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#ANYWAYS TL;DR
joycrispy · 9 months
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One thing I love about Crowley --never stated, but consistently shown-- is that he is, at heart, an engineer.
I have a few different things to say about that. Let's unpack them.
As the Unnamed Angel, we see his designs for the Pillars of Creation are millions of pages long, comprised of cramped text, footnotes, diagrams, schematics, etc. It's very...Renaissance polymath, in the way it implies a particular intersection of artist and inventor.
Also: in the naked romanticism with which he views his stars.
We already knew he made stars, but in s2 we learn that he did NOT sculpt each of them by hand. He designed a nebula ("a star factory," he says) that will form several thousand young stars and proto-planets, and all --aside from getting the 'factory' running-- without him lifting a finger. We also learn that these young stars and proto-planets stand in contrast to those made by other angels, which are going to come 'pre-aged.'
...I'm reminded of Hastur and Ligur's approach to temptations. Damning one human soul at a time, devoting singular attention to it over the course of years or decades, and how that stands in contrast to Crowley's reliance on, quote, 'knock-on effects.'
Ligur: It's not exactly...craftsmanship. Crowley: Head office don't seem to mind. They love me down there.
Hm.
I'm also reminded of the M25.
The M25 may not be as grand as a nebula (sentences you only say in GOmens fandom...), but LIKE his nebula it's an intricate, self-sustaining engine that does Crowley's work for him, many times over. Again.
That's some pretty neat characterization --and so is the indication towards Crowley's disinterest in victimizing anyone tempting individual people. It takes a considerable amount of planning and effort (and creeping about in wellies), but in accordance with his design the M25 generates a constant stream of low-grade evil on a gigantic scale.
Cumulatively gigantic, that is. Individually? Negligible.
But no other demon understands human nature well enough to parse that one million ticked-off motorists are not, in any meaningful way, actually equivalent to one dictator, or one mass-murderer, or even one little influential regressive. That's the trick of it. Crowley gets Hell's approval (which he NEEDS to survive, and to maintain the degree of freedom he's eked out for himself), and at the same time ensures that any actual ~Evil Influence~ is spread nice and thin.
It's some clever machinery. And he knows it, too:
The Unnamed Angel and Crowley are both proud of their ideas.
(musings on professional pride, Leonardo da Vinci, the crank handle, and 'the point to which Crowley loves Aziraphale' under the cut)
In the 1970's Crowley gives a presentation on the M25, projector and all, to a room full of increasingly impatient demons. Maybe the presentation was work-ordered; the 'can I hear a WAHOO?' definitely wasn't.
Before the Beginning, the Unnamed Angel can barely contain his excitement about his nebula. Aziraphale manages a baffled-but-polite, "....That's nice... :)"
11 years ago, Hastur and Ligur want to 'tell the deeds of the day,' and Crowley smiles to himself because (according to the script-book) he knows he has 'the best one.'
(Naturally, his 'deed' has nothing to do with tempting anybody, and everything to do with setting up a human-powered Rube-Goldberg machine of petty annoyance. Oodles of 'Evil' generated; very little harm done.)
Hastur and Ligur don't get it, of course. That's also consistent.
Nobody ever knows what the hell he's talking about.
It didn't make it on-screen, but, in both the novel AND the script-book, Crowley was friends with Leonardo da Vinci. The quintessential Renaissance polymath. That's where he got his drawing of the Mona Lisa --they're getting very drunk together, and Crowley picks up the 'most beautiful' of the preliminary sketches. He wants to buy it. Leonardo agrees almost off-the-cuff, very casual, because they're friends, and because he has bigger fish to fry than haggling over a doodle:
He goes, "Now, explain this helicopter thingie again, will you?" Because he's an engineer, too.
(It is 1519 at the latest, in this scene. Why the FUCK would Crowley know about helicopters, and be able to explain them, comprehensively, to Leonardo da Vinci?
...Well. I choose to believe he got bored one day and worked it out. Look, if you know how to build a nebula, you can probably handle aerodynamics. And anyway, I think it's telling that this is his idea of shooting the shit. 'A drunken mind speaks a sober heart,' and all. He probably babbled about Aziraphale long enough to make poor Leo sick)
Apart from Aziraphale, Leonardo da Vinci is the only person Crowley has any keepsakes or mementos of.
Think about that, though. Aziraphale's bookshop is bursting with letters, paintings, busts, and personalized signatures memorializing all the humans he's known and befriended over 6000 years (indeed: Aziraphale has living human friends up and down Whickber Street. He's part of a community).
Crowley doesn't have any of that. It's just the stone albatross from the Church (for pining), the infamous gay sex statue (for spicy pining), the houseplants (for roleplaying his deepest trauma over and over, as one does), and this one piece of artwork, inscribed, "To my friend Anthony from your friend Leo da V."
To me, at least, that suggests a level of attachment that seems to be rare for Crowley.
...Maybe he liked having someone to talk shop with? Someone who was interested? Someone engaged enough to ask questions when they didn't immediately understand?
...Anyway.
There's also the matter of the crank handle.
This thing:
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This is one of the subtler changes from the book. In the book, Crowley knows Satan is coming and, desperate, arms himself with a tire iron. It's the best he can do. He's not Aziraphale; he wasn't made to wield a flaming sword.
The show, IMO, improves on this considerably. Now he, like Aziraphale, gets to face annihilation with what he was made for in his hand. And it's not a weapon, not even an improvised one like the tire iron.
He made stars with it.
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[both gifs by @fuckyeahgoodomens]
If you Google 'crank handle,' you'll get variations on this:
Crank handles have been around for centuries. Consisting of a mechanical arm that's connected to a perpendicular rotating shaft, they are designed to convert circular motion into rotary or reciprocating motion.
Which is to say they're one of the 'simple machines,' like a lever or a pulley; the bread and butter of engineering. You'll also get a list of uses for a crank handle, archaic and modern. Among them: cranking up the engine of an old-fashioned car... say, a 1933 Bentley. That's what Crowley has been using his for, lately. But he's had it since he was an angel and he's still, it seems, very capable of it's angelic applications.
Stopping time. For instance.
(This is conjecture on my part, but, I like to imagine that Crowley has the ability to stop time for the same reason I can --and should-- unplug my computer before I perform maintenance on it. Time and Space are a matched set, after all, and in his designs in particular, one feeds into the other.)
I know everyone has already said this, but: I REALLY LIKE that when he needs to channel the heights of his power, he does so not with a weapon but with a tool. Practically with a little handheld metaphor for ingenuity. One from long-lost days when he made beautiful things.
(And he loved it. Still loves it --he incorporated that metaphor into the Bentley, didn't he?)
Let Aziraphale rock up to the apocalypse with a weapon: he has his own compelling thematic reasons to do exactly that. Crowley's story is different, and fighting isn't the only way to express defiance. And if you've been condemned as a demon and assumed to be destructive by your very nature, what better way than this?
He made stars. They didn't manage to take that from him.
Neither Crowley nor Aziraphale are fighters, really --they have no intention of fighting in any war. They'll annoy everyone until there's no war to fight in, for a start. But between the two, if one must be, then that one is Aziraphale. Principality of the Earth, Guardian of the Eastern Gate, Wielder of the Flaming Sword... all that stuff. Even if he'd prefer not to, it's very clear that Aziraphale can rise to the occasion, if he must.
Crowley was never that kind of angel. He wasn't a Principality. He doesn't have a sword.
...And yet.
It's Crowley who protects. He's the one who paces, who stands guard, who circles Aziraphale and glares out at the world, just daring anyone else to come near.
In light of everything else I've said here, I think that's interesting.
Obviously part of it is that Aziraphale enjoys it and, you know, good for him. He's living his best life, no doubt no doubt no doubt. But what about Crowley? What's driving that behavior, really?
Have you heard the phrase, 'loved to the point of invention'? Well, what if 'the point of invention' was where you started? What if where you end up involves glaring out at the world, just daring anyone else to come near? What is that, in relation to the bright-eyed thing you used to be?
What do we name the point to which Crowley loves Aziraphale?
...Thinking about how an excitable angel with three million pages of star design he wants to tell you all about...becomes a guard dog. Is all.
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042-240 · 1 year
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i only logged in to say this
WHY DID THEY DO MY BABYBOY LASS (T) SO DIRTY 😭😭😭
WHY DOES HE LOOK SO GENERIC SO SOULLESS IM DO MAD
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egophiliac · 25 days
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Hi it's just to let you know that the official romanization of Revaan's name is Raverne ! Also they have romanized Baul's name to Baur !
Twst coming back at us again with the least expected romanization! thank you everybody (oh god my inbox) (no it's great, I literally asked for this and the reactions have been INCREDIBLE, thank you all!)
I do like Raverne though, I think it's got a nice fancy sound to it! (I had kinda suspected it was going to be an R instead of an L, so the fact that it's SO close to Laverne except for that is hilarious to me personally.) and Dragoneye Duke is honestly probably the best translation for his title, I wasn't envying the localizers that one. :') Baur instead of Baul I was NOT expecting, but in retrospect I think his name's supposed to be a reference to the Bauru crocodile, so that actually makes way more sense!
someone else also said Meleanor has become Maleanor, which is the REALLY weird one to me, because I was so surprised it was written as Mel instead of Mal in the first place?! oh god no I can't decide which one I like better. 😭 (I wonder if they might change it to Mal...they have made romanization changes before) (like I remember House of Distraction being corrected to House of Destruction in Playful Land) (I did check and she's still Mel for now, but I dunno, they might Mal her up and some point and save me from having to make a decision about which one to use) (HECK I CAN'T DECIDE)
uhhhh thank you for letting me ramble about anime names, let's just say MONOGRAMMED SWEATERS FOR EVERYONE
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#twisted wonderland#twisted wonderland spoilers#twisted wonderland episode 7 spoilers#twisted wonderland book 7 spoilers#twisted wonderland episode 7 part 4 spoilers#twisted wonderland book 7 part 4 spoilers#mel is so cute but mal fits with the rest of the draconias better#eng version no you were supposed to save me not make things MORE confusing#anyway raverne huh#that uh. that sure feels like it's supposed to evoke raven doesn't it.#what does it mean WHAT DOES IT MEAN#hold on i'm going to flail around embarrassingly about anime character theories now#(okay first a disclaimer: i do think we need to sit down as a fandom at some point)#(and have a discussion about exactly what is actual canon versus meta speculation versus jokes)#(because i think there has been. some confusion. over that re:crowley and raverne specifically)#(but i do feel justified in being like THEY ARE PROBABLY CONNECTED SOMEHOW RIGHT?! right now)#like i really don't think it's as simple as crowley being raverne but with memory loss or something#(and if they pull that on us i'm going to need an EXTREMELY good explanation to go with it to justify that)#they've gone out of their way several times now to make a point about them acting and sounding different and it feels very intentional to m#(and once again: i super 100% absolutely do not believe that lilia wouldn't recognize him with the top half of his face covered)#i just think the contradictions are a lot stronger than the connections right now but there ARE some connections and i'm 👀ing at them#to be fair the connections are mostly meta like crowley being diablo/raverne being evocative of raven#also the general 'raverne mysteriously disappeared and apparently had distinctive eyes' thing#versus 'crowley's past is unknown and he never shows his eyes'#(i will argue that crowley DOES seem to have some kind of canon connection to briar valley)#(since he is clearly some sort of fae and the masks are a briar valley thing)#and that is kinda it right now isn't it#okay hold on i had to delete some tags because i used too many (thanks tumblr for letting me know and not just vanishing them OH WAIT)#so tl;dr: i'm in the 'crowley is connected to raverne somehow but it's more complicated than just him being in disguise' camp personally#but that will probably change as we get more info and also don't take this as an anti-speculation thing because i love theories HOORAY
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mayasaura · 1 year
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I don't wanna further hijack that poor poll, but the thing about Harrow's schizophrenia is that it's canon. The author has confirmed it, and shared that it's based on her own experience.
It's a pretty obscure bit of canon, so of course there's no shame in not already knowing, but that's why I'm so obnoxiously persistent about letting people know.
Whatever else is up with Harrow, autism or cptsd or any number of likely headcanons, she is also schizophrenic. I feel like that's too important to be handwaved away as a difference of opinion.
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Been thinking recently about the goings-on with Duolingo & AI, and I do want to throw my two cents in, actually.
There are ways in which computers can help us with languages, certainly. They absolutely should not be the be-all and end-all, and particularly for any sort of professional work I am wholly in favour of actually employing qualified translators & interpreters, because there's a lot of important nuances to language and translation (e.g. context, ambiguity, implied meaning, authorial intent, target audience, etc.) that a computer generally does not handle well. But translation software has made casual communication across language barriers accessible to the average person, and that's something that is incredibly valuable to have, I think.
Duolingo, however, is not translation software. Duolingo's purpose is to teach languages. And I do not think you can be effectively taught a language by something that does not understand it itself; or rather, that does not go about comprehending and producing language in the way that a person would.
Whilst a language model might be able to use probability & statistics to put together an output that is grammatically correct and contextually appropriate, it lacks an understanding of why, beyond "statistically speaking, this element is likely to come next". There is no communicative intent behind the output it produces; its only goal is mimicking the input it has been trained on. And whilst that can produce some very natural-seeming output, it does not capture the reality of language use in the real world.
Because language is not just a set of probabilities - there are an infinite array of other factors at play. And we do not set out only to mimic what we have seen or heard; we intend to communicate with the wider world, using the tools we have available, and that might require deviating from the realm of the expected.
Often, the most probable output is not actually what you're likely to encounter in practice. Ungrammatical or contextually inappropriate utterances can be used for dramatic or humorous effect, for example; or nonstandard linguistic styles may be used to indicate one's relationship to the community those styles are associated with. Social and cultural context might be needed to understand a reference, or a linguistic feature might seem extraneous or confusing when removed from its original environment.
To put it briefly, even without knowing exactly how the human brain processes and produces language (which we certainly don't), it's readily apparent that boiling it down to a statistical model is entirely misrepresentative of the reality of language.
And thus a statistical model is unlikely to be able to comprehend and assist with many of the difficulties of learning a language.
A statistical model might identify that a learner misuses some vocabulary more often than others; what it may not notice is that the vocabulary in question are similar in form, or in their meaning in translation. It might register that you consistently struggle with a particular grammar form; but not identify that the root cause of the struggle is that a comparable grammatical structure in your native language is either radically different or nonexistent. It might note that you have trouble recalling a common saying, but not that you lack the cultural background needed to understand why it has that meaning. And so it can identify points of weakness; but it is incapable of addressing them effectively, because it does not understand how people think.
This is all without considering the consequences of only having a singular source of very formal, very rigid input to learn from, unable to account for linguistic variation due to social factors. Without considering the errors still apparent in the output of most language models, and the biases they are prone to reproducing. Without considering the source of their data, and the ethical considerations regarding where and how such a substantial sample was collected.
I understand that Duolingo wants to introduce more interactivity and adaptability to their courses (and, I suspect, to improve their bottom line). But I genuinely think that going about it in this way is more likely to hinder than to help, and wrongfully prioritises the convenience of AI over the quality and expertise that their existing translators and course designers bring.
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dubylou-draws · 2 months
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Namu Amida Butsu
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ineffably-human · 9 months
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We're going to scream about Nandermo all week, but right now I need to talk about Baron Afanas. Because the Baron's arc, so to speak, always felt like a big part of the series DNA for me - and oh fuck did this episode deliver on why.
I think we can agree: in the show, vampire society is fucked up, right?
Vampires on their own have plenty to deal with that can make them crazy. They have to live by killing. They lose everyone from their old lives. They have to find new reasons to keep going on, forever, so shit can get decadent really fast.
But holy shit, what that's turned into in vampire society? Where you actively put cruelty over mercy, and violence over solving your problems? Death cults and scam artists roam free, but if someone has depression the best thing to do is ignore them. Someone can get their mind wiped or be locked up for centuries, and that's just what you do to your species.
--
So: the Baron's arrival is the first conflict of the whole show. The joke is about an ancient powerful creature of pants-shitting terror, vs three lesser vampires who just want to live their lives and not get murdered for being too lazy to conquer humanity. There's a lot of talk about how to please him: do you keep to the old ways, or pick up some new traditions? Decorate with flayed skin, or with glitter? And the Baron says: who cares, you're all soft and useless. All that matters is getting more control over this world, until people are cattle and we have no reason to hide anymore.
But later he confesses: that shit stopped mattering ages ago. He's not even real nobility, he's literally impotent, and he talks about doing horrible things because he doesn't know what else to say. He's angry and half-crazy from boredom. And admitting that, owning those feelings, means suddenly he has three new friends and a whole new world of things to enjoy.
There's the Baron the rest of the vampire world knows, but for one night we see the ancient, unknowable terror was just a guy. Maybe he's always been just some guy.
That fun puts him in a vulnerable position, and he's killed by the most unwitting vampire slayer in fiction. But Baron Afanas is changed. He sucks dirt for a year and still comes out of it with a new lightness and joy to him. He saves the Sire, another ancient terrifying monster everyone was eager to kill or send away. They adopt the hellhound. They get cozy and give advice. They make popsicle stick houses and go on walks. They live.
And that seemed like the end of the story until last night - when the Baron suddenly felt like the butt of a joke everyone knew but him. Spurred on by someone else who feels lonely and ignored, the Baron felt vulnerable. And he snapped back to how he lived for centuries.
'What the hell are you all doing, enjoying yourselves? We're supposed to be unhappy. We're supposed to live centuries of unhappiness, bringing pain to everyone in our path, and we're definitely not supposed to cheer up our friend who's sad.'
--
Nobody liked the Baron before Guillermo killed him, not even other powerful vampires we meet; they saw the Baron as a crazy far beyond their own crazy. But this is also how vampire society values you. It's how they measure Nandor's worth when they think he's dead, too: how old and powerful you are, how much you've been able to conquer and kill.
Vampire pods are both cliquish and aren't expected to last in the first place. If someone dies, you literally paint them out of your lives and forget. Everything we see discourages feelings, sincerity, or even basic companionship. The only way to earn respect is to be cruel. The more cruel you are, the more powerful you are. The more powerful you are, the more feared you are - the lonelier you are, the crazier you are. It's practically designed to create the Baron, or worse.
But new vampires don't behave that way. And the vampires we follow in the show don't behave that way - because they have each other, because they've been encouraged to have each other, often by Guillermo. (Holy shit, Nadja saying maybe she'd be fine dying, and Nandor immediately asking if she's okay? Nothing changes in this house, except everything does. They're not going to almost lose one of their own ever again.)
The vampires in the heart of vampire culture never seem happy to be like this. It doesn't have to be like this.
--
The Baron doesn't become a tyrannical monster for long. Because he never actually was one - and because he spends two evenings and a fireball to the face, watching Nandor and Nadja fight for Guillermo. Watching them plead and cling and defy, seeing Guillermo's earnest feelings in spite of his bloodline and the mistakes he's made. Seeing Nandor's perfect trust, and then his grief, the way he insists that Guillermo was never 'just' anything. The Baron can't find real fulfillment in hurting someone (because that ship sailed ages ago). He can't deride them for caring, because he's cared for a long time now.
And when the Baron admits that's who he is, when he says it out loud, he only gains more in his life. He finds new depth in the happiness he'd felt for a while now, because he's admitted and allowed himself to be happy. And now he has the children he's always wanted. Living together, the Baron and the Sire are still ancient and powerful - and they're also family, finding real joy together in a world that was ready to dispose of them.
"I suppose with the right company, it can be beautiful, this eternal existence."
--
There's an inherent selfishness to being a vampire, taking from someone else in order to live. But there doesn't have to be inherent cruelty, or lack of love.
They're all ready to admit they care. The Staten vampires have all cared for Guillermo or each other in their own ways this season. And Guillermo doesn't lack for flaws, but loving his monster family has never been one of them. (When he and Nandor work their shit out, they're gonna be insufferable.)
Now they just have to let the Guide in. Because she's absolutely starved for love, and vampires get pretty fucked up when they're on their own.
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caligvlasaqvarivm · 2 months
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I used to despise Eridan and think he was the absolute worst character (barring Cronus ig) but you have shown me the light and completely turned my opinion around and now I think he is such an endearing little freak <3 I read your whole blog already but if you've got any more thoughts on eri or anyone else then I hope you post them bc I'd love to hear more abt it!
i have sooo many controversial opinions about the dancestors you have noooooo idea
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grandcovenant · 4 months
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who's pulling the strings of the puppet king?
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palarien · 4 days
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kabumisu doodles (´▽`)
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puddii-ng · 18 days
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shu's new summer casual is so cute to me.. here is a femstars ver i whipped up today :3
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todayisafridaynight · 7 months
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journalists underestimate the magnitude of my addiction and how far i'll go for the bit
#snap chats#im lying i physically could not marathon this i got school LMAO BUT IMAGINE#my god speaking of school i signed up for a japanese history class. because of course i did#i also needed an extra class and i didnt know what else to put LMAO but i might swap it or somn#thinkin i should get back into theater..... i got like two months to decide anyway#i was thinking about how im gonna play IW during streams... if the lord will let me i might stream for 2~3 hours or so#im putting such a small time limit due to Aforementioned School but also idk if my computer can record any longer than that#when i tried saving the video to my flashdrive it only lasted about two some hours right ? maybe 3 if i remember right#i decided to record to my computer's hard drive instead of the usb since it has more space so maybe i can record longer#ill prob do a test run later today and record a nonsense video. i WILL delete it i just wanna see what the limit is#cause my plan is to just Record One -> Upload It -> Delete OG yk. Lazy Susan type of plan#didnt mean to type out my whole gameplan in the tags LOL BUT HEY I WANTED TO TALK BOUT IT AT SOME POINT#my final message is that ive Hopefully preordered the ichi statue. i say Hopefully cause i am once again doing it through jp rabbit#and i didnt get the confirmation it was successful yet so I Will Simply Wait.#point is it was a lot cheapter than i thought it was going to be <3 yay <3#ok im running out of tags tl;dr im gonna marathon IW until my eyes bleed BYYYE
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rongzhi · 7 months
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Hey i just wanted to ask something about Chinese language (not sure which dialect/language you use/are familiar with)—do you use terms or are there terms for family members based on birth order? Specific terms for "second eldest brother", or "third uncle on mom's side" or "fourth aunt on dad's side"?
In my family, the Hokkien we use has terms like that. I tried looking it up for etymology reasons but it seems other Chinese dialects/languages don't have it, and I was wondering if those terms came from another culture (we're SEA diaspora) or if it's something that had been preserved from older Chinese languages.
Yes, in mandarin, there are pretty specific terms for family members just like in Hokkien I suppose. My understanding is that Hokkien and some other dialects are descended from Old Chinese, so I suppose it would make sense that a lot of family terms would have already been set, and that's why we all have such specific terminology.
For Mandarin, using your examples:
second oldest brother ... 二哥
Third uncle on mom's side ... 三舅
fourth aunt on dad's side ... it would depend on if the aunt is the dad's fourth older or younger sister and where in that lineup she is. 姑姑/姑妈/姑母/嫲嫲/嬷嬷 (regional variances) would be his older sister and 姑姐/姑姑 (regional variances) would be his younger sister.
There are regional variances, but you can go pretty far out with this stuff, e.g, paternal grandfather's older brother is 伯公, or 外曾外祖母 is your maternal grandmother's mother. If there are multiple of something, you just count them off by number with the oldest being 大-whatever (e.g, 大姑妈 = oldest of your dad's older sisters) and the youngest being 小 (e.g, 小姨 = mom's youngest sister)
All your maternal cousins are 表 and all your paternal cousins are 堂. Your maternal ancestors are 外/曾外, and your paternal ancestors are 祖/曾祖. For great-great-grandwhatevers you stick a 高 in there. E.g: 高祖母 would be your great-great-grandmother (on your dad's side). Your grand-descendants are all 孙-something or other, e.g, 侄孙 (grandnephew).
you can find some terms here. there are a lot of regional variances in terminology, though, and there are varying levels of formality. a lot of people might not even have some of these relatives so there's no need to remember all of them.
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If I had a nickel for every time Steven Moffat gave a historically aroace male character from a legacy property a female love interest because he believes that, quote, "There would be no tension in [an aroace lead], no fun in that," despite the fact that even when he writes them those romances are the least interesting parts of the character, I would have two nickels, which isn't a lot but it's weird that it happened twice.
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thelastdayalive · 2 months
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sleepy comfy caseywake 💤
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cyberdragoninfinity · 2 years
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I'm sorry but WHAT is happening in Duel Links??
*CRACKS KNUCKLES* ALRIGHT im certain other people could explain this better than I could (bark at me if any of this is wrong,) but, an attempt at a quick rough tl;dr of it:
so like. an important thing to note with DL is that like..... the in-universe explanation for Duel Links is that it's one of Seto Kaiba's new VR Next Evolution of Dueling Ego Projects, which like, ok sure, he Makes Those, but what's a little alarming with this one is that technically (almost) none of the characters In The Game are actually Those Characters Specifically, they're AI recreations of them with their original self's memories (that's already a lot, right out the gate.) (I say "almost" everyone because I think it's implied DSOD Kaiba and maybe Mokuba actually Are them because it's Their Game and they're always product testing it, there might be others though)
anyway another thing with this situation is that, uh, Most Characters in Duel Links Do Not Know They're AI. They just assume they're the original guy, that's just them! Hanging out in this cool new Duel VR! But then sometimes you DO get characters who actively are aware that they're just code in a video game (Yami Bakura and Bruno 5D's both comment on it), so you have this really interesting ecosystem of duelists who Are aware they don't really exist, and duelists who are None the Wiser. absolutely batshit.
and sure this is all well and fine with like, DM and maybe GX characters, ok sure it makes sense Kaiba would be recreating notable duelists of that era, but i cannot stress enough He Is Also Making AI Recreations of Dead People. DL very much takes place post-manga, post-DSOD. But Yami Yugi is There. Yami Bakura and Yami Marik are Very There. Manga Pegasus is there. Seto "I Will Never Learn to Come to Terms With Grief" Kaiba is actively raising the dead in his little VR card game simulator so they can live forever and there's a 50/50 chance they'll be FULLY AWARE that they died. JESUS.
There's also the hulking elephant in the room of Duel Links Has Been Including Characters From Series Kaiba Has Nothing to Do With For Quite Some Time Now--and a lot of those characters are like HEY. WHERE THE FUCK ARE WE. like I SWEAR someone from either Zexal or Arv-V was actively like "hi what the hell is KaibaCorp" so like...Kaiba's branding is ALL OVER THE VR WORLD EVEN IN THE WORLDS HE DIDNT EXIST IN. It's painting this absolute off the rails picture of Seto Kaiba trying to create this virtual multiverse of The Best Duelists From Every Timeline Living or Dead, and half the guys he's pulling in at this point are like *spawns into a perfect recreation of their hometown with no real idea of who did this* "what in the goddamn."
like guys from zexal/arc-v are actively IN GAME like trying to figure out why this VR world exists and who created it. It's absolutely wild and fascinating to watch. excited to see what happens when they add VRAINS world next month?!?!? idk anything about VRAINS really but it's probably going to make the DL lore even more bananas.
ANYWAY. ALL OF THAT SAID. NOW WE HAVE MAXIMILLION PEGASUS DROPPING IN-GAME OMINOUS SENTIMENTS it's kind of a culmination of all of the aforementioned shit. Duel Links Pegasus (an AI recreation of manga!Pegasus, who is fully aware A.) that's he's dead and B.) that there's multiple worlds and timelines crammed into this Virtual Reality) has a conversation with Paradox (an AI recreation of Paradox the Bonds Beyond Time Yugioh Movie Bad Guy, who, for all intents and purposes, fully believes he's the real dude and he wants to kill-die-explode-murder Pegasus SO BAD) breaking down that "hey, this place unites different histories, and if you kill me duel monsters won't cease to exist. Anyway, I'm not real! Ohoho! This world holds threads of tragedy, Paradox-boy!" <-- (not verbatim. but i wish it was.) Meanwhile Paradox is having a sputtering breakdown right next to him. This is a video game to play yugioh the trading card game.
like. it's just absolutely wild. konami could have just said "hey heres yugioh characters from every series. whatever" but no instead they threw in a bunch of mild psychological horror and inter-series friction and existentialism and it's a freemium video game that i have 600+ hours on on steam. yugioh duel links !
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