[image description: six colorful masks in the style of Commedia Dell’arte. The first is red with golden swirls, a red ribbon and spikes reminiscent of a crown, and is labelled ‘IL PRINCIPE’. The second is light blue with a rainbow string, upquirked eyes, and a single tear running down the side of the face, labelled ‘PADRE’. The third, blue and blocky with simple geometric designs, labelled ‘INSEGNANTE’. The fourth, black with a spiked birdlike nose, shading beneath the eye holes, and patchwork violet details, labelled ‘INQUIETO’. The fifth is a yellow halfmask with snakelike decals and a crack that runs across the bottom, lavelled ‘IL SERPENTE’. The final mask is green and grotesque, with a large nose, huge eyes, and a moustache, and spiky wires emerging from the top - labelled ‘IL DUCA’. End image description]
A continuation of the thoughts from my post about AU fanfiction as modern Commedia Dell'arte - here's the sides as vaguely Commedia-esque masks. Presenting: the archetypal cast of Commedia dell'lati!
IL PRINCIPE, the prince, a more thoughtful descendant of the swaggering Il Capitano archetype. He's often seen with his distinctive red sash, and occasionally a bladed weapon. Il Principe is prideful, sometimes to a fault, and deeply romantic.
PADRE, the father, representing family values and an apparent moral compass. Often played as somewhat naive or foolish - sometimes portrayed at hiding something more devious beneath that, depending on the show and situation. He's recognizable by his fondness for wordplay, and his cheerful attitude.
INSEGNANTE, the teacher, the unlistened-to voice of reason, the provider of exposition. His misunderstandings of common metaphorical phrases are frequently the source of comic relief. It's a common plot point for him to be pushed to his limit and snap, revealing genuine emotion behind his mask of impenetrable reason.
INQUIETO, the restless one - the devil's advocate, quick to voice the negatives of a situation and recommend doing something, anything else. Often takes the role of 'jerk with a heart of gold' - frequently is the recipient of misfortune. A key part of his character is his sharp wit and sarcasm against every other member of the cast.
IL SERPENTE, the snake, is cunning and deceptive by nature. He will often emerge onto the stage in the guise of another character, having stolen their mask offstage. The inevitable reveal where he produces his true mask and slots it onto his face is always met with delighted applause. Il Serpente was originally often depicted as the villain of many productions and still sometimes is, although many recent shows have taken to treating him in a much more sympathetic light.
Finally, IL DUCO, the duke - the brother and mirrored counterpart of Il Principe. Some shows choose to tone down his original conception as a graphic and grotesque provider of foul language in order to make him easier to portray, or easier to sympathize with. Other shows turn up the crassness all the way, and make him downright villainous in nature. Il Duco is, chronologically, the most recent addition to the archetypes, but has quickly found his way into being a beloved and fascinating part of many performances.
One of the things separating the more modern Commedia dell'lati from its predecessor, Commedia dell'arte, is its willingness to play with character dynamics. The plots and settings are never certain from one show to the next, and neither are the relationships between the characters. Il Serpente and Inquieto could be in a committed relationship on one stage, and at each other's throats fighting to the death on another - although, it should be noted, the two are never mutually exclusive. Sometimes the morality of characters are black-and-white, sometimes it's all in strokes of grey, but it's all in the name of exploring new aspects of these beloved familiar archetypes.
Everything's fluid when it comes to Commedia dell'lati - but always recognizable, however distant.
324 notes
·
View notes
ramblings on Li Ming (and Heart) and homosexuality
moonlight chicken has so many things to offer in terms of technical beauty and interesting themes but what i cannot stop thinking about is the different ways they approach homosexuality in the story.
we have Wen who has a rainbow flag on his desk and pictures of him and Alan on the wall. Wen, who openly flirts with Jim and has no qualms talking openly about his one night stand. Wen, whose step father knows about his sexuality and is close enough with him to discuss his love life.
Kaipa we don’t know too much about. But his mom knows and is supportive and some of the vendors and the chicken family seem to know. But if anyone was questioning in what reality this show is set with all the class discussion and corona featuring, his part of the story shows that homophobia exists and he is worried about how he fits in with his own family, the expectations of his mother and possible the awareness that he makes the family he has “different”.
Jim is arguably even more visibly gay than Wen in terms of what we see throughout the show. He opened the shop with his ex, they prayed at the temple together and even though he objected due to proprities sake eventually they loudly declared their love to each other and the whole neighbourhood knows. Wen somehow feels like he is living in the remnants of a bubble: his circle of friends seems very queer, his closest friend and the whole gym seem to be all part of that as well. This only might change now with him questioning his work and breaking up with Alan: some gatherings he won’t attend anymore apparently.
And finally, we have Li Ming. At school he doesn’t seem to open up to his classmates on most things and additionally is in the closet. While there wasn’t anything alluding to homophobic rethoric being spread at school we can see how the heteronormativity gets to him and feel that there must be good reason as to why no one knows. And it could just be how Li Ming is judging the situation based on vibes, we don’t know. His mother is or at least was homophobic but at the same time he is raised by his gay uncle who is surrounded by other gay people. And I love how it feels like this might have given him enough security to be comfortable with his own sexuality but how it also isn’t enough to shield him from the world at large.
With so many great shows coming out of Thailand and most of them getting more and more political it just feels so real and 2023 to me that Li Ming is part of a generation that knows who they are but still have to battle with the shadow that homophobia has cast way before they were born.
182 notes
·
View notes
Stumbled on the series Altered Carbon a few days ago. I'm only five episodes in, but so far so good. The concept is exceptionally whumpy, but the execution is fairly standard for mainstream TV (handwaved injuries, trauma not really acknowledged). It's also a cyberpunk setting that goes heavy on world building, so naturally I love that.
(mini review with some spoilers beneath the cut)
Pros:
- Whumpy premise. Rebel/mercenary is taken out of prison by a rich guy who wants to hire him (and who almost verbatim claims him as his property)
- Interesting world, colorful and visually fun
- The concept of resleeving (transferring a person's consciousness into a new body) is used for both comedy and horror and it's great
- Episode 4 is like 30% torture chamber
- The way they illustrate "body death" as cheap makes a lot of sense to me for the the setting
- There's an AI hologram character and I love him
Cons:
- Has the gratuitous violence, nudity, and gore that's become typical for "adult" sci-fi. I don't mind it, (and I love the fight scenes) but half the time it seems like it's just for shock value
- excessive amount of sex scenes. Also makes half the female characters sex workers, and has a few instances of 'violence against women as a plot device'. The extent doesn't seem necessary aside from the "gritty" vibes these shows feel like they need to be taken seriously
- most of the romance feels forced
- oh and the male lead is literally drugged and sexually assaulted, but afterwards it's almost played like it was consensual??
- yeah yeah it's typical for sci-fi protagonists to be super tough and unflinching and it's part of the character but holy cow the lead has minimalist reactions to pain
35 notes
·
View notes