I wonder if we’ll see any of the kids in dragons rising all grown up. It’s been like five years. Are we gonna see teen Unagami? Young adult Nelson? Young adult Antonia? What are they up to post-merge? I wanna see them 🥺🥺
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I'm only halfway though Hbomberguy's new video and I dont know if this is a universal experience but my main horrified takeaway from hbomb's plagiarism video so far is that one of my highschools TAUGHT AN ENTIRE CLASS OF 13 YEAR OLDS TO PLAGIARISE. LIKE, ON PURPOSE.
I ended up moving to a much better highschool, but my first highschool essentially taught us to "write" essays by reading what someone else had written and then write what they said again but putting it "into your own words". Which in practice was teaching us to change, for example, "the works of Shakespeare were regarded by many as the first popular art form" to "Shakespeare's plays have been said by some to be the first example of popular media". One teacher actually told us that the process of writing an essay was "saying what the people you've researched have said, in a way where it sounds like you said it".
Like. The tactics that actual plagiarists use to hide the fact that they were stealing. An actual teacher tried to teach me to do that.
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Also commented this on a tumblr post
I can see why Ray is so much different with Henry than with danger force. Henry was one sidekick. Danger force was four. Henry wasn’t a trouble maker and listened to all of Rays commands, danger force don’t. Henry is patient, danger force is not. Henry grew up with a very close bond to Ray. Ray is probably heartbroken still from losing Henry, and can’t find a new companion. The duos bond was one of my favorite things in the show, I loved it so much.
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Sometimes I think back on the 9+ years I've been a fan of PMATGA.
With so much time that has passed, I've come to terms with the fact that the show is never coming back to continue its run. I've made peace with it and know that the chances of Namco picking it up again are next to none because of the show's poor ratings during its run.
It hasn't stopped me from being a fan though, and I can still appreciate its influence in my childhood while acknowledging that the show's over and it's closed its chapter, both in my life and just in the animated series sphere in general.
...BUT THEN sometimes I look back and nostalgia and fixation hits like a runaway brick train and all I can think of is DAMN YOU NAMCO PLEASE BRING IT BACK 😭
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really not sure how I feel about the ending to travelers, or the show as a whole. it has such a fascinating concept and builds an incredibly rich world off of that, but there are so many pitfalls to how it's constructed. I've never seen such a rollercoaster of quality that's SO rapid. i'm talking 10 to 1 in the space of a minute and back again, over three entire seasons. insane. LONG POST INCOMING
good stuff:
the direction is amazing. visually, the show is beautiful, and sets up shots that are consistently creative and designed to depict the emotion the scene is supposed to evoke, which I've never seen done so artistically. we'll see half of marcy's face when she's lying. we'll see kathryn filtered through soft light when maclaren looks at her. blood and sunlight is shown in stark contrast. action scenes have moments of intense stillness in the middle, which make the violence so much more shocking. philip's addictive eye-drop medication is always shown dripping down his face like tears. standout eps for stuff like this are '17 Minutes', and 'Protocol 3'.
fairly anti-copaganda for the most part. it's rare to see.
the acting is wonderful. jared abrahamson (trevor), reilly dolman (philip) and jennifer spence (grace) especially blew me away. trevor's dual energy of sprightly teenager and wise old man had to be very difficult to get right, but it was done perfectly. when he stares down his host's abuser in 'Update' his eyes were nearly black; you could imagine a 400 year old man and the rage he must have accumulated through centuries of hardened existence. philip was a character who wasn't allowed to live up to his potential, and I will be repeating this, but the scenes he had were devoured. he had an addiction to multiple substances, he was mostly ignored by his team despite being the most crucial member, and he had not a single friend outside of his fellow travelers. the agony of all of this was portrayed to perfection. grace fulfilled a role that is normally given to a paunchy white guy, an annoying genius who gets away with inappropriate behaviour because they're clever. [the rodney mckay effect, one of many stargate echoes in this show, thank you brad wright.] she was absolutely hilarious and brought light to a very grim show at times.
the traveler missions were excellent. the pacing in these scenes was great, the plots were generally airtight, and the awareness of the audience's intelligence was thrilling to witness. i figured out mysteries exactly when I was supposed to, a few minutes before the fallout - so you see how the dominoes will fall, and you see how nobody could have caught them. SO on theme for this show. the one moment that did catch me off guard was maclaren's birthday party in s1. oh my god I was so mad at the gotcha jumpscare, it annoyed the hell out of me lmao
bad stuff:
my main gripe. this show is called travelers. this show spends only about 50% of its runtime with solely travelers. the rest of the time is spent with david (marcy's boyfriend who doesn't know she is from the future and possessing the real marcy's body), kathryn (who also doesn't know her husband, maclaren, is not her husband) and jeff (an abusive alcoholic who consistently tries to beat up his ex girlfriend, who is also now a traveler.) these people completely take over the show. they have multi-season arcs and entire episodes revolving around their problems with marcy/maclaren/carly, often domestic. attempts to give philip and trevor stories outside traveler missions are abandoned sometime around s2. when these civilian characters were abducted together in s2 I literally started calling them the Avengers of Being Annoying. I've said it before but imagine how awful the show leverage would've been if 20 minutes out of every episode sophie, nate and eliot left to talk to their individual spouses about their relationship problems.
there wasn't even a serious confrontation about the consent issues surrounding the takeover of someone's life - especially assuming a sexual or emotional relationship with that person's loved ones. like that should have been a huge ethical dilemma removed from simply possessing a previously dying body. like why are you now fucking your host's wife like it's ok??? you're not him and she doesn't know you????
it was grim. it was also very clear that david was a favourite, some writer had a crush on marcy's actress, and some other writer was apologising to his wife through the maclaren/kathryn storyline. or maybe I'm just a hater. idk
this show had an amazingly compelling narrative, but it sacrificed a great deal when it comes to character stories. these characters were established very well, and built up over season 1 to have great depth and rich histories... and then we never explored most of it. we don't know the original genders of philip, maclaren or marcy. we don't know about the families of philip or maclaren. we don't know if the main 5 knew each other well or just trained before coming to the past. the future is almost a complete mystery and that was what made it cool in season 1; by the finale? fucking annoying.
these characters' most emotional moments and deepest relationships happened with the 21st century people they emotionally abducted. idk why. maclaren had no reason to stay with his host's wife. trevor could have freed himself from high school sooner. carly (with philip's help) could have gotten rid of jeff very quickly. I don't know why they insisted on this aspect of the show when the main cast were so underdeveloped and remained so for 3 seasons. this, more than anything, made the finale seem very hollow. the main 5 were coworkers, and apart from philip, and occasionally trevor, marcy and carly, they weren't that invested in each other's wellbeing outside of their efficiency as agents. this was not the found family I signed up for.
basically:
7/10 show for me. very visually gorgeous, as mentioned, and besides the kathryn and david of it all, very tightly written. thanks for saving the world, I suppose. I'm going to go look at the sky.
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