#but a lot of this I want to do in comic form. like the actual comic form I did the first chapter in

[batmanisagatewaydrug]

reading roundup: May 2024

you guyssssss you guys you guys you guys I've been reading so much this month :)

sometimes my brain gets the itch to just DEVOUR books and it's really been on me, probably thanks to the burst of energy + free time that comes with the semester ending and summer getting started! the days are longer, the last of my season depression has been kicked to the curb, and I can spend hours reading on the porch every evening. the ideal!

right now, as the month ends, I'm feeling a particular hankering towards nonfiction and juicy new summer novels; I reblogged a Lit Hub roundup of new books the other day that got my brain buzzinggggg with excitement for the coming months. we'll see if that ends up manifesting in the June roundup, but for now, here's what kept me busy in May:

Paris Daillencourt is About to Crumble (Alexis Hall, 2022) - this month I read two romance novels picked by my beautiful patreonites; I did a compare/contrast between the two over on Patreon and I'll leave the majority of my thoughts there, but suffice to say that I am not a fan of Paris. definitely the weakest of the three Alexis Hall novels, and a real disappointment since I found the other two delightful. the story is straightforward enough and has some potential for sure, but Paris as a protagonist is a sodden mess who I found just insufferable. thumbs down from me, gang.

Chef's Kiss (TJ Alexander, 2022) - hi, it's the other romance novel. this one is a lot goofier than Paris Daillencourt, which is fitting since it's BA Test Kitchen rpf starring a bisexual Claire Saffitz and a nonbinary Brad Leone. it's frustrating because the story is definitely stronger than the one in Paris but the romance is piteously undercooked, although I was at least fine with the protag and her love interest getting together - they were boring but unobjectionable, unlike Paris and his love interest who I really thought would have been better off as friends. now that I'm thinking about it, you might get a perfect queer cooking show romance novel if you somehow mashed the two of them together. they're both, like, so close to working, but ultimately fall flat.

Delicious in Dungeon Vol. 4-6 (Ryoko Kui, 2018) - I don't even know what to say except that I'm still loving everything about Dungeon Meshi. the craft and thought that Kui puts into every facet of the world, from the big picture politics between fantasy races to the individual thoughts and feelings of each character, shows so much love for the world without ever being overbearing; it never feels like exposition is being hammered down my throat so much as little details are being tastefully arranged to be enjoyed at whatever speed and to whatever extent the reader likes. the world is getting bigger with each chapter and I'm looking forward to exploring more, especially now that Falin's hottie monster form and that good good catgirl have entered the chat.

Earthdivers Vol. 2: Ice Age (Stephen Graham Jones, Riccardo Burchielli, Patricio Depeche, Emily Schnall, Joana Lafuente, 2024) - once again I've done the worst thing that you can do as a comics fan, which is get invested in a series that's just starting out and is still releasing individual issues. the third trade paperback won't be out until December, so I guess I'm either going to have to go on hiatus with Earthdivers or start chasing down new releases on comic pirating sites, which feels shitty - that's how I read Batman comics that are the same age as me, not new stuff from authors I actually want to support! but Earthdivers might just be worth it. the second installment takes us to a wildly different setting than the first, Columbus-killing collection, dropping fearsome mother Tawny in a prehistoric North America. but while the setting changes, the series is still grappling with the question of what its protagonists are willing to sacrifice and who they're willing to become to change the past and save the world. we're starting to see bigger hints about how much history can be altered and catching some clues about the series' antagonist (???); I gotta know what happens next.

Prairie Fires: The American Dreams of Laura Ingalls Wilder (Caroline Fraser, 2017) - here it is, the book that got nonfic so powerfully on the brain! this is a riveting history whether you grew up on Little House on the Prairie or not (I didn't), tracking Laura Ingalls Wilder from an impoverished girl constantly imperiled by life on the prairie to a beloved icon of American propaganda. for me, personally, this hefty book really picks up when it gets to the endlessly complicated and frequently nasty relationship that Wilder had with her daughter when said daughter was grown; Rose Wilder Lane is a FASCINATING figure in her own right and I'm kind of obsessed with what a shithead grifter girlboss she was. fascinating stuff all around.

The Brides of High Hill (Nghi Vo, 2024) - Vo's series of Singing Hills novellas has always woven from one genre to another, exploring new types of stories just as our protagonist, the cleric Chih, explores new lands. this installation takes us straight into a gothic horror that pulls out all the stops: an isolated manor, an enigmatic madman roaming the grounds, the strangling snares of social conventions, and a blushing bride who isn't exactly what she seems. I read it in one sitting, it's delicious.

Superfreaks: Kink, Pleasure, and the Pursuit of Happiness (Arielle Greenberg, 2023) - a poppin' primer for anybody who wants to learn more about the world of kink and what the fuck is going on out there. at one point I did catch myself thinking that I was a little underwhelmed and that Greenberg wasn't really putting forth anything that radical, but then I realized that speaking extremely candidly about and validating interest in basically any kink or fetish imaginable, and yes I do mean straight up any of them, is actually A Lot for many people to handle. so, yeah, good book, check it out for a friendly and enthusiastic intro to the wide world of kink.

Sex Criminals Vol. 2: Two Worlds, One Cop (Matt Fraction and Chip Zdarsky, 2015) - the first volume of Sex Criminals left me feeling a little meh, but I decided to keep going because Matt Fraction's Hawkeye run was lifechanging and I know this series is pretty widely acclaimed, so I want to see where we're going with this. (plus it's free via the library, so what do I have to lose?) this volume really sold me on the series and particularly on Jon, who I was pretty lukewarm on initially. he really stole the spotlight in this one, and I like the way that the story is ratcheting up the stakes.

The Stone Sky (N.K. Jemisin, 2017) - GOOOOOOOOOD what a book! what a trilogy! in a series shaped by empires and natural disasters, the story ultimately ends with a quit confrontation of clashing ideologies, a young daughter determined to end the world and a mother equally determined that one of her children should live. and that shit hurts! I read the series a couple of times when I was younger but I was never before able to fully appreciate the work Jemisin does in crafting Essun and Nassun, showing us the way cruelty and fear have shaped both of them into the people they ultimately are and the choices they make. absolutely masterful, a legend.

From Here to Eternity: Traveling the World in Search of the Good Death (Caitlin Doughty, 2017) - this was another reread, and while N.K. Jemisin was blowing my mind, Caitlin Doughty was giving me a warm hug. I don't know what to tell you, reading about the ways that people all over the world care for their dead and take comfort in their memories makes me feel all warm and fuzzy. death can be really beautiful and comforting, if you're not a coward.

The Big Reveal: An Illustrated Manifesto of Drag (Sasha Velour, 2023) - listen, I'm not really a Drag Race girlie. I first heard about this book when Velour was a guest on Nicole Byers' podcast, and while I was very charmed by her I was not expecting to be blown away by her book. it's just a little cash-in for a Ru girl, right? all she needs to do is slap together some cool pictures of her in drag and a few platitudes about being yourself and boom bang, that's a book. but readers, I owe Sasha Velour an apology: this book was so much cooler and smarter than it needed to be! Velour brings an impressive eye to forces of colonialism and capitalism that shape art and conceptions of queerness, and keeps this framework firmly in place while keeping the tone of the book bubbly and lighthearted. she also goes out of her way to spotlight a huge variety of drag performers and gender nonconforming figures throughout history, celebrating all the different means of expression that make up the tapestry of contemporary queerness. a great read, and one that I've already shelled out for. a friend and I are working on a documentary exploring the nuances of queer style, and I know I'm gonna want to pull heavily from Velour's thoughts and the history she's curated.

#bookblr

[wybienova]

dream visit (nostalgia) - a 2nd anniversary katfl comic

#wooo wooo yayyyy uayyy happy anniversary #happy birthday elfilin and elfilis my beloveds #kirby #elfilin #fecto elfilis #idk if i should tag this as forgo #katfl #LOTS of talking abt this piece in the tags below #i wanted to do some kinda thing and I got this idea for a comic #so i just kinda went in and did it messy #not really worrying too much about how it looked #and I like how it came out I think #even if elfilin looks kinda bad at some parts #kind of a sequel to my old dream visit post? #that one I gave elfilis/forgo the tunic script but I didn’t feel like doing it this time #this one i was kinda thinking about like. ok #identity and stuff and how it differs for them #i know forgo and elfilis are 2 separate entities #but i like drawing elfilis #so i think in this dream scenario where they can kinda be whatever #they’d show themself as elfilis #because that’s what they are trying to become again anyways #and really elfilin is only a small part of the whole #so forgo IS far more ‘elfilis’ than elfilin would be #similarly they just keep saying ‘i’ whereas elfilin sees that form and thinks ‘we’ #forgo being kind of self centered: they don’t need elfilin to achieve their goals #that being destruction which elfilin would inhibit #except they do to actually become elfilis again #idk whatever I should stop talking #wybs art

[decarbry]

hey,, what’s up friends, I bring you... a literal summary of the Yabureme story up until around war arc events. obviously this is spoilery so if you don’t want to know what happens until the relevant comic pages come out don’t expand the post! this is just for people who don’t mind spoilers. also keep in mind that this is a summary so I kind of just. word-vomited. it’s... weird? short and sweet but not in some places. a literal mess. I put 0 effort into writing good and some sections are more wordy than others because I've thought them through for longer and have them more solidified. also things are subject to CHANGE between this and the actual comic pages so read with a grain of salt. the major events are probably gonna remain the same though. things might get inserted or removed. idk. also it’s LONG I’m so sorry. enj... oy ?? ?

Aizawa has been taken. Midnight and Nezu attempt to comfort Mic; there are no leads, but the faculty have already started working schedules out to help search, which reassures him. Though he is desperate to join the search, Nezu refuses to give his blessings until he knows Mic won’t act rashly. Mic hosts the Sports Fest in an attempt to ground himself and find unity with the students.

Hidden away, Garaki has begun his work on Aizawa. The injuries are bad; though Garaki is an accomplished and varied medical professional, he can’t do what Recovery Girl can, so Aizawa is merely stabilized and the bio-engineering in later dev stages will be relied on to do the heavy lifting. Aizawa suffers 2 days and nights of infusions (one for each new quirk) and barely powers through an intense fever on the last night. The capsule is the final and longest stage to allow the quirks to take hold and the body to heal. All for One is a regular voice in the background during the entire process, though those visits stop after an incident in the capsule in which Erasure activated for a solid ten seconds and strikes everyone in the room before going inert again.

Time passes with no news. Mic is becoming frustrated and less willing to listen to reason. Classes 1-A and 1-B attend their summer camp with Vlad and various other heroes that have substituted since Aizawa’s absence. Bakugou is kidnapped by the League in an attempt to recruit. Though the topic is raised, Shigaraki refuses to do more than tease Bakugou about his missing teacher, as well as use him as a bargaining chip. We still have yet to see him since his abduction. The mission to rescue Bakugou begins.

All Might engages in combat with AFO at Kamino. His weakened form is exposed to the world and he musters up his strength for the last strike. Instead, OFA fails, and all heroes present immediately know why. Edge Shot rushes to interrupt Erasure while Endeavor attempts to reach All Might. Neither get there in time and All Might takes a blow straight through his chest. Endeavor takes over the fight against a wounded AFO and Edge Shot engages in battle with Yabureme. Edge Shot is killed and Endeavor manages to subdue AFO.

Hours after the battle ends, Kurogiri searches for Yabureme, who has not reappeared as he was meant to. He finds Yabureme badly injured and hiding after his fight with Edge Shot and warps him back to where the League has taken up to recover. Shigaraki only knew that AFO had plans for Aizawa, not that Yabureme was to be a gift for him, but Kurogiri informs him of this. Shigaraki is unimpressed considering Yabureme’s wounds after only a single fight, but he’s going through some stuff, so he has license to be a bratty child for a night. Once Kurogiri hears from Garaki, he takes Yabureme to be patched up. Later he’s returned to the League, who as a whole are unsure about what to do next now that AFO is captured.

While everyone else is appalled to hear rumors that the supposed-missing Eraser Head was present at Kamino and had a hand in assisting the villains, Mic suddenly has a new fire lit under him. He breaks away from UA and strikes out on his own, against the pleas of friends such as Midnight. He manages to track the League’s movements after much work and finally sees Yabureme for the first time… but is unable to reach or speak to him as his quirk is erased during their escape.

Class 1-A witnessed Mic depart and, with the help of other pros, manage to convince Mic to let them help in catching Yabureme. He is very resistant to putting them in danger but relents with the alliance of Midnight and Gran Torino. During a previous sighting it was noted that Yabureme’s movements slowed and stiffened the more eyes were open on his body, so a plan is hatched to surround Yabureme with as many enemy quirks as possible in order to stun him.

Yabureme is located. He’s alone, which is odd, but not wanting to miss their chance, the operation is launched. Surrounded by what he believes are hostile enemies, Yabureme opens enough eyes to erase the quirks of every student, stunning himself. A short battle ensues; Kaminari is injured but proves instrumental in the discovery of a weakness in the Nomu: that an electrical current will force all of his eyes to close and subsequentially interrupt Erasure. Mic, Gran Torino, Midnight, and Class 1-A succeed in capturing Yabureme.

Too much of a threat for any normal prison containment, Yabureme is taken to Tartarus. They learn: about the nature of his engineering, that exhaustion has nearly killed him, that unlike every other Nomu contained so far he is not a corpse, and that three quirk factors were combined to create Yabureme. Erasure and Dupli-arms (or related) are confirmed, but the third is still being investigated. Because the third quirk is still unknown, containment is at a risk and a shock collar is placed to help mitigate any attempts at escape. The students are brought in to speak to him after everyone else, including Mic and Midnight, fail to get any response out of Yabureme. Unfortunately, the students are also unable to get through to him. Their failed efforts leave them dejected. Yabureme doesn’t speak a word the entire time he is inside Tartarus.

After a few days, the third quirk is activated by an unknown trigger. Yabureme and AFO escape Tartarus with the help of Kurogiri— the timing of the pieces prove that this was orchestrated from the beginning.

In the wake of the escape, Mic is told in secrecy that Yabureme has not removed the shock collar, probably because of its failsafes. It’s been tracked, and his location is known— a new operation is underway to recapture him. Mic rushes to get there first, finding Yabureme in solitude at an abandoned building, having split ways from the League temporarily to avoid getting them tracked while he tries to find a way to remove the collar himself. Mic and Yabureme have a tender moment, or so Mic thinks… but Yabureme slyly uses Mic’s obvious obsession with him to get the hero to take the collar off. Mic falls for it and Yabureme flees.

Though it seemed to be just manipulation, this kind interaction has left the first shred of uncertainty in Yabureme. He returns to the League and resumes his role in protecting Shigaraki and the others. A long period ensues where the League and the heroes play cat and mouse, Mic returning to society in order to accept help from friends and family rather than trying to go it alone as he had before.

Day after day, Yabureme’s doubts deepen as small things burrow into his mind: things like a song on the radio, a familiar black cat, names that he’s heard before. He can’t shake the face of the hero that spoke to him gently and had something warm in his eyes. He meets Eri, but seems to be merely a moment of warmth in her life before departing. Time passes.

The League grows frustrated with Mic, considering his constant interference as troublesome and annoying. Dabi sets a trap for Mic and attempts to kill him. Without any understanding of why, Yabureme takes the worst of the trap himself. He drags an unconscious Mic away from the inferno before collapsing with horrific burns across the right side of his body. Mic wakes in time to feel Yabureme’s heart stop, and in his anguish accidentally causes it to start again with the impact of Voice against the Nomu’s chest.

Mic manages to smuggle Yabureme to a hiding spot, containing him with the only thing available: simple metal handcuffs. Recovery Girl answers his call to the secluded site warily, unhappy that she is asked to keep such a dangerous secret. She stabilizes Yabureme and begins healing some of the burns, but considering his physical deterioration and exhaustion, can’t do much in one sitting.

When the Nomu wakes, Mic and Yabureme have their first real conversation, speaking mostly about the latter and how he’s feeling, what he’s thinking, and why Dabi, his supposed ally, would harm him so badly. He also points out that Yabureme could get out of the cuffs easily, and yet, for some reason, hasn’t.

On the second day, Recovery Girl returns, but so does a second guest: All Might. He is partially wheelchair-bound, the apparent repercussions of the wounds he took at Kamino. He expresses his unhappiness with this situation: Yabureme needs to be properly contained, not hooked to a chainlink fence with fragile metal handcuffs. Mic wants his blessing but plans to keep Yabureme here at least for a short while, highlighting the fact that he’s behaving more openly now than he ever did while in Tartarus. They notice Yabureme watching them and All Might speaks to the Nomu alone. He and Recovery Girl have agreed to give Mic a few days with Yabureme until his burns have been treated, but that he will be returned to Tartarus after that— and now that the third quirk is known, escape will not be possible a second time. He shares some belief that Mic is right that there is hope for Yabureme and that if anyone deserved a path back to normal, it was Shouta Aizawa. He urges the Nomu to try his hardest to remember anything he can.

In the ensuing days, Mic spends time conversing with Yabureme. Unlike the catatonic state he was in while at Tartarus, Yabureme is nervously conversational, answering questions and asking them on his own. He admits his confusion and doubts to Mic, and Mic learns that the whole reason Yabureme was unresponsive while at Tartarus was because of the lights and the intense head pain they cause, utterly decimating his senses and thoughts. He wasn’t shutting down because of his programming or a need to be disobedient— he simply could not function in those conditions.

The morning of the intake comes. Tsukauchi and numerous officers arrive to take Yabureme into custody. Mic attempts to keep everything smooth, warning Yabureme about their arrival and making sure that there aren’t too many men appearing at once. Yabureme nearly panics anyway at the sight of firearms, but is calmed when Mic holds his hands and gives encouragement. Yabureme is taken into custody without a struggle, though he shuts down when he’s led away from Mic.

Mic apologizes to Tsukauchi for hiding Yabureme, but is forgiven considering the relative ease of the capture. The detective promises to keep Mic with Yabureme as much as possible this time around, since his presence clearly helps. He also acknowledges Mic’s request for accommodating Yabureme’s aversion to the bright lights of the prison, especially with the confidence that it might help with getting information out of the Nomu. Yabureme’s shutdown reverses some when Mic reappears in the police transport to travel with him to Tartarus.

Yabureme and Mic arrive at Tartarus and the Nomu is immediately assaulted by the lights. He’s given relief in the form of a sedative. His wounds are checked over while he’s out: it’s discovered that his right eye took far too much damage from Dabi’s flames and must be removed before the dead material causes an infection, shock, or worse. The majority of the burn scars will be permanent because of the lack of proper immediate care in a supplied burn ward. Aside from a handful of new scars and wear and tear, nothing else is noted.

Yabureme startles awake, finding himself in a Tartarus cell with Mic at his bedside. The lights are dimmed rather than blindingly bright. Mic gives him the rundown of what happened, and proudly tells him that the hardest part, getting to the start line of his recovery, was over. He is questioned for the first time the day after waking, and though he is much more responsive to interrogation compared to his last stint in Tartarus, Yabureme still shies away from answering questions that would cause the League a disadvantage… though he is clearly conflicted.

So begins Yabureme’s long road back to someone he didn’t know he used to be. Mic becomes the only foothold of stability Yabureme has, finding that his physical reassurances such as hugs and hand-holding are intensely grounding. The second time he is questioned, he holds Mic’s encouragement in his mind, and manages to talk shortly about some of the Leagues’ hideouts.

He still has doubts about all of this Shouta Aizawa stuff, but Mic works him through stories of his past gently and at a slow pace. The first bit of information that helps Yabureme see that the possibility exists of a connection between himself and this other person is a story Mic tells about Aizawa feeding cats on the street; Yabureme shyly, but excitedly, admits that he does that a lot too. After this, things begin to come more swiftly. Mic brings him his wedding ring, and Yabureme asks to hold Mic’s as well, and remembers the sensation of them clicking against one another in his hand.

With Mic’s help, and the help of a therapist that meets with him daily, more and more begins to come back. Even memories he reclaims are left blurry and dull, but once the flood gate opens, it doesn’t close, and Yabureme’s progress quickens the harder he works. When his memories begin to focus on Class 1-A, he asks to see them. Plenty is still missing, but he apologizes for the things he did to them, focusing on Kaminari and the wounds inflicted during his first capture. He wants to work for their forgiveness, but doesn’t expect it. Midoriya mentions that he seems a lot more like his old self, which fills Yabureme with a hidden relief and encouragement.

Time passes. Yabureme continues to work hard at getting back to himself, and the image of Shouta Aizawa gets more clear by the day. His old mannerisms begin returning in small amounts: rolling his eyes at stupid things Mic says, muttering about things that annoy him. When he gets a surprise visitor, both Mic and Yabureme are surprised to find Kaminari requesting advice for a hitch in his hero training. As Yabureme converses with Kaminari in an observation room, Mic and Tsukauchi watch, and both are amazed to see the clearest image of Aizawa they’ve seen since before his abduction. Mic takes the opportunity to ask about a road that leads outside of Tartarus and, though Tsukauchi doesn’t shut it down, he admits there are many concerns— specifically regarding hidden triggers that might still exist inside Yabureme’s mind. An idea is floated: bring someone in with a voice-copying quirk, and see what happens when Yabureme is faced with orders from Shigaraki or All for One.

Yabureme (Aizawa? Yabuzawa by this point?) agrees to the experiment, though he is clearly discomforted by the idea, unsure of how he mind be effected. The experiment begins. Yabuzawa is secured heavily just in case, but he is clearly determined, if nervous. The voice-copying quirk speaks in Shigaraki’s voice first, ordering him to turn his head to one side. Yabuzawa doesn’t seem to have a problem disobeying, but when the speaker doubles down and becomes hostile about his refusing to obey an order, Yabuzawa spirals and has a panic attack. All for One’s voice cuts in with an order that is obeyed immediately, and Mic is only able to snap him out of it with a slap to the face. The results are clear: Shigaraki’s orders can be ignored with enough work, but AFO’s orders seem unquestionable. Yabuzawa is frustrated by his own perceived failure in the experiment, understandably upset that despite all of the progress he’s made, they still hold some power over him.

Time passes. Yabuzawa improves with his response to Shigaraki’s voice, though still shaken after being faced with it, can do so without panicking. AFO’s orders seem unbreakable. Mic once again breaks the topic of getting him out of Tartarus, and after some debate, it’s agreed that the UA students and the hero efforts (and Yabuzawa himself) would benefit more with Aizawa back in the world. By this time the unknown of the League and AFO and the PLA have long been poisoning society’s trust in heroes; Erasure can’t be hidden away in a bunker with tensions growing by the day.

Mic is permitted to confine him to their apartment under police guard for increasingly longer periods of time, regular check-ins and evaluations, and lots of rules. Yabuzawa isn’t permitted to be alone with anyone aside from Mic, and when outside of the building must cover his neck, arms, and hands. Finally, the shock collar is back as a last resort. If you read this whole thing you’re a certified #1 Yabureme fan sorry I don’t make the rules

#boku no hero academia #my hero academia #Yabureme Spoilers #Yabureme Aizawa AU #text post #I mostly just wanted to put this out there so people who wanted to dig further into the au could do so #and maybe widen your questions a bit if you felt like it #since there's a LOT more here we haven't touched at all hehe #but a lot of this I want to do in comic form. like the actual comic form I did the first chapter in #but some of it especially filling in the holes would be great for little side content comics #also I just want to put it out there that the canon timeline doesn't work with this au #so I'm making the executive decision to stretch it out a lot more #instead of the war starting at the end of the first school year #it starts way after that #ok? ok #it was already a pain in the ass trying to figure out the nomu dev timeline to fit with what I wanted to do in Kamino #I hate timeline shit HAHA #heck tbh I don't even know if there is still a war arc anymore #AFO has erasure now and it fucks everything up #anyways just pretend that that stuff doesn't matter right now #I'll get to it eventually #just focus on the erasermic. erasermic. erasermic. xoxoxo

[chadsuke]

Comics Read in 2023:

Cherry Magic! Thirty Years of Virginity Can Make You a Wizard!? Vol. 1 by Yuu Toyuta (2018)

Cherry Magic! Thirty Years of Virginity Can Make You a Wizard!? Vol. 2 by Yuu Toyuta (2019)

Cherry Magic! Thirty Years of Virginity Can Make You a Wizard!? Vol. 3 by Yuu Toyuta (2019)

Cherry Magic! Thirty Years of Virginity Can Make You a Wizard!? Vol. 4 by Yuu Toyuta (2020)

Cherry Magic! Thirty Years of Virginity Can Make You a Wizard!? Vol. 5 by Yuu Toyuta (2020)

Campfire Cooking in Another World with My Absurd Skill Vol. 1 by Akagishi K. & Ren Eguchi (2017)

Campfire Cooking in Another World with My Absurd Skill Vol. 2 by Akagishi K. & Ren Eguchi (2018)

Campfire Cooking in Another World with My Absurd Skill Vol. 3 by Akagishi K. & Ren Eguchi (2019)

Campfire Cooking in Another World with My Absurd Skill Vol. 4 by Akagishi K. & Ren Eguchi (2019)

[ID: Covers of aforementioned books. End ID.]

#2023media #cherry magic is fun! #a dude is a virgin so on his thirtieth birthday he gains the ability to hear the thoughts of anyone he touches #and as a result finds out one of his male coworkers has a crush on him #idk why it keeps saying parental warning. they have only kissed #anyway its fun times and i enjoyed it but it does fall into some of the yaoi tropes #theres a side character who is a weirdo fujoshi and every time she shows up im like. can u die actually #but overall its genuinely quite fun and enjoyable and i always love when theres healthy gay manga with fucking. adults. #campfire cooking is a silly isekai about a salaryman whose isekai superpower is being able to order things online #from his usual like japanese online market and have them instantly drop into the fantasy world #he loves to cook and ends up forming a bond with a powerful god-beast who wants to eat his cooking sooooooo much #it's lighthearted wish fulfillment about being able to do what u love and found family #i like cooking manga so! #will prob also read the light novel i think #gigi.txt #i have a few more comics i read but not enough to fill a third post i read a lot this weekend

[girlbob-boypants]

Yareli really conflicts with me cause on one hand I dislike her uwu cutesy actions (personal preference) and really hate how absolutely fucked k driving is in most maps (fact)

But on the other hand I love fish and water themed stuff and I really like her 3 and 4

#girlbob.txt #warframe #i also find her actual model vs her design in the comic really weird #cause she has this very lithe adult form in the ingame comic thats very valkyr to me #tho its not the same as her concept art design. which her model sticks closer to #but i like that more lithe adult form it makes a lot of sense in my head for what is essentially the mermaid frame #sadly she has no build that doesnt rely on merulina who i think is cool but i do Not want to deal with that

[hellhoundlair]

I am 1000% serious when i say that supernatural the animation handles sams s1 and 2 plotlines better than the original show. I think every sam fan has to watch it at some point because it def scratched an itch for me. It is NOT perfect and idk how people who wouldnt die for more sam content would feel about a version of supernatural that has so much more focus on sam than in the original but i cant and wont ever get over the attention and love and care they gave sam. I am eternally grateful for it.

#i talk it up a lot. its bad. ITS BAD. but from a sam content perspective its everything. #there are some iconic moments in the anime that are just. SO iconic that i trick myself infor forgetting theyre not in the actual show #sam using his telekinesis to fuck up max's room instead of just opening a closet. #sam EXPLODING AN ANIMAL WITH HIS MIND smthing similar happens in the comics and i wasnt expecting them to do that but make it gory-er #THE CONFRONTATION IN THE IMPALA IN SKIN??? #i fkn love skin but the anime vers of that episode does a 'whos the shifter' confrontation and it fucked so hard even tho we knew who the #shifter was #THERES LOTS OF BAD IN IT THOUGH TOO. very anime typical racism like at points its like MY GOD how did they do this #little things like making lily from ahbl not a lesbian lol?? she just had a 'roommate' instead and its like. okay whatever #the fact that they only have like 2 songs play thru the entire anime and theyre the most generic grating things ever #they paid their bg artists 2 dollars a day and it shows #BUT. you get an episode while sams at stanford. u get an episode of john hunting alone #u get two episodes focussing on the special children who didnt get episodes in the original show #and even if those two episodes suck the idea is still there and its appreciated in theory #the anime has a big focus on sam descending into violence and darkness. it just has a big focus on sam tbh thats why i love it so much #pls watch it if u can ignore the bad. u can skip all the Anime Original episodes if u want bc theyr all kinda shit #but the episodes that are based on pre existing spn episodes just take the originals and improve on them and make them anime af #which i love #the animes very awkward tho too i feel like having it in written form would be better bc the timing the music is all off a lot of the time #but i still love it and appreciate it #its also more bloody than the original show especially by the end. but its good man. so cool. #and u HAVEEE to watch the dub if ur going to watch it bc jared plays sam and jensen plays dean in the last episodes and its everything #this is an open letter to dean familyishell but honestly to everyone who is considering watching the anime ❤

[cissie-queen-jones]

Hi, I wanted to know if you could tell me about the differences between canon Jason and canon Jason. When I first got into dc I didn’t have much access to comics, just cartoons and fanfics but now that I’ve gotten my hands on comics I’ve started to move away from fanon. It’s very different. But I haven’t really looked into many of the Gotham comics, there’s so many and I never know where to start and it’s also all very full of drama. But I’d like to know what to expect from Jason since I find him the most interesting (Tim right after) of the family.

Hello anon! First of all, I totally understand how difficult getting into comics is. I actually started off with cartoons as well. If you want recommendations for what to read and links for where to find those comics, I would be more than happy to help. Just let me know! The one recommendation I want to give you right now is DO NOT READ RED HOOD AND THE OUTLAWS 2011. Or any New 52 content really. But RHatO is a horribly misogynistic comic that features quite a few scenes of SA, is written by Scott Lobdell who has been accused of many cases of sexual assault, and is on the whole just a bad comic.

To answer your ask, the best way to discern between fanon and canon is to read the comics yourself and form your own opinions. I’m sorry this wasn’t the answer you’re looking for but it’s the best one I can give. I know it's pretty common in the batfandom to go around asking people for in depth metas instead of reading the comics, but as a predominant Arrowfam stan, we don't do that. We just read the content. I'm not trying to come off as rude, I swear, but honestly the best way to engage with content is to read it and think about it for yourself. You're more than welcome to come to my DMs if you want to have an in depth discussion about Jason's character and how it is different in the comics vs in fanon, but I don't want to write a long meta when I could encourage you to go read and experience Jason's story for yourself. I can also give you recommendations for blogs to follow that don't post about fanon Jason too. I hope you're enjoying your comics!

#jason todd #robin #red hood #anon #ask #it's not that I don't want to talk about Jason and who he is as a charater #it's that i've seen an all to common trend in this fandom where people ask other people for their opinion #and don't actually read the comics themselves #and this is how a lot of misinfo and mischaracterization gets spread #so I would be more than happy to talk to you but I'm not writing a manifesto on Jason's character like so many bat blogs have done when #I could encourage people to do the reading themselves #also as an english major engaging with the source material is really important #and you should form your own opinions first #was I originally going to post a rant about fanon? #yeah but honestly I think it's better to just encourage people to read the comics instead #also I’m sorry it took so long for me to answer #I’ve had a really busy summer and my mind has been kind of scrambled for a while

[bearsizedant]

maybe i have just officially filled an entire notebook with backstories and lore i invented for a fic i will probably never get around to finishing. what’s it to you.

#actually what i WANT to do with it #ideally #would be to draw it in like. comic/graphic novel form #but due to its nature as fanfic and not an original work. i am not sure how or where to post it if i ever do draw it. #bc ao3 requires a 3rd party host for images #maybe i could do like. a sideblog? for it? #no fucking clue. #ive seen people do fancomics on deviantart but that sounds like a lot of effort ;-; #and places like webtoon and tapas are only for original stuff i think. #whatever. #i will cross that bridge if i ever get to it.

[hehosts]

if u guys are on tiktok, follow for my soap content there which is what ive been busy on - i give additional discounts and bundles and sales to my rp mutuals since we’re all buds n’suds

#ignore my first one idk what happened to the text it got all skewed even though it looked fine in editing #but yeah i post all anime stuff mostly since those are the fandoms im working on #and this is what ive been busy #as you can see in progression that im learning lmao #i have an instagram #idk it's picking up and i share everything with you all so #i also take requests ideas and i do commissions too so #idk that's my goal is to do customs #so if you ever want your favorite canon or oc in soap form lmk lmao #im potentially doing a kickstarter with someone for their comic and stuff #so it's kind of getting there #it's mostly ouran and furuba and the like rn but i just did avatar the last airbender as a set #the airbenders are drying rn actually #and those have vitamin e oil in them #i have a bunch of misc rose molds i made with the avatar set too #those are cool im using the fire nation rn myself but anyways i have a lot of soap so yeah #we also are going to get some new molds ordered tomorrow and probably new oils so fun fun #anyways hi im going to do rp stuff now i swear

[lgbtlunaverse]

This page from the adventurer's bible makes me want to cry

Like basically any neurodivergent dungeon meshi fan, I see a lot of myself in the Touden siblings. But I was blindsided by just how much I suddenly related to Falin in this little comic from the adventure bible's complete version.

It's about the Touden siblings' differing relationships with their parents, and why Laios still holds their treatment of Falin against them, while Falin herself doesn't.

We know that Falin was isolated and ostraziced by their village after she saved Laios from a ghost, displaying her uncanny affinity for magic. Her parents, instead of defending her, sent her away, which angered Laios so much he ran way himself before Falin even left for magic school, hoping to make a living so he and Falin could live together alone.

He tells Marcile this, but when she goes to Falin, she says she sees things differently. Her father sent her to magic school to protect her form the rest of the village without having to cause a conflict. He didn't explain that, and we actually see her burst into tears when he says it.

But, well... Laios was gone for a year before Falin went to magic school, and everyone else in the village avoided her. The understanding Falin has with her parents to me looks like one borne out of necessity, she literally didn't have anyone else to talk to.

And this is where we get to the page that made me want to cry

Like I said, I relate to the Toudens because I'm neurodivergent myself. that feeling of suddenly realizing you're disliked, but not knowing what you did wrong or what you should have done instead? Yeah... that's one I recognize.

When I was around 9 years old, the same age Falin is in this comic, a bunch of kids in my class decided to make a "game" where you lost if you touched me. It was basically the 'cheese-touch' from diary of a wimpy kid, except I always had it and couldn't pass it along. They'd pretend I was poisonous or disgusting and run away from me screaming or gagging. The point was to make fun of me. But my autistic little 9 year old ass thought "Oh I get it! It's tag but I'm always it!" So I... played along. Running at a boy and having him fall on the ground screaming in fake pain because you tapped him is, in isolation, pretty funny.

It wasn't until months into the "game" that I realized it was meant to be meanspirited. That the reason I was the one who was always 'it' wasn't an arbritrary rule but the whole point. Because I was weird and gross. I wasn't in on the joke, I was the punchline.

Falin may have come to understand her parents' intentions, but she didn't always. The adventure bible actually tells us that she at first didn't even notice that the rest of their village disliked her. She clearly knows now, but she had to be told. So when her mom tried to exorcise her, she just saw it as an activity she got to do with a mother she usually didn't get to spend much time with because of her poor health. It's only Laios who notices something is wrong.

(Sidenote, Laios being hyper-aware of people's poor attitudes towards Falin but completely blindsided when he's in the same spot, like with Toshiro, is also very relatable as an eldest sibling)

It probably also took Falin months, until after her brother had left and she had no one but her parents, to realize why her mother had been doing all those things.

And I know they're not the same. Even misguidedly, Falin's mom was trying to help her, not make fun of her like those boys in my class. (Though, as a queer person who also cares a lot about the queercoding in Falin's storyline, a parent trying to 'exorcise' their child of a fundamental part of them the parent thinks is evil or corruptive? yeah... that's not perfectly wholesome)

But do you know what I did, when I finally figured out the game was always meant to make fun of me?

To me, it looked like I had a choice.

See, those boys eventually figured out I didn't understand that they were being mean to me. I'd laugh every time I managed to catch one of them, I was visibly having fun. And while it no doubt only made me more of a weirdo in their eyes, they never informed me that I shouldn't be enjoying myself. That the point was for me to feel hurt.

So now that I did know, I had a choice. I could either get upset, and let the insult land as it was supposed to. That wouldn't stop them, because making fun of me was the original goal. Or I could ignore it and go on as usual. They had already accepted that I didn't get it, and they weren't gona stop me from having fun, so why should I?

And the thing is that I had... one friend, in that whole class. One person who actually liked talking to me and hanging out with me. I was lonely. And the 'game' provided me with another social interaction, mean-spirited as it was, that I desperately needed. And it was so delightfully simple. Navigating actual friendships as a kid with autism and adhd was so fucking complicated, and I'd never know when I might break an inivisble rule. But I knew the rules to the game perfectly!

Sometimes, if I was chasing one of them, the others would trap him and hold him down so I could tap him. In those moments it actually did kind of feel like I was playing with them, rather than against them. And it didn't change much, they didnt start actually liking me. But they were willing to roll with the fact that I wasn't upset, and I took advantage of that because I needed to.

So you can look at Falin seeing the best in her parents as her being naïve, but I look at this page and I see myself, at first unable to differentiate between playing and being made fun of. And then later, when I did see the difference, deciding not to get mad about it because that'd mean losing that social interaction, and I couldn't afford to.

Like I said, Falin probably first realized this in the year she spent with her brother gone, and everyone else avoiding her like the plague. If she refused to talk to her parents, like Laios did, she'd have no one left.

I see a lot of people relating to the fight between Laios and Toshiro. that frustration when you realize someone you thougth was your friend actually hates you, and they never said anything, never gave you a chance to fix it because you had no idea that you were even doing something wrong! And I can see that, too. But sometimes, when people don't fully hate you, it feels better to go along with the pretending. Because adressing it won't fix it. Because the problem isn't a specific behaviour, it's you. And if they're willing to tolerate you, despite the fact that it's you, then you'll take it. Because other people do hate you, so this is the best you'll get.

#dungeon meshi #dungeon meshi meta #falin touden #laios touden #neurodivegent #autism #adhd #long post #this one got REAL personal oops

[sabertoothwalrus]

I’ve seen you post some labru stuff and I’m curious what your thoughts on it are. personally I don’t see it? I can buy Kabru having feelings for Laios, but I think Laios wouldn’t be interested in Kabru, so it makes me wonder why so many people ship them. (Tbh I feel like Kabru has more chemistry with Mithrun anyway)

Sorry if this ask sounds rude, I just genuinely don’t understand the appeal of the ship, but I want to understand and I trust your analysis of characters very much :] maybe there’s something I’m missing

I really like both ships, actually!

For labru, there’s sooooo much I could talk about. The inherent homoeroticism of being narrative foils. The inherent homoeroticism of being the king’s advisor. All of chapter 76. The fact that Kabru has mask upon mask upon mask, and Laios is the first person that made his facade absolutely crumble.

Kabru struggles with being genuine!!! Everything he says and does is so perfectly calculated, even when he sort of means it. But since Laios doesn’t get social cues, Kabru gets thrown for a loop.

I get so frustrated when people act like Kabru still hates Laios by the end of the manga!!!!! He killed those corpse retrievers for being corrupt, and yet he couldn’t bring himself to kill Laios. He has such a strong sense of justice, and knew that killing Laios would be a mistake. Because, after meeting him, he could tell he wasn’t actually evil. He’s strange, sure, but not evil.

Kabru DEFINITELY wants to be friends with Laios!! He was not lying about this!!!

But this last comic shows how much Laios wants to be friends with Kabru, too. He’s so nervous after calling Kabru his friend 😭 he doesn’t want to be presumptuous and fuck it up again.

Laios does show an interest in Kabru, at least when Laios thinks he’s interested in eating monsters too. Like,, what was up with THIS

Laios’s gaze is LINGERING. Plus, (this is before that bit at Thistle’s house when he forgets his name) he brings up Kabru when they first form their plan to eat Falin.

And maybe this is just because of my own personal experiences, but Laios reminds me a lot of my own girlfriend. I think they have a similar flavor of gay/aspec & autism combo where, had I not asked her out first, she probably never would have considered being interested in me. But she was very down when I did.

The tricky part about labru is more the political aspect. Regardless of whether you see Laios as aroace or not, he’s in a situation where he will probably get married. He had a fiancée before he was age 13, likely betrothed since he was a baby. He’s already comfortable with the idea of getting married because He’s Supposed To.

However, Laios is king, and could make gay marriage legal if he wanted to (He would probably do this for his sister and Marcille before considering it for himself ). But at the same time, I think Kabru would object to Laios making whatever policies he wants without considering the repercussions of how other kingdoms might react, especially when they’re just getting Melini off the ground and need lots of support from other countries. Laios and Kabru getting gay married anyway and dealing with the aftermath could make for a really compelling story.

I do think Kabru would be a good ruler. He’s already fit for it. He speaks a dozen languages, he knows people and their motivations, and likes politics. The manga already joked about Chilchuck’s daughters trying to marry a king, so it seems like noble blood isn’t too important, but Kabru’s foster family IS nobility. When it comes to heirs, I do like trans Kabru headcanons, but at the same time, I think it’d be cute if they adopt anyway. Kabru seems like he’d have strong feelings about adoption given,,, yknow.

The alternative version of labru to this is Laios gets straight married out of obligation, and Kabru is his mistress hdhdhshsj. I don’t know if I could see Laios doing that? or if Kabru would risk the scandal of being outed as Royal Advisor and Regent trying to seduce the king. It could go SO downhill. but maybe that would be fun.

NOW FOR KABUMISU.

I knew people shipped them, and I could see the basis for it while reading, but I wasn’t really sold on it until the very end. There’s something about “I had no desires left. I decided to create new desires, and one of them is you” that’s really charming.

There’s also something funny about “the demon ate my heterosexuality so I’m gay now”

I think it’s interesting that Kabru hates elves. He was raised by them, and he hates them. He hates feeling patronized by them. He made absolutely sure that elves wouldn’t take control over Melini, not just for his sake, but for Rin’s.

But Mithrun’s interactions with Kabru are founded on more mutual respect. Though, that’s not to say that Mithrun doesn’t still have his biases towards short lived races..

Where Laios doesn’t understand social cues, Mithrun does but just doesn’t care. For that reason, I think Kabru would enjoy spending time with Mithrun. It’d give him a break from his compulsion to calculate all of his social interactions. But at the same time, Kabru is the KING at bottling his emotions. Mithrun is blunt, but also doesn’t care enough to pry. If Kabru had anything bothering him, I could imagine him seeking Mithrun’s company to avoid thinking about it. Could make for a fun dynamic.

I do think it’s funny that Milsiril 1) took care of Mithrun for potentially 20 years and 2) is only four years older than him. I imagine this could lead to funny situations.

I don’t ship things for no reason! I think both of these could work platonically, romantically, one-sided, or even “requited but they don’t do anything about it.” Their relationships compel me and I think it’s sort of bad faith to brush off either like they’re nothing more than baseless yaoi pair-the-spares. To me, I see just as much of a foundation in the source material as farcille.

After all, dungeon meshi isn’t a story about romance, but it IS a story about love. It’s a story about life and death and grief and the love that comes with it. Regardless of shipping, these characters love each other!!! And I love talking about it!!

#long post #dungeon meshi #laios touden #kabru #mithrun #labru #kabumisu #dungeon meshi spoilers #photos

[randomshyperson]

I Put A Spell on You - Wanda Maximoff Kinktober #03

Summary: After a tense week and a training session, Wanda finally had enough of your attitude.

Warnings: (+18), heavy smut with power dynamics,  brat tamer!Wanda and sub!Reader, edging, orgasm denial, slapping, a lot of teasing, blindfold and magical restrictions, enchanted strap, kind of rough,  implied enemies to lovers, some cursing | Words: 3.559k

A/N-> This is almost late. I totally forgot I had to post the stories.

General Masterlist | Kinktober Collection | AO3 | Wattpad

-&-

It was Natasha's idea, or at least it was a Black Widow kind of thing.

Most of what Wanda knew about it came from Steve's official report on the training, and the rest of the story came from Sam gossiping around the tower.

But in a nutshell: You had your vision temporarily impaired on the last mission, you were knocked out by it and it almost fucked everything up. Wanda would have thought that this was all it took to diminish your ego a bit, but instead, you and Nat had a weird widow's agreement about eliminating weaknesses or whatever, and this was adapted to your training.

The whole story was the reason you were training with a blindfold on. 

And don't let Natasha hear this, but you were an impressive fighter, even more than the older widow. Somehow you were more agile and stronger than Nat, and it was the kind of thing that made Clint remark worriedly about how much harder your widow training could have been and secretly made Wanda's heart beat faster.

But back to the point: Wanda shared very few training shifts with you. Steve and Nat found peaceful interaction between team members advantageous, so as you didn't get on so well, she had fewer training sessions in your company.

Well, that changed because you seemed determined to prove that you could block blows without seeing them.

"Wow, you're still here." It came out more ironic than she wanted, but Wanda was actually almost impressed. It had been nearly a month since the whole thing had started, and this training was coming after a particularly exhausting mission. She was just going for a quick session - so that the muscles wouldn't lose habit as Steve liked to say - when she found you in the empty tower gym. 

The eyes covered by a black cloth were an almost comical sight, or at least, Wanda assumed that finding it funny was what she was feeling, every time she saw your serious and concentrated form, sweating in the gym.

"Good evening, Wanda." You greeted her without looking at her, your head down. You were listening to her movement she assumed. 

Wanda muttered the greeting back, busy leaving her belongings on the bench and looking for a treadmill. But you cleared your throat. "Don't you want a real challenge?"

She chuckled, rolling her eyes. "Oh, and that would be you, of course."

You smile, your hands behind your body. Wanda thinks she likes the blindfold, it allows her to stare you brazenly, without you even knowing.

"I'm a legendary fighter, yes."

She has to laugh at how naturally you say that. She takes a quick look at the treadmill, and well, smashing your ass really does sound more interesting.

"Okay, real challenge, show me what you've got."

Wanda positions herself on the opposite side of the mat from you, and clears her throat when you remain static.

" Won't you take your shoes off?"

She grimaces softly. Yeah, your hearing was starting to impress. Sighing begrudgingly, she uses magic to make the shoes come off and float away, and before she even has a chance to speak, you do.

"No magic tricks." It sounds like a serious warning, rather than a request, and Wanda doesn't miss a chance to torment you.

"Oh, is that too much for a legendary fighter?" She mocks, but all she gets back is an easy chuckle that she isn't able to reciprocate because you adjust your training gloves and the movement is distracting enough.

After a moment, you get into position. "I'm ready."

"At last." She scoffs, stepping forward. 

Ultimately, she's impressed. And she almost begins to believe that maybe the cloth is fake - there's no chance that you can dodge absolutely all the blows she's so exhaustively learned with such ease. 

It doesn't take long for Wanda to start getting impatient, and for you to start smiling at her, in that smug way that makes her skin itch.

She makes a mistake, and it's enough for you to knock her to the ground.

"Again." You say, standing next to her, equally out of breath but without a scratch. Wanda huffs.

"How the fuck are you doing this?" She asks, getting to her feet with a magical push. You swallow dry, taking a step back, very alert.

"Practice, of course." You mutter. "Are you ready to continue?"

But Wanda narrows her eyes, her head tilting slightly at your sudden alertness. She decides to test a theory, and red sparks appear in the air near your head.

The leap you make in the other direction makes her giggle playfully. 

"Something wrong, darling?"

You grumble, raising a hand in warning, irritably hitting exactly the right spot to point it at her. "Stop this. I told you, no magic."

But Wanda is tired, and she's feeling naughty tonight. Something about your vulnerability makes her body heat up.

She chuckles darkly, taking steps away that only make you swallow dry. "Someone's scared." She sighs, and the sparks appear again. You gasp, clearly anxious and not knowing where to strike.

It's Wanda's fault, there are too many of those and magic is much harder to defend against.

She chuckles at your state, and you snap back almost immediately."That's not funny, Maximoff." 

A magical tug pushes under your knee, behind your elbows, near your foot. Everything makes you jump with fright and sends Wanda into a fit of giggles.

"You're not so cocky when you're scared."

In a desperate attempt, you try to attack the magic, which only disappears into thin air against your skin. Wanda just stands back, watching the scene with amusement.

With an impatient grunt, you raise a finger at her. "Stop this shit, I'm warning you-"

"Don't be rude, darling. I like you best when you're polite." Wanda interrupts, and your exclamation of indignation turns into a grunt of pain when a magical tug forces you to your knees on the mat.

"What the hell?" You gasp, raising your hand to remove the blindfold. 

But the sensation that follows is like ropes grabbing your wrists and pinning your fists behind your back. Your heart is racing at the same moment. "Wanda, what the actual fuck you're doing?"

Although you can't see her, you hear her very well. Her slow steps towards you, until she makes you jump gently when she touches your cheek. You swallow dry. "Stop this bullshit, Wanda, I'm serious."

She pushes her tongue into the roof of her mouth, a clicking sound that makes you swallow dry again. Her fingers caress your cheek, and the lack of visibility makes everything all too vivid.

"You have a very dirty mouth, kotenok (kitten)." She retorts in a tone that makes you shudder from head to toe. With a dry throat, you look up, even though you can't actually see her.

It must be a good thing for your sanity, though. God knows what you would have done if you could have seen the way Wanda's eyes darkened with hunger when she saw you on your knees, looking up at her.

Licking your lips, you say calmly: "Be very careful with your next action, Wanda. It will be definitive for our future interactions."

She bites back a smile, and her hand leaves your cheek for your hair, the motion in the strands at the nape of your neck drawing a stubborn sigh from your lips.

"See, it's much better when you're polite." She says softly, letting her fingers slide between the strands, stroking your hair gently. "That's how it goes. You behave nicely, and you're rewarded. Behave badly, and well..."

To illustrate, she moves her free fingers. You hear the magic before you feel it - right under your blouse, like a rough tug on your left nipple that makes you grunt in pain.

"Fuck, you little shit-" But swearing at her makes it worse. The sensation is repeated on the other nipple, not real enough to hurt the flesh, but enough to cause pain. And in the current scenario, on your knees and blindfolded, just the right amount for a wave of pleasure to wet your panties. 

It takes you by surprise, so much so that instead of grunting in pain, you practically moan. And that makes Wanda smile, especially as she can see the blush rising on your face.

"You need to improve that attitude." She starts again, adjusting the grip on your hair to force your face in her direction again. You bite the inside of your cheek hard, certain that this time, you would have whimpered. "You've been acting like this for too long, you've gotten comfortable in your naughtiness. I can fix that."

"Wanda..."

"Shush, darling, now you don't talk. You listen. Isn't that what you were hoping to train yourself to do?" She teases, and the grip loosens. You don't have to obey, but you're desperate to do so.

With a lump in your throat, you nod and remain silent. And the next second, when the sound of a zipper fills the room, you grow restless and alert.

You're ready to question when Wanda sighs.

"Shit, honey, that's been working for me too." She panted and you were dying to understand what the hell she was talking about when, along with her shortened breaths, you heard a sound that shook your body to its core. 

Was it really possible that Wanda Maximoff was fingering herself right in front of you?

"W-wanda-"

The slap isn't magical - nor is it weak. Your cheek burns, but Wanda grabs your face anyway.

"I told you to be quiet." She grunts, and in a way, the affected voice is confirmation enough of your suspicions. You can feel your underwear starting to feel uncomfortable with the dampness gathering. "You've talked a lot of shit since I joined the team, now you listen, you brat."

Not only do you hear it, but as the movements continue, you can smell it. Her sweet, intoxicating essence is enough to make you moan for the first time in the night.

Wanda let that one slide, because the sound is too good to punish you for it.

And because you've held still long enough for her fingers not to be enough anymore, she's decided that you deserve a reward.

"Open your mouth, darling, I've got a little treat for you." She sighs, and you obey almost immediately, even though your face is burning.

Wanda removes her fingers from inside herself, sighing softly as she does so. Unhurried, she presses them against your tongue and has to bite down hard on her own when you buckle forward, sucking on her fingers with enthusiasm.

"Look at you, who knew you were such an eager little thing?" She taunts, although the sensation of your tongue on her fingers is almost making her lose her train of thought. She can only imagine how deliciously warm you must feel elsewhere.

You just keep moaning, sucking all her wet pleasure from her fingerprints, and Wanda has to reach down and grab your hair once more to regain some of her sense of grounding.

Her voice is hoarse when she speaks again, but you don't seem to mind. "Did you like your treat, darling?"

You open your mouth to reply but hesitate before doing so. And Wanda smiles proudly when she realizes. "Oh, dear, you can speak if it's to answer my questions. Tell me how much you appreciated your treat."

Swallowing dryly, you lower your head. "I loved it, Wanda. And I would love to taste it from the source."

She bites back a giggle, using one hand to lift your chin. "You didn't even thank me."

"Th-"

The magic squeeze comes directly to your clit now. You let out a little yelp, but Wanda's hand doesn't let you lower your head. 

"I didn't tell you to thank me. Rather, I was reprimanding you because good manners don't come to you naturally." She clarifies, and with tears of pain and pleasure in your covered eyes, you nod in understanding. Wanda sighs. "I'm going to make a good girl out of you, even if I have to keep you on edge all night for it."

The whimper that escapes your throat is humiliating, Wanda loves the sound. 

The next sensation on your skin is that of a chain, wrapping itself around your neck. 

"We need to continue this in a more private place, darling. Where no one will interrupt us." Wanda guides, and the chain gives a gentle tug, the hint caught just in time by you, who are on your feet almost immediately. Wanda bites back a smile. "Fuck, I could get used to this."

She manages to lead you quietly and obediently through the empty corridors, but your anxiety overcomes you at the door to her room.

You stop walking, gulping. Wanda smiles because you're waiting for permission to ask a question, even when you're dying to have it answered.

"It's my room." She clarifies, but you shake your head, signaling that it wasn't your doubt. She shouldn't be impressed that you've already become able to memorize the sound of the way to the rooms, but she is. Smiling, Wanda brings a hand up to your face again. "What do you wish to ask, darling?"

You sigh at the permission granted. "Are you... are you sure? About this..." Wanda is taken aback. Your hands are still bound, you're still blindfolded, at her mercy, and yet you're worried about how sure and comfortable she is. You take a deep breath as if trying to find the right words. "This is important, Wanda. We can't go back to how things were before if I come in. And if you're not sure, send me away, and I swear we won't talk about this again and-"

Wanda moves in, it's quick and less hungry than she thought your first kiss would be, considering recent events and frankly, the way she's been craving you.

Your lips are soft and kind of addictive. Your mouth kisses her with real confidence as if you've done it a dozen times, and Wanda has no idea how often you've done it in your dreams. 

But reality is superior to any of those.

You grunt against her mouth, impatiently, and Wanda knows it's because of your trapped hands. But all she can do is smile mischievously, using hers to pull you by the shirt into the room.

The door is magically closed behind the two of you.

You're not surprised to be put on your knees again - even if a moan of protest escapes you. Wanda smiled, feeling a wave of excitement at your vulnerable anxiety, your eyes blindfolded and your head moving gently as if you expected to hear what she was up to.

Wanda bit her lip, working on her own clothes without magic, so that you could hear the motions. It brought a shiver to watch you squirm gently, swallowing dry as if you could picture her naked. And your pleading sigh, practically meowing her name, made Wanda lose her mind.

Now wearing only her underwear, she grabbed your face again and kissed you with everything she had - teeth and tongue - and swallowed every throaty moan until she needed to breathe again. When she pulled away, a line of saliva connected your lips.

"We need a system, darling..." She murmured, her fingers working to open the belt loop of your sweatpants. "You know the color one? Green for go, and red for stop?"

"Y-yes, Wanda, please, just keep going-" She interrupted with a kiss mixed with a giggle at your desperate response, the hands that had opened your pants helping you to the bed, laying you down. The magical chains had adapted, and your hands were attached to the headboard now, holding you open for Wanda. Your arousal grew so intense that Wanda could see your muscles twitching.

She sighed contentedly as she sat on your hips, watching your curious and expectant movements. Magic did the work of removing your pants, but Wanda was taking her time teasing your skin under your blouse, having the best time in the world watching you squirm and gasp.

"Tell me what you want." 

You swallowed dryly, forcing your voice out: "Anything you want to give me."

Wanda bit back a giggle, her fingers tracing your torso. "Good answer, darling." She sighs, and in one tug, rips off your shirt. The remaining pieces are swept away as you try to keep your breathing under control. Wanda adjusts herself and sits on your stomach, her wetness and warmth against your skin making you wince. "I have an idea, you let me use you and I might consider letting you touch me, what do you think?"

"Fuck." You moan, and Wanda can't let that one slide, though the slap on your cheek is light, and much more of a teasing warning than a punishment. It makes you throb inside.

"Language." She warns, and you sigh.

"I'm sorry."

Wanda strokes the soft red on your cheek, leaning in in a way that makes her wetness slide down your abdomen. The involuntary contraction of your muscles draws a gasp from both of you.

"Behave yourself." She warns, and it seems to be as much about the language as your slight movements, and although you nod, you repeat the gesture. Wanda gasps and grips your cheeks tightly. But you force your body upwards, and her grip loosens as she begins to grind against your stomach, giving in to the sensation. 

It brings some kind of pride to know that she's just as affected by this as you are, but even as she's drenching your skin with her hot pleasure, Wanda lowers herself to wrap her hands around your throat and as she uses your tense abdomen to reach her own orgasm, her grip warns you who's in charge. She doesn't take long to come - all the teasing outside has gotten under her skin - and it's the hottest thing that's ever occurred to you, even if you can't see it.

"Fuck, fuck, fuck." She gasps through the last waves of her orgasm, her hips thrusting hard into you, who pants beneath her. Her juices run down your belly and you squirm impatiently.

"Please, Wanda. Let me touch you." You beg breathlessly, but she kisses you hungrily, her hands going down to your waist. At first, you think she's going to give you what you want, but Wanda gropes you in an unusual way, and you hear her magic before you feel a new volume between your legs. It takes you by surprise, the enchanted item and your tense body makes Wanda break the kiss.

With her forehead pressed against yours, she asks: "Red or green, darling?" As if to encourage an answer, Wanda grabs the conjured fake cock in her hand. It's really enchanted because you feel everything and the pleasure of the moment's stimulation brings a gasp. You move your hips, in the same direction as her without realizing what you're doing, and Wanda giggles. "I still need words."

"Fuck, green, yes." You moan and Wanda gives you a warning bite on the lips for cursing, but your head is spinning with pleasure from the movements that continue between the two of you.

Toys are nothing new - but a magic strap-on that you can feel as an extension of you certainly is. And Wanda seems willing to drive you to the brink of insanity when she simply adjusts the toy at her entrance and sinks in all at once.

You whimper, almost coming at once. She rocks gently against your lap without caring.

It's hard to breathe, especially when Wanda picks up speed and practically jumps on your cock, her warm walls clenching around you, trying to stop you from pulling out. Everything is too hot and just when you're ready to come, Wanda grabs your throat.

"Hold it." It's an order, almost impossible to obey when she rides your lap with such determination. You choke, struggling against the chains, the hot knot in your belly begging to break.

You almost sob. "I-I can't... please-"

She lets out a wicked giggle and doesn't stop moving. "Don't worry, babe, you're not coming. No matter how much you want to."

Wanda moans, and suddenly her movements stop. She groans heavily, gets impossibly tight and you think you're going to come, but something holds you back. Almost like a force of strength, and when Wanda falls limp against you, and her body continues to tremble from the intensity of the orgasm in contrast to yours, burning with more frustration, you understand what she's done.

"Wanda, what the fuck?" you gasped in a mixture of disbelief and irritation. And instead of losing her temper, she giggles mischievously at you.

"That's why you don't deserve to cum, baby. You're a foul-mouthed brat." She bites your jaw as she sits up, and you gasp, feeling her clench around you. "You're not coming until you improve this attitude."

She thrusts into you as a warning and although you feel as if you could come, your body simply won't obey. Because of the blindfold, you can't see her red irises either. 

"You're so mean, Wanda." You groan, sighing at the sensation of her pulling out. 

"Oh, darling, we have barely started."

#wanda maximoff x reader #wanda x reader #elizabeth olsen x reader #kinktober 2023 #wanda maximoff oneshots

[komaniyaexpress]

— is this .. me?! .. ♪

sagau — they find a piece of artwork made by the creator; of .. them.

— featuring furina, wanderer, freminet, and neuvillette .. ♪

cw. none wc. 200-400 ea.

furina

it goes without saying .. furina is ecstatic. i mean.. why wouldn’t she be? she wouldn’t make this known, however, because “of course you’re going to wish to capture my enthralling beauty on paper — it’s only fair when faced with such divine radiance!” inside.. she’s a mess. her widened eyes flit over every tiny detail, every little stroke of the pen or paintbrush. “enthralling beauty”, she says, “divine radiance”, she says — but is she truly talking about herself or the way you interpreted her? never in all the centuries she’d been alive would she admit this, but she couldn’t help but feel as if you had made her look much more ethereal than she truly was. she does make it known that she likes it, though. when you turn away from her and murmur something about how you’re not the most proud of this particular piece, she scoffs indignantly. “what? how— ugh, how could you ever say such a thing? do you dare question my judgement?!” she leans back against the couch, hardly able to focus on the taste of the small pastry half-eaten in her hand. she’s incredibly grateful it’s only you two alone, because she has an entirely embarrassing blush upon her face as she chews.

wanderer

“.. seriously?” he kind of just.. glares at it. i’m sorry, but i don’t really know what you were expecting. depending on the kind of mood he’s in, he’ll either simply cast it aside without a second glance or attempt to mockingly chew you out over it. it doesn’t matter whether he actually likes it or not; he is not going to let you live it down. he’s not amused, but i can’t really imagine him actually getting upset about it either. he’ll scoff, maybe roll his eyes if he’s feeling generous enough, then go about his day without another thought to it. even with his nonchalant, near-annoyed demeanor over the whole thing, when you’ve left and he’s alone — he looks for it again and stares at it like he didn’t get to before. as his eyes travel the lines that form a quite accurate depiction of his visage — implying you spent a lot of time looking at him — he can’t help but wonder why, of all people, you chose him as your muse. he does.. appreciate the sentiment, though, even if he’ll never voice it. he catches himself before he spirals. it doesn’t matter, he reminds himself. with a huff, he sets it down again and crosses his arms, trying to ignore the fact it does indeed make him feel.

freminet

if you were expecting anything other than freminet being an absolute mess.. you’d be sorely mistaken. of course, he’s not upset at all. he’s just.. very, very embarrassed. he loves your art, he does. he doesn’t want you to misconstrue this, and makes sure you know it’s not your problem, but his own. make sure to reassure him. the moment he lays his eyes upon it, it’s evident; his eyes widen almost comically, and, suddenly, he has the surely inexplicable urge to run for his life. that wouldn’t be fair to you, though, so he bites it back and forces himself to stay put. the gears whir in his mind like he’s a piece of the machinery he holds so dear. he doesn’t know how to thank you — should he thank you? he doesn’t know what to say at all, more like. he clears his throat, unable to get any words out; his mouth goes dry and his heart practically beats out of his chest, all the while he’s looking just as frozen in time as your rendition of him. he lets out an audible sigh of relief when you reassure him that he doesn’t need to speak. he can’t handle you when you stare at him like this, and asks if you’d be okay with him putting on his diving helmet. once you’ve given him your permission — which you reiterate he doesn’t need — he quickly places it over his head, letting out a soft sigh of relief when you can no longer see his face. his gaze doesn’t leave the art, not for a moment. he stands still and stares at it, unable to tear his eyes away from the lines that, somehow, paints a clear picture of.. him. that you made. he still does not make any move to talk, and he’s very glad that you’re so understanding. eventually, he murmurs an apology, and through the lump in his throat, reassures you that (if there was ever any doubt), he likes it.

neuvillette

it was raining. it had been raining all day. naturally, this worried you, and your first thought was to check up on neuvillette. exhausted yet unchanging, neuvillette sifted through his paperwork without taking a single break to rest. however, all things must, and eventually, his tire overcame him — letting out a sigh, he placed his palm upon his forehead and leaned into it, his eyes fluttering closed. it took him a moment to open them again, but when he finally did.. after such a long day, eyes sore with the strain of reading fine print jammed together so thickly the pages looked more inky than ivory, the last thing he expected was to see was a piece of blank paper on his desk. curious, he picks it up and flips it over, assuming it to be more writing on the other side — only to be met with.. himself, staring right back at him. the neuvillette now is slightly slouched over, eyes drooping with the weight of an unrelenting week. he’s unable to see his true reflection — in a mirror or water, not a near-perfect version of him on paper — so he couldn’t really tell, but even so, he can’t help but feel as if this version of him must appear much more composed. he pushes the thought away, stares at the piece a bit closer, and he eases a bit. not only was it a splendid break to the monotony of monochromatic paperwork, it was made by you. it’s now that you walk into the room. in a split second, you realize what he’s holding. you blink. he smiles, gentle and soft. the rain stops pouring.

#✦ . ⁺ 🕊️ i. divinity at its finest. #✦ . ⁺ 🌧️ ii. furina. #✦ . ⁺ 🌱 ii. wanderer. #✦ . ⁺ 🌧️ ii. freminet. #✦ . ⁺ 🌧️ ii. neuvillette. #furina x reader #furina #focalors #focalors x reader #wanderer x reader #scaramouche x reader #kunikuzushi x reader #wanderer x you #scaramouche x you #furina x you #neuvillette #neuvillette x reader #neuvillette x you #neuvillette sagau #sagau neuvillette #sagau furina #furina sagau #wanderer sagau #sagau wanderer #sagau scaramouche #scaramouche sagau #sagau #sagau x reader #sagau freminet #freminet sagau

[katabay]

SUBTEXT

so I've focused in on Perceval and Bors before, and I've done Perceval and Gender (for more on this specifically, see: Clothes Make The Man: Parzival Dressed and Undressed, Michael D. Amey) and did a whole comic that leaned into some subtext™ on temptation, but actually let's throw out the subtext! let's bring Augustine into this!!

Perceval, de Troyes (trans. Burton Raffel)

introduction to Confessions, Augustine (trans. Sarah Ruden)

so for perceval a knight is both the gender he wants to perform but also something that is expressly compared to god, and if god is a lover that seduces. well. does this not also apply to knights as well?

Homosexuality in the Renaissance: Behavior, Identity, and Artistic Expression, James M. Saslow

and while galahad might be the obvious choice, I think perceval's relationship with bors during the grail quest narrative is more interesting. it's not god that transforms perceval, it's the sight of knights for the first time. something in here specifically is incredibly intriguing to me, but there's a different text I need to finish reading to fully form some thoughts on it.

le Morte d’Arthur

and finally! tentatively. I think I might slowly start turning this idea I had a couple years back into a fully formed comic. we'll see! I had most of it blocked out, but halfway through reading augustine's confessions, I think was when perceval finally clicked for me as a character in a later narrative cycle setting. I think I might have to spend a lot of time doing some visual research first because my god I cannot consistently draw armor to save my life......back when I lived in new england, there was a museum with a wonderful medieval armor collection I could visit.....alas.........I will have to hit the books (literally, I have a collection of books on medieval armor but this is apparently the one thing I can't visualize properly in my imagination. save me, museum collections, you're my only hope)

⭐️ credits for the collage panels! (all open access or public domain, etc.)

-Saint George and the Dragon -Saint George and the Dragon (different one lmao) -Pages and Knights, Frontispiece for "The Man at Arms" -Cloisters

⭐ if you like my comics and have a couple bucks, I have a tip jar (ko-fi)!

⭐ and other places I'm at! bsky / pixiv / pillowfort /cohost / cara.app

#knights knights knights! #sir perceval #sir aglovale #sir bors #generic medieval tag #komiks tag #long post #there’s a forbidden citation after the ‘does this not also apply to knights as well’ that cites some Templar related academia #we’ll see if I start getting into the Templars here tho

[sunshine-zenith]

A thought — Ballister and Ambrosius’s relationship probably wasn’t public in the movie until the end. They probably weren’t secretive about it, given how Todd (someone neither of them like or would confide in) was clearly antagonistic to Ambrosius after Ballister’s jailbreak, but even then that just might be because their connection was well known — they liked each other more than any of the knights liked them, most being neutral overall to Ambrosius and outright bullies to Ballister. No one in the public seems to know about them

Media perception is a reoccurring factor in the movie, with the opening scene giving exposition in the form of a news cast. During it, Ballister is shown to be controversial, with a there being a few comments questioning the Queen’s choices related to him. Ambrosius is also brought up as someone everyone’s looking forward to seeing officially knighted, with no one questioning his relationship with Ballister or even bringing it up

While everyone is fearing and hating Ballister after the Queen dies, Ambrosius is still popular among the masses — people stop him in the streets to get his autograph. Nimona, who admittedly probably didn’t do much digging into Ballister beyond the initial news reports on the Queen’s deaths, seemed surprised that Ballister and Ambrosius had a connection. She even had an “ohhhhhh” moment after picking up on their vibe the first time they saw each other post-arm chop (and yeah she initially calls Ambrosius Ballister’s nemesis, but she clearly clocks that something romantic was going on given the “arm chopping is not a love language!” comment). She also asks if he wants to die in a (literal) closet, which like. Y’all.

Before the Queen’s death, all their PDA is in private (on the catwalk) or subtly around other knights (helping each other put on their armor with lots of heart eyes and lingering hands). Otherwise, their interactions are those of Two People Who Are Close but aren’t necessarily explicitly romantic (Ambrosius wanting to throw hands on Ballister’s behalf, teasing each other, Ambrosius cheering with the crowd). Granted, there wasn’t a lot of screen time for them to just be happy before Everything Went Wrong.

We can’t really judge whether they were private from their interactions after the Queen’s death, since most are focused on a “so this traumatic thing happened and I don’t know where we stands right now” vibe or have them just fighting. The three times Ambrosius says he loves Ballister, one was just the two of them on the catwalk, one was in a mental rant and not actually out loud, and one was while they were trying to hide their identities. Ballister continues to defend Ambrosius, saying he’d believe them if they could just talk and that the arm thing is just “complicated,” “part of their training, up until Ambrosius outright tries to arrest them (which might as well be a breakup without saying “we’re breaking up”).

In the comic, the Director says she knew about their relationship and that she disapproved. Given how much she manipulates things, it wouldn’t surprise me if she knew in the movie, and encouraged them to downplay things at least — “you should keep your private lives private so you don’t taint your public images/yes we support you, obviously, but you’re here to protect the people, not show off to them/you don’t want to overshadow things with more controversy, wait a few years until after you’re knighted/what if this is just a phase, it would be a mess to clean up if you go public now/people will talk if they hear Gloreth’s only current descendant, a promising young man, is being courted by someone they aren’t certain about who comes from nothing and can’t pass your genes on/you have each other, shouldn’t that be enough?/etc.”

We don’t see them be in a relationship publicly until after the wall — the symbol of fear of the unknown, systematic abuse and oppression, refusal to learn and grow, and let’s be real homophobia/transphobia — comes down and the Director — the one going to murderous extremes out of fear of change — is dead

I dunno. This movie is a large celebration of being queer, but it’s also about how queer people are demonized by society to the point of everyone suffering. Ambrosius is the model minority everyone loves but no one knows because all eyes are on him; Ballister is both tokenized and targeted from the moment the public meets him, having to prove himself over and over until the public unquestionably turns on him entirely; and Nimona is called a monster for just being herself. All three already had to hide who they really were. I’m not 100% sure if Ballister and Ambrosius were out or not about being together, but it’s not a stretch to see, and it fits in with the themes/arcs of this movie

#this is a mess #nimona #nimona movie #spoilers #ballister blackheart #ballister boldheart #ballister x ambrosius #ambrosius goldenloin #the sun shines #meta #cy meta #long post #broke 100 #broke 500 #broke 1000

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags??? #new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine) #anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...??? #eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it? #and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks