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#Lauren tepfer
lionfloss · 1 year
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Lauren Tepfer
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Liana Liberato photographed by Lauren Tepfer (March 2023)
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lordebowie · 2 years
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In São Paulo, running towards 26. Photos by Lauren Tepfer
Lorde’s Newsletter, Nov. 9th 2022 - “PART TWO: A little spiel and a REINTRODUCTION!!!!”
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epellucid · 9 months
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via
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mariska · 2 years
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"From Mitski:
Photographer [Lauren Tepfer] sent us her photos from both our NYC Radio City shows, and I got really emotional looking at all her shots of the audiences. Thank you all for being present, for connecting, for bringing your lives and experiences to the music. A show isn't just about what happens on stage, it's about the magic of a bunch of strangers bringing their lives together, to create a moment that has never happened before, and will never happen again. Every night I'm awed by that magic. Thank you for the beautiful dream."
(via Mitski's official instagram page mitskileaks)
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liminalweirdo · 2 months
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Teen spirit in suburbia: Lauren Tepfer’s evocative images – in pictures
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lorde-daily · 9 months
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Lorde by Lauren Tepfer
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lovethatlaiduslow · 1 year
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how long’s the chevy been on cinder blocks?
$20, boygenius // suburbia at dusk, lauren tepfer // the sea worries once, mate
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lucentmusic · 8 months
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Lorde pictured by Lauren Tepfer - via new email.
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lordeemailarchive · 2 years
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PART TWO: A little spiel and a REINTRODUCTION!!!!
(09/11/2022) (Solar Institute Bulletin No. 20) (From Rio de Janeiro)
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In São Paulo, running towards 26. Photos by Lauren Tepfer
Good morning cuties… or should I say Oi!!!! I landed in Brasil a few hours ago. The pop star river runs — stumble half asleep into a waiting car, get to a lovely hotel room, eat some papaya off a gorgeous fruit plate, shower, crash out. I sit typing this at a wooden table near a window, looking out over Sao Paulo. A security guard waits in the hall outside my room. In total there are five men being paid to protect my body this week. I love coming to Brasil, and South America in general, and look forward to it for years. I can never believe the way the Brasilian kids took to my music, this kid from so far away somehow making sense to them, and the shows are totally electric and emotional and play on a loop in my brain for years. I love the food and the architecture and the trees. I’d be lying if I said it wasn’t a completely surreal feeling getting on a plane in one country with relative physical anonymity, and getting off in another to literal flash-using paparazzi and gorgeous crying kids. It happens for all of 10 days of a year, so I still think it’s sort of bizarre and eerie and a little bit fabulous, someone else’s life. I’m struck by how truly odd the notion of having a security guard is, still like something out of a movie to me, and how inextricably linked it is with coming to America. My first security guard met me at LAX and guided me through a scrum of autograph hunters with a gun tucked into his belt. Proper Dorothy not in Kansas any more moment. Today I feel like an exotic tropical fish, big slow blinks and gorgeous fins, and I’ll swim around and around in my little bowl until showtime. 
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My pretty fishbowl
When you read this, by the way, I’ll be twenty fucking six. TWENTY SIX! Kinda can’t believe that, but on the other hand, absolutely can. It’s been a lifetime already, you know? Besides, the lines are only fine, my body’s fitter and stronger than ever and the spiral winds around in ways I’m finding more and more rewarding. Happy to be in this beautiful country on the day the portal opens.
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Taken at sunset on birthday eve
So. Tour update incoming. But first, a spiel! I don’t know how much you’ve been following the live music industry conversation, but lemme hit you with a five minute explainer, cause I think it’s interesting, and good to know about if you’re going to concerts at the moment. Basically, for artists, promoters and crews, things are at an almost unprecedented level of difficulty. It’s a storm of factors. Let’s start with three years’ worth of shows happening in one. Add global economic downturn, and then add the totally understandable wariness for concertgoers around health risks. On the logistical side there’s things like immense crew shortages (here’s an article from last week about this in New Zealand), extremely overbooked trucks and tour buses and venues, inflated flight and accommodation costs, ongoing general COVID costs, and truly. mindboggling. freight costs. To freight a stage set across the world can cost up to three times the pre-pandemic price right now. I don’t know shit about money, but I know enough to understand that no industry has a profit margin that high. Ticket prices would have to increase to start accommodating even a little of this, but absolutely no one wants to charge their harried and extremely-compassionate-and-flexible audience any more fucking money. Nearly every tour has been besieged with cancellations and postponements and promises and letdowns, and audiences have shown such understanding and such faith, that between that and the post-COVID wariness about getting out there at all, scaring people away by charging the true cost ain’t an option. All we want to do is play for you. Profits being down across the board is fine for an artist like me. I’m lucky. But for pretty much every artist selling less tickets than I am, touring has become a demented struggle to break even or face debt. For some, touring is completely out of the question, even if they were to sell the whole thing out! The math doesn’t make sense. Understandably, all of this takes a toll — on crews, on promoters, and on artists. You’ll notice a ton of artists cancelling shows citing mental health concerns in the past year, and I really think the stress of this stuff is a factor — we’re a collection of the world’s most sensitive flowers who also spent the last two years inside, and maybe the task of creating a space where people’s pain and grief and jubilation can be held night after night with a razor thin profit margin and dozens of people to pay is feeling like a teeny bit much. Me personally? I’m doing pretty good. You guys have come to the shows in such mammoth numbers (we sold almost 20,000 tickets in London, like what the hell) and not having crippling stage fright hanging over me for the first time is such a fucking blessing that you could tell me I had to cycle from city to city and I’d still be loving it. But I’m not immune to the stress — just a month ago I was looking at a show that was pretty undersold and panicking, only for it to sell the remaining 2000 tickets in ten days. Wild stuff. I wanted to put all of this in your minds to illustrate that nothing’s simple when it comes to touring at the moment, and if your faves are confusing you with their erratic moves, some of this could be playing a part. So, without further ado, some updates:
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I know it seemed extremely sus that the Down Under edition of The Solar Power Tour would ever happen. But it's almost that time! I'm honestly really glad it worked out this way, we're playing so well, and I have so much to bring to these shows now I know it inside out. So consider this a REINTRODUCTION to the tour. We're coming. It's happening. Lesgo.
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-- We are thrilled to be adding a show at the Adelaide Festival on March 16th. I’m psyched about this, haven’t played in Adelaide since 2014! -- We have to cancel New Plymouth. I would love to wrap it in something to save face but honestly, it’s a pandemic and we haven’t sold enough tickets! I’m bummed, I love that venue, and I hope to play it some day in the future :—) -- Conversely, we are adding a second show at Black Barn. Yes, I know this sounds insane but the powers that be are telling me that’s what we should do. Can’t wait to find out if this was a smart move in real time alongside you, lol! This show will take place on March 2nd, and if you come, I promise you something special and completely one-off, how’s that? ticket info here. pre-sale code: strangeairlines -- I’m EXXXXTREMELY thrilled to announce the support acts for these shows - Fazerdaze and RIIKI REID in Aotearoa, and the absolute huns MUNA in Australia!!! The sublime Laura Jean will join us for Perth — you know how I feel about Touchstone and now I raise you Girls On The TV. You’re welcome. I’m really excited to play in this part of the world — it’s always a super special time for me coming home. Makes it more real. I hope I’ll see you there. We’re gonna do a little flash sale on tour merch — fab quality, fab designs, would cop if I were you. To finish, some recent Mexico pictures I loved, from Lauren’s clever lens. 
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Love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love, love (twenty six times!), L x x x x x x x PS:
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(source: received this email)
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lionfloss · 1 year
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by lauren tepfer
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uheccoloancora · 1 year
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Lauren Tepfer
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gooddogtyson · 9 months
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i love these so much god bless lauren tepfer
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sdotilver · 2 years
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Lorde by Lauren Tepfer
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