Dakota Johnson cant act, cant emote, sounds as dead as Kim Kardashian. Good at soundbites, though 🙄
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The thing about Dakota is that she's an introvert and has the same dry sense of humor i do and that gets misconstrued as bitchiness
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Wow. I watched Netflix's Persuasion and in short, it's a hot mess. The obsession with 'modernising' Anne completely strips her character of all the things that make her so beloved. Strong women come in all forms.
Anne is not Emma or Lizzie. She's Anne. Ffs. Let her be Anne.
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trent reznor and thom yorke both make very good music but as far as soundtracks go reznor’s always take me deeper into the movie and thom yorke’s im always taken out and annoyed about it
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AM I OKAY? (2022/2024): Finally streaming more than two years after it debuted at Sundance, this low-key coming out story, scripted by Lauren Pomerantz (based on her own experience) and directed by wives Stephanie Allynne and Tig Notaro, stars Dakota Johnson as Lucy, a 30something stalled artist, and Sonoya Mizuno as her best friend Jane, whose imminent departure to run her company's new London office indirectly precipitates Lucy's belated and reluctant realization that she's gay.
If you've seen any of Tig Notaro's comedy specials or interviews, there's a cadence to the dialogue that you'll immediately recognize, particularly in the interactions between Lucy and Jane — at various points, it feels like you're watching Notaro and Allynne as played by Johnson and Mizuno, which is cute, but, like Notaro's standup, has a tendency to draw out the joke for longer than the punchline merits. That is to some extent also my reaction to the movie as a whole, perhaps because the ending leaves hanging the story's central question: whether Lucy and Jane will get together. It feels like they ought to (Jane isn't exactly straight either, her longtime boyfriend (Jermaine Fowler) conveniently removes himself from the situation, and the story doesn't present Lucy with any romantic options of remotely comparable intensity), but the finale, which recalls the end of BOOKSMART, opts to leave it with a coy shrug.
As a result, AM I OKAY? is not really satisfying as a romance, and the coming-out story itself feels a little wispy: neither funny enough nor moving enough on its own to sustain the whole movie, although it has its moments. CONTAINS LESBIANS? Yes! VERDICT: Pleasant but inconsequential, although if you love Tig Notaro's comedy, you may rate it higher.
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I'm begging on my knees but please please leave the fan fiction voice at home if you're a published author, please stop making me think the ghost of Joss Whedon is working through your hand with these flop quips, I'm begging....
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How do you feel about im siwan for yul 👀 very sweet face but hooo boy the shark eyes at times are terrifying
omg i loooove im siwan he's one of my fav actors (*´▽`*) i don't see why not! i don't have any concrete faceclaims so you're free to imagine whomever you want. i doodle the ros from time to time but i have strong same-face syndrome so their physical appearances are unclear even to me ksfjsj there's no canon here!
(i personally have a lot of difficulty with faceclaims because so many actors have "iphone face syndrome" and i can't actually visualize them in the setting but maybe that's just me HAHAHA)
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every review I’ve heard of Madame Web so far in my media bubble is essentially “I didn’t say it was good, I said that I liked it” and honestly that makes me really want to see it
and that Dakota Johnson’s nepo baby je ne sais quoi makes the whole movie
No like that’s the perfect way to describe it! People throw the word Camp around a lot lately but Madame Web is really, truly Camp. My brother described it as the opposite of this post with how in your face the 2003 setting is:
And Dakota Johnson is just…the most awkward hot person alive. She’s clearly never interacted with anyone normal maybe ever and now doesn’t know how to be normal herself and I find that really hot idk.
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