movies about loneliness in general or after a broke up, please
Le rayon vert (The Green Ray - 1986, dir. Éric Rohmer)
Happy Together (1997, Wong Kar-wai)
Chungking Express (1994, dir. Wong Kar-wai)
Vive L’Amour (1995, dir. Tsai Ming-liang)
I Don’t Want to Sleep Alone (2006, dir. Tsai Ming-liang)
What Time is it There? (2001, dir. Tsai Ming-liang)
The Misfits (1961, dir. John Huston)
After the Storm (2016, dir. Hirokazu Kore-eda)
Ikiru (1952, dir. Akira Kurosawa)
The End (2018, dir. Noel Alejandro)
Tokyo Decadence (1992, dir. Ryû Murakami
Sauvage (2018, dir. Camille Vidal-Naquet)
Maborosi (1995, dir. Hirokazu Kore-eda)
Twilight (1982, dir. Govindan Aravindan)
Martin (1977, dir. George A. Romero)
Trois couleurs: Bleu (Three Colors: Blue - 1993, dir. Krzysztof Kieślowski)
Wild Strawberries (1957, dir. Ingmar Bergman)
A Woman Under the Influence (1974, dir, John Cassavetes)
Paris, Texas (1984, dir. Wim Wenders)
Moonlight (2016, dir. Barry Jenkins)
Habeas Corpus (1986) // dir. Jorge Acha
The Swimmer (1968, dir. Frank Perry)
and pretty much anything else that I didn’t mention by Tsai Ming-liang
163 notes
·
View notes
En juin sur MUBI !
À l’occasion du mois des fiertés en juin, MUBI continue de mettre à l’honneur le cinéma LGBTQIA+. Une manifestation, une célébration, et un hommage, avec entre autres trois films de Sébastien Lifshitz et un double programme Harvey Milk :Sauvage (3 juin) de Camille Vidal-Naquet Presque rien (8 juin) de Sébastien Lifshitz Harvey Milk (11 juin) de Gus Van Sant The Times of Harvey Milk(12 juin) de…
View On WordPress
1 note
·
View note
Sausage (2018, dir. Camille Vidal-Naquet)
I love Félix Maritaud so much. He's my French husband.
3 notes
·
View notes
“Félix Maritaud brings intense commitment and emotional depth to his role as Léo, a 22-year-old, gay street hustler, in Sauvage that it is impossible to imagine Camille Vidal-Naquet’s pulsating character portrait existing without his crucial contributions. Like Julianne Moore in this year’s Gloria Bell, Maritaud appears in every scene and nearly every shot of the film that pivots on his performance, requiring him to the set the piece’s tone and temperature for its entirety. This would be a daunting challenge for any actor, much less a young actor in his first starring role. But Maritaud never breaks a sweat, except when Léo is gyrating with lusty abandon on the dance floor. His performance is a lived-in tour de force marked by a sprightly presence and subtle craftsmanship that embeds us within the character’s arc, never calling attention to its inner workings. Maritaud fully examines and openly expresses every part of Léo—his ardent pining for a fellow hustler, his brooding fury over on-the-job humiliations, and his embarrassed longing for succor and solace. This last desire manifests in a mid-film visit to a clinic as Léo suddenly embraces the female doctor who has shown him such candid and concerned kindness, a gesture of intimacy so overwhelming that those who have seen Sauvage will never forget the way Maritaud’s eyes shut and body slackens, relieved at finding unexpected refuge in the arms of a stranger.” — Matthew Eng
The 12 Best Male Film Performances of Early 2019
(Source: TribecaFilm.com)
108 notes
·
View notes
Sauvage
13 notes
·
View notes
Polish movie poster for Sauvage/Dzikus by Camille Vidal-Naquet.
42 notes
·
View notes
Camille Vidal-Naquet’s “Sauvage” movie posters comparison
34 notes
·
View notes
Top 5 movies watched in may:
Boyhood, dir. Richard Linklater (2014)
Giant Little Ones, dir. Keith Behrman (2018)
Easy Rider, dir. Dennis Hopper (1969)
V for Vendetta, dir James McTeigue (2005)
Sauvage, dir. Camille Vidal-Naquet (2018)
18 notes
·
View notes
(Félix Maritaud) Sauvage - Camille Vidal-Naquet (2018)
32 notes
·
View notes
Sauvage (2018, Camille Vidal-Naquet)
8 notes
·
View notes
Sauvage (2018) dir. Camille Vidal-Naquet
496 notes
·
View notes