#Marie Haushofer

[hauntedbystorytelling]

die Amazonen - Festspiel, 1899

In her festival play, Marie Haushofer presented roles that women had played in different eras and centuries. At the same time, she also traced the path of women in their cultural-historical…

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The Amazons. Scene for Marie Haushofer's play "Twelve Culture Pictures from the Life of Women" (October 18-21, 1899), created in the famous photo studio Atelier Elvira in Munich. © Munich City Archives

#Atelier Elvira #Anita Augspurg #festspiel #frauentag #group portrait #Marie Haushofer #Sophia Goudstikker #modern women #Amazons #theater play #role portrait #Rollenporträt #Amazonen #Hofatelier Elvira #1890s #Stadtarchiv München #szenenbild #tableau vivant #theater costume #Marie Haushofers Festspiel #München #Festspiel #women artists #women rights movement #women day #theatrical costume #empowerment #Munich

[eannpatterson]

Achievements, happiness and the passage of time

A couple of weeks ago, I wrote about time as ‘a giant wheel rotating through cycles of creation and destruction leading, over aeons, to the birth and death of entire worlds’ [see ‘Aeonian cycles of creation and destruction’ on October 18th, 2023].  I had written previously about Aristotle’s view of time as the measurement of change and how Newton believed that time passes even when nothing…

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#happiness #Marlen Haushofer #Mary Midgley #Miguel Angel Asturias #time #well-being

[twafordizzy]

Marlen Haushofer ontmoet een onbekende

Een Oostenrijkse schrijfster die ik niet kende, maar het verdient aandacht te krijgen. Ik heb het over Marlen Haushofer (1920-1970, Frauenstein), die in haar korte leven veel schreef en met Die Wand haar bekendste boek publiceerde. Marlen Haushofer werd als Marie Frauendorfer geboren en was vroeg fantasierijk en weetgrierig. Ze blonk op school in het schrijven van opstellen. Moeite in haar jeugd…

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#20-ste eeuws #bitter inzicht #Christian #depressief #droefheid #echtscheding #eenvoudige taal #fantasierijk #het kleine #internaat #levenshonger #Manfred Haushofer #Marie Frauendorfer #natuurverbondenheid #observerende blik #oordeelloos #Oostenrijk #opstellen #schrijfster #weetgierig #zonder moedeloosheid

[auda-isarn]

" Enfermée dans la forêt, derrière un mur invisible, une femme se trouve être l'unique survivante de l'humanité.

Alors que j'avais ressenti de l'ennui devant son adaptation au cinéma par Julian Pölsler , j'ai été un peu embarrassée que l'on m'offre pour mon anniversaire Le mur invisible, roman de l'autrichienne, Marlène Haushofer.

En fait, ce livre écrit en 1963 est totalement génial et je l'ai dévoré d'une traite. Merci donc à l'ami qui m'a fait ce cadeau !

Le synopsis est incroyable :

Enfermée dans la forêt, derrière un mur invisible, une femme se trouve être l'unique survivante de l'humanité.

Que s'est-il passé ?

On ne le saura jamais vraiment !

Elle voit, comme à travers une vitre, le reste du monde entièrement détruit. L' auteure , mère de famille provinciale et assistante au cabinet dentaire de son mari, donne à son roman la forme d'un journal de bord que la narratrice tiendrait pour faire face à cette expérience limite.

Page après page, nous découvrons ce que ce Robinson Crusoé au féminin met en place pour pouvoir survivre.

Son rapport à la nature, son inventivité.

L'effort constant et vain (?) qu'elle fait pour rester humaine, autant spirituellement que physiquement, alors que toute civilisation a disparu :

S'inventer des règles, repérer les heures, se donner un cadre. Continuer à se laver, se couper les cheveux, ne tuer que pour manger, pour ne pas sombrer dans la sauvagerie. Se concentrer sur le présent. Ne pas penser aux causes de cette catastrophe, à cette apocalypse, à la mort qui rôde partout.

S'agit-il d'une élection ou d'une punition? Est-elle une miraculée ou une damnée ?

Le mur invisible, c'est la prison à perpétuité sans gardien ni codétenu. La solitude, jusqu'à devenir folle.

Parler seul, désirer la mort, céder, puis se ressaisir. Le sursaut du corps. La joie d'un rayon de soleil, d'une framboise mûre, d'un travail achevé.

Et, par instant, même, le bonheur parfait.

L'harmonie totale avec la nature, l'adhésion au présent. Comme si cette situation extrême était l'aboutissement d'une vie. C'est à ce stade de son récit que la narratrice choisit de réfléchir sans complaisance à son passé et, à travers lui, au statut des femmes du milieu du 20 ème siècle et ce à quoi on les cantonnait: la maternité, la beauté physique, la sociabilité mondaine. Ces relations vaines et fades.

Ces coquilles vides.

Les remarques se font grinçantes sur ses préoccupations d'autrefois: ne pas être trop ronde, ne pas faire son âge...

Alors que dans la forêt, elle se métamorphose peu à peu en "paysan", au visage buriné et ridé, au corps amaigri et musclé, elle arrache ses bijoux et jette ses robes. La coquetterie d'antan lui apparaît désormais superflue et ridicule.

Ses mains calleuses et abimées deviennent ses plus précieux outils.

Son lien avec les quelques animaux qui partagent son existence est chaque jour plus fusionnel. En particulier avec Lynx, le chien du garde chasse dont elle a hérité. La tendresse et la dévotion sans faille de l'animal, sa complicité, sa façon de sentir la moindre de ses contrariétés, la moindre de ses inquiétudes, de l'aider en tout, de s'offrir à elle en consolation lui fait dire à la fin du roman que Lynx lui apparaît parfaitement humain.

C'est impossible, après la lecture de ce livre, de regarder les chiens sans éprouver une forme d'affection.

On pense au narrateur de la nouvelle " Construire un feu" de Jack London, lui aussi perdu dans une nature hostile, et à son rapport au chien tout aussi intime mais plus rude et violent.

La vache, Bella, comme une autre femme, une " soeur" qui la nourrit et est mère à son tour d'un petit veau.

La chatte capricieuse, indépendante et hautaine. belle et mystérieuse. Les chatons, les corneilles, les cerfs de la forêt. Plus le temps passe, plus la narratrice se sent proche d'eux et loin des hommes. Elle se réjouit finalement d être seule et que sa cousine et son mari ou le garde chasse ne soient pas là, enfermés avec elle. Cette solitude, c'est aussi la liberté absolue. Liberté qu'elle découvre au prix fort mais qu 'elle savoure à chaque instant.

La vie sans l'aliénation sociale.

La vie sans l'Autre.

Elle n'a à composer avec personne, à ne servir personne. Elle se souvient avec peu d'amour de ceux qui l'entouraient, même de ses filles devenues adultes, elle n'a de regret que de cet attachement qui la liait à elles alors qu'elles étaient encore très petites et qu'elle retrouve à présent avec les animaux dont elle prend soin nuit et jour.

On en vient même à se demander si la destruction générale du monde n'est pas un puissant fantasme de la narratrice, une pulsion de mort cosmique.

En lisant ce roman si singulier, je n'ai pas pu m'empêcher de voir dans cette image d'enfermement sous une cloche en verre la métaphore de l'infernale solitude des femmes dans une société où elles n'avaient encore que peu de place, où elles étouffaient littéralement sous les contraintes et les faux-semblants.

Ce mur invisible serait l'incarnation de cette prison sociale. De ces injonctions absurdes. De cette assignation au foyer et à la maternité.

Les animaux y représenteraient les enfants, à l'âge où ils dépendent entièrement de leur mère, les enfants qui donnent une raison de vivre lorsque l'on ne comprend plus rien à la place et au rôle que veut nous faire jouer la société.

Les enfants qui de tout temps ont permis aux femmes d'oublier par leurs sollicitations incessantes la vanité de leurs existences.

A chaque moment de découragement, à chaque passage où l'héroïne s'interroge sur la nécessité de continuer à vivre et où la tentation d'en finir émerge, c'est toujours la pensée des animaux qui la ramène à la vie. Car sans elle, ils mourraient et elle ne peut en supporter la simple idée...

Cela ressemble à ce que les femmes ont toujours éprouvées de manière presque archaïque lorsqu'elles ont été traversées par le désespoir face aux injustices sociales et que la main d'un enfant se glissait dans la leur pour les rendre à la joie... "

Un petit résumé de cette merveilleuse lecture que j'ai trouvé. Un livre que je recommande vivement. Marlen Haushofer est une écrivaine de science fiction féministe.

Les mouvements féministes et la recherche sur la littérature féminine a permis de faire connaître le rôle particulier de la femme dans la société masculine, mais qui pourtant était un thème constant chez les œuvres de Marlen Hausfhofer.

Elle est vraiment pas connue en France, et le film sur le bouquin n'est pas disponible en langue française. C'est vraiment dommage car c'est louper un récit poignant.

[learabeau]

Liste culturelle 2023

JANVIER

LIVRES

Le mur invisible de Marlen Haushofer

Histoire du Protestantisme de Jean Baudérot

FILMS

Godland de Hlynur Palmason

Dune de Denis Villeneuve

FEVRIER

SERIES

Tuca and Bertie de Lisa Hanawalt

Demon Slayer de Koyoharu Gotoge

FILMS

Le Retour des hirondelles de Li Ruijun

Wasabi de Gérald Krawczyk

All of Them Witches de Mona Panchal

LIVRES

Chaque geste compte. Manifeste contre l'impuissance publique de Dominique Bourg et Johann Chapoutot

La cabane magique. Panique à Pompéi de Mary Pope Osborne

Assassination classroom de Yusei Matsui

MARS

SERIES

Hollywood de Ryan Murphy

Supernatural de Eric Kripke

LIVRE

L’existentialisme est un humanisme de Jean-Paul Sartre

FILM

Fight Club de David Fincher

AVRIL

LIVRES

Peter Pan de Barrie

Informal beauty. The photograhs of Paul Nash de Simon Grant

Perceptions de Nathalie Man

La société des personnes vulnérables. Leçons féministes d’une crise. de Najat Vallaud-Belkacem et Sandra Laugier

Les hommes sont absents de Nathalie Man

FILMS

Bullet Train de David Leitch

Atonement de Joe Wright

Porco Rosso de Hayao Miyazaki

BlacKKKlansman de Spike Lee

Hokusai de Hajime Hashimoto

MAI

FILMS

It follows de David Robert Mitchell

Midsommar de Ari Aster

Little women de Greta Gerwig

Guardians of the Galaxy. Vol.3 de James Gunn

LIVRES

Le chat noir et autres histoires de Edgar Allan Poe

Déclaration des droits de la femme et du citoyen de Olympe de Gouges

JUIN

LIVRES

Émotions, souffrance, délivrance de Doctor Tuan Anh Tran

Capital: Vientiane de Guez, Pichelin and Troub's

Something to hide. Exploration des messages cachés du rock de Diego Gil et Johann Guyot

FILMS

Air de Ben Affleck

Eating our way to extinction de Kate Winslet

Susan, jour après jour de Stéphane Manchematin et Serge Steyer

Palm Springs de Marx Barbakow

Mike and Dave need wedding dates de Jake Szymanski

Clueless de Amy Heckerling

Spider-Man : Across the Spider-Verse de Joaquim dos Santos, Kemp Powers et Justin K.Thompson

JUILLET

LIVRES

Bathory. La comtesse maudite d'Anne-Perrine Couet

Une rainette en automne (et plus…) de Linnea Sterte

FILMS

Prisoners de Denis Villeneuve

Tarzan de Kevin Lima et Chris Buck

Turning Red de Domee Shi

AOUT

FILMS

Mercenaire de Sacha Wolff

Behind every good man de Nikolai Ursin

The Fast and the Furious de Rob Cohen

Born behind stones de Carina Freire

Lands that Rises and Descends de Moona Pennanen

LIVRE

Des âmes et des saisons : Psycho-écologie de Boris Cyrulnik

SEPTEMBRE

FILMS

Body Samples de Astrid de la Chapelle

Galb'Echaouf d'Abdessamad El Montassir

La ciudad de los fotógrafos de Sebastian Moreno

Happiest Season de Clea DuVall

En communauté de Camille Octobre Laperche

Barbie de Greta Gerwig

Encanto de Byron Howard et Jared Bush

Mon amour, mon ami d'Adriano Valerio

Bottoms d'Emma Seligman

LIVRES

Lettres à un jeune poète de Rainer Maria Rilke

Ich de Martina Weinhart

Poèmes à la nuit de Rainer Maria Rilke

SERIE

Downtown Abbey d'après l'oeuvre de Julian Fellowes

OCTOBRE

FILMS

Downtown Abbey de Michael Engler

Downtown Abbey : Une nouvelle ère de Simon Curtis

Sur le rocher de Sandrine Rouxel

Dangereuse Alliance d'Andrew Fleming

Folie douce, folie dure de Marine Laclotte

The Craft : Les Nouvelles sorcières de Zoe Lister-Jones

Trois mille ans à t'attendre de George Miller

The Crow d'Alex Proyas

Le jardin des planches de Monique Barrière

On vous parle du Chili : Ce que disait Allende de Chris Marker et Miguel Littin

LIVRES

L’œil et l'Esprit de Maurice Merleau-Ponty

Vivian Maier en toute discrétion de Françoise Perron

Des histoires vraies de Sophie Calle

Henri Cartier-Bresson des collections Photo Poche et introduction écrite par Jean Clair

Palm Springs 1960 - Robert Doisneau par Jean-Paul Dubois

Vivian Maier Self-Portraits de John Maloof et Elizabeth Avedon

NOVEMBRE

FILMS

Crimson Peak de Guillermo del Toro

Astérix et Obélix. Mission Cléopâtre d'Alain Chabat

Le Garçon et le Héron d'Hayao Miyazaki

Hamama & Caluna d'Andreas Muggli

Journal de Sébastien Laudenbach

In Paris Parks de Shirley Clarke

LIVRES

Ces hommes qui m'expliquent la vie de Rebecca Solnit

Pulp Poiesis : Écriture(s) en suspens(ion) d'Alizée Pichot

Enfant de la nuit polaire de Julia Nikitina

DECEMBRE

LIVRES

Nouveaux poèmes suivi de Requiem par Rainer Maria Rilke

Pampilles de Florentine Rey

Notes sur la mélodie des choses et autres textes de Rainer Maria Rilke

FILMS

Willy's Wonderland de Kevin Lewis

Family Switch de Joseph McGinty Nichol

Skyscraper de Shirley Clarke

Le monde après nous de Sam Esmail

Sensitive Content de Narges Kalhor

Snow Job : the Media Hyteria of Aids de Barbara Hammer

They Are Lost to Vision Altogether de Tom Kalin

Autour d'eux, la nuit de Vassili Schémann

Blight de John Smith

Tér d'Istvan Szabo

Chicken Run : La Menace nuggets de Sam Fell

SERIE

Lupin de George Kay et François Uzan

#movies #films #books #tv series

[theshatterednotes]

Marlen Haushofer, Austrian author

#Marlen Haushofer #Haushofer #Austria #Austrian #author #novelist #writer #The Wall #Marie Frauendorfer #1920 #1920's #1900's #1970 #1970's #Frauenstein #Molln #Wien #Vienna #Wir Töten Stella #Die Wand #Die Mansarde #We Murder Stella #The Loft

[bormgans]

THE WALL - Marlen Haushofer (1963)

THE WALL – Marlen Haushofer (1963)

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#1960s #Arthur-Schnitzler-Preis winner #Austrian literature #De Wand #Die Wand #Стена #Le mur invisible #Marie Helene Frauendorfer #Marlen Haushofer #Non-SFF fiction #Ria van Hengel #Science Fiction #Shaun Whiteside #Speculative Fiction #The Wall

[letterful]

any recommendations on the theme of solitude please!!

this year has really gotten to us all, hasn’t it? solitude, mysticism, loneliness, yes, i’ll do my best:

BOOKS—

jeff vandermeer, annihilation 

ottessa moshfegh, my year of rest and relaxation 

sophokles/anne carson, antigonick 

margaret atwood, cat’s eye 

maggie nelson, bluets 

fernando pessoa, the book of disquiet 

truman capote, breakfast at tiffany’s (in this household we do not acknowledge the movie adaptation) 

marlen haushofer, the wall 

sylvia townsend warner, lolly willowes 

kazuo ishiguro, the remains of the day

rebecca solnit, a field guide to getting lost 

gregory orr, orpheus & eurydice: a lyric sequence 

fyodor dostoyevsky, crime and punishment 

POEMS—

anna swir, i’ll open the window 

anna swir, large intestine 

anna swir, woman unborn 

w. h. auden, musée des beaux arts 

sylvia plath, the bee meeting 

sylvia plath, sheep in fog 

stevie smith, the orphan reformed

anne carson, the glass essay 

wisława szymborska, the tower of babel 

SONGS—

susanne sundfør, when the lord 

beautiful ghosts & memory from, well, cats (yes, i know)

the i love you song from, well, 25th annual outnam county spelling bee 

dust and ashes from, well, natasha, pierre & the great comet of 1812 (something something extravagant titles being a musical theatre thing something something)

nico, these days

simon & garfunkel, i am a rock 

the beatles, eleanor rigby 

fleetwood mac, landslide 

vashti bunyan, train song 

janis ian, in the winter 

carole king, so far away

joni mitchell, river 

the mountain goats, deuteronomy 2:10 (+ the comic based on this song)

mary hopkin, goodbye 

florence + the machine, wish that you were here 

abba, the day before you came (+ this interpretation, which... well. oof.)

jacek kaczmarski, nasza klasa (+ english translation) 

marina & the diamonds, happy 

MOVIES—

wings of desire (1987) 

world of tomorrow (2015)

melancholia (2011) 

chungking express (1994) 

three colours: blue (1993) 

OTHER—

frédéric martin, the last metro 📸

sara teasdale x jang si-young 📸

the legend of st. simeon stylites (x) & (x) 

edward hopper & american solitude 

marta zamarska’s art 

this interview with fanny howe 

this essay on kate bush’s the ninth wave 

#starmansander #*recs

[widgenstain]

We Have Always Lived In The Castle by Shirley Jackson

Dark, melancholic and undoubtedly the source of so many horror movies, We Have Always Lived in the Castle tells the story of 18-year old Mary Katherine Blackwood, her sister Constance and their wheelchair bound uncle Julian, who live in a grand house in Vermont on their own. The rest of their family died six years ago in a tragic poisoning for which Constance was blamed but acquitted. The villagers still suspect and fear her though, so she lives as a shut-in and only Mary Katherine, called Merricat, ventures out into the world to buy food twice a week.

The choice of POV in this book is what makes it so interesting, we see the world through Merricat’s slightly feral eyes, in which magic and made-up spells are real and there always is a chance to travel to the moon on a flying horse. What seems childish at the beginning isn’t really, as we learn when the story slowly unfurls and the almost sacred, regular schedule of the three Blackwoods gets disrupted more and more.

There’s a thread of vulnerability and cruelty that runs through this book, one that the POV obscures sometimes, we sometimes lose track of who’s vulnerable and why, but when the cruelty hits during the climax, when the house turns into the castle, it’s painfully obvious. The build-up to it is beautiful, slow and somehow inevitable, but it still hurts very much when everything comes crashing down.

This is the first novel by Shirley Jackson I’ve read, I’ve seen adaptations of The Haunting of Hill House, but I was more curious about this one and I was not disappointed. Her writing reminds me of Marlen Haushofer’s, one of my favourite authors who lived roughly at the same time and died way too young too. It’s not so much the style itself and Jackson seems fonder of more supernatural elements, but they are very similar when it comes to the distribution of power in their stories, who wields it and who eschews it and in which ways too.

There’s this feeling of creeping dread and endless melancholia in the end, one that I recognise from Haushofer’s books and while it moves you and keeps your mind occupied for a long while, it doesn’t crush you. Aka just the way I like my sad and slightly (or not so slightly) disturbing stories.

#we have always lived in the castle #shirley jackson #widge reads books #project h

[antigonick]

Do you have any recommendations for works (poems/books) about heartwrenching loneliness and touch starvation? Its sad hours 24/7 for me 🥺

Aw, don’t be sad, anon. That’s random, but, you know, there’s something I really appreciate about the English language (more so because we don’t have that in French)—it makes a lexical and semantical distinction between loneliness and solitude, and... Being aware of that is fundamental, I think?

Anyway, yes, I have a few recommendations. This is a bit redundant, we’ve talked quite a bit about loneliness around here these days, but—I think you’d relate to Anne Carson’s The Anthropology of Water and Autobiography of Red, Richard Siken’s Crush, Yusuf Al-Khal’s “Prayers in a Temple” and “The Long Poem” (I personally like Abdullah al-Udhari’s translations), Louise Glück’s The Triumph of Achilles, Gregory Orr’s Orpheus and Eurydice; Thomas Mann’s Death in Venice (I recommend Howe-Porter’s translations for Mann, though they take more liberties than the more modern ones) and Franz Kafka’s Diaries. 

Incidentally, Fallen Hero: Rebirth (and its sequel) tackles the notion of crippling loneliness through multiple narrative devices and character behaviour, while also giving the player the option to handle it head-on. As always: it’s amazing.

On the other hand, you might enjoy Mary Oliver’s The Truro Bear and Other Adventures and Sylvia Townsend Warner’s Lolly Willowes, who both paint a lovely, fulfilling picture of solitude. Marlen Haushofer’s describes a much harsher, but ultimately satisfying loneliness in The Wall. Also, Rainer Maria Rilke’s Letters to a Young Poet, where he praises solitude as a fuel to creativity and profound reflexion (you’ll find Herter Norton’s translation everywhere), and Elizabeth Barrett-Browning and Robert Browning’s correspondance, who dwell on the loneliness they both felt before they met each other and found joy in each other and creating together.  

#whisperers #book recs

[hauntedbystorytelling]

Scene for Marie Haushofer’s play “Twelve Culture Pictures from the Life of Women” (1899) zweites Bild: Die fünf weisen und die fünf törichten Jungfrauen [The five wise and the five foolish virgins]

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siebtes Bild: Frauenlob wird zu Grabe getragen [Frauenlob (Heinrich von Meissen) burial] [danke @need-reality-asylum]

Marie Haushofers Festspiel zum Ersten allgemeinen Bayrischen Frauentag in München, 18. – 21. Oktober 1899

#atelier elvira #women day #women rights #women rights movement #marie haushofer #marie haushofer festspiel #festspiel #role of women #role portrait #group portrait #modern women #women artists #Sophia Goudstikker #1890s #rollenporträt #frauentag

[inknerd]

🎀a look at August 2019🎀 - of variety, throwbacks and getting the last drops out of summer

(I read over 20 books this month oooooohh godddddd)

I read  📖 Muse of Nightmares by Laini Taylor ★★★★★ 📖 Lullaby by Leïla Slimani ★★ 📖 Spider-Man: Far From Home: Peter and Ned's Ultimate Travel Journal by Preeti Chhibber & Stéphane Kardos ★★★ 📖 The Life-Changing Manga of Tidying Up: A Magical Story by Marie Kondo & Yuko Uramoto ★★★★ 📖 The Wall by Marlen Haushofer ★★★ 📖 Witch Hat Atelier vol. 1 by Kamome Shirahama ★★★★★ 📖 Wicked Fox by Kat Cho ★★ 📖 Sexstrejken by Åsa Hellberg ★★ 📖 Matilda by Roald Dahl ★★★ 📖 Macbeth by William Shakespeare ★★ 📖 Pachinko by Min Jin Lee ★★★★ 📖 Whiskey Words & a Shovel II by R. H. Sin ★★★★ 📖 Goblin Market and Other Poems by Christina Rossetti ★★★★ (reread) 📖 Horrorstör by Grady Hendrix ★★★★ 📖 Some Kind of Happiness by Claire Legrand ★★★ 📖 Love & Misadventure by Lang Leav ★★★★ 📖 Children of Time by Adrian Tchaikovsky ★★★★ 📖 Radio Silence by Alice Oseman ★★★★ 📖 Magic for Liars by Sarah Gailey ★★★ 📖 Konfucius samtal by Confucius & Torbjörn Lodén (Translator) ★★ 📖 The Merciful Crow by Margaret Owen ★★★★

I bought/got 💕 Keeper of the Lost Cities by Shannon Messenger 💕 The Iliad and The Odyssey by Homer 💕 The Annotated Pride and Prejudice by Jane Austen & 💕 Witch Hat Atelier by Kamome Shirahama 💕 The Malediction novels by Danielle L. Jensen 💕 The Merciful Crow by Margaret Owen

I watched 🎬 Lots of old episodes of Kitchen Nightmares and Hotel Hell 🎬 Picked up where I left Miraculous Ladybug season 2 🎬 A Quiet Place (2018)  🎬 Started watching Dark (2017-), and guys, it’s so good!

And, 🌻 I finished work! Time went by pretty quickly and I actually had an okay time!  🌻 I met up with friends and did stuff! Including going to the annual food festival together before they both move away *cries* 🌻 I belatedly realised that even though I don’t have my old university’s local (bigger) library at hand any more, I can still borrow e-books from there, and they have a lot 🌻 I am pumped to start uni again and see all my classmates! 🌻 For the first time I tried my hand at painting my own book edges and it turned out...okay? Next time will be even better!

#reading wrap-up #a look at: august 2019 #a look at... #reading #books #my post #julia reads #booklr #ya

[loeilafaim]

1er avril 22

460. Le mur invisible (Die Wand) de l’auteure autrichienne Marlen Haushofer est publié en 1963, elle reçoit pour ce roman le prix Arthur Schnitzler. Récit rétrospectif à la première personne de la narratrice, qui restera anonyme. Invitée par sa cousine Louise et son mari Hugo à passer trois jours dans un chalet de montagne autrichien, la narratrice reste finalement seule dans le chalet. Le couple…

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#Marlen Haushofer #mur de Berlin #Robert Merle

[wishmachines]

sorted alphabetically by first name dates are when I began and finished reading

currently reading Arkady Martine, A Memory Called Empire [28.12.2020 —] Marlon James, Black Leopard, Red Wolf [28.12.2020 —]

on pause

Andri Snær Magnason, LoveStar Becky Chambers, The Long Way to a Small, Angry Planet Italo Calvino, The Castle of Crossed Destinies, translated by William Weaver Michel Faber, The Book of Strange New Things

finished

Angélica Gorodischer, Kalpa Imperial, translated by Ursula K. Le Guin [18 — 26.12.20] Arkady and Boris Strugatsky, Roadside Picnic, translated by Olena Bormashenko Asja Bakić, Mars: Stories, translated by Jennifer Zoble [11 — 1.12.20] Cormac McCarthy, The Road [26 — 29.12.2020] Italo Calvino, Invisible Cities, translated by William Weaver [20.11.20 — 9.12.20] Italo Calvino, The Nonexistent Knight, translated by Achiblad Colquhoun Jeanette Winterson, The Stone Gods Lidia Yuknavitch, The Book of Joan [4.12.20] Lord Dunsany, The Book of Wonder [14.11.20] Marie Darrieussecq, Our Life in the Forest, translated by Penny Hueston [28.12.2020] Rodrigo Fresán, The Bottom of the Sky, translated by Will Vanderhyden [20 — 23.12.20] Stanisław Lem, Solaris, translated by Bill Johnston [21 — 24.11.20] Ursula K. Le Guin, The Dispossessed [24 — 26.11.20]

to read

Alejandro Jodorowski Aleksandar Tesic, Kosingas: The Order of the Dragon Alex Dally MacFarlane, Feed Me the Bones of Our Saints Andrus Kivirähk, The Man Who Spoke Snakish *Angélica Gorodischer, Trafalgar Anjali Sachdeva, All the Names They Used For God Anna Kavan, Ice Annalee Newitz, Autonomous Annalee Newitz, The Future of Another Timeline Arkady and Boris Strugatsky, Hard To Be A God Arkady and Boris Strugatsky, Noon: 22nd Century A.S. Byatt, The Djinn in the Nightingale’s Eye Becky Chambers, Record of a Spaceborn Few Berit Ellingsen, Not Dark Yet Beth Plutchak, Liminal Spaces Carmen Boullosa, Heavens on Earth Carol Emshwiller, Carmen Dog Carolyn Ives Gilman, Dark Orbit Catherynne M. Valente, Six-Gun Snow White Catherynne M. Valente, Space Opera Catherynne M. Valente, The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making Catherynne M. Valente, The Habitation of the Blessed Charles Yu, How To live Safely in a Science Fictional Universe Charlie Jane Anders, All the Birds in the Sky Charlie Jane Anders, The City in the Middle of the Night Christina M. Rau, Liberating he Astronauts Cixin Lui, The Three-Body Problem Dan Simmons, The Hyperion Cantos Daniel Kehlmann, Tyll Daniel Mallory Ortberg, The Merry Spinster Eleanor Arnason, Hwarhath Stories: Transgressive Tales by Aliens Ellen Kushner, Riverside Emily St. John Mandel, Station Eleven Guido Morselli, Dissipatio H.G.: The Vanishing Herbert Rosendorfer, The Architect of Ruins, translated by Mike Mitchell *Iain M. Banks, Consider Phlebas Ian McDonald, Luna: Wolf Moon Isaac Asimov, Foundation James Blish, Cities in Flight Jan Morris, Hav *Jeff VanderMeer, Annihilation Jeff VanderMeer, Authority Jeff VanderMeer, Acceptance Jeff VanderMeer, The Compass of His Bones and Other Stories Johanna Sinisalo, Troll: A Love Story Joe Haldeman, The Forever War John Conolly, The Book of Lost Things John Keene, Counternarratives Kameron Hurley, The Stars Are Legion 
*Kazuo Ishiguro, The Buried Giant Kazuo Ishiguro, Never Let Me Go Leigh Brackett, The Big Jump Linda Nagata, Vast Lois McMaster Bujold, Shards of Honor *Lola Robles, Monteverde: Memoirs of an Interstellar Linguist, translated by Lawrence Schimel L. Timmel Duchamp, Love’s Body, Dancing in Time L. Timmel Duchamp, Alanya to Alanya Margaret Atwood, Oryx and Crake Marlen Haushofer, The Wall Mervyn Peake, Gormenghast Olga Tokarczuk, Primeval and Other Times Olga Tokarczuk, House of Day, House of Night *Patricia A. McKillip, In the Forests of Serre Patrick Rothfuss, The Name of the Wind Peter S. Beagle, The Last Unicorn Samuel R. Delaney, Nova Samuel R. Delany, Babel-17 Samuel R. Delaney, Return to Nevèrÿon Samuel R. Delany, They Fly At Ciron Sergey & Maria Dyachenko, The Scar Sergey & Maria Dyachenko, Vita Nostra Seth Dickinson, The Monster Baru Cormorant Seth Dickinson, The Traitor Baru Cormorant Seth Dickinson, The Tyrant Baru Cormorant Sjón, Codex 1962 Sofia Samatar, The Winged Histories
 Stanisław Lem, His Master’s Voice Stanisław Lem, Return from the Stars Stanisław Lem, The Cyberiad Stanisław Lem, The Star Diaries Tanith Lee, Space Is Just a Starry Night Tatyana Tolstaya, The Slynx Vladimir Sorokin, The Ice Triology Vonda N. McIntyre, Dreamsnake Yoss, Condomnauts, translated by David Frye Yoss, Red Dust, translated by David Frye Zoran Zivkovic, The Library

**

Anja Sachdeva, All the Names They Used For God Anna Kavan, Machines in the Head: Selected Stories
 Catherynne M. Valente, The Bread We Eat in Dreams Diana Wynne Jones, Believing is Seeing Emma Donoghue, Kissing the Witch Italo Calvino, The Complete Cosmicomics John Ajvide Lindquist, Let The Old Dream Die and Other Stories *Kanishk Tharoor, Swimmer Among the Stars Karen Russell, Saint Lucy’s Home For Girls Raised by Wolves Karin Tidbeck, Jagannath: Stories Kelly Link, Monstrous Affections Kelly Link, Stranger Things Happen Leena Krohn, Collected Fiction (translated by various) Leigh Brackett, Sea-Kings of Mars Peg Alford Pursell, A Girl Goes Into the Forest Tatyana Tolstaya, Aetherial Worlds
 Ted Chiang, Exhalation Ted Chiang, Stories of Your Life and Others

** Desirina Boskovich (editor), It Came from the North: An Anthology of Finnish Speculative Fiction Eugenio Lisboa and Helder Macedo (editors), The Dedalus Book of Portguese Fantasy Eric Dickens (editor), The Dedalus Book of Flemish Fantasy Johanna Sinisalo (editor), The Dedalus Book of Finnish Fantasy Margaret Jull Costa and Annella McDermott (editors), The Dedalus Book of Spanish Fantasy Mike Mitchell (editor), The Dedalus Book of Austrian Fantasy: 1890-2000 David Connolly (editor), The Dedalus Book of Greek Fantasy Richard Huijing (editor), The Dedalus Book of Dutch Fantasy Yvonne Howell (editor), Red Star Tales: A Century of Russian and Soviet Science Fiction

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Curriculum vitaeHis ancestor was the bottle adept František Xaver Riedel (1786-1844) and his mother Josefina Weberová (1808-1882). He was their third child, but his ancestor had three added daughters from his antecedent marriage. [4]In 1851 he advised in engineering, but he advised painting in the flat of Maximilian Haushofer (1811-1866) from 1852 to 1856. After admission from Prague, he connected his studies at Andreas Achenbach’s clandestine academy in Düsseldorf, breadth he spent four years. He again catholic to Italy, breadth he visited Rome, Tivoli, Campagno or Agrigento, and was aggressive by his landmarks, which were again a common affection of his paintings. Riedel’s abutting cruise led to France in 1864, breadth he visited Paris, Fontainebleau, the breadth about the River Seine, the boondocks of Barbizon, Brittany or the Channel Islands. [4]In 1870 he alternate to Bohemia and acclimatized in Prague. Too generally he did not leave and catholic from actuality mainly to his mother’s aggregation for alleviative cures to the Czech spa in Karlovy Vary, Dubi or Teplice. It was added and added afflicted by tuberculosis, which prevented him from alive too much. He died at the age of 44 for a medical break in Kundratia. His burial took abode in Liberec on June 14, 1876.

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Szenenfoto aus dem Festspiel, fünftes Bild: Germanen und Velleda [Teutons and Velleda]

From : Twelve group representations [„Zwölf Culturbilder aus dem Leben der Frau“]. The piece was written by the painter a poet Marie Haushofer (1871-1940) and Sophia Goudstikker directed it. A few days later, Goudstikker photographed the twelve group portraits in Atelier Elvira. She glued the photographs into a leather album entitled "Marie Haushofer's festival for the first general Bavarian women's day in Munich. October 18-21, 1899 "

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Szenenfoto aus dem Festspiel, viertes Bild: Orientalinnen [Oriental women]

#atelier elvira #marie haushofer #1890s #women rights movement #hof-atelier elvira #women rights #women artists #role portrait #marie haushofer festspiel #scene photo #szenenfoto #women day #Sophia Goudstikker #turn of the century