#Rachel Katstaller

[ash-and-books]

Rating: 5/5

Book Blurb: Big sisters are the best! Neither rain nor a series of setbacks can put a damper on a young girl’s day spent with her big sister. A picture book that captures the love between siblings!

A young girl is thrilled to spend the day with her big sister, but things don’t go as planned. It’s so hot outside—legs-stick-to-the-seat hot—that her ice cream melts and then it rains. Their plans must change, and then change again as the library closes just before they arrive. But big sister knows just what to do next—even if it’s nothing besides splashing in puddles and looking at the stars. The day isn’t anything like little sister expected . . . it’s better.

For fans of Oge Mora's Saturday, this picture book about the power of sibling friendship comes from award-winning author Nelly Buchet and Salvadoran illustrator Rachel Katstaller.

Review:

A super sweet and adorable story about spending the day with your big sister. This was such a cute story about sibling friendship. The artwork was really sweet and the story itself was charming. I would definitely recommend this!

*Thanks Netgalley and NorthSouth Books Inc., NorthSouth Books for sending me an arc in exchange for an honest review*

#book review #bookish #book #big sister long coat

[theresabookreviews]

[houseofvans]

IN THE STUDIO | RACHEL KATSTALLER 

We’re checking out the creative haven of artist Rachel Katstaller who lives and works in a small shared studio space, located in Innsbruck, Austria. With a view of the mountains and lots of natural lights, Rachel not only finds inspiration in her surroundings, but also in the things she keeps in her studio! Take the leap and find out more about her space, what inspires her and what her typical studio day is like. 

Learn more about Rachel Katstaller in our Art School feature! 

Photographs by Ulli Hoschek 

Where your space is located: Innsbruck, Austria. Right in the middle of the Alps.

Can you describe to folks a little about your studio or creative art space? I have a small shared studio within the design forum of my city, which means I share a building with other creatives. My studio is on the second floor, with a window towards the mountains and lots of natural light. I love how it’s my little creative haven, and it’s filled with books, small memories from my tropical home and all the art supplies I can afford. Because it took me two years to finally get it, I still can’t believe how lucky I am to have such an inspiring space to call my own!

What’s a typical day in the studio like for you? I’m not a morning person, so I usually get in late. Before that I’ve already answered all urgent emails from home and then try to carve in an hour of sketching out ideas for myself. Then I normally get started on client work, have lunch with my studio mate, and continue on whatever projects I’m working on until around 6. That’s when I wrap it up and go skateboarding with friends.

What type of things do you keep around the studio to inspire you? What art are on your walls? I have several things that remind me of my tropical home, like a typical sorpresa of Ilobasco (the tiny figurine made out of clay), pictures of my friends, cool commissions and art from friends. I also have tons of picture books that I always refer back to when I’m in need of some inspiration. The cool thing of being in the design forum is that I have access to interesting exhibitions and books to get inspired. 

If you had to listen to one song on repeat forever in the studio, what would it be? Know What I Want by Kali Uchis

If you could pick anyone in the world, who would you collaborate with? Since it’s such an open question, I’d love to collaborate with Vans again!

Lastly, what’s something not many people know about you? It might come as a surprise to some, but I rarely listen to any music at all! 🙉Not that I don’t like music, but I find it very distracting and I just love a good audiobook or podcast while working.

FOLLOW RACHEL | WEBSITE | INSTAGRAM 

#Art #Vans #Vans Girls #Rachel Katstaller #Studio visit #Austria #Vans Art #In The Studio

[mariannamadriz]

I am enormously excited to show this fantastic project I worked on last year: a children’s book about the amazing Mexican artist Frida Kahlo. The book is written by Isabel Thomas and published by Laurence King, and it’s part of Little Guides to Great Lives: a brand new series of biographies for children aged 7-11, all illustrated by different Illustrators including Anke Weckmann, Dàllia Adillon, Hannah Warren, Katja Spitzer and Rachel Katstaller. 

4 years ago I went to Mexico and visited Frida’s Blue House, and it was such a moving experience to see where she grew, lived and worked. I never imagined that one day I’d get to draw her and illustrate details about her life, and her heritage. It was a dream come true!

I used many of my own photographs from the trip to aid this project, and I especially used photos I took at the Museum of Popular Art in DF (my FAVOURITE museum in the whole world) to inspire a lot of sketches. My editors Chloë and Katherine were also amazing at supplying reference photographs, helping shape Frida in my own way.

Isabel did such a wonderful job writing this book, including many quotes and passages from Frida’s personal diaries. These also served as a fantastic visual resource to inspire the overall look, helping the illustrations to be loose and passionate in places.

All books in the series are printed in pantone colours, making the illustrations (quite literally) stand out and pop up the page. With Frida we settled for Green (342U), Red (185U) and Yellow (7406U).

This was such an intense project, but also a wonderful learning experience. I couldn’t have asked for a better subject, or for a better design team. I’ll always be grateful to the LK team for the amazing opportunity!

I really hope everyone (no matter how young or old) gets to enjoy reading the book as much as I enjoyed drawing it. You can purchase this Little Guide from your favourite bookstore, online, or from Laurence King directly.

If you spot any in the real world please snap a photo and send it my way, it’d make me enormously happy! :-)

Last photo is from Laurence King. All others are my own.

#marianna madriz #frida kahlo #book #children's book #illustration

[winningthesweepstakes]

A Portrait in Poems: The Storied Life of Gertrude Stein & Alice B. Toklas by Evie Robillard, illustrated by Rachel Katstaller

A Portrait in Poems: The Storied Life of Gertrude Stein & Alice B. Toklas by Evie Robillard, illustrated by Rachel Katstaller

A Portrait in Poems: The Storied Life of Gertrude Stein & Alice B. Toklas by Evie Robillard, illustrated by Rachel Katstaller, Kids Can Press, 9781525300561, 2020

Format: Hardcover

Rating: 1-5 (5 is an excellent or a Starred review) 5

What did you like about the book? Robillard and Katstaller’s unique, creative biography presents the lives of Stein and Toklas through a blend of free verse poetry…

View On WordPress

#Kids Can Press

[chillustrations]

Rachel Katstaller http://ift.tt/2EilhSt

#illustration #illustrator #bldgwlf #art #design #designer #artis chillustrations #BLDGWLF

[auxbellesillustrationsfr]

De Haïku à la langue Parlée, des Livres d’images Qui Apportent de la Poésie pour Enfants

POÈMES À HAUTE VOIX Écrit par Joseph Coelho. Illustré par Daniel Gray-Barnett

“Les poèmes sont faits pour être exécuté!” Coelho déclare tôt dans cette exaltante livre, qui guide les jeunes lecteurs à travers les bases à la fois de la poésie et de la performance. Chaque poème est livré avec quelques lignes de la mise en scène (“Démarrer doucement et finir FORT”) ou un clin d’œil à l’effet désiré (“Ceci est un poème pour obtenir votre public joindre”), mais l’appel réel est dans les poèmes eux-mêmes, avec leurs images vives et animées voix complété par du Gris-Barnett est coloré mixte illustrations. “Moi tweet. Moi, hop,” un moineau coups dans un, dans un parfait staccato. “Moi peck!”

40 pp. Les Yeux Écarquillés. $17.99. (6 ans et plus.)

BONNIE & BEN RIME À NOUVEAU Écrit par Mem Fox. Illustré par Judy Horacek.

Comptines donner de nombreux enfants de leur premier goût de la poésie, un fait que la Fox et Horacek (“Où Est le Vert des Moutons?”) saisir dans cette joyeuse histoire d’un couple d’enfants et leur ami Skinny Doug, qui passent la journée à rencontrer des Bo Peep et Jack Horner et les étoiles de l’autre, ils récitent des comptines. Comme le groupe se gonfle à chaque personnage qu’il rencontre, Skinny Doug œufs dans un refrain qui donne un calmant de la fin. Horacek à la netteté des illustrations à l’encre et à l’aquarelle, ajouter de l’énergie et de mouvement.

32 pp. Beach Lane. $17.99. (0 à 4 ans.)

L’ÉCRITURE! L’ÉCRITURE! L’ÉCRITURE! Poèmes par Amy Ludwig VanDerwater. Illustré par Ryan O’Rourke.

Avec des poèmes sur le bloc de l’auteur (“Avez-vous jamais regardé tous vos vêtements / incertain ce à l’usure”) et de la révision (“un peu de poisse / un peu Oui!”) et l’édition (“je vérifie une fois de plus, pour la garantie / tout est impeccable comme peut l’être”), VanDerwater de ne pas cacher la partie la plus difficile de l’écriture. Mais surtout, avec l’aide de O’Rourke légèrement lunatique illustrations de licornes dans les fleurs, des crayons avec des ailes de papillon — elle l’embrasse. Un poème, “Si j’étais un Poulpe” peut-on lire dans son intégralité: “je attraper huit crayons. / Tous identiques. / J’avais remplir huit ordinateurs portables. / Par un tentacule.”

32 pp. Wordsong. $17.99. (5 à 9 ans.)

WHOO-KU HAÏKU: UN GRAND duc, HISTOIRE Écrite par Maria Gianferrari. Illustré par Jonathan Voss.

Élevé dans un pin, une paire de grands hiboux grands réclamer un nid dans l’espoir d’élever leur progéniture. Ils perdent un œuf avant qu’elle couve, mais deux de survivre et le flou owlet les poussins grandissent progressivement plus fort que leurs parents repousser les divers prédateurs. Gianferrari raconte cette aviaire histoire totalement dans le haïku, initier les enfants à une facile-à-comprendre la forme poétique, à l’encontre de la manière appropriée moody naturaliste de lavage de Voss superbes photos, en sépia à l’encre et à l’aquarelle.

32 pp. Putnam. $16.99. (De 4 à 8 ans.)

“Suivez la Recette.”

SUIVEZ LA RECETTE: POÈMES À PROPOS DE L’IMAGINATION, DE LA CÉLÉBRATION ET GÂTEAUX Écrit par Marilyn Chanteur. Illustré par Marjorie Priceman.

Cette pétillante recueil de poèmes est rempli avec de la nourriture, de l’imagerie, en offrant des “recettes” pour tout, de la catastrophe (“C’est de l’ouvrir le sac de farine sur le bord d’une étagère”) à l’endurance (“garder en remuant le pot”) à la magie (Un“plat / fraise / crème glacée pris à l’extérieur”). La chanteuse mêle des rimes, des vers libres et des diverses formes, et donne Priceman de l’impressionniste illustrations — de la gouache, de linoléum, de l’impression et le collage — beaucoup de place pour briller: Après tout, elle le reconnaît, “On mange d’abord avec les yeux”.

48 pp. Cadran. $16.99. (De 4 à 8 ans.)

Un PORTRAIT DE POÈMES: LES ÉTAGES de la VIE DE GERTRUDE STEIN et ALICE B. TOKLAS Écrit par Evie Robillard. Illustré par Rachel Katstaller

Gertrude Stein et Alice B. Toklas ne sont pas les plus évidentes sujets pour une biographie pour enfants: en Dépit de son propre ensemble de travaux importants, Stein on se souvient surtout comme un conservateur et d’aiguillon pour les talents des autres, et Toklas principalement comme sa muse et aide. Mais ce livre délicieux présente leur charmé de la vie à Paris comme un modèle de créativité, parfaitement capturé par Katstaller est de couleur croquis au crayon et Robillard attention à la ludique paysages sonores de Stein est la poésie.

48 pp. Les Enfants Peuvent. $17.99. (6 ans et plus.)

LES GENS DE LA CONSTRUCTION Poèmes choisis par Lee Bennett Hopkins. Illustré par Ellen Shi.

Hopkins, un prolifique anthologiste qui est décédé l’année dernière, rassemble l’histoire d’un chantier de construction à travers de simples poèmes sur les travailleurs: la pelleteuse opérateur, le camion-benne de pilotes, les vitriers et électriciens. Les poèmes sont un mixte lot — et-un point culminant est la dernière offrande, par Rebecca Kai Dotlich — mais le vrai plaisir appartient à la robustesse de l’utilitaire de la magie de l’ingénierie comme capturé par Shi illustrations et Hopkins est l’étape-par-étape de sélection.

32 pp. Wordsong. $17.99. (Âgés de 3 à 7.)

RÉVEILLÉ: UN JEUNE POÈTE DE L’APPEL À LA JUSTICE Écrit par Acajou L. Browne, avec Elizabeth Acevedo et Olivia Gatwood. Illustré par Theodore Taylor III.

“Notre voix / est notre plus grande force,” Browne écrit dans le premier poème dans ce livre, qui est organisé par thème (l’empathie, le sexe, l’immigration, etc.) et convoque les lecteurs à s’exprimer, dans la tradition de militant de la poésie de Maya Angelou, Sonia Sanchez et d’autres. Les lignes épaisses et stark angles de Taylor gras illustrations évoquent la protestation des affiches illustrant la lutte pour la justice. “Le message est simple,” Browne nous dit dans son introduction: “Ne pas dormir.”

56 pp. Roaring Brook. $18.99. (8 ans et plus.)

https://ift.tt/2ViKP7L

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#livre lecture lire

[surejaya]

Ada and the Number-Crunching Machine

Ada and the Number-Crunching Machine by Zoë Tucker

This is Ada. Although she might look like an ordinary little girl, she’s about to change the world. Augusta Ada Byron, better known as Ada Lovelace, is an inquisitive child. Like her clever mother, she loves solving problems—big problems, little problems, and tricky, complicated problems. Ada invents crazy contraptions and reads all the books in the library of her father, the poet Lord Byron; but most of all she loves to solve mathematical problems. Together with her teacher, the mathematician Charles Babbage, Ada invents the world’s first computer program. Her achievements made her a pioneer for women in the sciences. Zoë Tucker’s words capture the adventurous life of Ada succinctly, and debut picture book illustrator Rachel Katstaller’s art infuses Victorian London with humor.

Download : Ada and the Number-Crunching Machine Ada and the Number-Crunching Machine More Book at: Zaqist Book

#book #zaqist #zaqistbook #zaQist Book : Read Latest eBook

[americanillustration]

Latin American Ilustración 7 Winner RACHEL KATSTALLER @rachelkatstaller No Estamos Todas.  On #internationalwomensday let’s also remember those women who are not here anymore. In many countries of the world like my home #El alvador as well as #Mexico the country where Marisela was born women still encounter daily violence suffering and cruelty. #strategicdesign #strategicdesigner #ilustrador #ilustracion #artistavisual #arte #LAI7  #dibujo #drawing #drawingoftheday #illustration #illustrationart #artist #visualartist #artofinstagram #artistsoninstagram LAI8 is OPEN SOON. Get ready! Siguenos en @latinamericanilustracion https://www.instagram.com/p/BvzfXGjBvQP/?utm_source=ig_tumblr_share&igshid=bl2xkoofh4c2

#internationalwomensday #el #mexico #strategicdesign #strategicdesigner #ilustrador #ilustracion #artistavisual #arte #lai7 #dibujo #drawing #drawingoftheday #illustration #illustrationart #artist #visualartist #artofinstagram #artistsoninstagram

[dulemba]

Rachel Katstaller's ADA AND THE NUMBER CRUNCHING MACHINE

http://dlvr.it/RJHl56

[lamurdiparasian]

Workshops & Talks at LIF 2018

Set to begin on the 29th of November and with over 30 workshops and talks plus a 55+ exhibitor stands the London Illustration Fair 2018 will be the place to celebrate illustration and print this year. Below we’ve highlighted all the amazing things happening over the course of the 4 days including a full list of activities from drop-in tasters to in-depth masterclasses for you to attend and organise your life around next week.

Workshops

Thursday: (launch Night, 6pm- 9.30pm)

— Hand lettering workshop with Lana Alana

— Have a go: Get printing letterpress with Type Tom

Friday:

— Talk by Morag Myerscough (who’s also created a large installation for the entrance space of the fair)

— Stop-motion & life drawing with London Drawing Group

— AOI Portfolio Sessions

— Create a children’s book character or children’s book cover with Rachel Katstaller

Saturday:

— Grrrl Zine Fair take-over. Feminist zine library, zine workshops and ‘Illustration as a tool for change’ lecture.

— Make your own dinosaur collage workshop with James Barker 

— Graphic novel workshop with London Drawing Group

House of Illustration talks programme:

— Talking Illustration with Joey Yu

— The Pursute of Meaningful Creativity with Grand Matter

— Journeys Drawn: Illustration from the refugee crisis

Sunday:

— London map art workshop with Olivia Designs

— Exploring environmental art lecture and mono printing with London Drawing Group

— Japanese woodcut printing with Citi Lit

Nov 29 – Dec 2 Tickets and workshops available from… www.thelondonillustrationfair.co.uk/

from Blogger http://lamurdis.blogspot.com/2018/11/workshops-talks-at-lif-2018.html

[theresabookreviews]

[houseofvans]

#YOURE IT | VANS CUSTOMS BY RACHEL KATSTALLER 

We recently featured Austrian Alps based artist Rachel Katstaller’s illustrations  in our Art School interview, and we invited her back to create her own Vans Customs, using the Vans Customs Shop. We find out a little more about her adorable and cool black cat on skateboards pattern that she created for her Vans customs.  Make the Leap!   

Photographs by Florian Trattner

Tell us a little bit about the design you used for your Vans Customs! I wanted to create a pattern that would include a part of my love for skateboarding and my favorite animal. I also really wanted my design to work well with the traditional Vans checkerboard pattern, so what better than black cats on skateboards?

What are your favorite Vans silhouettes? I hadn’t owned a pair of Slip-Ons for ages, and am really digging them now!

What have been some of your favorite reactions you’ve gotten on them? It’s funny how everyone who’s seen them thinks I bought them like that and then realize that they’re my own illustrations. That’s when the the questions come on how I had them printed!

What was your favorite part about the vans custom shop process? It’s super fun (and easy) to create your own shoe. And I absolutely loved how many options you have to customize with color and materials!

What artist would  you like to see create a pair of Vans Customs? Definitely Cleon Peterson, I’d buy everything!

#Art #Vans #Vans Art #Vans Customs #Vans Girls #Rachel Katstaller #drawing #Art School #Vans Skate

[fish-tails-siren-scales]

Rachel Katstaller

#rachel katstaller #contemporary merm #digital merm

[houseofvans]

ART SCHOOL | RACHEL KATSTALLER

Inspired by traveling, architecture, seasonal fashion, and Nature, Austrian Alps based artist Rachel Katstaller's illustrations center around strong female figures and playful bold colors. With upcoming various book projects, including her first children’s book, Rachel balances her work and life with skateboarding, travel, as well as volunteering at her local animal shelter. We find out more about Rachel’s artistic process, her art school tip, and about some of her upcoming projects in 2018 – including her first board graphic! 

Make the Leap! 

Photographs by Florian Trattner

Introduce yourself?   Hi there! My name is Rachel Katstaller, and I’m an illustrator from a teeny tiny country in the Central American tropics. Two years ago I moved to the Austrian Alps with my Salvadorian street cat Hemingway, who terribly misses the palm trees and warm tropical weather back home.

Tell us a little about your illustrations.  How would you describe your work to someone who is just coming across it? My work centers around strong female figures and playful color palettes. These are deeply inspired by the vivid color combinations you can find when traveling in the tropics.

When did you first get into drawing?  Who were some of your early artistic influences? What artists inspire you these days? Ever since I picked up a pencil as a kid I’ve never stopped drawing, but I honestly never expected to be able to turn it into a career. I graduated and worked as a designer for a while, but it never really fulfilled me. Four years ago I decided to take the leap and pursue my real dream of becoming an illustrator. It’s been quite a ride with lots of ups and very low downs, but I’d never turn back!

My very earliest influences where definitely my grandparents, both architects who loved to make beautiful sketches of cities or oil paintings of Salvadorian market days. Also the gorgeous use of space and color by Miró counts as one of my earliest inspirations. Nowadays I find myself always checking out work by other wonderful illustrators and artists such as Carson Ellis, Tuesday Bassen and Cleon Peterson to name a few.

Take us through your artistic process? What’s a typical day in the studio like? Inspiration strikes at very strange times sometimes, so whenever I have an idea for a new illustration, I start working it through in my head, imagining shapes and colors. Once I get to the studio I most of the times just lay out the colors I want for the piece, sketch it and then get to work on the final art. It all sounds super easy and fast, but sometimes these ideas shape themselves through several days in my head until I finally see them clearly enough to put them to paper. Sometimes it feels like it takes forever! I’m a creature of habit and that’s why I try to have very regular office hours during the week. I’m the most motivated and creative in the mornings, or in the late afternoon so those hours are mainly reserved to paint and draw and dedicate myself to being creative. Afternoons I spend writing e-mails and planning out ideas, working on my online shop and mapping out personal projects. Before leaving I always make sure my workspace is clean and organized so that I have a blank slate to begin with the next day!

What are your essential art tools and materials? I love jumping from one medium to the other, it all depends on the project and client, as well as what feeling I wish to convey through my pieces. Of late I have loved combining gouache with colored pencil textures, as well as graphite. But I also love working digitally in Photoshop with my Wacom tablet, since this allows for mistakes to be easily corrected.

It’s mentioned that you’re currently living in the Alps. How has this environment or that city influenced the work you create?  What’s your favorite thing about residing there? Yes, I’ve been here for a bit now and I absolutely love it! Back in Central America we only have two seasons (rainy and dry), so actually being able to have four different seasons has been quite the experience. I love how the colors change over the course of the year, not only in nature but also in how people dress, it definitely influences my work. I also draw inspiration from architecture, which is so very different in every place I’ve visited. It’s a constant source of ideas. But what I think has been my favorite thing about living here has to be having taken up skateboarding. I’m a terrible skateboarder, almost deeply embarrassing so, but I try to get as much practice as I can. It’s led me to a wonderfully supportive group of girl skaters with whom I enjoy spending time with. They not only inspire my art but also motivate me to keep practicing and keep challenging myself to become better!

What was your last adventure that showed up in one of your illustrations, thematically or just visually? Maybe not my last but my favorite adventure was last year, when I went to Tromsø, Norway for the first time to see the northern lights. The whole 10 days I was there the sky was cloudy plus the full moon didn’t allow us to see anything! I was super disappointed about leaving without really having seen them. On our very last night there, my friends went to a party but I decided to stay home and go to bed early. I took a walk outside of the house and saw the northern lights just above me. It was such a magical experience and one that I will definitely never forget!

What advice would you give someone who wants to follow in your footsteps and pursue art? It is hard to give advice to others as I pretty much still feel really small and insignificant in the art and illustration world! It is easy to feel lost and as if what you do doesn’t really matter. What I’ve found has helped me to keep moving forward is to stay as true as I can to myself and my own journey as an artist. The work we do is a reflection of our inner selves, so as we grow, so does our art. Try to not look at others and compare yourself to them. Even if it sounds impossible at times, believe in yourself!

What’s your best Art School tip that you want to share with folks? I will have to second Martin Ontiveros and say that copying is not always the proper way to praise another artist’s work. Finding your voice as an artist is a long process and there are no shortcuts to get there. It’s totally ok to get inspired by other artists, but you are unique and your work should be too.

What’s been your biggest challenge career wise and how have you overcome it or how do you continue to persevere against these challenges? My biggest challenge as an illustrator so far has been keeping constantly inspired and motivated to create new work. Last year, after working really hard on some big projects, I found myself feeling completely empty of any good new ideas. Instead of taking a break, I just continued to push myself harder and getting more and more frustrated at myself for not delivering. This brought me close to burnout and it ended up becoming a vicious cycle of sorts. I’m slowly learning to listen to myself and understand that it’s ok to need breaks from work. I’ve realized how important time off is, how traveling helps me find new ideas and refreshing ways to see the world.

What are your favorite style of VANS? Definitely the Old Skool Pro, they combine comfiness with great style!

How are you not just ONE thing?  Illustration is a very lonely job, I spend hours cooped up in the studio working and concentrating on my things. That’s why I’m extremely grateful for skateboarding. It’s as much a relieve from work as it is a downtime to connect with others. Nothing compares to hanging out with my friends and challenging myself to try out new things. I’ve also found purpose in what I do when I find that my art connects or resonates with others, even when they’re hundreds of miles away. Central America still is going through major issues regarding women’s rights and it’s something that I like voicing through my work, in the hopes it reaches the right hearts and minds. I recently collaborated with the “No Estamos Todas” project in Mexico, illustrating a victim of femicide. It’s a horrible side of our reality back home, but one that needs to be talked about and put at the center of our attention. I’m also a cat mother and do volunteer work for the shelter where my cat comes from. I try to help out as much as I can through my work and give back to the community.

What’s coming up for you the rest of 2018? I’m as much excited as I am anxious about this year to be honest. I have some big book projects coming up, one of them being the first children’s book I also do the writing for! I’m also launching some skate related merch mid year, which will include my very first board graphic (keep checking my Insta for updates! :)). I can’t even explain how excited I am!

In between projects I hope to have some time to dedicate to myself and develop my art practice further, working on personal projects and just enjoying the process of creating! Thank you so much for interviewing me!

Follow Rachel | Website | Instagram | Shop | Las Furias

#Art #Vans #Vans Art #Vans Girls #Art School #Rachel Katstaller #Illustration #Interview

[dulemba]

Rachel Katstaller's ADA AND THE NUMBER CRUNCHING MACHINE

http://dlvr.it/RJHl1v