at the forefront of innovation and genre-morphing in Nigerian music. Amapiano’s saturation in Nigerian music means it is no longer an effective means of standing out, but Niniola’s capacity to execute it with exceptionally high levels of quality means she will never have to be worried about her legacy.

Teni

Teni, the other half of the Apata singing sisters, is cut from a different sonic cloth. She delights in the tonic flavour of conventional Afropop and its ability to soundtrack the most heartfelt songs. She released a number of tracks between 2016 and 2018 to moderate impact, but it was her breakout single, “Case”, blending tender emotion into fast-spinning beats, that gave Teni her grand introduction as a purveyor of the romantic. Other singles, like the reflective “Uyo Meyo” and “Askamaya” displayed yet another side to her. Her recent album, Tears Of The Sun, was a comeback of sorts after a period of downtime, and with it she immediately thrust herself back into the limelight.

Fave

2021’s “Baby Riddim” was a game-changer for Fave. It was the means with which she made her mainstream journey, and even now it is easy to see why the audience found it so irresistible. 3 months later, she capitalised on the newfound fame to release Riddim 5, her debut EP, weaving heart-strung writing into an AfroRnB sonic template to excellent results.

Her releases in the period since then have been somewhat sparse—only two songs of her own in two years—but she has made up for it with a number of well-delivered features. Her latest, “Belong To You” is a marker of her undying talent and promise.

Qing Madi

It may have gone under the radar, but Qing Madi had an exceptional 2023. She began the year as an underground artist, secured (and brilliantly delivered on) a dream collaboration with BNXN, built on that momentum to release a brilliant debut EP, and is now watching as “American Love”, a track off it, is pushing to become her biggest song yet. The 18 year old singer is making an organic growth fueled by addictive hooks and clever writing, and now looks to be one of the industry’s brightest stars of the future, poised to follow in the examples of the other women on this list.

Bloody Civilian

Bloody Civilian is on her way up. The 26-year-old made giant strides in 2023, logging in her debut EP Anger Management in June and returning in November with Anger Management: At Least We Tried, a special remix version that featured stars like Joeboy, ODUMODUBLVCK and Fave. Her music is a special blend of Nigerian and foreign sounds, allowing her to draw from a wide pool of sonic influences and still create cohesive projects. She is still firmly in the ones to watch category, but her trajectory places her to rank beside Nigeria’s elite in the not-too-distant future.

This article was written by Afrobeats City Contributor Ezema Patrick - @ezemapatrick ( X )

Afrobeats City doesn’t own the right to the images

#Afrobeats #Afrobeats City #Afrobeats Women #Africa #IWD #IWD2024

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the-insanity-of-mojiru · 6 months

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Original Content Index

Light Novels

Anonymous World (2021-) #透明な無名世界 | Official Page | Anniversary: January 1

To the Transparent, Anonymous World : Read Here (Prequel) From the Transparent, Anonymous World: Read Here

Femme Fatale (2024) #Femme Fatale Series | Official Page | Anniversary: TBD

Story of a Rabbit | Katami Mori | Shabemushi | Night Jasmine | Dema Online

Animations

The Obakeyashi (2022) #The Obakeyashi | Official Page | Anniversary: November 15

Video: Watch Here

Happy Days (2017) #Happy Days | Official Page | Anniversary: September 10

Video: Watch Here

Stray Children (2014-2023) #Stray Children | Official Page | Anniversary: December 5

Games

RADIOlite (2015-) #RADIOlite | Official Page | Anniversary: TBD

#I'll probably edit this along as I change some of the links but for now this looks good #I said I'd make posters and I've finally done it #It might be better for me to pin this post rather than just chapter 1 of the Anonymous World so here you go #Not that anyone really needed this I feel like I just made it for me #But thank you for checking out the things nonetheless!#Insanity Draws #Insanity's Post #Insanity of Mojiru

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bzedan · 6 days

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[ID: A digital illustration of the Vault Boy condition image from the PipBoy 3000, a glowing green outlined figure on a dark screen with health metre indicators for head, body and each limb. Rather than the regular coverall-clothed guy, the figure is an outline of Garfield. All health indicators are full and he is smiling. Text below him reads "April 2024 - Level 41." End ID.]

A show came out for a game I've thought about 3-7 times every week for the past nine years and I've been completely normal about it. In my birthday month too! It influenced the playlist cover more than the contents, which are all indulgent as should be for a birthday month playlist. A lot of Carly Rae Jepsen this month, thanks to using her song titles as prompts for Storytelling Collective's April Daily Poem challenge (see results here). Two hours and 33 minutes but despite how I love playing with the length I shan't drop a one of these tracks to get to my birthday-day. Close enough, I say!

Related media to some of the songs:

'Two of Hearts' was in my mind thanks to a random video I'd encountered about the "I-I-I-I-I" sample in 'Groove Is in the Heart' by Deee-Lite, summarised over at Laughing Squid.

'Harder' was Medusa's I think birthday month track and had been out on Bandcamp for a bit but finally wended its way to Spotify, allowing me to drop it into a playlist. Their music is always a mood. They also have an At-Cost collection of merch specifically to make things available to more folks, with the option to pay it forward as well.

The way things go I think songs from a playlist I picked up from a Fallout: New Vegas fan artist are in May but heck there's a Nancy Sinatra on here so why not share now, 'Atomic Cocktail' is a very long, vibes-based playlist that is great to have going in the background.

Anyway here's a link to April's playlist on Spotify, with the track list below the cut.

Or embedded if you like that:

'Time to Pretend' - MGMT

'How Does it Feel' - Dizzee Rascal

'Free Animal' - Foreign Air

'Girl Inform Me - 2021 Remaster' - The Shins

'Complex' - Tristen

'Fun But Not Forever' - girlish figure

'Sociopathic Dance Queen' - Amaarae

'Jackie' - Scott Walker

'I Could Be Happy' - Altered Images

'GO! (feat. Karen O)' - Santigold

'Black Sheep' - Kailee Morgue

'Good Luck, Babe!' - Chappell Roan

'Me And My Shadow' - Peggy Lee

'Only A Fool Would Say That' - Steely Dan

'Seabird' - Alessi Brothers

'Thank You (Not So Bad)' - Dimitri Vegas & Like Mike

'Feels Right' - Carly Rae Jepsen

'Two of Hearts' - Stacey Q

'Hey Sorry' - Boy Jr.

'Houdini' - Dua Lipa

'Hard (er)' - Medusa

'i like the way you kiss me' - Artemas

'Really Big Deal' - Jake Shears

'Eye On The Bat' - Palehound

'Sunshine Superman' - Donovan

'Sunset Superman' - Dio

'Godzilla' - Blue Ã–yster Cult

'Shadow' - Carly Rae Jepsen

'Cute & Cruel (feat. First Aid Kit)' - Tove Lo

'Evil Eyes' - Dio

'Do Right' - Jimmie's Chicken Shack

'Dancehall Queen' - Robyn

'I'm Like A Bird' - Nelly Furtado

'Chemical' - Post Malone

'Juke Box Hero - 2008 Remaster' - Foreigner

'The King of Rock 'N' Roll' - Prefab Sprout

'Call Me Maybe' - Carly Rae Jepsen

'Bury Me With It - Jacknife Lee Remix' - Modest Mouse

'That Life' - Unknown Mortal Orchestra

'Oh to Be in Love - 2018 Remaster' - Kate Bush

'Sideshow' - Nick Lutsko

'Primadonna' - MARINA

'When I Needed You' - Carly Rae Jepsen

'This Hell (feat. CHANMINA - Gyarupi Remix - Spotify Singles)' - Rina Sawayama

#meche makes playlists #playlists #syndicated from subscription sites #Spotify

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