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#character talks .đ‘àŒŠËš
doodle-pops · 22 days
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hey there min min, how are ya?...
so there is something that has been stuck in my mind for a while. so if the elves had a human partner who is immortal but still if they die they don't go to the halls of mandos just like the elves,
how do you think the elves would behave?, like are they gonna be super protective or controlling or what?.. especially if the age is the first age and the husband/partner is a feanorian.
Hi hi! I’m doing well, just going with the flow of things. Hope everything is well on your end? â˜ș
Onto your question. In this context, I view this as reader having an immortal body but a mortal soul, hence why they experience the same faith as men. However, this can go two ways: knowing about reader’s mortal soul or not knowing for a little more ✚angst✚
So if they don’t know about the mortal soul, they would treat reader quite normally given their views on immortality. They would consider reader as an immortal making them essentially tied to this world, so if you died, they would reunite in the halls with you. If they only knew that wasn’t the case. It’s not to say they would be relaxed by the idea and become nonchalant with their level of protection, they would maintain their regular level of protectiveness. Guards at your side when you make trips or even accompany you themselves. Chastising you to be careful like a mother hen. Will still H O V E R.
It’ll be quite hellish if you perish and they end up following, to ask for your whereabouts to learn that you’re not here. They aren’t leaving the Halls until you get released. Aegnor and Andreth 2.0, but Feanorians style.
If they knew, it would be the same treatment if you were a regular mortal lover. At the end of the day, if they lose you, you’re gone for good until the second song. They’re just blessed that you have longevity, so every minute still counts because you could step out into the world and perish. The protectiveness doesn’t change and they’ll beg you to be safe and teach you how to fight. Freaking out over everything, it’s worse if you got sick. Imagine sneezing? They’re in an uproar!
Feanorian: “You’re immortal! You can’t get sick! Don’t you dare die on me!”
Y/N who sneezed from black pepper: –_–
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butchfalin · 6 months
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the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "đŸ‘‰đŸŒđŸ‘ŒđŸŒâ“" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again
#yeehaw#1k#5k#10k#posts that got cursed. blasted. im making these tag updates after... 19 hours?#also i have been told it should say speech loss bc nonverbal specifically refers to the permanent state. did not know that!#unfortunately i fear it is so far past containment that even if i edited it now it would do very little. but noted for future reference#edit 2: nvm enough ppl have come to rb it from me directly that i changed the wording a bit. hopefully this makes sense#also. in case anyone is curious. though i doubt anyone who is commenting these things will check the original tags#1) my friend did not do this on purpose in any way. it was not intended to distract me or to hit on me. im a lesbian hes a gay man. cmon now#he felt very bad about it afterwards. i thought it was hilarious but it was very embarrassed and apologetic#2) “why didn't he use đŸ«”đŸŒ?” didn't exist yet. “why didn't he use 🆗?” dunno! we'd been using a lot of hand emojis. đŸ‘ŒđŸŒ is an ok sign#like it makes sense. it was just a silly mixup. also No i did not invent đŸ‘‰đŸŒđŸ‘ŒđŸŒ as a gesture meaning sex. do you live under a rock#3) nonspeaking episodes are a recurring thing in my life and have been since i was born. this is not a quirky one-time thing#it is a pervasive issue that is very frustrating to both myself and the people i am trying to communicate with. in which trying to speak is#extremely distressing and causes very genuine anguish. this post is not me making light of it it's just a funny thing that happened once#it's no different than if i post about a funny thing that happened in conjunction w a physical disability. it's just me talking abt my life#i don't mind character tags tho. those can be entertaining. i don't know what any of you are talking about#Except the ppl who have said this is pego/ryu or wang/xian. those people i understand and respect#if you use it as a writing prompt that's fine but send it to me. i want to see it#aaaand i think that's it. everyday im tempted to turn off rbs on it. it hasn't even been a week
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kottkrig · 26 days
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People liking your personal OCs is still such a crazy feeling, I've been doing this for years and ppl asking about them still fills my entire heart with warmth and idk how to handle it
You enjoy this fictional guy I made up for fun?? Whose only content is random artwork or writing made by me and a handful of other artists at most? They have no show/book/game with a large fandom, it's just one person with an art blog?? I love u
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beebfreeb · 23 days
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tearlessrain · 2 months
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please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!
gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.
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SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:
diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.
non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.
the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.
now, on to how I apply this to bdsm in fiction.
if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.
if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematicℱ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.
this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.
it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.
but yeah, spontaneous writer plug aside, that's what I mean.
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aphel1on · 6 months
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i have such a love for characters who descend into madness or villainy out of deep, deep empathy. characters who fundamentally cannot cope with the cruel realities they find themselves in and blow up about it in spectacular fashion. fallen angel type characters with tears of outrage in their eyes. characters who break before they bend, and break so badly they splatter blood all over their noble ideals. every variation on it gets me so good
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luchsyy · 1 year
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best dynamic. you agree
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whump-in-the-closet · 3 months
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when a powerful figure is reduced to kneeling. when the lord is forced to bow. when the exile stumbles into an unwelcoming bar. when the “beast” is chained by their horns. when a god is dragged behind their enemy’s chariot, a captive and trophy. when the loyal “guard dog” character is muzzled and the silver-tongued thief falls silent in horror.
that’s the shit
it’s about the contrapasso. the reversal of roles and the sudden, plunging terror of being unable to hide.
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irregularbillcipher · 10 months
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nobody understands this highly popular fictional character at all except for me and my carefully curated panel of mutuals
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skullsandcorals · 5 months
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"I'm dyslexic. I'm not stupid."
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ronanlynchbf · 9 months
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tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY
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doodle-pops · 2 months
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Hi Mina! I was just curious what you think Úmaiar (fallen Maiar) are like depending on what Valar they used to serve? I saw a HC that Succubi/Incubi are Úmaiar who were formerly under Irmo's domain and that makes ALOT of sense. I also HC that Maiar who follow Varda and OromĂ« are least susceptible to corruption because Varda is the embodiment of the polar opposite of Melkor and OromĂ« is also heavily against evil. Other than AulĂ«, whose Maiar do you think are most susceptible to corruption?
Howdy! I had to put a great deal of thought into answering this question because I've never thought about this before. I couldn't answer them based on who I believe would be easily susceptible to corruption, but rather what the Úmaiar of each of the Valar would be like. Forgive me if it doesn't sound 100% right (they're all mushed).
Irmo:
From what I know, the fallen Maiar were mostly Balrogs and other spirits. You mentioned the Incubi and Succubi as Irmo's fallen Maiar and it sounds about right with that one. There could be those who bring an unnecessary amount of nightmares for terrorising purposes and trap people in the dream realm, those who are the spirits of confusion, and trickster spirits.
NĂĄmo:
With NĂĄmo, he can have spirits who terrorise both the living and dead; hunt the souls of the recently dead and devour them. Some might commit desecration of the recently dead; messing up their burial sights to prevent the souls from properly crossing over.
Yavanna:
This one is from a headcanon I saw on Yavanna (can't find it), but an Úmaiar of Yavanna can be those who create poisonous plants and those like the Venus Fly Trap. I picture the Valar concept of good/safe to be beautiful creations, so imagine when these corrupted spirits create such beautiful plants but they turn out to be harmful to both people and the environment.
Ulmo:
Ulmo might have sirens or the carnivorous version of his regular merfolks who don't follow the rules of the ocean which is to keep sailors safe. These guys hunt for the flesh of men/elves and cause most of the shipwrecks just to devour sailors. There might be other monstrous sea creatures as well.
Nessa:
This one is a wild thought, but I pictured a corrupted Melian for this one. Since it was she who taught the birds how to sing, I can picture a corrupted version of her singing songs of enchantment to lure travellers into the deep forest and steal the essence from their souls to preserve/strengthen herself.
Oromë:
I can picture some of Oromë's Maiar being corrupted, and I enjoy using references from Ossë who is known for being tempered and was easily persuaded by Melkor. A few of Oromë's hunters and Maiar who take the form of beasts could be a few of the beasts Melkor had created. Also this could be the start of Chimeras appearing in Middle Earth.
Stripping their true form and recreating their darker versions, or those who were willingly corrupted, enjoyed the idea of hunting; the thrill, the chase, and joined Melkor because he offered them the opportunity to hunt without restrictions and bask in the thrill. So now you have these 'hunters' who ride out to capture elves and men.
Manwë:
I assume any Maiar of ManwĂ« would simply become dark versions of themselves. Mostly fighting against the Valar the same way Mairon left AĂŒle, I picture EönwĂ« doing the same (I imagine his wings turning black). Perhaps some of ManwĂ«'s eagles changed their forms to appear more menacing and become spies. I like to picture some of Melkor's first dragons were the corrupted versions of ManwĂ«'s eagles who were caught and tortured.
I couldn't think of any for Tulkas, Nienna, and Ëste. Furthermore, as mentioned, Varda Maiar would be the least susceptible to corruption, and we already have two of AĂŒle's Maiar dancing the lambada, so there you go.
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gaymaramada · 1 year
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First encounter with Death / Last encounter with Death
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braxiatel · 1 month
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You mean to tell me that Grian actually named his bow “his charm and good looks” canonically with his whole entire grick? You mean to tell me he ACTUALLY killed Scar and it showed up in chat as “Goodtimewithscar was killed by Grian using his charm and good looks” ??? Right in front of every other hermit on this good christian minecraft server??????? What in the homosexuality is going on I thought that was a fan edit,,,,,,
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pen-of-roses · 6 months
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Do y'all ever think about how cool it is that art inspires other art inspires other art inspires other art in an endless cycle
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rhinestonesox · 1 month
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Half-foots are highly discriminated against in the world of dungeon meshi.
They have a difficult time living in places outside of their own territories because places where larger races live aren’t built for their size and crowds can be dangerous.
they’re the least valued race by long lived races because their life spans are the shortest out of all the races. this means that they’re dehumanized and often considered disposable. their superior senses make other races use them as “lures” when hunting succubi/mermaids (usually dying in the process).
They’re often mistaken for/treated like children because of their appearances, and because of this they have a difficult time getting jobs because it’s assumed that they’re immature/can’t handle it.
Because of this, when living outside of Half-foot territories they’re forced to get money by any means necessary (often resorting to crime), so other races stereotype them as “cunning” “greedy” and “manipulative”.
On top of that, members of long lived races who tend to fetishize them.
Even the name “Half-foot” is discriminatory.
Ryoko Kui does a fantastic job at world building.
But even after all of that, im not gonna stop talking about how bad i wanna put Chi Chi in my pocket.
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