#The Dorchester Interview

[bats-in-the-snow]

!!PROJECT ANNOUNCEMENT!!

Hello hello!! I'm gonna be doing a series of choose your own adventure games based off of Delta Green: Impossible Landscapes, and so this is a post to explain how it will work, and to choose which to play first!

(side note, Cody was created by my bestie westie @gnawdar!!)

How will this work?

Each game will have its own storyline. Each post will have a series of dialogue and/or actions to choose from using the poll feature! Whichever choice wins will be what your character says/does, and will affect the ending of the game! Each game will have multiple endings, but the amount will depend on the story. Each poll will be available to vote on for a week, while I work on a response for each answer/action!

Game tags!

I plan to do more games in the future, but right now I have three! To find all games/posts I'll ever do, you can check

#A mystery in misadventure

To find specific stories, I'll be using their title as the tag! Right now, we have:

#The Dorchester Interview

#Outside Help

#The Nurse and The Doctor

You can find them easy in my featured tags, but they're also in my pinned and on this post!

The first three stories!

Now what we've all been waiting for!

The Dorchester Interview: You're a Delta Green agent pretending to be a police officer as you try to find two missing patients that disappeared from the Dorchester House in the middle of the night. After interviewing other nurses, doctors and patients, you land on the last interview of the day with Cody James Waller and Jax Cambion.

Outside Help: You're a Delta Green agent investigating the disappearance of Abigail Wright and the Nightfloors that exist within the building. You're sent to speak with two other agents from your handler, Agent Lavender and Agent Eucalyptus, both of which have experience with the Nightfloors. But as you speak with them, you start to wonder if the information they have is worth the experience of being around the two.

The Nurse and The Doctor: You're a Detective interviewing Dr. Cody Leonard Waller, and Nurse Jax Clawson about a series of dissaperances happening in their neighborhood and near their work place, The Dorchester House.

Warnings!

Last addition! These games will contain dark/horror content!! If you want specific trigger warnings check under the read more, but it DOES CONTAIN SPOILERS!!!!!

The Dorchester Interview: Mentioned/Implied Child Neglect, Mentioned/Implied Child abuse, Talk of mental health and childhood truama, Murder, Body Horror, and Violence

Outside Help: Mentioned/Implied Child Neglect, Mentioned/Implied Child abuse, Body horror, Murder, and Violence

The Nurse and The Doctor: Gore, Murder, Child Murder, and Cannibalism

#art drawn in the snow #beings made by the mind #the nurse and the doctor #outside help #the dorchester Interview #A mystery in misadventure

[babsi-and-stella]

Marianne Faithfull at the Dorchester Hotel, November 1979. Photo by Allan Olley.

#Marianne Faithfull #Allan Olley #interview #Dorchester Hotel #70s #seventies #punk rock #new wave #vintage #fashion #make up #hair #black and white #photoshoot

[a-man-for-hire-and-his-archives]

Last month we hosted Andrew Wincott in Dorchester and enjoyed showing him around our magnificent town. He has written about his experience here in The Mail on Sunday, published yesterday.

Huge thanks to Duchess of Cornwall Inn, National Trust North and West, Dorset Shire Hall Museum, Dorset Museum & Art Gallery, Merchant House, Drgnflydorchester, The King's Arms for helping to make Andrew and Spi's stay so brilliant.

Source: Discover Dorchester's instagram

#andrew wincott #dorchester #interview #bg3 #raphael bg3 #bg3 raphael

[lavitaliz]

#elizabeth taylor #liz taylor #black and white #film #the dorchester hotel #the v.i.p.s #interview #press conference

[ehowfind]

Walk in interview at The Lana, Dorchester Collection

We are inviting candidates for the pre-opening walk in interview at The LANA, Dorchester collection Dubai. Interested candidates can walk in to the venue for a one on one interview with the recruiter on the mentioned dates below.

We are inviting candidates for the pre-opening walk in interview at The LANA, Dorchester collection Dubai. Interested candidates can walk in to the venue for a one on one interview with the recruiter on the mentioned dates below. All the candidates will have a chance to express their capabilities during the interview. About The LANA, Dorchester Collection We work with some of the most talented…

View On WordPress

#The LANA Dorchester collection #Walk in interview

[if-you-fan-a-fire]

“Dorchester Prison Conditions Return Gradually to Normal,” St. John Telegraph-Journal. January 10, 1933. Page 5. ---- Five Wounded Convicts Will Recover; Two Guards Slightly Hurt ---- /// “Giant Negro Had An Active Part in Rebellion,” St. John Telegraph-Journal. January 10, 1933. Page 5. --- Name of Tip-off Man and Cause of Riot Remain Mysteries ---

//

“Charlie Chaplin Once Sent Film To Dorchester Prisoners With His Compliments,” St. John Telegraph-Journal. January 10, 1933. Page 5. --- Miss Alice Fairweather, Former N.B. Film Censor, Tells How Convicts Liked Comedies and of Warden Goad’s Interest in Meeting Men’s Wishes ////

“About 20 Local Men In Dorchester ‘Pen’,” St. John Telegraph-Journal. January 10, 1933. Page 5.

///

“Emergency Force of Mounties Withdrawn From Dorchester,”  St. John Telegraph-Journal. January 10, 1933. Page 5.

///

“Where Convicts Suffered Effects Of Their Own Fury,” St. John Telegraph-Journal. January 10, 1933. Page 5.

#dorchester penitentiary #dorchester new brunswick #prison riot #newspapers writing about themselves #newspaper interview #prison conditions #prison agitator #police guard #1933 dorchester riot #convict revolt #great depression in canada #crime and punishment in canada #history of crime and punishment in canada

[burtonandtaylor]

“Once I took my brother and my business manager to Twickenham for the Wales-England match. Wales won; they always did in those days.

And of course we had too much to drink, even my little runt of a manager.

Much too much. And we came back on the Tube, and fetched up for some reason at Tottenham Court Road station. I must have said I knew a bar near there. It was late, you see, about midnight.

There was a gang of about a dozen skinheads at the top, all tattooed with England flags on their chests and faces and arms; a rather fearsome sight.

Well, it was too late to turn back, so we decided to take them head on.

When I say we, I mean my brother and me. The last I saw of my manager, he was shouting, 'You can't hit me, l've got a briefcase. They gave us both a pretty good going-over. I think they were worse to me, though I don't think they'd seen me on the screen. Maybe I was just bigger and uglier than my brother.

And then they left us lying there at the entrance to the Tube. My brother said he thought he could manage to get home by himself, and he hailed a taxi for me. He had to do quite a lot of persuading, because my entire head was a mass of blood. But at least I didn't seem to have any bones broken. I told the driver to take me to the Dorchester, and gave him a tenner. Which was pretty good money in those days.

They wouldn't let me in at the Dorchester, of course, till I told them who I was and demanded to see the manager. Then they were niceness itself, and two of them helped me to the door of our suite, though I told them to leave before I banged on the door for Elizabeth.

But, you see, she was magnificent. Utterly magnificent. She didn't have a fit of the vapours, she didn't get excited, she didn't even tick me off for being drunk and getting beaten up.

"Oh, you poor thing, was all she said, and she rang down for bowls of water and towels and bandages and God knows what. And when they sent up some kind of quack to look after me, she shooed him away.

She sponged the blood off my face, and found that my left eye was halfway out of its socket, so she carefully put it back in. Would you ever imagine that someone like her would be able to do any of that? But she was tough, you see, and brave too. And she tucked me up I in bed with the bandages over my head, and at nine o'clock the next morning, when I was starting to feel a bit better, she ordered up a magnum of Bollinger to cheer me up. And then she sat on the side of the bed and toasted me and Wales's victory."

He paused, and looked away from me and the microphone.

"Magnificent woman, in every way. Magnificent. If I'm honest, my life is a little empty without her."

He thought for a moment.

"No, if I'm honest, my life is horribly empty without her."

Richard Burton interview by BBC reporter John Simpson (1977) [Full interview [HERE]

#elizabeth taylor #richard burton #love #burton and taylor #black and white #old hollywood #vintage #1960's #photography #love story #lovers #taylor #burton #hollywood glamour #hollywood #british actors #hollywood star #60's #70's #love quote #quote #interview #cleopatra #whos afraid of little old me

[thestarsarecool]

Who The Hell Does RINGO STARR Think He Is?

Tom Hibbert, Q, June 1992

He was The Lovable One who cracked his daft mop-top jokes for The Queen. The Fab With The Big Nose who you could take home to meet yer mum and yer dad. But no more. For he just experienced a nasty charm by-pass and suffered a sudden humourectomy when Tom Hibbert innocently enquired...

RINGO, WHY do you wear two rings on each hand?

"Because I can't fit them through my nose."

Beethoven figures in one of your songs. What do you think of Beethoven?

"He's great. Especially his poetry."

How did you find America?

"We went to Greenland and made a left turn."

But that was nearly 30 years ago, innocent times when the small one – Ringo, how tall are you? "Two feet, nine inches" – with the extended nose sat with the other three before the press of the world and cracked his mop-top jokes, playing the clown and acting the goat, The Lovable One, the one you could take home to meet yer mum and yer dad. In The Great Throne Room at Buckingham Palace, October 26, 1965, the Queen asked the "Fabs" how long they had been together and, quick as a flash, came Starkey's reply. "40 years!" The wag.

It is now much later, April 1992, but that "natural" Scouse "wit" of olden times remains intact: The Lovable One clambers aboard a podium at London's Dorchester Hotel and drily announces: "My name is Ringo Starr." The assembled members of the press laugh loudly at the pithy sally; a female reporter from Belgium, in the excitement of the moment, squeaks "Yah!" It is quite like old tunes...

We are gathered here today to hear exciting news. Ringo is about to release a new LP and it is called Time Takes Time. Furthermore, his new amusingly-named All-Starr Band – featuring Dave Edmunds and Joe Walsh and Todd Rundgren and diminutive trampoline champion Nils Lofgren – is touring Europe in the summer. Cameras clack and the PR woman sternly warns us to limit our questions to "the present and the future" (ie nothing about them – The Beatles – and nothing about alcoholism, if you please). And so the probing begins as a girl from Sweden asks the occasional drummer why he is starting his tour in Sweden: "Why not?" Uproarious laughter. And a girl from Italy asks him why he is finishing his tour in Italy: "Crazy question. It may be a surprise to you, lady, but I am a musician." Hoots. And a girl from somewhere equally foreign asks him if he is "reaching out to the new generation" – "You had zis Thomas Ze Tank Engine, no?" – and he says he's just playing his kit now because he is a musician and he likes to feel the "love" flowing from an audience because it's in his blood. Somewhere along the way we learn that Ringo has absolutely no intention whatsoever of playing with George Harrison at tonight's Albert Hall concert in aid of The Natural Law Party because what Ringo's doing now is promoting his album which is really jolly good and everything so everybody should buy it...

TWO HOURS later, upstairs in a hotel suite, Ringo Starr is staring at me through his darkened spectacles. The expression on his somewhat wizened face is somewhat sour. "This record deserves to be a Number 1," he is saying. "It's a fine album." The ready quips are not dropping from the lips of The Lovable One this afternoon. His impressive nose is twitching in irritation. I have made a dreadful mistake. I have dared to ask him about...them.

He had entered the room in seemingly stony mood. He had thrust himself down upon a sofa and had glowered. "Is this yer first time?" he had muttered. Er, come again, Mr Starkey? "Is this yer first time?" My first time what? My first time in a posh suite at The Dorchester Hotel or what? "Just joking," he had muttered bemusingly. My opening question had been designed to be one of the most psychologically challenging – nay, disturbing – ever to be posed within the context of a rock interview. It was this: Have you, Mr Starr, or have you not, felt a twinge of pity ever for Pete Best (The Good-Looking One who was booted out in favour of Ringo, of whom John Lennon was once heard to remark, "When I feel my head start to swell, I look at Ringo and know perfectly well we're not supermen")? There was a pause containing the faintest twist of menace. "Crazy question," The Nice One murmured, adding a withering stare for good measure.

"Did. I. Ever. Feel. Sorry. For. Pete. Best?" Yes, that was the enquiry. "No. Why should I? I was a better player than him. That's how I got the job. It wasn't on no personality. It was that I was a better drummer and I got the phone call. I never felt sorry for him. A lot of people have made careers out of knowing, er...The Beatles."

He has said it. He has uttered that word, that thing that we are not supposed to mention because Ringo has "moved on" and is living for today and for tomorrow and not for, in the word of his old mucker in the rhythm section, yesterday. He has said "Beatles". So can we talk about The Beatles, then? Ringo shrugs his shoulders. "Sure," he grunts. So tell me about your image. You were The Goofy One. Was this an imposed personality or was it the real Starkey or what?

"That's not how I am. That was how we were in the movie, in Help! and A Hard Day's Night. That was what people felt we were like."

But didn't you mind always being given the goony songs to sing, 'Octopus's Garden' and 'Yellow Submarine' and that awful one about "the greatest fool who ever made the big time"?

"They were writing a lot heavier songs than I was and the ones they wrote for me were never that heavy, either. That's what made the combination that we were. All completely different but together we were a mighty force."

Presumably this "difference" in personalities was what made the break-up of The Beatles particularly acrimonious and acid. Discuss.

"That's stupid. We'd changed. We didn't have the time to put in all that energy. We were all married then. Most of us were married. I had children. John had a kid. George got married. So it was a natural end to it. We finished. That's it."

At the morning's press conference, Ringo had been banging on about how you can't beat the feeling of playing live, of how he's "addicted" to it, the love teeming from the audience, the "buzz", the "vibe" etcetera. But if we examine the history (and leave out the Ringo Starr and his All-Star Band jaunt of '89), we see that since '66, he has played on stage hardly at all. This is not a criticism, I was just wondering whether...

"Look, playing live is how I started," he snaps. "That's where my blood is. We played live for four years as The Beatles but in the end it was impossible because the reaction we used to get was so loud that I was turning into a bad musician because I could only keep the off-beat, so we were deteriorating. How often do you want to play stadiums? We as The Beatles lost the contact. I want to feel the love from the audience and you don't get that in a stadium. Bruce Springsteen loses the love and the audience contact and Guns N' Roses and the Stones and Paul McCartney, they all lose the love and the contact. They just forget that it's a great privilege to play to an audience, so on my tour I'm playing Liverpool and I'm playing Hammersmith and..."

And so he goes on for several weeks about all the intimate sheds he's going to bash his drums and sing that one about "You're sixteen and you're beautiful and your mii-iine," or whatever it is, in.

So stadiums are useless. I had always imagined, in my simplicity, that The Beatles at Shea Stadium was just one of the most thrilling moments in all of popular music history. Am I entirely incorrect?

Ringo tuts and he crosses his arms, a huff-orientated posture.

"Shea Stadium was brilliant," he goes. "We were breaking new ground. Of course it was brilliant. But if you see the video on Shea Stadium, you see how crazy we all were, anyway. John wasn't playing it note-for-note. John went mad. It was a thrill."

Did Ringo go mad all those years ago, what with all those American girls saying he should be President and swooning at his shaking fringe?

"It wasn't only American girls, you know," he points out, helpfully. "It was English girls and Swedish girls. So, yeah. I went absolutely mad round about 1964. My head was just so swollen. I thought I was a God, a living God. And the other three looked at me and said. Excuse me, I am the God. We all went through a period of going mad."

Presumably drugs made a major contribution to the mental mayhem.

"The drugs came later. Well, there was always some element of alcohol and amphetamine and then several other substances came into play and then The Beatles was over."

And in '68, you all went to India to "groove" with Mr Maharishi Mahesh Yogi. That was mad...

"Well, I was in hospital with my ex-wife (Maureen) delivering Jason, my second son, and I got back and there was two messages on the answerphone, a message from John and a message from George, and they were saying. We've been to see this Maharishi guy. So I said. What's that all about? so they told me how great it all was and I met Maharishi and I fell in love with Transcendental Meditation and I got to India and I took two suitcases, one full of clothes and one full of baked beans because I don't eat curry, and it was high for a while and then I thought. 'That's the end of it for me, thank you very much'..."

By this time, the drummer of the Perky Personality had embarked upon his unlikely career as a screen actor, playing a gardener who has love on billiard tables in the hippy sex romp Candy (which featured Marlon Brando as a guru personage not a billion miles removed from Mr Maharishi), and then a foil for Peter Sellers in the simply awful The Magic Christian (and then being actually quite good as a teddy boy drummer in That'll Be The Day). Ringo doesn't think that talking about his Thespian pursuits is very interesting at all because he's moved on and music's the thing, like...

"We just decided we wanted to be an actor. I'm not interested in that acting anymore..."

In the mid '70s, Starr made (along with some really dud LPs) a couple of splendid pop singles: 'Photograph' and 'It Don't Come Easy'. The man who, in 1963, said "whenever I hear another drummer I know I'm no good" (and who sits here today peering at me with a certain chill and insisting "I am the best rock drummer on earth and it's not just me saying that, many fine musicians say that" when I have never even questioned his capabilities) comes over refreshingly modest for once when I say I liked those tunes.

"Well, I just decided to make some singles because The Beatles always took so long to make albums and so I started to write but I could never finish a song. I was great for two verses and a chorus but I could never finish a song so I'd have to ask George to finish it and we'd just have rows because George would always put in the 'God verse' and I don't sing about God, so after a few smashes it all went downhill because, er, well, yer know..."

I do know. It all went downhill because Ringo was hitting the sauce with alarming abandon.

"It was my addictive personality. Suddenly you're starting to drink at nine in the morning and I was procrastinating me balls off and I was just trapped as an alcoholic, a drunk."

He was too drunk even to pay any great attention to the shooting of John Lennon, he says.

"I wasn't well when he got murdered and I wasn't well after it. I was in such great pain that I hardly noticed..."

The voice of Thomas The Tank Engine and The Fat Controller was killing itself with booze. But then – hey presto! – Ringo booked into De-Tox Mansions, USA, and everything was all right again.

"One day I had a second, maybe half-a-second, of clarity and I was in so much pain and I knew that Barbara (Bach, second wife who he met on the set of the dismal Caveman film in '81) had mentioned a sort of re-hab situation. She had a problem, too. She found this place in Arizona. I haven't had a drink or a drug since and that was October '88 and I've given up smoking cigarettes, too."

Ringo was cured of his urges by the power of love.

"It was love. It's love. And the proof of the difference in my life-style is that I've put a band together, I've made this album and..."

Ringo takes this opportunity to tell me what a great musician he is and how his new LP is really jolly good and everything until I interrupt to suggest that however good his new LP is, it can hardly hope to top Abbey Road, can it? He looks at me as if I am deranged:

"What, as an album? My album can't beat the Abbey Road album as an album?" That is, in a nutshell, what I was driving at.

"Well, the so-called B-side of Abbey Road is one of my favourite sides, the one with 'Bathroom Window' and 'Polythene Pam', but just by chance I was re-listening to Sgt. Pepper the other day and that's a fine album too and it's a bloody marvellous album, it's a bloody fine album and The White Album was great because we were like a band after Pepper and all the craziness and Rubber Soul was great and the first album which took 12 hours to put down was an achievement...So I don't know what you're talking about. That was 30 years ago, man. I'm still making records and you can hear that I'm a great musician on the new record, Time Takes Time, if you can ever be bothered to mention it. This is an actual bloody legend in front of you. I'm not expecting you to comb the bloody legend's hair but you could mention the new LP and these other fine musicians I'm still playing with."

Ringo Starr is close to rage and I don't know quite why. I decide to placate him by talking about his All-Starr Band. This ploy is not a success. What is it like working with Todd Rundgren, I enquire? Todd Rundgren's a bit mad, isn't he?

Ringo lunges forward in the sofa, almost doing himself a mischief.

"What? What? Have you met him? Why would you say shit like that? You don't even know the man. How dare you say shit like that about a friend?"

I meant "mad" as in "genius". It is a compliment.

"You're talking shit. That's like saying Frank Zappa's mad. Frank Zappa's probably the nicest man I ever met in this business. I've been in the game too long for this shit! I've done my bit. I've made a record, I've made the thing and I hope it's a Number 1 because I've done my bit, I'm promoting the thing...or I am trying to promote the thing..."

What manner of umbrage is this? Ringo Starr seems to feel – and strongly – that my failure to spend this interview discussing his new LP and the brilliance of Tom Petty and Jeff "Skunk" Baxter and Harry "Schmilsson" Nilsson and everybody else who played on it – is impudence of the first order. But wouldn't such an interview be a trifle limiting and boring and...? I am unable to make this suggestion because The Clown, The Lovable One, seen here in his updated role of Pop's Mister Crosspatch, continues to rant away...

"If you bothered to listen to the single 'Weight Of The World' you'd hear this line in it which goes...er, er...well, it says that you can't live in the past and that sums it up. Because you're living in the past. As far as this interview has been going on, it's shit because it's been The Beatles interview and you haven't even mentioned Time Takes Time or Weight Of The World. But that's OK. You've got the time. That's what you asked. I've answered your questions. And..." Ringo rises from the sofa, two feet nine inches of unbridled anger ..."That is it!" And it is. He flounces from the room, a cry of "Thanks a lot!" that oozes with sarcasm, his cheery farewell. What this man needs, in my estimation, is a stiff drink, or a cig, or both...

THAT NIGHT, on stage at the Albert Hall, George Harrison played 'Taxman' and a lot of other aged songs and then announced "a blast from all our pasts" and on bounded Ringo. How could this be? Had not the man assured us earlier in the day that he would most definitely not be gracing this political rally thing with his presence? Well, there he was, anyway, and he played drums on 'While My Guitar Gently Weeps' and 'Roll Over Beethoven', no doubt feeling all the love wafting up from the auditorium. Then, at the conclusion of this horrid old rock'n'roll novelty, up strode some representatives of the peculiar Natural Law Party to talk embarrassingly about this "night of magic" that the crowd had been privileged to witness. And as the spiritual oration continued, a lone cry of protest rang out from the back of the stage, a bellow of annoyance, a sharp "Shut up!" The culprit of this ill-mannered intrusion was identified only as a man with drumsticks and a great big nose…

#my articles #my quotes #ok so this is part of a whole series the interviewer did #called 'who does BLANK think he is?' #and I guess the whole point was to act insufferable and to get his interviewees to act out #thoroughly repugnant #anyway... #enjoy? #I guess? #ringo starr #the beatles #beatles

[yestolerancepro]

My dear girl, there are some things that just aren't done, such as drinking Dom Perignon '53 above the temperature of 38 degrees Fahrenheit. That's just as bad as listening to The Beatles without earmuffs!” A blog inspired by the music world of James Bond Part 5 The film is great but the title is well

Introduction

Hello there and welcome to the final chapter of this extended series of blogs looking at the musical tastes of James Bond over the last 60 years .This chapter covers those tricky titles from the Ian Fleming James Bond stories that the script writers producers and song writers had a real struggle with.  Two of those tricky titles Thunderball and the Spy who loved me have been dealt with in prevous chapters of the blog.

 This Chapter of the blog deals with On her Majesty’s Secret service and Octopussy.

Casting The New James Bond

In 1967, after five films, Sean Connery resigned from the role of James Bond and was not on speaking terms with Albert Broccoli during the filming of You Only Live Twice.[27] Over 400 actors, including many of the most famous performers in the Commonwealth, were considered for the role of James Bond.[17]

 The confirmed front runners were Englishman John Richardson, Dutchman Hans De Vries, Australian Robert Campbell, Scotsman Anthony Rogers, Greek Giorgos Fountas[28] and Australian George Lazenby.[14] Broccoli also met with Terence Stamp about playing the part.[29] Broccoli was interested in rising star Oliver Reed but decided his public image was already too distinct.

 Future Bond star Timothy Dalton was asked to audition after his appearance in The Lion in Winter but considered himself too young, as he was 25 years old and did not want to succeed Connery as Bond. In an interview in 1987 when he was playing Bond in The Living Daylights, Dalton said "I was 24-25 then, I had a good career then as a young man in films The Lion in Winter and Mr Broccoli kindly asked me if I was interested, I think I'm just too young for this role. I think Bond should be between 35 and 40, and as a 25-26 year old and I wouldn't have been right".[17]

Broccoli and Hunt eventually chose Lazenby after seeing him in a Fry's Chocolate Cream advertisement.[18] Lazenby dressed the part by sporting several sartorial Bond elements such as a Rolex Submariner wristwatch and a Savile Row suit (ordered for, but uncollected by, Connery), and going to Connery's barber at the Dorchester Hotel.[19] Broccoli noticed Lazenby as a Bond-type man based on his physique and character elements, and offered him an audition. The position was consolidated when Lazenby accidentally punched a professional wrestler, who was acting as stunt coordinator, in the face, impressing Broccoli with his ability to display aggression.[14

The film website Screenrant recently published an article called How all 6 James Bond actors compare to the Ian Fleming Iconic Book spy they said this about George Lazenby.

Lazenby only lasted one movie in the role of Bond, but he couldn’t have had a better shot at the part. The tragic On Her Majesty’s Secret Service wouldn’t have worked without anyone else in the role, and journalist Ben McIntyre argued that the actor came closest to embodying Fleming’s take on Bond in his 2008 book For Your Eyes Only. It’s easy to see where McIntyre’s argument comes from, as Lazenby’s Bond took himself more seriously than Connery's did, much like Fleming’s version of the spy. Outside an infamous fourth-wall-breaking opening gag, his storyline was also more grounded, which allowed Lazenby to embody Bond’s troubled side.

Casting the leading lady

For Tracy Draco, the producers wanted an established actress opposite neophyte Lazenby.[30] Brigitte Bardot was invited, but after she signed to appear in Shalako opposite Sean Connery, the deal fell through,[16] and Diana Rigg—who had already been the popular heroine Emma Peel in The Avengers—was cast instead.[8] Rigg said one of the reasons for accepting the role was that she always wanted to be in an epic film.[18]

The Iconic Villian in her Majesty’s secret Service 

On her Majesty’s sees the return of Ernst Stavro Blofeild this time by Telly Savalas he was played Donald Pleasence in you only live twice and would be played by Charles Grey in the following film Diamonds are Forever.

Recently Screenrantly published an article on their website titled Every James Bonds Iconic Villian Ranked and for George Lazenby they chose Blofeild  lets face it they couldn’t choose amybody else.

George Lazenby only ever starred in one Bond movie, so he only ever faced one Bond villain, and that movie was sandwiched into the middle of Sean Connery’s arc, so he had to share his villain with Connery. But that villain happened to be Bond’s ultimate big bad, Ernst Stavro Blofeld. Connery faced other unforgettable villains like Dr. No and Auric Goldfinger, but Blofeld was their boss. Blofeld’s portrayal in the Bond movies – particularly in You Only Live Twice – has influenced how supervillains are depicted on-screen for decades. Blofeld is the quintessential Bond villain: a diabolical criminal mastermind who’s always one step ahead of 007.

A bunch of different actors have put their own stamp on the role of Blofeld over the years. Telly Savalas played the character opposite Lazenby in On Her Majesty’s Secret Service and Charles Gray played the part opposite a returning Connery in Diamonds Are Forever. But the most iconic take on the character (by far) is Donald Pleasence’s chilling performance alongside Connery in You Only Live Twice. The glint in Pleasence’s scarred eye is both mesmerizing and unsettling; he’s a captivating presence whenever he appears on-screen. Every James Bond movie villain since Pleasence’s Blofeld has been competing for the silver medal.

OHMSS A unique James Bond film

Taking over from Somebody in the lead role is difficult enough but when you take over the lead role from somebody as well known as Sean Connery in the most successful film franchise that is James Bond that task is even harder still

Considering it was it was also George Lazenby’s first lead role in a major film I thought George Lazenby’s take on James Bond in his only film was excellent On Her Majesty’s secret service is a unique film in my view in that its more of a charector piece than your usual James Bond spy story indeed more than in any other Bond film the gadgets take a backseat to the story for once and its more about the love story between James Bond and Tracey Draco than anything else 

This is highlighted by the fact as well that the What Culture website picked the relationship between the too as their moment of the whole film.

On Her Majesty's Secret Service, despite George Lazenby's terrible performance as Bond, is one of the most elite installments of the series. It does many things incredibly well, but it's Bond's relationship with Tracy di Vicenzo (Diana Rigg) that really makes the film linger in one's mind.

It seems clear the film put a huge amount of effort into this part of the story - in fact, at one point, the film basically stops in order to show a very nice romantic montage of the pair set to Louis Armstrong's "We Have All the Time in the World" - and while it made for a very different film compared to its predecessors, it sure as hell paid off.

OHMSS offers up a genuinely moving, chemistry-filled romance that pulls viewers right in and is so good that not even Lazenby can ruin it. Besides, any deficiencies in his performance are counter-balanced by Diana Rigg's wonderful turn as Tracy.

In the end, the film concludes with Tracy's murder and this scene is still absolutely devastating all these years later. With this tragic ending, OHMSS basically does something similar to what No Time to Die did decades later, but it did it far better.

Screenrant published an article called Each Bond actors defining scene  6 moments that defined James Bond for George Lazenby they Chose Tracy’s death scene

George Lazenby only played Bond in one movie, but it just so happened to be one of the greatest Bond movies of all time. On Her Majesty’s Secret Service sees 007 falling in love for the first time and ends with him marrying Contessa Teresa di Vicenzo, better known as Tracy. Just as Bond seems to get a happy ending, and he heads off on his honeymoon with Tracy, his bride is gunned down by his enemies in a drive-by shooting. This is one of the saddest moments in Bond history, and Lazenby nails the raw emotions of a widowed newlywed in tears, cradling his dead wife.

Tracy was never mentioned enough in later movies, but nonetheless, in OHMSS itself this love story is easily its greatest asset, although the cinematography, action sequences and the franchise's best incarnation of Blofeld (played here by Telly Savalas) deserve mention too.

Tracy’s Death was also included in another Screenrant article titled 10 greatest James Bonds scenes ranked from worst to best landing at number 5 in their list they had this to say:

George Lazenby only appeared in one James Bond movie, and the actor had the hard job of replacing Sean Connery, the original 007 who, according to many viewers, is still the greatest to ever play the role. However, Connery’s Bond wouldn’t have worked in On Her Majesty’s Secret Service, as evidenced by the movie’s strongest scene. When 007 married his love interest, Tracy (Diana Rigg), only for her to be murdered by Blofeld (Telly Savalas), the unstoppable spy experienced his most crushing defeat in the franchise’s history. Poignant and brutal, this scene marked a turning point for Bond’s unflappable screen persona.

Besides the James Bond and Tracey love story the film sees bond trying to stop Blofield spreading Germ warfair by using innocent girls which he calls his angels of death indeed the Colider film highlighted these ladies as one of the highlights of the film in their article The 16 deadliest Women in the James Bond franchise arriving on the list at number 10.

 The Angels of Death are 12 extremely attractive, wealthy, and sophisticated women who were selected by Irma Bunt (see below) from various countries to assist the Head of the crime organization SPECTRE, Ernst Stavro Blofeld (Telly Savalas), in contaminating, sterilizing, and eventually ransoming the world's food supply.

“TOTAL Infertility! In plants and animals. Not just disease in a few herds, Mr. Bond. Or the loss of a single crop. But the destruction of a whole strain. Forever! If my demands are not met, I shall proceed with the systematic extinction of whole species of cereals and livestock all over the world!” - Blofeld

Though a global threat, the ladies are actually regularly brainwashed and hypnotized, unbeknownst to them, thinking they are simply being treated for their specific food allergies in a luxurious Alpine facility.

Irma Bunt played by the German actress Ilse Steppat made an appearance in the same list making number 7 in the chart so a film that a film considered by some as a flop does have some highlights this is what they had to say :

 Portrayed by the German actress Ilse Steppat, Irma Bunt is the stern middle-aged subordinate of Blofeld’s who runs the “allergy institute” in the Swiss Alps, “helping” the ladies with their allergies by day, and brainwashing them in their sleep. When Bond (the underrated George Lazenby) checks into the facility as a patient, she thoroughly has his luggage inspected, and informs him she enforces strict rules on all guests, such as not disclosing last names or room numbers. But then, his cover is blown, and after a relentless car chase, there is a big explosion, causing Bond to believe Bunt is dead. However, she later turns up at his own wedding, and attempts to shoot him with an M16, but she kills his new bride instead

My thoughts on her Majestys secret service

Cinemagoers who came to see the film in 1969 most have had a big shock when they saw a more charector led story with a much more sensitive and emotional James Bond than they were used to but for me agaIn that's ok because sometimes a franchise even one like James Bond needs to take risk sometimes to stop it going stale and boring.

 The film is will written and is well directored by Peter R Hunt It is the only Bond film to have been directed by him (with this serving as his directorial debut), he had served as a film editor and second unit director on previous films in the series.

OHMSS features some of the best action scenes you will ever see in a Bond film the Stock car race and ski-ing sequences being  particularly good that Yard Barker published an article called the 25 Greatest set peices in the Bond highlighting the films finale at Piz Gloria.

Again, listen to Soderbergh. This is an exquisitely shot and edited set-piece that kicks off with three helicopters assaulting Blofeld’s Piz Gloria stronghold, proceeds to crosscut between a tightly staged firefight and Tracy di Vicenzo (Diana Rigg) holding her own (and eventually killing) one of Blofeld’s thugs, then concludes with a (literally) breakneck bobsled chase. Director Peter Hunt’s aerial, exterior and interior photography matches perfectly; you’re always aware of where the characters are (including Bond as he belly-slides down an icy slope, machine gun blazing), and what they’re trying to achieve. This is how it’s done.

on this evidance then its such a shame that he never any more bond films after this.

If it was up to me Lazenby should have ignored his agents wishes and stayed in the role for one more film at least then perharps audiences would have got used to his more sensitive portrayal as James Bond

Mind you I think I am right in saying if George Lazenby had continued as James Bond we would not have had the Roger Moore era of James Bond that I loved as a child so perharps you can’t have everything you want    

To watch a video review of OHMSS from the Oliver Harper YouTube channel click here https://www.youtube.com/watch?v=zfS0KRkQOo4

Music

John Barry who provided the soundtrack for the film which I conisder to be his best work for Bond provided an instrumential theme tune as he had done for the first two films Dr No and From Russia with love.

Barry felt it would be difficult to compose a theme song containing the title "On Her Majesty's Secret Service" unless it were written operatically, in the style of Gilbert and Sullivan. Leslie Bricusse had considered lyrics for the title song but director Peter R. Hunt allowed an instrumental title theme in the tradition of the first two Bond films. The theme is built around a lament bass, which establishes the story as a tragedy. Barry's composition was described as "one of the best title cuts, a wordless Moog-driven monster, suitable for skiing at breakneck speed or dancing with equal abandon.

The instrumental theme for ONHMSS is a John Barry classic . It would not grace the pop charts under its own steam. the dance band The Propellerheads would release a remix of theme working with David Arnold for his album James Bond remixed. the single reached number 7 in the UK charts you can listen to it by clicking here https://www.youtube.com/watch?v=zN8GcRGNWe4

Barry also composed the love song "We Have All the Time in the World", with lyrics by Burt Bacharach's regular lyricist Hal David, sung by Louis Armstrong. It is heard during the Bond–Tracy courtship montage, bridging Draco's birthday party in Portugal and Bond's burglary of the Gebrüder Gumbold law office in Bern, Switzerland.

The song doesn’t appear till 30 mins into the film gentle and reflective the song was the last studio recording by Louis Armstrong and features a beautiful and thrilling string arrangement that was modifed by Barry to play on Low strings as a jaunty theme for Bond in some of the films earlier sequences one of the most interesting and symbolic uses of music in the Bond film as 007 discusses Tracey with her father and Draco suggests that her daughter needs a man to dominate her !

Barry recalled Armstrong was very ill, but recorded the song in one take. Armstrong did, however, make some further recordings in 1970 and 1971. The song was re-released in 1994, achieving the number three position during a 13-week spell in the UK charts. When it was used for a Guinness infinity beer campaign.

The song was reused for a second Bond movie, when it was used as the soundtrack for the closing credits for the 2021 release No Time to Die.

To watch a trailer for on Her Majesty’s Secret sevice click here https://www.youtube.com/watch?v=dOLq5Rg9N-c&list=PL17vqAEJv6CUxmeZBk3JGDLBbcPEd4CDp&index=1

To watch a tribuite video for OHMSS click here https://www.youtube.com/watch?v=y35cTSFFeYU

Octopussy

Octopussy is a 1983 spy film and the thirteenth in the James Bond series produced by Eon Productions. It is the sixth to star Roger Moore as the MI6 agent James Bond. It was directed by John Glen and the screenplay was written by George MacDonald Fraser, Richard Maibaum and Michael G. Wilson.

The film's title is taken from a short story in Ian Fleming's 1966 short story collection Octopussy and The Living Daylights,

I like this film a lot again as with all the Bond films I enjoy it has a good mix of action and comedy and is well written and well directored by John Glenn ( his 2nd James Bond film after (for your eyes only)

His direction of the film was picked out of the What Culture website Best Bond moments article

Octopussy, with its stubborn insistence on prioritizing cringy comedy over thrills and a generally ill-conceived plot, is definitely one of the low points of the series (and one that totally ignored what made the previous film work) but it's not a total wash-out.

If there's one person who really comes out of the film with their dignity intact, it's John Glen, who directed five Bond movies, starting with For Your Eyes Only and finishing with Licence to Kill.

Glen is definitely one of the best directors the series ever had; he was already doing great work as an editor in the franchise, and once he stepped into the director's chair, he always directed with flair and precision, delivering many stunning visuals in the process.

Once again, just like with For Your Eyes Only, Glen does a smashing job and ensured that, despite how dated the film is on a writing level, it still looks absolutely terrific - especially during the picture's aerial action scenes.

The film also has Maud Adams this time returning as Octopussy She featured at number 9 in the 10 most deadliest women in the James Bond Franchise on the Movie web website who had this to say about Octopussy

Octopussy: [Bond sneaks into her room] Good evening. I wondered when you might arrive.

Bond: So, you are the mysterious Octopussy.

Octopussy: And you are James Bond, 007, licensed to kill. Am l to be your target for tonight?

Bond: Oh no, not necessarily. Depends how much you tell me about jewelry smuggling. And why one of our agents was killed in East Berlin.

Maud Adams plays Octopussy, a powerful smuggler of rare jewels, and the leader of an ancient cult of lone, fierce, and heavily trained acrobats, all of them women, and living on a secluded island in India. Her associate is an exiled Afghan prince, Kamal Khan, who also has members of the Cult of Octopus among his servants. Octopussy will eventually join forces with Bond (Roger Moore) against her ally

Music

Rather than use the word Octopussy in the title of the song the producers of the James Bond film did the most refreashing thing and decided not to mention it all instead we got a song called All Time High.

Once again John Barry provided the Soundtrack for the film   theme "All Time High" with lyricist Tim Rice. "All Time High", sung by Rita Coolidge, is one of seven musical themes in the James Bond series whose song titles do not refer to the film's title. "All Time High" spent four weeks at number one on the United States' Adult Contemporary singles chart and reached number 36 on the Billboard Hot 100.[25]

To watch a video short about the making of Octopussy called 10 things you never new about Octopussy Click here https://www.youtube.com/watch?v=jhwpkASnFlM&t=32s

To watch a trailer for Octopussy click here https://www.youtube.com/watch?v=q1hLWZzgZvU

a lot of work has gone into this blog if you have read it and liked it please consider sending a donation to the Tolerance project by clicking on the above link https://www.gofundme.com/gnk3ww Thank you

Notes

If your wondering where the title of this blog comes from it features in the 3rd James Bond film Goldfinger which is rightly seen by many as a classic Bond  film and probably the best Bond film ever made. it was the first Bond film to make over a 100 million at the box office with a great mix of action comedy girls and gadgets and featured a great Goldfinger title song sung by Shirley Bassey the song itself made the top 30 in the UK charts

To watch a trailer for Goldfinger click here https://www.youtube.com/watch?v=MA65V-oLKa8&list=PL17vqAEJv6CUxmeZBk3JGDLBbcPEd4CDp&index=12

Thanks once again to Wikipedia for the background notes this time on the songs All time high and We have all the time in the world the Oliver Harper Youtube page for the OHMSS Retrospective review video Storm Chaser Z you tube channel for the viarous James bond videos and the Cinema Blend website for the series of articles called James Bond ranked

And Google Images for the viarous pictures of the viarous eras of James Bond

Pictures

1) Poster for OHMSS

2) Diana Rigg as Tracy

3) Diana Rigg as Tracey

4) Tracey and James Bond

5) The Angels of Death

6) Erima Bunt

7) Octpussy Poster

8) Octopussy herself

9) One of the many Posters for Goldfinger

#we have all the time in the world #louis armstrong #james bond #george lazenby #diana rigg #ohmss #octopussy #Erima Bunt #angels of death #John Barry #Roger Moore #goldfinger #wikipedia #The What Culture website #google images #Storm chaser Z #Oliver Harper Youtube channel #Tolerance project Blog update #for your eyes only #licence to kill #all time high #rita coolidge #Yard Barker website #screenrant.com

[jackoshadows]

Here goes a theory I stumbled upon and couldnt believe existed: so aparently George has said in some interview somewhere that "the magic side of asoiaf is the least important and what matters is the real relations between the people of the story" and.... this led to the person concluding that all magic people/people who perform any supernatural power will come to die until the end of the books and that will mean peace will finally reign in westeros. Also, the person considered the way Jon would stay alive despite having some magic of rhollor in himself.

Im still trying to process this theory. Thoughts?

George has said in some interview somewhere that "the magic side of asoiaf is the least important and what matters is the real relations between the people of the story"

Really? I have never come across fantasy writer George RR Martin saying that the magic is the least important part of his story. Can someone send me this interview.

I have read this one though:

And it is important that the individual books refer to the civil wars, but the series title reminds us constantly that the real issue lies in the North beyond the Wall. Stannis becomes one of the few characters fully to understand that, which is why in spite of everything he is a righteous man, and not just a version of Henry VII, Tiberius or Louis XI. 

And this one:

Tommy’s me … but no more than all the others. Robb is me in “Song for Lya,” as Dirk is me in Dying of the Light … though Arkin Ruark and Jaan Antony in that one are both me as well. Abner Marsh is me, as his proud sidewheeler Fevre Dream is the excursion boat to Far Rockaway, only the passengers drink blood instead of Kool-Aid. Sandy Blair is J-school me, Peter Norten is chess club me, Kenny Dorchester is me trying to lose weight. Holt in “The Stone City,” he’s the kid lying in the grass, staring up at distant stars. Trager is me on a dark night of the soul, bleeding poison from three wounds named Josie, Laurel, Rita. Jon Snow has me in him, and Sam Tarly. The women too, Lyanna and Shaara, and the girls, Arya and Adara … Daenerys Stormborn, searching for that house with the red door. And Tyrion Lannister? Oh, yes. The Imp is me in spades, the horny little bastard.” 

And this one:

The best fantasy is written in the language of dreams. It is alive as dreams are alive, more real than real … for a moment at least … that long magic moment before we wake.

Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end. Reality is the strip malls of Burbank, the smokestacks of Cleveland, a parking garage in Newark. Fantasy is the towers of Minas Tirith, the ancient stones of Gormenghast, the halls of Camelot. Fantasy flies on the wings of Icarus, reality on Southwest Airlines. Why do our dreams become so much smaller when they finally come true?

We read fantasy to find the colors again, I think. To taste strong spices and hear the songs the sirens sang. There is something old and true in fantasy that speaks to something deep within us, to the child who dreamt that one day he would hunt the forests of the night, and feast beneath the hollow hills, and find a love to last forever somewhere south of Oz and north of Shangri-La.

They can keep their heaven. When I die, I’d sooner go to middle Earth.

#asks #GRRM

[bats-in-the-snow]

Pfp by @/pupbytee om Twitter!! PLEASEEE GO FOLLOW THEM THEYRE SO AWESOME

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[madness to the third degree]

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Warning:

Do not quote, mention, or talk about the Mandela Catalogue on this blog. (in dms and asks, not gonna say you cant reblog stuff ofc etc) It's a block if you do, even for moots.

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Please please PLEASE reblog!! It's the only way to help more people see my content!! (Tumblr also fucks up quality so make sure to click on the actual image for better quality) --> Good post abt why you should rb art

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Heya hi!! You can call me Jax! I use Any/All, and I'm in a billion fandoms at this point and on Tumblr all the time, so if your feed is insane that's probably me.

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#art drawn in the snow #beings made by the mind #The Big House #dancing in the snow #words carved into stone #Outside Help #The Dorchester Interview #The Nurse and The Doctor #A mystery in misadventure

[transpondster]

The Beatles and Allen Klein at a “signing ceremony” for a contract to make Klein the group’s manager, Sept. 20, 1969. McCartney attended as a courtesy, never intending to sign the contract and giving it a thumbs-down and pretending to use a magnifying glass in the bottom two photos. 

The Beatles’ relationship with Allen Klein began Jan. 28, 1969, at a meeting with Lennon and Ono at the Dorchester Hotel. Klein later met with Ringo Starr and George Harrison, then a meeting with all four Beatles was arranged. McCartney refused to allow Klein to represent him and a major disagreement became a major cause of friction among the Beatles.

Allan Kozinn, who covered the Beatles for many years for The New York Times and author of The Beatles: From the Cavern to the Rooftop (Phaidon), said Lennon’s change of heart about Klein was quite an about-face. “John Lennon’s thinking about Allen Klein evolved fairly quickly between 1969, when he was the strongest advocate for Klein to be the Beatles manager, and 1973, when their business association was dissolved by this contract. It can’t have helped that George Harrison had already experienced problems to do with Klein’s handling of the proceeds for the Concert for Bangladesh, and that both George and Ringo wanted to extricate themselves from Klein’s management. Eventually Lennon said in a television interview that he had come to realize that Paul “might have been right” in his objections to Klein.

#beatles #contracts

[a-man-for-hire-and-his-archives]

Hardy’s Casterbridge is still like an alternative world… a bit like Ambridge

IN OUR series, household names revisit their favourite childhood holiday destinations. This week, Archers star ANDREW WINCOTT returns to Hardy country.

Written for The Scottish Mail Sunday (19 May, 2024)

HISTORIC Dorchester has long been just a memory for me.

I first visited it in my teens while studying Thomas Hardy’s The Mayor Of Casterbridge for my A-levels. And one of my first professional roles as an actor in the 1980s was as Alec in Hardy’s Tess Of The D’Urbervilles, for a West Country tour that took in Dorchester’s Corn Exchange, still a vibrant arts centre today.

Now, decades later, I got the chance to return to Dorset’s sedate county town with Spi, an old university friend and fellow Hardy fan from my Oxford days.

After checking into the welcoming Duchess Of Cornwall Inn, we hit the Hardy trail. Our first step was Maumbury Rings, the atmospheric former Neolithic/ Roman amphitheatre – the scene of a clandestine meeting in The Mayor Of Casterbridge between Henchard and the wife he’d sold 20 years earlier.

Thankfully it’s no longer used for public executions (even the most genteel towns can have a dark past). Just down the high street stands the landmark King’s Arms Hotel. Hardy wrote The Mayor Of Casterbridge at a desk in the bay window of the Casterbridge Room there – and standing in the great man’s footsteps, I couldn’t help feeling a moment of frisson.

Andrew, in his youth

Our next stop was Max Gate, the Grade I listed house that Hardy designed following his early literary success and where he lived until his death in 1928. It’s also where Hardy wrote Tess Of The D’Urbervilles, perhaps his most famous novel. Among the many celebrity visitors who called on him there was Lawrence of Arabia.

The town’s Dorset Museum also boasts a Hardy connection – the great man’s study has been reconstructed there, and you can even admire some of his paintings.

But Dorchester isn’t just for Hardy fans.

In recent years the town has become a bit of a gastro-hub for foodies – the Food And Arts Festival takes place in August – as I discovered.

I lunched on a delicious pesto porchetta at the Merchant restaurant, and my steak dinner at The King’s Arms was cooked to perfection. I can also recommend Drgnfly, which specialises in pan-Asian fare – its sesame crusted tuna and crispy prawn dumplings served with garlic and chilli sauce certainly hit the spot.

So how did Dorchester compare to the town of my youth?

Hardy’s Casterbridge is still as vivid to me now as when I first walked its streets. An alternative world perhaps – a bit like Borsetshire’s Ambridge – but one well worth visiting whether or not you’re a Hardy fan.

In the words of Daniel Defoe, which you can see above the entrance to the town’s Corn Exchange: ‘A man might as well... spend his time... in Dorchester as in any other town in England.’

● B&B doubles at The Duchess Of Cornwall Inn from £90 a night (duchessofcornwall.co.uk). London Waterloo to Dorchester South returns from £34.60 (southwesternrailway.com). Andrew Wincott plays Adam Macy in The Archers, Radio 4.

Source: The Scottish Mail Sunday

#bg3 raphael #andrew wincott #bg3 #dorchester #raphael bg3 #the archers #interview

[omsdoortodoor]

OMS Door to Door Challenge Departure date minus 19 weeks

Ian's week

Training & a trial run.

The first training ride this week was the Culm Valley loop again, it felt hard but when I got back, I had completed it three minutes quicker than the previous time.  This would explain why it seemed harder.

The second ride was a trial run of part of the first day of the ONS Door to Door Challenge.  We had lunch at the Sun Inn near Dorchester and I cycled about 23 miles to the Bakers Arms at Lytchett Minster.  This is a possible first night stopover, being very close to the ferry terminal.

A bit of a pub theme developing, I think!

It was a good ride through interesting countryside and villages, but very flat which meant I kept up a good speed.  But the disadvantage of a flat terrain is that I had to pedal all the time because there was no downhill section to rest on.

Jane's week

Crash and Burn

This has been a week of two halves, great fun but with massive consequences.  Will I ever learn?  At the start of the week, I was away with some friends near Bicester.  Get a few ladies together and there was a fair bit of singing and general larking around.  Such as teaching each other how to Moonwalk (I learnt that), trying out front rolls (I declined trying that) and trying out the Worm dance move. 

I paid for that one the following day and stayed at the house to have a quiet day.  A wise move as I felt much better for it.

Monday was Vitamin D test day.  I test myself twice a year.  I could get an annual test on the NHS, but with UK weather it seems to make sense to me to do one in the spring as the UV is increasing (believe it or not we had UV 4 the other day), and also to do one in the autumn to see how my Vitamin D levels have been through the summer and what the starting point is for the winter.  I can then make a judgement about how much I need to take to try to maintain it at a level in line with the OMS programme. It’s a really simple process, but I am a bleeder and a wimp.  Before I knew it, I was dashing to the sink to stop everywhere becoming covered.

I had a great swimming session this week with friends, great Pilates on Thursday and Friday and in the afternoon Ian and I were interviewed for our blog.  That will be coming in next week’s blog.  But then I started to feel fatigue and decided not to go out as planned.

I was a little concerned because we had our Day One test run over the weekend.  In some ways it went well but in others I was disappointed.  I did some of the driving but not as much as I would have liked but we tested out the new Sat Nav, which I am very pleased with.  However, during Ian’s drive (not he did not cycle all the way to Poole as was our original plan), the Sat Nav started to come unstuck (crash number 1), so by the time I drove (and Ian cycled) it had to sit on the seat next to me and I had to try to follow directions like that.  So, Ian cycled some of the way but what he hasn’t mentioned is that he too had a little crash on his bike. (Crash number two). He’s fine with only a scraped knee and handlebars that needed to be straightened.  (I am talking about the bike’s, not Ian of course.)

We had our meal at the Sun Inn but by that time I was really tired.  I was a little bit anxious about the massive dog at the next table in the bar and how Belle might be (Actually she was brilliant).  It was very noisy, and it was hot.  Heat and noise do not go well with my MS and the following day I had a lot of my MS symptoms hit me all at once.  We were seeing some of Ian’s family in Dorset on the Sunday and I had to go to bed and then we came home a day early.  (My crash and burn).   I pretty much spent the day in bed on Monday.  I was disappointed and felt as flat as a flat tyre.  The worst I have felt for some time.

I’m back in the ‘saddle’ now though but taking things slowly and concentrating on my OMS programme.

Looking forward to a better week coming up and don’t forget that in the next blog we have our interview.

Thank you for reading Jane and Ian

Thank you for your amazing support. Ian's strava routes and just giving links are here.

#ms awareness #omsdoortodoor #multiple sclerosis month #overcomingms

[quotation--marks]

Lady Trente procured many Interviews with Lord Dorchester, by pretended Informations that might assist him in finding me out, the only Means she could discover of bringing him to her House, and therefore her working Brain was continually employed in inventing them, and every Time she saw him, she omitted no Endeavours to attract him; but mixed so many bitter Accusations against me, with the Language her Love dictated, that she only increased his Dislike to her. He thought the Love could not be delicate or generous, that took a Pleasure in giving Pain to the Object of it, whatever Benefit she might hope would thereby accrue to herself. 

Sarah Fielding, The History of Ophelia

#the history of ophelia #sarah fielding #1760 #1760s #18th century #english literature #queue pierce my soul

[hardynwa]

Best hotel in Lagos: Davido, Obi Cubana, share experiences in ‘The Delborough Lagos’

Obi Cubana, Chairman of Cubana Group and multiple awards winning artist, Davido have shared their separate luxury experiences in the “best hotels” in Lagos, The Delborough’ Lagos. The 5-Star hotel was commissioned recently in Lagos, Nigeria. While Davido, in an interview, compared ‘The Delborough’ to other world’s best hotels in Paris, Dubai, United States of America and described the facility as the best hotel in Lagos, Obi Cubana took to his Instagram page to share his experience and described the hotel as “world class, best, neatest and most exclusive hotel in Nigeria.” Davido said in an interview at @thedelborough Lagos, “First of all, I am proud to have a place like this in Nigeria. “When I invite my artists friends to Lagos and I host them, this is definitely one place I would like to show them, telling them that coming here they would feel like they are in W Hotel in New York, Peninsula in Paris. “The Delborough Lagos standard is A1 and like I said earlier, one thing that I like most and stands out apart from the design and the clean environment is the customer service. It is the major strong point for the Hotel. The way customers are treated is commendable. The staff are respectful and diligent. “The bar, the restaurant, the drinks are all amazing. My daughter was here yesterday and she loved the meal she had. The Delborough is not just for individuals. You can bring your family. “The Delborough is the best hotel in Lagos”. On his part, Obi Cubana in his Instagram post said, “It’s really giving that Dorchester London and Paris vibes.Arrived Nigeria and came to check out the all new @thedelborough hotels Victoria Island, Lagos!Ended up getting the only suit available for the week!Class, quality, best chefs, service, everything!My bro @stanleyuzochukwu this one is world class!!!Arguably the BEST, neatest and most exclusive hotel in Nigeria right now!Congratulations bro, more wins!!.” Read the full article