P&G MY BLACK IS BEAUTIFUL: UNBECOMING (DIRECTOR’S CUT) from dayday on Vimeo.
directed by dayday
cast Charlotte Hazzard
cast Carlee Elston
cast Chakya Williams
cast Ivana Lysette Fischer
cast Gloria Banguera
cast Tanisha Tovar
client Procter & Gamble
vpta na hair care portfolio Lela Coffey
sr. director of production Renato Ibarra
agency Cartwright
cco & founder Keith Cartwright
integrated producer Paige Bryant
art director Chelsea Ceasor
copywriter Taylor Whitelow
production company Biscuit
executive producer Jordana Fredyberg
producer Willa Goldfeder
production services company Habitant
managing director Arturo Arroyo
operations manager Montserrat Becerril
head of production Elizabeth Tapia
executive producer Matías Godoy
line producer Levi Negretti
1st ad usa Paul Chaput
1st ad mex Tito Salomé
2nd ad Fernando Garzafox
script supervisor Eduardina Casar
production manager Erick Tamayo
unit Jesús Álvarez
key pa Benjamín Victoria
production coordinator Andrea Guillemot
executive assistant Nathalie Rodríguez
apoc Rodrigo Puente
production assistant Sebastián Tamayo
production assistant Hanna Katori
locations manager Franco de la Lanza
locations manager assistant Emanuel López
director of photography Ayinde Anderson
1st ac Eleazar Vilo
2nd ac Ingrid Lima
steadycam Juan Martín Deza Amorena
steadycam assistant Fernando Schmidt
making of María Julia E. Matrtinez
gaffer Lucio Gutiérrez
gaffer staff Oscar Franco
gaffer staff Alejandro Diaz
gaffer staff Oscar Diaz
gaffer staff Alfredo Ramirez
gaffer staff Antonio Ramirez
gaffer staff Regino Corona
gaffer staff Pedro Iturriaga
gaffer staff Adrian Macias
gaffer staff Guillermo Salvador
gaffer staff Santiago Gutierrez
dit Ludmila Bollati
video assistant Gerardo Gómez
data Anahí Rangel
wardrobe stylist Young-Ah Kim
wardrobe assistant Sedrina Bloome
wardrobe assistant mex Priscila Cano
makeup artist Georgina Prieto
makeup artist asstiant Liliana Monroy
hair stylist Tiffany Dougherty
hair stylist assistant Reyna Varela
production designer Rochelle Bennett
art director Pastora Orozco
art department coordinator Ale Melby
set decorator Lorena Rodriguez
art assistant Fernanda Guillen
art assistant Miriam Solis
swing on set Julio Sanchez
swing Hugo Flores
swing Walter Romano
swing Zahid Perales
swing Edgar Lopez
swing Juan Cruz
swing Marco Mora
swing Luis Perez
swing Alexis Romero
swing Jorge Guardian
express 1 Miguel Garcia
express 2 Enrique Martinez
vanet 1 Adrian Valenzuela
vanet 2 Jose Luis Ortega
prop master Fidel Castañeda
casting coordinator Nico Barmat
extras coordinator Jorge Guerrero
camera José Antonio Torres
alpha Nelson Rodríguez
alpha assistant Alexis Trejo
planta Roberto Zarate
lights Leonardo Barrera
asteras Rogelio Samayoa
dolly/sliders Alfredo Ortega
equipo lucio Silvia GB
equipo lucio Fernanda GB
equipo lucio Cristian Br
efd Gabriela Fonseca
fx Luis Ambriz
hardrives Habitant
wifi Verde Neón
walkie talkies Rogelio Rul
security halcones films Félix Guerrero
on set cleaning Francisca Estrada
hecho en casa Cecilia Estrop
amt ambulances Héctor Tovar Moyo
amt ambulances Zuleyma Hernández
transportation Transpoelite
picture car Tamayo
editorial Arcade Edit
editor Matt Laroche
color Visual Creatures
colorist Josh Bohoskey
composer & sound mix Robert Ouyang Rusli
film processing Metropolis Post
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It is impossible to say everything here so I leave you with this
SERAFINE1369
Performance to Camera commissioned by Xavier de Sousa, Anahí Saravia Herrera & Alessandra Cianetti for performingborders.
Watch the full Performance to Camera here
It is recommended that you play with speakers or headphones as sound features low bass.
The commission comes with an accompanying text to be read or listened to after and/or whilst watching the commission: read & listen here.
I am thinking about skin, as boundary, as border site – for exchange, the manifestation of internal and external happenings and also the largest organ of our bodies and as such, a place of messages. Skin is involved in balance, orientation, relation…Skin as interface.
Skin is an organ that speaks to me loudly, a site of sensitivity, protection, defence, warning signs, as well as communing and absorbing resource from sun and other skin foods. Sun is a big thing for me, a site of particular interest, resonance, astrological affinity and a constant craving as a body formed for another climate born onto this non-tropical island.
This was a dance for the outside, with the outsides of myself up against, in relation to, distinct surfaces, visible and invisible touching. Thinking about communication, connection and ways of being together that are flowing and intimate and influential without being overstated or stated explicitly, thinking about exposure and sensation of what is there, not being described in language or conventional social gesture.
I am practicing sensing, through skin and slowness – what is there, what is passing through, what is coming up and out and this a kind of threshold crossing/traversing/dancing state of holding or opening or clearing space or trying to become space. Trying to feel and listen out for voices away from/between/around language. Internal and external. Central and peripheral. In exchange. Receiving and releasing. Distinct and entangled. Always moving.
I chose not to shoot any new footage for this commission, and to work with what was already t/here, an attempt to unravel and elaborate on/from/through this archive footage, bound in time. This is part of a project towards consciously recycling, working with transforming or reframing relationships to past works, the words and objects and movements that are formed and left behind like hollowed out shells. Being with the cyclical, chaotic and irregular flows of time, like weather, moving in relation affecting and responding.
This video work is accompanied by a small edition of 10 handmade body butters, continuing the conversation with skin as border and as interface. To receive one please send an email request to
[email protected] with your address, and also any known allergies
Concept, choreography, performance SERAFINE1369
Camera Katarzyna Perlak
Edit SERAFINE1369
Sound Josh Anio Grigg
Voice SERAFINE1369
Featuring documentation from performance ‘I I I (something flat, something cosmic, something endless)’ commissioned by Liverpool Biennial and performed at The Bluecoat, 2021
Accompanying text edited by SERAFINE1369 featuring contributions from Alice MacKenzie, Anouk Thériault, Antonija Livingstone, Fernanda Muñoz-Newsome, Harun Morrison, Jamila Johnson-Small, Nissa Nishikawa, Phoebe Collings-James, Zinzi Buchanan.
Please note: If you can’t watch the video above, please try this Vimeo link here.
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MIJA director/writer/producer/cinematographer Isabel Castro and film subject Doris Anahí Muñoz discuss the Disney documentary film following a screening at Laemmle Monica Film Center on Saturday, August 6, 2022. Captured & edited by TheMovieReport.com #MijaFilm #DorisAnahi #IsabelCastro #JacksHaupt #DorisMunoz #DorisAnahiMunoz #Mija #Cuco https://bit.ly/11nvHED https://bit.ly/1edyvbz Follow me on Instagram: https://bit.ly/XoHfFC Follow me on Twitter: http://twitter.com/twotrey23 Follow me on Tumblr: https://bit.ly/2BnV19g by TheMovieReport.com
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𝒕𝒉𝑒 𝒒𝒖𝒆𝒆𝒏 𝑎𝑛𝑑 𝑡𝒉𝑒 𝒃𝒂𝒃𝒚𝒅𝒐𝒍𝒍 ,
AMAYA'S SISTERS.
“ been through some 𝐛ad 𝐬hitㅤ,
i should be aㅤ ! ㅤ𝖘𝖆𝖉 𝖇𝖎𝖙𝖈𝖍ㅤ.
who would thought it'd turn
me to aㅤ—— ㅤ𝖘𝖆𝖛𝖆𝖌𝖊 ㅤ⋆ㅤ ?
rather be tied up with calls
and ㅤ (ㅤ𝒏𝒐𝒕 𝒔𝒕𝒓𝒊𝒏𝒈𝒔ㅤ)ㅤ.
𝕨𝕣𝕚𝕥𝕖 ノ ،، my 𝗼𝘄𝗻 bchecks . ”
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