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#and that's MOST of what figure drawing was about. bodies
velvet-games · 9 hours
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he’s so normal :)
I actually drew this before a lot of the recent stuff I've been posting; it was just me trying to figure out a good redesign for vox. I might make a proper redesign explanation later, but here are some quick notes while I'm still playing with it:
vox trapzod and alastor trongle :)
^^ ok but unironically this was kind of a hard decision since I have mixed feelings about vox's body type
stuff I was considering:
1) vox is alastor's foil and has a similar body type to alastor at least in part because you're supposed to be comparing them (It's actually so cool cause I was watching TB Skyen's reaction to ep 2 and he immediately predicted that they would have beef lol)
2) tumblr sexyman bod <3
3) I LOVE @/bestosunglass' way of drawing him, and it made me realize that I kind of love the idea of vox being a little bigger than alastor? it's very big himbo puppy + lithe cat energy
4) not sure what my headcanons about vox's body are in terms of biological vs tech yet, but I think I want to lean toward tech (which is customizable)
I love the angst concept of vox having the freedom to change his body with relative ease, which makes him feel like he has to constantly update and update and update and update and update and it's never good enough because he could always change something and he'll never quite be good enough--
basically being a victim to his own progress-oriented mindset
and also treating himself like a product; if it's not working, if it's not the best, newest model, then it's broken and useless and disposable
tbh alastor's ability to find beauty and art in the old (not necessarily based on function, but on character and care) would be good for him
ooc or not, as someone with dysmorphia issues myself, I really want an "I like your body because it's yours" moment from alastor
I think all of that + toxic masculinity would probably mean vox would make himself comically buff (at least at first) lol
5) but I like drawing him kinda scrawny ¯\_(ツ)_/¯ it's just weird because I kind of want to audience to pick up on the fact that he's not actually hypermasc but vox would totally (mostly successfully) broadcast that to the characters in the show
6) I think a trapezoid is a good shape for him! it contrasts well with alastor being a kind of sly and striking triangle shape. trapezoids are more interesting and dynamic than rectangles, but are still more stiff and business-like than triangles (p sure I am completely misunderstanding shape theory here but it makes sense to me lmao)
vox is such a mess of vibes? like he's a cult leader he's a televangelist he's a hypnotist he's a business shark he's a tech CEO he's a newscaster he's a TV he's a computer he's a literal shark he's a mastermind he's a pathetic fanboy
still not sure which of those is the most important/what should be obvious in his design
obsessed with the concept of TV knobs as buttons but it's kind of old fashioned
I headcanon him as having been a nerdy kid that got kicked in the shins for being obsessed with TV/tech lol
also hc him as being vaguely and very obliviously transfemme; the buffness can also be overcompensating for a lack of masculinity both physically and mentally
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lorvdz · 3 days
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What’s Sophie backstory? Gimme more of our lovely gulag escapee🫡
Hi Arcanister!!^_^
And yes of course I’ll feed you our precious gulag escape, and I get to yap about her:D
MAIN INFO
Name: Sophie Henrietta Schwarz
Alias(es): Sophie, Rietta
Rank: Clandestine special officer
Age: 38(1981)
Sexuality: Heterosexual
Native language(s): Swiss-German
Other spoken language(s): English, Italian, Spanish, French, Hungarian, Russian, German
Nationality: Swiss
Date of birth: May 5th 1943
Birthplace: Zermatt, Valias, Switzerland
Eye color: Light blue/Grey-ish blue
Hair color: Ginger
Height: 5'7” / 1.75 cm
Body Type: Lean
GENERAL INFO, PERSONALITY AND TRAITS
Sophie is a very stoic and collected person on the outside but tends to be optimistic and light-hearted, but on the other hand her mind is never calm, she's always thinking and figuring things out along with planning things. She's incredibly secretive and will never ever fully tell the truth; Sophie doesn't lie but she isn't exactly honest either due to her past, and her upbringing. She isn't a social butterfly but she's easy to talk to; she reads people very easily, and has a calming presence about her which tends to draw people in- and there's just something about the way that she words and carries herself which, lures people in. No one's entirely sure of why Sophie was sent to the gulag, since she changes the story every time you ask her, explanations range from: "I escaped through the Berlin wall in broad daylight" to "I killed someone with my ball point pen in the Lubyanka building." or "I mutilated an entire KGB unit." But what is known for a fact is that Sophie is left distraught by whatever happened to her in the Vorkuta gulag; which is the only information that doesn't change when people ask about which she's spent time in. Sophie operates in the clandestine field due to her having gained a lot of information about the USSR and the KGB during her time in Russia, along with Hungary. On several occasions Sophie will also interrogate people(having prior knowledge to human psychological behavior, and learning how the KGB do it). Sophie's only seen wearing black clothes, most of the time its a black turtleneck, or a black leather jacket. She's never seen wearing any other color. No one knows what the exact reason to why that is, but once again she changes the story each time someone asks: "Black is the only color that doesn't hurt my eyes." or "I'm grieving." If she answers the "I'm grieving" explanation she will not elaborate any further. She has pretty good relationships with her work colleagues, but she works perfectly with Russell Adler due to him being her husband- she works extremely well with, Alex Mason, and Frank Woods. And can be found most of the time with Alex Mason and Frank Woods; she's usually working alongside them the most. In "Die Landebahn" CIA Safehouse E9, West Berlin- Sophie can be found in the center of the building where Russell Adler is; and she's often seen smoking. But sometimes she slips away somewhere more private, and can be caught injecting herself with a syringe.
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britneyshakespeare · 1 month
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you know i am actually not used to drawing clothed bodies. because in my figure drawing class (as in a lot of drawing classes) our live models were nude because that's a standard for beginners. u have to understand the basic form, u know, before u go drawing things on top of it. like how it's easier to draw a blank table than one that's all set for a banquet over a tablecloth. and since i finished that class i hardly ever draw anything other than portraits focused on the face. like i drew myself today wearing pants and everything and that's gotta be a first.
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elitadream · 6 months
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"You've been hurting so much, and for so long… Please, let me soothe your pain."
-
There was a scenario I had imagined in which Mario would suffer emotional trauma and keep it to himself to the point of becoming depressed, growing more distant and avoiding others as a result. He would so desperately want for his loved ones to be at peace that he would rather endure unbearable misery in silence than speak on it; not knowing just how tired he really is and how badly he needs to be comforted.
So when Peach would finally -and ever so gently- confront him on the matter, his walls would crumble almost immediately, and he would break down in front of her. Anguish and exhaustion slowly giving way to healing. ❤️‍🩹
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bambeebirdie · 11 months
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This is for @bluepeachstudios ‘s Ghost in a Shell. It’s really good you should read it.
I looked at exactly one picture of Jupiter Jim and went “yeah this should be enough to draw him.” I will not be answering if it actually was
Have some bonus content under the cut!
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And sketches
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(I love any character who can say “I don’t want to go back to prison” it’s like the funniest thing to me)
#i don’t know what compelled me to hand write that text. it’s not very good#we just don’t do things the easy way here. that’s why I render with an app on my phone. i don’t believe in simplicity#i had a plan for a lot more full body shots but then I couldn’t find any good lair references so I decided to screw it#I’ve never drawn rise characters before. this is my first time drawing them and expressions wow#I’m not very good at style copying and my default is so much rounder than rise is so that was just a woof#i should say all text in these shit posts aren’t canon at all. you can figure out where they likely take place yes#but they never show up in story#just a little fyi incase anyone decides to check it out#the entire inspiration for this post was just watching 2003 and going#WHAT DO YOU MEAN THEY DID THAT??#ghost causally dropping the most wild facts about his life has like endless shit post potential#yeah I went to space. stole a ship. went to jail. aided a fugitive. held a dictator at gunpoint#and folks that’s just one arc. go watch 2003#i debated making angst as it is likely more currently topical but I’m a shit poster at heart#chapter 29. how we feeling boys? I’m actually doing rather well. i think just the fact the build up is over and I’m so tired I no longer#have emtions I’m just pumped for the next chapter whoo!#i started to lose mojo very fast while doing this but I wanted to finish today so I did. i hope it’s not too obvious#yeah anyways go read ghost in a shell#go watch 2003#go read ghost in a shell#i’m gonna go to bed now#ghost in the shell#teenage mutant ninja turtles#tmnt 2003#tmnt 2018#fan fiction recommendations#fan art of a fan fic#rottmnt#rise of the teenage mutant ninja turtles#teenage mutant ninja turtles 2003
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toytulini · 9 days
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if you draw enough monster ocs, when you go back to drawing a human character, it feels like "sameface syndrome" everytime, by virtue of their face being. human.
#toy txt post#or maybe i am just sameface syndrome#but also different face syndrome#two characters will have the same face but then the next time i draw those characters its a different face than they had last time!#i know part of it is being out of practice but also there is definitely an element of feeling constrained by human facial structure lmao#the monsters have Their Own Problems but like. no one has a face like bokrae no matter how inconsistent i am about drawing her#her features are iconic enough to her that you can tell everytime#birdie???? i faceclaimed eartha kitt for her and im still struggling cos i feel weird about faceclaiming as a concept#but even then 😭 one time i was trying to give headloose a face and someone was like wow he looks like birdie!#me 😭😭😭😭😭 what!!!!!! hes not supposed to!!!!!!!!!!!!!#i need to practice. features#you know the worst part about coming up w a bunch of fuckin Scenarios in my brain for ocs is that i have even fucking Drawn them yet#to give them like. iconic staple features and figure out what their faces look like. which feels like it would really help to have that#knowledge and muscle memory before i jump into trying to draw intense scenes with difficult poses!!#not to mention. listen. i can do the monster faces. somewhat. the bodies??????????? well for one. theyre too big everytime#im convinced i could be trying to draw bokrae on like a full ass wall size paper like a mural thing and run out of room. it just keeps#happening. i have no sense of scale for them either. by which i mean i struggle w scale already and also cant decide what i want it to be#and ive tried to handwave it away by being like ohhh uh. birdie casts spells on them to change their sizes for convenience but also#no. perhaps that explanation works for other ppl. @ myself tho its not good enough i Know Better!!!!!!#agh!!!!!!! i really need to figure out bokrae's Teeth also. like i dont. i coukd get away with it. but i should. and i want to.#anyway all this to say that i need to give these characters faces and body designs (actually the body designs for humanoid ocs is the easy#part. the faces are whats stumping me? well. i need more practice w all the body types again but like i Know what im Going For at least.#for the most part anyway. havent fully figured out heights. struggling w characters that i want to make short but give imposing tall energy#on occasion? birdie can be short all day long no problem. I want Alasdair to be short enough that he has a bunch of short boyfriends that#feel tall around him? bytte was going to be like 6ft max but then i thought about making her taller and like. what if i made her taller#headloose is not that /short/ but he is Not Tall and prolly pretty lean? twink build for sure#and of course all these short /tall distinctions come with a bias of relativity to my own height which i categorize as medium height#but short ppl call me tall and insist its not average and tall ppl call me short. (5'6) and then i have to factor in how the gender changes#the dynamic of a height like my height is Short For A Man but medium to tall for a Woman. which id argue is medium height bc mens heights#are socially held to high standards (hehe) and also i know ethnicity/race is also a factor? but im out of tags. rip. bye
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kj-munch · 8 months
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something silly based on thinking about acton dealing with sleep paralysis since its something i get all the damn time LOL
(takes place long after his dissent, in the timeline where he meets up with some of my friend felixes ocs, prus belongs to the lix)
better res pics .. beeps
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favoure · 1 year
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Hello Favour :) I wanted to ask if you had any tips for poses and expressions? I found your art from the aggie (is that how its spelled?) event and Im OBSESSED! Your arts phenomenal, and your poses are so expressive! :D
Have a great day and thank you <3
HI HUNTER !!! sooo glad u enjoy my art i am honored . . . . for the aggie sketch i . i honestly just picked up this reference pic from pinterest xD literally spent an hour before the aggie planning that sketch out, searching for other pieces that had a sorta soft and sweet vibe and leaving those open alongside the ref so i can "Absorb it into my brain"
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for tips regarding poses and expressions... IM JUST REALLY PICKY WHEN PICKING OUT REFERENCES TBH 😭😭 Like i wont stop searching until it fits the mental image i have and until it has the feelings im trying to convey in the piece . i also frequently use statues as inspiration too ig . went ham with explaining my thought process in the tags btw i got shyyy ^_^
#asks for ain#IS THIS ANYTHING . im reaaaaally bad at giving tips for poses n expressions SAWRRY#I DONT HAVE ANY PREPARED ADVICE WHEN IT COMES 2 THESE. I CAN ONLY PROVIDE MY THOUGHT PROCESS OTL#ITS BC BC . I SWEAR ITS JUST MY PERSONAL TASTE THAT MAKES ME LEAN TOWARDS THESE KINDS OF POSES YK#AND WHEN IT COMES TO EXPRESSION I JUST THINK OF WHAT FEELING IM TRYING TO MAKE THAT CHARACTER CONVEY#OR WHAT I WANT THE OVERALL PIECE TO FEEL LIKE#actually that can apply for how i think abt poses too#especially for ship art im very particular about how the characters should interact n where their hands should go#i think hands r important ....#also feelings . what u want ur viewer to feel when looking at the piece ur making i put so much thought into feelings ....#im mostly using duo pieces as an example here but it can also work for solo chara sketches tbh .....#like i think about what part of the character i wanna emphasize#most of the time i show off the face bc . well i think i draw pretty faces DFJHFGDF#but other times i might wanna show off a part of their body instead#like with pieces w scar sometimes i want to show off the Scitties . or his Abs . so i figure out a pose that emphasizes those ....#the focal point of the piece ..... bc i want u to LOOK there yk#but i also think about the attitude of the character and how they act ... if they're charming or smug or serious etc etc#gotta keep them Sorta in character after all (a bit of ooc is fine . as a treat . and if done well LOL)#im ESPECIALLY picky w how i interpret my characters too... very particular with my version of them that lives in my head#Understanding of anatomy would help lots too#forgot 2 mention that im an anatomy FREAK i love obsessing over proportions and getting them right and making them look nice#ANYWAYS U PROBABLY ALREADY KNOW ABOUT THESE GYAAAAA but still ..... i hope it makes u think about poses and expressions differently .......#like in a POSITIVE WAY !!! its sm fun to think abt poses and expressions tbh u can fit a lot of meaning into even the subtlest of details#tldr IM PICKY AND I OVERTHINK ^_^
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alligaytorswamp · 2 years
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You know actually, I’d like to ask: how do you have the patience to manage to draw genshin outfits so perfectly? Even if there’s simplification involved I always struggle with making the complicated designs look correctly so I’d like to get some of your thoughts if you don’t mind sharing awjehdjsjsj
THIS... MADE ME GASP... ME?? ME ??? ME DRAWING GENSHIN OUTFITS ... PERFECTLY????? SKJFHFIUEWHJSDKFH YOU! SLY FOX! THIS IS SIMPLY NOT TRUE!
literally every time i had to draw anyone in their genshin outfit i would complain from the beginning to the very and then like for 10 more days on top of that, just whining how much i hate genshin fits and how *i* can't ever draw them right sghwoiedhvklsdfjklsf
now to answer your question.... we shall go under the cut.
how do i have the patience- i do not! <3
i come across smth i struggle with/can't understand and i just say WOW fuck this. and either copy its shape, draw smth very weird in the right color or just . not . draw . it. :)
it's still quite shocking to me that you think my interpretations look correct but i think most of it is just.. right colors? kinda? maybe???
i stared my art for a hot second and did this:
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so my conclusion is that i - cover everything via convenient poses - cover everything with lighting - change the design/not draw the thing hope that helps :)))))))))))))))))))
ah and also the best thing you can do about genshin design is to draw the character in modern au in completely different clothes ^_^
the sheer amount of modern au content i make should speak for itself tee hee
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be-good-to-bugs · 1 month
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UGH why does eating always make me feel like throwing up :/ that is the opposite of what i want
#the bin#i feel less bad todaynthan i usually do. i think. but physically my body feels terrible. i am also still super stressed and sad but. i dont#feel as utterly horrible as i usually do so thats good i guess. i wish i could turn it into something productive but thats fine#i mostly wishbthat i could being myslef to do something fun like watch something or whatever but my brain still says no#and i wishbi could draw but my brain says no to that too#well. i can probably actually afford some weed after all bc itll peobs mostky be gas i gotta pay for for thw trip so#idk when ill see my sister next but ill have to fully figure this out then. and i gotta measure the inside of her boyfriends car so i can#know how much i can pack. i can also probably afford to get the things i wanted for my siblings from here before i leave. maybe.#gas will be a lot but they still owe me $300 so that helps a lot. i should be able to afford the trip fine. im really sad i have to leave#most of my stuff though. i dont trust my sister with it. but i dont have a choice so whatever. ill just have to deal.#well. im glad i dont feel so empty and horrible now. i hope it lasts and i can do something with it. its probs bc i had a meltdown honestly#ive felt like maybe thats what ive been needing to feel better. things still suck but i feel marginally better#usually i try talking to my mom just to get an ounch of social interaction and also i can complain abt stuff to her and she doenst tell#anyone. she has issues but shes pretty good about my privacy i think because shes scared id stop talking ti her if she broke that trust#which is true. i would probably stop talking to her. that was originally the plan before she stopled being such a bad mom anyway so#but idk. i havnet talked to her since she asked if i was coming to the funeral and i said no. she wasnt mad at me or anything but i havent#talke to her about non dad dying related stuff in a bit so. i shouod tho. im moving and i need to find out when a good time for that is.#and make sure she knows around what time i had been planning. and i need to know if she got an update about some stuff too.#also helath insurance stuff. im assuming she didnt end up getting a chnace to add me yet considering what happned. shes been busy#but my tooth pain has gotten even worse this past week so id like to see a dentist in june if possible bc god this thing hurts so bad
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exculis · 11 months
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hm. a len design may be coming together.
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colleendoran · 6 months
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Yeah, I drew that.
Half my life as a comic book creator is explaining that almost all of my training as an artist is pre-internet, pre-Photoshop, and pre-computer.
No, I don't trace all my figure work or backgrounds because almost all creators of my generation had to learn to draw extemporaneously, and it is actually easier and faster for me to just draw off the cuff than it is to dig through a pile of pics to get what I want.
No, this doesn't mean I never use reference and it doesn't mean I haven't ever closely followed reference - or even closely copied a reference photograph.
It means I usually don't have to use reference for things I draw every day, like the human body. But if I had to draw the Taj Mahal, I'd use reference. I mean, I could do a generalization of the Taj Mahal from memory, but I'd need reference to get it right.
No, back in the day artists didn't all use the Camera Obscura, overhead projector, or lightbox. There is the sight size method, the comparative method, and the construction drawing method. I learned all three and have never used a Camera Obscura. I only used overhead projector a few times and hated it. I usually only use a lightbox to transfer sketches to the final art boards.
In classical ateliers, artist candidates are locked in rooms without access to any kind of Camera Obscura-style tools to make sure the artist can draw and paint without reliance on them.
No, this doesn't make me a Luddite and it doesn't mean I don't use computers now, it just means I can draw and paint and write without them, perhaps with a bit more confidence than some who never had to do without.
There are some computer artists who can do without, and some who can't. No judgment.
You do you.
I did without computers because there was no with computers. And that is how I learned.
But I don't appreciate that some out there flat out mislead about drawing methods because, it seems, if they can't do something, clearly other people can't either. Just because an artist used reference on one picture or even a dozen pictures, that doesn't mean every single element of everything they draw was slavishly referenced.
Most comic book creators of my generation did not and do not trace their figure work in Photoshop. Or whatever.
Some do. Most do not.
That's all.
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e-vay · 21 days
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His Lucky Star
Awhile ago I asked for sonamy headcanons (and I’m always hungry for more!) and I received the most beautiful headcanon from @hedgethemaze and I just had to illustrate it!
Thank you @hedgethemaze for the opportunity to draw your short story 😊
You can read Hedge’s original headcanon below the cut:
Sonic and Amy’s favorite nighttime pastime is stargazing 🌙​⭐​🌠​👀​
Amy enjoys making out constellations and discovering new figures drawn in the sky and would occasionally make up stories with them – She knows Sonic finds this a bit childish, but appreciates that he doesn’t let it show and listens to her stories, instead (even participating once in a while, throwing in some action to keep them from being too daydream-y lol).
Sometimes, looking at the stars would remind Sonic of Starfall Islands – of cyber space – of Amy being at arm's length yet, an entire plane of existence out of his reach. The thought makes him reach for her hand as they lay on their backs on the grass, with a whole new appreciation for the feel of her hand nestled in his - Amy, aware of the gnawing memory, would shift her hand and intertwine their fingers, successfully chasing the memory away.
And some other times, she’d say those stories are just bedtime-story-practice to tell their 'future' child/children, only to tease him because there’s nothing as amusing to her as watching Sonic go from cool blue to cherry red live in record time 😆
About stargazing - it occurred to me that it could be more than likely for Sonamy to catch sight of a shooting star.
Well, I imagine Sonic would notice Amy staring at the shooting star in silence, knowingly waiting for her to say something but then the star disappears from view and he'd say "huh... kinda thought you were gonna wish something for a sec,"
Amy, realizing what he means, would jump a little on her spot next to him, they'd still be holding hands, but she scooches over and rests her head on his shoulder.
"Oh! Well, actually," she rubs her cheek on his shoulder and her grip on his hand tightens "I have everything I could wish for already."
Sonic notes she's got her eyes closed, now more interested in the warmth their bodies are sharing amidst the nightly breeze. Sonic blushes, hoping in vane she doesn't notice his body getting warmer at her statement.
"What about you? Don't you have any wishes?" Amy is genuinely curious (she can feel his awkwardness, so she doesn't tease him 'this time').
Sonic looks away, the hand that's not being held by Amy scratches a very reddish cheek, taking a deep breath to cool himself, "Nah..." the shyness quickly evaporating from his voice and he braves returning her gesture by, ever so slightly, snuggling against the top of her head. Leaving Starfall in the past, to focus on the present, Sonic's already made up his mind. "I'm good, Ames."
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colonelarr0w · 1 month
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Collapse Into Me
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After a particularly rough day, how do these JJK characters offer their comfort?
INCLUDED - Satoru Gojo, Suguru Geto, Kento Nanami, Kento Nanami, Toji Fushiguro, Choso Kamo, Ryomen Sukuna, Hiromi Higuruma, Ino Takuma, Yuuta Okkotsu, Inumaki Toge, Yuuji Itadori, Megumi Fushiguro
! PIECE BEGINS UNDERNEATH THE CUT !
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SATORU is more than happy to gather you in his arms and let you lay there. To him, there's no greater comfort than you laying in his arms, your head tucked perfectly underneath his chin with one hand tangled in your hair and the other tracing mindless shapes into the exposed skin of your back. He'd let you ramble about what made your day so terrible and offer little hums between your sentences – never once interrupting you or making you feel as if he wasn't listening. He would only offer his advice if you wanted it, and even then it was the most heartfelt words he'd ever spoken to you.  
"I'm here for you sweet thing. Just let it all out, okay? Don't want you holding anything in." 
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SUGURU makes it his personal mission to take your mind off of whatever might have bothered you throughout the course of your day. When you return home, the first thing that he notices is your dulled mood – how your eyes focus on anything but him and how you try your hardest to hide the growing tremble to your lips. He doesn't draw attention to it, not wanting to accidentally upset you further. Instead he just pulls you into the living room, where he's set up a small fort for just the two of you; complete with your favorite snacks and drinks, as well as a movie that you had mentioned enjoying.  
"I know you've had a tough day angel, but you're here now with me. Come on, make yourself comfy." 
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KENTO's comfort is the personification of a warm hug paired with gentle, featherlight kisses. He cradles you in his arms for however long you need, rocking your bodies back and forth, his chest rumbling in a gentle hum against the skin of your cheek. He'll guide you to sit down, fingers interlocking with your own as his softened eyes scan over your twisted expression, beautiful features scrunched up in sadness. He'll kiss away the tears as they trickle down your cheeks, offering you words of comfort that he wished he had heard during his moments of need.  
"Come now darling, don't cry. I'm right here with you, everything is going to be alright." 
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TOJI is at first very arrogant, smirking down at you and bluntly pointing out the tears that you're trying so desperately to keep hidden from his gaze. But when he sees that the events of your day had truly left you shaken and unhappy, he's tugging you to his chest and hiding you away from the world. The entirety of your body is dwarfed by his massive frame, face squished into his chest as he leans back on the couch, tugging you over him like a weighted blanket. He says absolutely nothing as you keep yourself hidden away, but he doesn't miss the feeling of your tears as they fall delicately onto his skin. Only when you lift your head to glance up at him does he thumb away your tears — hushing you with a softness that not even he knew that he was capable of.  
"Alright kid, you're okay. 'm right here with ya, shh." 
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CHOSO sits silently with you, both of you simply sitting in the silence that your sadness provides. His fingers are folded together with your own, the pad of his thumb swiping against the back of your knuckle every now and then – another silent reminder that he was there with you. No words need to be exchanged, not that he would mind if you spoke. If you'd rather talk, he will gladly listen. And if not, he's more than okay with sitting beside you, allowing your body to rest against his own. Your head is laid against his shoulder, fingers interlocked, and for a moment, nothing else in the world truly matters.  
"'m here, you don't need to be upset anymore." 
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RYOMEN might not know how to comfort people, but somehow, he figures it out quickly the moment that he sees you curling away from his touch. The tears that adorn your waterline are not a foreign sight to him, but that doesn't mean that he ever wants to see that expression on your face. He doesn't offer you words of comfort, after all, his tongue was sharp and made of silver – it likely would do more harm if he were to open his jaw. Instead, he offers to you a softness that had only ever been reserved for you anyway. He'll let you lay beside him, sharpened fingernails scraping through your hair just like you did for him on those nights where he pretended to be asleep. He may not be the best at comforting, but to you, his presence was warmth personified – a warmth that you needed to combat the coldness of your day.  
"Tch, shut up and let me do this for you … little brat." 
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HIROMI grants you the space that you need to process whatever it is you may be feeling. He'll sit quietly outside of the closed bedroom or bathroom door, simply resting his head against the wall and listening to the softened sniffles that you're trying your best to keep locked within your chest. The moment that the door slides open and you sit quietly at his side, he wraps you up in his arms and allows you to sob into him. Please let everything out in his arms, the last thing that he wants is for you to wake later in the night with your body debilitated by sadness that you had accidentally left to fester. He wants you to know that he is there for you, and if holding you is the way to go about it, then he will happily let his arms go numb for your sake.  
"There, there my love. You've nothing to waste your tears over … I'm here, you're safe." 
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INO is initially silent when you return home distraught after a tough day, but the moment that you sit beside him and let out that heavy sigh that says “I’m exhausted”, he is wrapping you up in a thickened blanket and rushing around the apartment like a chicken devoid of a head. He piles snacks and drinks onto the coffee table and shuffles through the drawer that is filled to the brim with various DVDs. He holds up various options, feeling his heart sink further and further into his stomach at your lack of an answer. After talking to a brick wall, he decides to just sit in silence with you, hugging you against him and deciding that — maybe — a nap was all that you needed. 
“You comfortable sweetheart? Oh … okay, okay. ‘m here, just rest, yeah?” 
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YUUTA offers to walk around Jujutsu Tech with you after finding out about how terrible your day had been, smiling at you and taking both of your hands into his own. He even tells Rika to leave him undisturbed for a few hours, directing all of his attention to you. The silence of your walk is filled with your ramblings about your day, complaints about Gojo, worries about upcoming missions, anything and everything that might be bothering you. He’ll offer advice where it’s needed, cracking jokes if the situation calls for it — but his main focus is being there, being the ear that you so desperately need.  
“I’m sorry angel, I wish that there was more that I could do. But I’m right here with you, and I’m not going anywhere.” 
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INUMAKI is the king of distracting you when you’re upset, opening his dorm up to you and allowing you to hide away in it as if you had spent your entire life living there. He silences his phone for the rest of the day, focusing on you and the things that you want to do in order to take your mind off of whatever had happened prior to seeing him. He’ll offer you the second controller and go easy on you, allowing you to beat him and rub it into his face — eyes crinkling in a loving smile as the spark returns to your expression and body language.  
“Tuna mayo. (I love you).” 
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YUUJI is on the verge of tears when he sees your pained expression, but he doesn’t hesitate to wrap you up in a bone-crushing embrace. He tucks you into his arms, his heart clenching in his chest as you sob into him. His hands rub up and down the length of your back, cheek resting against the top of your head as he shushes you — wanting you to calm down enough so that he could try and help you. He does his best to hold back his own tears, but your sadness is his own, and seeing you so distraught was only making him feel worse and worse by the second. But he hopes that his hug is enough to remind you that he's there with you … and that he was never leaving. 
"Shhh baby, I'm here! I'm right here with you, you're okay … please don't cry." 
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MEGUMI almost immediately brings out his Divine Dogs at the sight of tears rolling down your cheeks – knowing that the dogs would work wonders in bringing you comfort. He sits quietly beside you on the couch, not daring to utter a word as you thread your fingers through the thick fur of one of the dogs, smiling tearfully as it nuzzles affectionately into your hand. He doesn’t say anything to you, nor does he offer any kind of reaction when you shift your body to lean comfortably against him. He wraps his arms firmly around you, resting his chin on top of your head and letting out a small sigh through his nose. He may be the silent type — but his silence cuts through your sadness like a burning knife. It’s comforting … and just so undoubtedly him. 
“Is this okay? Alright … I’m here for you, I hope you know that.” 
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yusiyomogi · 13 days
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i actually think there's some significance in the fact that mithrun wears oversized shirt with open collar (it most likely belongs to laios) in the final arc of the manga. i mean, not just that kui simply wanted to draw him in oversized clothes, lol.
in all instances we see young (pre-dungeon) mithrun he's wearing clothes that hide his body as much as possible. which seems normal, until you see what other elves prefer to wear: most of them wear light short tunics with no sleeves and they don't usually even wear pants. here's a comparison to his brother's outfit, for example, as they stand next to each other.
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it's not like his fashion choices are unique, but it certainly feels deliberate. he doesn't add any variation to his canary's uniform either, but that's not especially notable, i guess, because a lot of canaries don't do that (i mean, it's still their armor).
but in his perfect world he's also one of the few who always wears this type of clothes. never revealing himself. sitting a little further from everyone else.
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he even lies in his bed fully clothed, like he can't ever bring himself to let his guard down, never showing his "true" skin to anyone.
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btw notice that his bed is a single bed, even though he's been living with his partner for 5 years at that point.
and that's the idea, isn't it? he never lets himself be truly vulnerable with anyone, even in his dungeon, where people are supposed to like him unconditionally. i think it adds something to the horrible scene with the demon: it's especially disturbing that the demon literally doesn't care how much of yourself you wanna hide, it sees (and eats) right through every protective layer. and we all know what the allegory of this scene is.
when mithrun loses all his desires, he no longer cares what clothes he wears. and in some twisted metaphorical sense it's heartbreaking to see him in a simple elven tunic when he's recovering, the one that doesn't hide any of his injuries or scars or terrible physique.
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he doesn't care to hide himself anymore, but it isn't on his own volition. it's something that was ripped away from him, as well as his privacy (a lot of people have to go through this when they're in medical care actually).
when he recovers and enlists to canaries again, he starts to wear full uniform again, but i don't think it holds much significance to him anymore. or at least he thinks it doesn't. we can see that cithis forces him to wear frilly dress at some point and it's implied that he goes along with it (cithis is still an asshole for that btw).
at this point he's fully focused on finding the demon, but i think the sad reality is that he's always been capable of developing new desires. i'd argue that there are already some things he cares about without realizing it, in the main story. but what's stopping him from actually realizing it at that point is that he's clinically depressed. his disability makes his life difficult; he lives with the idea that he's completely "broken", he accepted the reality of living like that and always goes along with what others make him do. so, he doesn't believe in his own privacy anymore. it’s actually something kabru talks about in the adventurer’s bible comic, when he tries to help mithrun to figure it out again, to help him see the value of privacy, of choosing what he wanna reveal of himself. mithrun needed a reminder that he still has this choice like anybody else.
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i think the scene where kabru asks him about his past for the first time is interesting in that sense. first of all, i like the symbolism of kabru unbuttoning mithrun’s collar and cuffs, revealing the scars underneath (a good amount of them is self-inflicted). he does so unthinkingly, but in his defence he doesn't know anything about mithrun yet. another interesting thing is that the first reaction mithrun has is covering his eyes with his hands. he's trying to hide. he supposedly has no desire to hide, but this reaction is almost instinctual to him. i think kabru notices this as well (of course he does) and i think it's one of the things that prompts him to voice his concerns about mithrun's privacy later. 
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so, what about that laios' shirt he wears in the final arc of the comic? he has to change his uniform's shirt for something else because it's covered in spider's guts. it's unclear if someone puts laios' shirt on him or if it's something he chooses to wear himself. regardless, it's still symbolic for his change. it's not particularly revealing or anything, but it's different from the type of clothes he usually wears, and it's tallman clothes. and in this final arc we can see a lot of his true feelings as well. he's visibly mad at kabru, he shows concern and tries to help marcille, he helps kabru to break out of his spiral. and obviously, in chapter 94 he reveals a lot of what he actually feels and think and shows genuine emotions other than anger. and I think it’s the first time he decided to be open and vulnerable on his own volition, probably in his entire life.
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we can see him wearing variety of clothes post-canon and it’s ambiguous how much of it he picked for himself. pattadol probably helps him a lot with choosing outfits and she also prefers high collars. but mithrun knows he can choose now; even if he doesn’t want anything in particular, he always can express his opinion or feeling, like he did with kabru’s food. he always can choose how much he wants to be seen. i’m just glad to see him wearing similar shirt with open collar and rolled-up sleeves on the cover of daydream hour book.
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eddie4bat-president · 4 months
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Saw a drawing of Steve and now I'm suddenly thinking about artist Eddie who designed the Hellfire shirts and Corroded Coffin fliers and who draws the villains of his D&D campaigns to slap onto his DM screen for visual aid and doodles in class and-
And i'm thinking about Steve, in a relationship with Nancy, trying to ignore that things are rocky but knowing it all the same. He finds a notebook left behind in school and he only takes it because he forgot his own. He plans to use it for the day and then figure out whose it is and get it back to them in exchange, that's probably more than fair, right? And the person is really gonna want this back - it looks like half their life is contained in this thing; there is... a shit ton of loose paper stuffed between the pages and notes on all kinds of subjects and drawings and.... he doesn't even know what that is. Who is Vecna and what the hell is a... lich?
Anyway as he leafs through it he finds that some of the drawings are... actually really good. Like, absurdly good for being in a lined notebook that looks like it has taken a trip into a dumpster and picked up some debris on the way out.
Like! Those hands! Steve has no artistic bone in his body but he's heard people whine about drawing hands and - he looks at the hand not holding the book and back again - yeah, that's exactly what hands look like! And here - a few pages further (it's one of the most empty pages of the whole thing, mostly because this one seems to have started as a drawing and not as a page of notes that turned into a drawing) there are only a few lines on the page but it's still very clearly the back of someone's neck, the collar, one shoulder.... Then there's another one that is almost all lines, but they were all carefully placed to give the effect of perfectly windswept hair. Then there's one that he actually can't make sense of at first (he almost pages past it because it is just a few lines and dots taking up a quarter of a page of very annoyed... history notes? Maybe English.) It's just a jawline with some moles but... only the day before he had cut himself shaving a finger's width underneath those exact moles. And that's when it clicks. He goes back to the hair... yeah that- that could be him too. Maybe. He flips back to that one very detailed drawing of hands and... putting down the book he tries to get his hands into the same position - the angle is off but. Yeah. That's why they looked so perfectly...! Uhhhh... Handsy! Because they're his fucking hands!
Anyway Steve realizes that about a third of the drawings are or could be him. He realizes that he actually can't go through with giving it back because - what would he even say? "Hey found your notebook, nice shrine to me?" Yeah no. But he's... also reluctant to take it to the Lost and Found. There's something in the handwriting.... He has a feeling that it might not be a girl secretly drawing him. What if someone else connects the dots? What if they confront the mystery artist about it? Flashbacks to his fight with Jonathan, the line he crossed and immediately regretted. He doesn't want to be the cause for someone else getting called that. And unrelated to that, things with Nancy aren't great right now and it's... it's just nice to think someone is paying attention, alright?
Then Halloween happens a few days after. The Break-up(?), the demodogs, Billy and the tunnels- and afterwards it's nice to have the notebook to distract him from the pain. The mundane mystery of a schoolmate maybe having a crush on him. He might not even have to confront them - he can just figure out a way to slip it into their locker; it looks like at least half their schoolwork is crammed into this thing, no matter how half-heartedly done. They definitely want this back.
Man, I wish I could actually write this thing. Damn. Maybe I could even do a scene where Steve tries to Sherlock Holmes his way to Mystery Artist and confronts a (hatefully seething) Robin, because she sits behind him in that one class, only to find his own Watson in her instead. But alas. It cannot be.
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