#Wendell barrage | Explore Tumblr Posts and Blogs

croaken-the-oaken · 11 months

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Sploosh-o-matic — Minimum Range Morton

Neo Sploosh-o-matic — I’ll Be Over Here Harold

Splattershot Jr. — Chuck Bomb Billy

Custom Splattershot Jr. — Dance for Me Dylan

Splash-o-matic — Do It All Dan

Neo Splash-o-matic — Please Step Away Sandy

Splattershot — Basics Barry

Tentatek Splattershot — Aggression Andy

Hero Shot Replica — Hipster Harry

.52 Gal — Staying Power Segal

N-Zap ‘85 — Gamer Juice Jerry

N-Zap ‘89 — Chump Up Chazz

Splattershot Pro — Extension Edmund

Forge Splattershot Pro — Lockout Larry

.96 Gal — Power Suck Pete

.96 Gal Deco — Intimidating Ingo

Jet Squelcher — Respectfully Far Ferdinand

Custom Jet Squelcher — Area Denial Alfred

Splattershot Nova — I See You Stanley

Annaki Splattershot Nova — Out of Reach Otto

Luna Blaster — Big Boom Bolson

Luna Blaster Neo — Poppin’ Boppin’ Pablo

Blaster — Sneaky Shot Shane

Range Blaster — Sudden Death Dalton

Clash Blaster — Danger Zone Zed

Clash Blaster Neo — Personal Space Piper

Rapid Blaster — Hold the Line Herbie

Rapid Blaster Deco — Weird Angle Wilson

Rapid Blaster Pro — Distant Poke Perry

Rapid Blaster Pro Deco — Global Range Gus

S-BLAST ‘92 — Certain Coverage Calvin

L-3 Nozzlenose — Run ‘n Gun Randy

L-3 Nozzlenose D — Dash ‘n Splash Sadie

H-3 Nozzlenose — Field Support Franky

H-3 Nozzlenose D — Defense Mode Dimitri

Squeezer — Arthritis Angelo

Carbon Roller — Close Range Cory

Carbon Roller Deco — Quick Kill Kendall

Splat Roller — Bonk Head Bekowsky

Krak-On Splat Roller — Shuffle Around Sidney

Dynamo Roller — Massive Maximilian

Flingza Roller — Passive Aggressive Paulie

Big Swig Roller — This is My Yard Yorick

Big Swig Roller Express — I Claim This Cortes

Inkbrush — Speedy Sal

Inkbrush Nouveau — Can’t Catch Me Cooper

Octobrush — Slap Silly Solomon

Painbrush — High Exertion Edison

Classic Squiffer — Don’t Miss Dorris

Splat Charger — Sniper Stu

Z+F Splat Charger — Snipe Stopper Stuart

Splatterscope — Scoped Sniper Stu

Z+F Splatterscope — Scoped Snipe Stopper Stuart

E-liter 4K — Long Snipe Louis

E-liter 4K Scope — Scoped Slightly Longer Snipe Louis

Bamboozler 14 Mk I — Tap Tap Ted

Goo Tuber — Missiles McGee

Snipewriter 5H — Five Tries Freddy

Slosher — Over the Shoulder Oakley

Slosher Deco — Plop Plip Peter

Tri-Slosher — Wide Wendell

Tri-Slosher Nouveau — Sugar Rush Rudy

Sloshing Machine — Safe Angle Abigail

Bloblobber — Hitbox Huey

Explosher — Clear Out Clarence

Mini Splatling — Pesky Pendleton

Zink Mini Splatling — Bridge Troll Bailey

Heavy Splatling — Barrage Benson

Heavy Splatling Deco — Thought Ya Had Me Theo

Hydra Splatling — Extreme Overkill Olson

Ballpoint Splatling — All Range Albus

Nautilus 47 — Decently Devious Devon

Dapple Dualies — Hello I’m Back Harlowe

Dapple Dualies Nouveau — I May Die Decker

Splat Dualies — Missed Me Maxwell

Glooga Dualies — Wall Turret Terry

Dualie Squelchers — Right Behind You Benjamin

Custom Dualie Squelchers — Reinforcement Ralphie

Dark Tetra Dualies — Distraction Dance Doyle

Light Tetra Dualies — Look at Me Lenny

Splat Brella — Survivor Simon

Tenta Brella — Mobile Bunker Bastian

Tenta Sorella Brella — Army March Muldoon

Undercover Brella — Slippery Saul

Tri-Stringer — Chip Away Chet

REEF-LUX 450 — Sky Assault Stevie

Splatana Stamper — Jumbo Cut Jayce

Splatana Wiper — Slice and Die Samuel

Splatana Wiper Deco — Heavenly Hello Hamish

#splatoon #splatoon 3 #giving splatoon weapons nicknames based on playstyle or something

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incorrect-detentionaire-quotes · 4 years

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Moments before getting a new detention sentence:

Barrage: I hope you have a good explanation for this…

Lee: We have three actually…

Biffy: Pick your favourite.

#detentionaire #incorrect quotes #lee ping #biffy goldstein #Wendell Barrage #principal barrage #source: unknown

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goldenchan-fx2thepeacock · 2 years

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Sometimes I think about that scene where Barrage is trying to get the chip out of his neck and how you can visibly see his flesh and bones and I just sit in awe.

#detentionaire #principal general wendell barrage

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dgshoe · 3 years

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Apparently, I'm the only one to use Barrage's full name and title in the tags. Please help me in my quest to change this

#detentionaire #principal general wendell barrage

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ducktracy · 3 years

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184. the woods are full of cuckoos (1937)

release date: december 4th, 1937

series: merrie melodies

director: frank tashlin

starring: mel blanc (owlcott, walter finchell, milton squirrel, wendell howl, fox, raven mcquandry), tedd pierce (ben birdie, tizzie fish, andy bovine), sara berner (polly gillette, canary livingstone)

this cartoon gets the honorable award of possibly being the most dated warner bros. shorts in its vast repertoire of cartoons. not to worry! this will be a fun cartoon to unpack—i love delving into the shorts that involve extensive research. learning something new is something that‘s very rewarding to me, and i hope it is to you, too!

a giant ode to the short lived radio program community sing (lasting from 1936-1937), the short chronicles a woodland radio show hosted by a variety of caricatured animals putting on various acts.

iris in to the ringing of a bell. a pudgy, bespectacled owl rings it as he stands illuminated by the moonlight, preaching to all of the woodland critters, ready to start the show. he introduces himself as “owlcott”, a take on commentator alexander woollcott. he “blandly announces” (his words, not mine) the introduction of the master of ceremonies, ben birdie--a bird caricature of radio personality ben bernie, “the old maestro”.

birdie’s caricature is not new to audience’s eyes. the caricature, along with a handful of others, is reused from friz freleng’s the coocoo nut grove from 1936, a short that is very similar in vein to this one. tedd pierce provides birdie’s suave, velvety vocals as he introduces the program, only to be interrupted by the nasally cries of mel blanc. out pops walter finchell, a caricature of bernie’s faux-enemy walter winchell, both of whom carrying a notorious (and fake) feud in the radio-verse. it was common for winchell to interrupt the smooth-talking bernie, either throwing pranks or remarks his way, to which bernie dismissed every time. indeed, a signature tashlin upshot angle reveals finchell dropping an egg on top of birdie, who blocks it nonchalantly with a handy umbrella.

art loomer’s backgrounds for the cartoon are absolutely gorgeous. they’re vibrant in color, very lush and painterly, but remain playful and sophisticated at the same time. they certainly serve as a highlight to the short. and, as always, carl stalling’s scores are a blast to hear--his sardonic, wah-wah rendition of “cause my baby says it’s so” is a jolly juxtaposition to the prior score of “love is on the air tonight”, the latter being the song’s cartoon debut. it would be reused in cartoons such as the daffy doc, whereas “cause my baby says its so” was heard previously in rover’s rival.

birdie introduces a clever squirrel caricature of milton berle, whose routine gets interrupted by a little parrot named polly. polly is a take on eileen barton’s character, little jolly gillette, who was portrayed as the daughter of the show’s sponsor. polly and milton go through their act together, polly bluntly (yet innocently) announcing “my daddy says ya gotta let me sing ‘cause he’s a sponsor!” you can listen to real recordings of their banter here!

volney white’s animation of milton and polly is lively and jovial, constantly moving. milton energetically introduces us to our next star, pointing in the wrong direction and fixing it last second as he gestures towards a bird caricature of country singer wendell hall.

even if viewers don’t recognize the bird’s counterpart, they will most certainly recognize his voice--mel uses his foghorn leghorn voice for wendell “howl”. of course, foghorn wouldn’t debut for another 9 years, but that’s another story. the animation of the raucous bird is fun to watch as he extends his neck and wraps it around in coils around the microphone stand. random? yes, but fun nevertheless.

perhaps even more commendable is the staggering crowd shot that succeeds wendell’s scenes. the crowd is mirrored horizontally, but that doesn’t lessen the blow from how claustrophobic it is. wendell asks the audience to get out their songbooks and turn to page “22... no, page 44. uh, no, uh, page 28. uh, 42, uh, 36, uh, 45...”

wendell is transformed from an entertainer to an auctioneer, spitting out numbers at rapid pace as his crowd frantically tears through their songbooks. finally, he concedes. “oh, never mind. we won’t use the books.” off screen, the crowd roars in unison: “OH YES WE WILL!” with that, wendell is generously showered with a barrage of books, buried in the pile of rejected papers. the timing of the scene is comedically sharp and energetic, one of the more entertaining acts of the cartoon.

now, for the real song number, lead by goat and bear caricatures of billy jones and ernie hare (would a rabbit caricature be too on the nose?) respectively, animated by volney white. they march out onto the stage--er, tree trunk--and open the curtains to reveal a sing-along to the eponymous song. thus, the camera pans into the lyrics as everybody bursts into the all-too-earworm-causing song number.

as the crowd, ben birdie and walter finchell all lend their voices to the song, a fox caricature of fred allen sings “swanee river”, clashing with the unity of everybody else. in a nod to friz freleng’s toy town hall where the same routine was executed, a little bunny excitedly coos “ohhhh, mr. allen! you’re singing the wrong sooooong!” the fox bursts into everybody’s favorite Mel Blanc Yell as he repeats a frequent ‘30s catchphrase: “WHY DON’T SOMEBODY TELL ME THESE THINGS!?”

featured in the song is a seemingly interminable cast of celebrity caricatures, all introduced as the camera pans across the screen, each lending their voice to part of the song. some puns require more effort than others (dick powell as “dick fowl” rolls off the tongue better than al jolson as “al goatson”). caricatures include:

eddie cantor as eddie gander, sophie tucker as sophie turkey, w.c. fields as w.c. fieldmouse, dick powell as dick fowl, fats waller as fats swallow, deanna durbin as deanna terrapin, irvin s. cobb as irvin s. frog, fred macmurray as fred mcfurry, bing crosby as bing crowsby, al jolson as al goatson, ruby keeler as ruby squealer, lanny ross as lanny hoss, grace moore as grace moose, and finally lily pons as lily swans.

speaking of grace and lily, they’re both highlighted as they fight to out-perform each other, seeing who can sing the highest note. tashlin pulls of a rather intriguing camera move: as the pan settles on the two of them, the background changes. it’s a subtle maneuver, but smart thinking nonetheless--especially since the camera extends into a vertical pan. as both women fight to sing the highest note, their necks extend, both of them scaling high into the night sky, harmonizing on one final shrill note. they both crumple back into the stands, exhausted by their efforts. some fun exaggerated animation for sure--one wonders how much further this would have been pushed had this been tashlin’s second stint at WB rather than his first. his speed often rivaled, if not out-performed, tex avery’s.

birdie and finchell have a brief interstitial together before making way for a raven caricature of haven macquarrie (raven mcquandry). his sequence is almost jarringly short, but full of fun drawings and poses--the pose of him standing curtly with his arms crossed is awfully reminiscent of izzy ellis’ work under tashlin and later bob clampett in the mid ‘40s. mcquandry asks “do YOU wanna be an actor?”, parotting the name of his real life counterpart’s show so do you want to be an actor? the audience shouts “NO!” in unison, causing mcquandry to do a take and shrug dubiously. though the scene is only a few short seconds, the animation brings forth some much needed vitality.

next is a penguin caricature of joe penner, singing a hilariously out-of-tune rendition of “my green fedora”. the animation is reused from the cartoon of the same name (notice how he doesn’t have penguin feet!), which was also used in toy town hall. not a complaint, but more an observation--this is by far the most humorous performance of the song yet, sung by blanc rather than tommy bond.

another fun scene with some vivacious animation is a sequence featuring a mule caricature of martha raye (dubbed moutha bray), singing a cover of “how could you?”, which has been featured as an underscore in cartoons such as porky’s badtime story and its later remake, tick tock tuckered. raye’s large mouth served as prime material for caricatures, as we see here. the animation is snappy, fun, and vivid--she finishes her song by “swallowing” the camera, an old trick that beckons memories of the harman and ising cartoons of animation past.

an interesting trend in the ‘30s WB cartoons is the trend of playing with the iris, whether it was the closing iris out or an iris in between transitions. tex avery would consistently play with the final iris out on his cartoons, whereas directors such as friz freleng and bob clampett would use one as a transition between scenes. here, tashlin uses the “swallow the camera” technique as a segue for an iris in, tedd pierce’s falsetto squeaking “hello folksies!” as we’re introduced to a fish caricature of tizzie lish, a character played by bill comstock on al pearce and his gang.

though tizzie has long faded into obscurity (as has the entire community sing radio show), it’s still quite easy to appreciate pierce’s vocals and mannerisms as he portrays the character. it’s always a joy to hear him doing voices for cartoons--he’s never been my favorite writer on the crew, but he was an excellent talent as a voice actor. his squeaky deliveries, matter of fact deliveries “mix them up... are you mixing? my friends say i’m a good mixer. are you? or aren’t you?” as tizzie haphazardly dumps food items and their respective utensils into a bowl and prepares the meal are nothing short of hilarious. the timing is very well executed and can be appreciated regardless of background knowledge.

after humming a pitchy rendition of “the lady in red” while waiting for her concoction to bake in the waffle iron, tizzie removes the homemade waffle and discards it, instructing the audience “now take the ‘wiffle’ out and eat the iron. you must have iron in your system. or should you?” thus concludes tizzie’s act, certainly heightened in hilarity by pierce’s vocals and timing.

for the final act, ben birdie introduces a possum caricature of louella parsons, the host of the radio program hollywood hotel, which served as a way to advertise upcoming movies by featuring guest stars enacting some of the scenes. here, we have caricatures of jack benny (as jack bunny, the first of his many reoccurrences), mary livingstone (canary livingstone), and andy devine (andy bovine).

tedd pierce voices andy bovine, whose voice burlusqued not only in this cartoon, but to a greater extent in friz freleng’s my little buckeroo not even a year later. devine, a western star, was notorious for his scratchy, shrill voice which was rife for comedic opportunity. indeed, this scene here with pierce’s vocals is nothing short of hilarious:

the trio chronicle the prodigal’s return, in which bunny and canary coo over their baby son. out of the bassinet pops incongruously large bovine, who shrieks “HOWDY MAAAA! HI PAAAA!”, the sheer volume of his voice enough to blow both of his parents away and out of the scene. and, with that, the scene ends, red curtains colorized from porky’s romance marking the sequence’s end. short, sweet, to the point, and hilarious.

ending right where the cartoon began, the owl caricature of alexander woollcott bids us farewell, the iris closing in on the bell he rings as he exclaims that all is well.

like so many other cartoons i’ve reviewed, this is one that i slowly warmed up to upon rewatching it and typing out the review for myself. i didn’t entirely dislike the cartoon upon my first watch, but it’s undeniably dated and deserves its title as possibly the most dated cartoon. without further research, some of the jokes and caricatures (if not all of them) are difficult to appreciate. the animation has bursts of energy throughout the short, the highlights being the scenes featuring raven mcquarry and moutha bray, but otherwise remains relatively simple and conservative. tashlin does incorporate a few intriguing camera angles throughout the cartoon, but many other entries of his are far more cinematic.

however, despite all of that, this cartoon is not without its bonuses: art loomer’s backgrounds are stunningly gorgeous and rich, and as someone who loves the lush, painterly backgrounds of the 1930s, this is heaven to me. and, as i mentioned previously, tedd pierce’s scenes are great--the tizzie fish and andy bovine sequences are undeniable comedic highlights.

so, if you’re willing to dedicate time to put in the research for this cartoon, you’ll find it’s quite fascinating! i’m certain this was a much bigger gut-buster in 1937 than it is in 2020, but even then, this is a good cartoon for people such as myself who love to learn more information and seek out facts. as a result, i’d recommend it to people who fall into that category. if you’re just someone who wants a good laugh and a leisurely watch, there are more interesting cartoons that lie ahead. you won’t miss much by skipping it.

with that said, here’s the link!

#lt #the woods are full of cuckoos #looney tunes #tashlin #reviews #long post

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meanstreetspodcasts · 4 years

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Before Dragnet, Gang Busters was radio’s greatest showcase for true crime stories. The series premiered on July 20, 1935 under the original title G-Men, and it was produced to shift the spotlight back on law enforcement in an age when Bonnie and Clyde and John Dillinger were folk heroes. FBI Director J. Edgar Hoover made available to producer Phillips H. Lord the closed files of the FBI.

The series dramatized true case histories and (as a sort of precursor to America’s Most Wanted) put out alerts for wanted fugitives. Nearly 300 criminals were captured thanks to the information aired on the show. The casts included the top actors in New York radio, including Ralph Bell, Frank Readick, Elspeth Eric, and Wendell Holmes. Gang Busters enjoyed a massive run on radio, airing from 1936 to 1957. The opening sequence, featuring a barrage of bullets and sirens, gave birth to the expression “coming on like gang busters.”

#Gang Busters #Old Time Radio #Golden Age of Radio

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jilldrawblog · 7 years

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73.

ok, this post is probably gonna veer off into super sappy territory, so apologies in advance???

Is it weird to say that you’re probably one of my best friends? You’ve been a constant in my life for almost two years, even though sometimes it’s just a “hey, how’s your day going?” on discord before we’re both dragged off into different directions at work, being able to talk to you literally whenever has had a profound effect on my life.

I love having creative discussions with you! Your ideas are always so good and you have excellent suggestions to any fic that I’m writing and I’m stuck on. You cheered me on so much while I was writing my big bang fic that I’m pretty sure you’re 75% responsible for me actually finishing it. You are an incredibly kindhearted and wonderful person, you lift my spirits when I’m down in the dumps but you’re also not afraid to tell if I’m being ridiculous about myself; which I may not acknowledge at the time, but your words always stick with me when I feel at my lowest.

Thank you for putting up with my constant “why this” while I’m at work, and my frequent bouts into art/writers block or even just regular ol’ depression. Your patience and friendship mean more to me that I could ever fully express.

Also thank you for putting up with my constant barrage of sending you Wendel photos, I know I’m ridiculous about that dog but I can’t help it ;)

I love you friend, my life is all the better for having you in it.

Send me a number meme

#awkwardly cartwheels away

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edgysocial · 7 years

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New Post has been published on http://edgysocial.com/these-2-high-school-superstars-are-excelling-on-and-off-the-court/

These 2 High School Superstars Are Excelling On And Off The Court

Earning an invitation to the McDonald’s High School All-American game is like earning All-NBA honors as a professional: not just an All-Star appearance, but the pinnacle of the sport.

Not only were Atlanta’s Wendell Carter Jr. and Salem, Oregon’s Evina Westbrook selected to the game, but they’ve also been chosen as the 2017 Morgan Wootten Players of the Year. The award ― previously handed out to the likes of LeBron James, Jahlil Okafor, Jabari Parker and Maya Moore ― recognizes them for their outstanding character, leadership and the values as student-athletes in the community.

Carter, who is committed to Duke, and Westbrook, a Tennessee signee, recently caught up with HuffPost to discuss the prestigious McDonald’s game, as well their emphasis on academia and how the love of all things basketball extends far beyond the game.

The recruiting process can be relentless. What was the hardest part about it for you?

Wendell Carter Jr.: Saying no to some of the great schools. Harvard, Georgia, Georgia Tech and Duke were all great schools and unfortunately, I can only go to one of the schools, so saying no was probably the hardest part.

Did you enjoy your recruitment?

Evina Westbrook: Oh, I definitely had the most enjoyment in my recruitment. I think me and my parents handled it very well and it was really in our control. We didn’t let it overwhelm us or anything like that. We were in control at all times and we managed when I would talk to coaches on the phone and when they would talk to coaches on the phone.

How did you manage the high demand, especially with the barrage of phone calls from coaches?

EW: I would just let them know, “Hey coach, I’m busy right now but is there a time where I can call you tomorrow or maybe in the next couple of days?” So when I was busy or I was hanging out with my family or had to do homework ― anything like that ― I definitely let them know that I’m not forgetting about them. I’m just busy at the moment just like any other teenager. You just have to really communicate.

What drew you to Tennessee aside from the wonderful hoops tradition?

EW: I think when I was on my visit, that was just a place where I felt most at home. I’ve always wanted to go away from home ― I’ve known that since I was younger, and my parents have known that. I feel like I’m going to be safe and surrounded by people who have my best interests.

Duke is a highly respected university, aside from all its basketball prowess. What attracted you to the school?

WC: Like you said, it had a great measure of both academics and athletics. I’m not saying that Harvard was not a great athletic school and I’m not taking away from any other colleges ― it just seemed like Duke was the perfect mix of both. And the town is nice and small, not too busy, and also still a college town where I think I can have a little bit of fun.

type=type=RelatedArticlesblockTitle=Related Content + articlesList=58570133e4b0b3ddfd8d49f1

How did you inform other coaches that you would be attending Duke?

WC: I kind of let them find out after my commitment video because it was kind of hard to call them over the phone. If I could, I would rather talk to them face to face and tell them, but I wasn’t able to do that.

Your family recently hosted Coach K in your home as part of a recruiting visit. What was that like?

WC: It felt great. Being able to talk to him, listen to all the knowledge he was able to give to me at the moment. It just felt amazing, him and all the assistant coaches just sitting in the same dining room that I sit in every day — it felt amazing.

What did you enjoy about the relentless AAU circuit?

WC: You get more of a chance to prove yourself to the college coaches who are at these games. Every game was a great game, every team had great players on the team so there were never any blowouts or anything like that. It gave you an opportunity to show coaches that you’re an actual hooper and you know what it means to play basketball.

What role did academics play during such a strenuous hoops schedule?

WC: Growing up, my parents told me that if I didn’t maintain an A in all of my classes I wasn’t allowed to play basketball in my church league or go out and play basketball. So it kind of was engrained in my brain if I don’t keep good grades in the classroom I was not going to be able to play basketball. I eventually started liking school and actually going to class. I mean, it took me a while to actually like it, I’d wake myself up in the morning to go to school and it kind of took off on its own.

EW: My main thing was that if I didn’t get good grades, I couldn’t play. So if I wanted to keep playing or keep working out or keep going to the gym after school, my grades had to be all As and Bs. So for me, there was really no other way.

Did you grow up watching both the men’s and women’s game?

EW: Yes, both. It’s just something that I’ve had dreams of being a part of and it’s amazing to say that I can be a part of something like this.

Basketball IQ is a term we hear describing you. When did you develop it?

EW: I started playing in fourth grade, but I always played with boys so I think that had a lot to do with it. I never really started playing with girls until the eighth grade. Just playing with my guys where I worked out at and really just putting in the time and just wanting to get better is something I loved.

Did playing with guys help you increase the physical element and your overall approach to basketball?

EW: I mean yeah, a little bit. Guys are obviously a little more physical and they’re bigger and stronger than a lot of girls. The hits didn’t really affect me that much ― the game is a little bit different. It’s really helped me now.

What type of advice have you received from NBA players?

WC: I’ve been able to talk to Chris Paul. I’ve talked to Blake Griffin once, I’ve talked to Jabari Parker once. I was able to talk to Jahlil Okafor and that’s about it.

How do you balance basketball with living a regular teenage life?

WC: I kind of make time for it. Just like I made time for basketball, I made time for my friends and family, I kind of let it work itself out. I don’t try to strain myself in the gym, I believe that God has a plan for me and he’ll tell me how long I’ll have to be in the gym, when I need to be with my family and friends and that’s kind of how I approach it. I think I can call myself a people person.

What level of importance do you put on being coachable and a good teammate?

WC: Yeah, that was one thing I’ve always wanted to work on. Growing up I’ve been known as the kid with the bad temper ― getting mad at refs and my teammates and things like that. And I just got tired of hearing that so I found a way to fix myself where I’m more coachable. Enjoying the game, and enjoying the moment, that’s really about it.

NBA players stress the summer as the time to add to their games. What part of your game will you attack this summer?

WC: My endurance and stamina is definitely one thing I want to improve, where I’m able to play in the game longer and still be able to play as hard as I did from tip-off. I also want to work on my ball-handling skills and my confidence ― like if time is running down and we need a big shot, I can be able to do it and still be calm and collected and still make the right moves to get the ball off.

This interview has been edited and condensed for clarity.

Email me at [email protected], ask me questions about anything sports-related on Twitter at @Schultz_Report, and follow me on Instagram at @Schultz_Report.

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.

Sports – The Huffington Post

#Court #Excelling #High #School #Superstars #These #Sports & Fitness

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