there's something about the way people talk about john gaius (incl the way the author writes him) that is like. so absent of any connection to te ao māori that it's really discomforting. like even in posts that acknowledge him as not being white, they still talk about him like a white, american leftist guy in a way that makes it clear people just AREN'T perceiving him as a māori man from aotearoa.
and it's just really serves to hammer home how powerful and pervasive whiteness and american hegemony is. because TLT is probably the single most Kiwi series in years to explode on the global stage, and all the things i find fraught about it as a pākehā woman reading a series by a pākehā author are illegible to a greater fandom of americans discoursing about whether or not memes are a valid way of portraying queer love.
idk the part of my brain that lights up every time i see a capital Z printed somewhere because of the New Zealand Mentioned??? instinct will always be proud of these books and muir. but i find myself caught in this midpoint of excitement and validation over my culture finding a place on the global stage, frustration at how kiwi humour and means of conveying emotion is misinterpreted or declared facile by an international audience, frustrated also by how that international audience runs the characters in this book through a filter of american whiteness before it bothers to interpret them, and ESPECIALLY frustrated by how muir has done a pretty middling job of portraying te ao māori and the māoriness of her characters, but tht conversation doesn't circulate in the same way* because a big part of the audience doesn't even realise the conversation is there to be had.
which is not to say that muir has done a huge glaring racism that non-kiwis haven't noticed or anything, but rather that there are very definitely things that she has done well, things that she has done poorly, things that she didn't think about in the first book that she has tacked on or expanded upon in the later books, that are all worthy of discussion and critique that can't happen when the popular posts that float past my dash are about how this indigenous man is 'guy who won't shut up about having gone to oxford'
*to be clear here, i'm not saying these conversations have never happened, just that in terms of like, ambient posts that float round my very dykey dash, the discussions and meta that circulate on this the lesbian social media, are overwhelmingly stripped of any connection to aotearoa in general, let alone te ao māori in specific. and because of the nature of american internet hegemony this just,,,isn't noticed, because how does a fish know it's in the ocean u know? i have seen discussions along these lines come up, and it's there if i specifically go looking for it, but it's not present in the bulk of tlt content that has its own circulatory life and i jut find that grim and a part of why the fandom is difficult to engage with.
908 notes
·
View notes
Do you have a family tree for DOTC and the ancient tribes around the lake with Hollyleaf/Fallenleaf?
I don't yet. When I finish up my re-read, I'm going to gather ALL of the DOTC cats and start dividing them up into the three cultural groups. After getting them all in bundles, I'm going to whip them up into proper family trees.
If you're asking about canon's family tree... I can make it if you'd like, but I'd just be showing you the ticking timebomb of genetic diversity they set up for themselves. It's all Quiet Rainkin and random forest cats, most introduced after book 3. None of the other settlers had grandchildren and the living children have no mates.
Sun Shadow died.
Lightning Tail died and Acorn Fur was forced into a vow of chastity
None of Turtle Tail's kits have kits; one is in a vow of chastity
There's nothing to "preserve" about the canon tree, unfortunately. It's not really a "tree," it's more like a couple of bubbles with a ton of dead women floating around outside.
For funsies, let me try and remember all the "bubbles" off the top of my head, plus when the characters were introduced
Ravenstar x Juniper Branch (Book 6)
Milkweed x Leaf (Book 5, Book 2, plus existing kits with an unknown mate)
Misty (Book 2; kits have no kits.)
Shadowkin: Tall, Moon, Sun (1, 1, 5, extinct)
Jackdaw's Cry x Hawk Swoop (extinct)
Turtle Tail x Tom the Wifebeater (endangered)
Riverstar x Finch Song (Book 1, super edition)
Wind Runner x Gorse Fur (Moth Flight and Dust Muzzle are born in book 3)
Willow Tail (introduced with a sibling in book 4; extinct)
Shaded Moss was the father of Rainswept Flower (extinct)
Fox and Petal were siblings (Petal raised Misty's children)
I forgot the name of Drizzle's mom and sibling (book 6)
I think there's also a cat called Apple Bottom Jeans or something in Thunderstar's Echo who has a litter, but I can't remember her mate without google. There were also some litters born in Riverstar's Home I can't remember. I barely remember the side books, were there any others born in Shadowstar's Life...?
Here's all the pairings in the Quiet Rainkin family, as contrast;
Quiet Rain x Unknown (4 kits)
Clear Sky x Bright Stream (Died pregnant; gave birth to 2 dead angel fetus children in heaven)
Clear Sky x Storm (Thunder was the only survivor of 3)
Clear Sky x Star Flower (two litters; the first was 3 iirc, the second unknown)
Jagged Peak x Holly (3 kits)
Gray Wing x Slate (3 kits iirc)
Thunder x Violet Dawn (4 kits)
So... bottom line is, something like 50% of births were coming out of the Quiet Rainkin family, and they account for something like 30% of cats with existing family at all.
Personally, I think that's awful in a prequel arc that's supposed to be about ancestors. So I'm going to be making whole families for BB.
66 notes
·
View notes
Danny’s side of a phone call to a friend
“like, I get that you think I’d get along really well with your family, but I really don’t feel safe going to a new place.”
“ yeah, but my parents place is not-safe I know, you know? Sometimes the danger you’re familiar with is easier.”
” look, I’m sure your family is safe and not threatening, but everywhere feels unsafe to me. If the one place where I am supposed to be safe is not, how could I possibly feel safe anywhere else?”
“ I get that you want me safe. I get it. I’m just… I’m just scared.” sniffle
141 notes
·
View notes
growing pains
It’s only been nine years. They’re not in their thirties yet—and won’t be for a while—but it’s worth noting that things are different. Maybe it’s them, maybe it’s the boardwalk, or maybe—well. Logan is a different person than when he was a high schooler. He’s less assured than he was. That could be it. Louise is almost certainly different than she was then, but even now she still hates his guts. Maybe some things don’t change after all.
Notes Transcription
Main Episode Outfit Variations
Louise would be into layering, I think. She’s multifaceted, practical, and resourceful. Harsh structure in conjunction with more layered pieces; tendency towards color blocking, but she keeps it sharp. She’d be into casual, pragmatic clothes. If not very structured, she has loose-fitting, draped fabrics like sweatshirts or heavy pants (cargo material, corduroy, denim?)—draped and bulked, but not baggy. Something easy to run and move in; sneakers or combat boots.
Not opposed to dresses. Keeps it compact, simple lines. No frills but does lean into triangle shapes or rectangular blocks. Color blocking => neutrals will take up negative space, highlight colors are accented.
Sticks to main colors (green and pink) for consistency, but relies on neutrals like beige, black, and brown. Less cool-toned than Tina, either spring or autumn coloring. Bright colors are muted with exception of a highlight, usually pink (hat or laces). Green varies from lime to olive to sage to forest, etc. whichever tone is appropriate.
Occasional purple or blue in reference to the snowball fight/sled episode with Logan (he was in blue, Louise was in purple). Louise could lean into purple (imposing, mysterious, feminine but still intimidating) for off-episodes. Not frequent, though; too similar to Tina’s color palette.
Hairstyle options include braids, pigtails, or just loose. I’m growing partial to braids; they feel utilitarian, almost boyish, useful. Could emulate the bunny ears under the cap.
Beanie vs. Baseball Cap. I like the beanie, but to me it lends to this aspect of laziness? Not the worst, but i like the structure and sharpness of the baseball cap. Also obscures the eyes occasionally, or could be worn backwards.
Timeline + Basis
Loosely, 9 years post-canon timeline (ambiguous). Louise is 18, Logan is 25. The age gap is too big for them to feasibly be in high school together, so the second storyboard shot by the lockers is him visiting the high school for some errand (maybe Cynthia needs him to deliver something, maybe he’s got a younger sibling by now?), Louise passes by him in the hallway and doesn’t move to accommodate him (almost slams into his shoulder) and he almost looks back at her but continues on. He recognizes her when he visits the diner, which he later frequents because it’s one of the closest places in town that has good food that’s affordable and keeps him out of the house.
That’s one of the reasons, anyway. He isn’t conscious of it, although Gene picks up on it early on an often gloats to either Louise or Logan, both of whom are baffled or irritated at first. Linda is overly supportive of the idea to the point of humiliation, Bob doesn’t want to think about it and refuses to see it, and Tina writes extremely detailed romance novel drafts about it.
Logan becomes ‘aware’ in the following year, then feels really gross about it and avoids the diner for months until confronted (member of the family is up for debate). Realistically, nothing ‘tangible’ happens between them for three years (kiss? Weird face touch? Jealous outburst? Freudian slip? Something fun, idk [Louise: 22, Logan 29]).
I think Louise regresses at this point, and tries to distance herself like that episode of iCarly when Sam realizes she’s in love with Freddy and literally institutionalizes herself in a mental ward. Very much LALALALALALALALALA I can’t hear you, that didn’t happen. Logan is not feeling great at this point. Heart-to-heart with Bob snaps her out of it.
One more year of slow burn, actual relationship starts (Louise: 23, Logan 30).
Logan gets married, eventually, in his early thirties. Gene is an unintentional omnipresent narrator.
Additional Notes
Keep Logan in primary colors (mostly red or blue), but keep him out of dark neutrals/monotones (no black or charcoal gray), because it’s too heavy of a countermeasure against Louise’s color blocking—too unbalanced.
Decent height difference, although it varies depending on Louise’s shoes (sneakers or platform boots, she’s usually in sneakers in the restaurant). She’s right over his shoulder (?)
Concept comparison of them both around the ages 14-16 are for comparison only. Their ages do not coincide.
Occasional pet names, always mockingly derogatory.
Montage shots of her leaning over the counter while they talk. He used to sit in the booth seats but eventually began sitting at the counter instead. No reason. It means he can talk to her more easily and bother her with less effort.
They’re the kind of couple who publicly argues over the pronunciation of ‘egg’ type beat. Bickering keeps it exciting for them, but they make it a point to apologize in any serious disagreements, usually by the end of the episode. Similar difficulty in admitting when they’re wrong, often attempt to compromise by sharing/taking on blame in some equal capacity. Sometimes this is healthy, sometimes it’s more de-facto.
Mother-in-law beef goes crazy
108 notes
·
View notes