#antimaterie

[k1a3rnotaurus]

dedicated to all lost rifles

#he lost my antimaterial rifle #fnv #fallout new vegas #fallout boone #craig boone #courier 6 #courier six #fallout fanart #fallout #fake screencap #fake screenshot #digital art #ukrainian artist #украрт #укртумбочка

[dustedmagazine]

Dust Volume 9, Number 5

Ascended Dead

Hard to believe we’re approaching the halfway point of another year, and yet here we are in May, thinking about the mid-year and how we’re going to fit all the excellent stuff so far into a reasonable length list.  There’s always too much music, a wonderful problem, but a problem all the same.  And so we turn again to Dust to burn off some of the excess.  As usual, the reviews run the gamut, from lucid ambient reveries to blistering industrial mayhem, from joyful death metal (surely a contradiction in terms?) to ragged improvised noise. Contributors this time include Ian Mathers, Andrew Forell, Jonathan Shaw, Tim Clarke, Bill Meyer, Christian Carey Jennifer Kelly, Bryon Hayes and Jim Marks.  

Aarktica — Paeans (Projekt)

Paeans by Aarktica

One of the most distinct and striking things about Jon DeRosa’s work as Aarktica has always been the way he blends more ‘pure’ ambient material with songs, both his own and others (everyone from Danzig to Peruvian shamanic songwriter Artur Mena). The new Paeans actually marks the first Aarktica LP without DeRosa’s vocals since his debut, 2000’s No Solace for Sleep. Coming on the heels of last year’s magnificent We Will Find the Light, this record could have just felt like a post-banquet digestif, but instead it’s a reminder of the beautiful, clear atmospheres DeRosa can make with just his guitar (here ably assisted by Henrik Meierkord on cello and viola). Whether it’s going Ashra-stratospheric on “Arcturan Transmission” or drifting towards Stars of the Lid on “Golden Hour at Pyramid House,” the result is a reminder of how vital his ambient work is.

Ian Mathers

 Antimaterial Worlds — Double Saturns Last Purification Exercises (Chemical X)

Double Saturns Last Purification Exercises by ANTIMATERIAL WORLDS

Gaura-jīvana Dāsa has a long history of industrial noise making under various names and degrees of success. His latest incarnation, as Antimaterial Worlds, combines the raucous noise of past projects Skull Catalog and Sewn Leather with his learnings from several years of immersion in Vedic religious studies. The results will do little to win converts to either enterprise. Musically, Double Saturns Last Purification Exercises clings to lesser Nine Inch Nails flailing whilst the lyrics swing from masochistic self-abnegation to that peculiar form of So-Cal spiritual sadism that seeks to purge the penitent while scourging the sinner. The “Kill them all and let God sort them out” forgets that hubris is a powerful enemy for the faithful but if you like your prophets wild-eyed, messianic and slinging guitars instead of lightning bolts and locusts, have at it.

Andrew Forell

 Ascended Dead — Evenfall of the Apocalypse (20 Buck Spin)

Evenfall of the Apocalypse by Ascended Dead

Evenfall of the Apocalypse comprises 42 minutes of perversely joyous Metal ov Death. Not much else to tell you, folks. The four San Diego-based musicians in Ascended Dead continue their project of making songs that cleave to the verities of the Old School, which they have come by honestly: drummer C. Koryn and bass player Kevin Schreutelkamp have put in time in the live bands of Blasphemy, Incantation and Morbid Angel, death metal legends, all. In Ascended Dead, that rhythm section is joined by guitarists Ian Lawrence and Jon Reider, and the requisite whirling chaos commences. It’s a lot of fun. Every song is overstuffed with riffs and ideas, all constantly on the verge of collapsing into noisome, rotten goo. Koryn’s drumming keeps them coherent (mostly, anyways) and coaxes them into increasingly wacky shapes, building toward the next semi-blackened guitar break or bout of psychotic shredding. There’s nothing innovative or risk-taking here, but it's nimbly composed, confidently executed and always on the move. The shorter tunes (“Nexus of the Black Flame,” “Bestial Vengeance”) are especially effective. They arrive, they mess up your mind, they’re gone. Come back and do it again, please.

Jonathan Shaw  

 Chained to the Bottom of the Ocean — Obsession Destruction (Redscroll Records)

Obsession Destruction by Chained to the Bottom of the Ocean

There’s not a tremendous amount of range in sludge metal, so it makes sense that Massachusetts band Chained to the Bottom of the Ocean seems to have derived its name by altering the title of a song (“Fucking Chained to the Bottom of the Ocean”) from Thou, perhaps the best sludge band to make misery-inducing music since Eyehategod. But’s there’s a line to be drawn between recognition of one’s artistic idols and pastiche, and Chained to the Bottom of the Ocean steps right along it — or crawls, or trudges, as the case may be. Songs like “Summer Comes to Multiply” and “Every Day a Weeping Curse” sound a whole lot like…Thou. This reviewer responds, at a profound gut level, to those tones and rhythmic structures, so he can dig a tune like “Ten Thousand Years of Unending Failure.” Ironically, it succeeds. It’s crushing and thrilling and huge, and it closes with an entertainingly daft lyric couplet: “When obsession takes over I’ll be fine / When destruction takes over I’ll decide.” Is that nihilism? A sort of fist-clenched catharsis? The aggro intensities of the music can accommodate both, creating a pretty good set of emotive qualities for a sludge song. Why decide, dudes? 

Jonathan Shaw 

 Clark — Sus Dog (Throttle)

Sus Dog by Clark

Clark’s most recent releases have been dominated by soundtracks and neo-classical work (2021’s Playground In A Lake and 2019’s Kiri Variations are especially beautiful). On his new album, Sus Dog, he returns to an electronically dominated palette, introduces his own voice as a key element, and even gets Thom Yorke on board as executive producer. Yorke’s involvement is obviously a drawcard for anyone interested in the Radiohead frontman’s oeuvre, with the overall sound of Sus Dog largely in the vein of Yorke’s last solo album, Anima. Clark’s voice is similar to Caribou’s Dan Snaith in its timbre and the way it sits in the mix, while squiggly synthesizer lines and pounding drum breaks carry the music forward with aplomb. However, it’s Sus Dog’s down-tempo moments that really shine, such as the title track, featuring guest vocals from Anika; “Medicine,” featuring Yorke on bass and vocals; and the piano-driven closer, “Ladder,” which repeats the striking vocal refrain, “Living on a ladder, stuck between two floors.”  

Tim Clarke

 The Electric Nature — Old World Die Must (Feeding Tube / NULL|ZØNE)

Old World Die Must by The Electric Nature

The Electric Nature is a free noise trio which is based in Athens, GA. Improvisation is baked into their methodology, but that doesn’t mean that they serve up raw jams. This album, which is a rare vinyl outing in their mostly cassette/digital discography, contains just two, side-long tracks, but includes sounds made between 2015 and 2022. Given the density of their sound, one suspects that Michael Potter, Michael Piece and Thom Strickland, who are jointly credited with guitars, synths, drums and recordings, add tapes of earlier performances to the one at hand. But don’t get the idea that these guys are snakes swallowing their collective tail; they’re decidedly open to outside input. “Enter Chapel Perilous” opens with the croaks of some swamp denizens, and then turns the spotlight over to Sunwatchers saxophonist Jeff Tobias, whose long, furry tones clear the path for the eventual battering assault. The trio is likewise augmented on the flip side’s titular performance by John Kiran Fernandes, whose clarinet adds a Morricone-esque dimension to the late-night squall. Times are tough nowadays — sometimes it takes a village to whip up some solar wind. 

Bill Meyer

Feather Beds — Softer Measures (Strange Brew)

Softer Measures by Feather Beds

Feather Beds is the experimental pop project of Irish musician Michael Orange, and on his new album, Softer Measures, he pushes things to perverse extremes. The album title seems to allude to the music’s raw materials being endlessly pliable, able to be squashed and stretched into new forms. There are identifiably pop-leaning tunes here, but often buried beneath effects and refracted through a funhouse mirror. Predictably it’s the two singles, “Really Disney” and “Sport of Boxing,” that offer the most immediate gratification, but even then, things get weird, a la early Animal Collective or Ronald Jones-era Flaming Lips. “Sport of Boxing,” for example, is a jangly lo-fi pop tune that hurtles along at an addictive clip, only to be swallowed up by chittering digital loops. Indeed, there’s something decidedly nightmarish about the way the songs refuse to follow the path you might imagine. Rhythms stutter and stumble, guitar tones warp in and out of tune, voices circle eerily and overlap one another. All the chaos renders moments of calm, such as the end of “We Safari,” uncannily beautiful.

Tim Clarke

 The High Strung — Address Unknown (Paper Thin)

The High Strung makes a kind of trebly, warbly, high energy garage pop pioneered by the Seeds and the Flaming Groovies and rediscovered during the aughts “rock is back” era by the Cynics, the Gripweeds and the Insomniacs. It’s not quite bubblegum, but it’s got a fair lacing of sweetness, and it’s hard to do well without slipping into saccharine cliché. Address Unknown is the band’s 11th album, following several decades together, through multiple line-ups and one major breakthrough: a song in opening credits of the Showtime series Shameless. It is everything you’d expect from a band of lifers—tight and relaxed at the same time, sure of itself but not particularly concerned about reception, and utterly charming. I like “Different Animal” the best, with its pounding beat and fluttering tunefulness, its clever rhymes and loopy harmonies. It’s the single and the video, and you can see why they focused on it, but there’s plenty of other good stuff as well. “Overcoat and Skis” with its Beatles-esque tootling keyboard and its wistful upward lilting melody, seems loose and casual until you recognize the sharpness of the ski-themed writing. (“It’s all downhill from here.”) “Run It Back” rocks harder, in a one-two punching way, but never abandons its tipsy whimsy, like XTC but rougher. Here’s a band neither torqued too tight nor slouched too low, but just a little high strung.

Jennifer Kelly

 Joseph Jarman-Don Moye feat. Craig Harris & Rafael Garrett — Earth Passage-Density (Eargong) 

By the early 1980s, when this album was recorded, the Art Ensemble Of Chicago spent a lot of their time playing music in other settings. On Earth Passage-Density, percussionist Don Moye and woodwinds multi-threat Joseph Jarman joined forces with Craig Harris, a trombone and digeridoo player who was active on several New York scenes, and Rafael Garrett, a bass and winds player who one worked with John Coltrane on the mind-melter, Om. Originally released by Black Saint and recently re-pressed by Eargong, this session shows the same breadth of reach as the AEC without shortchanging the creativity of Garrett and Harris. Patient development balances jump-cut transitional strategies and Brownian rhythmic urgency as they work their way through ceremonial dirges, angular bop, and gleefully chaotic funk. If you have any appreciation for the Art Ensemble’s pre-ECM recordings and haven’t heard this record yet, well, why are you being so hard on yourself?

Bill Meyer  

Rob Mazurek and Exploding Star Orchestra – Lightning Dreamers (Rogue Art)

Rob Mazurek enlists a formidable lineup for Lightning Dreamers, Exploding Star Orchestra’s latest recording, including instrumentalists Jeff Parker, Nicole Mitchell, Craig Taborn, Gerald Cleaver, and Angelica Sanchez. Damon Locks provides futurist lyrics and intoned vocals, taking the lead on “Future Shaman.” Mazurek’s cornet solo on the spacy “Dream Sleeper” is a standout, mellifluous and melodically inventive. The supple groove and doubled melodies on “Shape Shifter” demonstrate the groups allied affinities to fusion and modern jazz. Add in hat tips to the Arkestra, as on the paired pieces “Black River” and “White River,” and a fulsome brew is concocted.

Christian Carey

 Miranda and the Beat — S-T (Ernest Jennings)

Miranda And The Beat by Miranda and The Beat

“Sweat!” shouts Miranda Zipse in the opening salvo to this very strong album, as a soul-powered guitar snakes through surges of 1960s organs. She sounds like a long-lost Bond opening credit singer, from the Connery era no less, but she formed her band only a few years ago with her childhood friend Kim Sollecito, after dropping out of high school at 15. Now, she wields an astonishing belt, a swaggering style and a crack band of retro-maximalists. She’s caught the attention of another 1960s soul vamper, King Khan, who enthused, “I never thought I would see someone be able to play guitar with the ferocity of Link Wray, and sing like Lydia Lunch had a nuclear meltdown and morphed into Etta James and Yma Sumac.” Too much? Maybe, but “I’m Not Your Baby” swells and roars, surf guitar cascading through a Spector-esque wall of sound. “Concrete” cranks the tension with stuttering high-hat and drum—and blasts out of the blocks with a battering bass line. “Listen to the sound of the kids that are hanging out on the street,” she spits against the rough beat, and who knew that the kids would sound like this?

Jennifer Kelly

 Olololop, Arakawa Atsushi And Zea — Soyokaze (Makkum) 

Soyokaze by Olololop, Arakawa Atsushi and Zea

The Japanese trio Olololop plays electronic and acoustic percussion, and their compatriot Arakawa Atsushi manages electronics; one of them also plays a credible saxophone. They encountered Zea, the nom-du-rock of singer-guitarist Arnold de Boer (also of the Ex), at a Dutch music festival. Impelled by mutual appreciation, they flipped on some microphones and improvised a session which doesn’t fit easily into anyone’s pigeonhole, and is better off for it. Beats sputter, reeds and synth sputter, and at one point a poem drifts through the proceedings like a half-remembered dream. This music is a thing unto itself, beholden to no genre, but infused with the delight of jumping right in and finding out that you can swim. 

Bill Meyer

 Joakim Rainer Trio — Light Sentence (Sonic Transmissions) 

Light.Sentence by Joakim Rainer Trio

It must be daunting for any young musician to pick a point of entry into jazz these days. Joakim Rainer Petersen, the leader of this Norwegian piano trio, has chosen wisely. While he may not be as distinctive a composer as Kris Davis or Andrew Hill, his interest in their music helps to steer his own towards expressions of formal logic that are open to improvisational reassessment at any moment. He and bassist Alexander Risis sound like they’re completing each other’s ideas, but not by adding one guy’s statements to the other’s; no, their ideas cohere like two people saying parts of the same sentence. Drummer Rino Sivathas keeps things moving with a nicely splashy attack that keeps the moments of reflection from bogging down. Word has it that this combo tours, at least in Europe; keep your eyes and ears peeled. 

Bill Meyer

 Roser Monforte Trio — Landscape Songs (Self-Release)

LANDSCAPE SONGS, RM TRIO by RM TRIO

This slightly unusual trio lineup delivers jazz with a prog twist. Monforte has a big sound but gives drummer Jordi Pallarés and guitarist Pau Mainé plenty of space to realize her highly polished but uncluttered compositions.

The first two tracks, “Once upon a Time” and “Horses,” blend together into a suite that shows the group at its best. It begins with over a minute of unaccompanied guitar, which, as throughout the album, Mainé plays clean and with restraint. Pallarés is boisterous once he gets going, producing a wide range of sounds out of what looks like a fairly standard jazz kit, though well appointed with cymbals, in online videos. The leader eases into the tune around the minute-and-a-half mark with a catchy descending lick, and they’re off. Pallarés takes a solo at the transition between the tunes that is followed by the introduction of a new, serpentine theme and a neat shift in tempo, and the suite draws to a close with a funky vamp and a revisitation of the serpentine theme.

The rest of the tunes are nearly as memorable and fairly concise, most running three to five minutes. There’s plenty of variation, with “Cosmic Dancer” and “Orixa” straying into exotica and fusion territory, the lovely ballads “Absence” and “Baraka” slowing things down, and the rousing “anTANAnarivo” and “Atzutac” sure to set toes tapping.

Jim Marks

 Tomten — Artichoke (Plume)

Artichoke by Tomten

Tomten’s songs billow and swell in that frictionless, effortless way that often indicates great care and craft. The Seattle-based band makes heavy use of keyboards—organs and synthesizers for instance—for lulling sustained tones that envelop and soften rock song architectures. The surf rock swagger of “Lizard in the Grass” comes wrapped in a dream pop shimmer. “Grapefruit Sea” the opener and early single, has the rolling gait and spiraling psychedelic expansiveness of a Grand Archive cut (it reminds me of “Sleepdriving,” always a good thing). The lyrics are better than they need to be, with precise and evocative natural imagery scattered across the disc, poppies and wild heather and mallow weeds. The whole thing feels like a pleasant dream, radiant but fuzzy at the edges.

Jennifer Kelly  

 Volcano the Bear — Amateur Shakes (Volucan)

Amateur Shakes by Volcano The Bear

A new Volcano the Bear album is cause for celebration among fans of strange sounds. Unfortunately, even though it arrived this year, Amateur Shakes doesn’t comprise recent music. The Leicester-based Dadaists laid these songs to tape at the tail end of the 2000s, prior to the release their final official album, Golden Rhythm / Ink Music in 2012. Timeline aside, this is a notable release for the band. Recorded with Andreas Schmid at Faust Studios and with Hans-Joachim Irmler producing, this is some of their best-sounding and most surreal music. Like in a Burroughs novel, thematic elements explored on past records reappear in these songs’ lyrics, which are sung, croaked and howled. The group have dialed back their signature avant-jazz and polka leanings, leaving room for their less-frequented outré rock tendencies to shine through. The lengthier, multi-part songs “Amateurs Blind” and “Classic Clarence Fusion” somehow come across as the most accessible, with the other tracks absorbing the experimentalist influences of the studio. There’s an uncanny symbiosis going on here, but can it really be a coincidence that a proximity to Faust has intensified the band’s already kooky demeanor? This writer thinks not. 

#dust #dusted magazine #aartika #ian mathers #antimaterial worlds #andrew forell #ascended death #jonathan shaw #chained to the bottom of the ocean #clark #the electric nature #bill meyer #feather beds #the high strung #jennifer kelly #Joseph Jarman #miranda and the beat #Olololop #joakim rainer #Roser Monforte Trio #jim marks #tomten #volcano the bear #bryon hayes #Rob Mazurek and Exploding Star Orchestra #christian carey

[fstbmp-a]

"Vanilla is an incredible woman and I would love to get to know her romantically.

But also I was inadvertently .5 seconds from firing point-blank into Cream's head and that's the type of ammo that makes that impossible."

#be a trigger ;; whisper #feel the sunshine ;; dash comm #into the sunset ;; crack #i will never get over cream just walking right in front of basically a scoped in antimaterial rifle #and like whisper had no intention of hitting cream ofc but like. THAT'S THE TYPE OF THING THAT CREAM CAN HOLD OVER HER FOREVER #so she's not even gonna TRY

[jtheplante]

go Over The Hedge, serve that delicious anti-materialism

#over the hedge #dreamworks #animation #movie #movies #materialism #antimaterialism #satire #capitalism #anti capitalism

[strawberryhierophant]

Academics Sooo Miss the Point in the Tarot

Consider this Symbol:

Chances are, this image took a second for you to appreciate. And if you paid attention, you noticed that simply by observing it the image of The Tower caused your brain to fire off in all sorts of directions. That is, the symbol caused your mind to imagine. Even as your eyes looked upon the card, your mind was seeing other things, which flashed beneath your vision and projected onto the card (i.e., "read" the card) in a specific way.

Hold that thought. Here comes another.

Knowledge is pointless on its own. For instance, if you live in a society that doesn't care about making concrete, then the knowledge about how to properly mix concrete is irrelevant. Alternatively, if someone asked you to make concrete, it wouldn't make a difference if you could explain how its done; it would only help if you knew how to actually make it. The question with all knowledge is: can you apply it?

It's the same with symbols. Just as the knowledge of concrete-mixing doesn't really exist in a textbook, but in your ability to apply that knowledge, so too the power of the symbol is not in the symbol, but in your ability to experience the symbol. The knowledge of the tarot does not lie in memorizing cards. The true power of the tarot is in your ability to "converse" with the cards. The power lies IN YOUR MIND. But that doesn't make it a delusion. Far from it. Cognitive scientist John Vervaeke calls this sort of thinking "imaginal" thinking, and points out that it's a real way of knowing.

This might sound abstract. After all, meditating upon a symbol seems totally different than mixing concrete. The former is highly abstract, while the latter feels much more concrete (pun intended). But this is an illusion.

Allow me to make an analogy, and think about a computer algorithm, which is just lines of code. This code essentially is immaterial. It doesn't exist anywhere physically (it's just an analogy folks; don't get too literal).

The algorithm — the line of code — is an abstraction of some task which the machine can perform. The code represents some particular job the computer does. When a person interacts with this line of code (i.e., "runs" the code), the result is that the computer does something. And this is true even though the process is not simply material or physical, but sort of an abstraction.

Symbols, I believe, are the same. Meditation is the key that flips the switch, and makes the program run. The process of meditating on a an esoteric symbol activates that symbol like a line of code. Moreover, these symbols carry associated functions which unfold in an imaginal space — just as a line of code might unfold "in cyberspace" rather than in physical space. This is what Jung was doing with his "active imagination," by the way, except he did not meditate upon symbols explicitly. He mainly just let his mind wander, which is kind of hard (especially for newcomers to esotericism). It is clear that a SYMBOL facilitates active imagination. It helps to anchor our awareness "somewhere" while it simultaneously goes "somewhere else" in the imaginal space. Go back and look again at the Tower card and tell me this isn't true. Doesn't it 'instantly trigger a series of images to flash in your mind, even as you hold the image of the Tower in your eyes. You feel it, if you pay close attention — that split between what your eyes are seeing, and where your mind is going. And the two are not the same.

The question is: What does this say about esoteric belief systems in general?

I would argue that the clinical academic approach, which is so popular in our scientific age, is absolutely fucking pointless. It's only interesting as an intellectual exercise, and doesn't actually tell you anything. Archaeologists and historians from the future, looking back on OUR culture — the one in which we are REALLY LIVING right now — might be able to guess a variety of things about us based on our buildings and our texts and our art. They might make decent guesses about how our society is organized, what we believe, how we conceptualize our place in the world, etc.

But they would never know what it was like to be here, to see life from our particular vantage point. To do that, the academics of the future would have to imagine themselves "here" where we are. And that's not science. That's imaginal thinking. That's what a poet or writer or artist does.

This approach, the imaginal approach, works the same with symbols and esoteric materials. You could memorize the meaning of each card in the tarot, each sign of the zodiac, each element of the Alchemist. You could take notes until the info is drilled into your hippocampus and you retain the information long-term. You could map out the meanings of each symbol and give lectures on what "some people think about the tarot" or "what the Ancients used to believe about astrological symbols."

But what's the fucking point of that? You should be interested in what the tarot can do for you, right here, right now, in this life. And if you're going to really apprehend what's going on in the tarot — and by extension, understand what you hold within yourself — you have to hold off on the detached, intellectual, academic bullshit.

You have to step into it, and use it.

#tarot #esotericism #symbolism #esoteric #occultism #occult #antimaterialism

[maquina-semiotica]

Antimaterial Worlds, "Grip The Release" #NowPlaying

#Antimaterial Worlds #Spotify

[onlineviolence]

you remind me kinda of sentry ultrakill. i think you could kick someone into orbit and snipe them. Also seem a bit streetcleaner core.

thats awesomeI wish I could do that...

#oh to be an antimaterial rifle on legs #anonymous #ask game #I will draw them they're so cute #and SO BIG WHY ARE THEY SO BIG

[qclort5dazfcic]

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#fluffiness #half-deprecatingly #pashed #brazed #inapplicable #Claudianus #summitless #mislippen #nonappreciative #subtend #permutate #antimaterialism #erectable #glossate #vectographic #eau-de-vie #Lundquist #snow-pure #coalitions #grubs

[erobret]

                                                     @antimaterial​

            ❝    I    COME    BARING    COFFEE    !    ❞    hands    full    she’s    pushing    the    door    open    to    the    office    common    area    .    she’d    been    transferred    to    his    unit    for    the    time    being    .    she    didn’t    know    how    long    she’d    stay    but    it    was    nice    seeing    a    familiar    face    ----    plus    she    got    to    see    chris    more    as    well    so    that    was    a    bonus    !    she’d    gotten    everyone’s    orders    and    did    a    quick    run    two    blocks    away    at    that    cute    little    cafe    she’d    been    fancying    since    the    transfer    .    ❝    here    you    go    piers    !    oh    !    and    a    muffin    because    breakfast    is    important    !    ❞    she’d    gotten    chris    one    as    well    which    resulted    in    a    ruffling    of    her    pixie    cut    which    she    had    to    fix    immediately    .            

#antimaterial #▓▓▓┆♚ ˖° ❛ SHERRY : in character #▓▓▓┆♚ ˖° ❛ SHERRY : post re6 verse

[jaded-falcon]

(1) New Message Message For: Lady S. Cameron, M. Hazen, H. Lewis, S. Caruso, T. Marten-Steiner, K. Moon, O. McEvedy, Amber, Y. Liming, Rose, R. Harwood [99+ more] From: [SENDER DOES NOT EXIST] MESSAGE AS FOLLOWS: Attached is a list of known Blakist infantry weapons. ATTACHMENT: Blake_infantry_weapons.txt (VIRAL SCAN CLEAN) Open? (Y) (N)

Open? (Y) (N) Opening file: Blake_infantry_weapons.txt...

Subject: An advisory for everyone on Operation TOUCHDOWN on known Blakist infantry weapons. Be advised, this is not an exhaustive list; merely an analysis and report of common weapons sighted so far.

Reporting Operative: "Spirit"

General Overview: All Blakist anti-infantry weapons that I know of are chambered in 7x50 Blake. Their anti-armour weapons are chambered in 20x100 Dominus. Every weapon is well-tooled and they are typically maintained well; some may be bio-coded and boobytrapped.

"Salvation" BGM140 Infantry Rifle: 40-round double-stack box magazine chambered in 7x50 Blake. Unfortunately, this rifle sets the tone for all to follow: the Salvation is really, really good. While it is a degree under the Clantech Wolverine, it's reliable as a brick, modular, and well-suited for sustained combat. Jams are easy to clear, it's easy to clean; if you cannot get a Wolverine, take one of these as isorla and change the barrel out to a round you can find easily.

"Liturgy" BGM250A Squad Automatic Weapon: 100-round box magazine in 7x50 Blake. Bad news continues; once again, a really good gun. The Liturgy offers a high rate of fire, optional 200-round magazines, an easy-to-replace barrel with integrated cooling shrouds, and accurate fire out to seven hundred metres even when firing tracers. This thing is versatile; Blakists use this as their light machine gun, heavy machine gun, it's even mounted on some of their BattleMechs.

"Predestination" BGM710 Designated Marksman Rifle: 10-round single-stack detachable box magazine in 7x50 Blake. Accurate up to one kilometre and deadly at that range. Blakists typically equip this thing with a variable 1-12x scope; several that I have laid claim to have also had advanced thermal optics capable of viewing targets through walls. During combat operations, remember to shield yourself thermally or hide behind something impenetrable.

"Sacrament" BGM10 Sidearm: 8-round horizontal side-loading magazine in 7x50 Blake. Good news: this gun is only mediocre. Bad news: it is not because it is bad, it is because it does not know what it is trying to do. The calibre of this gun makes it feel like a rifle, while the capacity and usage screams pistol. It is awkward to reload, but hits like a flatbed truck.

"Mendicant" BGM50 Antimaterial Rifle: 10-round magazine chambered in 20x100 Dominus. This thing is accurate and deadly at ranges up to two kilometres, and can take the head off of even an experienced infantryman. A good enough shot with this thing can punch through armour and detonate primed missiles. Be careful for snipers wielding this weapon; they can and will ruin your day.

MESSAGE ENDS. STOP STOP STOP

#silk hiding steel #battletech #mechwarrior #story event

[puellamagiholyquintet]

What if madoka just kills homura and then the universe collapses because homura isn't there to maintain her soulgem labyrinth land and madoka can't return to her god self so it all just crumbles and she dies too and it just ends like (poof) no more madoka magica for us :) also I want another mami spinoff Canon or not (or atleast release translations for mitakihara antimaterials legally)

#puella magi madoka magica #puella magi #madoka magica rebellion #magia record #holy quintet #mami tomoe #madoka magica #manga #kaname madoka #akemi homura #walpurgisnacht rising #walpurgis no kaiten

[lukore]

antimaterial rifle but instead of obliterating you through conventional means it annihilates your material existence by way of metaphorizatuon

[obfuscobble]

100.4

Wild that Kekkai Sensen took a turn for the Catholic at the end but i shouldn't be surprised seeing as Trigun was Catholic the whole time. Though by ep3 it was rather clear that my estimartion "durararara + loveccraft" was incorrect and kekkai sensen is properly elevator pitched as "Durararara + the anime film Hells." speaking of which ive let yall go by two halliweens without subjecting yall to hells and Adam progrenitor of mankind vbeing a himbo and wifeguy and Winslow leech is there but a hot babe and you will cry over frankenjesyus. the one and only unbegotten daugjter of God is a realone tm. Ok but bay right Kekkai Sensen fumn m i like very much. also also isn't being called "KIng of debauchery " just "wouldst thou like to live deliciously?" as a job? and how is living deliciously evil ; im no antimaterial dualist valentian so as long as living mas doesn't hurt others i think tis fine to embrace living life in a way that is actually fun and happy for if God created the heavens and the earth, shant we ddliht in it??? Yall gett

Ing gnostic out there and i can smell it like wearing mudni gh t blue to a black tie party yer shiiiiiiinin'.

Which os mot to say that im a accuwsing Nightow of propagating the doctrine of the aeons hidden by yaldabaoth,s false creation and salvation from physical ecistabce through the knowledge of aeon sophia as evidenced and realuised through abstemiousness and self torture. no one could accuse the creator of Nicholas Bigolas Dickolas Wolfwood of that. I dont even think his works are in dialogue with that since the duality of man as embodied and played out by twins integral to the theming in both trigun and kekkaisensen and it is in itself an ectremely mortal dilemmam, relying on mankind itself to provide both damnation and salvation even when the supernatural is present. thank you for coming to my femt talk.

Klaus is still my favourite character but his name doesn't slant-rhyme with ted so i had to do it for the joke. Shoutout to the betch who lives deliciously though:can't wait to watch season two tomorrow. i cant die when i wanna know what happens. And I cant die if there is a chance I'll see sweet little puffed shiitake obi nNrjej again.

addebndum correction there is no way i should call breing king of the live mas mentality a job. that bisaster does not have jobs. he has lufestyles and passions but god forbid employment.

Edit edit edit if you're so bored all the time why don't you try getting a job at a non-exploded burger joint anf find out how the proletariat lives. Lost skeleton of cadavra gif insert i sleep now spooky font

#kekkai sensen #gnosticism

[dreamerwitches]

Do you know anywhere i can buy mitakihara antimaterials? Asking u cs homumami is your forte isnt it? Thanks in advance !! -☆

I dont know im afraid v-v it would probably be through a Japanese site like amazon japan, mercari etc. (id say try buyee but i have no experience with it so i cant help any further…)

#Ask

[maquina-semiotica]

Antimaterial Worlds, "Grip The Release"

#Antimaterial Worlds #Spotify

[kamuro-junrenka]

Its so fucking funny how in dead souls everyone has like. semi normal weapons and kiryu whos the one that hesitated the most about killing zombies gets a fuckin antimaterial rifle

#im playing the premium adventure just doing whatever and i totally forgot how enormous kiryus weapon is lmao #rant #yakuza #kiryu #yakuza dead souls