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#HIIIIIIIII!!!!!
villanevehaus · 3 months
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HI ITS ME HOW YOU DOIN POOKS!! IM SO GLAD UR BACK AND U WERE ABLE TO TAKE A BREAK!
i’m very interested in the amsterdam kill coming into TME! it’s my favorite kill! very interested to see what you do with that!!
i am ALSO interested in how villanelle’s boundary of being asked to be touched will look, specifically if eve is going to push that boundary in the heat of a moment and how BOTH OF THEM WOULD REACT TO THAT
ummmmm i’m trying to think of anything else but i’m blanking from overall tiredness and also excitement of your return so i think that’s it 🫶
p.s. i’m in a transformative media course this semester and i’ve brought up TME at least three times in class, mainly to be like I LOVE THIS TRANSFORMATIVE WORK AS MUCH AS I LOVE THE ORIGINAL TEXT and also to be like this is the best fic writing i’ve ever seen and this room will understand the weight of that sentence.
i’m also working with richard siken poems for a project. if ur a richard fan, plz message we can chat about it 😘 love ya stay safe keep those worms hydrated and yourself warm
hiiiiiii omg such a warm welcome back tysm!!!
i am also looking forward to the amsterdam kill like sm, i don't want to give much away but this time eve gets to see it and Knows it's for her- AND there's still "darling eve i hope you havent forgotten about me!!"
i am saying Nothing about that boundary being pushed......!!
also HEY THATS CRAZY i didnt even know there was a kind of class for transformative works thats sooooooo cool wadda hell i am so honoured that u bring me and my writing up in a class. thats crazy wym!!!!!
all of the siken works ive seen ive seen just. on my dash, and i remember there was some kind of drama bc of his "i wish the blood in your mouth was mine" or something along those lines was like. he gave it context/clarified what it meant and people didnt like it. also fun fact i thought it was siLken for the longest time
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circusislife · 10 months
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🫵 poke
I don't remember, did you send an ask to my art blog
HIIII!!!
(if I did, then I have no Memory of the event ✨〜⁠(⁠꒪⁠꒳⁠꒪⁠)⁠〜✨)
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sylladextrous · 3 months
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chloe you're so cute 😩💕
hehe thank youuuuuu 🥰🥰🥰💖💖💖💖
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softshuji · 8 months
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*groans*
-Senju
Senju......? Can you hear me?
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kiyterra · 2 years
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was discussing w @bruceyknyght abt civilian bruce getting his shit rocked in a disaster at a gala but his first/only thought is “WHERE ARE MY KIDS ARE MY KIDS OK”
the nice bunch of teenage vigilantes who are totally not his kids see their dad literally bleeding out but still asking after them and combust in protectiveness :)
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fagmoans · 2 months
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really need to be wrestled to the ground and then held down and knotted full of cum by another puppy right now if i'm being honest
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milfzatannaz · 2 months
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EVERYONE MOVE MY BABY MY LOVE MY QUEEN IS BACK
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sanctus-ingenium · 11 months
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moth, man
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yellowjackets-1996 · 1 month
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I want to tell you this story without having to say that I ran out into the street to prove something, that he chased after me and threw me into the gravel. ↳ the torn up road, richard siken
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ramdotexe · 11 months
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one day I will return to your side
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woosansang · 10 months
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YEOSANG ✧ BOUNCY ✧ 230617
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terrornothorror · 26 days
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what if i never even see you ‘cause we’re both on a stage
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brotherconstant · 2 months
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INTERVIEW WITH THE VAMPIRE 1x02 …After The Phantoms of Your Former Self Well, what can I do to make it up to you? I wanna buy the Fair Play Saloon.
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thefamilyhat · 8 months
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making a simple ref for the kiddos its still a wip but I'm happy with how its coming along! :]
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nosetrashcan · 1 year
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I’m the only sane man here.
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saintbleeding · 6 months
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[ID: a four panel, no dialogue comic of Jon and Martin from TMA set during MAG 159. Martin is visibly wet from rain or mist, and Jon is dishevelled and covered in blood spatter. The first three panels show both of them from the shoulders up, and the last shows them from the hips up. The lighting is moody and dark, and, backlit, Jon looks eerie, his eyes glowing a faint red. In the first panel, Martin looks dubious and disconsolate, and Jon gazes at him softly. In the second, Martin begins to smile incredulously, and Jon smiles cautiously back at him. In the third, Martin’s face falls as he begins to cry, and Jon has already begun to embrace him, his face screwed up with emotion as he presses it into Martin’s shoulder. The last panel shows them hugging desperately, Jon clutching Martin’s head in one hand and his waist with the other. Behind them are vague orange lights on the horizon, and they appear to be lit from above by a street lamp. End ID.]
the lonely is blue n orange to me. the eye is red to me. jon n martin are just some scrunkled wrinkly guys. to me
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