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#annabelle st george

hellshee · 5 months

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No! Nan, you're coming with me. You're coming with me, Nan. And miss my own wedding? Nan, but you don't even wanna get married. You never have. And you love Guy. I love you, and I will choose you every time.

#the buccaneers #thebuccaneersedit #nan st george #nanstgerogeedit #guythwarteedit #guy thwarte #nanthwarte #annabel st george #annabelstgeorgeedit #guy x nan #nan x guy #tvedit #appletvedit #perioddramaedit #myedit #they're not my top ship but the love and the longing and the angst is gooood

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louff4tw · 25 days

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Bridgerton book Guide

Julia Quinn

Prequels -

The Rokesby Series A Generation before the Bridgertons,

They were the Rokesbys

2016 Because of Miss Bridgerton Billie Bridgeton and George Rokesby

2017 The Girl with the Make-Believe Husband Cecilia Harcourt and Edward Rokesby

2018 The Other Miss Bridgerton Poppy Bridgerton and Andrew Rokesby

2020 First Comes Scandal Georgiana Bridgerton and Nicholas Rokesby

Collaboration

2023 Quenn Charlotte Quenn Charlotte and King George

Bridgerton Couple

2000 The Duke and I Daphne Bridgerton and Simon Basset

2000 The Viscount who loved me Kate Sheffield and Anthony Bridgerton

2001 An Offer from a Gentlemen Sophie Beckett and Benedict Bridgerton

2002 Romancing Mr. Bridgerton Penelope Featherington and Colin Bridgerton

2003 To Sir Phillip, With Love Eloise Bridgerton and Phillip Crane

2004 When he was Wicked Francesca Bridgerton and Michael Stirling

2005 It's in His Kiss Hyacinth Bridgerton and Gareth St. Clair

2006 On the Way to the Wedding Lucy Abernathy Gregory Bridgerton

Epilogues

2013 The Bridgertons: Happily Ever After All + Violet Bridgerton

Bevelstoke Series (they know the Bridgerton I believe)

2007 The Secret Diaries of Miss Miranda Miranda Cheever and Viscount Turner

2009 What Happens in London Olivia Bevelstoke and Harry Valentine

2010 Ten Things I love About You Annabel Winslow and Sebastian Grey

Lady Whistledown

2003 The Further Observations of Lady Whistledown Susannah Ballister and David Earl of Renminster Thirty-Six Valentines

2004 Lady Whistledown Strikes Back Everyone The First Kiss

2021 The Wit and Wisdom of Bridgerton: Lady Whistledowns Official Guide Everyone

Ghraphic Novel

2022 Miss Butterworth and the Mad Baron Miss Butterworth and the Mad Baron

Not fully Bridgerton but in same Universe

The Smythe-Smith Quartet (Not fully Bridgerton but in same Universe)

2011 Just Like Heaven Honoria Smythe-Smith and Marcus Holroyd

2012 A Night Like This Anne Wynter and Daniel Smyth-Smith

2013 The Sum of All Kisses Sarah Pleinsworth and Hugh Prentice

2015 The Secrets of Sir Richard Kenworthy Iris Smythe-Smith and Richard Kenworthy

#bridgerton #books #julia quinn

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yellowraincoat · 2 years

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Got my hands on the Dagger in the Desk, and it suddenly occurred to me that this is the first time a school is really mentioned in these books.

I’d always assumed that the vast majority of schools in the UK in the Lockwood and Co universe weren’t running. Judging by what we know of the main cast, it seems children are largely educated like Lucy: in small village schools during childhood. Then around the age of 8 if they show aptitude, they drop out and join up with agencies or the night watch. Any further education they receive is at home and focused on literacy as that’s required to become an agent.

However, this short story really brings to light the class dichotomies that where always present in L&C: the children of the upper class are living totally different lives than the children who constitute these agencies and the night watch.

We see glimpses of this with the London highlife that Annabel was a part of, and with the parties that the Fittes Agency throws. But the existence and success of St. Simeon’s points to a normal world where rich children go to school by day as though the problem doesn’t exist. They learn for eight hours and then go home to families who can afford to pay their tuition, while by night Lucy, Lockwood, and George put their lives at risk to make their school safe.

There’s a lot of focus in the books on how children are put on the front line of the problem, but it’s not all children. It’s lower class children like Lucy, and orphans like Lockwood and Flo. We don’t know much about Holly and George’s family backgrounds but we know they live in their own apartments with other agents and not with parents.

There’s also (to a very minor extent) evidence that Wealthy families are holding onto their children in Lockwood himself.

We know his parents were wealthy and that he has excellent sight, yet he was 9 when Jessica died and he hadn’t been put out to join the night watch or an agency yet. It’s possible this is because Lockwood hadn’t shown any aptitude yet (I think??? the books say the ghost that killed Jessica was the first real encounter he ever had) but considering Lucy can often see shades from outside her window, you’d think people in his life would’ve been well aware of his abilities early on.

The children who fill the agencies are from families so strapped for cash that they’ll put their children’s lives on the line. Allow them out after dark when they themselves are too afraid to walk the streets at night. And that in itself is despicable (not necessarily these parents actions individually, but the fact that the government is providing no financial assistance and is encouraging children to work such dangerous jobs). But it all comes into a sharp focus when contrasted with the fact that there are children out there who can afford safety.

#lockwood and co #Lockwood and co meta #anthony lockwood #lucy carlyle #george karim #george cubbins #flo bones #holly munro #the dagger in the desk #rai’s text posts

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mikhayhu · 5 months

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"This entire display has been incredibly American. But I happen to be very much in love with an American.I know more than most that we can't choose how we're born. But we can choose who we are and who we love. I choose being a person who loves you. I loved you the moment I saw you, and I will never stop choosing you. Annabel St. George, you are the woman I want to marry. That'll never change."—Theo

"And if necessary, though I know it can be crowded up there on Christmas Day, I will shout it from the rooftop. I love you, Nan." -Theo

#the buccaneers #nan and theo #kristine froseth #guy remmers

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claudia1829things · 4 months

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"THE BUCCANEERS" (1995) Review

Years ago, I had anticipating watching for the first time, "THE BUCCANEERS", the 1995 television adaptation of Edith Wharton’s last novel. After all, I have been a major fan of "THE AGE OF INNOCENCE", Martin Scorcese’s 1993 adaptation of Wharton’s award-winning 1920 novel for years. But my eager anticipating nearly ebbed away, when I discovered that "THE BUCCANEERS" only managed to rouse a lukewarm reception from many television critics.

The five-part miniseries turned out to be an unusual production from the BBC. One, it was based upon a novel written by an American author – namely Edith Wharton. There have been other British television productions based upon the literary works of an American, but they are very rare. Another interesting aspect of Wharton’s "The Age of Innocence" is that the author did not finish it, due to her death at the age of 75. Fifty-six years later, Wharton scholar Marion Mainwaring finished the novel, which was published by Viking. Around the same time, the BBC hired screenwriter Maggie Wadey to adapt and finish the novel for the television adaptation. As a result the novel has two slightly different endings. Another aspect of this miniseries that struck me as unusual was that instead of hiring British actresses to portray four of the five leads, the BBC hired four Amercian actresses – Carla Gugino, Mira Sorvino, Alison Elliott and Rya Kihlstedt.

The plotline for "THE BUCCANEERS" is very simple. The story begins in 1873 Newport, Rhode Island; in which two sisters of a noveau riche businessman and their two friends are introduced – Virginia "Ginny" and Annabel "Nan" St. George, Conchita "Connie" Closson and Elizabeth "Lizzy" Elmsworth. Whereas the Brazilian born Conchita manages to snare Lord Richard Marabel, the dissolute second son of the Marquess of Brightlingsea, the other three girls struggle to find a place amongst the members of old New York society. When a prank committed by Ginny and Lizzy backfires, Nan’s English governess Laura Testvalley proposes to Mrs. St. George that Ginny and Nan have a London season amongst the upper-class British. She argues that their acceptance by the British high society would assure them a place amongst the upper-class New Yorkers. Due to their friendship with the vibrant Conchita, Virginia and Annabel are introduced to Lord Richard’s family – the impoverished Brightlingseas and their neighbors, the equally impoverished Sir Helmsey Thwaite and his son Guy. As they get settled to conquer British society, Ginny and Nan are surprised by the arrival of Lizzy, who has arrived in Britain for her own season.

Although the girls’ original purpose for visiting Britain was to enjoy a London season, a friend of Laura Testvalley has other plans for them. Thirty years earlier, the American born Jackie March had been engaged to a British aristocrat – namely the very young Lord Brightlingsea, who abandoned her at the altar. Miss March remained in Britain and became something of a sponsor/matchmaker for young society girls. It was Miss March who recommended that the visiting Americans rent a villa owned by one of her former sponsors, Lady Idina Hutton. She also recommended that the girls do more than just enjoy a London season in order to impress old New York society. She recommended that they consider marrying into upper-class British society. Miss March’s plans eventually come to fruition:

*Virginia or namely her father’s wealth attracted the attention of Lady Idina Hutton’s lover and Lord Richard’s older brother, Lord Seadown.

*Lizzy ended up marrying a self-made aspiring politician named Hector Robinson

*Annabel fell in love with Guy Thwaite, but ended up marrying the very wealthy Julian Folyat, Duke of Trevennick; when Guy left Britain to find his fortune in South America.

As I had stated earlier, most critics were not initially kind to "THE BUCCANEERS". Most British critics dismissed it as a costumed soap opera of the second-rate kind, with an ending that had been "Hollywoodized" (happy ending). These same critics also accused the miniseries of mocking the British aristocracy. The American critics, at least those who considered themselves Wharton purists, accused the miniseries’ screenwriter, Maggie Waddey, of changing the elements of the author’s story by including topics such as marital rape and homosexuality. Personally, I found all of these arguments irrelevant. Most dramas about personal lives – whether first-rate or not – tend to possess soap-operish elements. This hostility toward soap operas has always struck me as infantile and irrelevant. And why are all Hollywood productions guilty of having a happy ending, when that has not been the case? Other literary works and their adaptations have mocked the British aristocracy. Why was there such a big hullabaloo over how the aristocracy was portrayed in this particular story? As for the additions of marital rape and homosexuality, these elements did no harm to the story, as far as I am concerned. And I must admit that I have become increasingly weary of demands that all movie or television adaptations should be completely faithful to their literary source. Such demands strike me as impractical.

My complaints about "THE BUCCANEERS" are very few. In fact, I only have two. The first time I ever saw actress Gwen Humble on the television screen was in a miniseries called "THE REBELS", an adaptation of a John Jakes novel. Although I had no problems with her performance in that particular production, I must admit that I had a problem with her performance as Virginia and Annabel’s mother, Mrs. St. George. I understand that Mrs. St. George was supposed to be a shallow and somewhat silly woman. But I feel that Humble went a little too far in conveying those certain traits. Her performance struck me as exaggerated and a little amateurish. Another problem I had with "THE BUCCANEERS" is a rather minor one. It has to do with Virginia’s husband, Lord Seadown. His father is a marquess – which is ranked somewhere between a duke and an earl (count). As the eldest son, he is entitled to a courtesy title. But what was Seadown’s courtesy title? His younger brother was called Lord Richard Marable, which is correct for the younger son of a marquess. The courtesy title for the eldest son of a marquess is usually an earldom – namely Earl of Something. Was Seadown’s name a courtesy title - Earl of Seadown? Or was he supposed to be regarded as Lord Seadown Marable? If the latter, what was the courtesy title he used? I found it all slightly confusing.

However, "THE BUCCANEERS" has been one of my all time favorite miniseries, ever since I first saw it. And there is so much about it that has made it such a favorite of mine. One, producer-director Philip hired a production crew that did justice to Wharton’s story. The miniseries featured some elegant locations that served as the story’s various settings. Some of these locations included Castle Howard, Burghley House and Newport, Rhode Island. I also enjoyed Remi Adefarasin’s photography. It had a deep and rich color that did justice to a story filled with emotions and passion. Colin Towns provided an elegant and entertaining score that remained memorable for me, since the first time I heard it years ago. But it was Rosalind Ebbutt’s costumes that really blew my mind. She provided exquisitely outfits that were beautiful and elegant – especially those for the lead actresses. More importantly, her costumes not only reflected the fashions wore by the American and British upper-classes during the 1870s, they also reflected the change in the main characters’ status and in women’s fashion throughout the decade, as the following photographs show:

Another one of the major virtues of "THE BUCCANEERS" turned out to be its cast. Wharton’s novel is filled with interesting characters. And Saville and his casting director did an excellent job in finding the right actor/actress for the right role. Aside from Gwen Humble’s portrayal of Mrs. St. George, there were so many first-rate performances in the miniseries that it would take me another article just to describe them. But the supporting performances that stood out for me came from the likes of Sheila Hancock, whose portrayal of the Dowager Duchess of Trevenick struck me as an expert mixture of cool haughtiness, sharp wisdom and long suffering; Michael Kitchen, who skillfully conveyed both the charming and shallow nature of Sir Helmsley Thwaite; Jenny Agutter, who was excellent as Lady Idina Hatton, Lord Seadown’s insecure and tragic mistress; Dinsdale Landen and Rosemary Leach, who both portrayed the Marquess and Marchioness of Brightlingsea with a mixture of class haughtiness, charm and great humor; Peter M. Goetz, who seemed to personify the self-made 19th century American businessman; and Connie Booth, who gave one of her best performances as the ambitious and sharp-minded Jackie March.

Richard Huw gave a humorous, yet intelligent performance as Hector Robinson, the ambitious young Member of Parliament who ends up winning Lizzy Elmsworth’s hand. And Mark Tandy was pretty solid as Lord Brightlingsea’s heir, the mercenary Lord Seadown who marries Virginia for Colonel St. George’s money. I was very impressed by Ronan Vibert’s portrayal of the dissolute Lord Richard Marabel, Conchita’s husband and Lord Brightlingsea’s younger son. But the two male performances that really impressed me came from Greg Wise and James Frain. The latter portrayed the haughty Julian Duke of Trevenick, who manages to win the hand Annabel St. George (much to the surprise of her governess), before alienating her with his lack of skills as a husband. Frain could have easily portrayed Julian as a one-note villain, especially when one considers the act of marital rape that his character committed against his wife in Episode Three. Being the skillful actor that he is, Frain conveyed all facets of Julian’s personality – both the good and the bad. And his assertion near the end of Episode Four that he is "not a monster" may have been one of Frain’s finest moments on screen. Greg Wise probably gave one of what I consider to be three of his best career performances in his portrayal of Guy Thwaite, Sir Helmsley’s only son. His Guy could have been one of your typical handsome, romantic heroes. But Wise did an excellent job in revealing how Guy’s insecurities regarding his lack of funds led him to lose Annabel to Julian. And he also conveyed how in the throes of love, Guy could be a slightly selfish man with no thought to how his "friendship" with Annabel might affect her social standing. Thanks to Wise’s performance, his Guy Thwaite proved to be equally complex.

We finally come to our five leads in the story – the four American heiresses and Annabel St. George’s English governess, Laura Testvalley. I have noticed that whenever someone brings up Cheri Lunghi, he or she inevitable brings up her role in "THE BUCCANEERS", the Anglo-Italian governess Miss Testvalley. I certainly cannot blame them. Lunghi proved to be the glue that held the story together, skillfully serving as its eyes and narrator at the beginning of each episode. Rya Kihlstedt gave a charming and solid performance as the blunt and level-headed Lizzy Elmsworth, who seemed more impressed by Hector Robinson’s ambitions than any aristocrat. She and Richard Huw managed to create a very credible screen presence. Alison Elliott’s Virginia St. George proved to be one of the most complicated characters in the story. Thanks to the actress’ excellent performance, she conveyed Virginia’s haughtiness and obsession with being connected to an aristocratic family; and at the same time, garnered sympathy by expressing the character’s love for her husband and disappointment upon discovering that he had only married her for money. And less than a year before she won her Academy Award, Mira Sorvino proved just how first-rate she could be as an actress in her portrayal of the Brazilian-born Conchita Closson. Her Conchita was a delicious and complicated minx torn by her desire for the luxurious and glamorous lifestyle of the British aristocracy and her contempt for what she deemed as their cold personalities. If Cheri Lunghi’s Laura Testvalley was the story’s eyes and narrator, Carla Gugino’s Annabel St. George aka the Duchess of Trevenick proved to be the heart and soul of "THE BUCCANEERS". Thanks to Gugino’s superb performance, the actress literally transformed Nan from the childish and naïve sixteen year-old girl, to the bewildered nineteen year-old bride and finally to the weary twenty-one year-old wife, disappointed by a failed marriage and in love with another man. There are times that I wondered if any other actress could have accomplished what she did. It seemed a pity that none of the major television and critics awards organizations never acknowledged her performance with a nomination.

Many critics have heaped a great deal of scorn upon Maggie Wadey’s adaptation of Wharton’s novel. Frankly, I believe this scorn was undeserved. I may not have been that impressed by her other works, but I honestly believe that "THE BUCCANEERS" was her masterpiece by far. Many accused her of failing to adapt Wharton’s "spirit" or "style" by including marital rape and homosexuality into the story. Since both topics where added without any tasteless sensationalism, I had no problems with these additions. And Wadey also made sure to give the story’s happy ending something of a bittersweet edge. Despite leaving Julian for the man she loved, Guy Thwaite, Annabel found herself ostracized by society and especially by her sister Virginia – as was proven at the Marquess of Brightlingsea’s funeral. Annabel and Guy’s elopement also left the latter disinherited by his father, Sir Helmsley. And her assistance in the elopement left Laura Testvalley rejected by Sir Helmsley and unemployed. So much for the "happy ending". Because the story revolved around four American heiresses marrying into the British upper-classes, "THE BUCCANEERS" also proved to be an interesting study in culture clash between two Western nations in the mid-to-late nineteenth century. But in all of the articles I have read about the miniseries, I find it surprising that no one has bothered to noticed that the topic of the continuing decline of the British aristocracy was also mentioned . . . more than once. It almost became a secondary theme. The Brightlingseas’ interest in the St. George family certainly seemed an indication that they were more willing to marry money – regardless from where it came – rather than find a way to earn it. This seemed like a far cry from Guy Thwaite, who preferred to create his own wealth with two years in South America, rather than marry it. And the character of the Marquess of Brightlingsea literally became a symbol of the aristocracy’s decline in scenes like a heated conversation between him and Hector Robinson; and a speech by Guy Thwaite to the House of Commons during a montage that featured of his death.

Now that I think about it, why should I care what others feel about "THE BUCCANEERS"? Every time I watch it, I always fall in love with the miniseries over and over again. Maggie Wadey wrote an excellent adaptation of Wharton’s novel – probably her best work or masterpiece, as far as I am concerned. Led by the likes of Carla Gugino, Cheri Lunghi, Greg Wise and James Frain, the cast proved to be first-rate. And Philip Saville did justice to both the cast and Wadey’s screenplay in his direction of the miniseries.

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randomestfandoms-ocs · 7 months

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🔁

Putting it below the cut!! I’ve tried to update it from the list I made way back when but I’m sure I’ve missed some 🥺😭 I’m sorry in advance if mobile makes the format wonky I will pretty-ify it after work to have headers and bullet points and a nice setup I just didn’t want to wait 4 hours 🥺

Descendants

Jax Hearts

Jax Hearts & Beatrice

Jax Hearts & Eliane

Jax Hearts & Evander Grimhilde

Jax Hearts & Gloria Gothel

Jax Hearts & Hannah Westergaard

Jax Hearts & Harley Hook

Jax Hearts & Harmony Of Atlantica

Jax Hearts & Keto Jones

Jax Hearts & Lovetta Garou

Jax Hearts & Lucette LeFou

Jax Hearts & Raina Gold

Jax Hearts & Rini Bing

Jax Hearts & Rosabelle Legume

Jax Hearts & Savina Stromboli

Jax Hearts & Trina Tremaine

Jax Hearts & Winona Sykes

Jess Hearts

Jess Hearts & Eliane

Jess Hearts & Gloria Gothel

Jess Hearts & Hannah Westergaard

Jess Hearts & Harley Hook

Jess Hearts & Raina Gold

Glee

Elliot Walker

Elliot Walker & Betty Fabray

Elliot Walker & Colton & Cece Cartwright

Elliot Walker & Jeremy St James

Elliot Walker & Jo Berry

Elliot Walker & Joy Schuester

Elliot Walker & Kendall Pierce

Elliot Walker & Savannah Evans

Elliot Walker & Abbie’s Dance Squad

Nate Simmons

Nathaniel Simmons & Betty Fabray

Nathaniel Simmons & Charlie Sylvester

Nathaniel Simmons & Dolly & Barbie Corcoran

Nathaniel Simmons & Jeremy St James

Nathaniel Simmons & Jo Berry

Nathaniel Simmons & Joy Schuester

Nathaniel Simmons & Kendall Pierce

Nathaniel Simmons & Savannah Evans

Marvel

Kit Barton

Kit Barton & Anya Barton

Kit Barton & Bianca Davis

Kit Barton & Cora Royce

Kit Barton & Dominique Barton

Kit Barton & Elizabeth Barton

Kit Barton & Kassandra Maximoff

Kit Barton & Peyton Parker

Kit Barton & Sabina Maximoff

Kit Barton & Sammy Barton

Kit Barton & Tyler Barton

Mia Barnes

Mia Barnes & Elena Barnes

Mia Barnes & Ellie Coulson

Mia Barnes & Evelyn Rogers

Mia Barnes & Grace Osborn

Mia Barnes & Jameson Barrett & Stefania Raine

Mia Barnes & Mia Pierce

Mia Barnes & Tyler Barton

Victoria Vill

Victoria Vill & Alvina Strange

Victoria Vill & Aris Stark

Victoria Vill & Athena Stark

Victoria Vill & Ava Potts

Victoria Vill & Diana Moore

Victoria Vill & Ellie Coulson

Victoria Vill & Grace Osborn

Victoria Vill & Jaden Jameson

Victoria Vill & Patti Parker

Victoria Vill & Pippa Ross

Victoria Vill & Stella Carter

Victoria Vill & Tesla Banner

Victoria Vill & Wendy Parker

Merlin

Delfine

Delfine & Elsine

Elissa

Elissa & Elsine

Elissa & Allyria

Mabel

Mabel & Aelia

Mave

Maeve & Lynette

Misc

Effie Munson

Effie Munson & Heaven

Effie Munson & Beth

Elys Herondale

Elys Herondale & Alya D’Angelo

Elys Herondale & Annabelle Bane

Elys Herondale & Cassiel Fell

Elys Herondale & Clem Wayland

Elys Herondale & Hannah Dawnwell

Elys Herondale & Rebecca Wayland

(Bonus: Jack Herondale & Talia Lightwood-Lewis)

Kayla Winchester

Kayla Winchester & Briony Harvelle

Kayla Winchester & Deborah Winchester

Kayla Winchester & Elle Winchester

Kayla Winchester & Esther Colt

Kayla Winchester & Ilsa George

Kayla Winchester & Nevaeh Murphy

Kayla Winchester & Phoebe Winchester

Kayla Winchester & Trix Stilinski

Kayla Winchester & Rachel Winchester

Miles Henderson

Miles Henderson & Angelica Hopper

Miles Henderson & Camila Nelson

Miles Henderson & Heaven Orella-Munson

Miles Henderson & Jacob Hopper

Miles Henderson & Jessica Wheeler

Miles Henderson & Kaylie Hopper

Miles Henderson & Kimberly Harrington

Miles Henderson & Rhiannon Ballard

Miles Henderson & Serena Brenner

Miles Henderson & Sidney Hopper

Miles Henderson & Stacey Byers

Miles Henderson & Valerie Rush

Rosalind Potter

Rosalind Potter & Adriana Flores

Rosalind Potter & Eurydice Crouch

Rosalind Potter & Gemini Black

Rosalind Potter & Holly Evans

PJO

Mike Lore

Mike Lore & Andromeda Jackson

Mike Lore & Ashley Wilson

Mike Lore & Blossom Talbot

Mike Lore & Cressida Brantley

Mike Lore & Crystal Solace

Mike Lore & Desdemona Gaumond

Mike Lore & Ellie Jackson

Mike Lore & Elyana Chase

Mike Lore & Esmeralda Wilde

Mike Lore & Helena Jackson

Mike Lore & Jasper Gabriel (& Blake Castellan)

Mike Lore & Jem Skeates

Mike Lore & Pandora Jackson

Mike Lore & Pyrrah Jackson

Mike Lore & Stella Beauregard

Mike Lore & Victoria Blofis

RWRB

Val

Val & Margaret

Emma Spring

Emma Spring & Abi

Emma Spring & Lucy

Emma Spring & London

Lena Richards

Lena Richards & London

Lena Richards & Lucy

Lena Richards & Madi

Lena Richards & Abi

#ask #answered #ginevrastilinski #crossover ask #(if you want to reblog it go for it but if you give me like 4 hours I’ll edit it to be prettier and easier to read!)

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aimeedaisies · 1 year

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British Royal Family guest list at the coronation of Their Majesties, King Charles III and Queen Camilla at Westminster Abbey - 06/05/2023

In the procession

Prince William, The Prince of Wales

Catherine, The Princess of Wales

Prince George of Wales (Page of Honour to HM The King)

Princess Charlotte of Wales

Prince Louis of Wales

Prince Edward, The Duke of Edinburgh

Sophie, The Duchess of Edinburgh

The Lady Louise Windsor

James, Earl of Wessex

Princess Anne, The Princess Royal (Gold-Stick-in-Waiting to HM The King)

Vice Admiral Sir Timothy Laurence

Prince Richard, The Duke of Gloucester

Birgitte, The Duchess of Gloucester

Prince Edward, The Duke of Kent

Princess Alexandra of Kent

Non-working royals and extended family

Prince Harry, The Duke of Sussex

Prince Andrew, The Duke of York

Princess Beatrice of York

Mr Jack Brooksbank

Princess Eugenie of York

Mr Edoardo Mapelli-Mozzi

Princess Eugenie of York

Mr Peter Phillips

Mrs Zara Tindall

Mr Mike Tindall

David, The Earl of Snowdon

Charles, Viscount Linley

The Lady Margarita Armstrong-Jones

The Lady Sarah Chatto

Mr Daniel Chatto

Mr Samuel Chatto

Alexander, Earl of Ulster

The Lady Davina Windsor

The Lady Rose Gilman

George, Earl of St. Andrews

The Lady Helen Taylor

The Lord Nicholas Windsor

Mr James Ogilvy

Ms Marina Ogilvy

Prince Michael of Kent

Marie Christine, Princess Michael of Kent

The Lord Frederick Windsor

The Lady Gabriella Kingston

Distant relations

Penny, The Countess Mountbatten of Windsor

Sir Simon Bowes-Lyon

Caroline Pike

In-laws families

Mr Andrew Parker-Bowles

Mr Tom Parker-Bowles

Miss Lola Parker-Bowles

Master Freddy Parker-Bowles (Page of Honour to HM The Queen)

Mrs Laura Lopes

Mr Harry Lopes

Miss Eliza Lopes

Master Louis Lopes (Page of Honour to HM The Queen)

Master Gus Lopes (Page of Honour to HM The Queen)

Mrs Annabelle Elliot (Lady in Attendance to HM The Queen)

Mr Ben Elliot

Mrs Mary-Clare Elliot

Master Arthur Elliot (Page of Honour to HM The Queen)

Mr Michael Middleton

Mrs Carole Middleton

Mrs Pippa Matthews

Mr James Middleton

#i hope i got everyone #king charles iii guest list #coronatiAnne

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hellshee · 5 months

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#the buccaneers #thebuccaneersedit #nan st george #nanstgerogeedit #annabel st george #annabelstgeorgeedit #tvedit #appletvedit #perioddramaedit #myedit

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imaginejolls · 6 months

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Annabel 'Nan' St. George & Guy Thwarte in

The Buccaneers episode 1: American Poison

#the buccaneers #thebuccaneersedit #nan st. george #guy thwarte #THE staircase scene #strictly 'walk-down-stairs' guy he says #what a pair of goofs #nan x guy #i think is the simplest ship name #my gifs

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thanksforthedinosaur · 1 month

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charli xcx - von dutch

takanashi kiara - do u

猫又おかゆ - ネコカブリーナ

justin timberlake - no angels

ariana grande - supernatural

blu detiger - disappearing (feat. magdalena bay)

empress of - lorelei

machinedrum - zoom

terror jr - 3 strikes (terror's version)

kenya grace - someone else

clear eyes - not awake

ethanuno - amarte como yo

babebee - next2u

oston - wtf u want.

hailey knox - 11th hour

leanys - la verdad

dee holt - make a move

sophie cates - feel it

st. vincent - flea

jackie hayes - happy ending

fletcher - pretending

lyn lapid - cruise control

hkfiftyone - corpse (i still feel but i wish that i didn't)

beyoncé - alliigator tears

gglum - splat!

holly humberstone - down swinging

bel - nos despedimos

hazel english - jesse

phoebe go - leave

spiderblush - big deal

hana vu - hammer

wormy - steve m. grocery - annie dirusso version

rosie tucker - maylene

lightning bug - opus

superfan - 75 germany

the goalie’s anxiety at the penalty kick - wild rose

chastity belt - laugh

lucy rose - over when it's over

waxahatchee - bored

laura elliott - need

prinze george - smackdown

la dispute - fourteen

adrianne lenker - free treasure

abby holliday - immortal

owen - virtue misspent

bad bad hats - my heart your heart

bee blackwell - dumb

somoh - problem child

hannah grae - screw loose

tim kinsella & jenny pulse - apple

thank you, i'm sorry - sneaking off

annabel - defense mechanism

vial - bottle blonde

ride - portland rocks

diiv - soul-net

yung lean - ghosts

flo milli - never lose me (feat. sza & cardi b)

justend - rollercoasting

nyota parker - whatchu say ?

tierra whack - snake eyes

#mae makes playlists #Spotify

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londranotizie24 · 1 year

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Le avventure culinarie di Antonio Carluccio proiettate in occasione della Settimana della Cucina Italiana

Di Simone Platania @ItalyinLDN @ICCIUK @ItalyinUk @inigoinLND Settimana della Cucina Italiana, all'Istituto di Cultura di Londra la proiezione delle avventure culinarie di Antonio Carluccio. Le avventure culinarie di Antonio Carluccio proiettate in occasione della Settimana della Cucina Italiana Non si è ancora conclusa la Settimana della Cucina Italiana nel mondo, che nel Regno Unito ha preso il via lo scorso 14 novembre: il prossimo 24 novembre, infatti, è la volta delle avventure culinarie di Antonio Carluccio in Australia, che saranno proiettate all’Istituto Italiano di Cultura di Londra. In programma, la proiezione di due episodi di Antonio Carluccio's Six Seasons, prodotti e diretti da Carmelo Musca, a cui seguirà una conversazione con Sabine Stevenson, fiduciaria fondatrice della Fondazione Antonio Carluccio, e Annabel Valentine, archivista della Oxford Brookes University. Ci sarà un'introduzione alla Fondazione Antonio Carluccio, alla sua vita e all'archivio della Oxford Brookes e saranno esposti alcuni oggetti personali del cuoco originario della costiera amalfitana. È possibile prenotare il biglietto, gratuitamente, a questo link. Antonio Carluccio’s Six Seasons per la prima volta in Uk Antonio Carluccio's Six Seasons è stata l'ultima serie televisiva che Antonio Carluccio ha girato per la SBS in Australia. Questa serie esplora la cultura alimentare degli indigeni australiani e le loro pratiche di foraggiamento alla luce dei loro antichi modi di vita sostenibili. Girato, prodotto e trasmesso dalla SBS in Australia, è stato lanciato in prima serata da numerose emittenti internazionali worldwide. Nonostante ciò, non è mai andato in onda nel Regno Unito. Antonio Carluccio, scomparso nel 2017, ha vissuto e lavorato per decenni a Londra, ottenendo nel 2007 l’Ordine dell’Impero Britannico. Nella sua carriera decennale ha scritto numerosi libri ed è apparso in svariate produzioni televisive, tra cui proprio Six Seasons. Le avventure culinarie di Antonio Carluccio: chi sono gli ospiti della serata Chi ospiti che accompagneranno lo screening durante la serata sono Sabine Stevenson e Annabel Valentine. Sabine Stevenson è nata in Germania ed è arrivata a Londra nel 1983. Fisioterapista di formazione con esperienza al Guy's e al St Georges Hospital di Londra, vive nell'East Hampshire ed è ricercatrice di dottorato in archeologia preistorica. Ha creato l'archivio di Antonio e, insieme alla Fondazione Antonio Carluccio, mira a portare avanti e divulgare il suo lascito. ... Continua a leggere su www. Read the full article

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