#GIRL UR D U M B . . . UR A GENIUS BUT UR D U M B | Explore Tumblr Posts and Blogs

rentalgoose · 5 years

Note

I can’t fit the whole name in 1 ask, so this is part 1. Adolph Blaine Charles David Earl Frederick Gerald Hubert Irvin John Kenneth Lloyd Martin Nero Oliver Paul Quincy Randolph Sherman Thomas Uncas Victor William Xerxes Yancy Zeus Wolfeschlegelsteinhausenbergerdorffwelchevoralternwarengewissenhaftschaferswessenschafewarenwohlgepflegeundsorgfaltigkeitbeschutzenvorangreifendurchihrraubgierigfeindewelchevoralternzwolfhunderttausendjahresvorandieerscheinen

You left out a couple of letters (in all three asks)! It’s: Wolfeschlegelsteinhausenbergerdorffwelchevoralternwarengewissenhaftschaferswessenschafewarenwohlgepflegeundsorgfaltigkeitbeschutzenvorangreifendurchihrraubgierigfeindewelchevoralternzwolfhunderttausendjahresvorandieerscheinenvonderersteerdemenschderraumschiffgenachtmittungsteinundsiebeniridiumelektrischmotorsgebrauchlichtalsseinursprungvonkraftgestartseinlangefahrthinzwischensternartigraumaufdersuchennachbarschaftdersternwelchegehabtbewohnbarplanetenkreisedrehensichundwohinderneuerassevonverstandigmenschlichkeitkonntefortpflanzenundsicherfreuenanlebenslanglichfreudeundruhemitnichteinfurchtvorangreifenvorandererintelligentgeschopfsvonhinzwischensternartigraum

A - “Arabella” by Arctic Monkeys

D - “Deceptacon” by Le Tigre

O - “Of Once And Future Kings” by Pavlov’s Dog

L - “Laugh Till I Cry” by The Front Bottoms

P - “Paracetamol” by Declan KcKenna

H - “Heart-Shaped Box” by Nirvana

B - “Black Mambo” by Glass Animals

L - “Lucky Girl” by Fazerdaze

A - “Are You Satisfied?” by MARINA

I - “Inbetween Days” by The Cure

N - “Not Too Bad” from Fun Home

E - “Electric Love” by BØRNS

C - “Cinnamon” by Palehound

H - “How Soon Is Now?” by The Smiths

A - “And So It Goes” by Billy Joel

R - “Run Boy Run” by Woodkid

L - “LA Devotee” by Panic! At The Disco

E - “Edge of Seventeen” by Stevie Nicks

S - “Sex On Fire” by Kings of Leon

D - “Disorder” by Joy Division

A - “A Decade Under The Influence” by Taking Back sunday

V - “Vacation” by Florist

I - “In The Woods Somewhere” by Hozier

D - “Dust In The Wind” by Kansas

E - “Easy Target” by blink-182

A - “Allentown” by Billy Joel

R - “Rill Rill” by Sleigh Bells

L - “Love Will Tear Us Apart” by Joy Division

F - “Fluorescent Adolescent” by Arctic Monkeys

R - “Run” by Hozier

E - “Empty” by Kevin Abstract

D - “Daddy Issues” by The Neighbourhood

E - “Everything’s A Ceiling” by Death Cab for Cutie

R - “Rhode Island” by The Front Bottoms

I - “I Bet On Losing Dogs” by Mitski

C - “Cool And Refreshing” by Florist

K - “Karma Police” by Radiohead

G - “Gooey” by Glass Animals

E - “Expo ‘86″ by Death Cab for Cutie

R - “Red Eye” by Vance Joy

A - “All For Leyna” by Billy Joel

L - “Let’s Kill Tonight” by Panic! At The Disco

D - “D’you Have A Car?” by SWMRS

H - “Howlin’ For You” by The Black Keys

U - “Uprising” by Muse

B - “Be Nice To Me” by The Front Bottoms

E - “El Dorado” by Death Cab for Cutie

R - “Rasputin” by Boney M.

T - “This Year” by The Mountain Goats

I - “It Will Come Back” by Hozier

R - “Rosanna” by Toto

V - “Video Games” by Lana del Rey

I - “It’s Still Rock And Roll To Me” by Billy Joel

N - “Nina Cried Power” by Hozier

J - “Joanie” by The Front Bottoms

O - “Off To The Races” by Lana del Rey

H - “HELP” by The Front Bottoms

N - “New Slang” by The Shins

K - “Kin” by Kevin Abstract

E - “Eleanor Rigby” by The Beatles

N - “Nobody Knows You (When You’re Down And Out)” by Leslie Odom, Jr.

N - “No. 1 Party Anthem” by Arctic Monkeys

E - “Eddie” from The Rocky Horror Picture Show

T - “The Bitch Of Living” from Spring Awakening

H - “Humongous” by Declan McKenna

L - “Love Me” by The 1975

L - “Let It Be Me” by Ray LaMontagne

O - “Oh No!” by MARINA

Y - “Your Best American Girl” by Mitski

D - “Drunk Kid Catholic” by Bright Eyes

M - “my boy” by Billie Eilish

A - “All Is Full of Love” by Death Cab for Cutie

R - “Radio Ga Ga” by Queen

T - “The World According To Chris” from Carrie: The Musical

I - “I Melt With You” by Modern English

N - “Nova Baby” by The Black Keys

N - “Normal Song” by Perfume Genius

E - “Every Little Thing She Does Is Magic” by The Police

R - “Right Hand Man” from Hamilton

O - “Ophelia” by The Lumineers

O - “Otherside” by The Red Hot Chili Peppers

L - “Loveletting” by Sons of an Illustrious Father

I - “I Hope You’re Miserable” by Moose Blood

V - “Vampire Money” by My Chemical Romance

E - “Every Other Freckle” by alt-J

R - “Rose Tint My World” from The Rocky Horror Picture Show

P - “Personal Jesus” by Depeche Mode

A - “Andy, You’re A Star” by The Killers

U - “Up On Melancholy Hill” by Gorillaz

L - “Lipstick Covered Magnet” by The Front Bottoms

Q - “Queen” by Perfume Genius

U - “Uma Thurman” by Fall Out Boy

I - “I Got” by Young The Giant

N - “Non-Stop” from Hamilton

C - “Creep” by Radiohead

Y - “You’re My Home” by Billy Joel

R - “Rabbit Hole” by blink-182

A - “Anna Sun” by WAK THE MOON

N - “New York State Of Mind” by Billy Hoel

D - “Different Names For The Same Thing” by Death Cab for Cutie

O - “Our Love Is God” from Heathers

L - “last words” by isaac gracie

P - “Piano Man” by Billy Joel

H - “Harry Dean” by SWMRS

S - “Sweater Weather” by The Neighbourhood

H - “Hot Knifer” by Peach Pit

E - “Everlong - Acoustic” by Goo Fighters

R - “Rox In The Box” by The Decemberists

M - “Make Me Your Queen” by Decaln McKenna

A - “Africa” by Toto

N - “Name” by The Goo Goo Dolls

T - “There Is A Light That Never Goes Out” by The Smiths

H - “Hero” by Family of the Year

O - “Online Songs” by blink-182

M - “Milk” by The 1975

A - “April, Come She Will” by Simon & Garfunkel

S - “Shampain” by MARINA

U - “Under The Bridge” by The Red Hot Chili Peppers

N - “Nervous” by Gavin James

C - “Cecily Smith” from Fly By Night

A - “After The Storm” by Mumford & Sons

S - “Starring Role” by MARINA

V - “Valentine” by 5 Seconds of Summer

I - “Islands” by Young The Giant

C - “COPYCAT” by Billie Eilish

T - “Thank You For The Venom” by My Chemical Romance

O - “Old Friends” by Pinegrove

R - “Resonance” by Home

W - “Wolfman” by The Front Bottoms

I - “Iscariot” by WALK THE MOON

L - “Let The River Run” by Carly Simon

L - “Lose It” by SWMRS

I - “I Know A Place” by MUNA

A - “Alexander Hamilton” from Hamilton

M - “Medicine” by Daughter

X - “XO” by Fall Out Boy

E - “Echo” by Kevin Abstract

R - “running on empty” by isaac gracie

X - “Xanadu” by Rush

E - “Emperor’s New Clothes” by Panic! At The Disco

S - “Step Out” by José González

Y - “You’re So Vain” by Carly Simon

A - “Aaron Burr, Sir” from Hamilton

N - “Need” by Pinegrove

C - “Cemetery Drive” by My Chemical Romance

Y - “You May Be Right” by Billy Joel

Z - “Zombie” by The Cranberries

E - “Ease” by Troye Sivan

U - “Underdog” by Imagine Dragons

S - “Sunspot” by Tula Vera

W - “Why Didn’t You Stop Me?” by Mitski

O - “Older Chests” by Damien Rice

L - “Laura Palmer” by Bastille

F - “Flashlight” by The Front Bottoms

E - “Every Night” by Imagine Dragons

S - “Sedona” by Houndmouth

C - “Cola” by Lana del Rey

H - “Hurricane Drunk” by Florence + The Machine

L - “Layla” by Eric Clapton

E - “Ease On Down the Road” from The Wiz

G - “Gold Dust Woman” by Fleetwood Mac

E - “East Coast Anthem” by Good Charlotte

L - “Lone Star” by The Front Bottoms

S - “South” by Hippo Campus

T - “Teen Idle” by MARINA

E - “Edelweiss” from The Sound Of Music

I - “I Will Survive” by Gloria Gaynor

N - “NFWMB” by Hozier

H - “Hollaback Girl” by Gwen Stefani

A - “American Pie” by Don McLean

U - “Unobstructed Views” by Death Cab for Cutie

S - “Signs” by Tula Vera

E - “El Condor Pasa (If I Could)” by Simon & Garfunkel

N - “Northen Downpour” by Panic! At The Disco

B - “Brand New City” by Mitski

E - “Empire (Let Them Sing)” by Bring Me The Horizon

R - “Right Red Hand” by Nick Cave And The Bad Seeds

G - “Gum” by Moose Blood

E - “Enjoy The Silence” by Depeche Mode

R - “Red Solo Cup” by Tody Keith

D - “Downeaster Alexa” by Billy Joel

O - “One More Name In Nighlife” by Dane Terry

R - “Rock Show” by blink-182

F - “Fat Lip” by Sum 41

F - “Fuckmylife666″ by Against Me!

W - “West Coast” by Lana del Rey

E - “Enter Sandman” by Metallica

L - “Leningrad” by Billy Joel

C - “Criminal” by Fiona Apple

H - “Helena” by My Chemical Romance

E - ”Escape (The Piña Colada Song)” by Rupert Holmes

V - “Volcano” by Damien Rice

O - “O Children” by Nick Cave and the Bad Seeds

R - “Runner” by Kevin Abstract

A - “All The Small Things” by blink-12

L - “Like Real People Do” by Hozier

T - “Teenage Kicks” by The Undertones

E - “Even Flow” by Pearl Jam

R - “Romeo” by Chairlift

N - “Novocaine” by Fall Out Boy

W - “When Did Your Heart Go Missing?” by Rooney

A - “Adam’s Song” by blink-182

R - “Round And Round” by Imagine Dragons

E - “Everybody Hurts” by R.E.M.

N - “Nicotine” by Panic! At The Disco

G - “Goodnight Saigon” by Billy Joel

E - “Everybody Have Fun Tonight” by Wang Chung

W - “White Cedar” by The Mountain Goats

I - “Icarus” by Bastille

S - “Sara Smile” by Hall & Oates

S - “Seventeen” by Peach Pit

E - “Everybody Talks” by Neon Trees

N - “Nothing Left To Say / Rocks” by Imagine Dragons

H - “Holy Ghost” by BØRNS

A - “A Burning Hill” by Mitski

F - “Frozen Pines” by Lord Huron

T - “The Ghosts Of Beverly Drive” by Death Cab for Cutie

S - “Sun” by Sleeping At Last

C - “Cleopatra” by The Lumineers

H - “Heat Of The summer” by Young The Giant

A - “A Match Into Water” by Pierce The Veil

F - “Family Friend” by The Vaccines

E - “Everybody Wants To Rule The World” by Tears for Fears

R - “Radioactive” by Imagine Dragons

S - “Somebody Else” by The 1975

W - “Wish You Were Here” by Pink Floyd

E - “Everyday Is Like Sunday” by Morrissey

S - “silhouettes of you” by isaac gracie

S - “Stable Song” by Death Cab for Cutie

E - “Everything I Didn’t Say” by 5 Seconds of Summer

N - “No Room In Frame” by Death Cab for Cutie

S - “Scenes From An Italian Restaurant” by Billy Joel

C - “Comfortably Numb” by Pink Floyd

H - “Hallelujah” by Jeff Buckley

A - “American Boyfriend” by Kevin Abstract

F - “Feel Good Inc.” by Gorillaz

E - “Everyone Is Gay” by Great Big World

W - “White Teeth Teens” by Lorde

A - “Arms Tonite” by Mother Mother

R - “Red Barchetta” by Rush

E - “Everything Now” by Arcade Fire

N - “No Sunlight” by Death Cab for Cutie

W - “we fell in love in october” by girl in red

O - “O Valencia!” by The Decemberists

H - “Hey Jude” by The Beatles

L - “Love On Top” by Beyonce

G - “Geyser” by Mitski

E - “Evil Woman” by Electric Light Orchestra

P - “Pressure” by Billy Joel

F - “Fixin’” by WALK THE MOON

L - “Locked Out” by Daddy Issues

E - “Earth Angel (Will You Be Mine)” by Death Cab for Cutie

G - “Ghost Of You” by 5 Seconds of Summer

E - “Echoes” by Pink Floyd

U - “Underneath The Sycamore” by Death Cab for Cutie

N - “Nine In The Afternoon” by Panic! At The Disco

D - “Dog Days Are Over” by Florence + The Machine

S - “Streetlife Serenader” by Billy Joel

O - “O My Heart” by Mother Mother

R - “Radio” by Lana del Rey

G - “Georgia” by Vance Joy

F - “Fool” by BØRNS

A - “Alone Together” by Fall Out Boy

L - “Lookalike” by Conan Gray

T - “The Love Club” by Lorde

I - “In Cold Blood” by alt-J

G - “Ghosting” by Mother Mother

K - “Kissing in Cars” by Pierce The Veil

E - “Easy To Love” by Billie Holiday

I - “Idle Town” by Conan Gray

T - ”The Night We Met” by Lord Huron

B - “Baby Came Home” by The Neighbourhood

E - “Edgar Allan Poe” by Lou Reed

S - “Santeria” by Sublime

C - “Changing My Major” from Fun Home

H - “Human” by The Killers

U - “Underwater Bride” by Passenger

T - “terrified” by isaac gracie

Z - “Zanzibar” by Billy Joel

E - “Electric Avenue” by Eddy Grant

N - “Nara” by alt- J

V - “Very Few Dancers” by Sons of an Illustrious

O - “One Hundred Sleepless Nights” by Pierc The Veil

R - “Ride” by Lana del Rey

A - “Ain’t No Rest For The Wicked” by Cage The Elephant

N - “North American Ride” by Mallory Merk

G “ Gods & Monsters” by Lana del Rey

R - “Ready To Go (Out Of My Mind)” by Panic! At The Disco

E - “Electric Blue” by Icehouse

I - “I Can’t Believe You’re In Love With Me” by Billie Holiday

F - “Farmer Refuted” from Hamilton

E - “Eleven” by Taking Back Sunday

N - “Norgaard” by The Vaccines

D - “Dancing In The Moonlight” by King Harvest

U - “Unbelievers” by Vampire Weekend

R - “Run Joey Run” by David Geddes

C - “Cupid” by Ryan Beatty

H - “Helpless” from Hamilton

I - “In The Heights” from In The Heights

H - “Hood” by Perfume Genius

R - “Rare” by Waterparks

R - “Riptide” by Vance Joy

A - “America” by Imagine Dragons

U - “Underground” by Adam Lambert

B - “Babylon” by 5 Seconds of Summer

G - “God In Jeans” by Ryan Beatty

I - “Inútil” from In The Heights

E - “Embraceable You” by Billie Holiday

R - “Ride Like The Wind” by Christopher Cross

I - “I’m Gonna Be (500 Miles)” by The Proclaimers

G - “Greek God” by Conan Gray

F - “Freeze Your Brain” from Heathers

E - “Enth E Nd” by Linkin Park

I - “Imagine” by John Lennon

N - “Narcolepsy” by Third Eye Blind

D - “December, 1963 (Oh What A Night!)” by Frankie Valli and the Four Seasons

E - “Eva’s Final Broadcast” from Evita

W - “Washing Machine Heart” by Mitski

E - “Everybody Finds Out” by Fleetwood Mac

L - “Linger” by The Cranberries

C - “Caifornia” by Rufus Wainwright

H - “hollow crown” by isaac gracie

E - “Everybody Happy” by Queen

V - “Vienna” by Billy Joel

O - “Our Lawyers Made Us Change The Name Of This Song So We Wouldn’t Get Sued” by Fall Out Boy

R - “Rikki Don’t Lose That Number” by Steely Dan

A - “A Lack Of Color” by Death Cab for Cutie

L - “Lolita” by Lana del Rey

T - “Take Me To Church” by Hozier

E - “Everybody’s Girl” by Rick Springfield

R - “Rock’n Me” by Steve Miller Band

N - “Nearly Witches (Ever Since We Met…)” by Panic! At The Disco

Z - “Everything Happens To Me” by Billie Holiday

W - “What The Water Gave Me” by Florence + The Machine

O - “Over At The Frankenstein Place” from The Rocky Horror Picture Show

L - “Landfill” by Daughter

F - “First Date” by blink-182

H - “Hayloft” by Mother Mother

U - “Underneath” by Adam Lambert

N - “Nails For Breakfast, Tacks For Snacks” by Panic! At The Disco

D - “Don’t Stop Me Now” by Queen

E - “Ever Since New York” by Harry Styles

R - “Rich Girl” by Hall & Oates

T - “Tusk” by Fleetwood Mac

T - “Toothpaste Kisses” by The Maccabees

A - “A Movie Script Ending” by Death Cab for Cutie

U - “Until The Night Turns” by Lord Huron

S - “Smoke Two Joints” by Sublime

E - “Every Breath You Take” by The Police

N - “Number Of The Beast” by Iron Maiden

D - “Daniel In The Den” by Bastille

J - “Jolene” by Dolly Parton

A - “A Diamond And A Tether” by Death Cab for Cutie (LOOOOVE this song)

H - “Hazey” by Glass animals

R - “Remembering Sunday” by All Time Low

E - “Everytime I Close My Eyes” by The Backstreet Boys

S - “Swimming Pool” by The Front Bottoms

V - “Virgin Veins” by Coma Cinema

O - “One Of These Nights” by The Eagles

R - “Run To The Hills” by Iron Maiden

A - “Angela” by The Lumineers

N - “Not Today” by Twenty One Pilots

D - “Dear Theoosia” from Hamilton

I - “In Bloom” by Neck Deep

E - “Everytime I Look For You” by blink-182

E - “Evil” by Interpol

R - “Runnin’” by Adam Lambert

S - “Swear To God, The Devil Made Me Do It” by The Front Bottoms

C - “Coconut Skins” by Damien Rice

H - “Hiding With Boys” by Creeper

E - “Evil Eyes” by Styx

I - “Information Travels Faster” by Death Cab for Cutie

N - “Nirvana” by Adam Lambert

E - “Excuses” by Alanis Morissette

N - “Nice Guys Finish Last” by Green Day

V - “Visiting” by Pinegrove

O - “Old Scars/Future Hearts” by All Time Low

N - “Night People” by You Me At Six

D - “Dancing Queen” by ABBA

E - “Exit Music (For A Film)” by Radiohead

R - “Roll Away Your Stone” by Mumford & Sons

E - “Exquisite Dead Guy” by They Might Be Giants

R - “Redundant” by Green Day

S - “Silver Soul” by Beach House

T - “Tiny Vessels” by Death Cab for Cutie

E - “Extraordinary Girl” by Green Day

E - “Eye Of The Tiger” by Survivor

R - “Reject” by Green Day

D - “Dammit” by blink-182

E - “Earth” by Sleeping At Last

M - “Make You Feel My Love” by Adele

E - “Elvira” by The Oak Ridge Boys

N - “Nettles” by Arctic Monkeys

S - “St. Walker” by Young The Giant

C - “Cruel World” by Lana del Rey

H - “Holding On To You” by Twenty One Pilots

D - “Delta Dawn” by Tanya Tucker

E - “Electric Chapel” by Lady Gaga

R - “Restless Heart Syndrome” by Green Day

R - “Reckless” by You Me At Six

A - “Anna Molly” by Incubus

U - “Uptight” by Green Day

M - “Miami 2017 (I’ve Seen The Light Go Out On Broadway” by Billy Joel

S - “Swimming Field” by Memory Tapes

C - “Cherry Wine” by Hozier

H - “Hell Above” by Pierce The Veil

I - “I Believe” from Book Of Mormon

F - “Feel It Still” by Portugal. The Man

F - “Flaws” by Bastille

G - “Gold” by Sir Sly

E - “Evil in the Night” by Adam Lambert

N - “No Buses” by Arctic Monkeys

A - “Ana Ng” by They Might Be Giants

C - “Can I Stay” by Ray LaMontagne

H - “How To Be A Heartbreaker” by MARINA

T - “Thank U” by Alanis Morissette

M - “My Body” by Young The Giant

I - “I Miss You” by blink-182

T - “Toxic” by Britney Spears

T - “Two Coffins” by Against Me!

U - “Unison” by Pinegrove

N - “No Shows” by Gerard Way

G - “Ghost” by Sir Sly

S - “Super Trouper” by ABBA

T - “Thinkin’ Bout You” by Frank Ocean

E - “Electricity” by Arctic Monkeys

I - “I Got You Babe” by Bahamas

N - ‘empty” by Ray LaMontagne“National Anthem” by Lana del Rey

U - “Up The Wolves” by The Mountain Goats

N - “Nothing To Lose” by Billy Talent

D - “Down By The Water” by The Decemberists

S - “still feel.” by half•alive

I - “I’m Low On Gas And You Need A Jacket by Pierce The Veil

E - “Evil Twin” by Arctic Monkeys

B - “Brazil” by Declan McKenna

E - “Ephemeral Artery” by Neon Indian

N - “No Plan” by Hozier

I - “Immortals” by Fall Out Boy

R - “Room To Breathe” by You Me At Six

I - “It’s Time” by Imagine Dragons

D - “darkness of the day” by isaac gracie

I - “I Will Possess Your Heart” by Death Cab for Cutie

U - “Until I Am Whole” by The Mountain Goats

M - “Man” by BØRNS

E - “Empty” by Ray LaMontagne

L - “lovely (with Khalid)” by Billie Eilish

E - “Evergreen” by Cavetown

K - “Kelly Kapowski” by Moose Blood

T - “The Man” by The Killers

R - “Rock Is Dead” by Marilyn Manson

I - “I Do” by Kevin Abstract

S - “Songbird” by Fleetwood Mac

C - “Coney Island” by Death Cab for Cutie

H - “Heaven’s Gate” by Fall Oout Boy

M - “Mind Over Matter” by Young The Giant

O - “Over The Sun” by Tinpan Alley

T - “The Answer” by George Salazar

O - “Orange Crush” by R.E.M.

R - “R U Mine?” by Arctic Monkeys

S - “Seventeen Again” by Eurythmics

G - “Guns and Ships” from Hamilton

E - “Everything Is Temporary (Sticks And Stones)” by Cavetown

B - “Bethlehem” by Declan McKenna

R - “Red Right Hand” by Arctic Monkeys

A - “American” by Lana del Rey

U - “Untitled V.2″ by Cavetown

C - “Californication” by The Red Hot Chili Peppers

H - “Hang ‘Em High” by My Chemical Romance

L - “Lisa” by George Salazar

I - “Ingenue” by Death Cab for Cutie

C - “Clint Eastwood” by Gorillaz

H - “Homewrecker” by MARINA

T “that was then” by isaac gracie

A - “Always” by Panic! At The Disco

L - “Liability” by Lorde

S - “SLOW DANCING IN THE DARK” by Joji

S - “Satellite” by Guster

E - “Exhausted” by Chloe Moriondo

I - “Into The Cave We Wander” by Gerard Way

N - “Nobody” by Hozier

U - “UGH!” by The 1975

R - “Rust” by Clay Cages

S - “Smother” by Daughter

P - “Palisade” by Pinegrove

R - “Recycling” by Pinegrove

U - “Ultaviolence” by Lana del Rey

N - “No One’s Gonna Love You” by Band Of Horses

G - “Grace Kelly” by MIKA

V - “Ventura Highway” by America

O - “Out Of Control” by Hoobastank

N - “Not In That Way” by Sam Smith

K - “Kiss From A Rose” by Seal

R - “Rings” by Pinegrove

A - “American Idiot” by Green Day

F - “Funny You Should Ask” by The Front Bottoms

T - “This Is Why We Fight” by The Decemberists

G - “Geyser” by Mitski

E -

S - “Snow (Hey Oh)” by Red Hot Chili Peppers

T - “the death of you & i” by isaac gracie

A - “Awkward Conversations” by The Front Bottoms

R - “Rut” by The Killers

T - “Tennessee” by P.S. Eliot

S - “Spaceman” by The Killers

E -

I - “I Was A Kaleidoscope” by Death Cab for Cutie

N - “Narrow Your Eyes” by They Might Be Giants

L - “last words” by isaac gracie

A - “A Horse With No Name” by America

N - “New Friends” by Pinegrove

G - “Good Help (Is So Hard To Find)” by Death Cab for Cutie

E -

F - “Flintridge” by Kevin Abstract

A - “Au Revoir (Adios)” by The Front Bottoms

H - “Heart To Hart” from 9 To 5

R - “Run And Tell That!” from Hairspray

T - “The Mighty Fall” by Fall Out Boy

H - “Hear Me” by Imagine Dragons

I - “I Was Once A Loyal Lover” by Death Cab for Cutie

N - “Nashville” by The Indigo Girls

Z -

W - “Where Is My Mind?” by The Pixies

I - “Istanbul” by They Might Be Giants

S - “Satisfied” from Hamilton

C - “Cherry” by Moose Blood

H - “Hold On Till May” by Pierce The Veil

E -

N - “Namesake” by Pinegrove

S - “Starry Starry Night” by Don McLean

T - “telescope” by isaac gracie

E -

R - “Raining” by The Front Bottoms

N - “Nine To Five” from 9 to 5

A - “Aftershave Ocean” by The Vaccine

R - “Rhode Island” by Kevin Devine

T - “This Is What Makes Us Girls” by Lana del Rey

I - “I’m So Sorry” by Imagine Dragons

G - “Georgia” by Kevin Abstract

R - “Roses And Cigarettes” by Ray LaMontagne

A - “Aqualung” by Jethro Tull

U - “Under Presure” by Queen

M - “Modern Love” by David Bowie

A - “All Revved Up With Nowhere To Go” by Meat Loaf

U - “Undone - The Sweater Song” by Weezer

F - “Friendship” by Kevin Abstract

D - “Diet Mountain Dew” by Lana del Rey

E -

R - “Road Trip” by Chloe Moriondo

S - “Sink My Ship” by Melacholily

U - “Unhappy Birthday” by The Smiths

C - “Cough Syrup” by Young The Giant

H - “Heaven Knows I’m Miserable Now” by The Smiths

E -

N - “Night Light” by The Mountain Goats

N - (Nice Dream) by Radiohead

A - “Another Night On Mars” by The Maine

C - “Carried Away” by Passion Pit

H - “Home Is A Fine” by Death Cab for Cutie

B - “Bruise” by Ryan Beatty

A - “Asleep” by The Smiths

R - “Radio Free Europe” by R.E.M.

S - “Stay Young, Go Dancing” by Death Cab for Cutie

C - “Corduroy Dreams” by Rex Orange County

H - “Ho Hey” by The Lumineers

A - “Alive” by Pearl Jam

F - “Fourth Of July” by Fall Out Boy

T - “The Other Woman” by Lana del Rey

D - “Dead!” by My Chemical Romance

E -

R - “Rain” by MIKA

S - “Stay Together For The Kids” by blink-182

T - “Tattoo” by Kevin Abstract

E -

R - “Rainbow” by Kesha

N - “Naked Sunday” by Stone Temple Pilots

W - “Waking The Witch” by Kate Bush

E -

L - “Lost In The Light” by Bahamas

C - “California Dreamin’” by The Mamas and the Papas

H - “Heartlines” by Florence + The Machine

E -

G - “Gone” by Tula Vera

E -

H - “Homemade Dynamite” by Lorde

A - “Addict With A Pen” by Twenty One Pilots

B - “Blackbird” by The Beatles

T - “Tom Sawyer” by Rush

B - “Brothers On A Hotel Bed” by Death Cab for Cutie

E -

W - “Whole Lotta Love” by Hozier

O - “One Song Glory” from Rent

H - “Heavy In Your Arms” by Florence + The Machine

N - “Need 2″ by Pinegrove

B - “Bridge Over Troubled Water” by Simon & Garfunkel

A - “Air Catcher” by Twenty One Pilots

R - “Rat A Tat” by Fall Out Boy

P - “Poacher’s Pride” by Nicole Dollanganger

L - “Lovesong” by The Cure

A - “A Loaded Smile” by Adam Lambert

N - “Narrow Escape” by Ray LaMontagne

E -

T - “Technicolor Girls” by Death Cab for Cutie

E -

N - “Natives” by blink-182

K - “Karma Chameleon” by Culture Club

R - “Re: Stacks” by Bon Iver

E -

I - “Impossible Year” by Panic! At The Disco

S - “Shake It Out” by Florence + the Machine

E -

D - “Dirty Summer” by Mother Falcon

R - “Read My Mind” by The Killers

E -

H - “House Of Wolves” by My Chemical Romance

E -

N - “Night Knuckles” by Cavetown

S - “St. Peter’s Cathedral” by Death Cab for Cutie

I - “I’m Going Home” from The Rocky Horror Picture Show

C - “Chiquitita” by ABBA

H - “Hardest Of Hearts” by Florence + The Machine

U - “Unknown Brothe” by The Black Keys

N - “Nostalgia In My BedRoom” by Cavetown

D - “Disasterology” by Pierce The Veil

W - “What Sarah Said” by Death Cab for Cutie

O - “Outlaws Of Love” by Adam Lambert

H - “Hey There Delilah” by The Plain White T’s

I - “I Can Make You A Man” from The Rocky Horror Picture Show

N - “Noise In My Head” by Cavetown

D - “Death Valley” by Fall Out Boy

E -

R - “Rebel Rebel” by David Bowie

N - “Nature Boy” by Nat King Cole

E -

U - “Until The Night” by Billy Joel

E -

R - “Red Light Indicates Doors Are Secure” by Arctic Monkeys

A - “A Car, A Torch, A Death” by Twenty One Pilots

S - “Sweet Caroline” by Neil Diamond

S - “Strawberry Blond” by Miski

E -

V - “Vital Signs” by Rush

O - “Ode To Sleep” by Twenty One Pilots

N - “Naughty Girl” by Beyonce

V - “Victorious” by Panic! At The Disco

E -

R - “Reckless Serenade” by Arctic Monkeys

S - “Summer Shandy” by The Front Bottoms

T - “The Drug In Me Is You” by Falling In Reverse

A - “Aftermath” by Adam Lambert

N - “Neal Cassady Drops Dead” by Morrissey

D - “Doors Unlocked And Open” by Death Cab for Cutie

I - “I Don’t Care” by Fall Out Boy

G - “Give ‘Em Hell, Kid” by My Chemical Romance

M - “Mr. Brightside” by The Killers

E -

N - “Neon Gravestones” by Twenty One Pilots

S - “Smile Like You Mean It” by The Killers

C - “Come Together” by The Beatles

H - “Hold No Guns” by Death Cab for Cute

L - “Learning” by Perfume Genius

I - “I Don’t Love You” by My Chemical Romance

C - “Cloudbusting” by Kae Bush

H - “Hot Patootie - Bless My Soul” from The Rocky Horror Picture Show

K - “Kids In America” by Kim Wilde

E -

I - “If U Seek Amy” by Britney Spears

T - “Tangled In The Great Escape” by Pierce The Veil

K - “King And Lionheart” by Of Monsters And Men

O - “One For The Road” by Arctic Monkeys

N - “Never Enough” by The Cure

N - “Never Going Back Again” by Fleetwood Mac

T - “Teenagers” by My Chemical Romance

E -

F - “Folkin’ Around” by Panic! At The Disco

O - “One Point Perspective” by Arctic Monkeys

R - “Red Tide” by Rush

T - “The Chain” by Fleetwood Mac

P - “Poor Boxer Shorts” by Mom Jeans.

F - “Famous Last Words” by My Chemical Romance

L - “Lone Digger” by Caravan Palace

A - “Awake My Soul” by Mumford & Sons

N - “Never Let Me Go” by Florence + The Machine

Z -

E -

N - “Never Had No One Ever” by The Smiths

U - “Untouched” by The Veronicas

N - “Never Too Late” by three Days Grace

D - “Dance, Dance” by Fall Out Boy

S - “Seven Devils” by Florence + The Machine

I - “I’d Do Anything For Love (But I Won’t Do That)” by Meat Load

C - “Crush Culture” by Conan Gray

H - “Hurricane” by Panic! At The Disco

E -

R - “Red, Red Wine” by UB40

F - “Friction” by Imagine Dragons

R - “Red Sector A” by Rush

E -

U - “Unwritten” by Natasha Bedingfield

E -

N - “Nobody” by Mitski

A - “All The Time” by Green Day

N - “Nobody Puts Baby In a Corner” by Fall Out Boy

L - "Loveryboy” by You Me At Six

E -

B - “Burn” from Hamilton

E -

N - “Na Na Na (Na Na Na Na Na Na Na Na Na)” by My Chemical Romance

S - “Superposition” by Young The Giant

L - “Lies” by MARINA

A - “Are We The Waiting / St. Jimmy” by Green Day

N - “No One Does It Better” by You Me At Six

G - “Golden Days” by Panic! At The Disco

L - “Little Wanderer” by Death Cab for Cutie

I - “I Won’t Give Up” by Jason Mraz

C - “Candy Store” from Heathers

H - “Hum Hallelujah” by Fall Out Boy

F - “FROOT” by MARINA

R - “Reflektor” by Arcade Fire

E -

U - “Up All Night” by blink-182

D - “Dammit Janet” from The Rocky Horror Picture Show

E -

U - “Uptown Girl” by Billy Joel

N - “New American Classic” by Taking Back Sunday

D - “Death Of An Interior Decorator” by Death Cab for Cutie

R - Rehab” by Amy Winehouse

U - “Us And Them” by Pink Floyd

H - “Heaven Can Wait” by Meat Loaf

E -

M - “Motorcycle” by The Front Bottoms

I - “I Have Friends In Holy Spaces” by Panic! At The Disco

T - “Twin Skeletons (Hotel In NYC)” by Fall Out Boy

N - “New York Mining Disaster 1941 (Have You Seen My Wife, Mr. Jones)” by The Bee Gees

I - “I See Love” by Passenger

C - “Cough It Out” by The Front Bottoms

H - “House Of Memories” by Panic! At The Disco

T - “Talking Bird (Demo)” by Death Cab for Cutie

E -

I - “Interlude” by Melancholily

N - “Nico And The Niners” by Twnety One Pilots

F - “Fade Away” by Susan Sundfør

U - “Use Somebody” by Kings of Leon

R - “Religion” by Lana del Rey

C - “Cath…” by Death Cab for Cutie

H - “Hotel California” by The Eagles

T - “The Phoenix” by Fall Out Boy

V - “Vegas Lights” by Panic! At The Disco

O - “Only Ones Who Know” by Arctic Monkeys

R - “Rent” from Rent

A - “American Eulogy: Mass Hysteria / Modern World” by Green Day

N - “New York, New York” by Frank Sinatra

G - “Ginger” by The Front Bottoms

R - “Reptilia” by The Strokes

E -

I - “I Write Sins Not Tragedies” by Panic! At The Disco

F - “Frankie Sinatra” by The Avalanches

E -

N - “Night And Day” by Frank Sinatra

V - “Valentine’s Day” by Linkin Park

O - “Old Yellow Bricks” by Arctic Monkeys

R - “reverie” by isaac gracie

A - “American Sports” by Arctic Monkeys

N - “New Perspective” by Panic! At The Disco

D - “DESTROYA” by My Chemical Romance

E -

R - “Rhiannon” by Fleetwood Mac

E -

R - “Ribs” by Fleetwood Mac

I - “I Can’t Go For That (No Can Do)” by Hall & Oates

N - “Night at Lake Unknown” by Conor Oberst

T - “This Ain’t A Scene, It’s An arms Race” by Fall Out Boy

E -

L - “Long Division” by Death Cab for Cutie

L - “Little Bribes” by Death Cab for Cutie

I - “Islands In The Stream” by Dolly Parton/Kenny Rogers

G - “Grapevine Fires” by Death Cab for Cutie

E -

N - “Nirvana” by sam Smith

T - “The Sound Of Settling” by Death Cab for Cutie

G - “Golden” by Fall Out Boy

E -

S - “Someone To Watch Over Me” by Frank Sinatra

C - “Caraphernelia” by Pierce The Veil

H - “Heartache Tonight” by The Eagles

O - “Overtrown” by Pinegrove

P - “Plastic Flowers” by The Front Bottoms

F - “For Crying Out Loud” by Meat Loaf

S - “Sarah Smiles” by Panic! At The Discoo

V - “Venus” by Sleeping At Last

O - “Over My Head” by Fleetwood Mac

N - “No Cars Go” by Arcade Fire

H - “High Dive” by Andrew McMahon in the Wilderness

I - “I Wanna Get Better” by Bleachers

N - “No Peace”by by Sam Smith

Z - “Zeroes” by David Bowie

W - “We Looked Like Giants” by Death Cab for Cutie

I - “Isle Of Flightless Birds” by Twenty One Pilots

S - “Spooky” by Classic IV

C - “Cemetery Drive” by My Chemical Romance

H - “Hey Julie” by Fountains Of Wayne

E -

N - “No you Girls” by Franz Ferdinand

S - “Stop The World I Wanna Get Off With You” by Arctic Monkeys

T - “The Ghost Of You” by My Chemical Romance

E -

R - “Ring Of Fire” by Johnny Cash

N - “Northern Lights” by Death Cab for Cutie

A - “Anyways” by Arctic Monkeys

R - “Riot” by Three Days Grace

T - “The Secret Society” by Creeper

I - “Imitation Of Life” by R.E.M.

G - “Girls / Girls / Boys” by Panic! At The Disco

R - “Rise” by Skillet

A - “A Happy Tune” by Melancholily

U - “Using” by Sorority Noise

M - “Maps” by The Front Bottoms

There are literally not enough songs in the known universe that begin with ‘E’ or ‘Z’ to complete the name. I hate this man and his ridiculously long name, I hate this ask game, I hate you I hate myself. This took my three fucking days, I hate it.

#long post #astronomer-gay #ask #fun fact melancholily is actually a friend of mine

13 notes · View notes

mingyaus · 5 years

Text

agust (lyft )d(river)

summary yoongi happens to be ur driver on ur worst day in a while

pairing yoongi x fem!reader (probs eventually one day there will be romance)

genre light angst, friendly stranger vibes

warnings mentions of sex and alcohol

word count 1837

The random handsome stranger Yoongi M. is your Lyft driver for the night. Maybe it’s his looks or maybe it’s your overwhelming fear about your destination or maybe you’re just dumb, but something makes you trust him enough with this request.

“Hey, would you mind waiting for me until I enter the house?”

“Um, sure.” He’s not entirely surprised. This is a first for a request like this, but he assumes you’re worried about your own safety, which is why you’re asking for this. He’s absolutely wrong though, and made the wrong decision, but it’s too late now because you’re stepping out of his car in these ridiculous stilettos paired with a daring flowy maxi-skirt. You time it perfectly so that the car door doesn't slam onto your embarrassingly expensive skirt and make your way up the porch steps until you reach the front door.

Ring ding dong, ring ding dong Ring diggy ding diggy ding ding din

You think you’re imagining it, but you’re definitely not because when you ring the doorbell again it makes the same noise.

Ring ding dong, ring ding dong Ring diggy ding diggy ding ding din

Yes, that definitely is the sound of the classic Shinee hit “Ring Ding Dong.” After your third ring, a young man opens the door. His eyes are squinting at his brightly lit porch, much brighter than the pitch black darkness of the inside of his home.

“Hi, I’m here for Seulgi and Namjoon’s wedding party. I believe it starts at 7 pm? In a few minutes.” Even though it’s obvious this is not the venue, you still shoot your shot hoping for some sort of explanation for the mix up.

“Uh, Seulgi? I don’t know anyone of that name. Namjoon? Joon? Jun? I know a Wen Junhui, but he’s in China right now, so I don’t know how you’d get to him especially at this hour in China time.” The man rubs at his eyes, obviously he’s just woken up from a nap or a really early bedtime.

“No, he’s not who I’m looking for. Sorry, I think I just got the wrong address. Sorry, for disturbing you. Have a nice night.”

“Aw, no, I’m sorry. Have a nice night too.” He smiles, his hamster-like features giving you hope to make you feel a little better about this mix-up. You two wave and you’re off, back to Yoongi M. who’s patiently been waiting for you during these awkward few minutes.

“Hey,” You say avoiding his gaze. Hopefully he didn’t hear any of that awful interaction. “Can you just give me a ride home? I can pay.”

“Sure,” He nods lowering the volume of his music. Yoongi must have turned it on while you were outside. You can still hear the tail end of a rap as Yoongi restarts his car, but then he switches it to Top 40 radio.

“You can keep it on your music.” You mutter.

“Uh, it’s not exactly my music, but sure I’ll keep it on.” Yoongi switches the station again and then turns the music up louder as he gets back on the dark road barely lit by the occasional streetlight.

This song starts somewhere near the middle, on some verse. You try to pay attention to the lyrics trying to keep your mind off the thoughts that threaten to invade your mind.

Cotton, wind, blow, blouse (Stop baby don’t stop) Hair, flower, aroma, scent (Stop baby don’t stop) Cold, eyes, ice, dive (Stop baby don’t stop) Touch, warm, melt, lips (Stop baby don’t stop)

You think to yourself, what a strange rap? So random. So artistic?

Yoongi’s smiling, happy to be listening to his greatest semi-guilty pleasure NCT U. Man I love Taeyong’s genius rap.

Just get yourself around it’ now yeah (baby don’t stop and no) I'm crazy, my sweet coconut (baby don’t stop today)

You’re a bit shaken. What was that? Was that supposed to be some hidden innuendo? Oh, man. Namjoon used to make the best innuendos in middle school. He was probably making some dirty jokes when you bumped into him and Seulgi at the convenience store. Back in the day, she would laugh the most at Namjoon’s gross jokes out of everyone in your group. You should’ve known she liked him even before they started dating. She was laughing so hard even today. That’s how you noticed them there in the store. And then when you noticed them, they were telling you about their wedding, and then invited you…

Gotta, gotta, gotta, gotta get that I will never stop, gotta get that

Yoongi’s smiling even harder, hoping you can’t see his gummy smile from the back seat.

Man, I love NCT. I hope she doesn’t think I’m weird for listening to them. But hopefully she doesn’t actually believe this is my music. Yoongi’s thinking, when he hears you sniffling and interrupting Ten’s lucious vocals.

“Um, are you alright there?” Yoongi asks, and unfortunately has to turn down the music again. Fortunately the song is almost ending.

“Y-yeah.” You sniffle more, choosing to wipe your nose on your skirt.

“You sure?” Yoongi asks. He’s internally cringing. Usually he wouldn’t say anything to a crying girl, just carry onto his normal business, but you’re different. You’re a customer. Wait, no. Jokes. I’m more mature than that. I would ask “Are you ok?” once. And yes, that’s a leading question and that’s the point because I don’t want to talk more than I have to especially if they’re a crying stranger. “There are some tissues in the driver’s seat pocket.”

“Aw, t-thanks.” You lean over grabbing a handful of tissues from the box and blowing.

“Sorry, I don’t have a trash bag.” He says, hoping you won’t just leave them in the back seats. He sighs in relief when you just crumple them up and keep them in your hands.

“It’s okay.” You nod trying to compose yourself better. “B-but actually, no. It’s not okay. I’m not okay.”

“Okay,” Yoongi tries to sound empathetic, but he’s really struggling. He just wanted to work a bunch tonight to make some money, but he had to get a strange rider today. He’s gotten a few strange riders in the past, but you’re costing him the most time out of all of them.

“I-I just wanted to go to my friend’s wedding party. You see, them plus a few other people and I were super close in middle school. We obviously drifted apart, b-but today I saw them in the convenience store. Me, buying peanuts because I just came from a flight and I love love love those airplane peanut snacks and was craving some more. Anyways, they were there buying condoms, like they were trying so hard to hide them, but it was so obvious, and there’s nothing wrong with that at all. Like go them. Go have safe sex, good kids. We were catching up for a bit like polite adults and they mentioned today was their wedding day. They had just finished the ceremony and were taking a little break before the party, and they invited me to it, and they scribbled the address on my hand and ugh I don’t know what happened, but either I can’t read or they wrote the wrong address—” You’re about to go on, but Yoongi doesn’t want you to get on any more tangents, so he interrupts with a nice-sounding comment.

“I’m sure they didn’t mean to mess up the address.”

“But they totally could have!” Dear God. You’re shouting now. Yoongi was trying to listen to NCT’s “Heartbreaker” playing in the background to soothe him as he listens to your complaints, but you’re just getting a bit rowdy right now, so Yoongi gives up and totally turns off the music.

“Well, it’s their wedding day. They’re probably overwhelmed.” Yoongi says defending himself and the stranger couple. At the same time he’s trying to lighten your load of self-blame.

“Sure...I just hope they don’t hate me.” You whimper. Your tears have finished flowing, and now you’re just hiccuping occasionally filling the silence that has built up. “I’m sorry for being dramatic.”

“Well, there’s nothing wrong with letting out your emotions sometimes.”

“Yeah, I guess.” You nod. Yoongi thinks you’re over the whole address debacle, but you bring it up again. “But really why do you think they gave me the wrong directions?”

“I really don’t know. I don’t think we’ll ever know.” Yoongi’s not set on finding the truth of the matter. He just wants to calm you down, so he offers up another explanation. “Maybe they were drunk?”

“Already? It was 2 pm.”

“It’s 5 pm somewhere.” A silence settles over the car again and Yoongi hopes he’s in the clear, able to just drop you off and then turn his NCT playlist back on again.

“Yeah.” You sigh. You’re back to your home. Your lonely home. You don’t even have a pet. Again, something about something makes you take a chance on Yoongi M., who still just wants to listen to NCT and pick up some more rides. “Hey, do you want to like come in for ice cream or a drink or something?”

“U-uh,” Yoongi’s stuttering. Is she trying to hook up with me??!! No customer has ever asked him anything like this. Maybe some flirters here and there, but they were obviously on something. The only thing you appear to be on is hurt emotions. He’s stunned. “Um.”

“I don’t have any malintentions! I swear. I just don’t have anyone to hang out with.” You’re being honest. You think this Yoongi M. is quite handsome, but you wouldn’t sleep with him, at least for now.

“A-a drink?” Yoongi’s still processing your request. “You’re not in the h-health department, right? I’m a responsible driver. I never drink and drive.”

“No! No way.” You shake your head, now regretting your second strange request. Maybe you’re asking too much of him. You lean over to look in the car’s side mirror and he looks shell shocked. Yes, you definitely are asking too much of him. You try to calm him down by revealing something about yourself. “I-I used to have an internship with the health department though. I wanted to be a doctor, but look at me now. I’m just some young lonely person in the city. I literally have no friends or family here. Like I’m not asking you to be my friend, but I just want friends.”

And he thinks about what just tumbled out of your mouth. Maybe you are the drunk one right now. Whatever. You honestly just seem like such a sad case, and something about something makes him trust you right now when he says, “Okay fine. I’ll hang out with you for a bit.”

“Yay!” You’re squealing, overjoyed to finally have someone to hang out with.

“But just because you’re such a sad case.” He mutters hoping you don’t really hear him, but you hear him anyways and don’t mind.

“Thanks.”

masterlist

#yoongi x reader #bts #suga #min yoongi #bts fanfiction #bts fanfics #bts x reader #fafiction #kpop #kpop fanfiction #fanfic #fanfics #suga scenario #bts scenario #scenarios #scenario #suga scenarios #idk these tags r a mess

41 notes · View notes

mindfulwrath · 7 years

Text

HTCIC: Message 2

The second message came in precisely twenty hours after the first.

Xander was woken by her communicator squealing incessantly on her bedside table. Bleary, she sat up and stuffed it in her ear to hear Liu yelling at her. She dressed as quickly as she could and hurried to the comms room, once again having to forego picking her hair. The message was already up on the big screen when she arrived, the whole room abuzz.

helly peyple

we wull be safe. fead? feguohal hyfthwest equatyf, uh the cyastal zyhe. thus eveht us smyke solaf m-class, whuch us a vefy sefuyus uhcudeht. uyh flyw ehyugh ty damage the byat ahd may cause the yfbut ty decay, be cympehsated. scehafuy metef made dufuhg the epudemuc that cah cause uhjufy yf death ty the study. alsy, we pfypose ty move as mahy yf yyuf emplyyees, as thus cah save the eveht. tume wull be abyut mudday, whefe he lyst ty the faduy, maybe all yyuf sehsyf makef. pfyvude feal m-class wull fall by a scyfe of at least 50 uhdergfyund, ty avyud faduatuyh and uyh flyw. yyu cah hyt dy thus, we pfypyse yhce agauh ut us ffee.

ut us gyyd ty khyw yyuf hame, xahdef, ju, luu, and ra∑l. yuf wyfds afe hyt tfahslated, wull be tfahsfeffed ty us. we defuhe the wyfd uh yuf lahguage ty yyu at yyuf destuhatuyh. addutuohally, yyu can cyhtact the befsefk, eugehvectyfs, and uh feceht yeafs.

we are very pleased ty be able ty talk ty yyu. please cyhtuhue ty spread yhly ty the statuyh.

end yf message.

Fortunately, Xander only had to stare at the message with her eyeballs melting out of her head for less than a minute before the corrected version was posted up on the big screen. She silently thanked whoever had gone through the pain of repairing the encoding errors, settling into her chair.

Hello People

We will be safe. Read? Regional northwest equator, in the coastal zone. This event is smoke solar M-class, which is a very serious incident. Ion flow enough to damage the boat and may cause the orbit to decay, be compensated. Scenario meter made during the epidemic that can cause injury or death to the study. Also, we propose to move as many of your employees, as this can save the event. Time will be about midday, where he lost to the radio, maybe all your sensor maker. Provide real M-class will fall by a score of at least 50 underground, to avoid radiation and ion flow. You can not do this, we propose once again it is free.

It is good to know your name, Xander, Ji, Liu, and Raúl. Our words are not translated, will be transferred to us. We define the word in our language to you at your destination. Additionally, you can contact the berserk, eigenvectors, and in recent years.

We are very pleased to be able to talk to you. Please continue to spread only to the station.

End of message.

"Are those . . . names?" Raúl said, squinting up at the screen.

"Maybe?" said Xander. "I think they're talking about names being untranslatable, with that our words are not translated. So maybe it's like . . . our names just look like random smears of color, so they call us something that sounds—looks sort of similar."

"And it goes the other way, too," Raúl said. "Of course. Their names can't be translated, so they just pick words that look right."

"This is such a mess," said Xander. "Should we go capitalize them?"

"Looks like Ji's already on the way," Raúl said, gesturing. Ji dashed down the aisle to confer with Iyoda, and sure enough, the message soon changed to read Berserk, Eigenvectors, and In-Recent-Years.

"There's . . . a lot to unpack here," Xander said, reading through the message again. "They seem pretty adamant about us evacuating, though."

Ji darted back up the aisle and came to kneel next to Xander.

"Okay," they said. "Point by point. Let's figure this out."

Eventually, the buzz of the comms room got too distracting, and the linguist contingent moved to an unoccupied office just down the corridor. They'd been holed up in there for a couple of hours already, and Ji had taken to pacing.

"So," Liu said, looking down at the notes strewn all over the table, "our current thinking. A summary."

"First part is their location," said Raúl. "It matches pretty well with what telemetry found, if you assume they mean hemisphere when they say equator."

"Somebody keep a tally of all the assumptions, I want a number at the end so I can take that many shots tonight," said Ji.

"Okay, I know, it sucks, let's try and keep it together," said Xander.

"Second part is describing the event," Raúl went on. "M-Class solar flare, whatever that means, but apparently it's serious."

"Serious enough to damage our ship and cause our orbit to decay," said Liu.

"Right. Unless we compensate for it."

"Then another call for an evacuation," said Xander. "Which is sensible, if we're going to be taking enough ion flow to damage the actual hull and push us out of orbit."

"It all seems straightforward up to here," said Liu. "But time about midday."

"We don't think they're talking about the actual timing of the event," said Ji. "We're assuming—two—they don't know how long our days are. Besides, midday is a pretty useless measurement when you're in orbit, and we assume—three—they know that."

"The better money is on half a day," said Raúl. "As in, the event will last half a day. Then they go on about losing radios and sensors."

"This last part," said Liu. "The only question of ours they have not answered yet is what they do to prepare. We can assume this is their answer to that."

"Four," Ji muttered under their breath.

"It would make sense for them to hide underground during a high-radiation event," said Xander.

"Or they could mean they go deeper underwater," said Raúl. "They might not have as much of a distinction between ground and water as we do, or they might regard water as being ground."

"Let's—not worry about that right now," said Xander. "Too many assumptions. What we can say for sure is that they take precautions that they don't think we can take."

"You can not do this," Liu quoted. "They propose again we evacuate."

"Then all the name business," said Raúl.

"And then the juicy part," said Ji, sitting down heavily next to Xander. "They don't want us transmitting to any other station."

"Military brass are going to have a field day with that one," Xander sighed.

"It fits in well with Xander and Sam's pet theory," said Raúl.

"Which is?" said Liu.

Xander made a face, fidgeting. "These might not be official transmissions," she said. "It could be a small group of individuals acting . . . individually."

"You're right," said Ji. "Military brass are going to have a field day with that. That would drop the reliability of the information to zero."

"They could be risking their lives to save ours," Xander said.

"They could be a bunch of teenagers pulling an elaborate prank," Ji retorted.

"And if they are?" Raúl asked.

"The military won't want to talk to them anymore," Liu said quietly.

A lull descended upon the room. The group of them all looked around at each other.

"So," Raúl said quietly, "what's our official interpretation?"

"The station they're transmitting from is the only one with translation capabilities," said Ji.

"It's a highly secured location and they don't want Joe Schmoe getting hold of our transmissions," Xander suggested.

"There's another faction of Akasteans working against these," said Liu.

"My vote is for Xander's," said Raúl. "I think it'll appeal the most to Iyoda without making it sound like there are evil Akasteans out there somewhere plotting our downfall."

"I guess," said Ji. They chewed their lip, then nodded. "Yeah, I think you're right, that'll appeal to their paranoia instead of—of—"

"Making it get in the way?" Liu suggested.

"Sure, let's go with that," said Ji. "So what's our response? I assume we're responding. Five."

"Iyoda hasn't given any direct orders to," Raúl said, frowning.

"Okay, well, she hasn't given any direct orders not to, either," said Ji.

"Someone could go ask," Xander said. "That way we don't end up wasting our time if they've decided not to respond. Besides, she'll probably have guidelines for what we should say."

Again, the four of them looked at each other.

"So," Ji said slowly, "somebody can go ask Iyoda what the official message should say, and the rest of us—"

"We can't just send a message without anyone knowing about it," Raúl interrupted.

"It would be very difficult," Liu said. "All transmissions to Akaste are strictly monitored."

"...From?" Xander said.

"What?"

"To Akaste, from where?" said Xander.

"From here," said Liu.

"But transmissions to Akaste from anywhere else. . . ?"

"Presumably monitored by their own home station," said Raúl.

"And transmissions from the Asphaleia to anywhere else?" Xander pressed.

"Still monitored, but not as heavily," said Ji. "You sound like you have an idea."

"I do," said Xander. "But I'll need to get Sam. And maybe somebody from telemetry."

"There's the new girl, on the Ochoa ring," Raúl said, pointing at the ceiling. "She's not strictly from telemetry, but I hear she's a genius with orbital mechanics."

"Perfect," said Xander. "Can you get her? Without giving away the really—really stupid thing we're planning?"

Raúl mimed zipping his lips shut.

"I'll go talk to Iyoda," Ji declared. "I'll grab Sam on my way out. Xander, Liu, get started on our unofficial message. We could all get sent home for this, so make it count."

Ji strode off. Raúl scurried after. Xander tugged at her hair and blew a breath out through her lips.

"Okay," she said. "Okay. So this is probably really illegal, in addition to being really stupid."

Liu shrugged. "If it's not illegal yet, it's about to be. How should we start?"

Xander closed her eyes and centered herself.

"Right," she said. "Here goes: Hello Berserk, Eigenvectors, and In-Recent-Years. . . ."

#HTCIC #ocs #original writing

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emmagreen1220-blog · 6 years

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New Post has been published on Literary Techniques

New Post has been published on https://literarytechniques.org/assonance/

Assonance

Assonance Definition

Assonance refers to the repetition of identical stressed vowels in nearby syllables when they are followed by different consonants or consonant clusters. Even though sometimes omitted for brevity, the latter part of the definition is equally important as the first one, because If identical stressed vowels are followed by identical consonant sounds, then the literary device in question is not assonance, but rhyme.

Thus, the phrase “white knight” is an example of rhyme; however, the title of Dylan Thomas’ poem “In the White Giant’s Thigh” is an example of assonance. In both cases, the “long i” [aɪ] is repeated in all of the stressed syllables, but only in the first one the consonant behind it sounds identical as well (“waɪt naɪt” vs. “waɪt ˈʤaɪənts θaɪ”).

Assonance was frequently used as a substitute for rhyme in early Celtic, Spanish, and French poetry, which is why it is sometimes (somewhat unsuitably) still called “vowel rhyme,” “vocalic rhyme” or even “half rhyme.” When Augustan and Romantic English poets started using rhymes on an almost regular basis, they saw in assonance a great way to amplify the musical effects of their poems. However, at least since the second half of the 19th century, modern poets once again have started employing assonance in place of a rhyme for the exact opposite effect.

Some of literature’s most skillful users of assonance are Alexander Pope, Gerard Manley Hopkins, Emily Dickinson, Edgar Allan Poe, Algernon Charles Swinburne, and Dylan Thomas.

ExamplesQuizFlashcardsWorksheets

Assonance Examples

Assonance in a Sentence

Example #1: Idioms

For nearly a week afterwards, the domestics observed significantly to each other, that Miss Isabella was as ‘nice as pie!’

OED lists this 1855 Which: Right or Left? sentence as the earliest occurrence of the idiom “nice as pie.” As is obvious, the idiomatic expression—as many others (“a good look,” “a dead end,” “high time,” etc.)—is made memorable through the use of assonance, as both “nice” and “pie” contain the “long i” but not repeating consonants.

Example #2-3: Proverbs

Variety is the spice of life.

In the proverb above, all of the nouns contain the “long i” [aɪ]. Interestingly enough, according to a wide-ranging 2012 study, about a quarter of English proverbs assonate. In the example below, assonance of the “long o” [əʊ] is effectively resolved in the “short o” of the last word (“moss”):

A rolling stone gathers no moss.

Example #4: Nursery Rhymes

As I was going to St. Ives, I met a man with seven wives, Each wife had seven sacks, Each sack had seven cats, Each cat had seven kits: Kits, cats, sacks, and wives, How many were there going to St. Ives?

The nursery rhyme above is actually a riddle – so do try to solve it if you want a break from all this literary talk with a simple mathematical exercise. Highly assonant, this riddle employs effective assonance of both the “long i” (in “I,” “Ives” and “wives”) and the “short e” (in “met,” “man,” “seven,” “sacks,” “had,” “cats,” and “many”). In one instance (“sacks”/”cats”), assonance works as a nice substitute for rhyme.

Example #5: Advertising Slogans

Finger lickin’ good.

KFC’s famous slogan—“finger lickin’ good”—works so well because of the assonance of the “short i” repeated three times in the initial four syllables. However, it works even better when the first two words are paired up with KFC’s actual product—”finger lickin’ chicken”— which adds two more [ɪ]’s to the mix and spices the assonance with a dash of rhyme.

(Further Reading: 10 Examples of Assonance in a Sentence)

Assonance in Poetry

Example #1: Alexander Pope, First Satire of the Second Book of Horace 25-26 (1733)

Rend with tremendous Sound your ears asunder, With Gun, Drum, Trumpet, Blunderbuss and Thunder.

Alexander Pope was a deft user of many rhetorical devices, and assonance was certainly not an exception. In the second verse from the couplet above, he manages to achieve an almost onomatopoetic effect, combining the assonance of the “short u” vowel [ʌ] with bilabial consonants (“b,” “p,” and “m”) to create the effect promised in the first verse: “tremendous sound” which rends the ears asunder.

Example #2: John Keats, “Ode on a Grecian Urn” 1-2 (1820)

Thou still unravished bride of quietness, Thou foster child of silence and slow time…

There are not many verses more beautiful than the two which open John Keats’ great “Ode on a Grecian Urn.” However, it often goes unjustly unnoted that a large portion of this beauty the verses owe to the assonance of the “long i” which Keats masterfully uses in all five nouns present in the excerpt: “bride,” “quietness,” “child,” “silence,” and “time.” And to make the verses even more sweet-sounding, this grand assonance is nicely prepared by the humble introductory assonant pair “still unravished,” tightly linked through the repeated use of the “short i.”

Example #3: Algernon Charles Swinburne, “August” (1866)

The colour of the leaves was more Like stems of yellow corn that grow Through all the gold June meadow’s floor

Even detractors of Algernon Charles Swinburne hail him a musical genius; and, indeed, his mastery of the phonetic literary devices is, to say the least, impressive. Even though published in his debut poetry collection, “August” already exemplifies this brilliantly. The repeated “o” sounds—whether short or long—permeate the excerpt, appearing in almost every second word: “colour,” “more,” “yellow,” “corn,” “grow,” “gold,” “meadow,” and “floor.” This produces a highly euphonious effect, which Swinburne strikingly manages to sustain throughout the whole poem.

Example #4: Gerard Manley Hopkins, The Wreck of the Deutschland I.7.1-4 (1875)

It dates from day Of his going in Galilee; Warm-laid grave of a womb-life grey; Manger, maiden’s knee;

Considered by many to be perhaps his greatest masterpiece, the 35-stanza Christian ode “The Wreck of the Deutschland” demonstrates wholly Gerard Manley Hopkins’ masterful use of not only his unique contributions to prosody (instress and sprung rhythm) but also of some much more common literary devices such as assonance and alliteration. The “long a” hauntingly dominates the four verses excerpted above, appearing no less than seven times, twice in combination with the alliterative “d” and “m” (“dates”/”day” and “manger”/”maiden”).

Example #5: Dylan Thomas, “Ballad of the Long-Legged Bait” 49-52 (1941)

Whales in the wake like capes and Alps Quaked the sick sea and snouted deep, Deep the great bushed bait with raining lips Slipped the fins of those humpbacked tons.

Not many modern poets—if anyone—have managed to replicate Dylan Thomas’ verbally dense and rhythmically resonant verses. In the thirteenth quatrain of his “Ballad of the Long-Legged Bait,” he demonstrates how exceptionally skillful he is in using assonance to produce enduringly evocative imagery. And it’s fascinating to think that even though seven words in the stanza use the “long a”— and six of them are monosyllabic—none of them rhyme with each other: “whales,” “wake,” “capes,” “quaked,” “great,” “bait” and “raining”. “This symphony of vowels and consonants proves Thomas a master,” notes William York Tindall in A Reader’s Guide to Dylan Thomas. “Not Hopkins himself could put sweeter sounds together.”

(Further Reading: 10 Examples of Assonance Poems)

Assonance in Literature

Example #1: William Shakespeare, Henry VI, Part 1 III.3.48 (1591)

When Death doth close his tender dying eyes.

In Shakespeare on Theatre, Robert Cohen provides a list of all 136 different adjectives that William Shakespeare uses in his plays to vividly describe the human eyes. As in the example above (“dying eyes”), many of them are quite melodious, assonant adjective + noun sets. Can you find where the Bard uses three other assonant pairings of this kind: “admiring eyes,” “desiring eyes,” and “fiery eyes”?

Example #2: Edgar Allan Poe, “Annabel Lee” 38-39 (1849)

And so, all the night-tide, I lie down by the side Of my darling—my darling—my life and my bride…

Much like Swinburne, Edgar Allan Poe was a skilled user of assonance, mainly for its musical effects. To some—like the French symbolist poet Charles Baudelaire—this made him the designer of verses “carved like diamonds”; to others—such as Aldous Huxley—Poe’s use of phonetic literary devices seemed analogous to a sensitive man wearing “a diamond ring on every finger.” You can understand both sides of the argument if you try reading the above couplet out loud. As you can already see, here, in merely two verses, Poe uses the “long i” no less than eleven times! However, it is difficult to deny how melodious and memorable this makes the ending of “Annabel Lee,” Poe’s last complete poem.

Example #3: Robert A. Harris, Writing with Clarity and Style (2003)

So flows the river, going past the town, its whole load of toxins, fish, and sediment pouring evermore into the sea.

The example above is borrowed from Robert Harris’ celebrated “Guide to Rhetorical Devices for Contemporary Writers.” It’s only fitting to borrow the analysis of this highly assonant sentence as well. “The repeated ‘long o’ sounds in the [highlighted] words,” explains Harris, “create a drawn-out sonorousness, suggesting both flow and inevitability of movement.”

Songs with Assonance

Example #1: Alan Jay Lerner, The Rain in Spain

The rain in Spain stays mainly in the plain

In My Fair Lady, the 1956 musical adaptation of George Bernard Shaw’s play Pygmalion, Eliza Doolittle is a Cockney flower girl incapable of breaking her dialect speech patterns even after hundreds and hundreds of elocution exercises with Professor Henry Higgins. For example, instead of saying “reɪn” and “Speɪn” she says something along the lines of “raɪn” and “Spaɪn.” She finally gets it while singing the above verse in which five words (three of which rhyme) contain “the long a” [ei]: “rain,” “Spain,” “stays,” “mainly,” “plain.”

youtube

Example #2: The Doors, Light My Fire

You know that it would be untrue You know that I would be a liar If I was to say to you Girl, we couldn’t get much higher

Come on baby, light my fire Come on baby, light my fire Try to set the night on fire

Widely considered one of the greatest songs ever written—reaching #35 on Rolling Stone’s list of 500 Greatest Songs of All Time—The Doors’ “Light My Fire” offers an exquisite example of the sonorous power of one-vowel assonance. In addition to the rhymes—which necessarily all contain the “long i” [aɪ] (“liar,” “higher,” “fire”)—the lyrics also add many other words which include the same vowel sound and, thus, serve to build and/or keep up the momentum: “I,” “light,” “try,” “night.” And this goes on in the second verse as well, which adds few more assonant words: “time,” “mire,” “try,” “funeral pyre”!

youtube

Example #3: Radiohead, Exit Music (for a Film)

We hope that you choke…

Radiohead often use assonance in place of rhyme in their songs. As you can hear in this all but a textbook example, it is this literary device which has helped them pen some of the most hauntingly beautiful and yet chillingly disturbing verses. Rhyme may be at times too complete and childlike to carry the burden of heavy thoughts; assonance is much more adult and generates a lingering effect. Fittingly, the verse above is not the only one in “Exit Music (for a Film)” which employs assonance. You can also hear it in “the long a” of “today/ we escape” and “the long i” in “breathe/ keep breathing.”

youtube

(Further Reading: 5 Songs with Assonance)

Quiz

Flashcards

Worksheets

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latestromanticsms-blog · 6 years

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topenglishstatus-blog · 6 years