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#Racist white people who did not like black people to do better than them.
krystaljasper · 5 months
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earmo-imni · 11 months
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I generally curate my dash very well, so I don’t typically see the horrendous reading comprehension that populates much of Tumblr.
But lately I’ve been going through the tag for my newest hyperfixation character, who in canon deals with some very sensitive topics, much like the rest of canon, and god damn if the reading comprehension on this site isn’t complete SHIT
#the main character isn’t always right you’re just reading him that way. he’s a fifteen year old kid you think he’s always right?#you think we’re always supposed to believe what he says is the word of god? really?#no that character arc doesn’t mean what you think it means you fool#it’s not anti/black it’s saying building bridges and working towards rebuilding what’s been lost to oppression is better than losing#yourself to anger and pain and simply destroying everything is bad for yourself and the world#also why are you so cool with murder as long as it’s the ‘right’ people?#and the story humanizing and sympathizing with characters who helped commit genocide isn’t white supremacist or racist or whatever#or condoning genocide for that matter#amazingly most people irl who help commit genocide/other war crimes aren’t usually total monsters they’re regular people#i know you’d probably like to think otherwise but you really genuinely aren’t that different from them#(general you)#not to mention the characters themselves explicitly regret their actions are working towards making reparations to the people they hurt even#at the cost of their own futures (specifically bc they know they deserve punishment)#and in some cases they even hate themselves for what they did#and as for that one person claiming that a certain people group is consistently shown as savage and violent in cankn: where in the fuckery#do you get that? bc i just read the entire fucking manga and did not see that anywhere#literally any time they’re not IN THE MIDDLE OF A WAR those people are clearly shown as being kind and peaceful#i will smack you upside the head#marijn vents#fuuuuuUUUUUUUCK#stupid people. stupid people everywhere.
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sweetmage · 7 months
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When I say I hate being black in this fandom, this is exactly why. The constant dismissal, exclusion, and judgement of the only black character is frustrating. The way some people treat those who are bothered by this is frankly disgusting.
Had someone reply to a post I reblogged about fandom racism the other day calling the OP delusional for being upset (op if you see this I'm so sorry someone did that from my blog).
Saw someone on twitter saying that them excluding Wyll from an artwork they labeled "full party" was fine because they drew a red girl and a green girl (because that is totally the same as black people /s) and then basically said they'll never draw Wyll again.
Seeing constant criticisms and judgements of Wyll for things other characters do and arent criticized for.
The white washing mods, the racist comments on his appearance, the fact that Larian reworked him to appeal to crybaby white gamers, etc. etc.
And now what just happened to Theo in the interview makes me livid. He deserves so much better than being shoved aside by both the fandom and the interviewer.
Y'all really need to examine your biases and behavior and do better. No one has to like Wyll or any other character, but some of y'all need to put some thought into how you behave about him and how you talk about and represent black characters and how you address BIPOC fans who are hurt.
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txttletale · 2 months
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can you elaborate on the reasons ? what criticisms do you disagree with?
criticisms i disagree with:
"they character assassinated jane" amiguita there was no character to assisnate.
"they character assassinated dirk" dirk is at his most interesting and likeable ever and is just about the only redeeming thing about these
"they were just written to spite the fans" if true tht would have been Epic, and Based. but they very obviously werent
"its too violent and sexual for cheap shock humour" did you. read homestuck, the web comic? what were you Expecting... also like it or not the sexual content isnt just random or gratuitous it is obviously trying to be a conclusion to the whoel coming-of-age theme of homestuck as a work.
"so-and-so is out of character" homestuck characters are malleable little dolls that can be rearranged to suit the narrative at a whim. this is true about all fictional characters ofc but it is like explicitly textually metaphysically true in homestuck
my criticisms:
the heavy-handed political messaging is fucking tedious and awful and so profoundly of its time in a bad way. its clearly a reaction to trump but it doesnt have anything interesting to say about him or fascism or racism or anything, really, except, um. Cheeto in the white house?. the whole Evil Jane plot is too stupid and contrived for the sake of the satire to take seriously but also its awful satire written by liberals who think fascism as invented in 2016 by the orange man
god can we fucking talk about how fucking embarassing the obama shit is. jesus fucking christ. for a start it's a callback to a running jhoke in homestuck that is straight up just super racist. and they decide to pivot from the joke being 'its funny that theres a black president', which is good, but they pivot it to 'obama seems so heroic and magical now that we're stuck with the Orange Man', which, admittedly, is better than Being Racist, but also sucks shit. he killed people amiguitas.
'post-canon' is cheap bullshit. like, the work makes a big deal about tryng to talk about What Canon Is, without ever acknowledging the concept of, like, IP law. claiming to just be a non-canon continuation like any other when it's made by people with the Official Exclusive Legal Rights just feels hollow and detooths any liberatory/deconstructive potential there. unironically my opinion of it would go up like tenfold if it had been actually published in AO3 instead of just joking about it.
in general i think that all of the attempt to deconstruct fiction or storytelling is rooted in a really weird and flawed model of storytelling. a lot of it seems to be taking an extremely long route to writing something bad on purpose and then saying 'see, if you wrote something like this, it would be bad'. Okay. i like deconstructive collapsing narrative shit in e.g. if on a winter's night a traveller because i think calvino has trenchant and interesting insights about literature and storytelling. i do think hussie also has those but they essentially dropped and explored all of them in homestuck and the epilogues just seem like an attempt to connect ohomstuck's disparate and contradictory approaches to Narrative into one overarching schemata and then crtiique that schemata, which i think is a doomed project that results in little of interest to me.
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FAQs!
I go by Ice, she/her pronouns 💕. In case you had any of these questions, here you go:
1. "Why'd you make this page?"
I want to make the creation space- fandom to professional- more inclusive for people that look like me.
It is very disheartening when you really like something, and you see that oh! It's going to include a Black character! And then you get that character and... They're subpar. Especially in comparison to the usually white characters that have so much thought put into them. You accept them because you REALLY want that rep, but... We deserve to wholeheartedly accept our characters too, no ehhs about it.
I wanted to challenge myself, using my amateur art skills and my teaching skills, to convey to creators how that makes us feel, and little things they can do to more intentionally create their Black characters. There's more to us than adding to a diversity quota.
2. "So you aren't even a professional?"
I got 27.5 years of being a Black person on my resume 🤣 jokes aside, I am a self teaching artist. It's only been about a year for me. My more specific goal here is to use my skills to convey a perspective change towards Blackness, not necessarily a "how to do". If you want to learn the specific how-to's of drawing Black characters, there are Black artists all over Tumblr and the web that can show you. I actively encourage you to go check them out and support them, it's a great way to learn as well as to support our community!
3. "But if you're not a professional, why should I trust you?"
Well, again, because I don't have to be a professional to recognize when supposedly Black characters... Don't look like me 😅. Or, in writing, don't have any thought about me behind them. I could show my 87 year old Grandma some art and she'd recognize the issues.
But also, I personally believe that if you start from the foundations thinking about intentionally creating your Black characters, it'll make it much easier for you moving into the future. I am holding my hand out as a Black peer to HELP YOU! There are professional video games and art pieces and projects out there with poorly designed Black characters. The concept clearly needs to be introduced to the people somewhere before a million dollar project is release 🤣 But I can't talk to the people at the AAA studios. I can talk to you!
4. "I don't think race matters/should matter."
Alas, it does, everything we do is affected by our beliefs unconsciously or not- but I'm not going to waste my time and argue with you. This blog isn't for you 🤷🏾‍♀️ this blog is for those who want to take that first step to be better, both as creators and as people. 👍🏾
5. "Do you support AI?"
Not in the arts. Learn how to draw and/or write, it's very fulfilling.
6. "Do you answer asks?"
I do! However, this is a lesson based page, more than an ask based page. If I think your ask can be answered by one of my lessons, I'll refer you to that lesson. If it's an ask that's relevant to something coming up, I will answer it, but you will find more detail in the lesson coming up! I'm only one person doing this, and I can't answer every singular scenario. Also, keep in mind, if you ask me my opinion on something, I will be fair, but honest!
7. Will you be turning on anons?
Okay: right now, we've earned Anon Office Hours Wednesday thru Friday 12:30-6:30pm EST!
Most of this is due to the nature of what I'm discussing. Historically, these topics (and how race is relevant) upset some people, and it can get unsafe. Personally, I have no intention of allowing racists, or those who will take my advice in bad faith, to hide their faces. If you want to hate me, speak with your chest 😤👍🏾
The other part is that it is not a bad thing to ask questions! I did create this blog to be a learning opportunity. So long as you are kind to me and send me asks in good faith, I will be kind to you and reply in good faith. I'm also pretty sure I have the option to answer privately, so if you don't want your question posted publicly, You can say that.
If I get more questions, I'll update this!
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hadesoftheladies · 5 days
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“that’s just war” is what i keep getting told. women get raped and butchered? that’s just war. children get bombed and buried? that’s just war. when i read stories of the hamas hostages and the frustration and pain of jewish families caught up in the war, what do online politics offer? “that’s just war.” that’s just the price of resistance. when i tell my dad while watching the news on palestine “thousands more children were bombed by israeli forces this week” all he can say is “that’s just war.” if a man pointed a gun at you wouldn’t you want to have a gun, too?
were the allied soldiers better than the nazis? depends on who you ask. they bombed, raped, sabotaged the planes of women in their own army. nazis were terrible. did that make allied soldiers saints? we weep for the mass graves in 20th century concentration camps across the world. then when we grow up we learn that those black and white photos were actually grey all along. the victims had also victimized others. male prisoners could rape as the soldiers did.
“ignore war men will be men” some women say. “they’ll find a way to keep killing each other. let them have at it.” is it feminist action to bask in our own self righteousness as women? do people sleeping while sirens go off in their city have any choice other than to wake up and run? can they ignore such a thing?
where should i stand? will the white women online help me if their president ordered a siege of my country? my country’s history is riddled with blood. the resistance gave me freedom. I can walk on my own land. go to school and own a car. I can dress myself without dressing a white mistress first. I can farm for myself and not for some smelly englishman. that’s good, isn’t it? but they also killed scores of setttlers, the resistance. they raped white women and girls. slaughtered white children and dumped their bodies in pits for their husbands and fathers to find. wasn’t that bad? but wasn’t it the black kikuyu children and women that bent their backs over white fields? wasn’t it the white people who put them in camps and exacted harsh curfews. didn’t white men shove broken glass up black detainee’s private parts? which white women came to free them? didn’t they laugh at the same racist jokes as their husbands did? didn’t she smile and pour tea for him as he told her about work? didn’t she love having such a wide sprawling estate? wasn’t that bad?
“so you stand with the evil black men that raped white women just because they could? you think their rape served a purpose?” no, but— “so you stand with white women who were okay ordering your people to be shipped, slaughtered and starved?” no! these questions are like asking me which bullet i’d prefer to be shot with. the answer is i don’t want to die. i am not comforted by the rape of women or by the enslavement of my people. why would either be something i want?
what this all is, ultimately, is a question the entitled never like to hear. in regard to the oppression of women by men, blacks by whites, the indigenous by the colonial, the one question at the heart of it all is this:
who has the right to self defense?
why is the woman that killed her rapist jailed? why is the slave that killed his master himself killed? by what means and to what extent do we rule an act of violence as self-defense or something monstrous?
the answer is even more uncomfortable: to the extent that we view the aggressor as human.
it’s not an answer that really solves anything. it doesn’t change what happens in war. it won’t stop any war.
but in these scenarios, my way has been to accept that there is rarely such a thing as moral purity in a human, and for this reason, our default attitude may need to be humility, the acceptance that we can be hypocrites. that we aren’t exempt from tragedy or more special than another life. that we’re as alike as we are different, even if we may not be equally guilty of certain acts. because if we are open to the humanity and dignity of the life of others (and I do extend this to animals as well, because they have the capacity to suffer and the will to live), we are bound to be less prone to repeat the cruelties we decry.
and maybe that’s more of a solution than a neat, easy answer or a casual dismissal like “that’s just war” might be.
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socialjusticeinamerica · 11 months
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They don’t even know of a time when life was better in America. Actually Gen X was the first generation in America not to do better than their parents. The same being true for the last few years of the Boomer generation. Y also is struggling.
The lady Boomers and X’ers remember what it was like before Reagan took over and busted unions in 1980. Wages dropped, factory owners took their shops to the Deep South where unions had long since been busted or never allowed to set up in the first place. Then the oligarchs outsourced their work and shuttered factories nationwide.
Before Reagan one parent working 40 hrs a week at a union job could afford a mortgage, a new car, medical insurance, and college for their 2.5 kids. That also applied to “minorities” or marginalized people who benefitted from union protections and negotiated standard pay scales.
With Reagan a home went from two years salary to 10+ years salary. Tuition did the same. Cars that cost a month’s salary soared to a year’s salary. Wages have remained stagnant for about 40 years. The wealthy paid high taxes and we had everything. Now the remnants of the middle class pay the bulk of taxes while multimillionaires and billionaires pay little or even nothing. Credit card interest soared to over 20% in some cases while Republikkkans passed laws making it easier for those card companies to sue you whilst making it nearly impossible for you to sue them. Mentally disabled people were literally dumped into the streets causing widespread homeless which is criminalized in affluent areas and red states. Guns and drugs flooded the streets. Bigoted white nationalists became radicalized when Reagan granted Australian Rupert Murdoch citizenship so he could open Fox News and then shut down the Fairness Doctrine so propaganda could be spread under the guise of news.
All the societal problems we suffer today began with the birth of the modern RepubliKKKan party led by their racist Dotard Ronald Reagan in 1980. The GOP became an organized crime syndicate and the government became a tool for the rich. The middle class shrunk from a sizeable percentage of the population to a handful of areas in the north and along the west coast. Many foolish people believe themselves to be in the middle class but in fact they are just perpetual debtors.
If you’re young your first reaction might be to blame the Boomers because that’s incorrectly become a marketed belief. The Boomer generation fought against the GOP and its wars, racism, pollution, big oil, corporate welfare, and black hole military industrial complex. They were the hippies and political activists that marched on Washington and other places. They booted the racist Dixiecrats (southern conservative racist Dems) from the Democratic Party while shifting educated liberals left. Sadly the GOP under Nixon and his colleagues welcomed the racists and conservative nut jobs. Don’t fight a generational war when you should be fighting a class/culture/political war.
The younger generation needs to educate itself about the political parties and how life was better just a few decades back and begin to vote. Vote, then organize in the workplace through unions and in the streets to attract more young voters and to counter protest the Republikkkan right-wing oligarch take-over of America. Complaining and taking refuge in the internet won’t turn things around. Become politically active, become stoke, bring back lower tuition, affordable health care, labor unions, workers rights, voters rights, etc.
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sofoulandfairaday · 10 months
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Hcs about Sirius? Thanks
Let's see how many people come screaming in my inbox for these
Tall. Taller than James, definitely taller than Remus (ya know, like the text implies).
Tall and conventionally handsome. Not the skinny/androgynous/emo kind. I don't hate those hcs, they're just not how I picture him. He's very very conventionally handsome in quite a masculine way although I can see him not sporting a beard until after Hogwarts, maybe even after his escape from Azkaban.
You can have your makeup wearing, skirt sporting, femme Sirius but it's just not for me.
Also. Also. Also. Can I just say? Wizards wear robes. They all wear skirts.
Prefers animals to people (and animals prefer him).
Can fly a broom, and can do so very well, most likely since before he ever got to Hogwarts, but he wasn't on the Gryffindor Quidditch team. He maybe played once or twice if someone was injured and James was begging him, and only exclusively against Slytherin to spite his Seeker brother. I can see him being in the Duelling Club, though.
Practice duels against the Slytherins got vicious.
An absolute prodigy in Transfiguration (he and James were Minerva's favourite students), also excels in Charms, DADA, and (what a shocker) Astronomy. He's very good in school in general though, and has very high grades. Considering how much time James must have ‘wasted’ being Quidditch Captain - time that Sirius probably spent studying in his last two years of school - he was probably the best, academically speaking, of the Marauders. He was also probably the most powerful wizard of the four.
Took Muggle Studies to annoy his family (he was mildly interested, but he wasn't passionate about the subject), and dropped it after his O.W.L.S. to better concentrate on the ‘important’ classes, especially since there was a war out there by 1978. Definitely got into a slight quarrel with Lily about this - more and more people were dropping out of Muggle Studies out of fear at this point and to her, it was about making a statement. Sirius's reply was ‘I think a curse right between the eyes is a better statement against the Death Eaters - I can only do that if I train’.
But Sirius- I've said this before, but I'm much more interested in all the ways Sirius is like his family than the ways he isn't. Definitely had to unlearn many of his biases.
Amongst which: his classism. Which he does display in the books, especially in the case of Snape.
I'm sure he would get into arguments with Remus (who was clearly hurt by some of these - which is precisely what prompted Sirius to reexamine some of his views more consciously), where Remus would say ‘But not all werewolves are like that, Sirius!’ when talking about, say, whether or not they should be allowed in certain jobs or whatever, and Sirius saying ‘well, yes, Remus but what if they do attack someone’ (Wolfsbane isn't a thing at this point in the canon).
I've said this before and I'll say it again: Remus was Sirius' exception, much like Lily's was Snape's. And this goes for many things.
Gradually, he unlearns many of his beliefs, especially when he goes back home as a teenager and sees his points of view reflected in the mouths of people like Rodolphus Lestrange and Lucius Malfoy - which disgusts him.
Sirius, in the books, has very famous lines (“The world isn't split into good people and Death Eaters...”) but he very famously does not live by that morality. He's a person, to me, with an extremely black-and-white view of the world. He can hex and curse students for fun and it's fine because he isn't using Dark Magic. On the other hand, most Slytherins suck because they are all racist evil gits who will end up as Death Eaters anyway.
He did not have Slytherin friends, that's probably one of my least favourite headcanons ever. He knew these people because he was a Black, which is why he can list them off to Harry in GoF, but he definitely did not hang out with them or like them in any way. Also, who were the Slytherins in his year and above/below anyways? Avery and Mulciber who played cruel (and maybe slightly illegal) jokes on Mary MacDonald? Evan Rosier (to me he actually wasn't, in my headcanons he's 4 years older than Bellatrix, which makes him about 13 years older than Sirius, but for the sake of argument) who was a Dark Wizard TM and blasted off half of Mad Eye's nose? Barty Voldemort Fanboy Crouch? Regulus??? Snape?????
Good at Potions, never top of the class (those were Lily and Snape)
Tactless at times, but not as much as James.
An asshole. A complete and utter arrogant toerag, and definitely more than a little immature. He was popular, like James, and I can see him having other friends outside the Marauders, but never establishing deep and meaningful relationships with them. He was definitely more unapproachable than James, much more intimidating.
(Definitely meaner jokes, too.)
James was the love of his life (platonically, but I can get behind them as a ship). He was loyal to James, first and foremost (which is also why he and Moony grew apart and suspicious of each other in the First War). Also, both of them were James' friends first. The Marauders were James' friend group.
He was definitely jealous when James first got together with Lily because she was stealing his best friend, his second, better brother. He liked Lily, but he was obsessed with James, who definitely grew up before Sirius did.
I've always headcanoned Sirius as straight/bi and Regulus as gay. But the point is more that while I can see Sirius experimenting a bit in Hogwarts (after all, he was full of girls who probably liked him) I can't really see him as either an arrogant/douchebag playboy. I also don't think he ever had a serious relationship. Ever. Especially in his Hogwarts days. If you're not worthy of his time, he won't look at you twice let alone give you a chance.
Any partner of Sirius' would have to be quite exceptional anyways (brilliant, intelligent, talented, funny - he was all of these things after all - and maybe even a bit mean). I can't see why a girl like that would put up with Sirius' arrogance.
Loved McGonagall, lowkey hated Slughorn. He was definitely invited to the Slug Club and I can see him turning down meetings. That particular brand of cunning weaselling cowardice is quite literally the opposite of what Sirius was and it drove him up the wall.
My boy Sirius never worked a day in his life, especially after Uncle Alphard left him gold.
Also: it's very likely that given his nature (he doesn't open up to strangers easily), his vaguely intimidating aura, his less-than-perfect track record in school (I know this fandom likes to ignore that he cursed students for fun, but. like. he did.), the fact that he probably didn't have a job and spent his post-Hogwarts years in secret missions for the Order, and general ruthlessness- people knew him mostly as just another Black. It wasn't that unthinkable then that he might have been seen as Voldemort's number two.
(This enrages Bellatrix by the way lol)
And speaking of Bella. Sirius likes to go around saying Andromeda was his favourite cousin. Nu-uh. He wishes that was truly the case. These two have history, and I find it hilarious that what they hate in the other is precisely what they love in themselves (their respective loyalties).
Saw each other/could hear each other in Azkaban. Bellatrix's taunts of ‘See? We were right. You betrayed our family for these traitors and this is how they repaid you’ made the whole stay that much worse.
More likely than not had promised each other that they would be the ones to kill the other.
Bellatrix didn't mean to kill him though, I am convinced of this. In the books, she hits him with a Stunner and probably yells because she won the duel. Then, it's only after it's sunk in (after her run from the DoM to the Atrium) and when Voldemort is getting closer that she taunts Harry about it.
Personal headcanon: the last time Sirius saw his cousins was at Narcissa's wedding (nice parallel, because I believe that the last event Andromeda ever attended was Bellatrix's wedding). Now, it happened around his 5th/6th year and guess who was also there? Yup. Snivellus (as Lucius' guest). The two almost got into a brawl. Bellatrix was not happy with them almost spoiling Cissy's big day.
Once tried to beat up Rodolphus during a skirmish in which they had both lost their wands, in the First War. It did not go well for him.
I'll stop this now, but I def have more. Don't even get me started on Walburga and Orion and how this fandom does not understand abuse at all.
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AITA for my fanart and how I responded to someone's negative reaction of it?
Okay so some background to start. I'm (genderfluid, 18+) in a fandom that was originally a book and got a live action adaptation several years ago. The adaption is MUCH more popular than the book series and honestly very different from it (a lot of characters have different backstories, the main character doesn't have a brother in the adaption, and ages were changed) but very few people have read the book series. (Admittedly, the fandom is not very big. It's actually the smallest one I'm in, which means I'm kinda limited in the number of people to interact with) Anyways! I'm in a discord (it's 18+ tho I don't know the actual ages of anyone else involved) for this fandom and although they promote themselves as being for both book and adaptation fans, according to the roles I am one of five people of the 40+ people in the server who have read the books, so that's not a lot.
Now, for Valentine's day I made fanart of the main couple, the mc and his wife (they get married in the series. In the books they are already together in the beginning but the adaption wanted drama and decided to not have them be together in the beginning. One of the changes that I very much do not like.) They're the most popular ship in the fandom. I love them. Anyways, I shared it in the Discord for Valentines and did not get a nice reaction.
See, in the books, both characters are white, but in the adaptation the wife is black. (The mc looks different in the adaptation too, shorter and with different hair and eye color, but he's still white) I drew the book version, because that's what I like. They're my blorbos.
Another person in the server took MY art and recolored it so that the wife was black and posted it in the server with a comment about whitewashing characters of color. I told them that I didn't whitewash her and that it was really fucking rude to edit someone else's fanart. They replied that she was black, I was racist, and posted a screenshot of a Google search asking the race of the actress who plays the wife in the adaptation. I replied with a screenshot of the her books' fanwiki page and said that my fanart was of the books and if they wanted fanart of the adaptation they could make it themself. They asked how they were supposed to know it was from the books since nobody read them and they were shit. I replied that they could realize the mc AND his wife looked different, that I read the books, and they were better than the adaptation, and how would they know if the books were shit since they obviously hadn't read them?
Anyways then the mods stepped in and made us break it up. One of the mods (the only one to have read the books) dmed me and told me that they understood my frustration and that another mod was talking to the person I had been fighting with about respecting other people's work but I needed to understand that assuming I was racist and whitewashing wasn't going to be uncommon since the books weren't as popular as the adaptation and I needed to be respectful when people confronted me with this. I replied that if the other person had confronted me directly and not just assumed the worst and edited my work I would have been more respectful. The mod agreed that the other person was out of line, but the whole thing seemed to be one giant misunderstanding so neither of us were getting strikes against us this time.
Anyways, the mods added some rules about not editing people's work and a thing in the announcements channel explaining the differences between the books and the adaptation but everything in the server has been really tense especially since people in the server started vague posting on Tumblr, some people favoring me others favoring the other person. I blocked the person I fought with on Tumblr but neither them nor I were involved in the vague posting.
(also idk if it matters but I'm white, idk the ethnicity of of anyone else involved)
So! Tell me, AITA?
What are these acronyms?
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bubblinelovechild · 11 months
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The RWBY fandoms treatment of Adam makes me very uncomfortable
This is very long sorry I was rambling <3
There’s something really odd about the dedication RWBY fans have to hating Adam. So much so that they’ll admit the writing of the WF is racist but refuse to admit that Adam a member of the white fang also suffered from that racist writing.
There’s this weird dedication to pretending there are no problems with the choices made around Adams character and vilifying literally everyone who tries to talk about it, for the sake of continuing to blindly hate him. The fandom seems to struggle with understanding that the show is fictional and everything that happens in it is a direct choice of its writers. Y’all talk about Adam like he is a real person who has personally offended you irl. Just a huge lack of media literacy tbh.
A white man wrote a civil rights group, that he admittedly based off the black panthers, as the generic bad guys of his shitty anime knockoff and made a central theme of the show the idea that fighting against your oppression violently makes you just as bad if not worse than your oppressors. Then he mad the leader of that group a generic abusive meanie bad guy. Who essentially is what white supremacists think civil rights activist are all the way down to being the fictional equivalent of a black supremacist.
When there was backlash to this he made a knockoff Malcom X and then killed her in her only scene and made a character whose ideology is basically sit down and lick the feet of your oppressors and had the audacity to say he was based off of MLK. How the fuck do you base a character off of somebody without doing basic research on them because contrary to what people seem to believe MLK was not a doormat and this is a conversation for a different day but I’m sick and tired of his memory being weaponised against black people.
What’s worse is that Adam is the only character portrayed as actually doing something to fight racism. Ghira’s faction is only ever seen fighting against other groups. I don’t know if y’all know this but that’s not how the civil rights movement worked. Most of the leaders didn’t agree on methods but they coexisted because the main goal was the liberation of black people and they knew they had to coexist. MLK did not go around calling the cops on revolutionaries he disagreed with.
The problems with Adam and the WF are not separate and cannot be. Most of what’s wrong with the Faunus plot line is the way the show handles Adam. The choices made with his writing cannot be separated from those they made with the WF overall. Adams choice to kill his attackers to keep himself and other Faunus safe, from people literally trying to kill them, is treated the way it is because of the stance they took with WFs writing. When Adam kills a human supremacist trying to kill Ghira you’re supposed to see it as an extreme and the beginning of his turn to evil. Adam isn’t a real person every descisiom he makes is informed by the white writers of the show. Why would the bias they displayed writing the WF not apply to him?
Some of you have been abused and relate to Blake in that sense, a lot of you seem to be projecting your abusers onto Adam. I’m sorry you went through that but you are not excused from buying into racist rhetoric. It’s incredibly uncomfortable as a black person to watch people talk about how “healing” it was for them to watch a civil rights leader admittedly inspired by black people slapped around and killed by two white women. It is anger inducing to watch fans celebrate “queer representation” dancing on the corpse of a monumental disrespect to black people and our history.
RWBY doesn’t even handle abuse well tbh and most of the queer rep is not that great, there are many shows that do it so much better, there is actually no excuse for hanging on to the black people are bad for fighting against racism show.
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melonba11s · 2 months
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A Public Apology
I would like to start this by saying that I am sorry. I am sorry for my words in the past that have hurt others. 
I will not be naming any names for the sake of privacy, and so that these people can hopefully have some peace. I do not want anyone to be hurt.
In mid-January of 2023, in the now closed Patreon Server for YKMET, A person posted a black and white doodle of a character. I was not looking closely and referred to what I saw in part the drawing as a “blob monster”. I was corrected, told that it was a drawing of the person's natural hair texture from behind. I did not read the tone of the conversation correctly, and thought everything was taken in stride as a mistake that could be joked about. 
The next day, the same person who posted the drawing was talking about Marten, a character from a Webcomic called Facility. This character is known for having black shadow-like hallucinations. 
I made a joke, stating that Marten may mistake the person's hair for one of his hallucinations.
Immediately the person asked me to stop. I deleted the comment. I then instantly DM’d them an apology. 
My apology was not a good one. I apologized for “being cringe on main”. My words made it clear that I did not understand how hurtful and racially charged my comment was. No more words were exchanged between me and the person afterwards. I knew I had hurt them, and told myself I would watch what I said from here on out, but failed to say this to the person I’d hurt or to anyone else.
It was only when it was brought back up a year later, in January 2024, did I realize just how hurtful my words must have been. I realized the horribly racist connotations of what I said. 
I made another apology, this one public, but failed to say what I did. I can’t hide what I did. To censor myself and hide what I did is the same thing as acting as though it never happened. 
But it did.
What I said about this person’s hair was unacceptable and racist. It came from a place of ignorance. 
There were also statements about me making offensive remarks on Jamaican culture or making fun of someone for being Jamaican. 
I do need to state that I do not remember anything about my remarks on Jamaican culture. 
What I remember when it came to topics of Jamaica was talking about Jamaican food and how I wanted to try some, as I had never had it before. 
However, I can understand that I could just be forgetting what I said that was hurtful and bigoted because it did not affect me. So I apologize again, and I will continue to educate myself on other cultures, and learn to think before I speak, and when I do speak, ask questions and not just make statements.
I do not want to remain an ignorant person. I want to learn. I want to grow. And most of all, I want to show that I am sorry for what I said. 
If the person I hurt happens to read this, I am sorry. I regret what I said. If I could take back the hurt I caused you, I would. 
I won’t ask for your forgiveness. 
All I hope for you is that you are surrounded by people who treat you with more kindness, understanding and respect than I did. 
Again, I am sorry. I cannot excuse my words. I can only apologize for them, and learn from my mistakes so that I can be a better friend in the future.
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sweettjrose · 4 months
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What is your opinion about Disney?
Oh boy... This is a complicated question for me.
And the main reason is that I have a lot of Nostalgia for Disney. I grew up watching and loving animated Disney movies and tv shows and is probably the main reason I have such a love for animation and music. And even when I rewatch the movies and the shows they still hold up, some even are better than I remember and show clear mastery and love for art and creativity. The truth is I love these characters and I love these stories and I honestly don't think I could ever truly hate Disney...
But I can still be disappointed. And unfortunately, Disney has and continues to do disappointing things. It would be wrong to ignore all of the bad elements of Disney. Unfortunately, Disney made quite a bit of racist media both in shorts and in movies, and as a mixed person (half-black and half-white) it honestly a truth that is hard for me to truly accept at times. Disney played a major role in really messing up our copyright system making it harder for more media to be in the public domain, despite them liberally using public domain characters to make their stories. Even now with the war in Gaza, it sucks to see Disney officially only side with Israel and not with the Palestinians, with some of them even wearing Disney merchandise. And honestly, I am really worried with the disaster of Wish, Disney+ confusion, and the rise of AI, that Disney will start making some really big anti-creative decisions and somehow even destroy the parts people still like about Disney.
But with that said, I do think there is one element that people tend to forget when talking about the pros and cons of Disney. They are not a monolith. Disney is full of constantly changing and moving people all with completely different politics, opinions, and goals, and contributions. Tbh you could argue that the only time it has been like that is when Walt was in charge and even that is debatable. As a result the people who are doing the stuff I love are rarely the ones doing the stuff I find frustrating. I know artists who work on Disney shows that are supportive of Palestine. Heck you can even feel the internal battle at Disney when it comes to trying to add more LGBTQ+ and diverse content. There are people are trying their best to use their time at Disney to create positive media for future generations, just as much as there those trying to hide or shoot down those media. And even in cases the people causing harm are the same ones making the parts I like, that unfortunately is a constant in life, no matter where you go. Gottfredson made one of my favorite Disney comic characters, but he also did and said quite a bit of racist things. This isn't a justification, but something you can't completely avoid or ignore and have to decide how to handle yourself. To be honest that alone is a completely different essay. But the point is that people change and Disney 100 years ago is different from Disney 30 years ago which is different than Disney today. And even within Disney, not everyone agrees and supports the same things.
And personally, I feel like people tend to overcorrect when it comes to criticism of Disney and act like they have been nothing but a bland corporation with no creativity or positive impact on the world at all. I feel like people tend to group Disney with corporations like McDonalds as if they don't produce any artistic endeavors at all, but just generic content and I can't really believe or support that either. Regardless of how you feel about Disney. They have made such an impact on not just animation, not just on American media and culture, but everything all over the world. Anime is heavily inspired by Disney. Videogame Mascots like Sonic and Mario are inspired by Disney. Even media that takes shots at Disney like Shrek wouldn't have existed without Disney. To be honest it would be harder to find stuff without some element of Disney influence. As I said before a lot of amazing movies have been made with Disney and wouldn't have existed without it. I would consider The Great Mouse Detective and Beauty and the Beast straight-up masterpieces. And it was through Disney that they even got made. Disney can have its frustrating eras (like now), but they're also an effective tool to allow amazing movies and shows to be created. And in a world that doesn't value animation, we still need companies like Disney to still have that faith and support. At least I hope we can.
So to make a long story short, I think it is important to acknowledge the flaws and not ignore or hide them, but to also recognize the artistic achievements as well. Disney had a positive impact on me and nothing will be able to change that. Disney is a constantly changing cultural force that will grow along with us. It will continue to evolve as new people take the reins. Some will try to make up for past mistakes and move forward and some will repeat those mistakes and cause more problems.
All that we can hope is that the good will outweigh the bad.
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genderisareligion · 6 months
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Radfems over 30, if you could go back 10 years and give you in your 20s some feminist advice, what would it be?
I was about 20 when I started taking radical feminism seriously and I notice/I saw a poll once that a lot of you are in your early to mid 20s. There's a lot I know now that I wish I had somehow been able to speed absorb.
Don't bother befriending men who aren't at least bisexual. No, not even your best friend's Nigel. They don't see you that differently because you're out now. Take red flag responses like "that's hot" and "if I were your dad I'd be relieved" seriously. You know how many of them are unashamed porn addicts, it's okay to be in a very small percentage of Americans who thinks that shit overall is a plague, not to be openly celebrated.
Don't take it upon yourself to fix or argue with racist white women. Past me got into it with @apostleofsapphos once and it didn't matter how many sources I used or how well I crafted my arguments, she was a brick wall content to call me a "dumb black American" because I said white privilege and colorism are things outside the US. Think about the times you've had your mind changed about something political or sociological. Didn't it usually take exposure to a real life event, person, or book? Not some random on the internet, though that can work sometimes.
That being said, don't stew in anger about racism to the point that you cut yourself off from white people entirely. White men, whatever, ignore them more often, but there are opportunities for sisterhood with white women who are actually trying. Keep up this belief, it'll make you good friends and connections in the future. Black feminism shouldn't have to change itself for white feminists but it should still have the goal of how we can work together rather than just pointing out the ways in which a lot of white women put us down.
That being said, be proud to be Black more. I didn't really start writing about analyzing and following news on the ongoing post slavery genocide until my mid twenties and like I wish in college I'd joined the BSU despite having problems with the one at my religious high school because of homophobia, in retrospect. Find the Black people who don't care that you love women and hold them close and don't take them for granted.
Tell less people you're gender critical. It's no one's business that I came to the conclusion I did, that there's no such thing as gender and I'm better off not participating, whether that gender be cis or trans. There's nothing there when I search deep inside or whatever it is I'm supposed to be doing to have one. Most people just go along with it once they find out what gender is. Oh well. Just call yourself a word they recognize from the nonbinary category and don't say shit else lol
Radfems add yours if you want
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shuinami · 9 months
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Part 2: Why is the accent? Where and when does Hobie come from? Part 1: Who, What (London Accents) | Part 3: How (Writing Tips)
In this section, we'll touch on racism since the 70s, black Londoner youth culture and how punk has historically interacted with those things.
To begin, let’s answer the question of what the hell all us black people are doing here in the U.K. 😂
Long story short, after World War II, the U.K. invited subjects of the empire over, in need of help rebuilding the place and doing essential work after getting bombed and stuff. There was further incentive on the subjects’ side to come as many of their men had been sent off for the war but were out of work and not properly compensated upon their return, leading to a poor economy and many people hoping for better in the ‘mother country’. Caribbean people, mostly Jamaicans, came over from then right through the 60s but were not welcomed and treated as British as many of them thought they might be… cause, you know, racism. 
In 1962, 1968, 1971 and 1981, legislation was passed that made it incredibly difficult for black Caribbeans to come over, even to this day, which led to the migration of black people shifting to predominantly Africans, mostly West Africans, in the 80s, who would come for education and work purposes mostly. (For context, in the 2020s, there are more African people than Caribbean people in the U.K.). In the 70s and 90s, East Africans fleeing conflict have also immigrated en masse, although the numbers were quite a bit smaller than the West African and black Caribbean diaspora.
[not an expansive breakdown of all ethnicities, I just wanted to talk about the most populous black nationalities for the general gist of where black British life really got on a roll]
So, onto life as a black person in the U.K. 
It’s important to remember that the U.K. was racist as fuck AND did not have Jim Crow laws or a history of relegating certain cities or neighbourhoods to ethnic minorities because, by the time we had been invited, there were not so many of us living in England for such laws to be deemed necessary (by racists). 
Living literally side by side, often in the same building, with people who wanted to see them brutalized had a big impact on how black British people navigated life back then and has residual cultural effects on how we behave to this day. 
One thing that stood out to me was the line where Hobie says he has “a laugh at the pub with the mandem”. As many of you will know, the pub is a large part of general British culture as the main drinking scene. Until more recently, you couldn’t just go and buy alcohol from the supermarket or whatever like you can now, so people had to go to the pub for a drink. Additionally, during times when getting clean water was unreliable due to cholera outbreaks, a drink from the pub was safer than drinking water.
It’s also important to know that, unlike clubs, many pubs sell food and are family-friendly, so while it’s not likely for a little kid to be bouncing to go the pub because it’s just basically like a restaurant to them, it’s a place that a child can be used to going to.
Not only do pubs sell food, but pubs also are places that are mostly used to watch football, as well as play pool, participate in pub quizzes (competitive general knowledge pop quizzes done in teams) and generally be out late to sit and talk.
That being said, as I mentioned before, how black people navigate where we live is different to how white people do.
Whilst many black people will go to the pub with their work colleagues or with their mixed friend groups, pubs generally have never been a haunt for black adolescents.
Instead, black drinking culture is more associated with dance and music, i.e. house parties, clubs (particularly clubs or club nights where music popular amongst the black community is played and, in older times, basement boozers) and lounges. Unlike white counterparts, most black kids will not have grown up going to the pub or around people who went and would not be used to going until they got invited out, likely by workmates.
To this day, although racism has chilled out so much since the mid-20th century, a lot of younger people actually still have a latent fear of facing racism from white football hooligan types and drunk, older white people in pubs. If you went to a pub, you typically wouldn’t see many young black people in there, if any. 
The epitome of this mindset was on display during the last World Cup, during which Gen Z black U.K. TikTok was filled with half-jokes about the brutality they would face sitting in the pub to watch an England game if a black team member were to miss a kick or otherwise make a mistake. It was something we joked about in real life too and there was a rumour that went around - which many of us believed to be true - that two black guys had been thrown in the Thames because the black players had missed the penalty kicks they took. 
It was just a rumour, however, people did take to racially abusing the players online and, whilst it wasn’t true, you can see what the general attitude towards pubs tends to be and why it’s not a hotspot for black youth. 
There are U.K. pubs that historically have had more black patronage in black communities but there’s only a few and they’re not really a thing in London.
Knowing that, it’s not to say that no young black people frequent pubs, but it means that it says something about Hobie that he does (or his world, which we’ll talk about later). What it says exactly is up to your headcanon, but it’s worth noting that it’s not typical for a black teenager in London to hang out at the pub, even if they are rebellious and not concerned by the drinking age.
So you may be thinking, damn, why do pubs have such a reputation? What happened that meant that - to this day - there’s such a divide?
While the U.K. was always racist and was unwelcoming to those who arrived during the Windrush period, it continued to get worse going into the 70s. The increasing popularity of the fascistic political party called the ‘National Front’ saw the rise of ‘the immigrants are taking our jobs’ rhetoric used to appeal to the white working class that persists, to a less extreme, today, such as with the political party UKIP, as well as the English Defense League (EDL), both of which have taken on a more Islamophobic angle than the focused and explicit anti-black & anti-browness of the National Front. The National Front’s supporters would chant and sing stuff like “We’re gonna send the blacks back”.
In daily life, black kids had to deal with shameless racism, bullying and violence from their white peers. There was a ‘sus’ law implemented, which essentially made it so that police could (and very much did) stop and arrest any black person they saw on the street that they felt was ““““suspected person””””, which included unprovable and outrageously ridiculous bullshit like being suspected of ‘loitering with the intent to steal’ (so basically, if you’re black and outside, you were - and still are, especially if you’re young - likely to be suspected of this). As mentioned earlier, there were people who would watch games and get drunk in the pub, then go out into the streets on a destructive rampage would also take those opportunities of chaos to physically assault black and brown people.
All of this was on top of institutional racism and micro-aggressions like we have today but turned up to 10. Minorities didn’t feel safe going around their own city alone for fear of getting mobbed or having rocks thrown at them. Even in their own homes, racists were putting literal shit and bombs in their letterboxes. The popularity of the National Front saw a rise in Nazism - an especially wild expression of racism, considering the Nazis had bombed the fuck out of London in WW2, which was the reason the U.K. went crying to the subjects for help in the first place. 
So, naturally, ethnic Londoners tended to craft and operate in their own spaces when it came to leisure, more attuned to the cultures from their family’s countries of origin as well as the kinds where they were just generally more accepted for who they are. Though no longer out of necessity for safety, this aspect of Black British culture persists today, to a lesser extent though, and latent anxieties about acts of extreme racism still remain in the collective subconscious, even though most young people today will have never experienced such extremes.
Just for clarity, this is not to say black people are afraid of white people in general, I’m not sure that could even have been said in the 70s, since there were also plenty of non-racist (aka normal) people too. Back then, the culture was probably a lot more gatekept than it has been for the past few decades, but I’m trying to explain why black British culture and black British life is a different experience to being white British, it’s not only experiencing racism, but it’s also that we just do different stuff cause we historically didn’t feel welcome at their figurative tables and thus did our own thing mostly. It’s why you still get friend groups that are predominantly black despite everyone’s families likely coming from different countries with different cultures, because we relate in terms of black British culture and not feeling especially understood amongst white counterparts. But if white people make us feel like they are down with us, we’re down with them, as one would hope lol.
Speaking of down white people, another huge part of Hobie’s character is that he’s a punk, of course.
So, not gonna lie to you guys, due to the things I just stated about how black people had to navigate the world and craft their own spaces in order to feel comfortable and safe, the punk scene (as we would think of it) has never been a thing that was popular amongst black British people. It’s a predominantly white scene and during the 70s was not unaffected by rising Nazism. To this day, there are still Nazi punks and what we call dirtbag leftists, so you can imagine, at the time, though there were and still are more non-racist white punks, there were enough Nazis that a. it’s not something that seemed welcoming to black people and b. non-racist White punks in the 70s felt that the Nazi problem was bad enough that they needed to do something big about it, which we’ll get onto. 
Because we’re not a monolith, of course, there were black punks such as Poly Styrene, the lead singer of X-Ray Spex, and Basement 5, a punk-reggae band (remember this), but other than that, I haven’t been able to find documentation of black punk life in particular, nor have I been able to get any personal accounts from family. Punk is a small-ish scene to begin with, so you can imagine that the black people who participated are very few. Here, I’m not trying to say that few black people enjoyed listening to the music as part of their taste, I’m pretty sure a lot of young people would have liked the music but not necessarily been active in the scene/culture in the way that white counterparts were. 
Again, the fact that Hobie is a full-out punk as a black teen says something about him or his world; what in particular, is totally up to interpretation and headcanon, but understand that it’s another unique behaviour.
A similar thing that did include black people was ‘skinhead’ culture, something that emerged from and celebrated the working class, especially Jamaican people, in the 1960s, but it was co-opted by ‘punk’ and white people, then drifted away from its associations with and relevance amongst black people and became most popular amongst Nazis in the 80s, associated with the ‘British Movement’. Most people will think of racist white football hooligan types when they think of skinheads nowadays, even though in reality, for both punks and skinheads, not all people in these subcultures are racist/fascist. 
As I mentioned earlier, because minorities were living side by side with working-class white people, a lot of stuff that wasn’t kind of gatekeepy (i.e. super black) has always been at risk of being yanked from us and has historically been done by literal Nazis and I’m sure this plays a part in alternative scenes that stray very far from the cultures we’re raised in not being the most popular amongst us.
Nonetheless, non-racist punks and black people agreed on a lot of core points about classism/capitalism and the need to stomp out racism, which led to white punks starting the Rock Against Racism (RAR) organisation, which held concerts across the country with the intention of bringing people together to take a stand against racism. If you’re able to, I recommend watching the documentary about it called White Riot (2019), which whilst it does include some black interviewees, focuses on the white punks’ side of things and the racism of the time, as opposed to black life. Still worth the watch :)
Other than punk rock, you know what other acts were invited to play at these RAR concerts?
 Black musicians who played funk and reggae were also invited. Even though their music taste was different, the message was the same. Additionally, it might surprise non-British people to hear but even white British people have long loved themselves some reggae, hence Bob Marley’s popularity here.
Reggae is a genre that is often used to speak on politics and social issues, it’s why Rastafarians love it and make such music. So, whilst the punk-reggae fusion of Basement 5 might sound strange today when reggae is not as popular as it once was, it makes total sense why. You can also see references to the London punk scene in the 70s (the time he was living in London) in Bob Marley’s song “Punky Reggae Party”.
I mention this to emphasise how the blackness of black British people, even in white space, has not typically proven to give way, that to be punk or believe in such values is not to relinquish all traces of black culture. I also say this to say, as I’ve said in a previous post bouncing off of Daniel Kaluuya’s thoughts on ‘punk’, that people who are adamant Hobie would not listen to genres of music that are popular with or created by predominantly black people alongside the more typical punk rock give off strange vibes. There’s no precedent for a black person to totally give up that part of them that they would’ve grown up with just because they’ve solidified a political view. Of course, some people are less into it than others, as I said earlier, black people are not a monolith, but given all this context, I’m begging people to not post things like ‘Hobie would never listen to [insert black genre here] because he’s a punk! Other people’s headcanons/playlists are stupid and they’re punk posers!’. 
You can believe he only listens to genres of rock, and that’s fine, but stop telling black people that their headcanons where they project their more black tastes onto Hobie are inaccurate because they aren’t and it’s very strange to gatekeep interpretations of a black character from blackness in that way.
If you do want to know some genres popular amongst or pioneered by black British people, most of which popped off in the 90s, look to grime (hip hop, electronic), garage (electronic), drum n bass (electronic), jungle (electronic), U.K. drill (hip hop), afroswing (hip hop, r&b), reggae, dancehall (hip hop, reggae), hip hop, funk and r&b. I’d say pop since it’s popular amongst all ethnicities lol but, since Hobie is a punk, you’re gonna wanna exchange that for rock and indie, though I think it’s also fair to think there’s a few pop songs that Hobie would like, since being an anarcho-communist doesn’t mean you can’t have a little fun, idk. Headcanons and stuff are not really what I’m here to share or enforce. Plus, of course, a lot of these genres are anachronistic but, at the same time, I’m pretty sure most people’s playlists feature more modern songs anyway, hell, even the song selected as Hobie’s intro is from 2011.
And none of this is not to downplay Hobie’s love of rock genres either.
I did make a playlist for myself, if anyone wants it or recommendations you can drop an ask 🤓
In the past few years, there’s been a noticeable growth of alternative life in London black youth culture, notably the roller-skating scene, as well as more people participating in more classic takes on alternative culture like goths, punks, etc. and, of course, black nerd culture has been popping since the late 90s. The black people participating in these alternative cultures aren’t relinquishing their blackness, putting hip-hop in the bin and whatnot - people can be multi-faceted.
What I hope you take away from this is that Hobie is a unique and nuanced character, he’s not a typical representation of any of the things he is, which is personally why I love him so much. I also hope you understand that being a black punk in the U.K., before more recent times, would have been a different thing to being a white punk because, not only are you participating in a counter-culture, you’re going outside the safety net and norms of black British culture which has been positioned as inherently counter-cultural anyways and is one you can never hide your associations with or come out of. It says a lot about him, it comes down to headcanon what, but it’s important to recognise that these aspects of him are not a given but things that would have been purposeful developments or huge moments of self-discovery in his life.
Headcanons are something that throws somewhat of a spanner into the works. Everything I’ve said is historically accurate but we also don’t know that Earth-138’s New London would reflect all these aspects of our Earth’s London. Perhaps 138 is written in a race-blind kind of way or, not coming from black British culture, the writers may not envision the world authentically from our point of view and might be unaware of how it’s different; maybe the execs would not allow them to tap into the racist aspect of Nazism and have the writers keep it vague for marketability's sake; hell, maybe the date on the mugshot was just an Easter egg and not a canon-accurate date, who knows? 
On top of that, if you headcanon Hobie as a transracial adoptee (meaning adopted by people of another race) or that he was orphaned at a very young age or otherwise not enculturated and socialised as a black boy, maybe none of this applies. 
From the current slang to the casting of Daniel Kaluuya, it seems clear to me that, in tandem with the retro vibe, Hobie has been designed to also evoke more contemporary ideas of blackness so the full picture of what the writers have in mind is anyone’s guess at this point.
That being said, I feel like those conclusions would all take some stretching and reaching to come to. I’m not here to tell you what you can and cannot interpret or write, but I’m just trying to give some information so you can write more accurately and understand Hobie and Black Londoner life better.
So, now you understand where we’re coming from, I think you’re ready for the writing advice 😎
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ae-neon · 9 months
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Debated making this rant cause I'm technically shading a mutual but I cannot keep quiet about this
Y'all are too comfortable telling black women what should and shouldn't be considered racism.
Especially in defense of these shallow smutty booktok romantasies that are actually dripping acidic right wing ideology into your brains.
I am not here to debate this. These books and the characters in them are racist. That is a fact.
You can say the Bat boys are "Caucasian", you can say it's prejudice not racism, or they have trauma that justifies their thoughts and actions, you can insist one is worse than the other etc etc I literally don't care
But realise that if you can see past what the author and other characters say to have a better understanding for Nesta and Tamlin and Lucien and whoever else but you wanna insist that majority, if not all, Illyrians are incapable of changing their societal norms given the chance and infrastructure then you are being racist too. You have bought into the racism of the characters and the author.
Even if you see the Illyrians as white, in the context of the story, they are their own race separate from human and high fae and outside of that, whether you want to admit it or not, they are poc-coded
Cassian and Azriel being under Rhysand's authority does not negate the fact that they have more power and influence than any other Illyrians.
Them being traumatized doesn't negate that in 400 years they have used their power and influence to advocate for 0 policies to stop other children from being victims of the same abuse.
Cassian's own mother was tortured to death but he only puts his foot down regarding the training of women when it affects his white girlfriend.
These men belong in hell. All of them.
Them asking the camp lords if the women can train and taking their refusal doesn't mean anything. It's like asking slave masters if they can let their slaves read. Who gives a flying rainbow coloured fuck what they think.
In 400 years, all they did was declare, into the void, that wing clipping is illegal and never lift a finger to enforce it but I bet you if some guy or even an Illyrian woman took an ax to Feyre's wings we'd suddenly see the sky fall
They pick and choose when to care about Illyria, they are more than happy to profit from the labour of the soldiers bodies, they speak in rancid tones about the people even though if you counted every single Illyrian man above 18 as pure evil it would still be less than half of all Illyrian people.
These men are racists.
They are textbook self hating moc.
They literally ascribed Illyrian traits to Nesta when they find her behaviour less than desirable
There is a word I wanna use but I won't
If you wanna make a post about how sad their lives are that's cool, your blog your space, but please do not attempt to tell me that they are not racists in the comments of my posts
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arcanemadman · 8 months
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The Castlevania franchise feels like it's getting more and more divided since Netflixvania started and it's getting really bloody frustrating to the point that while watching Nocturne I've felt disquieted, and I think I've realised why that is.
It's the fucking DmC:Devil May Cry white hair fiasco all over again.
For those that don't know, when the DmC reboot was revealed people had a lot of criticism, including turning Dante from a cool but likeable hero into a foul mouthed smoker, the dumbing down of the gameplay, the antagonism towards the fanbase, and turning his iconic white hair black. Of all these criticism, only the hair colour change was given any attention, painting the fan base in a very negative light and side stepping the real issues people had by only focusing on the cherry rather than the whole sundae.
All this attention directed towards something that in the grand scheme of things is very minor but it gets all the attention while the bigger stuff is ignore.
Yes, there are people mad about the show for racist reasons and they shouldn't be listened to, but there are genuine complaints that are being swept up with that.
The character changes have a sort of domino effect on everything. Maria being a serious revolutionary is interesting, but I saw someone put it best that what made her special was the fact that she was a little girl in a world of classic horror that believed she was in a fairy tale and had the power to force that reality on everyone else. Netflix Maria is good, but lacks the charm of Maria.
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The second example is Juste. When I saw him I was very excited, but that was mainly because it was acknowledgement of the original canon than anything else. His magical prowess, the thing that makes him stand out among the Belmont linage, is mentioned and then brushed aside, and the worst ending of his game is what is taken as canon. And once Richter gets his magic back, Juste is gone. He feels like a plot point rather than the character. I sympathise with people who's favourite game was Harmony of Dissonance.
Annette was a compelling character with a well developed story, but anyone that says her original characterisation would never work are being disingenuous because they literally did that, except that did so with Tera. The connections to Richter and Maria, the damsel elements, the fact she gets turned into a vampire, all from Annette. Swapping them around wouldn't work for multiple reasons and I'm not going to say I can do better than people you get paid to write when I don't, but I feel I can say that if they had wanted to they could have done something closer to the original while still touching on the themes and narratives they wanted to.
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Olrox... honestly the only criticism I can really think of is the removal of any reference to Count Orlock.
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There's an elitism with both sides of the fanbase here. On the Netflix side, there's the feeling that since theirs is more popular that any criticism is because people are just nostalgic, and game fans feel that since theirs is the original foundation that anyone that doesn't agree with them is just a new fair-weather fan. And honestly, I'm more sympathetic to the game fans.
I've seen Netflixvania fans look at people complaining that the character have changed and go "yeah well the version you like sucks so you should just grow up" As if that's going to make everything better. And all the people complaining about the race changes or posting "WOKE?!?!?!" have poisoned the well for any actual discussion about this, not helped by the social media accounts deliberately stoking the flames in the mistaken belief that all publicity is good publicity, which raised the ire of nexflixvania creators. Unfortunately marketing can often be removed from the intentions of the creators.
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Yes, Netflixvania is a great show, with beautiful animation and great storytelling, but it's not perfect and as an adaptation is leaves a lot to be desired. And that's the crux of it! The show is good, really good! But it doesn't feel like an adaptation of Castlevania. It's just a bunch of little details that pile up to make it less of what the game fans liked about the series. It's more grimdark horror than classic horror. It's more crude than it is philosophical. It's more hopeless than it is hopeful. And regardless of what you individually think, that's what people have liked about Castlevania for almost 40 years.
Ultimately I just have to ask, why do people seem to assume that you can't make a faithful adaptation while also making it interesting? They're not mutually exclusive.
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