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#anahí edit
barbiecinema · 6 months
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anahí icons ♡
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rbd-edits · 6 months
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RBD WALLPAPERS • SoyRebeldeTour - Rio de Janeiro
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itxithingsrp · 5 months
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( 🦋 ) 𝐓𝐄́𝐍𝐀𝐂𝐈𝐓𝐄́ 𝗐𝗂𝗍𝗁 𝐕𝐎𝐆𝐔𝐄 :
𝑖𝑛 𝑐𝑜𝑙𝑙𝑎𝑏𝑜𝑟𝑎𝑡𝑖𝑜𝑛 𝑤𝑖𝒕𝒉 𝑨𝒏𝒂𝒉𝒊́ 𝑨𝒎𝒂𝒚𝒂.
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miaportilla · 1 year
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Edit by (IG) ➡ ANAHI FILES
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keepingupwithju · 2 years
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Anahí en 2022
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agpportilla · 1 year
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archivestwitter · 2 years
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pack hande + anahi
headers anahiresources
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remixinc · 7 months
Video
vimeo
P&G MY BLACK IS BEAUTIFUL: UNBECOMING (DIRECTOR’S CUT) from dayday on Vimeo.
directed by dayday
cast Charlotte Hazzard cast Carlee Elston cast Chakya Williams cast Ivana Lysette Fischer cast Gloria Banguera cast Tanisha Tovar
client Procter & Gamble vpta na hair care portfolio Lela Coffey sr. director of production Renato Ibarra
agency Cartwright cco & founder Keith Cartwright integrated producer Paige Bryant art director Chelsea Ceasor copywriter Taylor Whitelow
production company Biscuit executive producer Jordana Fredyberg producer Willa Goldfeder
production services company Habitant managing director Arturo Arroyo operations manager Montserrat Becerril head of production Elizabeth Tapia executive producer Matías Godoy line producer Levi Negretti
1st ad usa Paul Chaput 1st ad mex Tito Salomé 2nd ad Fernando Garzafox script supervisor Eduardina Casar
production manager Erick Tamayo unit Jesús Álvarez key pa Benjamín Victoria production coordinator Andrea Guillemot executive assistant Nathalie Rodríguez apoc Rodrigo Puente production assistant Sebastián Tamayo production assistant Hanna Katori
locations manager Franco de la Lanza locations manager assistant Emanuel López
director of photography Ayinde Anderson 1st ac Eleazar Vilo 2nd ac Ingrid Lima steadycam Juan Martín Deza Amorena steadycam assistant Fernando Schmidt making of María Julia E. Matrtinez
gaffer Lucio Gutiérrez gaffer staff Oscar Franco gaffer staff Alejandro Diaz gaffer staff Oscar Diaz gaffer staff Alfredo Ramirez gaffer staff Antonio Ramirez gaffer staff Regino Corona gaffer staff Pedro Iturriaga gaffer staff Adrian Macias gaffer staff Guillermo Salvador gaffer staff Santiago Gutierrez
dit Ludmila Bollati video assistant Gerardo Gómez data Anahí Rangel
wardrobe stylist Young-Ah Kim wardrobe assistant Sedrina Bloome wardrobe assistant mex Priscila Cano makeup artist Georgina Prieto makeup artist asstiant Liliana Monroy hair stylist Tiffany Dougherty hair stylist assistant Reyna Varela
production designer Rochelle Bennett art director Pastora Orozco art department coordinator Ale Melby set decorator Lorena Rodriguez art assistant Fernanda Guillen art assistant Miriam Solis swing on set Julio Sanchez swing Hugo Flores swing Walter Romano swing Zahid Perales swing Edgar Lopez swing Juan Cruz swing Marco Mora swing Luis Perez swing Alexis Romero swing Jorge Guardian express 1 Miguel Garcia express 2 Enrique Martinez vanet 1 Adrian Valenzuela vanet 2 Jose Luis Ortega prop master Fidel Castañeda
casting coordinator Nico Barmat extras coordinator Jorge Guerrero
camera José Antonio Torres alpha Nelson Rodríguez alpha assistant Alexis Trejo planta Roberto Zarate lights Leonardo Barrera asteras Rogelio Samayoa dolly/sliders Alfredo Ortega equipo lucio Silvia GB equipo lucio Fernanda GB equipo lucio Cristian Br
efd Gabriela Fonseca fx Luis Ambriz hardrives Habitant wifi Verde Neón walkie talkies Rogelio Rul security halcones films Félix Guerrero on set cleaning Francisca Estrada hecho en casa Cecilia Estrop amt ambulances Héctor Tovar Moyo amt ambulances Zuleyma Hernández transportation Transpoelite picture car Tamayo
editorial Arcade Edit editor Matt Laroche color Visual Creatures colorist Josh Bohoskey composer & sound mix Robert Ouyang Rusli
film processing Metropolis Post
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It is impossible to say everything here so I leave you with this SERAFINE1369
Performance to Camera commissioned by Xavier de Sousa, Anahí Saravia Herrera & Alessandra Cianetti for performingborders.
Watch the full Performance to Camera here
It is recommended that you play with speakers or headphones as sound features low bass.
The commission comes with an accompanying text to be read or listened to after and/or whilst watching the commission: read & listen here.
I am thinking about skin, as boundary, as border site – for exchange, the manifestation of internal and external happenings and also the largest organ of our bodies and as such, a place of messages. Skin is involved in balance, orientation, relation…Skin as interface.
Skin is an organ that speaks to me loudly, a site of sensitivity, protection, defence, warning signs, as well as communing and absorbing resource from sun and other skin foods. Sun is a big thing for me, a site of particular interest, resonance, astrological affinity and a constant craving as a body formed for another climate born onto this non-tropical island. 
This was a dance for the outside, with the outsides of myself up against, in relation to, distinct surfaces, visible and invisible touching. Thinking about communication, connection and ways of being together that are flowing and intimate and influential without being overstated or stated explicitly, thinking about exposure and sensation of what is there, not being described in language or conventional social gesture.
I am practicing sensing, through skin and slowness – what is there, what is passing through, what is coming up and out and this a kind of threshold crossing/traversing/dancing state of holding or opening or clearing space or trying to become space. Trying to feel and listen out for voices away from/between/around language. Internal and external. Central and peripheral. In exchange. Receiving and releasing. Distinct and entangled. Always moving.
I chose not to shoot any new footage for this commission, and to work with what was already t/here, an attempt to unravel and elaborate on/from/through this archive footage, bound in time. This is part of a project towards consciously recycling, working with transforming or reframing relationships to past works, the words and objects and movements that are formed and left behind like hollowed out shells. Being with the cyclical, chaotic and irregular flows of time, like weather, moving in relation affecting and responding.
This video work is accompanied by a small edition of 10 handmade body butters, continuing the conversation with skin as border and as interface. To receive one please send an email request to  [email protected] with your address, and also any known allergies
Concept, choreography, performance SERAFINE1369 Camera Katarzyna Perlak Edit SERAFINE1369 Sound Josh Anio Grigg Voice SERAFINE1369
Featuring documentation from performance ‘I I I (something flat, something cosmic, something endless)’ commissioned by Liverpool Biennial and performed at The Bluecoat, 2021 Accompanying text edited by SERAFINE1369 featuring contributions from Alice MacKenzie, Anouk Thériault, Antonija Livingstone, Fernanda Muñoz-Newsome, Harun Morrison, Jamila Johnson-Small, Nissa Nishikawa, Phoebe Collings-James, Zinzi Buchanan. Please note: If you can’t watch the video above, please try this Vimeo link here.
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twotrey23 · 2 years
Video
youtube
MIJA director/writer/producer/cinematographer Isabel Castro and film subject Doris Anahí Muñoz discuss the Disney documentary film following a screening at Laemmle Monica Film Center on Saturday, August 6, 2022. Captured & edited by TheMovieReport.com #MijaFilm #DorisAnahi #IsabelCastro #JacksHaupt #DorisMunoz #DorisAnahiMunoz #Mija #Cuco https://bit.ly/11nvHED https://bit.ly/1edyvbz Follow me on Instagram: https://bit.ly/XoHfFC Follow me on Twitter: http://twitter.com/twotrey23 Follow me on Tumblr: https://bit.ly/2BnV19g by TheMovieReport.com
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rbdnet · 4 years
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barbiecinema · 6 months
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anahí icons ♡
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rbd-edits · 8 months
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wallpapers soy rebelde tour
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itxithingsrp · 5 months
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𝒕𝒉𝑒 𝒒𝒖𝒆𝒆𝒏 𝑎𝑛𝑑 𝑡𝒉𝑒 𝒃𝒂𝒃𝒚𝒅𝒐𝒍𝒍 ,
AMAYA'S SISTERS.
“ been through some 𝐛ad 𝐬hitㅤ, i should be aㅤ ! ㅤ𝖘𝖆𝖉 𝖇𝖎𝖙𝖈𝖍ㅤ. who would thought it'd turn me to aㅤ—— ㅤ𝖘𝖆𝖛𝖆𝖌𝖊 ㅤ⋆ㅤ ? rather be tied up with calls and ㅤ (ㅤ𝒏𝒐𝒕 𝒔𝒕𝒓𝒊𝒏𝒈𝒔ㅤ)ㅤ. 𝕨𝕣𝕚𝕥𝕖 ノ ،، my 𝗼𝘄𝗻 bchecks . ”
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keepingupwithju · 2 years
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SHE IS BACK
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stop-fuckingme · 2 years
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