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#I dig further
yakamozarda · 1 year
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I know i should continue therapy at some point but my latests therapist doesnt give me any trust and honestly i couldnt be bothered to deal with finding a new one lol
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stick-ball · 2 months
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I imagine the fbi agents looked up what his tshirt meant after, which brought them the need to get drunk or a rise in salary for dealing with this.
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xx-j4nu5-c4t5-xx · 11 days
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"An ideal Sims game would have Sims 2's gameplay mechanics, Sims 3's open world, and Sims 4's graphics!"
I absolutely despise this take, and I want to explain why. This is a very long rant and it is full of piss and vinegar directed at everything in the Sims 4. I'm gonna try to keep everything kinda professional as much as I can but I can't guarantee an unbiased opinion.
If you'll let me talk your ears off for a moment, I'd like to explain, from my own experience as an artist and a casual player, my issues with the art style and direction of The Sims 4 compared to The Sims 2. (I'm not really going to comment on 3 because I've never played it.)
I want to start off by explaining the difference between better graphics and higher resolution. The Sims 4 absolutely blows Sims 2 out of the water when it comes to textures and polygon counts on sims, no contest. But I'd argue that the graphics themselves... aren't better. They're worse, even, so much fucking worse. The biggest problems come from the stylization and the animations, in my opinion, so I'll explain what I mean.
Have you ever felt like the Sims in 4 just look... weird? Not quirky, not kinda strange, but off. Distressing. Uncanny. Whatever the fuck the kids call it nowadays. When you strip away the packs and the CC and the shaders, the sims in the base game look bad. They're very close to being human; they walk like us, talk like us, have families like us, but they don't look like us, not exactly. There's always something off about them, no matter how close you try to get. Proportions will be a bit off, or your eyelashes will be like three polygons for some fucking reason, and the jig is up. The illusion is gone.
This is one of the instances where a higher resolution and more detailed models and meshes work against you. You aren't making believe. You are beyond the point of pretending that the pixelated shapes are real clothes and bodies and faces, because at this point, they're close enough that you don't need to. There's no gap to bridge. But that doesn't necessarily mean that they're lifelike, at least, not enough to be completely human. In some ways, they're still tethered to being cartoony and plasticky and fake. Just enough to frighten you. Enough to put you off. They're not using it to their advantage anymore, and instead, it's holding them back.
When the Sims 2 came out in 2004, the developers knew that they weren't going to make a perfectly accurate life simulator. They physically couldn't render every wrinkle in the face or fold in the clothing. In some animations, things clip strangely or the facial expressions are sort of janky or there's just some form of roughness around the edges. But that's okay; your brain doesn't need a perfectly accurate representation this time. That's not what you're here for, anyway.
The Sims 4 is basically Icarus-ing itself into disaster. The entire game sacrifices style for complete realism, a goal that was unachievable ten years ago, and is unachievable now.
The Sims 2 never thought of itself as a completely realistic life sim, though. It has cartoony, low poly meshes and exaggerated proportions and wild, raunchy storylines that would never occur in real life. BECAUSE IT ISN'T REAL LIFE. And it isn't like real life, not because it's failing to be, but because it doesn't want to be!
The Sims 4 is not ever going to completely replicate human looks or interactions or dynamics. And if it's trying to, it's doing a shit job of it. That shouldn't be the goal in the first place. If I wanted to watch a lonely college student talk to himself in the mirror to try and get better at interacting with people, I'd close the computer and go look at myself. It somehow highlights the most mundane parts of life without any of the whimsy and goofiness that the earlier installments had. It takes itself too fucking seriously for its own good, and it's killing both the gameplay and the art style.
The other point I'd like to bring up is the animation. The Sims 4 allows for much more customization of both sim and environments, but at the cost of dynamic animations. How many times is that grab animation reused? How many times is the same set of animations used for sims with wildly different personalities? Your sims barely feel alive with how little they express themselves.
Now, look, I'm a digital artist. I've dabbled in animation, but only briefly, and only in 2D. I've got no clue how 3D animation works, much less how it worked 20 years ago, but I can see the passion in every single animation in the Sims 2. The more niche interactions allowed for more expressive animations than in 4. They could afford to have a distinct animation for mean sims throwing the football extra hard to be assholes, rather than every sim using the same generic football-throwing animation to save time and money. I get where they're coming from. I get the idea. But in one move, you've both made the art style stiffer and less expressive, and you've made the personalities of the sims seem meaningless. Everyone acts the same, regardless of what their moodlets or their traits say. It's hollow. It's stifled. It's a waste of potential.
But for what Sims 2 lacks in polygons, it makes up for in smaller animated details. Quality over quantity. The sims have hair physics, they open the door before they get in the car, they take utensils out of the counters when they cook, they jump on the couch and the cushions smush under their weight. When they dance, the weight is realistic, and when they smile, it tugs at every one of the few dozen shapes that make up their faces. The sims are lively. They dance and sing and love and hate just like humans, and rather than being some strange attempt at mimicry, it's almost a tribute. They were made with love. You can tell that they were drawn up and rigged and animated by a bunch of people working together, studying each other and making faces in the mirror for reference and watching their kids and neighbors and dogs and hands for reference. The sims are not human, and not trying to be, but they're taking the most human parts of us and making them their own.
You could never have a game with the Sims 4's graphics and the Sims 2's gameplay. The gameplay and graphics are inexorably connected, and the Sims 2 just has so much glorious detail baked into it, that you could never really make it work underneath the limitations of the later games. The developers of 2 knew what their limits were, and they worked tirelessly to make the game as full and complex as they could within those limits. The developers for the Sims 4 just did not have those guidelines, and thus, the drive to bend the rules was no longer there. They didn't go wild in rebellion because they were never told they couldn't in the first place. They spent the entire time chasing a goal they couldn't meet, and lost sight of what made the series fun to begin with.
It wasn't the realism you came for; you had realism already surrounding you. It was the caricature of it that made it interesting.
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whoever this beloved anon was I am so touched by your kindness! You definitely didn’t have to do this but I am so happy you enjoy this idea and I will happily expand upon it for you!
this is just a collection of word vomit bullet points for the time being but I will happily answer any and all questions about this pair!!
warnings: violence, angst, child death (Sarah Miller), foul language, the same warnings that apply to tlou, reader is Sarah's mom and described as having similar features to her. 
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So the general Idea is that you and Joel are happily married before the outbreak. 
You had been Sarah's mother, his high school sweetheart he got pregnant when neither of you were old enough to have any reaction to the pregnancy test other than a fucking panic attack in one another’s arms. but you made it work 
you both worked but made time for one another and your sweet girl, going to museums every other weekend and joel insisting on swooping you off for a date every now and then 
nothing special. He knows you’re more of a diner gal than anything too fancy that makes you both feel out of place. 
On his birthday in 2003, you had planned to tell him that you were pregnant again. But the memories of your own fears of motherhood from all those years ago begin to swirl through your head again and you get cold feel. deciding to tell him the morning after
it is his birthday afterall, you want to focus on him. 
but when you’re woken up in the middle of the night because tommy needs to get bailed out, Joel kisses you sweetly one last time before promising he’ll be back and you can’t shake the feeling that something bad is happening. 
its you that shakes sarah awake that night. shouting at her to put on her shoes when she’s still rubbing the sleep from her eyes because you’ve been listening to the radio for the past two hours, calling joel again and again and again praying for him to fucking pick up but to no avail. 
Sarah, bless your little girl’s bleeding heart is the one who insists you check on the adler’s against your better suspicions and when you find the eldest looming over her daughter, blood and sinew dripping from her mouth, you grab your daughter hand and burst into a full sprint until something slams into your back and sends you tumbling onto their front lawn
its how joel finds you, struggling to keep the once sweet old woman, whose now nothing more than dead eyes and gnashing teeth straining to snap at your pulse point as you push against her while sarah shrieks before your husband runs forward and cracks her skull with a wrench. 
there’s hardly a moment of pause, just enough for him to pull you up and into his arms before he’s ushering you both into the car with an urgency. 
when the truck crashes, you get separated from them. Perhaps at Tommy’s side when the flames rise and create a wall, separating you from your husband, or maybe pulled into the mob of chaos when trying to escape from those already infected-
all joel knows is that you promise you’ll find him: just get sarah to safety and you’ll meet him at the river
Poor thing is already so frightened, held in her father’s arms with tears streaming down her face insisting they can’t leave you they just can’t but her father kisses her forehead and reassures her its going to be okay 
“we just need to be brave, okay babygirl? Your mama’s real tough, she’s gonna be alright.” 
he isn’t sure if he’s saying it to his daughter or himself. 
but when he comes to the river you aren’t there. Only a soldier who points a gun at the scared little girl in his arms and then he loses everything
its when the light is gone from his daughter’s eyes that he realizes. His voice cracked and raw from sobbing that he looks around to see his brother with drawn in shoulders and tears in his eyes but his wife is nowhere to be found. 
Tommy says you got lost in the chaos. Everything was so loud, so sudden that he turned around and suddenly you weren’t there. 
Joel wants to go back but its Tommy that stops him, that dulls the red in his vision to a sad faded pink because his brother points at the orange horizon not too far from them, so much of the city is already in flames. 
“We’re gonna find her, but not there.” 
So Joel searches. for the first year spent in the world post-outbreak its all he did. 
He became a smuggler because of it. 
Information came at a price and he needed to be able to fucking pay it, whether it be in blood or ration cards. He was willing to do anything to find you or any thin thread that lead your way. 
But it’s Tommy that asks him to give up. Not in those words of course. 
The youngest Miller knows better than to say something so cruel that would make his brother, the only person he has in this world turn on him. 
But his voice is worried when he asks him one night in Boston when he hasn’t even had the chance to wash the blood from his knuckles 
“You think she would have wanted this for you?” 
the fight that followed his words was brutal. Vicious insults and scarred fists slamming against each brother until they're both too tired and bloody to continue. Each leaning against a wall for support and Tommy’s wavering voice breaking the silence. 
“I don’t know where she is, Joel. But I do know you're gonna get yourself killed if you keep lookin’ for her.” 
All he can do is nod. 
It’s a few days later when he meets Tess. Who has heard plenty of stories about the elder miller’s brutality and wants him to put that muscle to good use for some extra profit. 
It begins his new life. One that empty and cold but one he can live. 
Until of course, Ellie comes along. The sweet and incredibly opinionated girl that makes him become something akin to the man he thought died twenty years ago. 
its when he’s traveling with Ellie, that it happens. When a warm familiarity has settled between the two because so much blood and pain has been shared he can’t help but see her as something close, something bright even though all he can force himself to utter in her reference is “cargo” 
when theyre traveling through the woods as Ellie chatters away, probing his memory about a movie that may or may not have existed thirty years ago because her descriptions of the plot are incredibly odd he hears a voice shout for them to stop and finds himself staring at a man- no, a boy- pointing a gun at them. 
Ellie stills, but Joel can see enough to know that from the lanky figure and dimpled face that he’s young. Maybe twenty, twenty-two at the oldest, but his eyes dart from Joel to Ellie with a pinprick of fear that allows Joel the time to charge forward and slam him to the ground before wrestling the gun from his hands. 
He has enough to time to tuck it under the stranger’s chin before he hears the sound of the safety being turned off and finds himself looking up and seeing a gun just inches from his face. 
Joel’s head whips around when Ellie’s voice calls out his name in fear, he turns to see another stranger holding her a gun point, shoulders drawn back and a shadow cast over their face by the had obstructing their identity. 
“You hurt one of mine, I hurt one of yours. That a fair deal?” 
Its takes him a moment to recognize you. It’s been so long since he’s heard your voice, the sweet tease when you would poke at him each time he woke up late despite the fact that you reminded him to set his alarm the night before, the times you’d chide him with a harsh “Joel Miller!” whispered in public anytime he was able to grab you a bit too passionately to be appropriate in public but the laughter in your voice let him know you were never truly mad at him. You didn’t know how to be. 
But that sweetness is buried under a cold rasp that cuts through the air as you point a rifle at the scared little girl in front of you.
“You think I won’t?” You’re older now, skin covered in scars from a life he didn’t know you got the chance to live and your eyes are cold as they regard your husband. “Put the gun down and get the fuck off of him, I won’t repeat myself.” 
Joel mumbles your name in awe. The woman he loved, the woman he mourned the one he fought so hard to find stands before him like some sort of hallucination and suddenly the world feels like its spinning until you bark orders at him again. 
“You’ve got five seconds Joel, make a fucking choice before I make it for you.” 
He looks down and realizes the boy under him, the one with the bleeding nose and snarling face has your eyes and his dimples. 
“One.” 
The one above him has Sarah’s hair. Soft brown curls that shine under the sun. 
“Two”
Wait. No, they both do.
“Three.” 
Twins. Jesus fucking Christ you had twins. 
“Four.” 
Joel holds the rifle up above his head and the one boy standing snatches it from his grasp, tossing it to the ground and kicking it far from his reach. He slowly stands, allowing your son- dear god your son- to scramble to his feet. 
Your voice softens just for a moment. “You okay, Duke?” 
Blood stains the bottom half of his face from where Joel slammed his fist into the boy’s nose just moments before, but he nods nonetheless. 
Now, they both stand on one side of you and he can see the resemblance clear as day the same way he would whenever Sarah was by your side.
When you order him to hand over his bag, he does so without question before telling Ellie to do the same. 
She watches him with wide eyes, her hands still up in the air but gaping at her companion as if he had grown a second head. 
“Joel!” “Just do it, alright?”
He doesn’t miss the way you watch their interaction with narrowed eyes until she tosses her bag to you and you slowly lower your gun. 
“Now, you want to tell me what the fuck you think you’re doin’ at my home?” 
#joel miller x reader#joel miller x you#i had an idea of something similar for tommy but on outbreak night he uh. abandons you instead of getting separated from you#because. angst :D#people say nice things#this was incredibly generous of you anon thank you so so much!#i may get myself a little starbucks drink this week now because I havent had starbucks since like january 1st lol#joel reeling from taking in all this information and also realizing he suckerpunched HIS OWN KID#id like to apologize for all the grammatical issues with this. this is just a bulletpoint word vomit to get my thoughts on the page before-#-beginning the actual fic. also I have to do a midterm tonight and this is my treat to myself hehe#but yes. joel getting separated from his wife on outbreak night and having to accept that shes probably dead#meanwhile youve lived this entire life without him because you think HES dead ad raising your boys all on your own#which just- further digs into his insecurities about failing in his role as a protector#he couldn't save sarah. he can't save ellie and he couldn't even save you#he thinks about you pregnant and alone. fending for yourself in a world full of infected and raiders and his chest grows tight again#this is all followed by Ellie going >:O 'you KNOW THIS PSYCHO?'and then joel immediately snapping at her to WATCH HER MOUTH#because that kid has no filter and he has to explain that youre his wife#anyways joels wife is a badass mfer who also maybe has a little garden and some chickens that you and your boys take care of <3 yeah .#reunion tag#ill be using that for this specific couple because I dont have a fic title yet but if anybody has suggestions!
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oifaaa · 19 days
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Kinda pissed that even after 13 years I still don't really understand how the armies in WW1 were able to dig the trenches
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tevanbuckley · 13 days
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okay I think I’ve tracked down the “source” for the under a minute of screen time for tommy claim (rip my fucking twitter fyp)
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now I’m sure I saw something a couple days ago about a someone who’d actually seen a screener for the episode saying tommy was only in one scene/has less screen time than 7.09 but going back through this person’s posts I can’t see anything that looks like that source (doesn’t mean it doesn’t exist)
even someone in the replies was asking if the “55 second” thing was confirmed and so far there’s no response either way yet.
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desultory-novice · 15 days
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Noir, did you know there are other beings capable of bringing art to life like Adeleine? One if them actually being a sentient paintbrush!
(Points to the paintbrush from Kirby Canvas Curse)
(...Art's subjective and all but, wow, that is a really tacky brush...)
"I don't know about a sentient one (though at this point, I'm not that surprised...) but watch what you say about my little sister..."
"It's not 'her' doing it. She's a normal kid, okay? It's the paintbrush I got her that's the reason she's even able to bring stuff to..."
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"...Amazing! The ability to not just imbue but CREATE life! We had a feeling the Three Matters in such great amassing would call their Fourth! We've hypothesized they're deeply connected, you see. And speaking of... "
"...We've figured out a use for the boy, finally!"
"Under extreme duress, we believe his 'power' should be able to fuse with this little one's to create being that could both create AND control... !"
"...AGH?! What are you--?!"
"Grab the children! RUN!"
"Noir, take my hand!!"
"T-They're escaping! D-Don't let them get away...!"
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"...!?!"
"W...what...?"
"...What keeps...going on...?"
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[Noir's Field Trip Masterpost]
AN: I love when random asks turn out to have the PERFECT phrasing >w< Thank you, anon!
@kirbyoctournament
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cosmic-navel-gazin · 1 year
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Today? I give you big orange knight oc from 2018 that squeezes you with his big orange segment muscles. Tomorrow? Who knows! 🍊🍊🍊
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lesbianturtle · 1 year
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this post sucks actually sorry
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cringefailnatsuo · 2 years
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Nah man because what the hell was this?
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First of all, I love how these panels establish a clear difference between Hawks looking at Dabi and Hawks looking at Dabi. In the scene from 240, Hawks is looking at Dabi as he's thinking about completing his mission and contacting Endeavor for backup. Like dude? You're literally staring into Dabi's eyes and thinking about Endeavor and it never crossed your mind that they have the same eyes? Chapter 267 drives this point even further by putting a close-up of Dabi's eye after he reveals his identity to Hawks. You can clearly see Hawks having an "oh shit" moment after the reveal as he truly looks at Dabi and realizes that this one piece of crucial information has been right in his face the whole time.
And second of all, this just highlights how Dabi truly is Hawks' downfall during the raid.
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The whole point of Hawks' mission was to gain intel on the League so that the heroes don't make any hasty decisions and have the upper hand in apprehending the villains for good. The fact that the HPSC president specifically told Hawks "we severely underestimated the enemy" and yet he did the same exact thing is, quite frankly, hilarious.
And in retrospect, given the knowledge that we have on Dabi's past from chapter 350, Hawks could have figured out who was behind the nomu, where they were kept, and so many other things about AFO's plan for a successor if he had paid more attention to Dabi.
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gaystonerdragon · 8 months
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sometimes i feel like the people reading black butler forget that the whole premise of the narrative is a boy who saw his entire family and household massacred on his birthday is tricked into forming a revenge pact with a demon that was summoned by the cult that killed his brother after abusing the two preteen boys for weeks on end, to bring equal humiliation, pain, and suffering to everyone responsible for the aforementioned horrors committed against him. “its so dark” like yeah… what gave it away? “the subject matter is so heavy” again… what part of the narrative set up made you think it wouldn’t be? like you know how this is ending, right?
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just once this season i need to see barbara or ava defending janine to melissa cause it's getting on my nerves actually
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decarbry · 1 year
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hey,, what’s up friends, I bring you... a literal summary of the Yabureme story up until around war arc events. obviously this is spoilery so if you don’t want to know what happens until the relevant comic pages come out don’t expand the post! this is just for people who don’t mind spoilers. also keep in mind that this is a summary so I kind of just. word-vomited. it’s... weird? short and sweet but not in some places. a literal mess. I put 0 effort into writing good and some sections are more wordy than others because I've thought them through for longer and have them more solidified. also things are subject to CHANGE between this and the actual comic pages so read with a grain of salt. the major events are probably gonna remain the same though. things might get inserted or removed. idk. also it’s LONG I’m so sorry. enj... oy ?? ?
Aizawa has been taken. Midnight and Nezu attempt to comfort Mic; there are no leads, but the faculty have already started working schedules out to help search, which reassures him. Though he is desperate to join the search, Nezu refuses to give his blessings until he knows Mic won’t act rashly. Mic hosts the Sports Fest in an attempt to ground himself and find unity with the students.
Hidden away, Garaki has begun his work on Aizawa. The injuries are bad; though Garaki is an accomplished and varied medical professional, he can’t do what Recovery Girl can, so Aizawa is merely stabilized and the bio-engineering in later dev stages will be relied on to do the heavy lifting. Aizawa suffers 2 days and nights of infusions (one for each new quirk) and barely powers through an intense fever on the last night. The capsule is the final and longest stage to allow the quirks to take hold and the body to heal. All for One is a regular voice in the background during the entire process, though those visits stop after an incident in the capsule in which Erasure activated for a solid ten seconds and strikes everyone in the room before going inert again.
Time passes with no news. Mic is becoming frustrated and less willing to listen to reason. Classes 1-A and 1-B attend their summer camp with Vlad and various other heroes that have substituted since Aizawa’s absence. Bakugou is kidnapped by the League in an attempt to recruit. Though the topic is raised, Shigaraki refuses to do more than tease Bakugou about his missing teacher, as well as use him as a bargaining chip. We still have yet to see him since his abduction. The mission to rescue Bakugou begins.
All Might engages in combat with AFO at Kamino. His weakened form is exposed to the world and he musters up his strength for the last strike. Instead, OFA fails, and all heroes present immediately know why. Edge Shot rushes to interrupt Erasure while Endeavor attempts to reach All Might. Neither get there in time and All Might takes a blow straight through his chest. Endeavor takes over the fight against a wounded AFO and Edge Shot engages in battle with Yabureme. Edge Shot is killed and Endeavor manages to subdue AFO.
Hours after the battle ends, Kurogiri searches for Yabureme, who has not reappeared as he was meant to. He finds Yabureme badly injured and hiding after his fight with Edge Shot and warps him back to where the League has taken up to recover. Shigaraki only knew that AFO had plans for Aizawa, not that Yabureme was to be a gift for him, but Kurogiri informs him of this. Shigaraki is unimpressed considering Yabureme’s wounds after only a single fight, but he’s going through some stuff, so he has license to be a bratty child for a night. Once Kurogiri hears from Garaki, he takes Yabureme to be patched up. Later he’s returned to the League, who as a whole are unsure about what to do next now that AFO is captured.
While everyone else is appalled to hear rumors that the supposed-missing Eraser Head was present at Kamino and had a hand in assisting the villains, Mic suddenly has a new fire lit under him. He breaks away from UA and strikes out on his own, against the pleas of friends such as Midnight. He manages to track the League’s movements after much work and finally sees Yabureme for the first time… but is unable to reach or speak to him as his quirk is erased during their escape.
Class 1-A witnessed Mic depart and, with the help of other pros, manage to convince Mic to let them help in catching Yabureme. He is very resistant to putting them in danger but relents with the alliance of Midnight and Gran Torino. During a previous sighting it was noted that Yabureme’s movements slowed and stiffened the more eyes were open on his body, so a plan is hatched to surround Yabureme with as many enemy quirks as possible in order to stun him.
Yabureme is located. He’s alone, which is odd, but not wanting to miss their chance, the operation is launched. Surrounded by what he believes are hostile enemies, Yabureme opens enough eyes to erase the quirks of every student, stunning himself. A short battle ensues; Kaminari is injured but proves instrumental in the discovery of a weakness in the Nomu: that an electrical current will force all of his eyes to close and subsequentially interrupt Erasure. Mic, Gran Torino, Midnight, and Class 1-A succeed in capturing Yabureme.
Too much of a threat for any normal prison containment, Yabureme is taken to Tartarus. They learn: about the nature of his engineering, that exhaustion has nearly killed him, that unlike every other Nomu contained so far he is not a corpse, and that three quirk factors were combined to create Yabureme. Erasure and Dupli-arms (or related) are confirmed, but the third is still being investigated. Because the third quirk is still unknown, containment is at a risk and a shock collar is placed to help mitigate any attempts at escape. The students are brought in to speak to him after everyone else, including Mic and Midnight, fail to get any response out of Yabureme. Unfortunately, the students are also unable to get through to him. Their failed efforts leave them dejected. Yabureme doesn’t speak a word the entire time he is inside Tartarus.
After a few days, the third quirk is activated by an unknown trigger. Yabureme and AFO escape Tartarus with the help of Kurogiri— the timing of the pieces prove that this was orchestrated from the beginning.
In the wake of the escape, Mic is told in secrecy that Yabureme has not removed the shock collar, probably because of its failsafes. It’s been tracked, and his location is known— a new operation is underway to recapture him. Mic rushes to get there first, finding Yabureme in solitude at an abandoned building, having split ways from the League temporarily to avoid getting them tracked while he tries to find a way to remove the collar himself. Mic and Yabureme have a tender moment, or so Mic thinks… but Yabureme slyly uses Mic’s obvious obsession with him to get the hero to take the collar off. Mic falls for it and Yabureme flees.
Though it seemed to be just manipulation, this kind interaction has left the first shred of uncertainty in Yabureme. He returns to the League and resumes his role in protecting Shigaraki and the others. A long period ensues where the League and the heroes play cat and mouse, Mic returning to society in order to accept help from friends and family rather than trying to go it alone as he had before.
Day after day, Yabureme’s doubts deepen as small things burrow into his mind: things like a song on the radio, a familiar black cat, names that he’s heard before. He can’t shake the face of the hero that spoke to him gently and had something warm in his eyes. He meets Eri, but seems to be merely a moment of warmth in her life before departing. Time passes.
The League grows frustrated with Mic, considering his constant interference as troublesome and annoying. Dabi sets a trap for Mic and attempts to kill him. Without any understanding of why, Yabureme takes the worst of the trap himself. He drags an unconscious Mic away from the inferno before collapsing with horrific burns across the right side of his body. Mic wakes in time to feel Yabureme’s heart stop, and in his anguish accidentally causes it to start again with the impact of Voice against the Nomu’s chest.
Mic manages to smuggle Yabureme to a hiding spot, containing him with the only thing available: simple metal handcuffs. Recovery Girl answers his call to the secluded site warily, unhappy that she is asked to keep such a dangerous secret. She stabilizes Yabureme and begins healing some of the burns, but considering his physical deterioration and exhaustion, can’t do much in one sitting.
When the Nomu wakes, Mic and Yabureme have their first real conversation, speaking mostly about the latter and how he’s feeling, what he’s thinking, and why Dabi, his supposed ally, would harm him so badly. He also points out that Yabureme could get out of the cuffs easily, and yet, for some reason, hasn’t.
On the second day, Recovery Girl returns, but so does a second guest: All Might. He is partially wheelchair-bound, the apparent repercussions of the wounds he took at Kamino. He expresses his unhappiness with this situation: Yabureme needs to be properly contained, not hooked to a chainlink fence with fragile metal handcuffs. Mic wants his blessing but plans to keep Yabureme here at least for a short while, highlighting the fact that he’s behaving more openly now than he ever did while in Tartarus. They notice Yabureme watching them and All Might speaks to the Nomu alone. He and Recovery Girl have agreed to give Mic a few days with Yabureme until his burns have been treated, but that he will be returned to Tartarus after that— and now that the third quirk is known, escape will not be possible a second time. He shares some belief that Mic is right that there is hope for Yabureme and that if anyone deserved a path back to normal, it was Shouta Aizawa. He urges the Nomu to try his hardest to remember anything he can.
In the ensuing days, Mic spends time conversing with Yabureme. Unlike the catatonic state he was in while at Tartarus, Yabureme is nervously conversational, answering questions and asking them on his own. He admits his confusion and doubts to Mic, and Mic learns that the whole reason Yabureme was unresponsive while at Tartarus was because of the lights and the intense head pain they cause, utterly decimating his senses and thoughts. He wasn’t shutting down because of his programming or a need to be disobedient— he simply could not function in those conditions.
The morning of the intake comes. Tsukauchi and numerous officers arrive to take Yabureme into custody. Mic attempts to keep everything smooth, warning Yabureme about their arrival and making sure that there aren’t too many men appearing at once. Yabureme nearly panics anyway at the sight of firearms, but is calmed when Mic holds his hands and gives encouragement. Yabureme is taken into custody without a struggle, though he shuts down when he’s led away from Mic.
Mic apologizes to Tsukauchi for hiding Yabureme, but is forgiven considering the relative ease of the capture. The detective promises to keep Mic with Yabureme as much as possible this time around, since his presence clearly helps. He also acknowledges Mic’s request for accommodating Yabureme’s aversion to the bright lights of the prison, especially with the confidence that it might help with getting information out of the Nomu. Yabureme’s shutdown reverses some when Mic reappears in the police transport to travel with him to Tartarus.
Yabureme and Mic arrive at Tartarus and the Nomu is immediately assaulted by the lights. He’s given relief in the form of a sedative. His wounds are checked over while he’s out: it’s discovered that his right eye took far too much damage from Dabi’s flames and must be removed before the dead material causes an infection, shock, or worse. The majority of the burn scars will be permanent because of the lack of proper immediate care in a supplied burn ward. Aside from a handful of new scars and wear and tear, nothing else is noted.
Yabureme startles awake, finding himself in a Tartarus cell with Mic at his bedside. The lights are dimmed rather than blindingly bright. Mic gives him the rundown of what happened, and proudly tells him that the hardest part, getting to the start line of his recovery, was over. He is questioned for the first time the day after waking, and though he is much more responsive to interrogation compared to his last stint in Tartarus, Yabureme still shies away from answering questions that would cause the League a disadvantage… though he is clearly conflicted.
So begins Yabureme’s long road back to someone he didn’t know he used to be. Mic becomes the only foothold of stability Yabureme has, finding that his physical reassurances such as hugs and hand-holding are intensely grounding. The second time he is questioned, he holds Mic’s encouragement in his mind, and manages to talk shortly about some of the Leagues’ hideouts.
He still has doubts about all of this Shouta Aizawa stuff, but Mic works him through stories of his past gently and at a slow pace. The first bit of information that helps Yabureme see that the possibility exists of a connection between himself and this other person is a story Mic tells about Aizawa feeding cats on the street; Yabureme shyly, but excitedly, admits that he does that a lot too. After this, things begin to come more swiftly. Mic brings him his wedding ring, and Yabureme asks to hold Mic’s as well, and remembers the sensation of them clicking against one another in his hand.
With Mic’s help, and the help of a therapist that meets with him daily, more and more begins to come back. Even memories he reclaims are left blurry and dull, but once the flood gate opens, it doesn’t close, and Yabureme’s progress quickens the harder he works. When his memories begin to focus on Class 1-A, he asks to see them. Plenty is still missing, but he apologizes for the things he did to them, focusing on Kaminari and the wounds inflicted during his first capture. He wants to work for their forgiveness, but doesn’t expect it. Midoriya mentions that he seems a lot more like his old self, which fills Yabureme with a hidden relief and encouragement.
Time passes. Yabureme continues to work hard at getting back to himself, and the image of Shouta Aizawa gets more clear by the day. His old mannerisms begin returning in small amounts: rolling his eyes at stupid things Mic says, muttering about things that annoy him. When he gets a surprise visitor, both Mic and Yabureme are surprised to find Kaminari requesting advice for a hitch in his hero training. As Yabureme converses with Kaminari in an observation room, Mic and Tsukauchi watch, and both are amazed to see the clearest image of Aizawa they’ve seen since before his abduction. Mic takes the opportunity to ask about a road that leads outside of Tartarus and, though Tsukauchi doesn’t shut it down, he admits there are many concerns— specifically regarding hidden triggers that might still exist inside Yabureme’s mind. An idea is floated: bring someone in with a voice-copying quirk, and see what happens when Yabureme is faced with orders from Shigaraki or All for One.
Yabureme (Aizawa? Yabuzawa by this point?) agrees to the experiment, though he is clearly discomforted by the idea, unsure of how he mind be effected. The experiment begins. Yabuzawa is secured heavily just in case, but he is clearly determined, if nervous. The voice-copying quirk speaks in Shigaraki’s voice first, ordering him to turn his head to one side. Yabuzawa doesn’t seem to have a problem disobeying, but when the speaker doubles down and becomes hostile about his refusing to obey an order, Yabuzawa spirals and has a panic attack. All for One’s voice cuts in with an order that is obeyed immediately, and Mic is only able to snap him out of it with a slap to the face. The results are clear: Shigaraki’s orders can be ignored with enough work, but AFO’s orders seem unquestionable. Yabuzawa is frustrated by his own perceived failure in the experiment, understandably upset that despite all of the progress he’s made, they still hold some power over him.
Time passes. Yabuzawa improves with his response to Shigaraki’s voice, though still shaken after being faced with it, can do so without panicking. AFO’s orders seem unbreakable. Mic once again breaks the topic of getting him out of Tartarus, and after some debate, it’s agreed that the UA students and the hero efforts (and Yabuzawa himself) would benefit more with Aizawa back in the world. By this time the unknown of the League and AFO and the PLA have long been poisoning society’s trust in heroes; Erasure can’t be hidden away in a bunker with tensions growing by the day.
Mic is permitted to confine him to their apartment under police guard for increasingly longer periods of time, regular check-ins and evaluations, and lots of rules. Yabuzawa isn’t permitted to be alone with anyone aside from Mic, and when outside of the building must cover his neck, arms, and hands. Finally, the shock collar is back as a last resort. If you read this whole thing you’re a certified #1 Yabureme fan sorry I don’t make the rules
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a-s-levynn · 5 months
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I was gone for a few hours and feels like i came back to a housefire after half the building burnt down
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ihatethiswebsite77 · 11 months
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When will the "Cartman has a crush on Kyle, but shipping Kyman is crazy" crowd realize that they make absolutely zero sense.
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IN CANON neither Cartman nor Kyle have a crush on eachother. What they do have is a deep and weird obsession with eachother. YOU are actively choosing to interpret that obsession as a crush Cartman has on Kyle, but that is not the "canon" dynamic or nature of that obsession. In the same way people who ship Kyman will interpret it as reciprocal (or maybe they won't, it depends), cause the thing is that Kyle is just as obsessed with Cartman as Cartman is with him. That's why you can interpret this dynamic as any shade from nonexistent, to one sided, to reciprocal.
If Kyle is as obsessed with Cartman as Cartman is with him, and you think that Cartman has a crush on Kyle because that's how you CHOOSE to interpret that obsesssion. Then it's just hypocritical to go off on people who use the exact same logic you did to come to that conclusion. You don't have to think of it as reciprocal, it's completely valid to see their obsession as manifesting as a crush in one and not the other, or to even see it as just obsession in both.
It's just god damn weird to be so nasty about it to other people. Both of them are obsessed with eachother in a way, and people are allowed to interpret each of their obsessions however they want. If people who ship kyman are delusional for interpreting Kyle's obsession with Cartman the same way you interpret Cartman's obsession with Kyle, then I'm afraid you are all sinking in the same boat load of delusional together.
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daylighteclipsed · 2 years
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Thinking again about the end of CoM as a metaphor for repressing trauma vs facing it to heal and grow as a person and I really just
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It really does feel intentional that what Sora goes through in CoM — losing his memories and almost losing himself — is a lot like what Sora describes being a heartless was like: “I was lost in the darkness. I couldn’t find my way. As I stumbled through the dark, I started forgetting things — my friends, who I was… The darkness almost swallowed me.”
Both halves of CoM are visual representations of what Sora and Riku each went through when they fell/almost fell to darkness in KH1. Riku’s memories are devoid of people because he cast them from his heart. Sora’s memories are full of people he forgets because he sacrificed his heart. And if we are supposed to see CoM as a near-death journey/an exploration of the unconscious, it is pretty on point for Marluxia to have a grim reaper aesthetic. Sora’s battling death.
Anyway, that’s why Data Sora’s decision to accept the loss of the memories of his friends and face that pain in Coded, live with it, is so significant.
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Because that’s what the real Sora failed to do in the real Castle Oblivion. He never should’ve forgotten what happened there. He should’ve accepted those losses — and the pain attached to them — knowing that even if he can’t remember his friends, they remember him. Even if he doesn’t know them, he remembers caring about them. And even if he can’t recall specific memories, they’re not gone. He’ll remember them, some day. And in the meantime, the people he loves will help him shoulder the burden.
In a figurative sense, Sora has never left Castle Oblivion because he’s never accepted this pain. He has never moved on past this point, unlike Riku who decides to face Ansem, the representation of his trauma, and leave the castle, leave the darkness, to begin walking the road to dawn — the road to recovery. Sora’s still there, still under that dark night sky.
And now, after sacrificing himself again, there’s a very real chance he’s forgetting things and losing himself again, and surprise, surprise — look where he is.
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Tied to a new character whose name means “night sky” to boot… Trauma has a way of biting us in the butt when we don’t deal with it properly. The past has a way of chaining us when we don’t move forward… Sora’s gonna have to do it right this time. He’s gonna have to face his pain and accept it if he wants to step forward into the light and exist again.
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