every year i think "there's no way I can draw as much as I did last year" and then then I make myself look like an idiot. ending 2023 with a genuinely disgusting number of arts this year:
anyway call me a tree bc i'm abt to get real sappy: thank you all so much for a genuinely INSANE year in terms of how much i drew, how much i improved, and how much LOVELY support i've gotten!!!!!!! like my followercount more than quadrupled from the start of the year and i just can't believe?? there's this many of u?? that like my art???????? dead on the floor i love you all SO much!!!! thank u!!!!!!!!
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My frame (that I clean forgot to post) for the @gomensframes project. Sometimes group projects have 700 people, entertain you, and offer a low pressure avenue to kick your ass out of a multiple year art rut. [commentator voice] join one Today!
close ups under the cut
My first time drawing msheen and my god his face is so incredibly satisfying. This baby’s got some solid planes
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going back to these tags. this shit literally haunts me like i haven't touched bnha since watching the first season when it came out YEARS ago but i still lay awake in bed some nights grieving the loss of This story. i was watching it with my high school ex and i started complaining when all might told deku he'd give him one-for-all and my ex was like "but it'd be so boring if deku didn't get powers. the story wouldn't mean anything." and i was so in shock that i kind of wanted to kill him because WOW . we are not on the same creative wavelength AT ALL are we . like you're telling me you saw alllllllllll that build-up with deku being bullied for not having a quirk and everyone mocking his dreams of going to UA and becoming a pro hero - the build-up that culminates in the scene where he rushes headfirst into danger in a desperate attempt to save someone's life when all the so-called "heroes" with their "superpowers" stood around doing jack shit and you... still wanted him to magically get a quirk via the powers of Lazy Plot Convenience ?!??! you didn't start expecting a story about defying a world that hates you and wants you to fail... ?!?! that's boring to you? nothing about that resonates with you? at all¿!?
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The Atlas Complex - Olive Blake (The Atlas #3)
1.5/5 - disappointing conclusion to the trilogy; no real satisfying character arcs or conclusions to those arcs; truly baffling character decisions
SPOILERS BELOW
To be completely honest, I read this book more out of a desire to see how, exactly, Blake planned to wrap up the character arcs than any real desire to engage with it because I also found the second book to be disappointing.
Basically, none of the characters are truly served in this book. The one with the best outcome is Callum and he ends up dead anyway. Every single character spends this whole book whining and complaining about their lack of purpose. Over 200 pages of the book go by before anything of note happens. Truly, I think Blake needed an editor and/or someone to tell her the harsh truth - that everything in this nearly 500-page novel could have been said in 200.
I just found myself extremely dissatisfied with the arcs. Reina gets no screentime and undergoes no real change. Nico/Gideon are stagnant. Parisa doesn't do anything interesting until page 350/474. Tristan whines, literally, the whole time about how he doesn't know what his purpose in life is. Libby undergoes a "corruption" arc and still manages to hem and haw and bite her nails the entire time, even though she's supposed to have grown a spine by now. By the end of the book all I wanted was for someone to just do something instead of overthinking their place in the world.
This book also continuously asks questions that I find to be overwritten and that Blake attempts to answer in text. The meaning of life and why humanity is the way it is does not need to be answered in your trilogy about six people without an ounce of backbone or direction between them. Even more so, the answers that Blake provides are not answers I find terribly interesting or useful. I am no longer interested in debating if humanity is fundamentally awful or if people with talent are always directionless and easily swayed to power schemes or if somebody can be both a good and bad person at the same time. These have all been done and, frankly, been done better elsewhere. To have multiple of your characters claim that ethics isn't really "their thing", that their experiments are just that and have no consequences is ... not a good look, particularly after the summer of Oppenheimer and the moral imperative of scientists everywhere. Like, yes, your experiments do have a greater ethical cost. That's common sense, actually.
The worldbuilding remains frightfully vague. The prose used is purposefully convoluted, which meant I had to read probably a third of this book at least twice to actually understand it. And I don't mean that in the there-are-complicated-metaphors-here sense. I mean it in the this-sentence-structure-and-word-choice-are-so-odd-and-complex-as-to-be-useless-to-the-reader sense.
By the time something interesting came up, I was so done with slogging through the rest of the book that it felt like a relief that might come in death. I just wanted it to be over.
Chief among these sins is that Blake also introduced new characters in this (already overstuffed) book that were substantially more interesting than our POV/main characters. Why tease me with concepts that are actually interesting before throwing me back into the weeds? It's cruel.
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okay hey wait art suggestion time. stop locking yourself in to an art style. especially if you're anyone whos still in/under highschool. but even then stop fucking doing that.
theres nothing wrong with having a preferred style to draw in (clearly as a guy writing a multi book comic i know. trust that i know) but if you catch yourself thinking 'i cant draw that its not my style' or 'i want to learn to draw like that but its not my style' you gotta knock that shit off
you are not a brand. you are not a company. you are a person learning a skill and how the hell do you know what 'your style' is without trying to learn to draw in different ones? please do style studies. please try drawing realism even if it looks like shit at first. try doing abstract works. you dont have to like them but im begging you at least to try, because the things you learn carry over into your main body of work. and youll see yourself grow in ways you didnt think you could 'in your style'.
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