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#actually really like how this turned out. i like the lineart
ayv-art · 3 months
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Love how Tamaki looked when he dressed as a girl, so I did a screenshot redraw of him. Original under the cut.
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kyurochurro · 3 months
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saw this image on Pinterest and the pose gave me such riker vibes that I just HAD to draw it as him and troi HEHEHE
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animaniacs16 · 22 days
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Bismuth in an attempt to be as close to the show style as possible!
I’m really proud of myself for this- it’s been a while since I finished a drawing!
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stardestroyer81 · 1 year
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🌵 Prepare to draw... 🌵
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cardboardramen · 1 year
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my sorrow turns to salt
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justmwahstruly · 7 months
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i come bearing fanart!
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Writer is so pretty and cool-looking, I love her…
and the wondrous Writer belongs to @sallystarletsimp ! Go check them out!
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con-cognito · 7 months
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Inktobertale day 11: library
Yes of course it's a sleeveless black turtleneck underneath that coat/jacket/thing. Who do you think I am?
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idrawgaystffs · 1 year
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“I-II Will Always Love Youuuu!”- Ruby in all her cheesiness
@chillaxzmadudez’s wonderful sketch of Ruby and Sapphire inspired me to finish it in my style (above).
Thanks for your permission to post, and good luck in your art!
Afterwards I made three other versions in a more 2d line style and increasing Steven-y-ness (below).
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starfacedstudio · 8 months
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Image ID: An illustration of two cyclops characters in a limited palette of yellow, teal, red, a near-black purple, and light grey. It is a rendition of a meme pose, linked later in this post. A taller teal character with butterfly wings for ears, long, curly black hair, and an enthusiastic expression is being held up by a much shorter, red character with four arms, four horns, and crutches. Textured halftones are used throughout the image, and a rake brush was used for additional texture in different colors from the palette. End ID.
did a palette challenge about a month ago w/ some of my roommates! decided to turn a sketch i did earlier in the month (found under the read more) into a finished piece for this :]
Original found here, and is by @/caffstrink on tumblr/twitter.
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Image ID: A loose, sketchy version of the first image, done with a textured brush. It is roughly shaded with a soft brush. End ID.
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fridayyy-13th · 1 year
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various doodles of chapter 7 of the wonderful fic We Start With Small Talk by @three-magpies-in-a-trenchcoat that i did while trying not to be sad about chapters 10 and 11 (everyone go read it right now it's so so good)
[ids in alt]
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(also, fun note about the skirts: the skirt with the clouds is what i initially pictured jon wearing, and the gray skirt is what magpie had planned! i couldn't decide which i liked more, so i figured why not draw both :D)
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starpros-sunshine · 2 years
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Another Mayoi because that's what I do when I have no idea what else to draw apparently
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ffrrooggss · 2 years
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 #1 Killer
October has started which means my creepypasta phase from when I was like 12 has come back full force lol
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silasbug · 2 years
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alphys WIP
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emarli-the-doodler · 2 years
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Trying something different with my line art and I kinda like it (I didn't draw the background btw I got it off of google images) (you can see it a bit better with the base coloring)
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mikeystrawberry · 3 months
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Today is Dungeons & Daddies’s 5th Anniversary!
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I haven’t been listening for nearly that long but the podcast and all its characters means a lot to me. Happy Anniversary!!!
Throwing the cropped sections under the cut because there’s a lot of stuff going on and I know Tumblr likes to throw half the pixel quality out the window. And also so I can ramble a bit about this piece!!!
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This piece has been months in the making, possibly an entire year. And by that I mean I’ve had a sketch of the comp scribbled on my whiteboard for ages because I wanted to save this specifically for 5th anni art. Now onto design stuff!
(First off a random thought: I really love how the garlic knot came out, I kind of want it as an enamel pin.)
I knew I wanted to make this a stained glass piece since the beginning, but I was also going to add flowers at one point but quickly dropped the idea. It felt like too much and I also didn’t want to fuss over flower language assignments for everyone. I was also going to add Doodler tentacles, but also dropped that idea pretty early. Kind of on accident, right at the end, I figured out how to make it even more stained glass-like but taking a duplicated lineart underneath the regular layer and turning the brightness all the way down, then setting it to overlay and adding a guassian blur. It’s very subtle but it adds that tiny bit of depth that makes it look more real. As for shading on the lineart/gold, I tried adding more highlight on the characters who died but once I evened everything out it wasn’t as noticeable anymore so I’m throwing that thought here so the attempt at least known lol.
The order of characters only changed a little bit from my original comp, I flipped the Wilsons and the Oaks so the rainbow could work. As for the anchors, specifically in season 2, I lined them up to the teens since the season 1 anchors lined up with each dad:
Tony —> Scary: his death was the beginning of Scary’s betrayal arc and also Willy killed him.
Guitar Pick —> Taylor: it’s not really aligned with Taylor at all, but the anchor was with Glenn so I put it next to his blunt.
Scroll —> Normal: was only because it was the last left to give him, but there’s the whole scene of him and Hermie in the Green Room so it still works!
Garlic Knot —> Link: one of two that he broke, but the more significant of the two with him telling Grant he never wants to see him again.
Small notes on the season 1 anchors: I put the layer of mold in the overnight oats but you can’t really tell with the overlay. And to make the supper bowl more interesting I added the fantasy sodas mix they dumped into it. The lure of actually drawn before so I just traced my own art lol.
As for the other smaller triangles, it took me a bit to figure out what I wanted to put there. I didn’t even think of adding the vehicles until two days ago but I’m so glad I did. I don’t really have my own take on the mascot version of the Doodler (yet?) so I borrowed the design from one of the stickers in their merch shop. Teeny was terrifying as just a front facing head so I made him cute again.
In the outer circles, I put what I felt was the most significant quotes for each family. I really wanted to use “It’s okay to be angry, it’s not okay to be cruel” but it was just a little too long.
That’s all I can think of! If you read all the way through, thank you for indulging me in my excitement to gush over this piece.
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dustytufts · 8 months
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Leafkit and Squirrelkit make "travelling herbs" for Sandstorm before she goes for a walk. They're delicious, she assures the kits, through tears in her eyes. They run away proudly, she rushes out of camp for the nearest creek to wash her mouth in. Nasty, she mouths, but she'll eat whatever they make. The kits' smiles make it worth a wet face.
~~~
Had a ton of fun with this one but don't wanna bog down the main post. A lot of unrelated-to-wc process talk below the cut!
So this was a bit of experimentation with a new brush which turned into exploration into gradient maps.
The original idea was simply to modify csp's mechanical pencil brush into something that felt a bit more natural. It started with simply turning on a bit of tilt-controlled thickness and setting my colour to about 80% grey, rather than black. It didn't quite feel right, but setting the brush to blend with the subcolour on each tip, setting the subcolour to the 80% grey and the main colour to the canvas' colour, then setting the brush's blend mode to darken gave me a brush that felt like it had FAR finer line control.
The lines themselves look like this (on a more saturated bg to show how the values layer/fade in and out with pressure and tilt):
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(edit to pic: completely unnoticeable when on the intended base colour*)
This is where the gradient maps come in. The way I usually change my linearts' colours is to make a new layer, mask over it, and manually paint. It gives a lot of control to your end result, but it's time consuming and often takes many adjustments to make it feel like it has enough contrast to make the drawing actually *readable.* If I wanted to add a gradient map to the lineart, it would be unable to read the transparency and would pick from the single value that the lineart is (usually black), then the transparency would take over. This gives me a dull result.
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With the "transparency" being an actual colour, that gives it an actual value for the gradient map to read. So instead of having your lines fade from black to the colour behind it (often desaturating as it goes), it'll go from something like dark blue -> reddish-grey -> orange -> yellow. It adds a little something i think, and while I absolutely don't have this down pat, it could be something interesting to explore!
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I also wanted to go further with this piece, namely painting it rather than a shading layer set on overlay with the aforementioned gradient maps all over it but ... it wasnt happening. The art skills clocked out for the day. That said, I definitely want to explore how this would look if I coloured everything for realsies rather than doing the fallback method. Could be where they really shine!
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