#Mixed Race Protagonist

[chiinferno]

On May 5th, I was invited to participate in a Reading for Literary Bridges at Next Chapter Booksellers in St. Paul, Minnesota. There I read an excerpt from the first chapter of my upcoming novel Trial by Fire Academy. I was also surrounded by several other great writers and poets who provided readings for the event, and this video is a compilation of those who participated!

#Christian Avey #Writer #Mixed #Biracial #POC #Person of Color #Literary Bridges Series #Next Chapter Booksellers #Saint Paul Events #Book Reading Event #Author Reading #Upcoming Novels #Fantasy Novel #Young Adult Fiction #Literary Event #Minnesota Authors #Fantasy Books #Mixed Race Protagonist #Magical School #Spy Academy #New Writers #Modern Fantasy #Diversity in Books #Book Community #Trial by Fire Academy #Youtube

[thedreadvampy]

the very important thing about RoTE, right, is that Fitz is taller than almost everyone he hangs out with. all his friends are tiny. canonically, Buck people are short. Molly is tiny. Burrich is a head shorter than Fitz, and Fitz is shocked to notice he's taller than Chade. the Fool is petite and bird-boned and small even compared to Buck folk. Verity is stocky compared to Fitz's lanky gangling. Patience is a tiny firecracker. Starling I think comes up to his chest.

and then there's Kettricken who is. noticeably taller than him. she is. check the book, he comments on it.

she's SO TALL I love her SO MUCH.

#realm of the elderlings #i think it's by implication bc he's half Mountainfolk #like. in the books everyone keeps talking about how tall the Mountain people are #and also how tall Fitz is. #in much the same way as they keep commenting on how different his colouration is #how for a Buck man he's very light-skinnned and his hair is very fine #and then??? somehow???? robin hobb claims she sees him as white/Southern European #my brother in christ YOU WROTE THESE BOOKS #YOU WROTE SOME VERY DISTINCT RACIAL GROUPS AND HIGHLIGHTED THEM BY HAVING A MIXED RACE PROTAGONIST #i say race rather than ethnicity bc. they are social groupings based on ethnicity. it's fantasy race. #red said

[spiritofjustice]

It still shocks me when I see people talk about Beastars being good. Beastars was my special interest for a couple months and even then I knew it was terrible BRND

#psy's no punctuation posts #it’s actually one of the worst things I’ve ever read I just liked the lions #it has one of my least favorite protagonists ever and the vehement anti race mixing message was. a Thing #i don’t think she intended it to come off that way but that’s basically what’s implied by the last arc #that was the real clincher for it going from ‘this is just badly written’ to ‘this is a genuinely vile piece of media’ lol

[flanfrog]

Honestly, it’s non Black poc as well, but a lot of the awful takes I’ve been seeing have been from white people primarily. And I feel like as a mixed race black person, I need to clarify what the fuck Kendrick is saying regarding Drake’s blackness.

When he critiques Drake’s relationship to blackness and his identity, he is not saying that mixed race Black people cannot be black or that “he’s not black because he’s Jewish”, he is saying that Drake has consistently used Black people, blackness, and black culture to further his career and further his capital, while not contributing to the culture overall. Drake has separated himself from other Black people until it became “popular” to be and “act” black. He has shoehorned himself into cultures that he has not been brought up in like when he had this whole era where he would speak in broken patois and use Jamaican American and Jamaican Canadian vernacular and slang despite not having any connection to that culture.

The types of people he surrounds himself with in both in his family and recreationally speak to how he does not see other Black people as his kin. They are either associates or they are fetishized.

Kendrick calling him a colonizer is not a dig at him being Jewish either. It’s a dig at him using hip-hop culture and black culture as a means to become rich. He is literally colonizing an aspect of the culture that is still demonized (hip-hop and rap are still very much demonized as forms of art by wider society) and repackaging it for white people and non-Black people to enjoy and getting rich off of it because he picks and chooses aspects of blackness to present to make money. He is a morally and artistically bankrupt individual.

This is why, unless you fully understand the context of what is happening, Drake’s history as well as the history of hip-hop and rap, you should not have an opinion about this beef. Especially if you’re going to be misinterpreting what is being said by the main protagonist (basically) of this beef.

[neechees]

Historical Indigenous Women & Figures [6]:

Queen Nanny: the leader of the 18th century Maroon community in Jamaica, she led multiple battles in guerrilla war against the British, which included freeing slaves, and raiding plantations, and then later founding the community Nanny Town. There are multiple accounts of Queen Nanny's origins, one claiming that she was of the Akan people from Ghana and escaped slavery before starting rebellions, and others that she was a free person and moved to the Blue Mountains with a community of Taino. Regardless, Queen Nanny solidified her influence among the Indigenous People of Jamaica, and is featured on a Jamaican bank note. Karimeh Abboud: Born in Bethlehem, Palestine, Karimeh Abboud became interested in photography in 1913 after recieving a camera for her 17th birthday from her Father. Her prestige in professional photography rapidly grew and became high demand, being described as one of the "first female photographers of the Arab World", and in 1924 she described herself as "the only National Photographer". Georgia Harris: Born to a family of traditional Catawba potters, Harris took up pottery herself, and is credited with preserving traditional Catawba pottery methods due to refusing to use more tourist friendly forms in her work, despite the traditional method being much more labour intensive. Harris spent the rest of her life preserving and passing on the traditional ways of pottery, and was a recipient of a 1997 National Heritage Fellowship awarded by the National Endowment for the Arts, which is the highest honor in the folk and traditional arts in the United States. Nozugum: known as a folk hero of the Uyghur people, Nozugum was a historical figure in 19th century Kashgar, who joined an uprising and killed her captor before running away. While she was eventually killed after escaping, her story remains a treasured one amongst the Uyghur. Pampenum: a Sachem of the Wangunk people in what is now called Pennsylvania, Pampenum gained ownership of her mother's land, who had previously intended to sell it to settlers. Not sharing the same plans as her mother, Pampenum attempted to keep these lands in Native control by using the colonial court system to her advantage, including forbidding her descendants from selling the land, and naming the wife of the Mohegan sachem Mahomet I as her heir. Despite that these lands were later sold, Pampenum's efforts did not go unnoticed. Christine Quintasket: also known as "Humishima", "Mourning Dove", Quintasket was a Sylix author who is credited as being one of the first female Native American authors to write a novel featuring a female protagonist. She used her Sylix name, Humishima, as a pen name, and was inspired to become an author after reading a racist portrayal of Native Americans, & wished to refute this derogatory portrayal. Later in life, she also became active in politics, and helped her tribe to gain money that was owed them. Rita Pitka Blumenstein: an Alaskan Yup'ik woman who's healing career started at four years old, as she was trained in traditional healing by her grandmother, and then later she became the first certified traditional doctor in Alaska and worked for the Alaska Native Tribal Health Consortium. She later passed on her knowledge to her own daughters. February 17th is known as Rita Pitka Blumenstein day in Alaska, and in 2009 she was one of 50 women inducted into the inaugural class of the Alaska Women's Hall of Fame Olivia Ward Bush-Banks: a mixed race woman of African American and Montaukett heritage, Banks was a well known author who was a regular contributor to the the first magazine that covered Black American culture, and wrote a column for a New York publication. She wrote of both Native American, and Black American topics and issues, and helped sculptor Richmond Barthé and writer Langston Hughes get their starts during the Harlem Renaissance. She is also credited with preserving Montaukett language and folklore due to her writing in her early career.

part [1], [2], [3], [4], [5] Transphobes & any other bigots need not reblog and are not welcome on my posts.

#native american #indigenous #women #historyedit #history #ndnedit #historicaledit #gifedit #justin's edits

[writingwithcolor]

Avoiding the white savior of the kingdom

@ceo-of-angst asked:

Okay so I'm writing a fantasy series. There's two main kingdoms though there is a third but that one doesn't have to do anything with this ask. Both of them are likely as big as a continent each so there are different climates everywhere, therefore there's a lot of diversity even within one country. The issues mostly is between the two kingdoms nationality wise, as there's a war. The prince of one of the kingdoms kills his older brother to gain the throne. This is where the issue starts. They have a younger (half)sister who ends up leading a revolution bc of her brother's bad rule (famine, war, dictatorship and incantation or sentence to fight to the death in war to anyone who doesn't obbey the government etc), she's white, she's helped by my main cast who are all poc (one of them also from nobility) from the other kingdom and I don't want to accidently make it a white savior She's not my main character though if anything we only see into her pov bc of a difference between kingdoms in book 2. Most of the pov is on my main cast so I don't know how this could pay out.

Add diversity to the kingdom

There is a simple solution: don’t make one kingdom all-white or all-BIPOC. Add in diversity and mixed race. You seem to already be doing that, and it’s not an issue of race but rather tyranny. White saviorism is when only a white character can solve a problem for BIPOC and they’re seen as the hero. If it’s a team effort, where your protagonist is fallible but well-intentioned, you should be fine. -Jaya

Questions to ask yourself

This critique got levied at Tamora Pierce’s Trickster series, and it’s a pretty valid critique of the books—every time you have a white person as a figurehead of an otherwise-diverse movement, you’re going to start getting into why this white person, and why then?

It’s especially salient if you have the person come into an already-established rebellion movement. Is her involvement the thing that gets the privilege necessary to make the movement valid? What about her makes her the ideal top person in the organization?

Why is she white?

My first question is: why is she white? Is it related to colorism and classism? If yes, then why are you automatically making the leading group white if there’s so much diversity and so many other groups can trend extremely pale?

Why are the kingdoms so big?

My second question is: why are the kingdoms so big? It’s actually frighteningly hard to run a continent-sized country. If you’re attempting to make these single groups so big simply for ease of worldbuilding, and for diversity’s sake, know that a country does not have to be large to contain a multitude of groups. You are allowed to have political rivalry in a small area and still maintain diversity within it.

How much privilege is she willing to give up?

My third question is: how much privilege is she willing to give up? Is she trying to take the throne for herself, or is she trying to destroy all of the structures that gave her status in the first place? Because that question will determine how willing the PoC around her are going to be. Why would they support a ruler if they’ve been subjugated by that family, with no real promise she’s going to be any different once she gets in power?

On the flipside, why would she be willing to give up any of her privilege in the name of removing her brother from the throne, and what stops her from going off the deep end once she has the ability to control others?

It’s likely doable to make this situation read as less of a white saviour, but in order to do that you’ll likely need to wask yourself a lot of hard questions about your motives and the character arc you want to have with her.

People may see a white savior, regardless

And you’ll also have to ask yourself if you’ll be comfortable with never really being able to avoid some people calling this a white saviour plot. Even if you do “everything right” and follow every bit of advice you can, there’s always going to be some people who aren’t too thrilled that the person saving everyone is white.

So examine your motives, really nail down what you’re trying to show with this, and come to terms with not making everyone happy no matter what you do.

~Mod Lesya

#white savior #tropes #Fantasy #power dynamics #asks #writing advice

[bloodsbane]

what i love about laios is that he's actually very good at putting puzzle pieces together BUT HERE'S THE THING 1) he needs to HAVE the information, and 2) (this is important) he needs to KNOW it is information he should care about

and i think this could be said of anyone but the thing with laios is that people tend to view his lack of awareness wrt social etiquette and memory problems as pure indifference and/or obliviousness; sometimes they misinterpret his motives based on their inaccurate expectations of him and therefore don't give his thoughts on a subject the credit he deserves

one of the most obvious examples of this happens at least twice in the manga as i remember it, but the most recent incident was when they were trying to resurrect falin. there's a moment where laios mentions reconstructing both of the warg skeletons, as their bones are mixed in with hers. both chilchuck and senshi balk at this, with chilchuck complaining aloud, questioning laios' priorities,

and laios quickly, angrily retorts. his reason for making the suggestion is perfectly logical and practical, but because his friends are used to his interest in monsters influencing his judgement, often in ways they see as frivolous or dangerous, they don't come to the same conclusion. one which i'd argue is kind of obvious considering the situation

we see it again during his fight with toshiro, where toshiro demands to know what laios plans to do to save falin. laios takes a minute to answer, but he DOES answer, following the logic that if falin is a chimera because of (and controlled by) the mad mage, then the logical next step is to confront/defeat/usurp them

then in the following episode, when chilchuck brings it up again, laios explains what he (now) knows about thistle, mentioning that he's the same elf that laios saw in the living paintings, which is why he knows thistle's connection to delgal. the party reacts like this:

i'd say this is an example of them feeling frustration over laios' habit of having 'bad timing', not knowing when or how to speak at appropriate moments. theyre judging him for not saying something earlier, as if he already knew all this but didn't think to mention it when it was relevant, when the reality is that laios only just now had all the pieces he needed to understand the full picture

and i mention this bit specifically because i think it's a great way to explain what i mean by point 2: laios needs to know when information is important and worth considering

which, again, feels fucking obvious. but as someone who ALSO has debilitating issues with remembering important shit, i find this particular element of it pretty relatable and critical to my overall point. it's not laios' fault that he didn't know who thistle was or his significance - why the hell would he assume that a person he met in a living painting, presumably long since dead in reality, should be someone who's face, name, or motives he keeps in mind?

ultimately, i guess what i'm trying to say with all this is that the way others treat laios' intelligence is not congruent to how actually smart he is. one of the things i love most about laios, what is possibly his biggest strength and the reason he is such a great protagonist, is that laios is willing to think things through and find the most logical conclusion to a problem, no matter how outlandish or dangerous or seemingly impossible that conclusion may be. sister got eaten? race back down to go get her. can't afford food? fight, defeat, and eat dangerous monsters. sister's fully digested? use black magic to bring her back. now she's a chimera? defeat the mage controlling her and use that power to fix it.

anyways. what was even my point with this post? i guess it is that laios is smart, at least as smart as anyone else in the cast, arguably smarter than some. he is intelligent and utilizes that intelligence in many ways, not JUST when it comes to monster info (though that is his best and sexiest brand of knowledge)

and also please be nice to your friends with memory problems. it's rough out here for forgetful bitches

#banebabbles #dungeon meshi #dunmeshi meta #cant remember if that's my tag for it. oh well #this post is kinda messy but it's fine it doesn't matter #i just had to express some thoughts after rewatching some eps w partner #i was fumbling w my closer but i guess it really is just that like #i have a lot of feelings about anyone calling laios dumb or dense or totally oblivious #bc he's not. he just doesn't think The Same Way as the other chars and also #is at a DISADVANTAGE. bc of the AUTISM. can you believe it #he gets taken for granted and others' perceptions of him influence how they treat him in lots of way #including his intelligence. unfortunately. and you hate to see it

[vintagesffantasyactors]

Craig Charles (Red Dwarf)- In 1987, 23 year old performance poet Craig Charles auditioned for the role of protagonist Dave Lister in sci-fi sitcom "Red Dwarf". Despite having no acting experience and being much younger than the creators had envisaged the character, he won them over through his sheer charm and still plays the role to this day. Lister is the last human being alive, stranded in outer space three million years in the future, but he isn't about to let that get him down. Craig portrays this incurable optimist excellently. Lister is a working-class, mixed race everyman with a heart of gold, a natural leader despite his inherent laziness and an idealist who helps his robot crewmate Kryten to break his programming to become more independent. The character isn't written as sexy but the actor makes him so, helped by his homoerotic relationship with his hologrammatic bunkmate Rimmer. They even kiss, albeit in a dream. The "ho yay" in this show is off the charts.

Brent Spiner (Star Trek: The Next Generation, Independence Day)- Brent Spiner as Data Soong is the most amazing performance ever, and Data continues to be my favorite character in the world. He plays him perfectly, naive in certain aspects but devastatingly wise in others. His character arcs are phenomenal. ALSO he’s hot as shit dude, his eyes both in and out of costume are stunning, I don’t think i’ll ever get over him

Additional propaganda:

Craig Charles:

Brent Spiner:

#sffantasy men 2 #sffantasy men polls #brent spiner #craig charles #Youtube

[bitterkarella]

Midnight Pals: Mexican Gothic

Silvia Moreno-Garcia: Submitted for the approval of the Midnight Society, I call this the tale of the big gothic house Moreno-Garcia: in Mexico Moreno-Garcia: you might even call it Moreno-Garcia: mexican gothic

Moreno-Garcia: so there's this debutante from Mexico City Moreno-Garcia: and she has to visit her cousin who's married this weird english guy Moreno-Garcia: and now lives in this big creepy house in the boonies with his weirdly english family Moreno-Garcia: being weirdly english Moreno-Garcia: so the mexican woman from the big city has to deal with these weird secluded in-bred white people Lovecraft: what kind of topsy turvy world is this Lovecraft: up is down, black is white Lovecraft: i just don't know what to believe! Moreno-Garcia: these english people, let me tell you Moreno-Garcia: they love to just sit around, being mopey, eating shitty english food, refusing to mix with the locals, formulating weird race science theories Lovecraft: i really don't see the problem Mary Shelley: sup fuckers King: oh mary you're just in time, silvia was telling a gothic story Shelley: oh she's gonna tell a gothic story eh? you hear that fellas Ann Radcliffe: i hear that Matthew "Monk" Lewis: is that so Shelley: my original goths will be the judge of this

Shelley: you think you're gonna do some gothic? that's cute Shelley: has the family patriarch got a dead wife? Moreno-Garcia: he's got two Shelley: oh damn i take it back Shelley: that IS gothic Lewis: that's hard core Radcliffe: TWO dead wives?!??!

Moreno-Garcia: and there's a family plot that's got marble busts of the dead wife Shelley: oh hell yeah that's the way to do it Lewis: you gotta have the busts Radcliffe: oh yeah definitely you gotta have em

Shelley: how about this protagonist? pale, likes to faint, right? Moreno-Garcia: no she loves to party and smoke cigarettes Shelley: Lewis: Radcliffe: Shelley: damn what a twist! Lewis: i never considered that angle Radcliffe: a whole new grid

#midnight pals #the midnight society #midnight society #stephen king #hp lovecraft #mary shelley #ann radcliffe #matthew “monk” lewis #silvia moreno garcia

[elodee]

HERMIT A DAY MAY - DAY 29

Hypnotizd x Gargoyles

For Hypno I chose the fantastic cartoon Gargoyles!

Hypno gives me cool 90s guy vibes and Gargoyles was my absolute favourite non-anime cartoon as a kid, so I had to include it! And, honestly, I just thought it'd be fun to draw Hypno as a gargoyle. I love the way he turned out.

To learn more about Gargoyles, one of the best cartoons ever, please continue below the cut!

@hermitadaymayrmit

(Congratulations on raising over $1000 for Gamers Outreach - lets keep going!)

The story of Gargoyles follows a group of warrior creatures called gargoyles who lived alongside and defended humans over 1000 years go. Despite acting as protectors, they were feared by humans and slaughtered in their sleep. The survivors of the massacre, a group of 5 men and their pet, were frozen in stone for eternity by a curse and doomed to never awaken again.

However, 1000 years in the future, an eccentric billionaire named Xanatos found a way to break the curse and brought the gargoyles back to life in modern Manhattan.

The story primarily follows the displaced gargoyles as they struggle to adjust to the shock of waking up in an unfamiliar future as the last members of their species.

While the show has plenty of action, as the gargoyles secretly protect the humans who live alongside them, the show is rather deep, often tackling nuanced issues like prejudice, mourning, and finding your identity in a culture that is not your own. Gargoyles also references a ton of mythology and literature and is arguably, in addition to the main plot with the gargoyles, an adaptation of multiple Shakespeare plays.

If you've never watched Gargoyles, I highly recommend it! It's one of the best serialized cartoons out there and I say that having also seen Avatar: the Last Airbender so you know I mean it.

Style references:

This is Goliath, the leader of the gargoyles and the a dual protagonist alongside his human love interest, Elisa Maza (who is one of my favourite female leads in anything ever). I would also like to add that Elisa is mixed race (Nigerian on her mother's side and indigenous, mostly Hopi, on her father's side) which was really unusual for a TV protagonist in the 90s. I just think that's cool, good job Gargoyles.

Goliath and Elisa - I just wanted to show you how cute they are with each other. Love is real and you can find it with this detective lady and her 1000 year old Scottish bat creature friend.

The Gargoyles title design.

#I love Gargoyles so much #I think gargoyle Hypno looks awesome and suitably 90s #He deserves wings and a tail as a treat #And of course I couldn't resist including Max #Max is his irl cat if you don't know #hypnotizd #hermitaday #hermitcraft

[tobiasdrake]

Can you elaborate on the broly cheelai leemo dynamic? I could see what they were going for but thought it seemed a little underdeveloped

It's definitely underdeveloped but for what we get in the film, it works for me.

On their own, what makes Cheelai and Lemo interesting is that we rarely get to see rank-and-file Planet Trade forces. We've gotten to know Saiyans and their mutant elites, but ordinary Frieza Force troops are rarely in focus.

So far as the writing goes, Lemo is basically a purse for Cheelai; He goes where she goes. She's the one that drives the plot of DBS: Broly. An irreverent car thief who stole a cop car and then got ID'd by the police. She didn't really join the Frieza Force; She's using Frieza as a shield.

This woman gives zero fucks.

She's right, too. As Jaco: The Galactic Patrolman clearly established, there's a limit to how much Galactic Patrol can interfere with Frieza's operations. Capitalism is far more powerful than law enforcement.

In any case, this makes Cheelai an interesting figure in the whole conflict. She's not so much with Frieza as she is a wild card in the mix. She's scrappy; She goes where she will, does what she wants, and problem-solves her way out of the trouble she lands herself in through whatever means are available, even if they're unconventional. That's a good setup for a protagonist.

And make no mistake: Cheelai, Lemo, and Broly are the protagonists of this film. In much the same way that Infinity War is more Thanos's film than anyone else's, this is their movie, without a doubt.

For his part, Lemo's an old-timer with the organization. One thing I really like that this movie does is acknowledge that an organization like the Planet Trade requires the existence of staff beyond the direct military. We even see it with the Saiyans, as this same film introduces us to the Saiyan mechanic Beets.

Like Goku's chef of a mom Gine, Beets exists to demonstrate the existence of Saiyan infrastructure. Saiyans may be the most powerful race in the universe but even a warrior race needs bread-making Saiyans and mechanic Saiyans and stuff.

The same is true of Lemo. By his own admission, he's been with the Frieza Force for a long time but he is not a soldier. And, y'know, neither is Cheelai; She's a car thief in hiding.

Leemo's main job is to be Cheelai's sounding board, and to Me Too Me Too every choice she makes with Broly. This serves the purpose of keeping Broly and Cheelai's dynamic from seeming romantic. They're certainly shippable, of course, but the film never crosses that line of making them a canon ship.

This is good because actively trying to thrust Broly into a romantic relationship with the first non-parent person he ever met would seem unbelievably predatory and kill the sweet vibe of their dynamic. Cheelai is not here to be a Love Interest, so the film uses Leemo as a chaperone to keep their scenes from coming across like she is.

They're out here scouting the universe for recruits to join the Frieza Force but having difficulty finding people who can meet the standard requirements for enlisting in the main army. Until they go to pick up Paragus's distress signal and stumble upon the jackpot of their lives.

Once we get the Dragon Ball Minus portion of the film out of the way, so much of the first act is just setting up and developing the chemistry between Broly and Cheelai.

This is the first conversation Broly has ever had with someone who wasn't his abusive father in his entire life.

When they introduce Broly to Frieza and we get an explanation of his tendencies, the animation on Broly is so good.

Paragus explains that he cut off Broly's tail because Broly would lose his mind whenever he became the Oozaru, and lets slip that Broly still sometimes loses his mind and becomes wild and unstable. When Frieza naturally takes issue with such a person being on his ship, Paragus quickly clarifies that he has Broly under control.

As he removes the controller to Broly's shock collar from his pouch, we get to see Broly's eyes go wide with fear, and then he starts grasping at the collar and pulling at it in panic. Pure Pavlovian terror just at the sight of the remote.

With the scene calling attention then to Cheelai and Lemo, horrified by what they're both seeing and hearing.

"It is not a strong current," Paragus assures Frieza while Broly is having a full-blown panic attack behind him.

Lemo and Cheelai collect a very generous payment for finding Broly. We have no idea how galactic currency works but they both react like "OH MY GOD SO MUCH CASH" so we can assume this is a lot of, uh, cosmic cigar cases or whatever.

Admittedly, the "Lady asked you to leave her alone" cliche where the likable male protagonist beats up an asshole harassing the likable female protagonist at the bar is pretty old and tired at this point. But I will note two things I like about this scene:

1 - That Broly isn't the one who escalates. He's not the one who started this fight. Lemo tries to intervene first, attempting de-escalation by offering to buy the thug a drink. It's only after the thug gets violent and decks Lemo that Broly then steps in.

2 - And also, the main point of development that Cheelai, Lemo, and Broly have isn't "Broly stepped up to defend Cheelai". This is just a mechanism for bridging the gap between the important stuff. That is, Cheelai seeing how controlling Paragus is....

And Cheelai getting to see for herself what the "mild current" of Broly's collar looks like in action.

God, if the visuals of Broly writhing around in pure agony don't make you feel for the guy, the sound of him screaming bloody murder for like fifteen seconds straight sure will.

Paragus declares that he had to do it because Broly would have killed that guy if he hadn't. Cheelai retorts by calling Paragus's parenting into question which. Like. Yeah.

We tend to just kinda take Paragus's word for it that Broly's a raging uncontrollable beast purely by nature and it has nothing to do with his failings as a dad. "That's just how the boy is, nothing to be done about it, gotta torture my kid," says the father who tortures his kid while also weaponizing him for personal gain. Why are we trusting him?

The thing this movie did for Broly that makes it so fascinating is that it asks those kinds of questions. It dares to ask, "What if the abusive father's interpretation of his child is actually full of shit?" It reinvents Broly as a character by condemning Paragus, but doesn't have to condemn Paragus any more than the original Z film already did. All it really does is take away the meta-narrative's vindication of his abuse.

The domineering Paragus barks at Cheelai to stay the hell away from his boy. He doesn't even notice Cop Carjacker Cheelai solving this problem herself.

Fun fact: In this moment, Cheelai kills Paragus.

It's a bit of a walk from here to Paragus's death, when Frieza hysterically murders him in order to motivate Broly to become a Super Saiyan.

But this only occurs because the fight between Broly, Goku, and Vegeta has continued to escalate beyond the point when Paragus would have stopped it. His fate is sealed when he reaches for the remote to stop Broly's fight and finds it missing.

The highlight of their relationship-building is, of course, Broly telling the story of Ba's ear after Leemo introduces him to water for the first time. The heartbreaking tale of the first and only friend he had before these two.

Broly wears Ba's severed ear so that he'll always remember what it felt like when he had a friend. Oh my god. Are you shitting me with this. That is the most heartbreaking thing. How dare you make me want to wrap Broly the Legendary Super Saiyan up in blankets and give him hugs and chocolates.

Broly doesn't even like fighting; His dad forces him to train. Which sure makes it really fucking interesting when Paragus turns around and goes, "I have to use a shock collar because my violent and uncontrollable child is violent and uncontrollable!"

Then, as the fight goes on, we keep checking back in with Cheelai and Leemo to get Cheelai's assessment of what's happening. Cheelai sets the tone for how we should be feeling about Broly's fight with Goku and Vegeta.

I love how, when she says Paragus raised Broly to be "the kind of warrior that he wants him to be," the shot isn't of Broly looking fierce or menacing, or beating down Goku or Vegeta. It's the shock collar. This is the visual expression of what Paragus wanted Broly to be.

And that, in turn, is the tone of Broly's fight with Goku and Vegeta. This isn't awesome, it's tragic. They don't even know. They legit have no idea who this guy is. Frieza showed up with a super cool warrior and went "FIGHT THIS STRONG GUY" and so they're doing that.

They have no idea who he is.

And they're probably going to kill him in this fight.

All of this context is what makes the finale of this movie work so hard. Because this is Cheelai, Leemo, and Broly's movie. Cheelai by this point has been firmly established as an irreverent thief who does whatever she feels like. She has no loyalties to anyone but herself and whoever she cares about, she makes dangerous choices, she's young and impulsive, and she's emotionally invested in the wellbeing of this abused boy who deserves better.

Consequently, the triumphant climax of this film isn't when Gogeta defeats Broly, but when Cheelai fucking robs Frieza to save Broly.

This is the emotional climax of the film, offset against the tragic action climax where Gogeta is utterly destroying our boy in a predictable but heartbreaking fashion. The magic of this movie is that by the end of it, it has you rooting against Goku and Vegeta, and utterly distraught when they pull ahead and find the answer in the third act.

This character relationship is underdeveloped. It could have used a lot more fleshing out, and honestly I would never say no to more of these characters.

But for what we got, I love it. Cheelai and Broly are the best characters that DBS ever came up with, and Leemo's cool too.

#dragon ball #dragon ball super #cheelai #broly

[jesncin]

Do you have any favorite books or comics that you'd recommend?

Superhero comics or in general? I'll go in general, haha:

Our Dreams At Dusk by Yuhki Kamatani

This is the book series I'm most obnoxiously recommending people. It's influenced me ever since, Lunar Boy is a direct homage to this short series in many ways. It talks about the lived realities of being queer and Japanese in Japan- the queerphobia, the mental health struggles, the relationships (romantic and platonic) in an in depth way. It opened my eyes to what the queer narrative can be, and I'm forever grateful for it. This story is so good it actively ruins all other queer media for me, haha.

Superman Smashes the Klan by Gene Yang and Gurihiru

This is the book I most successfully recommend to people. What can I say that I haven't said many times before? A reimagining of the classic Klan of the Fiery Cross arc from the classic Superman radio show, empathetically revitalized. A story that actually acknowledges and understands Superman as a direct immigrant allegory?? Where he relates to a Chinese American family being targeted by the Klan?? I love it, and many people have picked up how I'm influenced by it! You don't need to know anything about Superman or his lore, this is a very accessible story for newbies. If you want to know why I love Superman, this is it. This story is so good it actively ruins all other Superman media for me, haha.

Salt Magic by Hope Larson and Rebecca Mock

One of my recent all time favorite graphic novels!! This story is everything I love about fairytales perfectly told in the graphic novel format. When a mysterious woman curses a family farm by turning their water supply into entirely undrinkable salt water- Vonceil must embark on an adventure to uplift the curse that hangs over her family history. Also Rebecca Mock's art is INCREDIBLE.

Homunculus by Joe Sparrow

Shortbox, the publisher for this comic, is retiring soon so order this book now! Or any books from them that you fancy (discount code here)! From the indie scene, Homunculus is a beloved short comic about a machine with growing sentience witnessing the end of the world, and what comes after. The style is lovely and the story is deceptively simple! It's heartbreaking by the end.

Berrybrook Middle School Series (Awkward, Brave, Crush, Enemies) by Svetlana Chmakova

This series is the reason I wanted to make middle grade graphic novels, and is in my humble opinion- the best in the business. Each story is self contained, with a cast of recurring characters that all go to Berrybrook middle school. It covers a wide variety of young experiences in an empathetic way that doesn't feel like you're being talked down to. It's a book series that nurtures the children it's for. I cried reading Brave, and Crush is such an important book that I'm ecstatic that kids get to read.

The Weight Of Our Sky by Hanna Alkaf

If you liked my Who Is Superman: A Private Interview with Lois Lane comic and want to learn more about the historical context behind it- I recommend The Weight Of Our Sky by Hanna Alkaf. It doesn't cover the same history (this book is about the 1969 race riots in Malaysia), but it's such an eerily similar incident that I felt myself reflected in it. Hanna is an incredibly vivid writer, and she handles so many topics with sensitive care. She highlights that historical events like this need to be remembered, and how fictional stories can breathe new life into an increasingly forgotten history. Also Hanna is so nice.

A Monster Calls by Patrick Ness (original idea by Siobhan Dowd)

One of my all time favorite novels, with hauntingly beautiful mixed media illustrations by Jim Kay. I love how this book covers grief in such a messy and fantastical way- showing how its young protagonist has larger than life feelings he's trying to contain from the looming eventual death of his mom's illness. This book is special because it was conceived originally by Siobhan Dowd as she was going through terminal cancer, in collaboration with her editor and Ness. It feels like an intimate experience, and this heavy feeling of grief carries the whole book in a memorable way.

Those are my fav books off the top of my head! Happy reading :>

#askjesncin #booklr #longish post #i miss having time to read novels i should do that again before work piles up #[proceeds to read cape comics instead]

[girltigerclaw]

breaking into ur house rn

top ten characters and bottom ten. reasons are optional

I just finished this chart thing i think i actually stole from your blog a few months ago <3 Slightly edited to my own prefs.

If anyone wants the template check the reblogs, and feel free to add you own. I'd love to see. I'm just rambling under here:

Leafpool: She is more special and sacred than the virgin mary. She has everything. Daughter of the first protagonist, ex boyfriend for me to hate, TONS of wlw situationships<3, a lifetime of tragedy, and some of the most gorgeous canon art to exist.

Crookedstar: Crookedstar is a trans woman to me. Her life is genuinely just so tragic and fucked, I love it. The erins asked: “How much truama, death and misfortune can you fit into a single cat?” and then they wrote Crookedstar’s promise.

Tawnypelt: GIRLS WHO HATE THEIR FATHERS. The erins dont love her like I do.

Tallstar: I love old men… I fucking love seeing older characters and how much they’ve changed from their younger selves. Tallstar is considered one of, if not the most peaceful leader in the clans. But also when he was like 19 he went on a quest to fucking murder a guy :3

Cloudstar: I rlly do not care abt anyone in Skyclan(I like Leafstar but she's not a fav yknow?) Cloudstar... he was based as fuck. Why did Starclan get away with this shit for real??

Scourge: It’s fucking Scourge. He’s awesome

Briarlight: I’m disabled and I love her. She has such a consistent fun, sweet personality and she makes me happy!!<3

RavenBarley: It deserves all the attention and hype it gets. Though I wish mlm ships didn’t overshadow wlw ones in this fandom, RavenBarley is genuinely well written and makes me very emotional even if the publisher didnt allow it to be explicitly canon.

CrookedBlue: TRANS WOMEN CROOKEDSTAR YURI. Two leaders having a forbidden relationship and kits is way more interesting than Oakheart. The angst of Crooked and Blue sitting next to eachother every gathering while the entire forest has their eyes on them. Don’t look for too long, don’t let the mourning slip into your voice. You have to pretend your lover is a stranger. You… have become strangers. You can never be together again. You're enemies now. This is what we wanted, isn’t it? …We’ll never be happy again.

Mothwing: Her novella delving into her relationship with Hawkfrost was so good and heartbreaking.

Heathertail: Daughter of leader, sister of a major villian, and former love interest of a protagonist! Why did she fall off the second po3 ended. She’s shown to be very compassionate and willing to put her own feelings aside for the sake of others. Would’ve honestly prefered her as a mate to Lionblaze or get a pov herself over the nothing we got.

Blackstar: *Murders an elderly woman trying to stop me from kidnapping children. Supports a dictator openly abusing/neglecting children and the elderly. Murders a man for refusing to kill mixed raced children- then tells said man’s sister that she will never be safe.* Man…. i sure do feel bad for abusing and killing all of those people…. Good thing I will face no consequences and proceed to be made leader, where I will have even more power over the wellbeing of others.

I hate. This guy.

The New Prophecy: A classic. My first series was actually tnp! i feel more attached to first arc cats tho, if you couldn't already tell by my list lmao

Johanna Map- Best Tawnypelt content out there

BlueQuince: My personal handcrafted, homemade Yuri. Bluefur feels terrible about Tiny going missing and promises Quince she’ll help her find him. They never did, but they had a very… fleeting but intimate relationship. Quince is grieving and Bluefur feels so overwhelmed by the duties in her clan. They’ve always thought of eachother since but never met again.

Tigerclaw: My name sake<3 The angst of his earlier life is so, so facinating to me. Starclan being straight fucked up and decided killing him is their only option? He was a kid and they saw him as a lost cause from the start. They never tried any other methods, never tried to steer him in the right direction or… even just take it into their own hands and kill him themself, which they have SHOWN they’re capable of.

They watched all the the horrific crimes he commited, entirely aware they were going to happen. Thats. Fucking. Horrifying. Starclan is scary as shit… and his death? FANTASTIC. I only wish he’d gotten lives from cats he killed so that him coming back to life to suffer over and over was an actual curse from Starclan and not blessings. They knew how he would die and they gave him the lives to torture him for his sins…

Flywhisker: Adhd girlies. Painfully relate to that feeling of the constant scolding for never being “good enough” because I prefer to do things a certain way or struggle to focus. So, SO happy for her when she left the clans! You don’t have to prove yourself to anyone! Hope she’s happy and warm indoors with her brother💕

(P.S. I was very suprised to find she actually had an official art piece!)

Bluestar: Get behind me women with mental disorders. I will defend you. Beautifully complex and tragic character, my favorite written in the series. Literally can't think of a single other female character in handled as seriously and with the complexity of Bluestar. (Although her super edition was a bit of an L with how others treated her, it ultimately makes her breakdown even more painful.)

Exile from Shaodwclan: Nightstar my beloved! He's such a great guy. The rightful leader of Shadowclan, always and forever.

Ravenpaw's Farewell: HE DIED IN BARLEY'S ARMS, TELLING HIM HE WILL FIND HIM, NO MATTER WHERE HE IS. FUCK.

Crookedstar art: So beautiful. I genuinely think she's one of the prettiest cats in the series. This along with her official art by Wayne Mcloughlin.

Leopardstar: As a kid I hated her and loved Blackfoot, now I hate Blackfoot and love her. #feminism. But seriously I think she has way more going for her than he ever has. Her father is a medicine cat who hates violence, the DRASTIC change in Riverclan's view of outsiders upon Crookedstar's death and her leadership. Her already having a position of power before proving she's unworthy of it. (Unlike Blackstar who gets rewarded for his racism and violence by being made leader afterwards) and the fact she has to interact with her victims on a daily basis after what she did.

The writings attempts to redeem her are really lame and dismissive of the actually damage she did, but at the very least they TRIED to do something else with her. Personally, I would have loved to see her assassinated by Mistyfoot. Just like her mother Bluestar was almost killed all those moons ago by Tigerclaw... The parallels of violence for power and violence for peace. A victim repeating the actions of the very man who killed her brother to put an end to what he started in Riverclan.... A shadow in Riverclan, if you will. (<-Pretending erin hunter has hired me to rewrite their series)

Windclan: Tunneling as a concept and inviting outsiders into their clan so friendly and casual makes the clan seems so much more diverse than the others. It always stuck out to me!

Andddd there are my current warrior cat options as of 2023! If someone actually read this whole ramble ily<3

#THANKS FOR THE ASK. sorry i wrote you a novel❤ #I already wanted an excuse to just throw all my favs and thoughts into one place so i used ur ask as that lol #asks #mypost

[thelordofgifs]

Obscure Tolkien Blorbo: Semifinal

Eldacar of Gondor vs One (1) Rivendell elf who sings tra-la-la-lally

Eldacar of Gondor:

The twenty-first King of Gondor, also known as Vinitharya. During his reign the conflict known as the Kin-strife occurred and he was forced from his throne for ten years.

The blorbo of all time actually. He’s the protagonist of one of the most interesting stories in the LoTR appendices, the Kin-strife, and everything about his life story is so fascinating! His father was the crown prince of Gondor and his mother was the princess of Rhovanion so not a Númenorean. As a result all the racist nobles of Gondor made noises about how Eldacar was of “lesser race” and wouldn’t live as long as a “true Dúnadan”. One of the most fascinating examples of fantasy racism in Tolkien’s works imo – the bigotry is awful but the bigots have a shield to hide behind! Obviously their concerns are actually valid because they just don’t want their king to die young! (Their concerns aren’t valid. But I think the worldbuilding here is great.) Anyway Eldacar was born in Rhovanion and given the birth-name Vinitharya, but when he returned to Gondor aged five he was obliged to take up the Quenya name Eldacar, presumably to pacify all the racists in Gondor. He’s the EMBODIMENT of mixed-race/immigrant child trauma my beloved. Eventually his father died and he ascended to the throne of Gondor, but then his shitty second cousin Castamir (all my homies hate Castamir he’s the worst) started the civil war known as the Kin-strife and usurped Eldacar’s throne. Eldacar was forced to flee north to Rhovanion but Castamir captured his eldest son Ornendil and had him cruelly put to death which is SO SAD. But Eldacar, being brave and resourceful and clever and extremely cool, put together an alliance with his mother’s kinsfolk in Rhovanion and after ten years reclaimed his throne, which turned out to be slightly easier than expected because Castamir was The Worst and all his subjects hated him. And Eldacar PERSONALLY fought and killed Castamir HIMSELF and AVENGED HIS SON which is extremely important when you consider all the cringefail elves in the legendarium whose quests for revenge didn’t really go anywhere at all. Then he lived to be 235 proving that all the idiot racists who were worried about his lifespan didn’t have any idea what they were talking about, as is par for the course with racists. Also the Kin-strife itself has such far-reaching consequences for the history of Gondor! The Corsairs of Umbar, Gondor’s long-standing enemies, are actually followers of the descendants of Castamir. And during the Usurpation of Castamir Osgiliath was sacked and burned, leading to the beginning of its decline as Gondor’s greatest city. Even though Eldacar’s story is, to me, ultimately hopeful, it’s also such a fascinating turning point in the history of Gondor. Also ALSO he’s explicitly surrounded by textual ghosts which is really fascinating. His father Valacar has “children” plural – so Eldacar had siblings!! What were they like? How did they react to it all? And his son Aldamir is described as Eldacar’s second son and third child, meaning that he had a daughter too. Who was she?? What happened to her? He’s such a blorbo and there’s so much interesting stuff to dig into around him and he has to win this entire tournament please please please❤️

One (1) Rivendell elf who sings tra-la-la-lally:

One of the Elves of Rivendell who sing tra-la-la-lally in The Hobbit.

This one specific elf sings tra la la lally with the rest but he is slightly off key and the other elves bully him for it

they’re SILLY!!! We need NEED more silly elves!! Like who are these weirdos just hanging out in the trees of Rivendell? Did they know the dwarves were coming and gather their friends to specifically climb those trees to sing nonsense at them? Do they just normally sit there and sing about every little thing they see? Is this a traditional Rivendell thing or are those elves just really strange? I’m obsessed with them they’re everything to me. Elves are oft portrayed as being Too Serious in this fandom and silly elves need rights too! Silly elf rights!!!!

Semifinals masterpost

#obscure tolkien blorbo #eldacar #I am on my knees begging you my boy has made it this far do NOT let him go out like this. VOTE ELDACAR. #queuevienen

[battlekidx2]

Blue Eye Samurai Thoughts

These thoughts are sort of scattered and don’t cover everything I think makes this show great but I wanted to get something out about this amazing show.

Every once in a while an animated project comes around that makes me sit back in awe that something this phenomenal was allowed to be made. That something this rife with creativity, care, and emotion was given the freedom necessary for the people behind the scenes to make an authentic experience that really pushes the boundaries of what animation can do. And Blue Eye Samurai did just that. 

The last time I felt that way about an animated show was Arcane.

Blue Eye Samurai follows Mizu, a child of mixed race that was deemed a monster due to her parentage, and her journey to kill the man who sired her. It’s a dark, tragic tale that blends 2D and 3D animation to create a story that centers themes of prejudice, class, identity, found family, revenge, and loss.

It’s one of the most gorgeous shows to come out in the last few years. With pretty much the entire show having the ability to leave you breathless. The action scenes in particular are standouts (shocking I know).

In these action scenes the show really embraces the freedom its rating gives it without falling into the usual trappings shows with a mature rating tend to. Blue Eye Samurai has an abundance of bloody gore filled violence that never becomes gratuitous. It all feels purposeful and poignant within the story itself and how it explores its themes. It gives the consequences of Mizu’s revenge depth. Not just in how it effects the people around her and the collateral, but also in how the violence Mizu perpetrates effects her.

This is best explored in episode 5 (The Tale of the Ronin and the Bride), which is probably the best episode in the season, where we get to see a glimpse into Mizu’s past and how her path towards revenge is solidified.

The hopefulness of the past is directly juxtaposed with the bloody carnage of the present, while the story of the bride and the ronin is told over the course of the episode. There’s a foreboding that is layered over top of every scene in the past, the knowledge that in some way this goes wrong and leads Mizu to this point. To become this force of nature capable of cutting down men without hesitation.

It shows those parts of Mizu she’s lost through the hardships her life threw at her and those parts she’s been forced to discard herself to accomplish her goals.

The loss brought on by the hardships her life threw at her is shown in the past with her mother and husband and their betrayal and death. And the parts of herself she’s had to discard is shown in the present when she initially spares the boy that turns her in and almost gets the women in the brothel and herself killed that she ultimately kills in the end when faced with the same choice.

This is all just scratching the surface of this exploration, but I think it gets across the point that this show does a good job of exploring the nuances of revenge and what led Mizu to this point.

It’s the show’s meticulous exploration of aspects of Mizu’s character that makes her such a complicated character and an amazing protagonist. I don’t know if anything I write would really do her justice, but the complexity and nuance of her character alone make this show worth watching.

The second most interesting character to me was Akemi. 

Akemi’s arc is incredibly compelling. She goes from feeling trapped and trying desperately to escape to learning how to use her cunning to try and become great. But because this arc is occurring in Blue Eye Samurai it isn’t as straightforward as that description makes it seem on the surface. That arc is flipped on its head and to show what I mean I want to look at the scene on the bridge.

That scene on the bridge after Seki dies was one of the most intriguing of the final episode. That moment you can see the shift in Akemi’s desires from that of freedom to that of greatness. In many ways this isn’t the victory that it should be.

The wording seems like that of someone taking control of their own destiny and deciding to pull themselves up to a position higher than anyone thought possible, but the framing with the city in flames behind her, the shogunate’s enemies burning alive, and Seki dead on the ground put it in a more tragic/sinister light.

And those words she speaks that are on the surface sound triumphant echo sentiments that her father has said to her (telling him he’s only alive because of her and the belief that she can control the shogun, etc). Her desire for greatness even reflects his own. 

This isn’t really freedom and considering the almost naive quest for that freedom she went through during the season and was even hopeful she could obtain just moments before, living out her days with Seki on his family farm, make this feel less a victory and more like she’s becoming what she has to. That she’s hardened. That she’s starting down a path that mirrors Mizu’s in some ways.

And this mirror between Mizu and Akemi is clearly intentional. The show itself visually mirrors the two within this same episode in the exact scene I was just talking about.

And throughout the season she is the most direct foil to Mizu. Both found different ways to try and work around the inherent restrictions being a woman in 1600s Japan would entail, to gain any semblance of freedom from those restrictions, but were ultimately hurt by those expectations/restrictions in a way that forced them to change.

They took how they handled it in two completely opposite directions (Mizu presenting as a man and Akemi using her sexuality and forced marriage to her advantage. In broad, over-simplified terms: rejecting femininity vs embracing it to achieve their goals) which is what makes them such interesting foils for one another.

This parallel/contrast to Mizu makes her the most interesting of the supporting cast and her end point puts her into what might be the most compelling spot out of all the main characters heading into next season.

(Plus she’s voiced by Brenda Song aka Anne Boonchuy and London Tipton)

Honestly all of the characters are given nuance that makes them at the very least entertaining.

The show even manages to make a character that could have just been comedic relief an interesting character and an avenue to expand on its exploration of themes with (season MVP) Ringo.

This is best shown through Ringo’s views of greatness. They at first seem shallow and naive. Not really looking deeper than the surface at what this idea entails and he floats from one thing to the next so easily that it can initially seem unfocused, but I think that’s the point. Ringo doesn’t really know what greatness is so his view of it is constantly changing and what he believes he can be great at is constantly changing too. 

Just like the audience he is awed by Mizu’s strength and ability in battle, but as the brutality and reality of what that skill brings comes to light the idea that this skill and determination is greatness slowly dims. It never entirely dies out because this isn’t meant to destroy his idea of greatness, but instead change it from a black and white binary to something that is more blurred. He still sees greatness/potential for greatness within Mizu, but he doesn’t see her as the pinnacle anymore. The end all be all.

And what he can do to be great constantly changes because he’s suddenly had so many opportunities he never could have dreamed about, due to his disability and being stuck at his father’s noodle shop, opened to him that he needs the time to explore what he wants. He’s still trying to find his calling and by the end of the series he might have found the start of it in the same place that Mizu did– With Swordfather. 

The one thing about Blue Eye Samurai that didn’t quite work for me is the use of music. The show’s score is beautiful and used to great effect, but the music it chose to put over scenes would pull me out of the moment almost every time because it used highly recognizable songs that I’d heard in so many pieces of media it felt inauthentic and jarring.

This is a small complaint because there are only 2 scenes where the music choice did this, but I felt I should mention it because of how important these scenes were supposed to be. The rest of the show easily makes up for this small gripe.

I could probably ramble about this show all day but I’ll cut this off here and say this: Blue Eye Samurai easily lives up to the hype that everyone has been giving it. It’s a visually stunning show with compelling characters that explores its themes in such depth that I can’t wait to see where it goes from here. 

Random thoughts

I love the shot of Mizu in The Great Fire of 1657 where she’s staring Fowler down, flames behind her and eyes a piercing blue, because of the perspective of this shot. This is shown through the eyes of Fowler, the man who just brought an army to the shogunate’s doorstep with the plan to take over Japan, and yet he’s afraid of Mizu and the lengths she will go to achieve her goals. It’s such a chilling shot that absolutely shook me to my core. (Man Blue Eye Samurai is amazing at these types of shots)

Taigen is a character that I had a lot of fun with, but didn’t make as much of an impression on me as the rest of the characters. He isn’t as complicated and compelling as Mizu and Akemi or as thematically interesting as (season MVP) Ringo. I wish I had more to say about him, but I don’t. I do think his dynamic with Mizu is interesting though.

Fowler is a really fun villain and I can’t wait to see how he plays off of Mizu now that he is going to be her guide in London. I can’t wait to explore those bombshells he dropped in the finale about Mizu’s origins.

The fights in episode 6 were the most visually stunning to me in the season. The way it played around with lighting and perspective was incredible. 

I didn’t talk about it much above but I thought the way Blue Eye Samurai explored Mizu’s relationship to her gender to be very compelling and nuanced. The way it’s handled lends itself to a fascinating exploration of identity and gender that I think is important.

Swordfather has such a great relationship with Mizu. He knew she didn't leave his house the night before and just decides to adopt her and teach her everything he knows, giving her a stable relationship that doesn't reinforce her shame. He doesn't recognize her mixed heritage as a point of shame instead embracing her for who she is and letting her know that her mixed heritage doesn't make her impure, standing up for her when the bandit threatens to hit her and insults her origins. This genuine care is something Mizu desperately needed as a child and it was amazing to watch.

I think I want to go into greater depth at some point on my points on Mizu and Akemi being mirrors to one another and how The Ronin and the Bride explores violence and loss and how they're intertwined in Mizu's life at some point.

It’s shows like this that make me even more frustrated at Netflix. They were on such a role in animation and were (and sort of still are) a driving factor in changing the landscape of adult animation that they were frequently the platform that I was most excited to see new animated projects on, but then they absolutely gutted their animation division and showed little to no respect to the work of those that made the animated properties and I lost a lot of respect for them as a result. I really hope projects like Blue Eye Samurai keep being made and that platforms start respecting animation like it deserves.

I kind of feel like adding a few adult animated recommendations on netflix to this so here goes: Arcane (duh. It’s a masterpiece), Pluto, Cyberpunk Edgerunners, Castlevania, Carol and the End of the World, Skull Island, Inside Job, and Tear Along the Dotted Line.

#blue eye samurai #netflix #mizu #akemi #ringo #swordfather #taigen #season 1 was phenomenal #the ronin and the bride #I really loved this show #watch it immediately #spoilers below the cut

[writingwithcolor]

Historical romance with Black woman, without including racism

Anonymous asked:

I write regency romance and I have a female character that I have written as having a mother who is black Antiguan and father who is white British in 1819—he’s a Viscount so they are highly placed. I want their daughter to have a typical romance arc…and that’s it. I don’t plan on making any of her problems about race or even mention it other than describing her as black and a brief backstory on how her parents met. In ignoring this aspect of her—whatever problems might have presented themselves, what conflicted feelings she might have about British white high society in that era—am I wrong? If I am wrong but still don’t want the romance to be about race and class, how to do that in a respectful way? 

Or, is it okay to tell the story of romance without race being an issue at all?

Yes, yes, and yes. And it’s not so much about ignoring any racial conflicts in the era. Although, the history and treatment of Black people was not the same in the European regions as it was in the Americas (feel free to do some research, for context).

It’s about whether the issue matters specifically to: 

your story

the specific area 

your character’s narrative

to those around her, or specifically the people she interacts with, including the lover, his relatives, friends, and so on.

And it’s okay for that answer to be no. You do not need to make racism just * not exist* but rather, not make it a matter for the people in the story. This is the case whether you write a story set in 1819 or 2025!

Black people should be allowed stories, especially with romances, that aren’t about racist conflict and being dehumanized. The regency romance genre lacks Black women protagonists in love, and BIPOC in general. And these Black women and people do not need to only be mixed race or light, either.

Steps to diversify the genre starts with just letting us exist in history without fears of being “historically inaccurate.”

As discussed many times here:

Black people existed (and exist!) in Europe, and not only as enslaved or oppressed people. 

Arguments against historical accuracy are usually only served to keep inclusion out, not to bring it in. The same historical accuracy is not called for when including fairies, ogres and dragons in historical settings. 

Therefore, if supernatural creatures can exist in this era as upper class and royalty, so can Black people, period. But again, they did! So.

Not including racism doesn’t mean ignoring reality 

Now, if one were to write a story about a Black person today and not include any racism, are they somehow doing Black people a disservice by not putting them through traumas and racism they already face on a regular basis? I would say absolutely not. In fact, it’s what I personally go for. Escapism should exist for us too. These heavy-hearted books have their place and can be sought out if desired. 

Colorblindness

On the same note, colorblindness is not ideal. You mention that you’ll still describe the characters, which is good. But being Black or another race or ethnicity, but leaving out the anti and ‘isms doesn’t mean you’re removing an essential part of them. A welcome part of representation is to acknowledge their looks, culture, food, languages…aka the things that make them who they are. The narrative doesn’t need to obsess over differences, but simply accept them as natural. 

Some people have this fear of race. As if to talk about, mention or even notice race is to be racist. “Black” is a whispered word. 

Avoid all talk of “despite of race” or “not seeing race” because that’s 

1) simply not true and is 

2) another form of racist erasure. 

We can see and acknowledge differences between you and me. And they can simply be embraced and accepted, not ignored.

Ways to acknowledge diversity without racism in romance

There are many ways to do this. Here are just some ideas, some vague and some specific. 

Describe and mention the character’s looks

Include physical descriptions of your character’s race. Whether you show or tell, you should make it clear that they’re Black, or the given race you’re writing. It doesn’t have to be a big deal for the plot. It should be something that is at least apparent to readers. Without clear indication, the character will likely be seen as white. Book covers help avoid this white-as-default assumption, too.

You can thread descriptions and reminders, short or longer, throughout the story.

Examples

She had rich brown skin and even darker brown eyes. I lost my breath when she tucked her chin, only to bat her heavy lashes my way.

Thick curls spilled around her face, black coils against golden brown skin.

I attribute my looks to my Antiguan roots - dark brown skin, umber eyes, and a small, rounded nose - all traits that I got from my mother. 

She tucked a thick coil under her bonnet

Comparisons also work, particularly if the people are not used to seeing people of this race. Now, these comparisons should not be about exalting one race or putting down the other group(s). Pointing out differences does not need to be a battle of what or who is better looking.

More examples

Lance couldn’t keep his eyes off of the beautiful woman stepping off of the boat. Her skin held a warm brown hue. He’d never seen skin this rich in color – all of his friends and neighbors were pale or only slightly tanned from the sun.

She had dark skin, her brown shade much deeper in tone than the other humans he had met so far on his ventures through space.

Her brown skin, black hair and dark eyes contrasted with those of the pale, blonde women in the room.

“I hear the Duke is courting that young Moorish woman.” “The woman’s name is Emilia Watson,” Sarah said, resolutely.

He admired the stark contrast of their skin, brown and white, as they walked hand in hand.

Add culture, not racism

Culture is many, many things. So there’s many ways to show hints of it throughout the story. 

Consider things like:

Food

Holidays

Clothing

Religion, beliefs, myths

Language, phrases

Mannerisms, values and habits

Superstitions

Family roles

Traditions and customs

Art

Food

A special mention to food, but perhaps because I’m hungry writing this. Food can be culture, and a very important part of it, I think it’s also an easy and fun way to incorporate it into a story, without needing to mention racism.

Examples

The characters makes her partner or the family a traditional dish. He / they could also share their favorites with her.

She shows him how to make a dish passed down throughout the family. 

Something she makes him is so spicy that he runs to find water for relief, which could be a funny and cute moment.

They celebrate a special holiday or tradition by making a meal together.

They visit a market that sells food or produce from her homeland that they try and enjoy.

In summary

Please feel free to write historical romances with BIPOC, minus the racism. I promise that there’s an audience for it!

More reading

Wealthy Black character in historical romance, written by white author

(1800s Western) non-racist White characters interacting with Black and Native people

Historical American Fiction without the Racism

FAQ - “It wouldn’t be historically accurate for my story to include BiPoC.” 

Praising Beauty Without Fetishizing PoC 

~Mod Colette

P.S. If anyone has some good diverse regency romances with WOC, please drop those recommendations. I’m always trying to find more to read! 

#Black #black characters #historical romance #regency #regency romance #escapism #asks