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#and obviously you realize that loki and Mobius have built a life together
idrilearfalas · 6 months
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If Marvel has a heart the series will end with Mobius and Loki driving together a jet ski, laughing and teasing each other but clearly in love, and then the camera will move to Sylvie, watching from a distance, someone next to her we don't see yet.
And she tells them, "You see? I wasn't lying"
And the camera shows this other person and it's our Thor (audience goes OMG), teared up but with a smile on his face saying, "You weren't. He really is happy"
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bitchliteraria1906 · 1 month
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I'm so sorry for spam posting about Lokius. It will happen again.
Anyways, I wanna talk about how the fell first x fell harder thing works with them, in my personal opinion.
Let's get it out of the way: Mobius fell first, Loki fell harder. I think most of the fandom agrees with this.
Mobius studied Loki's life. He's seen all the bad and even downright unforgivable things Loki is capable of.
But he's also seen Loki interacting with his family and the people of Asgard, how he never seemed to fit in, how there always seemed to exist an emotional wall between him and pretty much everyone that wasn't Frigga. He's seen vulnerable moments other people in Loki's life can only dream of knowing about.
As I said, something Mobius definitely noticed is the big emotional wall that exists between Loki and other people.
So the first thing he does when he gets a chance to talk to Loki is try to break down said wall, and he does that by pressing him with questions and pushing all the buttons possible.
"Do you enjoy hurting people? Do you enjoy killing?"
"I'll kill you."
"What, like you did your mother?"
It's a cruel tactic, and considering Mobius’s personality it's safe to assume he didn’t enjoy doing that, but it's what you're expected to do with prisioners at the TVA, and in this case, it works. Loki opens up, and it makes things easier.
I've seen a lot of people joke about how Mobius studying Loki is basically him having either a hyperfixation or being a fanboy with a little celebrity crush, and... yeah? That's pretty much it?
I mean, come on. Even though it was necessary to understand Loki to work with him, you can’t tell me Mobius wasn't genuinely interested in him too. Even in season one, when things were far from perfect and there was still trust to be built, he seems to think of Loki as fascinating/endearing sometimes, and did nice things for him without expecting anything in return, like giving him the daggers, complimenting him, just overall speaking softly whenever they're talking. He wouldn't do that if he didn’t see Loki as more than a variant he was being forced to work with.
All of this, paired with his reaction to the possibility of Loki having a thing for Sylvie, paints Mobius as the person who fell/noticed his feelings first for me. I personally think he pushed these feelings aside due to a "It would never work" train of thought, even before Sylvie.
As for Loki, while he obviously didn't trust Mobius at first, once they started spending more time together, he seemed to start feeling safe and comfortable around him to a degree that he had not felt with anyone else in a long time. He sleeps peacefully around Mobius, allows himself to be playful, and seems to genuinely appreciate the nice things I mentioned Mobius did for him.
But he's also a very traumatized person who hasn't felt genuinely connected to anyone in a while, so he obviously has no idea what to do with this, and the high stakes he's dealing with obviously don't help. He doesn't have time to sit down and process how he truly feels about this random analyst that just came into his life and flipped it upside down. And even if he had the time, would he even manage to accept he was falling for someone? We're talking about Loki here.
This is where the biggest difference between their situations shines for me: Mobius had a long, boring time to think of Loki before even meeting him in person, and even when they did meet, he was dealing with less shit than Loki. He had time to think about Loki, come to a conclusion about his feelings, and make the conscious choice to not act on them/push them aside.
Loki was thrown on the TVA shortly after the events of Avengers, watched a tape of his entire life play before his very eyes, had to learn everything about the TVA and timelines and then met Sylvie and the other variants. It's not that he didn’t reciprocate, he simply didn’t have time to process his feelings.
Personally, I can see him having a moment of realization at the end of season one, when he realized how desperate he was for Mobius's comfort after being kicked through the door by Sylvie, and when the horror of Mobius not recognizing him set in.
And that's what I mean when I say he "fell harder": it's not that he loves Mobius more, it's that Mobius developed and accepted his feelings slowly, while Loki's feelings hit him like a train at the worst time possible.
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taraljc · 7 months
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The number of people who think that Loki series 2 is not about Loki is hilarious to me considering Tom Hiddleston and Kevin Wright are in this for character and story, and have been immersed in this world for 5 years at this point and are deeply invested in these characters.
It's not 'just' a set-up for the next big bad any more than WandaVision was only about setting up Multiverse of Madness.*
From Variety:
Kevin Wright [...] and Hiddleston began talking about Season 2 of the show while in production on the third episode of Season 1.
“As we were shooting the ‘Lamentis’ episode, Tom and I started having lots of conversations about how this world could build out, how we dive deeper into it,” he says. “A large part of what we wanted to do was not trying to repeat ourselves, and not try to play the hits.” At the same time, he adds, they also wanted to make sure didn’t start Season 2 by “fast-forwarding through the drama” of the Season 1 finale.
On s2:
I think we had to just keep reminding ourselves that the TVA is a great world, let’s live in the drama of what we’re creating there. Which means not fast-forwarding through the drama that they just decided to stop pruning timelines, but also staying in the emotional turmoil that Loki and Sylvie are coming into this season with.
Also, there were certain things in Season 1 that felt like they were maybe a risk, and we didn’t know how the audience would respond. Once we realized that they embraced it, it felt like a lot of freedom to go further.
What did you feel was a risk?
In a very early draft of the script that Michael Waldron had written, that first Time Theater conversation between Mobius and Loki was maybe a couple of pages. And then a lot of other big Marvel-y action things happened afterwards, and we all went, “That’s not the interesting stuff. This Time Theater conversation is interesting. That’s what the show could be.” If we are really diving into the character-driven philosophy and introspection of self, that’s quite different than the last 10 years of Marvel movies. Would the audience follow us along on that? 
Tom Hiddleston famously held seminars on the character of Loki for Season 1. Did he do anything like that for Season 2?
No, because we tried to bring back as much crew as we could from Season 1. It was largely the same team. Obviously, we went from Atlanta to London [for production], but a lot of our department heads carried over, so there was an institutional knowledge that was built in. And Tom is my producing partner in a true sense. Before we had any writers or directors, it was Tom and I for months building this story out. We had a 30-page document that was like, This is what the show is: TVA, He Who Remains — even Victor Timely was in that first document years ago. And it’s just carried through.
So even as Kate Herron kind of handed the reins over at the end of Season 1, there is an institutional knowledge that comes with us being the glue between the seasons.
In Season 1, the show explored several time periods and locations outside the TVA, but in the first four episodes of this season, you stick to just 1880s Chicago, 1970s London and 1980s in the Midwest. How did you come to that decision to focus more on the TVA and building out its history?
Because that felt like where so much of our core character conflict was going to come from. There was so much intersectionality of our characters and what they think of the TVA. Sylvie wants to burn it down because the apple is rotten, as she says. Loki sees it as potentially the only form of defense against whatever else is coming in a war with Kang. Mobius and B-15, they’ve dedicated their whole life to it. They’re not quite ready to give it up. Renslayer feels like she’s been keeping it together, and you get a real understanding of why she thinks she should be the one to get this thing back on track.
We want everybody to be in the gray area — they’re neither good nor bad. They might make bad choices or heroic choices, but they are trying to figure out who they are. The TVA felt like the place where we could maximize that storytelling and learn more about those characters through that. But also stay tuned, because we are going to more places [in Episodes 5 and 6].
Do you think the TVA could start to appear in other titles in the MCU?
I would love that. Look, I’ve been siloed in on “Loki” for almost five years now, by the time this show finishes, and with every filmmaker who has put their hands on the show, we’ve all had the same conversations: It feels like the TVA could really be this exciting connective tool for all of this storytelling. And we’ve only seen a fraction of it. We’re dealing very specifically with this one smaller department with Mobius and B-15 and Renslayer, but you look out at those vistas — this place is infinite. The exciting thing to us is there certainly are more stories to be told there. We’ve carved out our own little corner of the sandbox and built something cool. We’re hoping that other people want to come and play with it.
One of the things I’ve most enjoyed about “Loki” is how it’s telling its own story, but have you considered bringing more of the MCU into it?
Yes, in both seasons of writers’ rooms. It always felt wrong to go too far outside of the box of things that would directly contribute to Loki’s character arc in these two seasons. So that’s why we get [Jaimie Alexander as] Sif in there [in Season 1], we play with the variants in the void and various levels of Asgard-specific storytelling. But while we’ve had nearly 12 hours of storytelling, it never feels like we have enough time. Eventually, just handling the stories of our ensemble and not shortchanging them has always been priority number one.
Now, Season 1 and 2 were always built to be two chapters of the same book. The hope would be going forward, there are more books that we can tell these stories with. I certainly think that we could start doing that.
Would there be a Season 3 of “Loki”? Is the future of the show finite or more open-ended?
I think it’s open-ended. We certainly did not develop this season going, “We have to tee up Season 3” — in the way that we did with Season 1, where there was a very specific, “Hey, we’re coming back.” But I also think that where this show goes, there certainly can be many, many, many more stories told with Loki in the “Loki” world, and in other worlds connected to Loki, the character.
Do you think Loki would ever rejoin the larger world of the MCU? 
That’s the hope. I don’t want to — yeah. I think the the sun shining on Loki and Thor once again has always been the priority of the story we’re telling. But for that meeting to really be fulfilling, we have to get Loki to a certain place emotionally. I think that’s been the goal of these two seasons.
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*I don't think anyone at least know anyone who's been paying attention actually believes that WandaVision was anything less than a deep, deep dive into two characters and their relationship and their history who had been only very loosely and shallowly sketched out in the two films in which they appear. Much the same way Falcon and the Winter Soldier explorer Sam and Bucky (and my virtue of his absence, Steve) in ways none of the films had the chance to, and managed to turn the complete shit show that was Age of Ultron as well as the bullshit 'Blip' something actually nuanced and meaningful and completely recontextualized Zemo's actions in Civil War.
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“Love is…” …new to Sylvie.
Here’s a bit of something from https://www.marvel.com/articles/tv-shows/sophia-di-martino-sylvie-loki where Sophia di Martino shares some insight into Sylvie and Loki’s blossoming romance.
Though Sylvie is a person who’s very sure of herself, “very confident”, as Mobius describes her, she’s “this wild cat who’s just on a survival mission”, says di Martino of Sylvie, who hasn’t had time to fall in love or even experience love of any sort, given how her life had gone before Loki had quite literally stumbled into hers.
Somehow, within 12 hours of “formally” meeting each other by way of a scuffle in front of the golden elevators that lead to the Time Keepers, she warms up to Loki. Something about him gives her pause, and she’s not so sure why, nor does she quite know how to respond to this new feeling she’s got.
Within mere minutes of a planet obliterating the moon that Loki and Sylvie find themselves on in Ep4, they both share a small but short-lived moment that was so powerful Mobius and Hunter B-15 stepped in to haul the wayward pair back to the TVA. 
No matter how Loki and Sylvie’s moment may be interpreted, two things were clear: 1) they both knew, in that moment, that there might’ve been something new between the two of them; and 2) whatever they did caused a massive and nearly vertical spike on the timeline that was impossible to ignore. Whether both were related, or that one was a causation, or that both were correlations of each other, it didn’t matter. What had happened, happened, and now, Loki and Sylvie are left to figure out their feelings for each other.
According to Sophia di Martino, Sylvie and Loki are like
“…two teenagers who have never had these feelings before.”
Di Martino adds,
“Obviously, Tom’s a super charming, very easy to fall-in-love-with guy. With Sylvie, I was really aware that she's never had feelings like this about anybody. This is a hugely vulnerable position for her to be in. I really wanted it to be not too easy for her to just sort of go there. It’s that moment where it's so awkward. They just don't know how to put it into words. They don't know how to behave around each other. It's all a bit too intense and a bit much.
Sylvie still feels extremely uncomfortable showing that vulnerability and admitting that she likes someone in that way, or that she has feelings for someone in that way. It's something that she's just never been able to do. Never have the opportunity, never met anyone that she's ever liked, let alone cared about. She's got a wall built up. She's not going to just let that down for anybody, and even if she wants to, it's difficult to get rid of.
You know those people that are really awkward at hugging? I imagine it's almost like that [for Loki and Sylvie]. [The kind of] people that need a hug the most but kind of just don't know how to do it. It's a little bit like that. I just want to hug both of them and say, ‘It's all right, guys. It's all right. Let's have a group hug.’”
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That entire mini scene where Loki and Sylvie talk about their feelings by not talking about their feelings was one of my favorite in the episode. It’s also hilarious how when we first see them start talking, they’re not even touching each other, but somehow by the end of the conversation, they’re shoulder to shoulder somehow, without even moving or scooting closer.😂
Sylvie: “Mobius isn’t so bad.”
Loki: “Or so good.” (Sylvie glances at him.) “I think that’s why we get along.”
Sylvie: “He cares about you.”
(Loki considers this for a second, then looks up at Sylvie. She looks back at him and smiles. He looks away, and for a brief moment, away from all the chaos that has been happening so far, Loki realizes that the breeze that permeates the air around them is particularly chilly. He wraps his arms around himself.) 
Loki: “It’s cold.”
Sylvie: “Mm-hmm.”
(Loki looks off into the distance, before looking back at Sylvie. A thought comes to mind, and he conjures a blanket out of thin air, and has it wrap around his shoulders. He glances up at Sylvie again, and smiles.)
Loki: “I could conjure one for you if you like.”
(With a small grin, Sylvie scrunches her nose and tugs on her collar.)
Sylvie, jokingly: “Tell you what, you could conjure me a new outfit. You have no idea how uncomfortable something like this is.” (Loki casts his eyes down at the ground before him, shakes his head, and chuckles. Sylvie inhales awkwardly.) “So… Mobius and his, um, “theory”…”
Loki, just as awkwardly: “Oh right, right. About my nexus event.”
(Sylvie strikes down the possibility that whatever’s going on between them has got anything to do with the spike, and looks at Loki.)
Sylvie: “Total rubbish right?”
Loki, agreeing: “Absolutely, of course! I mean…”
(Sylvie, awkward as she is in this conversation, brushes a nonexistent strand of hair from her face, and looks at Loki.)
Sylvie: “I don’t mean it wasn’t, y’know, a nice moment.”
(Loki glances back up at Sylvie.)
Loki: “No, it was great. It was really nice. It was, it was great.”
Sylvie, in denial: “It sounds just like another TVA lie.”
Loki, also in denial: “A hundred percent. Totally. Yeah.”
(He shakes his head awkwardly and looks away, before glancing back at Sylvie. He nudges her arm. She’s nervously still. She glances at Loki and looks away just as quickly.)
Sylvie: “… I don’t know how to do this.”
Loki, quietly: “I don’t even know what we’re doing.”
(Sylvie glances at him and smiles ruefully. She admits her loneliness.)
Sylvie: “I don’t have friends. I don’t have… anyone.” (To be with, she means.)
Loki: “Well, you know, there’s more important things, right?”
Sylvie: (She looks at Loki, half incredulous.) “Right? Yeah. Like, like… bringing down the TVA.”
Loki: “Well, saving the universe, when you think about it.”
Sylvie, agreeing: “Well, no need to be dramatic, but yeah, kind of.”
(The breeze picks up a little, and a faint clap of thunder sounds off in the distance. Sylvie shrugs her shoulders once, not wanting to admit that she’s feeling chilly as well. Seeing this, Loki uses a little magic to drape part of his blanket over Sylvie’s shoulders. She glances at him and tugs it closer gratefully. New as this emotion feels to him, and as awkwardly romantic as it looks, Loki is unable to prevent an embarrassed smile from forming on his face.)
Sylvie: “…It’s not very snuggly.”
(Loki is amused by her odd comment.)
Loki, laughing: “…Okay?”
Sylvie: “Is it a tablecloth?”
Loki: “No, it’s a blanket.”
(Sylvie pauses for a second to gather her thoughts, then…)
Sylvie, softly: “Thank you.”
(Loki bows his head slightly in her direction and looks at her.)
Loki: “My pleasure.”
(He smiles, then, quiet. The comfortable silence the pair find themselves in lasts a few seconds before…)
Sylvie: “How do I know that in the final moments you won’t betray me?”
(Loki knows exactly why she’s asking him this question. She had asked him not too long ago, “What makes a Loki a Loki?”, and he had answered her with qualities he knows himself to have. But that was then, and this is now. Perhaps recalling the ruckus at the bunker earlier and knowing all too well what it is what a Loki would do, he latches on to the word “betrayal”. Perhaps also recalling how he had, when he was first arrested by the TVA, declared how he would not let other people decide how his story ends, he makes Sylvie a promise, reassuring her that though betrayal runs deep in every Loki that has ever existed, not to mention himself, he has made the conscious choice to not let that rule his life like it did before. He turns to face her.)
Loki: “Listen, Sylvie, I…” (He exhales once, acknowledging the weight of Sylvie’s question. His blue eyes, having nothing but true sincerity behind them for what is possibly the first time in a very long while, meet hers.) “I betrayed everyone who’d ever loved me. I betrayed my father, my brother… my home. I know what I did, and I know why I did it. And that’s not who I am anymore. Okay? I won’t let you down.” 
(Sylvie searches Loki’s eyes for answers.)
Sylvie: “You sure?” (He nods.) “Because if we make it, and the TVA is gone, there might be a timeline for you to rule.”
(Loki recognizes the inside joke for what it is, as he knows ruling is also something that any given Loki would want to do. But for him now, here, ruling anyone or anything is a thing of the past.)
Loki: “Ah. And then, I’d finally be happy.” (They smile at each other, recognizing the statement as a light-hearted jab.) “What about you? What will you do when this is all over?”
(Loki looks down at the ground before him before glancing up at her. Again, Sylvie brushes another nonexistent strand of hair from her face, but lifts her head, her eyes meeting his.)
Sylvie: “I don’t know.”
(Loki looks away, considering his answer.)
Loki: “I don’t know either.” (He takes a breath before meeting her eyes again.) “Maybe… maybe we could figure it out… together.”
(Sylvie, feeling that she might like that idea, thinks about it for a second before answering.)
Sylvie: “Maybe.” 
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