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hikarry · 5 months

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I'm not really on the team that swears to Jesus and beyond that Crowley lost his memories after the Fall. Yes, of course, he forgot some stuff because, ya know, he has been alive for more than 6000 years and if I don't remember what I ate for lunch yesterday, Satan knows he won't remember every single second of his life, but he remembers the important things

"Ah, but what about him not remembering fighting alongside FurFur or building the thingy with Saraqael?"

Love, I give you two options:

Those are either some of the stuff he didn't consider important enough to remember OR he is just straight up fucking with them. He does remember, but why reveal it if playing dumb sometimes is good in the long run? Might be useful

Alas, I don't know, but I will die on the hill that he does remember

Which means he most probably remembers meeting Aziraphale. Not because Aziraphale was "important" at the time per se, or because it was love at first sight (because it wasnt, not for him. Bro was so focused on the nebula he didnt even introduce himself when Aziraphale did. He threw him a "Right. Nice to meet ya. Anyway, nebula time!"), but because he was there when Crowley created the nebula and, as he said, he had been waiting for that moment since "well, always". It's an important moment for him, so he remembers. Aziraphale just so happened to be present

I don't know if that was the only interaction they had in Heaven or not (and that's not the point I'm trying to get to so I will ignore that problem for a later post, maybe), but when the now Demon Crawley was sent up to the Garden, he did remember Aziraphale. That's why he approached him

Cmon, Crowley isn't stupid. Of course he wouldn't approach an angel on the wall just willy nilly and make conversation. He didn't know Aziraphale had given away the flaming sword yet. Just approaching an angel from behind and morph into a demon next to him out of nowhere could be a death sentence. Or at least an A Line for a good smitting

Yet, he did it. He had at least 3 other angels to choose from but he approached the angel that he remembered from back in the beginning that was kind enough to help him with the engine of the nebula. Hell! I even bet this was not the first time they saw each other in the Garden!

Bet they've seen and observed each other from afar a few times while they interacted with the humans (yes, cause I believe Crawley, before tempting Eve, tried to gain her trust. It's easier to listen to a friend than a random snake) or just around the Garden really.

That's why Aziraphale didn't get surprised when Crawley showed up at the wall, because he knew the demon snake had been around the Garden for a while. He probably even recognized him as the former Star Maker and hoped he was still a little bit of his old self so he allowed himself to engage in conversation

Anyhow, another clue? This:

He remembers how Heaven works. He remembers he was a high ranking angel. Satan, he remembers the bloody passwords!

Do you know what else he remembers?

Cause they didn't throw that line in there for nothing. No, gents. Cmon. Nothing is random in Good Omens

He knows who he was. He remembers being the Star Maker that hung the stars in the sky

He remembers why he fell, for goodness sake

And the fact that he remembers everything makes all of it so much more tragic, doesn't it? He remembers his life before the Fall, his supposed friends that dragged him into the pit with them, what Her love felt like, the "mistakes" he made that led to his Fall

And it must have hurt. It must have hurt so much when he found himself in a pit of boiling sulfur with his wings completely burned and without Her love because he remembered it all. He must have been so bloody confused for so long

He might have regretted it. All the questions and the company he kept that made him Fall. But he doesn't anymore.

He knows he doesn't need Heaven, he doesn't need Hell. They are toxic. All he needs is his pacific fragile existence on Earth with Aziraphale and yet...well, that's something else he won't forget now, is it?

*clears throat*

I rest my case

#this is spencer bringing you some more angst youre welcome #good omens #crowley #aziraphale #ineffable husbands #aziracrow #david tennant #michael sheen #anthony j crowley

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idliketobeatree · 2 months

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when you think of it. Bildad the Shuhite's last 24 hours in the minisode not bloody optimal

getting a combat mission to kill everything his buddy Job owns just because She got into some stupid bet

the kids too??? horrid

right in the middle of growing out his hair awkwardly that angle appears. perfect timing to get thwarted. not like that

oh no he's now legit pissed, like it's HIS fault

good (bad) that Bildad has a plan. bad (good) that Aziraphale follows around like a lost sheep, ready to blow his cover anytime. not like that

cue the mortifying ordeal of being known

angel's smugness visible from alpha centauri and he can't even wipe it off with an angry kiss

the kids remain alive but at the cost of annoyance. human twink has the gall to flirt with Aziraphale right in front of his demonic eyes. is nothing sacred anymore

unsolicited temptation backfires badly ( he didn't sign up for food kink development. Regret)

no let me say it again: sexual awakening through ox ribs what even is his life

angel insinuates being the only demon in existence who tries to go his own way seems lonely -> needs to get wasted immediately

literally so hungover the next day he can barely stand and THIS is the moment he witnesses former Mum talking to a human, probably for the first time since Eden. actually stop here, try to step into his shoes and watch the arrow on a scale for secondhand embarrassment doing a full 360°

magical obstetrics time (he still doesn't know where babies come from)

and to top it off: the devastating vision of Aziraphale almost crying

to conclude, pour one out for Bildad the poor bastard deserves it.

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kay-jaye · 3 months

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bit on the side?

crowley doesn’t know what the fuck that even means. ok, yes, he’s familiar with the deluge of terms humans have concocted to define the complexity of their relations to each other.

side piece. sneaky link. friends with benefits. fuck buddies. situationship.

crowley knows what it means. he does. but when nina speaks the phrase to him, crowley can’t seem to recognize a single language, alive or otherwise dead, in which the words she says make sense. he briefly wonders if this is his version of aziraphale’s french.

because she’s talking about aziraphale.

aziraphale, the angel. the angel who likes his tea without sugar, but his wine with company. the angel who claims to have a distaste for “bebop,” yet crowley has caught him mouthing the words to queen’s “good old-fashioned lover boy” more than once in the bentley. the angel (bastard) who enjoys subjecting crowley to his magic act antics that under no circumstances would crowley ever admit to finding amusing or, satan forbid, endearing. the angel who popped into paris during the reign of terror because he got peckish for crepes, and even the threat of guillotine in that damp bastille cell could not deter him from baked goods in the end. the angel who still insists on dragging crowley to see productions of shakespeare, despite both being present for the original opening nights of almost every play the man wrote. the angel who is what heaven is supposed to be incarnate—pure and kind and too good for his own good, really.

and crowley is a demon.

he doesn’t think any of the typical labels apply. they’re not human, after all; it couldn’t be that simple. crowley can’t pinpoint exactly when it started or when it changed. 6,000 years is a long history to comb through. it was more than the acquiescence of two immortal beings to the familiarity of each other in a world full of temporary creations. it was more than a bloody arrangement at this point. crowley doesn’t know how it can be more than whatever it means to inhabit the other’s body and walk right into fatal danger, but they are. he’s inclined to cut his losses and say he knew—because deep down, he did know—he’s been fucked since eden and the damn wall and the damn rain he can’t help but associate with revelation.

other people’s love lives, nina had said. love lives. she’s projecting, crowley knows that. whatever’s going on with her and…lydia? linda? they say love makes you blind, but crowley would argue you see plenty of things. every passing glance between sips of champagne; every smile at the crisp sarcasm rolling off a forked tongue; every brush of fingers over the exchange of a briefcase full of books, the shaky grip on a tartan thermos, the drunken grab for another glass of wine across the table. silly things. things that aren’t there. for all the times aziraphale has implored him to read more, crowley swallows the urge to say he already reads into things more than he should.

he’s imagined it before; what it would be like to have more. a fair share of people have made assumptions about them in the past, though he’s not sure whether aziraphale has picked up on it, but that’s not why crowley suddenly feels as though armageddon is upon them once again. never has someone alluded to anything as…intimate as “hooking up.” crowley can brush away the implication that they’re together, but something screeches to a burning halt the moment nina insinuates what crowley’s only ever allowed himself to think about when he’s laudanum-level drunk and lonely because he has a greater chance of not remembering in the morning.

he remembers though. that’s usually when the guilt kicks in, when he’s hungover because he forgot to miracle the alcohol out of his system before passing out, and the headache pulses with the constant reminder that aziraphale is pure, pure, PURE. nothing he imagines on those nights is pure.

what gave him away? and if nina can see it, can aziraphale?

#good omens #ineffable husbands #aziracrow #aziraphale #crowley #i'm writing look at that #kayjaye writes

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linipikk · 9 months

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They really spent a lot of time pointing to the second coming for Apolaypse 2 electric boogaloo

all 3 minisodes are about ... humans dying and being brought back to life, or more like, how that is not possible...and how Heaven and Hell have worked around that

In A Companion to Owls, Job kids never died even when they should have, Heaven didn't know enough to distinguish that they were the same children and Sitis quickly got that the miracle was... that their children didn't die to begin with. Once they are dead it is game over and Crowley and Aziraphale refused to let them die

In The Resurrectionists (it is literally called The Resurrectionists!!) and it is how one girl is shot and they can't do anything once she is dead. And Crowley still goes off of his way to make sure the other one doesn't kill herself, risking everything. And we know hell's extreme sanctions are probably what makes him ask for insurance, for holy water. On the other hand, this episode is called The ResurrectionistS, plural, but we meet only one of them ..while in the other side of the sign is Christ himself.

THEN in 1941, we have ZOMBIES, the literal living dead walking around, and Furfur states that he can't make them living people again due to a clause and just leave them as zombies to roam the earth. We see how cursed they are, rotting and bound to eat brains but not human.

EVEN! From episode 1, we get a big Clue: miracles are measured in lazarii, and resurrecting someone is no easy feat. They were telling us to watch out about coming back to life... and how only the mightiest of archangels are able to use that amount of power (or an angel and a demon holding hands...)

and I do want to point out that part of the things Gabriel remembered was this line

Job kids didn't die, in victorian england Wee Morag died falling in the hands of a resurrectionist, and the Germans died and came back- just not quite alive. Every day it is getting closer,

... they are telling us that the second coming is afoot, but they are also showing us that there is no second opportunity on this earth. Once you are dead, you are dead.

and Crowley, in the direst time when Aziraphale is breaking his little demonic heart, says

And now, the plan to resurrect one human to make the end of the world happen is in Aziraphale's hands.

#good omens #good omens s2 #ineffable husbands #this divorce is eating me alive #my third eye is having its third eye open #im seeing things i just dont now what I am seeing and I will maim streaming sites CEOs if I don't get to know #this is not even speculation for s3 or anything im just one obsessive girlie who believes in narrative cohesiveness #we are in the great lamentations part of Gabriel memory #quite pretty that crowley was set to rise the antichrist and now they are asking aziraphale with thee other child

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u3pxx · 5 months

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💛🕊️ Five times Aziraphale gave Crowley a gift plus one time Crowley gave a gift in return.

DID YOU KNOW THAT @contritecactite, once again, wrote a VERY GOOD fic about my bad omens spouses??? and it's so wonderfully GOOD???!?!?!!

anywhooo, a very big special thanks again to elle for writing this! it's been just a real treat talking to them and the klapollomb gomens s2 support group about bad omens 🥺 i'm really, really thankful that y'all decided to indulge me and my freakingg swap au wheezes <33

i'm gonna cut myself off here and ramble more under keep reading :0]

like these drawings? they're prints, here! | like what i do? support me on ko-fi!

seeing this get written was an experience! one of the things keeping me alive during prelim exams LOL if i remember correctly, this kind of started bc i was curious if bomens zira would actually have, i guess, a real demon equivalent the way shax (stork), beelzebub (fly), and furfur (deer) do. so i looked up the words 'crow demon' and whaddya know!

a crow demon!! and what's that? "cause Love"?

what a perfect fit for demon!aziraphale! and really, i was only messing around the first time i had the idea of "haha lol wouldn't it be funny if demon aziraphale was a crow", and then bam! all of it started to, surprisingly, fit well together pfttt (special thanks to bepo for being the one to piece it all together wheezes <33) (also, just really thank you all for bouncing ideas with me, it really does make me happy dfgdhjd <3333)

and then elle wrote a little snippet at first (IIRC) and then he just feakign!!!!!!! WOAGH!!!!!!! just, tasty delicious words, a fic that made me kick my feet like i was a schoolgirl while reading the whole thing ASKSKS <333

i'm really happy with all the spot art i drew for this! wanted it to look very uhhh, i wouldn't say storybook, but watercolor illustrations were definitely a huge inspiration! i wanted them to feel as nice and cozy as YOU would feel while reading elle's fic <3

i do gotta thank elle again for making these two fem-presenting when they were at the dowlings' bc then i get to draw butch gardener crowley. do you know how much that means to me? do you know do you do y do you know how m how much that how m b butches butches butches .

and a little bonus, one where crowley did not want to pose for the painting PFTT

i am once again putting the link here if you've scrolled this far down without reading it yet, go! go! go!!! IT'S SO GOOD!!!! <3333

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dee-morris · 3 months

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Happy Hands

I love watching Aziraphale's hands. How they flex and dance when he's happy, they wiggle excitedly when he's about to do something amazing, how they twist and wrap around each other when he's stressed. I think he knows how expressive they are, bc when we see him reporting to heaven in episode one he's got them tucked behind his back. I'm not actively lying, he says, but I'm keeping some of my thoughts to myself for right now.

Imagine going from a blank white boring space to a world alive with color and noise and people. It's got to be so overwhelming. But you've got this neat body that you can use to comfort yourself and seek sensory pleasures like food and soft clothing, and these cool little digits are great for working off stress.

#good omens #aziraphale #aziraphale my beloved #autistic coded character

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noneorother · 5 months

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The puns are never ending : Aziraphale's miraculous "visable" bullet.

Aside from this closeup diagram of how to perform the bullet catch being objectively hilarious, it's also got a pretty fascinating *spelling mistake*.

If you look closely at the part of the pamphlet in red, you'll see that the bullet should be hidden in the mouth where it won't be visable. Not "not visible". Not visable. Seems innocuous enough right? But of course, the layers are never ending.

"Visable" is actually a Middle English word, *not* a modern English one. The last time it was used was before the printing press was invented, so pretty old. Here's a little background :

What's really fascinating though, is that just like the expression "dark horse", the word has two meanings : one is "Capable of good judgement, prudent" the other is "Tractable and docile".

There are also only two examples of the word in context that I can find, and they really should be sending you into orbit :

The first one is actually from Henry Lovelich's translation of the French epic poem "The Romance of Merlin" also known as the first English treatment of the Arthurian legends. It's modernized as "He was a worthy knight, valiant and visable in every fight." Which uses the "good judgment" meaning and sounds... a lot like Aziraphale in his role of guardian and protector.

Why do we care? They are standing literally in front of Excalibur, Arthur's sword.

The other one is from "Ipomadon", another middle English epic poem about a hidden identity romance between a beautiful but proud heiress, and her dark knight in disguise. "She was... visable and virtuous, meak and mild, and marvellous." Which clearly uses the "tractable and docile" meaning, but also... kinda sounds like Aziraphale in his damsel in his distress mode, which:

Ahahahah fuck off. But wait, there's more!

I originally twigged to this error because if you, like me, also happen to speak the language of la plume de ma tante, you know there's a reason why the uses happen in epic poems that originated in France: it's a loan word from old French, and still exists today in modern French, but it doesn't mean tractable and docile...

For the non-french speaking among you, it's a derivation of the verb "viser" :

Verb 1 To aim 1.To aim, to carefully direct one's gaze or a weapon towards a goal to throw something at it.

And so, if you happen to be, oh I don't know, a demon and have been alive for thousands of years and can definitely speak all the languages on earth and happen to have participated in the Arthurian age in England, when you read that pamphlet really carefully because someone is making you do a crazy stunt and there's a miracle blocker on, you could *conceivably* have read the instructions as:

"IN THE NAME OF ALL THAT YOU LOVE, DO NOT SHOOT AZIRAPHALE IN THE FACE." ________________________________________________________ Thanks to @thebluestgreen and @embracing-the-ineffable as always.

#good omens meta #good omens 2 #art director talks good omens #go season 2 #go meta #good omens season two #wordplay #crowley x aziraphale #good omens 1941 #good omens season 2 #good omens #good omens analysis

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actual-changeling · 7 months

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We always talk about Aziraphale discovering secrets about Crowley's fall in heaven, but have you considered the opposite?

Do you think Aziraphale ever walks through heaven's endless archives, trying to find something, anything to help stop the wheels that have been in motion for millennia? If he does, one day he might find a pile of dusted files, all of them marked with a name that is nothing more than a smudged ink blotch. He knows now that every fallen angel's name is erased like that, their identity wiped away like a fingertip drawn through wet ink; the rough evidence of their existence remains, the shape of a black hole where grace should be.

Aziraphale is alone in the stretching corridors, there is no one else around, and even if another angel were watching by chance, nothing about what he is doing is forbidden.

(He would not care if it was.)

So he opens the file and pulls out its contents, only to find himself surrounded by ink-black darkness. Electricity crackles through him, sharp but oddly familiar, and he lets out a breath he didn't know he was holding. Seemingly out of nowhere, an angel clad in white with hair like fire appears next to him. Aziraphale does not remember their name, but he would know this face even if it were wiped from his memory; the elegant features are both fragile and powerful, and so, so loved. When one of his hands reaches out on its own accord, the memory flickers as it goes straight through their face, and with a sense of broken, golden loss, he cradles it against his chest.

They are holding a flickering light within their palm, a proto-star, one of the very first designs, and with a soft blow of air from them, it takes flight. Spinning slowly, its light spreads and spreads, taking most of the darkness with it, yet even as the bleached sterility of heaven begins to shimmer through at the edges, the Starmaker's smile is bright enough to drown it out.

"You're beautiful," they whisper, their hair moving like a flame in the wind as the star expands and nears its collapse.

Aziraphale does not notice the tears flowing down his cheeks as he watches until the star goes supernova, until the Starmaker turns and takes in the glittering clouds of spacedust, their smile and eyes wide and alive, until the memory fades slowly like a dream in cruel morning light, and he is left alone with a scratched-out name and a hollow grief in his chest.

#alex writes good omens #good omens #ineffable husbands #crowley #aziraphale #starmaker crowley #supreme archangel aziraphale #good omens season 2 #go2 #aziracrow #crowley x aziraphale #ineffable divorce #sorry i know i am choosing violence like a lot today but also not sorry at all <3

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ineffable-suffering · 8 months

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Why Aziraphale is an unreliable narrator

Part 1: The Story of Job

I'm absolutely not the first one to talk about this on here and I probably shan't be the last either. Alas, here's my take on why all of the minisodes in Season 2 should be enjoyed with great care – and taken with a grain of angelic salt.

I'm gonna split this into 3 parts, aka the three minisodes we are shown, since I tend to get a bit waffley in my posts and want to still be able to include all the little details. Once I've written them, I'll link Part 2 & Part 3 here as well!

Alright, let's get into it under the cut of doom.

Episode 2 opens with the Story of Job. Right off the bat, I noticed that it sort of looks like an old film playing. At first I didn't read that much into it, but once we see the cut-away to Aziraphale at the bookshop, currently reading that part of the Bible (presumably), I immediately thought: "Oh! It's because it's his memory. He's remembering how it went down and therefore it plays like a figurative film in his head."

This, I then came to realize, is a very crucial difference to all the flashbacks of S1, which were exclusively told and narrated by God. May her intensions be as ineffable as they are: She did tell us all of these stories from an objective outsider's point of view. Now, however, it's Aziraphale who's re-telling those stories to us from memory.

And if there's one thing that's for certain, it's that a memory is something entirely different to an objective narration of a story. Just think about how you yourself remember things. Especially things that happened years, maybe even decades (or, in an angel's case, millenia) ago. What is it, that you really remember? Can you know for sure, that a conversation was held with those exact words? Are you 100% certain that the clothes someone wore weren't different? Had it really been snowing or would that make very little sense given what you're remembering happened in May? And did it even happen in May? Or does that just happen to be your favourite month, the current weather, your preferred style of clothing and what it was that you would imagine someone would have said to you?

What I'm trying to say is: The further away it is that something happened, the more your brain has to fill in the gaps. This is why, for example, your parents will remember the family summer holiday entirely different when you ask them about it 20 years later.

"No, it was Sarah who puked on the car ride home!" "Nonsense, Sarah never puked as a child. Bobby had that gone-off pizza, he's the one that was sick the whole ride long!"

We've all been there. Bobby made it out alive. Don't buy gas station pizza.

Alright, back to the plot: Naturally, Aziraphale is not actually human, so it is a pure assumption on my part that the way his memory works is similar to ours. However, the whole topic of "memory" is actually quite a recurring one on Good Omens.

Crowley seems to have lost his in the Fall, yet somehow managed to get most of it back. Not all of it, though, he clearly has some major gaps ("You used to jump on me back, little monkey in the waistcoat!"). Beelzebub helps Gabriel store all his memories in their little fly container before they get wiped entirely too, by the Metatron and/or Saraqael. Crowley and Aziraphale (and possibly Jimbriel) perform a miracle together that makes everyone in Heaven and Hell forget who Garbiel is or what he looks like. And we know that the Book of Life apparently has the ability to completely erase someone from existence – ergo also erasing them from everyone's memory and making it is as though the person had never been in them at all.

So, clearly, angels and demons being able to remember, forget, reconstruct and, if you're the Metadork, wipe memories, is very much canon. Apart from that very last one, it does make them quite human-like in a way. We too can forget or (wrongfully and incompletely) reconstruct memories, due to things like trauma, illness or simply a lot of time having passed.

So, just like Crowley remembers going into battle but doesn't remember Furfur being there, or just like Jimbriel has entierly forgotten who he is but still remembers the tune and lyrics to Buddy Holly's song Everyday, and just like archangel Michael was miraculously made to forget Gabriel and yet says "Don't I know you?" when seeing him again – just like that, Aziraphale's memories of the story of Job, the story of wee Morag and the story of the magic show in 1941, might not actually be the whole truth.

So, time to look at where the furniture isn't.

Now, it could very well be that the costume designers of S2 thought: "Fuck it, let's go crazy" – but given that this show has a track record of meticulously making sure to stick to accurate and cohesive character design, doesn't it strike you as odd that Crowley would go from this look at the Flood in Mesopotamia, 3004 BC:

... to the (very iconic, don't get me wrong) Bildad the Shuhuite drip in 2500 BC:

... back to this at the crucifixion of Jesus Christ in 33 AD:

I mean ... I mean– come on, that seems like a bit of a far stretch, even for someone as enthusiastically experimental with fashion as Crowley.

And it's not just that: Where did the sunglasses come from, all of a sudden? And why do they look like some sort of obscure, ancient optometrist's device? It's a known historical fact that the Romans were the ones to have invented sunglasses, somewhere around 50-ish AD. Which actually matches perfectly with when Crowley and Aziraphale meet again in Rome 8 years after the crucifixion (51 AD).

So, where do the weird spectacles come from, over 2000 years too early? Maybe from Aziraphale's brain filling in some gaps? Hasn't Crowley always worn those ridiculous sunglasses? Was it Rome? Or Golgotha? Wessex? Oh, blimey, what does it matter!

And it's not just Crowley: Aziraphale's own clothes, as well as the other angels', seem to be very different from the rather plain linen we see him wear before and after the story of Job.

They're laced with golden embroidery along the neckline and sleeves. The remind almost of the clothes angels are depicted wearing in biblical and historical drawings. Ornate and decadent. Not at all like we see Aziraphale in the other flashbacks of S1.

Even Bildad the Shuhite's hair within the minisode keeps changing, going from all pouffy and voluminous to rather deflated and straight-looking:

The costume department either had to fix up two seperate wigs or manually straighten out the volume of the one again to give it a more sleek look. I'm not a professional in this field, but if there's anything I've learned from watching hours of behind-the-scenes material of movies and shows, it's that very little about costume, character, prop and set design is purely coincidental.

You know what it could be, though? An accurate representation of how memories aren't linear, historically correct and objective representations of a certain event, but rather an ever-changing, jumbled mess of impressions, emotions and exaggerations.

More specifically: Aziraphale's impression, emotions and exaggerations.

Like "remembering" Crowley with sunglasses because he's been wearing them for so long.

Like "remembering" himself wearing more luxurious, angelic clothes because that's how he thinks of the difference between Heaven and Hell.

Like "remembering" the permit as a ridiculously long scroll that folded out over an entire valley.

Like "remembering" Job's children to be weirdly sassy in an almost Aziraphale-esque way (Enon: "Don't be silly!") for the fact that Job would have probably taught them to be more humble and obedient in the presence of a literal angel.

Like "remembering" eating an entire fucking Ox after having just one bite of it while Crowley watched him lustfully, sipping on his wine.

Like "remembering" Crowley calling him 'angel', despite them having barely known each other back then.

There's a reason why the flashbacks in S2 seem so much more alive, quirky and, at many points, confusing and all over the place. Because they're not objective stories being told by a third party. They're Aziraphale's. So much of his own thoughts and feelings at the time get projected onto them because that's simply how memory works!

It's subjective. It's unrealiable.

It's not that I'm calling Aziraphale a liar. He's no more a liar than your parents are, mixing up Sarah and Bobby. Or you, remembering snow instead of sunshine. Memories aren't lies. They can simply be faulty, focus on things that you thought were more important and leaving out or changing things that weren't, to you.

The real challenge in all of this, is trying to filter through Aziraphale's stories to see what it actually is they're telling us. Where it is that the furniture isn't. And I think in this case, that's 6 main things (eff you, God, I know you like sevens, but I don't care):

God and Satan (still) talk to each other We see that Aziraphale is quite surprised when Muriel mentions that the whole Job thing is God's bet with Satan. But clearly, despite having made him and the rest fall, God still converses with Her number one traitor about whether or not the humans simply love Her because she gives them nice things or because they truly believe in Her.

God and Satan (and Heaven and Hell) can and do collaborate with each other when they feel like it So much for choosing sides, huh? Truthfully, this is not the first time this is shown to us, but still. It's another piece of evidence on the growing pile.

Aziraphale understands the World and humans way better than any of the other angels "Well, you see ... Citis is 58 ..."

Aziraphale, despite having troubles voicing it, absolutely disagrees and even condemns God's plan of destroying Job's children (and goats and camels and––)

Aziraphale is willing to lie and thwart the will of God Also not the first time we're being shown this but again, piiiile of evidence.

Angels don't automatically Fall simply by doing the above To me, this is one of the most important take aways. It's already hinted in S1 as well that 'Falling' seems to have been a one time even back when the first war broke out in Heaven. And I actually believe that ever since then, no other angels have Fallen again. Aziraphale is the best example for this. He has gone against God's plan numerous times and even lied to her very face (voice?) about it. And yet, nothing ever happened to him. Why exactly that is the case remains a topic for another meta (that I might or might not be working on already, teehee).

Alright, that concludes this first look at the Job minisode! If there's anything I missed, feel free to share it with me. I'll try and add Part 2 (the story of wee Morag) and Part 3 (the magic show of 1941) soon.

Update: Part 2 and Part 3 have officially been written, you can find it them right here:

Part 2: The Story of wee Morag

Part 3: The Story of the Magic Show in 1941

Hugs and kisses, (God)!

#good omens #good omens season 2 #gos2 #go2 #good omens 2 #good omens meta #ineffable husbands #aziraphale #crowley #story of job #job minisode #good omens analysis #aziraphale is a storyteller #but not a very accurate one #my own meta

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biceratops7 · 5 months

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Here's a neat detail:

Not to talk about season 1 Good Omens in the year of our Lord and Season 3 announcement 2023, but I kind of just realized another little moment that's very sweet and true to real life.

I really like that Crowley isn't just fine again after he learns Aziraphale survived the bookshop burning after all. Normally in stories when there's a "surprise, I'm alive!" moment, the characters just kind of celebrate for a minute and then move on business as usual. But Crowley doesn't. He continues to be visibly be shaken and a little unfocused throughout his conversation with Aziraphale, and when he has to explain what happened, he starts crying again.

I don't know I just thought that was a really nice detail because anyone who's experienced similar whiplash in real life knows about that... residual grief period I guess? I think this was a core memory that informed a lot of Crowley's behavior in season 2, you don't ever really forget that moment you lost them no matter how brief. There's just something very loving and vulnerable in him being like "I thought you were gone, and even though I know now you're ok, I want you to know just thinking about it upsets me deeply."

#don’t just let male presenting characters cry when they’re at rock bottom #let them cry because ‘’whoo boy! that was really scary and I still have a lot of feelings ☹️’’#good omens #ineffable husbands #season 1 #Aziraphale #crowley #aziracrow #meta #analysis #biceratops

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phoen1xr0se · 8 months

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Nothing Lasts Forever - META

It's just really struck me how utterly bizarre the line "nothing lasts forever" is, considering that it comes out of THIS GUY'S mouth:

Don't get me wrong, this line has never sat right with me, it felt oddly placed and off - almost everything else he says and does in that scene could potentially be keeping in character with who he is, his arc, his trauma... but not this.

Why?

I mean, we're talking about Aziraphale here!

The one who literally collects ancient first editions and preserves them...

The one who wears old, worn clothes because they're comfortable and he likes them...

The one who almost killed a little kid because he wanted the Earth to carry on just a little bit longer...

The one who has desperately fought to keep his demon alive and away from the threat of Hell by any means necessary.

These are not the actions of someone who believes nothing lasts. He has spent his existence protecting the things he wants to last, often going to extraordinary measures, even going against his own moral code, consistently showing that he does, in fact, want it all to last forever.

So why say it?

The only explanation that makes sense to me is Aziraphale is trying to wave a warning flag in front of Crowley's face. Hes saying: "You know me, I know you do, you know me better than anyone and you know I would never say this."

The old "if you ever hear me say these words, you know I'm in mortal peril" bit.

The only problem with this, of course, is that Crowley has just confessed - all the things Aziraphale never ever thought he would hear him say, at least not yet, and not so openly... and it's the wrong timing, the worst timing ever, because Crowley is too wrapped up in his own emotion that he can't see what Aziraphale is too scared to say overtly (lots of sideways glances to Metatron just outside the window).

Aziraphale is waving great big "I am not okay help me!!" signs at him, saying all the things he would never say - "you're the bad guys" and "you can be my second in command" and "just like the old times"... and the big one, "I forgive you" instead of the "I love you" they both know it should have been.

The worst part is that Aziraphale expects Crowley to pick up on his signals, and is so hurt and frustrated when he doesn't... not just because it means he is putting his life at risk but because maybe Crowley doesn't know him after all. Maybe they aren't what he thought they were.

But can I leave this on a happy(ish) note?

With this in mind, I'd like to bring you back to the final scene with 'A Nightingale Sang In Berkeley Square' - most people believe that either Crowley queued it up to take Aziraphale to the Ritz, or the Bentley did it...

But if all the above is true, and Aziraphale has been desperately trying to get Crowley to see his coded messages, I humbly submit the theory that it was actually Aziraphale who set up the song to play.

One last attempt to show Crowley what he couldn't risk saying out loud.

Let's hope he got the message.

#good omens meta #good omens #crowley #aziraphale #neil gaiman #ineffable husbands #aziracrow #good omens 2 #david tennant #good omens fandom #michael sheen #fuck the metatron #go meta #die metatron die #no nightingales #nothing lasts forever #aziraphale defense squad #aziraphale defender

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