Thinking about how both Vox and Alastor use a smile as a mask and tool of control. With Alastor is obvious but with Vox we see this when he's speaking with Velvette about Valentino, most noticably when the door opens up on the way to the Voxtech Angelic Security interview bit, and in Stayed Gone before he devolves into a fit of rage.
Thinking about how Vox pretty easily lets that mask slip though, and especially behind closed doors he doesn't even feel the need to wear it in the first place. Times when he's comfortable and at least not challenged in a way that he needs to assert his control. Why would he if he's just hanging out in his own space with his partners?
But.
Thinking about how Alastor wears it 100% of the time, even when he's alone in his radio tower. Thinking about the conversation he had with Charlie to the beginning of episode 7.
Thinking about how Alastor is so affected by the hold over him that his deal has, that he NEEDS to wear the smile at all times to grasp at any straws of control he feels he has in his own life.
Thinking about how Vox wears his smile for other people but Alastor wears his smile for himself.
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The whole framing of Lestat as the sole symbol of patriarchy that fandom is so desperate to put him in doesn't work unless you deliberately ignore how he was also a victim of rape and abuse before he was turned. People want him to be fit into this strict role of "father figure/violent husband/perpetrator" that is only that and not even a whole person, and in doing so they need to push aside the fact that despite being his family's provider, he was also pushed into that role when his father forbid him from joining a monastery or gaining an education that he wanted. Lestat wanted to run away with a theater group as a kid, and actually managed to do so once Gabrielle gave him her blessing and monetary support in order to go to Paris. He didn't always want to be the provider, he was forced into that role and became despondent when he thought he would never get a chance to leave his home.
His new life prior to being turned is pretty much the antithesis to the whole "Lestat is a manly man who would sooner throw up than be compared to a woman" spiel: he lived with another man in Paris while also being an actor, having left his family and "responsibility" to them. The only family member he was ever close to was his mother, all the other male members shunned or ridiculed him. Add onto that the fact that his turning firmly placed him within the role of the damsel/victim: he's kidnapped from his bed by a stranger, taken into a tower and left to rot while being fed on for a week, before then being raped and violently turned all while never even being asked if he would consent to it in any normal circumstance. But you of course have to ignore all of this if you want him to only represent the aggressor/patriarch while Louis is the helpless unhappy matriarch of the family.
My issue isn't that I think Louis isn't a victim, it's that it's not unrealistic for Lestat to be an aggressor/abuser while also displaying traits that aren't regularly assigned to stereotypical depictions of male characters. He's abusive to Claudia while also having been a victim of abuse from his own family. He's not a good maker/teacher, but he also didn't even have one when he was turned. He's the provider/attempted protector of the family and seemed to like being that, while also having run away from his own family prior to this to act in a theater in Paris. He's a rich white man while also being obviously effeminate in public spaces, even to Tom's own bigoted humor.
Like Louis' own complicated story with being his family's benefactor and provider, you can't firmly place Lestat as being one thing or another in terms of gender ideals without deliberately ignoring parts about him that don't fit this. And I don't think it's an absolute necessity, when even in Louis' own story, Lestat isn't stripped of his effeminate mannerisms or behavior while also being the abusive maker/father/lover.
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I was looking through some of my old scans from the first Wedding Peach manga volume to see if I had a copy of Peach's "Wedding Kick" attack when I got sidetracked by this part of the second chapter where Yuri and Hinagiku return from an evil vortex with the life sucked right out of them.
Peach can't believe her friends are really gone, but luckily she can harness the power of love and the pair are revived as Angel Lily and Angel Daisy. Hooray for the power of love!
It's honestly kind of horrific in retrospect that the heroine of a kids' comic was faced with her two best friends dying in her arms in the 2nd chapter. But it's no big deal, everyone! Lily and Daisy don't seem to notice and nobody ever mentions it again. Wheee!
I kind of love how things just sort of *happen* in these media mix titles? I appreciate how you've got a group of creatives trying to figure things out with deadlines looming and not everything sticks. If the team decides not to make a big deal out of an event then they ignore it afterwards, or a hastily assembled magical weapon can be replaced with something more commercially viable down the track.
In this case it's just hey let's not bring up that time Yuri and Hinagiku were dragged lifeless out of an evil void and Peach gave them sparkly friendship sob-CPR or whatever until they were revived angelically... and stuff. ¯\_(ツ)_/¯
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while i think we all knew that this day was coming, i still chose, for seven years, not to give up hope. i put my faith in mappa and the yuri on ice team and while i'm not surprised by the cancellation, i'm still so dissapointed.
listen, i understand. there were a lot of factors that made production and release hard. it wasn't meant to be. i get it. but it still hurts. i still think we deserved clearer communication on this.
yuri on ice was a major part of my life for so long. that show opened my eyes to healthy queer relationships and made me realize that i was queer myself. watching the episodes as they came out and debriefing them with my friends was the highlight of my week. i have consumed fanworks from incredibly, astoundingly talented artists. i have created fanworks. i have talked to and connected with so many amazing people, all because of this show.
yuri on ice got me through the darkest points of my life. when shit hit the fan, i'd curl up in bed, wrapped in my blanket from hot topic, and loop the soundtrack to ground myself. yuri on ice has been there for every major turning point in my life, and comforted me through it.
although more recently i haven't been as involved in the fandom, it's still so, so dear to me. i'm sitting here, writing this, surrounded by yoi merch i've collected over the years. keychains, plushues, stickers. i'm blowing my nose with tissues from my makkachin tissue holder.
...it's just so surreal that the movie has finally been put to rest. but i'm happy to have known and loved this fandom, and i will carry these memories with me, always.
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Those days when you can't pick what to eat but are just excited by the food court options
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