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#basically polished but i guess technically this is a wip
chameleocoonj · 3 months
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semaphore fans: is this acceptable to read as "frog" or would it be better with the "letters mode" flag in front? 🐸🐸🐸
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coraniaid · 2 years
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Writing asks: 2, 4, 10, 18, 20
Thanks for the ask!
(And … uh, apologies for how long my answer got.  I took the suggestion to ramble seriously.)
I answered 2 here.
4) Share a sentence or paragraph from your writing that you’re really proud of (explain why, if you like)
I guess technically I already answered this too, but another line I’m proud of, from Chapter 13 of the current Buffy WIP, is: ”As apologies go, Faith can't help but notice that this isn't one.”
Oh, and from a very short one-shot (at least so far) Mass Effect fic I wrote last year:
The trip upcity was uneventful. The two asari sat together in the front, leaving me alone in the back to gather my thoughts. Mostly I was thinking things like oh shit, which aren't the sort of thoughts that take long to gather.
... actually, going back to (2), I guess I’d like to write more of this fic in the future, too. The world needs more volus accountants who think they’re the protagonists of a Raymond Chandler novel.
10) How would you describe your writing process?
“Overplanned”, maybe? I mean, I don’t think I’ve ever just sat down and written anything longer than a thousand words or so from beginning to end.  I wish I could, honestly, but I just can’t do it.
I usually start off with an outline: breaking each chapter into a number of scenes and working out what I want to happen in each one. Then I have a first pass through each of those scenes (not necessarily in the order they’re going to appear), writing a “first draft” that focuses primarily on dialogue and some placeholder stage directions and (maybe) any big internal monologues or action set-pieces.
When I’ve got most of a skeleton of a chapter ready that way, I might go back and mess around with the order of the scenes a bit, cutting scenes entirely or adding in any new scenes I decide are needed. Sometimes cut scenes are saved for a later chapter, sometimes I take the key bits of dialogue or inner monologue from them and rework them somewhere else, and sometimes the whole thing just gets deleted.
I then try to force myself to go through the whole document from start to end for the first time, expanding the basic skeleton into something that resembles a coherent full draft of the chapter, rereading and rewriting the initial placeholder dialogue as I go. And once I have that draft ready, I usually sit on it for a day or two before reading it over again a few times and trying to revise it, though by that stage I try not to change the general structure too much. I’m mostly focusing on trying to make sure that everyone seems to stay in character throughout, that any big emotional beats happen in the right order and that more generally the different scenes actually fit together into something coherent.
That last stage can either take a day or two (which is how long Chapter 11 of my current WIP took), or something closer to a couple of weeks (which is … okay, probably how long most chapters take). The trap I try to avoid falling into at this point is spending more and more time polishing the scenes that I like and that are already mostly finished while ignoring the scenes that actually still need serious work. (I mean, that’s what I try not to do. And yet.)
… okay, just writing all this down makes me realize how inefficient a way of writing fiction it probably is.
18) Do any of your stories have alternative versions? (plotlines that you abandoned, AUs of your own work, different characterisations?) Tell us about them.
No fully fleshed-out alternative versions of anything: I guess that’s one of the benefits of being fairly strict about planning things in advance. But a couple of chapters in my current WIP were very different in those early planning stages.  In both cases I was unhappy enough with what I had after a couple of weeks that I ended up scrapping the initial drafts and starting again from scratch. If I hadn’t done that, I think the overall story would be pretty different, at least in tone.
Also – and being slightly vague to avoid spoilers – there’s a subplot involving Xander in the current Buffy WIP which didn’t ever change as such but kept getting pushed back later and later (until chapter 20, anyway). In fact there are still a couple of lines intended as foreshadowing/references to it in the earlier published chapters that now don’t really make much sense.
(I do like the idea of writing AUs of my own work though! If I could write faster, I’d definitely be tempted to try it.)
20) Tell us the meta about your writing that you really want to ramble to people about (symbolism you’ve included, character or relationship development that you love, hidden references, callbacks or clues for future scenes?)
Oh, well, I love stealing borrowing repurposing lines of dialogue or ideas from canon into different contexts. In my current Buffy fic, that mostly means taking important conversations between Buffy and Faith and reversing who says what and why, or taking conversations between Faith and Angel (or Buffy and Angel, or Buffy and Spike), giving one side of the conversation to Buffy or Faith instead and playing around with who and what they’re about.
And the reason I think this works is because the show itself is always in conversation with itself and its earlier seasons too. I mean: you can’t really talk about Spike and Buffy in Dead Things without talking about Buffy and Faith in Consequences, for example, or about Buffy and Faith’s relationship in Season 3 without talking about Buffy and Angel(us) in Season 2.
Really, the whole fic itself is about taking Season 3 and shaking it up a bit so that things which are subtextual or have to be inferred (like the nature of Faith and Buffy’s relationship, or the extent to which Jenny’s death hangs over everyone all season) are made explicit. Not because I think that would have been better than what happened in canon -- I don’t -- but as a way of commenting on and talking about those parallels.
Some examples of that sort of thing I really like are: Faith’s final words to Buffy in the library in Chapter 3 (“I figured you’d be taller”), the dream Buffy has about Angel at the start of Chapter 10 (“You ever going to pull this thing out?”), and the fight Faith and Buffy have at the end of Chapter 16 (“No, you don’t get it. I don’t care.”)
I also love dream sequences, and my current WIP has … a lot of them.
The most recent update (Chapter 21) is basically 14,000 odd words of symbolic dream sequences and foreshadowing and callbacks (to both earlier chapters of the fic and to all sorts of moments from canon). I have promised myself that I will write a properly self-indulgent post about it one day … but probably not until I’ve actually finished the fic.
Before that, Faith has a dream at the start of Chapter 8 which is meant to have a lot of foreshadowing in it: to the extent that the very first line of the next scene is Faith’s Watcher explicitly flagging this as being a prophetic dream.
Off the top of my head, and again being a bit vague in case of spoilers: the snow is a reference to the end of Chapter 12, the crystals and the birthday cake (and Buffy’s line “It’s not your turn yet“) are references to Chapter 14, Faith’s own appearance when she looks in a mirror is a reference to Chapter 19 – and equally all three chapters are variations on things that happen in Season 3 proper, so the references also point to those original episodes – while Buffy’s lack of reflection is a reference to somebody Faith meets in Chapter 11. And of course the clock running down, the neglected state of the library and the fact Buffy’s dressed for a funeral are all intended to foreshadow what happens at the end of this chapter (which I guess I’m still being coy about, if not very subtly).
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scapegrace74-blog · 3 years
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Ginger Snap, Chapter 2
A/N I am breaking probably the only rule I gave myself when I started writing fanfic, which was Don’t Ever Post a WIP.  But lord knows I’m not immune to peer pressure and the narcotic that is reader feedback, so here it is, the second chapter of what is now an open-ended modern AU story about Jamie the Chef and Claire the Kitchen Disaster.  Still a first person Claire POV, so I apologize in advance for any stray pronouns.
For the first chapter, I recommend reading it on Ao3, since I’ve made some minor edits since I first posted it on Tumblr.  See above re. not planning on posting a WIP.
Oh, and funny story.  When I decided to check the location of the real Ginger Snap catering company in Edinburgh, it was squished between “FrazersOnline” and “McKenzie Flooring”.  If that’s not kismet, I don’t know what is.  The location I describe below, however, is based on a catering venue here in Ottawa called Urban Element, where I’ve attended a few team-building events.  I have yet to set anything on fire, though.
I checked my phone for the third time, confirming I wasn’t lost.  
Frank and I moved to Edinburgh over the summer, just in time for him to start his position as Associate Professor of History at the University of Edinburgh. Despite our years spent in America, neither of us cared overmuch for driving, so we chose a flat (or rather, Frank chose a flat and I concurred) not far from campus.  Therefore, this was the first time I’d ventured as far afield as Leith, a maritime enclave just to the north of the capital that couldn’t seem to decide if it wanted to be grittily working class or artistically hip. 
When I finally reached the address, I had to smile.  No main street pretensions or non-descript commercial frontage for Ginger Snap Catering.  Before me stood a two-story red brick fire station, still emblazoned with the crest of the Scottish Fire and Rescue Services.  The two massive truck bays were now enclosed by see-through doors that could be drawn back on a sunny day.  Through these a warm yellow light could be seen, spilling onto the grey, damp pavement.
A petite woman with dark hair manned the small reception area, a red-haired toddler clinging to her like a marsupial.  She held a phone to one ear while simultaneously pacing the polished concrete floor.  I stood as unobtrusively as possible near the door, but in such an open space it was impossible not to overhear her side of the conversation.
“... they willna take ‘im back until ‘is fever goes down...  aye, an hour ago when I picked him up but it hasn’t... nay, i dinna think it’s... tis jus’ terrible timing with two weddings t’morrow... Could ye?  Och, I owe ye Mrs. Fitz, a million times o’er... Anytime, we’ll be here.  Alright, soon.”
The speaker turned to me, the harried look of a working mother sharpening her already honed features.
“I apologize fer keeping ye waiting.  What can I do fer ye t’day?”
Before I could respond, the young boy, probably no older than two, began to fuss, rubbing his flushed cheek against his mother’s shoulder.
“Och, mo ghille, Mam kens ye’re poorly.  Mrs. Fitz is coming as fast as she may.”
Unable to quell my instinct to diagnose and then cure, I spoke up.  
“I couldn’t help overhearing your conversation.  Based on his age and the way he’s holding his head, it may be an ear infection.”  At the woman’s penetrating look, I hastened to explain: “I’m a doctor.  Would you mind if I took a closer look?”
Permission granted, I carefully palpated the boy under the jaw and peered as best I could without an otoscope into the offending ear canal.  Confident in my diagnosis, I recommended treatment with a warm compress, an over-the-counter analgesic ear drop, and children’s paracetamol to control his fever.  If, after twenty-four hours the symptoms had not improved, they could consider seeing his pediatrician for antibiotics, but these were only truly necessary for a persistent infection.
“Och, ye ‘ave no idea what a relief it is tae hear ye say so, lass.  He’s my first bairn, ye ken, an’ I can ne’er tell if I’m over-reacting or being negligent.   Can ye say thank ye tae the nice doctor, Wee Jamie?”
My stomach jumped.  “Wee Jamie?  Is he related by chance to Jamie Fraser?”
“Aye, tis his nephew.  I’m Jamie’s sister, Jenny.  Ye ken my brother, then?”
The pieces fell into place, and my insides settled.
“We’ve spoken before,” I explained.  “I’m Claire Beauchamp.  You and your brother helped me with a dinner party emergency last Tuesday.  I came to return your market bags, and to thank you again for coming to my aid during my hour of need.”
Jenny and I spoke for another ten minutes, sharing the superficial narratives of two strangers brought together by circumstance.  She was warm and thistly by turns, and I felt a longing for the honesty of female friendship that I’d given up when we left Boston.  Eventually a matronly woman arrived to collect Wee Jamie.  I carefully wrote down the exact names and dosages of my prescribed remedy.
After Mrs. Fitz and Wee Jamie had left, it occurred to me that Jenny needed to get back to work.  I’d accomplished what I’d set out to do, even if I hadn’t thanked Jamie himself.   As I began to make my goodbyes, however, Jenny interjected. “If ye’re no’ in a rush, why dinna ye join our afternoon cooking class?  My brother will be demonstrating how tae make quiche.  Tis the least we can do, after ye helped Wee Jamie.”
Which was how I found myself standing behind one of six cooking stations arranged across the fire station’s main area, a bright red apron covering my black slacks and saffron turtleneck.  My impetuous curls were slowly breaking ranks from where I’d slicked them into a bun that morning.  I worried I looked like a human Pez dispenser.
I glanced at the workstation immediately to my left.  A slight woman who I guessed to be roughly my own age was engrossed in her phone, a cheeky smirk playing on her berried lips.  Her strawberry blond hair was swept into an effortless chignon that made me twitch with envy.  She looked up from her screen and caught me looking her way.
“Geillis Duncan,” she said, offering a well-manicured hand.
“Claire Beauchamp.  Pleased to meet you.”
“Is it yer first time taking a class, Claire?”  At my nod, she leaned in and whispered conspiratorially: “Ye’re in for a treat.”
Before I could enquire what she meant, a murmur amongst the other students (all women, save one) was accompanied by the heavy tread of work boots on polished concrete and a familiar Scottish burr.
“Good afternoon, everyone.  Thank ye fer joining me on this dreich Scottish day.  I ken a few of ye are new, so let’s start with a brief overview of yer stations and some basic safety reminders, before we tackle the quiche.”
Today Jamie was wearing a pair of olive pants that tapered down his endless legs and a technical shirt that clung valiantly to his upper body.  He looked like he’d just stepped off the nearest rock climbing pitch.  I wondered if he owned anything that answered to the name of a professional wardrobe, but I couldn’t deny that he looked impressive, in an athleisure sort of way.
“See what I mean?” Geillis hissed at me as Jamie made his way to the front of the hall, speaking now about optimal burner temperatures.  “That man is a dozen kinds of yes.”
I concentrated on each step of the ostensibly simple recipe.  Pie crust had been the previous week’s assignment, so I had only to blind bake the prepared dough already at my workstation.  Once I had the crust centered exactly in the pie pan, pierced with a fork in orderly rows and placed in the oven, I rushed to catch up with the others.  I’d missed Jamie’s instructions regarding pan frying the bacon, so I increased the flame, thinking I could make up a little time.  The fatty meat crackled pleasingly as I set it in the lightly greased pan.  I was inordinately proud of myself.
Things went very badly, very fast.  First, my eyes wouldn’t stop watering as I meticulously peeled then dissected the onion into near-transparent crescents. Tears obscured my vision and I tried to wipe them away without contaminating my hands.  To my left I could make out Geillis skillfully cracking eggs into a glass bowl, her pie crust already elegantly filled with crispy morsels of bacon and caramelized onion bits.  
A vague sense of having forgotten something important tickled my mind.  My pie crust!  Grabbing a silicone glove (I wasn’t making that mistake twice) I rushed to the wall oven and extracted the pan.  Giddy with relief, I saw the dough was only a little dark around the edges.  
Before I could return victorious to my station, Jamie uttered a Scottish noise of alarm from his vantage at the front of the class.   We both rushed across the room to where my rashers of bacon now resembled blackened shoe laces obscured by a heavy veil of smoke.  With practiced ease, Jamie lifted the entire skillet into the adjacent sink and turned on the cold water.  A cloud of steam enveloped his head, highlighting his auburn curls.  I bit my lip as he looked my way in amusement.
“I hope ye werena planning on serving quiche to yer faculty guests t’night, Ms. Beauchamp?”
I stood meekly next to Geillis for the remainder of the class, no longer trusted around open flame without adult supervision.   She graciously allowed me to extract her quiche when it was done baking.  It looked like a magazine cover.  Meanwhile, my workstation looked like the scene of an industrial accident.
While we were waiting for her quiche to cook, Geillis and I got to know each other a little better.  She was a Highland lass from up near Inverness.  Married to a wealthy older man, her life sounded like an endless quest for diversion.  Despite this, or because of it, she had a sharp-witted frankness that I appreciated.  She was also a hard-core gossip.
“Wee besom,” she remarked with a nod towards a blond girl who was currently monopolizing Jamie’s attention with endless questions punctuated by manufactured giggles and flicks of her pin-straight hair.  “Tha’s Laoghaire Mackenzie of the Mackenzie brewing dynasty.  They’ve a live-in cook, so there’s only one reason she attends these classes, and it isna for the quiche.”
I watched Jamie laugh over something the girl said, mineral eyes alight and his perfect white teeth on display.  I suppose I couldn’t blame her.  I wasn’t here for the quiche either.
The interminable ninety minute lesson finally ended.  I thanked Geillis profusely and we exchanged numbers before she rushed off for her reiki treatment.  Gathering my trench coat and purse, I tried to slink away without calling any further attention to myself.
“Ms. Beauchamp!”
I cursed under my breath, then turned to face him.
“Please, call me Claire.  After I nearly burned down your place of business, we should probably be on a first name basis.”
Jamie chuckled. It sounded more natural and lived-in than his earlier response to Laoghaire, but I was likely fooling myself.
“Och, wha’s a cooking demonstration wi’out a wee bit of drama.  Will ye be joining us next week?  We’ll be making ceviche, sae I willna need tae put the fire brigade on stand-by.”
“Bastard,” I replied to his cheeky smirk.  “Alas, I don’t think I’m cut out to be a cook.  It appears to be the one science I can’t master.”
“Cooking isna a science, Claire,” he explained with sincere intensity.  “Tis an art.  Perhaps tha’s the root of yer struggle.”
“Perhaps it is.  But in that case, I may as well give up now.  I haven’t an artistic bone in my body.”
His languorous perusal of said body lit a different kind of flame in my belly.  Geillis was right; he really was a dozen kinds of yes.
“I canna say as I agree.  Come back any time if ye’d like tae try again.”
I blushed, thoroughly discomfited by his blatant flirting.  He knew about Frank.  He’d fled from him onto my fire escape, for Christ’s sake!  Maybe when you looked like James Fraser, every interaction with a woman was merely a chance to hone your craft.  Or maybe he was truly ignorant of his effect.
“I’ll take that under advisement.  Thank you again, Jamie.”
“Until the next time, Arsonist.”
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kirindensetsu · 3 years
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The Making of Fubuki
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((Reposting from Den of Angels workshop thread because I wanted my friends to be able to see~))
After years of pining after dolls I couldn't afford as a broke teenager, my first BJD was a Bobobie Sprite I purchased for my 18th birthday. Unfortunately, she didn't live up to my expectations and I never really bonded with her. Her face was cute enough, but the Bobobie body lacked the grace and posing ability I imagined for the Unseelie faerie I'd been daydreaming of for years. Sueding and wiring didn't help, blushing and tattooing highlighted her blockiness, it was a mess. I packed her away and tried not to think about my disappointment for 12 years. In the meantime I learned to build and paint resin garage kits, inherited one of my sister's dolls, bought some others, took anatomy & physiology in college, and did a couple extensive restorations and full-body modifications. I was sure I had thrown her away at some point as a failed project, but last weekend I found her tucked away in a doll bag I thought was empty. Having just finished substantial mods on a Dollshe body, and awaiting an unfinished Unoa kit for my birthday in September, I decided that I owed it to her to try again. Doll nudity below the cut, looooong post--
My Sprite was originally going to be a pooka with golden eyes and extensive woad tattoos. The golden eyes are incredible, so those are staying, but she's now going to be a blue oni to fit in with the rest of my collection. My plan is to do extensive additive epoxy work, and then to use Krylon Fusion to give everything a unified finish. The goal of the project is to reduce the... idk, STRAIGHTNESS of the old Bobobie body. I was never going to be happy with it, the lines were all far too rigid.
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Head: Modified mouth for a wider, smirking smile. Magnets added to headcap (old Bobobie used an S-hook iirc; I did this part back in 2008). Forehead drilled for 3mm brass rod armature, and epoxy used to sculpt horns over rod. Bust: Substantial subtractive modifications to breasts, which involved removal and readdition of nipples. Addition of epoxy clay to back and shoulders to give a more curved body line in profile. Deepening of shoulder sockets with 18mm eye bevel, followed by sanding to make shoulders narrower. Waist: Reshaping of upper torso joint into sphere for smoother range of motion. Subtraction of resin in back and addition of epoxy in front to enhance lumbar curve. Hips: Substantial reshaping of lower waist seam to more naturally follow the pelvic girdle. It reminded me of granny panties before  Added epoxy to butt, again for lumbar curve. Thighs: Suwariko joint mod (cut the thigh and added a PVC insert to enable swivelling at the hip). Added epoxy to make her thighs look less straight. Calves: Removed 1cm of length at the ankles and rebevelled the socket. Removed resin at the ankles to bring them in, and added epoxy at the calves to make them curvier. Feet: Sculpted little claws, which were cute, and then decided the feet needed to be 5mm longer. Cut across, drilled and pinned with brass rod for structural strength, gap filled with epoxy clay. I also modded her feet to have defined arches and balls back when I first got her. Alas, spitting into the ocean. I added S-hooks, but did so by drilling the ankle and inserting brass rod to form the axle for the hook. Arms: The proportions on her upper arms BOTHERED me! they were so SHORT! and I only just figured out that's what I hated about them last week! I added 5mm to the upper arms by cutting them in the middle and using SteelStik to make a structural repair (plumber's epoxy putty has a shorter open time but far greater structural strength than artist's epoxy clay). Sanded the heck out of the wrists to give them a more delicate taper. Hands: Beyond salvage. The hands were my least-favorite part of this sculpt. I tried to bulk them up to look less spidery but it was just too difficult... I've ordered a different pair of MSD hands which will have claws added, and then when everything is painted it'll all match. Thanks for reading this far! Here's a preview of what her golden eyes look like next to Krylon Fusion in Antique Blue.
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((first progress post)) I think I'm mostly done adding epoxy clay (at least where it'll show; presumably the wrist sockets will require tweaks to fit the new hands), so now it's time for finish sanding. I start with 60 grit for shaping, then switch to a 120 grit sanding sponge. To check for scratches, pinholes, and inadequately feathered edges, I apply a wash of diluted acrylic paint. Once the paint has dried, I scrub the piece with a nylon scouring pad. Paint remains in the surface irregularities.
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All sanded with 220 grit. I don't think I'll be going higher than 400 because I want there to be some tooth for the paint.
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Any pitting in the epoxy clay that can't be sanded out is marked with a Sharpie and will be patched with Tamiya spot putty.
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I did a test spray of the Krylon Fusion on the headcap and it's fantastic! Holy cow is it *poisonous* tho, I'm used to working with volatile chemicals but this was something else. Get OUT OF THE AREA between coats and leave it outside until it stops outgassing, not just until it's ready to handle.
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This test piece is four light coats sprayed 1 minute apart, allowed to cure for 4 hours, and then wetsanded to remove the spray texture. It's pretty sturdy but I will wait several more days to see how it continues to cure before experimenting with matte sealants. ((progress update 2))
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Haven't done much but sand-and-fill-and-sand-and-fill, but my 14mm beveller came in today so I can start deepening her elbow and ankle sockets. Added some epoxy clay to the insides of the eyewells so 14mm eyes will fit with no gap. I need a needle file to clean up the corners of her mouth... Monster feets! Nails on the right came out better than the left, still need to feather-sand everything.
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Elbows progress. The early Bobobie elbows are I guess /technically/ double-jointed because the joint is a sphere with two slots, but I thought I could do better than that. You can see epoxy clay spliced in to make the sphere into a peanut: this isn't a structurally sound repair unless you pop it apart and drill/pin/glue-epoxy it back together.
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View from the back. By keeping the joint heads spherical with no elbow-shaped detailing, there's some rotation as well as flexion, which I like.
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Touching her face with one of her old hands. I hope the new ones come soon!
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((progress update 4))
In good news, these parts are all ready for paint! It's really hard to do prepwork with no filler primer, hope I didn't miss any spots...
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In less good news, her new hands arrived and they are... very smol ;u; I forgot that the new trend for slim minis means that everyone has TINY LITTLE HANDS.
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They are, however, beautifully sculpted and a good 3D reference for what needs fixing and how. Bobobie palm is very short relative to fingers: I made a transverse cut behind the knuckles and added epoxy to lengthen More curved volume across the back of the hand: Not necessarily realistic, but looks a little cuter, plus it makes the transition into the cylinder of the wrist look less stylistically jarring. More defined joint angles: Some of these I did via cut-and-thermoform repositioning, mostly I'm aiming to fake it by building up and carving away at the weird smooth curves. The fingers are just TOO SKINNY: But obviously I'm not going to squish rice-grain-sized blobs of epoxy to the fingers, right? It's too fiddly, it doesn't want to stick. What's the solution? Brace for a truly hideous WIP image--
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"AAAAAAGH WHAT IS THAT DARK GRAY MESS" it's JB Weld epoxy! It's like load-bearing, slow-curing modeller's putty! Slathering putty onto an armature and then carving it away to refine the shape is how anime figure artists make hands and detailed hair.  I was thinking about it from a polymer clay technique/perspective so I missed the obvious solution. Hand in the foreground has more layers than the hand in the background, every layer gets the shape a lil closer. ((progress post 5)) Parts set up on sticks so I can handle them without touching...
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... and after 4 light coats!
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Closeup of the head, lil' glossy because it's still drying. For the deeper areas like the joint slots, mouth, and the crannies of the ears, I'm going to have to decant some of the paint into a jar and apply it with a sacrificial brush.
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((progress post 6)) I return from Depression! I finally finished sanding-and-spraying the Krylon Fusion coats, gave her a last polish with microfine to even out the texture, and have started blushing her. I'm using a mixture of Tamiya X-series acrylics applied via airbrush for basic contouring, then I'll go back in with pastel to add warm tones and details.
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Fun discovery: in an attempt to cover some accidental overspray, I tried spraying the Fusion directly into the paint cup of the airbrush and using it to "erase" back to the base color. I'm NEVER using this product straight from the can again, it goes on so smooth and gorgeous from the airbrush! No orange peel or bubbles to sand away. I'm seriously tempted to get a can of pink and try blushing with it.
((progress post 7)) Doing a faceup over a spray-painted substrate is HARD I want to CRY. I talked about sanding out the spray texture to get an untextured surface, right? Welp, didn't/couldn't sand well enough in the corners of the mouth and the folds of the eyelids, so it's crusty-looking with pastels over it and now there's nothing I can do about it that doesn't involve stripping down to resin and starting again.
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((final post)) Sueded and strung!
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I didn't take pictures of the sueding process because I was using Barge Cement and it is messy and time-sensitive. I used masking tape to make templates of her joints, transferred to some thin gray lamb suede I found on eBay, and glued it fuzzy side out. The suede was thicker than real pliver, more like the thickness of silicone KIPS discs, but I think it worked out without too many fit issues. The trim store had 3.5mm elastic in a beautiful slate-blue color that I thought would look nicer in the joint slots, so she's strung throughout with thicker elastic. Some more poses to show off the functional mods~ Suwariko joints let her sit crosslegged, and more mobile wrists let her put her hands into the pose.
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A more ball-and-socked shaped contact surface at her waist lets her slouch at a full range of angles instead of being locked into two.
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With longer upper arms, she can reach the ground in this pose! You can also see how the modded waist joint lets her cock her hips.
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She could always stand with locked knees. I think she needs some wire in her legs to let the suwariko joints hold their rotation against gravity, but I'll see how the elastic tension settles in first.
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A parting shot out the snowy window. We've been having a hard time picking between a few names for her, but I think this settles it. Welcome back, Fubuki~
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ohmightydevviepuu · 3 years
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For the fanfic asks - #5 and #16 please?
Which WIP is first on your list to complete this year? Will you post a snippet?
technically i don’t have any posted WIPs but i do have two other things that i’m currently writing.  i’ve already shared several snippets from one so i guess it is time to unveil a piece of the procedural i’ve been talking about.  for a year.  *gulp*
Emma Swan gripped the steering wheel of her ancient Beetle and prayed it wouldn’t skid in the rain.
She needed a new car.
The yellow Bug had six-digit mileage and a cloned VIN and a bad transmission but she refused to trade it in.  She couldn’t afford it, for starters.  She didn’t want to, for another.
Emma Swan was many things--not sentimental, exactly, but mindful, always (see also:  ‘guarded’, ‘prickly’, ‘broke’)--and the Beetle was a reminder.  On her better days it was a reminder of how far she’d come.  On her worst days it was a reminder of how far she still had to go.  And, really, she should start by getting a new goddamn car.
But, again, she was broke.
The engine light flashed and Emma swore.  She’d just had it in and Gus said it was fine, but people lied.  Often.
Always.
And Emma Swan could always tell.
That’s how she got paid.
Speaking of:  Her phone buzzed on the seat next to her and Emma swore again, because she was going to be late and Milah hated it when she was late.  Milah had rules.
Emma hadn’t grown up with too many rules.  That’s what happened when you got shipped from home to home.  Sometimes she’d had to be on time for dinner, sometimes no one cared.  Sometimes she had chores.  Sometimes she had to hide her stuff.  Sometimes she had to hide, in general.  
Even the basics--don’t lie, don’t steal--had gotten distilled down to don’t get caught.
(Emma hadn’t even been able to do that.)
But Milah had rules and she’d tried to instill them; some lost, long-dormant almost-motherly instinct coming to the surface twenty years too late, as if she wanted to be motherly and had just forgotten how.
It might be, literally, true.  Milah had a kid--and an ex--and neither of them was ever spoken of.  Ever.  Emma had done some digging over the years and came up empty every time, which meant that Milah had gone to great lengths to render herself untraceable.  Invisible.  Emma didn’t even know the age or gender of either the spouse or the kid.  It felt unfair when Milah knew everything about her and in the most embarrassing way possible.
Their relationship was not an easy one, but it was the only one Emma had.  That’s what happened when you were fresh out of prison and on the run at eighteen--it didn’t leave a lot of opportunities for family ties.  But thanks to Milah, Emma was good at her job.  Better than good--she was great.  
And she followed the rules.  Usually.
Big meeting tonight and Emma needed more than the money, she needed the exposure, the chance to make a good impression on a client who could keep her in Pop-Tarts and Netflix and fucking car parts for the foreseeable future.  
Regina Mills had made a fortune defending wealthy clients accused of serious crimes.   Every photograph, every second of her on newscast B-roll showed her in one of her trademark pantsuits:  simple, impeccably tailored, so expensive they made Emma’s wallet hurt just to think about them.  There was nothing masculine about her, though--exactly the opposite.  Regina Mills was not ashamed of her femininity.  She flaunted it.  It was part of her style and part of her strategy down to her blood-red lipstick and matching nail polish as her smile and demeanor went from charming to soothing to terrifying and back again all within a single question.
High-stakes, high-pay, high-profile, and she was the best in the game.  Like she snapped her fingers and poof, magic, her clients got off. 
But to do what she did, Regina needed people like Emma:  someone who would do the work, to find the truth--good, bad or ugly.  PI work wasn’t glamorous but Emma was good at it, and she enjoyed the challenges of cases like Regina’s in between skip-chasing for deadbeat dads or waiting for hours in the car on the money-shot of a cheating spouse.  Emma had, very slowly and very carefully, built up a record with Regina--thanks mostly to Milah, who kept her behind the scenes but was always happy to throw a little work Emma’s way.
Until today.
Do you have that one fanfic that you wrote a ton for, ages ago, but never posted? Will this be the year, come hell or high water, that it WILL get finished and posted?
i do, and the answer is a HARD NO.  deep in the recesses of my google drive i have about 30 chapters--and that’s just the “final” draft--of a pretty epic pretty solider sailor moon moon kingdom --> present day --> crystal tokyo fic.   (lol you have no idea what any of that means)  the reasons i will never post it are numerous but chief among them is that it is based too heavily off of other authors’ work--an amalgamation of a bunch of stories and ideas i loved that i played with putting into one story and one timeline and then extended.
the reason i keep it is simple:  i loved writing it.  it gave me joy in difficult times and places.  it gave me focus.  and i still occasionally harvest the pieces of it to incorporate into other things. 
let’s start 2021 with some fic asks, shall we??
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crafiet · 5 years
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1-50 of the writer’s ask thing, go!
BITCH UR RUDE AF
The Basics1.     Do you listen to music when you write?mostly yeah but it depends on my mood2.     Are you a pantser or plotter?both, i was a complete pantser up until recently but ive been trying to outline big scenes so i know where im going3.     Computer or pen and paper?computer for drafting. pen and paper for outlining/planning4.     Have you ever been published, or do you want to be published?not published, dont wanna be5.     How much writing do you get done on an average day?none but yesterday i wrote 2k /shrug6.     Single or multiple POV?usually single but ive been trying multiple!! its hard!!! idk what voice is!!7.     Standalone or series?ugh again mostly standalone, but ive been dabbling in series8.     Oldest WIPmy spies one which went though a fantasy and scifi phase and was originally dystopian9.     Current WIPmy mages! i have no titles bc who10.  Do you set yourself deadlines?nup
The Specifics11.  Books and/or authors who influenced you the mostuhhhh to be fair im v easily influenced so if i read a book and really like it i subconsciously try to implement that style of writing or try out that genre in my own work12.  Describe your perfect writing spacea desktop next to a big open window where i can play music without headphones13.  Describe your writing process from idea to polisheduhhhh i dont have a finished wip yet so idk lol usually: idea→ characters→ plot→ spur of the moment 10k word vomit→ more planning, outlining→ more words→ repeat planning and drafting until finished14.  How do you deal with self-doubts?i just take a break, read some bad books, read some good books, look at writing tumblrs and just marinate for a bit before going back in15.  How do you deal with writer’s block?i perpetually have it and since i dont have deadlines or a publishing contract i just ride it out, writing is strictly a hobby for me16.  How many drafts do you need until you’re satisfied with a project?i edit as i go, im onto draft 2 of my mages but its technically a rewrite bc i changed most of the plot17.  What writing habits or rituals do you have?i have none atm, but i usually pick a time where i know i wont be disturbed/distracted so usually at night18.  If you could collaborate with anyone, who would it be, and what would you write about?idw collab sdkksdlkbnsd die19.  How do you keep yourself motivated?i just really really like my worlds lol conceited 20.  How many WIPs and story ideas do you have?i have!!! 5?
The Favourites21.  Who is/are your favourite character(s) to write?oh mannngggg i like all my protagonists, ary is the easiest bc shes the one i work with the most, but its super entertaining to be in remy’s head, and i like calyp’s bc hers is so different AAHH22.  Who is/are your favourite pairing(s) to write?remy and seth orrr red and kieran. if im answering this correctly? or do u mean types of pairings lol idk23.  Favourite authorhummm idk every author i really like have books i dont like so i cant say24.  Favourite genre to write and readfantasy25.  Favourite part of writingworldbuilding *.*26.  Favourite writing programgoogle docs. it would be word but im too poor to buy it lol27.  Favourite line/sceneidk if this is my favourite but“I am at least trying to be civil.”“I am being civil. You want me to yell at you? Turn into a wolf and fight it out like you’d want?”Kieran closed the file and stood. “I don’t—rem—”“Remember.”“I don’t remember you being so—” He searched for a word, but gave up and growled instead. Red got the idea.“Angry? Callous? I ought to reteach you the English language.”“I know how to speak,” Kieran blurted. “Remember, I spent twenty-four years a full human.”“And look how fast that’s disappeared.”28.  Favourite side characterwhat are side characters lol ENSEMBLE CASTS29.  Favourite villainossssshhhh probably michael bc i love him30.  Favourite idea you haven’t started on yetive started on all my wips im one of those bastards who can multitask
The Dark31.  Least favourite part of writingactually drafting lmao32.  Most difficult character to writeprobably christine bc shes meant to be relatable and down to earth and thats boring smh33.  Have you ever killed a main character?yes, not a pov one though34.  What was the hardest scene you ever had to write?probably any scene that requires a lot of research on a topic i know nothing about, like hacking or sword fighting or whatever35.  What scene/story are you least looking forward to writing?bridging scenes suck theyre necessary but they SUCK
The Fun36.  Last sentence you wrote“My plan would go smoother with you involved, but I can find others. Many want his head.”37.  First sentence or your current WIPShe squinted in the harsh light.38.  Weirdest story idea you’ve ever hadugh this girl who could see deaths coming and she worked for the fbi but she was like 15 so she still had to go to highschool lol39.  Weirdest character concept you’ve ever hadprobably her, only bc i was 13 when i created her and was reading this banshee series but somehow didnt connect??? and didnt realise she was a banshee?? without the screaming40.  Share some backstory for one of your charactersomg all of my characters have purposefully murky backstories bc i find that trope cool af lol. i guess ary has that typical woe-is-me backstory where her parents were killed, she spiraled and got involved with the wrong people and then was betrayed and arrested lol
The Rest of It41.  Any advice for new/beginning/young writers?literally i swear by: trying anything out. fiddle with pov, tense, perspective, genre, character identity, hell take a story you like and try to put your own spin on it. writing as a craft only gets better with practice and my best work is when im going outside of the box/my comfort zone42.  How do you feel about love triangles?is this even a debate anymore, this trope got flamed so hard i havent seen it in ya in years. i dont really care about it43.  What do you do if/when characters don’t follow the outline?good lol my outlines are usually done on the spot and i come up with more creative plots/scenes if i can think on it a bit44.  How much research do you do?i edit as i go so i research as i go. my pre-drafting research extends to saving links on things i might wanna write about and thats it lol. i would say i dont do as much as i should45.  How much world building do you do?a lot lol i LOVE worldbuilding. but i find it hard to incorporate it into my draft naturally so a lot of minute details get cut 46.  Do you reread your own stories?all the time lol i forget what i wrote half the time47.  Best way to procrastinatetwitter–OR if u wanna seem “productive”, writing blogs are a good way to get distracted48.  What’s the most self-insert character/scene you’ve ever written?bitch there was a time where i only wrote self insert characters lol49.  Which character would you most want to be friends with, if they were real?im too lame to hang out with any of my characters. they would be nice to me but i wouldnt get to know them like how i know them from an author perspective50.  [Other question—ask me anything]u didnt ho
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authorracheljoy · 6 years
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A writer's Ask Game 1 2 3 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49
1.     Do you listen to music when you write?
Only when I’m typing up what I’ve written, honestly!
I can’t otherwise focus on the actual writing/editing if there’s music or other distracting noises so-
2.     Are you a pantser or plotter?
Plotter all the way!
I gotta have an outline, otherwise my story loses focus and that’s NOT GOOD!
3.     Computer or pen and paper?
Both, technically XD I use pen and paper for the drafting, and to get all my ideas down (and outline too of course), but then I typically use the computer for typing up what I’ve written :))
5.     How much writing do you get done on an average day?
Less than I’d like to recently :/ I honestly NEED to get a better writing/editing schedule, but my days are just so consumed by other things to take away my attention, and it sucks. Both as an excuse and just a way of getting by when I have a manuscript that needs rewrites! D:
6.     Single or multiple POV?
Single POV (at least for now? I’m really hoping to branch out with future WIPs)
7.     Standalone or series?
Depends on the story idea, really!
If there’s enough content to expand upon after book 1, I typically will plan for sequels. I mean.. The Hunters Saga started out as just a standalone with a thought-about sequel, which turned into a trilogy, which is NOW a freaking QUADRILOGY!
So yeah, it kinda depends XD
8.     Oldest WIP
As far as actual prose goes (no transcripts), my oldest WIP was called The Creatures of the Night Quartet, and… it’s TERRIBLE. Granted, I wrote it a few years before Antoinette Drake came to mind but STILL! It’s just horrible writing and the plot- what plot??
But if we’re talking WIPs that include transcript/script formats, I guess my oldest WIP would be SuperNova, which was a silly little sci-fi “story”! You can read about both of these prehistoric WIPs over on my Original Stories page!
9.     Current WIP
The Hunters Saga of course! ^^
10.  Do you set yourself deadlines?
Oh how I WISH I did that! >.>
11.  Books and/or authors who influenced you the most
There… weren’t any really? I kinda just went with it? I mean, my first books were really heavily influenced by Twilight and vampire books in general. The Hunters Saga was slightly influenced by Richelle Mead’s Vampire Academy series but that’s about all that comes to mind :3
12.  Describe your perfect writing space
All I need is a notebook, a pen, and a laptop!
The rest doesn’t really matter at all to me~
13.  Describe your writing process from idea to polished
Well, usually my ideas come from dreams, or just scenes that come out of my head :) Then I first try to see if that certain idea/scene fits into any of my current WIPs and could be potentially included! If yes, then I do so! But if not… I typically try and write more around it :) After having an expanded idea and character list, I either develop the characters or make an outline for the story idea. Either works fine ^^ After the characters are developed enough and the outline is made, I get to writing! And after that? I edit it of course XD
14.  How do you deal with self-doubts?
I try to remind my self how I became so incredibly lucky to land a publishing deal. I mean, sure, it’s not what I had planned and I have occasional doubt about my writing in general, and how people generally see and criticize my style and characters… I just gotta remind myself that I can’t please everyone. And if I have to have a goal in writing, it’s to tell a story the way I see it. Criticism is such a touchy subject, and some writers just flat out ignore that. And sometimes, that’s smart. But - and I’m getting seriously off-topic here but WELP - more often than not, that criticism turns out to be justified! I know my writing can be weak and uninteresting. But do I let that force me away from my passion? Not at all!
If you love writing and want to become a published author, you can’t do it half-assed! You have to want it wholeheartedly. You have to TRY to improve. You have to take criticism for what it is and what it might be-
OK I’m so off-topic, this is raising too much anxiety oops.. I’ll just leave it there though.. because it’s how I feel!
15.  How do you deal with writer’s block?
I do something else - listen to music, draw, watch a movie, play a game- something other than writing (which is blocked, DUH) But yeah! I tend to step away from the manuscript for a bit and clear my head until ideas come rushing back :) And if I’m working through an outline, there’s a possibility of just. working on a different scene in a different chapter other than the one I’m stuck on at the moment ;3
16.  How many drafts do you need until you’re satisfied with a project?
Usually 3 or 4, depending on how long and how detailed the drafts are :D
And if I’m REALLY lucky, I can do it in 2 but that’s actually VERY RARE for me so >.>
17.  What writing habits or rituals do you have?
I have none!
I used to try (and fail) to write a page a day I guess XD
Now I just pray that I’ll be done with my current manuscript by the end of the year :X Urrggghhh
18.  If you could collaborate with anyone, who would it be, and what would you write about?
My writing friend @mercurialsmile! We’ve attempted to write a crossover before but it never really went anywhere- mainly ‘cause of my focus on editing and both of our crazy work/school schedules :X Maybe that’ll change soon, though? I dunno but I hope they’d be willing to try again
19.  How do you keep yourself motivated?
20.  How many WIPs and story ideas do you have?
A LOT! 
I may talk about my current WIP (The Hunters Saga) 24/7 on here, but I DO have other projects that have at least some ideas and characters :) 
You can find them all HERE!
21.  Who is/are your favorite character(s) to write?
Writing Toni is pretty much writing myself, so that’s always a fun time XD
I also like writing Gavin, Kira, Hannah and Ethan, among others ^^
22.  Who is/are your favorite pairing(s) to write?
Toni and Henri aaaand Micah and Darius (which is coming soon to the series! Darius gotta be introduced first, guys!!)
23.  Favorite author
I really enjoy Stephen King now that I’ve started reading his works~ Also, honorable mention to Kim Harrison for being amazing at writing about paranormal species cohabiting the earth together
24.  Favorite genre to write and read
I love love LOVE writing romance and mysteries~
Aaand I pretty much like reading the things that I write so XD
25.  Favorite part of writing
Getting the ideas down on paper for the first time and feeling that RELIEF!
26.  Favorite writing program
Uhhhh… Microsoft Word??
27.  Favorite line/scene
The Frying Pan Incident
28.  Favorite side character
Dominic and Adam Hastings
29.  Favorite villain
Oooh I can’t say their name but mmmmm they are BAD and I love it!!
30.  Favorite idea you haven’t started on yet
A science-obsessed nerd and the head cheerleader fall for each other
Lesbians for the win!!
(basically the plot for Queen Bae, one of my WIPs!)
31.  Least favorite part of writing
The EDITING!
The REWRITES!!
32.  Most difficult character to write
Mmmmm probably Liz? 
33.  Have you ever killed a main character?
Yes (not gonna elaborate ‘cause it might count as a spoiler XD)
34.  What was the hardest scene you ever had to write?
I won’t be too specific but.. it was a NSFW scene ;;;
35.  What scene/story are you least looking forward to writing?
Uhhhmmm I don’t have one that I’m least looking forward to ^^
If I have a story, I write it. End of story.
Even if it might be crappy, I still love the idea.
I would never force myself to write something that I didn’t think deserved being written (if that makes sense??)
36.  Last sentence you wrote
Other than a bit of knowledge beforehand, we know about the same for once. 
Odd. 
Unsettling.
37.  First sentence or your current WIP
“I’m so sorry for your loss, my dear,” the man in black murmured to me, but I barely acknowledged his presence.
38.  Weirdest story idea you’ve ever had
B-but.. ALL of my story ideas are WEIRD! 
How could I possibly choose?!
39.  Weirdest character concept you’ve ever had
Aliens that puff up/inflate their bodies when angered XD
40.  Share some backstory for one of your characters
Dru was born as an only child, which is a true rarity in the lives of lycanthropes. Perhaps it was a sign that they were meant for something truly remarkable?
41.  Any advice for new/beginning/young writers?
It’s sort of what I said when I was asked about doubts?
You can’t please everyone, so don’t try to. 
Don’t pander. Don’t always give the readers what they want.
Satisfy yourself.
Take criticism; don’t try to ignore all of it. Who knows, some things might actually end up helping you become a better writer ;3
42.  How do you feel about love triangles?
I was WAY too attached to them back in the day so! 
If I have hints at a possible love triangle, I try to make it so the center of the triangle can have a clear choice as to who they’ll eventually get with (if anyone at all)! The only case I have where the love triangle kinda become a polyamorous relationship was with Nerissa, Melissa and Sergio :) Both girls had crushes on Sergio, and when he had to face those facts, he decided to help Nerissa and Melissa become friends and later- LOVERS! But anyway yeah, love triangles are hard for me to steer clear of, but I try my best ^^’
43.  What do you do if/when characters don’t follow the outline?
I get really angry at them and throw rocks.
But no. I either try to get them back on track OR I just.. let them do their thing. Maybe the characters know the plot better than I do! XD
44.  How much research do you do?
I don’t normally dive too deep into research unless the plot demands it, of course! As for the time and depth of research, it solely depends on what exactly I’m researching actually :) If I’m simply looking up Latin phrases or the names of the most famous authors of all time, it might take me a few days to absorb the info, and a week at most! But if I’m worldbuilding and creating new places and all that, well, THAT would take me a lot longer than a few days to a week! More like a month D:
45.  How much world building do you do?
Not many of my stories have worlds not set in America/Europe/EARTH! Basically, I think I only have 1 or 2 worlds that even require building, and I have so little as far as plot goes that I haven’t had the substance to work with yet :) But maybe someday!
46.  Do you reread your own stories?
Mmmm I used to? 
Nowadays I just don’t have the time for that :/
47.  Best way to procrastinate
Drawing art of my ocs instead of writing for my ocs XD
That, or making music playlists for my WIPs :3c
48.  What’s the most self-insert character/scene you’ve ever written?
Toni Drake.
‘Nuff said!
As for a self-insert scene? I don’t think that’s occurred yet? 
49.  Which character would you most want to be friends with, if they were real?
Either Ethan, Clary or Hannah! ^^ They’re all such nice, friendly people~
Oh, and Kira of course! Can’t forget her XD I’d love to go shopping with her and enjoy our silly, light-hearted conversations
Thanks for the ask, Friendo ^^
A Writer’s Ask Game
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