Tumgik
#avant-poste
nowimnothing-inc · 1 month
Text
Tumblr media
Japanese CD of Bauhaus The Sky’s Gone Out
944 notes · View notes
francoisege · 2 years
Text
On ne peut défier la chance impunément
On ne peut défier la chance impunément
Nous étions si fragiles…     Mais Dieu allait abandonner la France… L’énergie électrique française était produite, depuis le dernier quart du vingtième siècle, par une cinquantaine de réacteurs dont plus de la moitié avaient dépassé depuis longtemps la limite d’âge prévue par leurs concepteurs, et que l’exploitant rafistolait tant bien que mal en dépensant des sommes inconsidérées pour assurer…
Tumblr media
View On WordPress
0 notes
zegalba · 7 months
Text
Tumblr media Tumblr media
Jordan Arthur Smith: Post Human Prelude (2022)
1K notes · View notes
chessboxingstreetwear · 5 months
Text
Tumblr media Tumblr media Tumblr media
Button Network
307 notes · View notes
legendarytragedynacho · 6 months
Text
Tumblr media
Björk
262 notes · View notes
2001hz · 11 months
Text
Tumblr media
'Post-Modern Mood Structures' third series by David Lynch, Interview Magazine (1988)
model: Jackie Old Coyote
makeup: Paul Gobel
397 notes · View notes
Text
Tumblr media
114 notes · View notes
inthesovietsnow · 11 days
Text
Tumblr media
85 notes · View notes
guerrilla-operator · 6 months
Text
Tumblr media
THE SUGARCUBES
156 notes · View notes
thecreativemillennial · 5 months
Text
Tumblr media
Johnny Rotten and Siouxsie Sioux
132 notes · View notes
everydaym0nstrosity · 2 months
Text
145 Of The Best Avantgarde/Experimental Record Labels Of All Time
  4iB Records
  905 Tapes
  Abandonment
 Abhorrent A.D.
 Aguirre Records
Alchemy Records
American Tapes
Angst
Ant-Zen
Arbor
Artoffact Records
ASRAR
At War With False Noise
Audial Decimation Records
Bacteria Field
Basement Tapes
Beast 666 Tapes
Bizarre Audio Arts
Blackest Ever Black
BloodLust!
Breathing Problem Productions
Broken Flag
Cabin Floor Esoterica
Callow God
((Cave)) Recordings
Chondritic Sound
Cloud Valley
Cloister Recordings
Cold Meat Industry
Cold Spring
Come Organisation
Crucial Blast
Cryo Chamber
Dada Drumming
Dark Vinyl Records
Deadline Recordings
Deathbed Tapes
Depressive Illusions Records
Diseased Audio
Dom/Dom America
Downwards
Drakkar Productions
Drone Records
Editions Mego
Eibon Records
End All Life Productions
Excite Bike
Extreme/Zero Cabal
Fag Tapes
Filth And Violence
Finders Keepers Records
Forced Exposure
Freak Animal Records
Fusty Cunt
Gods Of Tundra
G.R.O.S.S.
Hanson Records
Harbinger Sound
Harsh Head Rituals
Harshnoise
Hooker Vision
Hospital Productions
Housecraft Recordings
Hydra Head Records
iDEAL Recordings
Ipecac Recordings
Infinite Fog Productions
Järtecknet
Less Than Zero
Living Tapes
Loud!
Maggot Valley
Mannequin
Malignant Records
Menstrualrecordings
Monorail Trespassing
Moon Mist Music
Mother Savage Noise Productions
Murder Release
Musica Maxima Magnetica
Mutual Aid Records
Narcolepsia
Nefarious Activities
Night People
No Fun Productions
No Kings
Not Not Fun Records
Nurse Etiquette
Old Europa Cafe
Oxidation
Phantasma Disques
Posh Isolation
Primitive Propaganda
Prophecy Productions
Release The Bats Records
Relapse Records/Release Entertainment
RRRecords
Rotifer Cassettes
Rotorelief
Sacred Bones Records
Satanic Skinhead Propaganda
Segerhuva
Self Abuse Records
Shock
Side Effects
Skam
Skeleton Dust Records
Sky Burial
Slaughter Productions
Sloow Tapes
Smell The Stench
Soffitta Macabre
Sound Of Pig
Southern Lord
Space Slave Editions
Spite
Staalplaat/Nekrophile Rekords
Steinklang Industries
Sterile Records
Susan Lawly
Swampland
Sweat Lodge Guru
Terror
Tesco Organisation
Third Man Records
Thorax Harsh Cassettes
Torso
Total Black
Tranquility Tapes
Trapdoor Tapes
Trash Ritual
Tribe Tapes
Troniks
True Force/Pain Electronics
Turgid Animal
Tzadik
Urashima
Utmarken
Vis A Vis Audio Arts
Wagon
Wax Trax! Records
White Centipede Noise
Weird Input Records
We Release Whatever The Fuck We Want Records
ZSF Produkt/Lowest Music & Arts
56 notes · View notes
hsslilly-blog · 29 days
Text
high school story mc: autumn and i are putting together a student resource fair to help our friends relax during finals week :)
hollywood u mc: okay crash now hit the second tower
43 notes · View notes
zegalba · 7 months
Text
Tumblr media Tumblr media
Jordan Arthur Smith: Post Human Pants (2022)
486 notes · View notes
chessboxingstreetwear · 7 months
Text
Tumblr media Tumblr media
Button Network
296 notes · View notes
Text
Tumblr media
Blixa Bargeld of Einstürzende Neubauten, 1984
511 notes · View notes
shifting---patterns · 5 months
Text
How Post-Punk Influenced Nowadays Fashion
It's been a long time since Malcolm McLaren opened his boutique "Sex" in the 1970s, and Vivienne Westwood equipped the Sex Pistols with their iconic outfits and sent them out onto King's Road. The approach back then was: "Being anti at all costs, against the establishment." Eventually, it turned into "Do It Yourself." It was fashionable because it tried not to be fashionable.
Tumblr media
A few years later, members of Joy Division met at a Sex Pistols show in 1976 and started as a punk band. However, it soon evolved into something entirely different. When you listen to old Joy Division songs like "Warsaw" you can clearly hear the punk rock influences, but the band quickly started to deviate from the common motifs of the genre.
Tumblr media
The music slowed down. The noisy guitar sound of punk was subdued to appear more intriguing, and Ian Curtis's existentialist lyrics, influenced by authors like Fyodor Dostoevsky, Jean-Paul Sartre, and Franz Kafka, focused not on chaos, rebellion, and hedonism but reflected his fears, physical sufferings, and the absurdity in the face of the zeitgeist and social influences of the 1970s and 1980s, marked by changes and political uncertainty, forced Joy Division to experiment.
They created not only something musically unique but also something aesthetic. For example, with their monochromatic designs on their album covers for "Unknown Pleasures," which is probably the third best-selling T-shirt in fast fashion stores, alongside Nirvana and the Ramones T-shirts. Joy Division ended in 1980 after Ian Curtis hung himself in his kitchen. They not only helped shape the sub-genre "Post-Punk" but were also the unofficial soundtrack of existentialism. The soundtrack that made Joy Division's music feel so genuine. Because it was genuine.
Of course, in the 1960s, there were artists who processed existential themes in their lyrics. A good example would be Lou Reed of The Velvet Underground, who, heavily influenced by literature, dealt with many serious topics in his lyrics. However, it wasn't just their music; it was also their appearance that defined Joy Division. On stage, in promo pictures, and in interviews.
Tumblr media
Ill-fitting shirts from army surplus stores, old man's pants, a few pair of derbies, big raincoats. Everything that was atypical for the punk movement, and many other artists, including The Cure, The Smiths, Siouxsie Sioux and the Banshees, Bauhaus, Alien Sex Friend or Sisters Of Mercy, went in the same direction: Through a dark, introspective, sometimes minimalist, but avant-garde aesthetic, they set themselves apart from punk and society, and looking at bands from the Post-Punk Revival from the 2000s like Interpol, Iceage, Molchat Doma, Boy Harsher, or Cold Cave, it quickly becomes apparent that this aesthetic has proven itself for almost 50 years.
Tumblr media
This trend was, of course, not only an inspiration for musicians but also for artists, fashion designers, architects, and many more.
One designer that immediately comes to mind is Antwerp-Six member Ann Demeulemeester from Belgium, whose influences clearly evoke artists like Siouxsie Sioux or Patti Smith but also the playful goth look of the 1980s era by Rei Kawakubo (Comme Des Garcons) or Japan's goth father himself: Yohji Yamamoto.
Her story begins in Antwerp, where she initially studied at the Royal Academy of Fine Arts and quickly got to know the other Antwerp-Six members. She and the Antwerp Six presented their collections at Fashion Week and quickly became highly esteemed designers, now considered among the greatest designers of all time. Many of Ann's collections featured songs by Patti Smith, Nick Cave and the Bad Seeds, or The Velvet Underground.
This alone shows the influence of Post-Punk on Ann Demeulemeester's designs. Her asymmetrical cuts and draperies, her monochromatic, Kawakubo and Yamamoto-inspired, mainly black designs were groundbreaking, bringing avant-garde ideas in a consumable form to the people.
Tumblr media
Another noteworthy designer from Antwerp is Raf Simons and his collections. Raf Simons grew up in the 1980s and was deeply rooted in the punk and goth subculture, whose influence can be traced in many of his collections or directly referenced by Raf himself. Notable are his A/W96 collection, which includes all-black looks with jet-black dyed hair and long black overcoats, his A/W99 collection with direct Joy Division references, black cloaks, and Gothic looks on the runway.
Raf's most famous collection A/W02-03 Riot Riot Riot! A coveted collection featuring cutoff and distressed hoodies, repurposed military garments, and loaded with punk references through patches. Among them, a bomber jacket with a patch depicting the self-harming Richey James Edwards of the Manic Street Preachers.
Obviously, his A/W03-04 Closer collection with a direct collaboration with Peter Saville, the graphic designer of Factory Records, featuring iconic graphics from Joy Division, New Order, and more.
Tumblr media
These two examples of designers actively influenced by this culture are just a fraction. These designers were punks or goths themselves. People influenced by the postmodern identity of the time and post-Soviet tradition. Post-Punk fashion embodies the music of the time it emerged and aligns with deeper considerations. So, it didn't take long for the entire fashion world to embrace this style, partly because "Gothic" and "Punk" became more mainstream, and partly because its aesthetic components were easy to design due to their often penetrating monochromatic minimalism.
Not only goths or avant-garde designers like Ann Demeulemeester, Martin Margiela or Rick Owens, deeply connected to the style and subculture of that time, but also luxury designers like Prada, Balenciaga or Bottega Veneta are incorporating it.
Tumblr media
The look is romantic, dark, longing for death, partly edgy, partly overloaded. All aspects that exude a constant attraction from the clothing, as people are often drawn to "the other," sometimes even "the forbidden." The look can also be easily detached from the actual Post-Punk/Goth culture - something postmodernity excels at. The style of the Gothic culture can be perfectly broken down into its individual parts and used as a kind of aesthetic sandbox. Here a thick heavy chain, there's a choker, here big long earrings, add a pair of black high combat boots, a slim-fitted mesh shirt, and preferably paint the nails, and you're done. All things that houses like Prada, Marni, Bottega Veneta, for example, have done right.
Tumblr media Tumblr media
What we see today in the Post-Punk-influenced style and what we interpret as avant-garde should actually be considered a modern tradition. Post-Punk fashion embodies the music and the spirit of the time it emerged and aligns with deeper existential discourses. The design language and atmosphere of that time are now used by traditional fashion houses to incorporate young designers into their ranks and increase their relevance, merely fulfilling their quota to be considered part of the traditional fashion pipeline of LV, Dior, Gucci, and Balenciaga. The avant-garde cannot be seen as so established. The rapid growth these companies have undergone to make billions and the inheritance method of finding a designer to take over the house are enough to profile themselves as industry magnates.
Tumblr media
In a world where fashion constantly reinvents itself, the enduring legacy of post-punk culture persists as a modern tradition. From the raw, rebellious sounds of bands like Joy Division to the avant-garde designs of Ann Demeulemeester and Raf Simons, the essence of post-punk continues to captivate hearts and minds. As luxury fashion houses seamlessly incorporate this style, it's vital to recognize the roots and the countercultural spirit that birthed it.
The romantic, dark allure, the edgy overtones – they all beckon, inviting us to explore "the other," even the forbidden. Yet, amidst the mainstream adoption, a call echoes for authenticity. True avant-gardists, whether musicians or designers, carve their paths, declaring, "This is our thing." The new avant-garde emerges not just from runways but from the pulsating hearts of those deeply rooted in their subcultures.
In a world dominated by industry magnates, the journey of post-punk fashion from the underground to luxury houses is a testament to its enduring power. As we witness the evolution, let us celebrate the genuine, the authentic, and the countercultural voices shaping the new avant-garde.
So, whether draped in asymmetrical cuts or sporting a rebellious attitude, the message is clear: The post-punk spirit lives on, and the next wave of avant-garde creators is ready to make their mark, confidently declaring, "This is our thing."
Davis Jahn
75 notes · View notes