#Kathleen Lloyd | Explore Tumblr Posts and Blogs

papermoonloveslucy · 7 months

Text

THE FACE IS FAMILIAR… BUT I CAN’T PLACE THE NAME!

Same Actor / Different Character ~ Part 2: “The Lucy Show"

It used to be quite common for actors to be cast in multiple roles on the same series. Not in principal parts, certainly, but in supporting and minor characters. Lucycoms were no exception. Although the world created by these shows was representative of reality, the characters who populated them often gave viewers Deja vu.

For the purposes of this discussion, we won’t include background performers (aka extras) as they were nearly always drawn from the same pool of actors. Also, those who played multiple characters need to have at least one of them identified by name.

MARY JANE CROFT

Croft (a veteran of "I Love Lucy") was introduced to viewers as Audrey Simmons in 8 episodes from episode 8 in 1962. When the show's location was changed to Los Angeles, Croft also changed - into Mary Jane Lewis, which was her legal name during her marriage to producer / director Elliott Lewis. When Vivian Vance left the cast, and Lucy failed to fill her 'second banana' spot, Croft's role became increasingly more integral to the show. The second MJ was seen in 31 episode, including the series finale.

CAROLE COOK

A protege of Ball's from the Desilu Playhouse, Cook was introduced as Thelma Green in five episodes set in Danfield. Unusually, during that time she also played Betty Jo Hanson at "Lucy's College Reunion" (1963). Perhaps the episodes were aired out of filming sequence. When the show moved West, she played socialite Mrs. Valance for three episodes, and a variety of other characters (large and small) in 11 more.

ROY ROBERTS

Roberts was best known as Bank President Mr. Cheever, a role he played in 14 episodes starting halfway through season five and including the series finale. But he first appeared as the Admiral in "Lucy and the Submarine" (1966). Roberts was likely typecast as Mr. Cheever after playing a similar role on "The Beverly Hillbillies" from 1965 to 1967.

MARY WICKES

Wickes was a great friend of Lucille Ball's. While she only made one appearance on "I Love Lucy", she was seen much more frequently on "The Lucy Show". In her first appearance she played a character named Mary Wickenhauser, Wickes' birth name. It wasn't long before she was back as Fran, one of the Danfield volunteer firefighters, in three episodes. When the series went to LA, she was Lucy's Aunt Gussie in two episodes, followed by one-offs Miss Winslow, Miss Hurlow, and Aunt Agatha. In total, she played 6 characters in 9 episodes over 6 seasons! And that's just on one series!

LUCIE ARNAZ

Before she joined the cast of "Here's Lucy" as a series regular in 1968, Lucy's daughter was given opportunities to perform on "The Lucy Show", although in small roles. In Danfield she was seen as Chris's friend Cynthia in several episodes. In LA, she played several different teenagers in five episodes.

HERB VIGRAN

Vigran started out as Dr. Jacoby, the umpire of Danfield's softball team, in two episodes. He went on to play a variety of others: a doctor, a vet, a postman, and a computer salesman that was referred to as "Mr. Vigran"!

DOROTHY KONRAD

Konrad used her own first name as a member of the Danfield Volunteer Fire Brigade in two episodes, then used her last name as one of Lucy's college alumni in another. She also played bank secretary Mrs. Hutton, and babysitter Mrs. Fletcher.

JOAN SWIFT

Swift was most often seen using her own first name as a Los Angles co-worker of Mrs. Carmichael's. She also played an airline passenger, a French maid, and characters named Laurie and Dottie.

KAREN NORRIS

Norris was seen in six episodes, each time as a different character, but all with dialogue. Her most significant role was as Babette Edwards, a woman about to have her sixth child in "Lucy and Viv Play Softball" (1963).

LEW PARKER

Parker played Joan Crawford's agent, a movie producer scouting Frankie Avalon, Phil Harris' music producer, Mr. Mooney's lawyer AND his psychiatrist! In some episodes he used his own first name, in others he used his own last name.

PARLEY BAER

Baer Started his "Lucy Show" life playing the man who sells Lucy Clementine the sheep. He went to be seen as two judges, an army colonel, and a doctor. Is it any wonder he was one of the most familiar faces on television?

KATHLEEN FREEMAN

1964 was a big year for Freeman, who appeared on "The Lucy Show" five times in four different characters. She was known by her own first name in two episodes, but also played Olga the cook, Mrs. Putnam the maid, and Mrs. Blake the nurse.

GARY MORTON

Morton was Lucille Ball's real-life husband, and also a producer on "The Lucy Show". His first role (not surprisingly) was as Lucy's boyfriend, named Gary Stewart. As a stand-up comedian, he was able to handle dialogue and was cast in three more small roles, one time using his real surname. In the end credits, he used his birth name Morton Goldaper. Speaking of Lucy's boyfriend...

KEITH ANDES

Andes had played Lucy's love interest on Broadway in Wildcat (1960), so it wasn't a reach for him to do it again on "The Lucy Show." He played Bill King on two episodes set in Danfield. In Los Angeles he was back as Lucy's love interest, but this time named Brad Collins. Collins is an airline pilot, just like Lucy's boyfriend in Danfield, Harry Connors (Dick Martin). Collins was also the surname of Viv's steady boyfriend, Eddie (Don Briggs), back in Danfield.

LOU KRUGMAN

Krugman was one of Lucille Ball's favorite performers. He was instantly recognizable as the film director coping with Lucy Ricardo and her ungainly headpiece. On "The Lucy Show" his first appearance was as a Chemistry teacher named Dr. Adrian Vance (after Vivian, of course). He played a music producer named Barney Miller (no relation to the TV detective), and finally returned to playing a film director, again coping with Lucy as she watches John Wayne film a western.

JONATHAN HOLE

Hole made his first appearance with Lucille Ball in 1966, playing a department store manager named Mr. Collins. That same year he was Mr. Haskell, a Palm Springs hotel manager where Lucy and Carol sing. Finally, he used his first name to play Jonathan Winslow, father of three rambunctious chimps babysat by Lucy.

RETA SHAW

Shaw was a popular character actress from film (Mary Poppins), stage (The Pajama Game), and television ("The Ghost and Mrs. Muir"). She was seen as 3 different characters on "The Lucy Show" starting as a girthy granny at the fairgrounds when "Lucy Misplaces $2,000" (1962). In "My Fair Lucy" (1964) she was dominating Dora Dunbar, wealthy socialite. Finally, she played Mrs. Foley, owner of a roadside stand selling maps to the stars homes when "Lucy Goes to a Hollywood Premiere" (1966).

HARVEY KORMAN

Korman is best remembered from his hilarious work on "The Carol Burnett Show", but he was also worked with Carol's mentor, Lucille Ball, playing 3 roles on "The Lucy Show." First he was Mr. Slater, manager of a day camp where "Lucy and Viv are Camp Cooks" (1964). The next year he was twitchy stockbroker Mr. Phillips. During the series' first LA episode, Korman played Major Grayson, who is in charge of a military academy.

PAUL WINCHELL

Paul Winchell was best known as a ventriloquist and the inventor of an artificial heart (seriously). In 1966 he played himself on "Here's Lucy," also showcasing some of his most famous creations. The following year he was cast as Doc Putnam, a little old man, in a two part musical episode "Main Street USA". He was barely recognizable. The role required him to sing and dance, which led to a falling out between his daughter and Lucy. She felt that Lucy was working him too hard and being exceptionally cruel.

KASEY ROGERS

Rogers is best remembered for playing Louise Tate on “Bewitched” from 1966 to 1972. For Lucy, she played Miss Cavanaugh, manager of a flight attendant training school attended by Lucy and Carol (Burnett). In the final season, she played Miss Carroll, secretary to Phil Harris.

LLOYD CORRIGAN

Corrigan appeared in two films with Lucille Ball before joining her on the small screen as Mr. Holly of Holly Cleaners on the first season of "The Lucy Show". He returned to play gentleman crook Carter Harrison (a name that when reversed is given to Gale Gordon's character on "Here's Lucy" and the unnamed proprietor of a Los Angeles Christmas Tree stand.

TED ECCLES

Teddy Eccles was the second child actor to play Arnold Mooney. When Mr. Mooney and Lucy moved to Los Angeles, their children were hardly ever discussed. So Eccles was given the roles of cadet Harold, and Barry the choirboy.

HAL SMITH

Smith was best known as Otis the drunk on "The Andy Griffith Show," filmed at Desilu. For "Lucy" he played Mr. Wilson, one of the dads on an all-dad (plus Lucy) camping trip, and tuba-toting Mr. Weber in the two episodes set on "Main Street" of Bancroft.

WILLARD WATERMAN

Former "Great Gildersleeve" on radio, Waterman played TV host Greg Gregory in “Lucy and the Plumber” (1964), followed by Tex Critter at the dude ranch in "Lucy the Rain Goddess" (1966).

DICK PATTERSON

Patterson was a Broadway performer who played the "doctor" in "Lucy and the Beauty Doctor" (1966). The "doctor" was actually a TV host for a hidden camera show. He returned seven months later to play Marty King, director of Danny Thomas’s television show.

DORIS SINGLETON

Doris had originated the role of Carolyn Appleby on "I Love Lucy". On "The Lucy Show" she first played Ruth Cosgrove in "Lucy and Art Linkletter" (1966). Her character name was the real-life name of Milton Berle's wife, who would actually appear in season five as herself! Singleton returned to the series when "Lucy Gets Her Diploma" (1967) using her own first name. Doris (the character) has very little to do with the plot. Her scene might have been originally meant for Mary Jane but reassigned to Singleton due the indisposition of Croft.

RUTA LEE

Lee made her big screen debut in MGM’s Seven Bride for Seven Brothers in 1954. She was seen in many Desilu shows, finally acting opposite Lucille Ball on “The Lucy Show” as “Lucy’s Substitute Secretary” (1967). That same year she played herself opposite the aforementioned Ruth Cosgrove-Berle!

JACKIE COOGAN

One of the first child actors in Hollywood, Coogan is best remembered as Uncle Fester on "The Addams Family." He was mentioned on "I Love Lucy," but finally meets her face to face as Lieutenant Ruggles in "Lucy and the Military Academy" (1963). Five years later he was back as Mr. Burton, manager of a drive-in hamburger stand when "Lucy Gets Involved" (1968).

JAY NOVELLO

Novello started acting with Lucy on her radio show and was also seen on "I Love Lucy." In this series he plays Mr. Bundy, candy shop owner and safe cracker , and (1963) Tony DiBello, owner of an Italian Restaurant (1964) where Lucy takes her millionaire date.

OTHERS WHO HIT A DOUBLE

Jack Benny (Harry Tuttle / Himself)

Lyle Talbot (Mr. Stanford / Howard Wilcox)

Dan Rowan (Colin Grant / Dan McGowan)

Barbara Morrison (Mrs. Walker / Mrs. Winkler)

Cliff Norton (Mr. Bentley / Ike)

Tommy Farrell (Pete Murdock / Harry)

Jack Collins (Rocky / Ernie)

Howard Caine (Harold / Paul Roney)

Byron Foulger (Fred Dunbar / Mr. Trindle)

Eddie Quillan (Mr. Vincent / Briggs)

Elliott Reid (Ross Dowd / Dr. Oscar Kurtzman)

Phil Vandervoort (Alan / Tommy Watkins)

4 notes · View notes

camyfilms · 11 months

Photo

WHO FRAMED ROGER RABBIT 1988

I'm not bad. I'm just drawn that way.

6 notes · View notes

unwelcome-ephestion · 10 months

Text

One of my recent theses is that Aspects of Love is a concept musical masquerading as a book show, which is why it is so misunderstood. I thought I would outline this thesis here.

First, it starts with Love Changes Everything. Its 2023 revival moves the song to the middle of Act 1 in order to have it sung by Michael Ball, which is a key error (Ball plays George in the revival, rather than Alex, who he originated in 1989). The song is here:

It’s quite literally a thesis on love, extraneous to the book - Alex’s naive thesis on love. What’s interesting is that it is only the first thesis on love we get. When we first meet George, Alex’s uncle, who lives hedonistically and flits between lovers just as Alex believes that Rose is his one true love, he sings this:

Life goes on, love goes free is George’s philosophy. Both of these moments are much more typical of a concept show than a book show, and seem indicative of Lloyd Webber (as book writer, though not lyricist) being inspired by the Prince era in the States, and in particular I would argue A Little Night Music, where songs like The Miller’s Son highlight philosophies of love to be analysed within the context of the show. What is interesting about Aspects is that neither Alex’s nor George’s philosophy remains unscathed. By the end of Act 1, George is married to Rose, and Alex reprises Love Changes Everything on the way to the army, to destroy himself in his loss of Rose. By the end of the second act, it is George who will have died, destroying himself over his possessive incestuous love of his daughter Jenny with Rose, and Alex who rejects both Rose and Jenny in order to flit like George did with his old lover, Giulietta. The final reprise of Love Changes Everything is crucial (and foolishly omitted from the 2023 revival!) as heard below:

Heard at 4:40 on the above track, we hear the final line twice: love will never never let you be the same. When Alex originally sang this, it was a naive take on the power of one true love. With all we know now, the song has totally changed its meaning - love has the power to bouleverse everything in your philosophy and turn you inside out, Alex into a hedonistic cynic and George a man who dies for love. The ability of the one song and lyric to develop like that over time is much cleverer than it is given credit for and one of the reasons I think it works much better in context.

Although Aspects has a quintet of lovers, the final one who experiences that true bouleversal is Rose. Rose does not outline a thesis in the same way, but she scorns Alex early in the show, telling him that if he can do one thing it is “just leave me”. Later, close to the end of Act 1, she begins to show her inability to be vulnerable when she tells George that he must promise to answer whatever she asks him with yes, and ends up marrying him. Both of these lyrical and musical motifs are repeated in the culmination of Anything But Lonely, where (from 2:44) we hear:

Rose: Just promise one thing.

Alex: Alright, what is it?

Rose: Don’t ask me questions; you must promise this.

Alex: I can’t; I must know what it is.

Rose: Don’t leave me!

Whilst Rose doesn’t have the same thesis outlined, she is proof of the same fact that love changes everything. And whilst I have criticised song placement in the 2023 production, and would also argue that it tries to sideline the more uncomfortable aspects of the show (incest and age gaps) that are actually vital to its plot, it is still up there with Oklahoma! as one of the most interesting shows currently playing in the West End and definitely requires a visit before it closes next month. Aspects of Love as a title lays out exactly what this show is - a conceptual analysis - and the show has been much maligned, I think, by being misunderstood as a traditional book musical.

2 notes · View notes

guillotineman · 1 year

Text

2 notes · View notes

moviehealthcommunity · 2 years

Photo

Who Framed Roger Rabbit (1988)

This is a Movie Health Community evaluation. It is intended to inform people of potential health hazards in movies and does not reflect the quality of the film itself. The information presented here has not been reviewed by any medical professionals.

Who Framed Roger Rabbit has a severe strobe of about 4 seconds as a character’s fingers get stuck in electrical outlets in the opening cartoon. A neon sign briefly strobes in daylight. Two scenes where a cartoon character drinks alcohol involve movement so rapid that it causes a mild strobe effect. A short scene in an elevator has moderate strobe effects. A late scene has cartoon strobe effects involving a giant magnet.

All of the camera work in this film is either stationary or very smooth. One brief scene shows peril at extreme heights, including an extended fall.

Flashing Lights: 7/10. Motion Sickness: 1/10.

TRIGGER WARNING: A horrific murder is committed on-screen as an intimidation tactic.

Image ID: A theatrical poster for Who Framed Roger Rabbit

#Movie Health Community #Health Warning #Actually Epileptic #Photosensitive Epilepsy #Seizures #Migraines #Motion Sickness #Buena Vista Pictures #Who Framed Roger Rabbit #June #1988 #Bob Hoskins #Christopher Lloyd #Charles Fleischer #Stubby Kaye #Joanna Cassidy #Kathleen Turner #Robert Zemeckis #Rated PG

16 notes · View notes

adamwatchesmovies · 2 years

Text

Baby Geniuses (1999)

While I didn't enjoy this film, that doesn't mean you won't. No matter what I say, the people involved in this project did it: they actually made a movie. That's something to be applauded. With that established...

I've said many times that there are no bad premises, only bad executions. Baby Geniuses has taken that thought behind the shed and blasted it with a double-barrelled shotgun. This is one of the worst films I’ve ever seen.

To prove that her method of education is the best, Dr. Elena Kinder (Kathleen Turner) and her associate, Dr. Heep (Christopher Lloyd) separate twins Sylvester and Whit (played by Leo, Gerry & Myles Fitzgerald and voiced by Miko Hughes) at birth. One twin is raised in a laboratory and the other by a kind couple (Kim Cattrall as Robin and Peter MacNicol as her husband Dan). What the scientists at BabyCo don’t realize is that babies are naturally capable of speaking in a language only they understand - until they grow out of it once they learn to converse with adults. When the brothers meet and are accidentally switched, the other babies under the scientists' care make it their mission to return them to their rightful homes.

This film’s story sounds even stupider as I’m trying to summarize it. None of it makes any sense, whatsoever. If babies are intelligent, why do they poop in their diapers? Why do they get fooled by simple peek-a-boo games? How is it they can’t figure out a way to communicate with the rest of us? Oh, because adults are too stupid to realize that the random notes they smash onto a keyboard actually translates into a beautiful symphony and that their random scribbles on a page are identical to ancient languages? Please.

It doesn’t get any easier to swallow when we see a baby jump up in the air and perform karate kicks or use tools to escape from secure locations. Their skulls haven’t even solidified and yet they’re able to incapacitate full-grown men, and not just random men, but armed guards? Movie. I don’t mind if YOU’RE an idiot, but don’t assume I’m an idiot.

Moving past that load of diaper gravy and we find this catastrophe that is a plot. It’s so brainless and idiotic that at first, you can have fun at its expense. The unconvincing CGI used to create a baby in a three-piece suit dancing to Puttin’ on the Ritz had me in stitches. Then, the film kept going and going and going. It grinds away your sanity and will to survive until you’re begging for it to end. You think you’ve seen lousy performances before. This picture takes it to a level of hell so deep it was deemed unfit for Satan himself. First, we have child actors on-screen. Not only are they children, but they’re babies so they have no idea what is happening around them. They’re basically looking off-screen at jingling toys with this stupid expression on their face. Then, they’re dubbed over by voice actors who are devoid of talent. We're talking dual-levels of awful. They’re almost enough to make you overlook the adults, who must have had nothing but regrets once they got on set because they bring no enthusiasm to their roles whatsoever.

There is no shortage of criticisms to be directed at Baby Geniuses. It features a terrifying animatronic baby (played by a man in a suit) who is sure to turn up again in your nightmares. The plot follows no logic. Writers Bob Clark (who also directs) and Greg Michael frequently run out of comedic ideas and instead start referencing other movies - even when it makes no sense. None of these criticisms accurately convey how agonizing it is to sit through Baby Geniuses. The picture relies heavily on you either finding any scene with a baby doing something it isn’t supposed to do hilarious or having an emotional meltdown at the sight of any diaper wearer. At no point is it more obvious than in the film’s overly manipulative conclusion, during which a montage of children is set to Gift of Love by Randy Travis. Thinking back to it makes me throw up a bit. And there’s a sequel to this? And it’s supposed to be EVEN worse? Diving into a crocodile pit is looking like a better option at this point. (On VHS, May 9, 2018)

#Baby Geniuses #movies #films #movie reviews #film reviews #Bob Clark #Greg Michael #Kathleen Turner #Christopher Lloyd #Kim Cattrall #Peter MacNicol #Ruby Dee #1999 movies #1999 films

3 notes · View notes