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#characters in order of appearance in this post:
hannieehaee · 3 days
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18+ / mdi
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content: newbf!vernon, based off this quote, appearance from some svt members, afab reader, smut(?), suggestive, etc.
wc: 1848
a/n: this is such an odd premise but it caught my attention so yeah<3
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"i dont get the joke," seungkwan cocked his head to the side in a questioning manner.
"yeah, april fool's was last month?," added joshua.
"there's no joke. we're dating."
even as you and vernon found yourselves cuddled up on the couch, – in a manner only a couple would intertwine with each other – your friends seemed unimpressed by the mere suggestion of the two of you dating.
"so you've been besties for twelve years and suddenly you're dating? no warning, no nothing? not very believable", answered mingyu, staring at you in nothing short of annoyance.
"why is this so surprising? you guys knew that i had a crush on her," argued vernon, feeling a bit annoyed at the way all his friends were currently staring him down. meanwhile, you appeared to be completely chill as you nuzzled into his side, watching videos on his phone and ignoring the conversation altogether.
"i just don't buy it."
"yeah, i don't get the joke, but i'm not falling for it."
"she's out of your league anyway."
seungkwan, seungcheol and jeonghan all expressed their sentiments to vernon as he groaned in frustration, unable to understand why it was so difficult to accept that he had finally grown the balls to ask you out. alas, he gave up as his friends grew distracted by something else, opting to go back to watching cat videos with you on his phone.
this was a brand new change in your dynamic, so maybe it'd be hard to grasp at first. but it was fine. vernon didn't need his friends to acknowledge his relationship in order to make it real. he'd simply continue to love on you like he'd been doing since you accepted to be his girlfriend, damning any denials from his friends.
~
acting unaffected by his friends' constant refutals of his new relationship proved to be harder than vernon had first anticipated. they'd gone above and beyond to attempt and disprove your relationship, claiming that it simply didn't make any sense.
any time you posted a picture with vernon it'd get spammed with comments from all twelve boys declaring the falsehood of your relationship.
jeonghanieyoon: booo 🍅
joshuacoustic: drop the fake bf and date me instead 😘
dk_is_dokyeom: ok u guys are starting to look believable 🧐
sometimes they'd even respond to vernon's stories about you and slide in his dms just to call him a dumbass for attempting to make this 'a thing' when it was clear you two were lying.
from: pledisboos - stop being a coward and ask her out for real
from: feat.dino - clearly fake. try harder next time!
in retrospect, maybe vernon only had himself to blame for this. after years of liking you, he never once gave any indication of attempting to leave the friendzone. his friends had all given up on hyping him up to confess to you years ago, leaving his crush as a dormant subject of conversation. it was quite sudden how you and vernon ended up together, and your dynamic hadnt changed too much, so your upgrade from friends to lovers was likely not noticeable to the naked eye.
however, this did not excuse the damned booing vernon had to endure any time the two of you walked into a room hand-in-hand. it also did not excuse jeonghan and mingyu's continuous flirting with you – they were doing it to prove a point, they said. and the most frustrating aspect of it all was how nonchalant you were about it all, always giggling along with his friends and never backing vernon up when he'd try and argue with them.
this was quite out of character for vernon. his demeanor had always been extremely chill and laid back, never one to be bothered by any outside forces (much less his dumb friends). you, however, were not helping manners in any way. you found the whole situation funny, telling vernon not to stress over it as you giggled over how passionate both vernon and his friends were about such a benign subject.
so, vernon gave up. he guessed that since you found the running gag about your 'fake' relationship amusing rather than frustrating (as he did), then he would just leave it alone. he was never one for pda anyways, so attempting to prove his relationship to his friends was kind of like beating a dead horse.
what vernon forgot to consider, however, was how nosy his friends were.
when it was time for all fourteen of you to spend the week at mingyu's beach house, he had let his guard down far too much, leading to a situation he'd like to consider both a win and a loss.
despite the sheer size of the beach house, housing fourteen people proved to be quite a difficult task, meaning that roommates were a must. with six rooms, everyone was separated into twos, with two rooms containing one extra roommate each. you and vernon always paired up together with no questions asked, except this time you were teased and mocked as you settled into your rooms, all while they assigned you chan as an extra roommate with the sarcastic intent of him keeping an eye on the two of you – "just want to make sure you don't get down to any funny business," had sad dokyeom in a mocking tone.
it was quite common for everyone but vernon to go out and play some badminton or basketball during these types of outings. he just wasnt a sports guy, and he was well loved despite his lack of participation. you'd occasionally join the guys, but would mostly hang back with vernon, which was what happened this time around. usually, you'd simply lounge around and watch a movie, but now that you were finally together, vernon decided to make better use of your alone time.
"are you sure we should be doing this?", you pulled away with a heavy breath, tilting your head back so vernon's lips could trail down your neck.
"it's fine, baby. they're all busy. they don't even believe we're dating, so they probably just think we're watching a movie," he explained as his hands attempted to get you to sit on his lap.
you didn't seem to need convincing as you slid over onto his lap, allowing his hands to guide your hips against his own. even through the pajamas you were wearing, he was sure you could feel his hardness under you.
"fuck, you're so fucking warm," he murmured as his hands went under your shirt, feeling up your warm skin and throwing it off in the process.
his lips went back to yours, groaning against you as your hips sped up against his own. easily frustrated, he laid you down, bringing down his pants and boxers to his mid thigh and leaving you in just your panties, adjusting his hardness so it'd grind itself perfectly against your clothed folds. the wetness seeping from your panties drove him insane with desire, but he couldn't stop grinding into you, growing easily obsessed with the stimulation. his lips had made their way back to your own, groaning endlessly against them while your hands pulled at his hair in a way that made his eyes cross.
"hmm, nonnie ..." you'd murmur every so often, making his resolve break little by little.
"fuck, is this okay, baby? just- wanna make you cum like this. i'll fuck you, i promise. just feel so fucking good like this," he groaned as you licked into his mouth, refusing to entertain any amount of separation.
eventually he reached down to your tits, tonguing at them like a starved man in search of his next meal. he was shameless in his desire for you, having wanted you for far too long and finally having you all to himself. no other thought occupied his mind at the moment. the touch and sight of your pretty body under his own was all his brain had the capacity of entertaining.
which was how neither of you noticed the boy suddenly intruding the scene, screaming in absolute shock at the nasty sight in front of him.
"oh my god?! you weren't lying?!"
what was even more unfortunate was how chan's yelling immediately alerted the rest of the members (or at least the nosier ones), leading to the door being filled by about seven spectators within seconds.
the only fortunate thing about the situation had been how fast vernon's protective instincts over you took over, covering you up with a blanket the moment he saw chan enter the room, preventing all the nosy men from having a peek at the nudity only vernon was allowed to see (and apparently chan too, as vernon had not noticed his presence until after the fact).
however, even as he covered you up, he left himself completely bare, having to take on all their shocked commentary whilst fully nude, barely able to pull up his boxers a few moments into their intrusion.
"no way, you're actually dating?!"
"either that or they took this joke a little far ..."
"man, channie's gonna be jacking off to this for ages."
"how the fuck did you score her??"
"do you guys want a third?"
these were only a few of the comments thrown at you and vernon within the first twenty seconds of the guys' presence in your room. however, to vernon it felt like a whole hour of scrutiny before he finally shook the shock off and began yelling at them to leave.
"get the fuck out! and never look at my girlfriend again!", he got up and began pushing them out as a few of them giggled at his anger whilst some others remained in shock at the situation.
in the meantime, you had pulled up the blanket over your head as you sat crisscross on the bed, likely too bashful to face the situation until your friends took their leave.
once vernon closed and locked the door, grabbing a pillow and throwing it outside for chan (who would not be allowed back in, by the way), vernon sped to your side, uncovering you, fully worried that you might be mad or petrified at what had just happened. to his surprise, you began laughing the moment you first made eye contact, causing vernon to furrow his eyebrows in question.
"baby, what the fuck? you find this funny?", he wasn't mad, but more so extremely confused.
"you got want you wanted, nonnie. there's no way to deny we're dating now," you grinned, crawling to sit on his lap again.
"god, i take it back. i'll never be able to fuck you again in peace. i was just about to cum, too."
"'was'?", you asked, wrapping your arms around his shoulders and leaning in closer, "you don't wanna anymore?", you tilted your head in fake curiosity.
"i mean-"
"they already know we're fucking. might as well have fun with it. right, nonnie?", you grinned.
chuckling at you, he couldn't help but agree with your horny logic. his boner was still half-there anyways.
"c'mere, baby."
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Winter's King 12
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No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.
Warnings: this fic will include dark content such as noncon/dubcon, cheating, violence, and possible untagged elements. My warnings are not exhaustive, enter at your own risk.
This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.
Summary: You are a maid to the Duke of Debray, a lord of the Summer Kingdom. That is, until the king of Winter appears with his particular air of coldness. (Medieval AU)
Characters: Geralt of Rivia
Note: have a good weekend.
As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me.
Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Please do not just put ‘more’. I will block you.
I love you all immensely. Take care. 💖
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You stand, still uncertain. You look at the king as he tilts his face up to the moonlight. The silver sheen washes over him with an unearthly glow. He looks lupine, much like your dream.  
“Your highness?” You echo again, hands curling around the sides of your skirt. 
“Will you continue to disregard my order?” He challenges as his gold eyes meet yours. You wince at the way they shine. 
“No, your highness, I am only...” you hush yourself and clamp your lips tight. You turn and search around, numbly walking along the curve of the pond.  
He growls as you reach the line of hedges into the next walkway. 
“You will want to go much faster than that,” he warns as you hear him stand. “I will allow you some advance...” He exhales as you glance back at him, “ten...” he stares at you, his figure shrouded in shadow from far away, “nine...” 
You blanch and tumble backward through the gap. You spin and stagger on your soles, throwing your arms out as your heart pulses madly. Something about his timbre, about his words, has you alight. There is something amiss about him. 
You push your legs against your skirts and hurry blindly into the nocturnal void. The moonlight seeps in around the silhouette of leaves as you keep your hands ahead of you to prevent a collision. You try to see through the dark, like silk across your eyes, making out little more than hazy orbs. 
You crash into a thicket of thorns and pull away from the rosy bunch. Their scent clings onto you as you turn to the left and dive down the next path. You don’t know these gardens, not like Debray. For all you know, you’re going even deeper.  
You hear a step behind you and swirl to face it. You squint, trying to see who is there. Is it the king? Do you want it to be? What does he mean to do when he catches you? What is the meaning of this game? 
You plunge back into a sprint, puffing as you pump your arms. You whimper and whine as you slow, legs heavy and feet dull. Where are you going? You don’t like this. You remember a night like this before, how the cold dew of the forest crept up your legs, feet hitting the earth in quick succession, the holler of men and snort of horses behind you. 
You stagger and spin back. No, you can’t run anymore. You don’t like this. You don’t like those thoughts. That last night before you were taken to Debray, before you dawned the cap of your bearing. That orphan girl running from servitude. 
You walk forward, shaking as you peer back and forth. You wade through the thick grey air. You hear a twig snap and a bush rustle, each noise from a different direction. Perhaps it is a rabbit or a chipmunk. You sniffle and wring your hands. 
You must find the king. You will surrender this game and ask that he takes you back to the castle. You trudge over the beaten path and hear the soft trickle ahead. It must be the pond. The silver light blooms brighter as you come upon a space in the hedges. 
Suddenly, there is only air beneath your feet. You kick out as something rigid wraps around your waist and lifts you. You wriggle desperately and cry out, your eyes tinging but not overflowing. Your fear has you clawing at the hold around your middle. 
“Please, please, don’t hurt me!” You plead as you flail, “please, sir, I’ll go back to the castle--” you choke as the grasp on you slackens but your feet still do not meet the ground. You quiet as you recall your present, that you are not in that forest, that you are far from Debray. 
You are sat upon the bench, the silver moon gleaming down on you as it outlines the broad shadow before you. King Geralt faces you, kneeling as you tremble and hug yourself. You put your head down in shame. 
“Apologies, your highness, I was lost,” you reach to rub your cheek, flicking back your tears with your lashes, “I got confused.” 
“No, it is I who should apologise, I didn’t mean to frighten you,” he takes your hand between his big ones, “I only meant to make some fun.” He brushes his touch up your arms and squeezes as you drop your hand to your lap, “little maid, did I hurt you?” 
You shake your head, “I was only... delirious. It is too dark out here. I cannot see,” you bite down and look away, “apologies, I did act out.” 
“Little maid,” he tickles along your cheek, sending a shiver down your spine, “I would not let you get lost or hurt.” He tilts his hand to cradle your face, his thumb stroking your cheekbone, “what was it you were running from in your head? Who?” 
“No one,” you lie. “Just a memory.” 
“Memories are not just that,” he insists, “but I understand how they can hurt. Forgive me, treasure, I wasn’t--” 
“Your highness,” the sullen voice has the king recoiling. He quickly plants his foot and stands. You rise as well, toying with that word he called you. Treasure. “The queen sends for you.” 
Bryce steps out into the moonlight. You look at him then the ground. How long had he been there? How much had he heard? 
“The queen,” King Geralt grumbles, “what is it she wants? It is late--” 
“She would not say and I would not guess,” Bryce says, “but she screams for it. Like a yowling cat.” 
The king sighs and lowers his head. He squares his shoulders and resets his posture. He steps away from you and gestures to his soldier. The king twists around and marches away. Bryce falls into pace with you as you follow. He is silent, you all are. 
You approach the castle, guards lurking in the shadows, and are let past the front doors by a sombre pair. Inside, you follow the king through the great hall and up the stairs. You peek over at Bryce as you proceed down the corridor. He gently squeezes your wrist, just briefly, and carries on. 
“Your highness,” Bryce speaks as you hear a racket ahead of you; screeching and crashing. “Should I escort the maid back to her chambers?” 
“Cursed woman,” King Geralt mutters as he slows, Queen Jazlene’s door just ahead. He pauses and looks over his shoulder, “the cost of a kingdom...” 
“Your highness?” Bryce prompts once again. 
You echo him and step forward, “I could calm her. Bring some wine--” 
“No, she will have no more of that,” the king declares sharply. “I wed her, I put my name next to hers, so it is I shall attend to her. Sir,” he looks at Bryce, “do as you suggest, put the maid in her chambers and I will put the queen in her place.” 
“Aye, your highness,” Bryce bows his head and points you back, “come, maid, the night wears on.” 
You glance up at the king. His golden eyes are wrought as his gaze holds yours for only an instant. You see the hesitation bob in his throat before he turns away. You mirror him and follow Bryce back along the corridor. 
As you climb to the next floor and continue down another corridor, Bryce slows. He stops as he gets to the door and faces you. He takes a breath as he looks you up and down. 
“It’s treacherous here in the summer kingdom,” he says, “but that will not change on the road. Mouse, you keep yourself well.” 
“Thank you, sir, I am fine.” 
“Aye, you do not take my meaning but you do not take the king’s either,” he puts his hand on his belt, “his favour might do you fine in this moment, but it is dangerous. Let not others notice so they may not envy it.” 
You grimace and shake your head, “what do you mean?” 
“Your little games do not need an audience. It is no tournament.” 
Your chest sinks and your skin speckles. Is he accusing you of something? 
“I... I haven’t done anything untoward. I would not, sir--” 
“You may not,” he intones, “but we are all ruled by the will of the king.” 
“Sir, the king is married to Lady Jazlene--” 
“And we both see how they fare,” he states bluntly. “Carry my words with you, do with them as you may, but I could not leave them unsaid.” 
Your eyes gloss and your nose tingles once more. He’s mad. Truly, he can’t think you and King Geralt. A maid and her master. 
“I would not,” you repeat. 
He huffs and nods curtly. He turns to the door and unlatches it, “go, rest your head while you can.” 
“Sir Bryce--” 
“I am bid protect you by the king,” he pushes the door inward and rests his hand on the frame, “not from him.” He looks past you, as if through, “little mouse, I do hope I am wrong as well but I know better than to depend on that.” 
You shudder and tug at the end of your sleeve. You slump and drag your feet through the doorway. You stop, just inside, “good night, sir.” 
He grunts and pulls the door shut. Your lip trembles as your heart races, just as it did in the garden. He is wrong. He must be. You saw yourself how the king is trying, he even said it was the queen he meant to game with earlier. It was only that she was too unwell. He said it! 
And he goes to the queen’s chamber that night. He is not there. He has not been disloyal. The matter is not your concern. You serve wine, you lace gowns, you braid hair. You are only the maid. 
⚔️
You return to the queen’s service the next morning. The world is a bit more familiar as you help her into her gown and twine her hair into an elaborate coif. Servants pass in and out of her chambers as they prepare for the royal party’s imminent departure. 
“Why can we not keep this capital?” Queen Jazlene whines, “but my husband does insist on return to his frigid homelands.” 
You say nothing as you sift through the old monarch’s jewelry chest. You present to her successor each gem, brooch, and chain. She has yet to turn any away though you wonder if there would be room in her already bustling luggage. Perhaps the cart will be a touch more crowded on your ride north. 
“And yet my husband did come to me,” she boasts, “I think... hmm, well, perhaps this marriage won’t be so turbulent.” 
You show her a cuff and she snatches it. She puts it on her wrist, turning her arm this way and that, as she oohs and aahs. She wiggles excitedly. 
“I recall this piece. One year, when I came with father to court, the queen wore this cuff. You see the emeralds. I remember she was so proud of it even though all the court knew it was only gifted to her by her husband to distract from his mistress,” she trills, “oh, how foolish. But the old queen was so boring. It is a wonder the king didn’t dispose of her, who can blame him for taking an amour?” 
She sighs and looks at the mirror, “and she wasn’t half so pretty as me.” 
You remain silent, continuing to sort with her endless approval. You don’t think there is a single trinket she could ever turn away. You don’t see the need for so many of the same thing. Some stones are brighter than others but why not keep the brightest and do away with the rest. 
“As I was saying,” she goes on, “last night when the king came to me, he was... almost meek. That man. Can you imagine? I admit I was distraught after the day I suffered but he listened and we spoke.” She strokes her fingers as she admires her oval nails. “There are some southern lords who will come north as well, some northern to stay behind. He says it will help us acquaint the two kingdoms into one.” 
She drops her hands and pushes her shoulders straight, “he is wise. I suppose I should heed him if I am to be a good queen.” 
You are want to agree but to do so aloud may be taken as insult. She might have done it sooner and saved herself some trouble. Yet it isn’t your place and you haven’t the wisdom of a queen. You’re merely a servant. 
“Once I give him an heir, he will have to listen to me too. Yes, I will do what mother could never. Give my husband a son,” she drags her hand to her midsection, “I think last night...” she flutters her lashes dreamily. Her suggestion makes you squirm. Her and the king’s relations are hardly your concern. “It was better,” her voice is brittle, “even if...” she peers around and clamps her lips. She narrows her dark eyes, “close the door.” 
You obey. You come back to her and return to your previous task. She reaches in to pluck out a string of pearls. 
“He puts me on my stomach,” she whispers, almost as if she thinks you won’t hear, but she is speaking to you. There is no one else in the room. Perhaps she is only embarrassed that she has only to the courage to tell a maid. “And he behind me so I can’t see him and... he can’t see me but... but if he could...” she toys with the pearls, “if he’d just look at me, he might like it better.” 
You lift a pair of medallions earrings and she ignores them. She tosses the pearls back in the chest and stands. You back away. 
“He won’t let me touch him otherwise,” she mulls as she paces. “But he is warming. It is early, isn’t it? And compared to the first night... I don’t know. It will get better. It must.” 
She quiets and stands by the window. Her anxiety is palpable. It’s uncharacteristic. You’ve never seen her uncertain of anything yet you can understand it. She is soon to set off to a new life and to brave a long road. When she reaches her destination, she will be a true queen. When you get there, you’ll still be a maid. 
“I’ll go to him tonight,” she says and raises her head, “yes, yes, I will go to him and try again.” She spins and smirks at her grand idea, “maid, I must find something to wear for him. Well, nothing very much,” she remarks coyly, “but I will need a robe. Yes, I saw a satin one in the queen’s closet.” She swallows and stands as straight as she can, “my closet.” 
You diligently cross the chamber and search the wardrobe. You find a white satin robe stitched with gold and silver. You turn to show the queen. She giggles and claps her hands. 
“Wine,” she says, “I must find some courage too.” 
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theloneotaku158 · 3 days
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As of Batman: The Brave and the Bold #12, local precious-gremlin-who-I-would-die-for, Maps Mizoguchi, is now officially(?) the sixth Robin. Or at the very least, she's now "in" on The Secret™.
If this isn’t a set up for her taking up the Robin mantle officially then I genuinely don’t know what is.
As one of the twelve Gotham Academy enjoyers in existence, I am having the extremely normal reaction of "FUCKING FINALLY! LET'S FUCKING GOOOOO--!"
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In all honesty, I'd be lying if I said I hadn't seen this coming from miles away. Like, Maps has appeared in a number of seemingly random cameo roles recently, including Batgirls (2021), and even technically as Robin in the backup issues of Batman (2016) #119-121, and in a short story in Batman Black & White. And most of those got collected in a standalone titled "Maps of Mystery", which specifically gathered all her appearances as Robin (and the Gotham Academy Belle Reve story).
And then, of course, her recent time-travelling Future-Trunks-esque appearance in Birds of Prey (2023), as the tech-based Meridian, from a potential future timeline where she apparently makes it as a superhero using gadgets she apparently designed, proving that she's hero material.
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That's not something you do for a character for no reason. That's the sort of thing you do when you want to keep a character in the conscience of your readers for whatever reason, because you have bigger plans for them.
Also interesting to consider that, in the "Mother's Day" story where this took place, Alfred is standing right there and not lying down six feet under wood, dirt and a stone slab, and that Bruce is in the old Batcave under the manor so he still has Money™, I must assume this was some nebulous time in the past (after GA: Second Semester(?), but before City of Bane)... which I won't bother to analyse the exact timeframe of because DC doesn't care about the post-Flashpoint / New 52 / Rebirth / Prime Earth / idfk / Dawn of DC timeline, so neither should I.
But I think it's really funny that this presumably means Maps has known The Secret™ for a long time relative to present-day comics, but always acted like she didn't.
But if all her appearances are in chronological order, that means Bruce is only the fourth Bat whose identity she discovered.
Like, she discovered Cass' identity almost by accident on a trip to the zoo, Damian showed off his grapple gun and gave her an actual Batarang during the three hours he was enrolled in the school (as if she wouldn't immediately put two-and-two together even back then), and she even found out Terry fucking McGuinness would become Batman in a future via a time-travelling grandfather clock.
No I did not make that last part up. Read Gotham Academy istg.
Did Cass know that Maps had been acting as a Robin when she met her, both at the zoo in Batgirls and her future version in Birds of Prey?
Does Damian know the one (1) friend(?) he made in Gotham Academy is potentially in the running for his job?
Is Bruce himself aware that she knows as much about their identities as she currently does?
How is DC going to retcon this so it all makes sense in the barely-functioning canon of the modern DC universe?
I'm digressing. Where was I going with this?
Point is, she's destined to become a Robin, and I'm glad DC finally pulled their fingers out their asses and capitalised on that destiny.
Let's just hope it doesn't take another year for them to follow up on this plotline again.
Bonus: Jason Todd, after learning of Bruce taking yet another happy kid under his wing as yet another Robin, giving her some advice:
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stormikitty · 2 days
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Vaggie's Past
I've seen tons of fics and tumblr posts with 2 different ideas about Vaggie's past. 1 being that she had a human life before she became an exorcist angel, and the other being that she grew up in heaven and was raised by Adam and Lute and the other exorcists. Idk which 1 I like better, but I have headcanons for both. And I've sort of imagined conversations for how the other characters would find out?
1:Vaggie had a human life:
Charlie: Hey Vaggie? Are you heavenborn, or a human soul?
Vaggie: it's complicated? When a human soul becomes an exorcist, the first part of their training involves magic induced amnesia. They're forced to forget everything about their lives including their own name, and they're given a new 1. I know I was a human at some point, but I don't remember anything. Some things stick, like languages, and some strong feelings about certain things even if there's a lack of context for it, but I don't remember who I was or any of the people I might've known. Every earthborn exorcist has maybe 1 vivid memory from their life, but it never actually tells them anything about who they used to be or who they know. I think that's to make it easier to erase any individuality more quickly and make us forget if any of our morals didn't originally align with what exorcists do. Turns us into perfect soldiers quicker. If I remembered my real name, I probably wouldn't be going by the 1 that Adam gave me. He literally named me after a vagina.
Chalie: *hugging Vaggie*
Anyone else who heard this: ...
2: Heavenborn Vaggie:
Vaggie: I was never a child.
Angel Dust: What did you just come into existence fully grown or something?
Vaggie: No, I still had to grow and develop like anyone else would.
Husk: Then you were a child.
Vaggie: I was raised to be the perfect soldier since the moment I was born. A soldier isn't allowed to be a child.
Everyone: WHAT?!
Charlie: Why didn't your parents protect your from that?
Vaggie: A lot of exorcist angels are born from flowers instead of other angels. I was 1 of them. I was raised by exorcists and grew up with exorcists.
Alastor or Angel Dust: You were born from a flower? Like Thumbilina?
Husk: They took away your childhood?!
Vaggie: Yeah. I had to be a gown up almost as soon as I could start walking and talking.
Nifty: What was it like being raised by exorcists? Other than the fact that you weren't allowed to be a kid?
Vaggie: I was surrounded by high standards and expectations I had to meet and not allowed to have much if any individuality. Exorcists aren't even given names until after their 1st extermination. They have numbers until then. Also, you know how exorcists have those black stipes on their wings? Those don't appear until their 1st extermination either. Also I was taught to value loyalty and strength more than anything else. Loyalty goes above strength, but not by much. And the second I showed even the slightest hesitation to follow an order, I was cast out of heaven in probably 1 of the most brutal and painful ways possible by 1 of the people I trusted the most. So there's that.
Everyone: *ready to throw hands with some exorcists again*
Charlie: *crying*
Nifty: ... Wanna build a pillow fort and watch cartoons?
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freelancearsonist · 2 days
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this is what it looks like, right before you fall
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➔ Dieter Bravo x nonbinary!reader-insert!oc - series masterlist
➔ 5.3k words
➔ CHAPTER ONE // You meet the cast and vow yourself to professionalism as filming starts, but one particular costar tests your willpower.
➔ Chapter rated PG-13 for age gap (reader is 21, dieter is 45), kind of pervy!dieter but not in a malicious way/reader reciprocates, some impure thoughts on reader’s part, written with basically no knowledge of how the film industry actually works. [please let me know if i missed any warnings that should be included :)]
➔ this reader insert character is: unnamed, afab and nonbinary (has female anatomy and uses they/them pronouns), neurodivergent, latinx, 21 years old, an actor playing a female character. I’m trying to keep them a physically blank slate but it is mentioned that they have longer hair (past shoulder-length) for the role and they wear a bikini for the role at one point as well. They are mentioned to be shorter than Dieter.
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Everyone in this room is a seasoned professional. They move with poise and calculation, like chess pieces assessing their next best move. It’s reminiscent of a muster of peacocks—plumage spread as they strut around and size each other up, each wondering who will win the desperate yet subtle battle for dominance. They mingle amongst themselves and make small talk; all of it is utterly meaningless.
This is your first professional cocktail party, and if this is how they’re all going to be you definitely won’t be attending any more.
But then again, maybe it isn’t always like this. Maybe this is just the mania of the world being deemed “post-pandemic” despite the very real crisis still lurking in the shadows. You can’t blame people for how they cope with isolation and despair, even if it seems a little over-dramatic to you personally.
There’s maybe one other person in this room who seems to realize how ridiculous this whole game is, but you’re too nervous to go over and talk to him.
He looks comfortable amongst the chaos. He doesn’t strut around seeking conversation like the others—he lets them come to him. And they do; despite how formidable he appears to you, they’re all drawn to him like magnets. His presence has its own center of gravity, and everyone around is merely a lost orbiter. He reels them in one by one, chats with them—maybe even insults them a little–and then spits them back out into the stratosphere of the room. And they keep coming back for more, because he’s intoxicating.
Dieter Bravo is fucking terrifying for a man who’s shirt buttons aren’t aligned to the proper holes. 
“Hi.”
You hadn’t even noticed him approaching, as focused as you were on looking anywhere except him. His raspy voice makes you jump–makes your stomach lurch like a phantom step on the stairs. His dark eyes are penetrating in the way they stare at you over the rim of his sepia-tinted sunglasses. He’s looking through you, not at you. There’s something so thoroughly appraising about his gaze, as if he’s sizing you up.
“Hi,” you whisper back. You wonder if he’s like a bear, if you need to make yourself look bigger and scarier in order to appease him. But instead, you shrink–he makes you feel so small. Like you’re nothing but a speck of dust on the underside of one of his well-worn crocs; and maybe you are. Maybe you’re in way over your head here.
“I dunno if this is gonna work,” he hums, eyes lecherous and languid in the way they drag over your body. “You’re too hot to be my daughter.”
You choke on your drink, legitimately splutter and cough; of all the millions of things you imagined him saying in your mind, that wasn’t even in the realm of possibility. But he seems completely unfazed by your outburst, waiting patiently for you to regain the ability to breathe like a normal human being.
What can you even say to that? The hottest man in the room–albeit a man who’s more than twice your age–is passively hitting on you. And if he were anyone else, you would be outraged by how casually he does it. But he’s Dieter fucking Bravo, and you think you’d let him get away with just about anything; which says way more about you than it does about him.
Thankfully, he saves you from your swirling mind–redirects as if it was the most casual of passing comments. “Is this your first meet and greet?”
“No, I’ve left my house a couple times before.” It’s an unintentionally snarky comment, the kind that would normally get you in trouble. But Dieter actually laughs–well, it’s more of a snort than a laugh, but its purpose is clear–and you wonder if maybe this whole situation isn’t as bad as it seemed a few short minutes ago.
“First time in front of a camera?” He asks, absentmindedly swirling the neon green liquid–absynthe? antifreeze?–that resides in the crystal glass his right hand cradles. “I tried to find you on IMDb but nothing came up.”
“I’ve done some commercial work,” you admit, feeling a little sheepish; and a little caught off guard, flattered even, that he’s been researching you. “Nothing like this, though.”
“How’d you get the role?” The question sounds deeper than it really is–distrustful, in a way.
You simply shrug. “I guess my audition was good.”
“I guess it was.” You don’t know exactly what he’s insinuating, but you feel like you should be offended. There’s no malice or aggression left in his dark eyes, though–whatever you’ve shown him, he’s liked it. “We’re going to have fun.”
“We are?”
“Mhm.” He takes a sip of his drink, and you can tell he’s trying not to make a face as the radioactive-looking liquid meets his tongue. “We should rehearse lines. In your room. Build our chemistry.”
There isn’t a singular cell in your brain that believes there’s no underlying motive to the invitation. And even yet, you accept. You kind of get the sense that he wouldn’t accept no as an answer, anyway.
He nods his acknowledgement, and then just as quickly as he had appeared, he’s melting seamlessly back into the buzz of your fellow costars.
You don’t realize how hard your heart is beating until he’s not standing over you anymore. With a sip of your drink, you do everything you can to will your breathing back to normal. There’s no reason a simple man should have such an effect on you.
But there’s really nothing simple about Dieter Bravo. He’s imposing. He’s been in this industry for as long as you’ve been alive and it shows in the way he carries himself. There’s confidence in his strut, an undeniable carefreeness to his appearance. He’s a professional; he’s everything you hope to someday be.
You promised yourself that you wouldn’t act up over the star-strewn cast, and you’ve held true to that promise as of yet. But Dieter Bravo poses a challenge. Especially with the shameless flirting and the way his eyes linger on your body, you feel yourself becoming more and more starstruck with each passing moment you’re in his presence.
You’re suddenly desperate for this thing to be over with so you can go back to your room and unwind. Your nerves are taught like an over-tuned guitar and liable to snap at any moment.
Dinner goes as smoothly as it can, albeit slowly. You’re stuck at the end of the table, sandwiched between two other actors who are around your age and clearly know each other from the way they keep talking to each other through you; and Dieter is at the opposite end, which is both a blessing and a curse. At least you’re not close enough to smell the warm, woodsy spice of his cologne—it lingered in your nostrils for a solid five minutes even after he walked away from you earlier—but you’re far enough away that he has a good angle to stare at you.
And stare he does. You can feel his eyes tracking every move you make. He doesn’t even look away when your eyes catch him; the cocky bastard smirks. He looks you right in the eyes over the rims of his sunglasses while the corner of his mouth tilts up and he has to know that it goes straight to your core.
The minutes pass like molasses with his attention on you, and it feels like a weight’s been lifted off your shoulders when it’s finally time to turn in for the night.
You didn’t get a chance to introduce yourself to half of the cast because you were so busy being an unimposing wallflower, but you’ll worry about that tomorrow. For now, you’re walking to your room as fast as your legs can possibly carry you.
Shooting starts in the morning, and you really need a good night’s rest. You want to start strong and prove yourself. But you stay up into the wee hours of the morning anyway, laying in your oversized hotel bed and staring at the ceiling, wondering if Dieter’s going to come knock on your door to “rehearse lines” like he suggested.
He doesn’t, and you don’t know why you feel so disappointed about it.
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You wake up from your four hours of sleep with a little bit clearer of a mind, surprisingly. Dieter’s hot and he’d be a once-in-a-lifetime lay, but you’re playing his daughter in this show. How seriously do you want to be taken in this industry? Because banging the actor who plays your father in your first serious project is decidedly not the route to being taken seriously as a movie star; in fact, it’s the kind of scandal that could end your career before it even starts.
You shower, do your basic morning skincare routine, get dressed, and head to set. All the while, you chant your new mantra: Dieter Bravo is off limits no matter how badly you want to play right into his hands. His big hands. His big meaty hands that you want all over your–
“Well hello!”
The woman who greets you as you walk into the hair and makeup tent is way too chipper for 7AM.
“Hi,” you say, a little shyer than you mean to sound; at least you can blame it on the early hour and the fact you haven’t had any coffee yet.
“I’m Cynthia, I use she/her pronouns. It’s nice to meet you.” Cynthia is blonde and tall, almost imposingly so. She’s sturdily built and graceful–there’s an almost feline quality to her movements. She’s gorgeous, and not just because of her perfectly styled hair and makeup.
You take a deep breath before giving her your introduction. This is something you’ve contemplated a lot prior to arriving, and even more so in the long, isolated hours of quarantine in your room. She/her doesn’t do the job, and you’ve known it for a while; but you let people use them anyway, because it’s easier to appease them than to constantly be correcting everyone. After intensive consideration, though, you want to go into this new chapter of your life as your true self.
You take another deep breath and then you give her your name, followed by “they/them.”
She smiles so warmly, but she doesn’t comment on it. No, “oh!” or “that’s so brave!” or any of the other thousand responses you’ve gotten to providing the pronouns you’re most comfortable with.
She guides you to her chair and she starts chatting away about anything and everything but your gender identity; that simple, wordless acceptance is such a refreshing change of pace from what you’re used to that you choke up a little bit.
You manage to swallow it down without her noticing, thankfully. You’re going to be dealing with Cynthia every day for the foreseeable future and you really don’t want her thinking you’re a loser.
You look like a completely different person when she’s done with you. Your entire face is coated with a thin layer of makeup that evens your skin tone and shrinks your pores. There’s thin, symmetrical wings of eyeliner on your eyelids, and your hair is curled in perfect blow-out waves. The outfit pulls the whole thing together: a Guns & Roses t-shirt underneath an unbuttoned long-sleeved flannel and jean shorts that hug your waist tightly but taper off around your thighs.
Cynthia’s a miracle worker, truly. You look exactly like the freshly-graduated, soul-searching, 1970’s time capsule misfit teen you’re supposed to be playing for eight episodes worth of HBO drama. It’s like meeting Charlotte “Charlie” Herrera for the first time, except you are her.
It’s a lot easier to get into character when you look the part; although becoming someone else has never been something you’ve necessarily struggled with. You take a deep, steadying breath; and then suddenly, you’re a different person. It’s that simple.
You’ve had some minor success with acting prior to landing this role. You always landed leads in school plays, and you shone in the silly little YouTube videos your high school friends liked to make. Acting comes naturally to you, and when people ask how you do it, what’s your method, you don’t really know how to answer. You just do it.
You’re not humble enough to try to deny the fact that you’re talented. The executive producer called you within half an hour of you submitting your audition tape for this role, and he didn’t stop complimenting you for another half an hour. There’s just some kind of special compartmentalization your brain accomplishes when you have a character to play; you flick off your “you” switch, and flick on your “character” switch.
You’re sure your therapist would say that it’s easy for you because of your natural proclivity for escapism. Your parents would probably just say you’re a psychopath. Whatever it is, you have a knack for acting, and it shows. It’s as easy and natural as breathing.
There’s a flurry of activity around you as you settle on your mark: an unevenly-stuffed floral print couch in the living room of your character’s shoebox home. It’s small, but it feels lived in. There’s photos in mismatched frames of you and Dieter on the walls and it puts a weird sensation in the pit of your stomach; it takes you aback how realistic and natural the photoshop is for set pieces that probably won’t even be in most frames of the show. There’s eclectic trinkets and pieces of period-accurate paraphernalia on shelves and side tables. You could almost believe you’ve been transported back in time if you ignore the huge cameras and empty windows.
Your costar walks in and suddenly the nerves hit you in full force.
This is it; this is your big moment. This needs to be flawless because first impressions stick. Especially to someone like Dalton Amari, who’s been acting since he was in diapers. Even though he’s barely a year older than you, he’s a bonafide star. He’s got an IMDb filmography that’s a mile long and he’s won countless awards. You need to be on your game because you’ll be damned if you’re going to disappoint someone like him.
He’s handsome and imposingly tall as he towers over you, dark-haired and dark-eyed with blindingly white teeth that contrast the light brown tone of his skin. You have friends who swoon every time he posts on Instagram; it’s surreal, being in the same room as him like this, with him smiling at you like you’re important.
“Hi again,” he greets as he sits next to you, body moving closer to you at the instruction of the director.
You feel a little more at ease like this, despite how formidable a scene partner he is career-wise; he’s the kindest of all the costars you met last night. He was one of the few people who actually made an effort to approach you, after all–introduced himself with that charming smile and everything.
“Hi.”
“You look great,” he says with a noticeable scan of your figure. “Just like my grandma used to.”
It’s the exact kind of icebreaker you need to completely melt the tension; you laugh, and he laughs with you.
The director–a man named Jeff with a graying beard thick enough to clothe a family of four–walks over with a smile on his face. “This is the exact kind of chemistry I want onscreen, okay? Nice and light, make it look effortless.”
“Sure thing, boss man.” Dalton’s long, blown-out hair flops into his face when he nods, and you can tell it irritates him. “God, how do people put up with this shit? Remind me to never grow my hair out again.”
“You’re telling me,” you respond with a laugh–your hair is even longer than his.
This first scene is surprisingly easy. He’s so talented that it rubs off on you and builds up your confidence until you’re commanding the scene effortlessly. You lounge on the couch with him and lament over approaching adulthood, recounting the glory days of your characters’ shared high school experiences now that they’re over for good. You feel like you’re really there, in that time capsule moment of late May 1976, shooting the shit with your high school sweetheart boyfriend. It’s easy to forget that you know what happens between Charlie and Trevor, Dalton’s character; that the story has already been told all the way through. Right now, in this moment with his arm around your shoulders and your hand on his thigh, it’s just beginning. You’re three years younger than you really are, and you’re in love with this boy who’s looking at you like you hung the very stars from the sky.
“Cut!” Jeff calls, and you pull away from Dalton’s loose grip. “That was perfect you two, keep it up!”
Just like that you’re you again–not Charlie, not Trevor’s girlfriend, not anyone else. The transition is that simple and seamless.
You catch a glimpse of your smiling face next to Dieter’s in a brass-framed photo, and you feel that weird, twisting sense of complication again. For a blissful moment in time, as Charlie, life was without uncertainty. When you’re her, there’s a script and a set destiny that you know will play out exactly how it’s supposed to. When you’re you, you don’t know what’s going to come next. Maybe that’s why acting has always been easy or you. You crave the predictability and certainty that comes with a scripted ending. You know how the final page plays out, and you know exactly what happens along the way.
Life, unfortunately, isn’t that simple.
“Hey,” Dalton says, voice a little softer than the voice he uses when he’s Trevor. “You did great. Don’t be nervous.”
You don’t know how he knows you’re so lost in thought–probably the incessant bouncing of your left knee.
“Thanks,” you murmur in return, but you can’t meet his eyes. You’ve never been particularly good at taking compliments, even if they’re deserved.
“Alright, it’s class time!” Jeff interrupts with a clap of his hands. He’s notorious for his strict scheduling. “Wardrobe!”
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You have two more scenes today and they somehow, miraculously, go just as well as the first. There’s no sign of Dieter, but you knew before you even got out of bed that he wasn’t on the call sheet for today. Tomorrow, however, is a different story. There are four scenes on the schedule, and the last one of the day is just you and him.
You’re glad you have some time to prepare for it, because you know that no matter how hard you try, you’re going to be self-conscious around him. He’s not just attractive or charismatic or any of the other things you’ve come to view him as; he’s something of a role model. You want to impress him, but you also want to learn from him; and you really, really don’t want to make a fool of yourself anywhere in his general vicinity. It might be easier said than done with those big brown chocolate-chunk eyes of his following your every move.
You adjourn to your hotel room and order room service, “untitled episode one” script in your lap. You’ve read it through about a million times, but tonight you pay special attention to your first scene with Dieter. You need it to be as flawless as today’s scenes went. You need him to be as impressed as Dalton was, because his opinion means more to you than anyone’s.
You also pay special attention to that particular scene because it’s going to be a real test of your abilities; looking up into that handsome face and remembering your lines the way you’re supposed to is going to be your crucible.
You check the time around midnight and decide it’s late enough; pushing yourself any further could just serve to undo the effort you’ve put in. A certain Instagram notification on the screen catches your eye: “@bravo69 started following you”. It’s Dieter’s verified Instagram account, and the notification is from two minutes ago.
You stay up for longer than you care to admit ruminating on the fact that Dieter Bravo is scrolling through your Instagram at midnight. Maybe, just maybe, you’ve gotten under his skin the way he’s gotten under yours.
You’re trying so desperately not to get your hopes up, but it’s hard not to.
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Cynthia in hair and makeup can tell you’re not sleeping well, even without the way you keep drifting off and jolting awake in her chair. She slathers caffeine under your eyes and does her best to reverse the zombie state you’re starting to transform into.
She gives you a look a lot like a reproachful mother might. “Are you really losing sleep over this? You were fantastic yesterday!”
There’s just something about her that makes you so comfortable–like she’s been a friend you’ve known for years rather than a coworker you only just met yesterday.
“Yeah, but what if it was a fluke and I do horrible today?”
She actually scoffs, like it’s the most impossible thing she’s ever heard, and her smile is so wonderfully disarming. “If you always think like that, you’re never gonna get a damned wink in your life.”
“I’ve never been very good at sleeping anyway,” you admit with a scornful little huff.
“Well, you’d better try your best. There’s only so much I can do for you.” She gives you a cartoon-worthy wink as she looks at you in the mirror, and it makes you loosen up considerably.
She’s right. You’re here, and confidence is key at this stage. If you act like the crew is taking some big chance on you because you’re a new talent, they’re going to see it that way too. If you act like you belong here, it’ll make the whole thing that much easier.
Fake it ‘til you make it, they say. You suppose whoever “they” are, they’re actually right in this situation.
Today’s scenes are a little more important to the plot of the show. Yesterday you worked on character establishment and setting the environment; today is all about the inciting incident. It all starts with pool party part two.
Wardrobe stuffs you in a period-typical orange patterned bikini, carefully selected to not be too revealing while still giving the audience something to appreciate; it’s eye roll worthy, but underneath the corniness of it there’s something kind of exciting about potentially being a sex symbol.
It’s the beginning of summer in the Midwest–at least on screen. In reality it’s late July, and it’s sweltering outside at the little time capsule brick house production rented for this scene. There are teen-aged extras all over the place pretending to be celebrating the end of another school year, all perfectly styled to 1976 as they splash about in the pool or grab vintage-looking Coke bottles from a cooler next to the property’s backyard shed.
Dalton is here, bare-chested and abs gleaming, draped over a poolside lounger. You’re directed into his arms, and the press of his skin is a little uncomfortable. You’ve never particularly liked being this close to strangers, especially when wearing so little, but there’s no backing out now. Every scantily-clad inch of your skin is pressed against his, his arm wrapped around your waist to keep you close. 
Charlie’s best friend, Amara–played by none other than Kelsie Burton, an actress who’s been in just about every coming-of-age flick in the past five years–sits on the lounger next to yours. She’s drop dead gorgeous, with freckled pale skin and long, shiny black hair. She’s the archetype, and you feel like a complete foil in every way. You have to take a deep breath and remember that it’s not a competition–and even if it was, you’re technically winning.
The dialogue is a little awkward in this scene, but it’s on purpose. The three characters have been close friends since middle school, but things have shifted ever since Charlie and Trevor started dating. Amara feels like a third wheel, and it’s not exactly unreasonable.
This is the beginning, the first push of the boulder down the steep hill of plot. The three of you sit together pondering what life will be like now that high school is over and discussing ways to make the summer the most memorable it can be. A challenge is made, an oath taken. This summer is going to be the most unforgettable one of all.
You shoot a few takes of the inciting conversation, and then it’s on to the fun part–shooting some filler scenes of pool party revelry.
It’s easy to forget you’re not a fresh-faced teenager anymore like this. The three of you splash around in the water with your “classmates” and laugh and play games and have fun. It doesn’t feel like there’s cameras or crewmembers or anyone else around but you and your friends. And that’s really what they feel like–friends. Maybe they’re both just good actors, but a hopeful little part of you wonders if you might actually be able to build meaningful relationships with them.
The fun can’t last forever though, and the scene wrap comes before you’re ready for it–partially because you’re enjoying yourself and don’t want it to end, but partially because you know what comes next. Dieter.
You’re shuttled back to set wrapped in a towel, still soaking wet but smiling despite the nerves twisting in your gut. Even if this last scene for the day goes to shit, at least you had an incredible morning.
You’re turning a corner on your way to wardrobe when you run smack into someone tall and sturdy. There’s a force to the sudden collision that makes you grunt and lose your balance (and towel), but big, strong hands quickly come to steady you.
You look up, ready to fumble out an apology, when  you find a set of deep brown eyes and a handsome, smirking face.
Whatever you were going to say dies at the base of your throat when you notice the way Dieter’s eyes drag over your soaking wet, bikini-clad form. You can’t help but let yourself do the same; this is the first time you’ve seen him in character, after all.
He seems even broader and bigger than the first time you met him, decked out in this khaki-colored sheriff’s uniform. It hugs his soft yet sturdy frame perfectly, only complemented by the heavy duty belt and the star-shaped badge pinned to his chest. His shaggy hair has been trimmed down to a respectable length, and his signature patchy-stubbly beard has been reduced to a simple, handsome mustache. He’s a time capsule of a man, and he looks so fucking good.
“Is that what they’ve got you wearing for our scene?” He asks, interrupting your moment of observation. His hands are still firmly on your waist despite the fact that your balance has long since been regained.
“N-no,” you stumble over your own tongue. “I’m on my way to change right now.”
“Damn,” he mumbles–he actually sounds disappointed.
It’s been long enough, and his hands are still on your waist. They’re so warm, so big. You hate having your bare skin touched like this, but…  it’s nice. His hands are firm and strong and capable and you’re not thinking of him in a very fatherly capacity at all right now. He’s so close you can feel the heat radiating off of him, so close that you could just–
You don’t even realize you’ve stopped breathing until he finally takes his hands off you and you have to practically gasp for breath. Even as he backs out of your personal space, he knows the effect he’s had on you–if the smirk that takes over his face is any indication, at least.
“Orange is a good color on you,” he murmurs as his dark eyes give you one last once-over.
“R-really?” It’s never been a color you’ve particularly favored, but flattery goes far with you.
He hums in response, tongue darting out to wet his lips. Have you really made this much of an impression on him, or is he just really desperate? Surely he can’t be that deprived–he could have anyone he wanted at the blink of an eye.
“I’ll see you on set,” he vows. And then, just as quickly as he appeared, he’s gone.
It’s so fucking difficult to get a read on him that you feel like you’re in a tailspin. Nevertheless, you try not to let it bother you too much as you get to wardrobe and finally change into some real clothes. Dieter Bravo is off limits, you remind yourself; but it doesn’t sound nearly as convincing this time.
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“Where have you been all night?” His voice is stern, commanding despite the softness to his tone. He sounds almost dangerous–exactly like a cop and a protective father should.
“At that end of the year pool party over at the Clevelands’, the one I told you about,” you answer easily, gently. You’re on thin ice, and you’re stepping lightly. “With Amara.”
“And Trevor.” There’s accusation in his voice–Charlie hasn’t told him about her relationship, but fathers always know. 
“He was there, yeah.”
“How many times have I told you I don’t want you around him?” Dieter looks up at you from where he’s spread lazily in his cozy living room armchair, eyes even darker than usual in the low night-coded lighting of the living room set. His suspicion of Trevor isn’t unwarranted–you’ve read the script in its entirety, you know every little facet of every single character. But Charlie doesn’t know what you know, so you have to take Dieter’s caution as nothing more than the helicopter parenting typical of a teenage girl’s single father.
“I’m an adult, dad,” you remind him. “I can make my own decisions, choose my own friends.”
“You’re still a little girl,” he murmurs. The fight’s gone from him–he looks now as if a long day of law enforcement has caught up to him all at once. “You always will be.”
It sparks the exact kind of anger within you that the script calls for, and most of it isn’t even fabricated. You don’t want him–Dieter, not Sheriff Herrera–to see you like that. What if that’s all this is now? What if he can’t see you as anything else but a child to him? Not that it matters. He’s off limits, you’ve reminded yourself of that a million times. What he thinks of you shouldn’t matter.
“You have to let me grow up eventually,” you growl before storming down the hall to your final mark.
Jeff calls the scene, and you reemerge a little flushed and feeling silly for how real your emotions were in that moment.
“That was perfect!” He tells you with a beaming smile on his face. “Keep that up and we’re gonna get ahead of schedule. Dieter, you were great too.”
“Not as great as them,” the older actor says with a nod of his head in your direction. “You’re a generous scene partner.”
“How so?” You’re still a little flushed, but you’re praying he can’t tell.
“You give off a lot of emotion,” he explains. “Gives me a lot to work with.”
“Oh.” You’ve really got to get better at taking compliments. Was that even a compliment?
You’re so far in your head that you don’t notice the awkward pause until he takes it upon himself to start leaving the soundstage. Desperate for any way to salvage the moment, you address his broad, retreating back and say, “thanks, Dieter.”
He turns his head, looks at you over his shoulder, and fucking winks. “Anytime, honey.”
And then he leaves, like he didn’t just put a fucking puddle in your underwear.
Dieter Bravo is off limits. Dieter Bravo is off limits. Dieter Bravo is off limits. You chant it to yourself the entire way back to your hotel room, but it gets less and less convincing with each repetition.
Would it really be so bad if he wasn’t off limits?
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zzthekaiju · 2 days
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Best of the Reptiles in Media - 01 - Godzilla (Monsterverse)
I figure that while I'm using this blog, I might as well post my ramblings on a subject dear to my heart: That being the representation of reptiles as characters in media. And not just villainous or vile ones like we're so used to. I'm talking about ones that inspire me. The ones that are legitimately compelling to me. And these posts are an excuse to espouse why.
Plus, it's just fun. You can thank the likes of @tyrantisterror and @bogleech for inspiring me to do these.
So who better to start with than with the lizard who's been an inspiration to me for almost my entire life. That being the one known as Gojira. AKA...Godzilla.
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This is the one character in these posts who probably needs no introduction. Ever since his debut in 1954, the walking embodiment of the horrors of nuclear war, among other things, has been nothing less than an icon. This is the beast people think about when they hear "giant monster" or "kaiju". This is truly the King of the Monsters.
My introduction to Godzilla was a children's book called "Godzilla on Monster Island". It was a fun read full of neat monsters living together and teaming up to stop an evil plan. And it left me wanting more. I wanted more stories of these fantastic yet friendly beasts being friends and living together while having fun adventures. Little me was a bit disappointed to find that Godzilla spent more time fighting his fellow kaiju and trashing cities instead.
The truth, as I would find out, was that Godzilla is never just one thing. He is a fun defender of the Earth. He's the terrifying consequences of our tampering with both nature and science. And in recent memory, he's been a lot of other things. But most of the time, he's either hero or mankind's hubris on two legs. To me, he was a giant dinosaur that could fire thermonuclear breath, and that was all that mattered. It was after hearing about the historical significance of him that my respect doubled.
Back then, I would tell you that my favorite Godzilla from a design standpoint was the 2002 version. Personality wise, almost every Showa appearance post-1964.
But in 2014, everything changed. In came a Goji that seemed to have everything I could ask for. So, we're going to look at the one that resonates with me the most. The Monsterverse version.
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That right there is perhaps one of the most awe-inspiring entrances I've ever seen in a cinema.
Before the release of Godzilla (2014), the franchise had entered something of a slump period. The last film was all the way back in 2004, and sadly, the kaiju genre was still something of a niche thing growing up. Here in America, you either liked superheroes or real-life celebrities as a kid. If you liked monsters, let alone giant monsters, you were one of the weird kids. That, or one of the kids who never lost their passion for dinosaurs. But those were rare.
Then Gareth Edwards unleashed this film, and while one could argue that Pacific Rim (2013) got the ball rolling, THIS ultimately resurrected the entire franchise of the Big G, and got him a degree of general respect from most film-goers (so long as you ignore the irritating internet drama regarding screen-time back then).
But let's get to the meat of this post. Why is this Godzilla so much better to me than the rest? A few things, really.
First off, there's Godzilla's role in the Monsterverse's narrative. For the most part, he is a guardian of the natural order, a means of bringing balance to imbalance. He is a metaphor for how nature is capable of righting itself, and how we either have to deal with it, or live with the consequences. In practice, Godzilla ends up going up against almost every monster, most of which are only a threat because we awakened them/created them. Yet despite this, he doesn't go out of his way to destroy us. He's not mindlessly destructive or particularly vengeful either. He knows we're a part of the world too. We just tend to grate a bit more on his nerves because of how much we screw up. If there's one thing this series isn't afraid to show, it's that...well, "the arrogance of man is thinking nature is within our control, and not the other way around."
Design-wise, this is one of the best Godzilla's around. He's bulky, has a killer stare, and there's something oddly endearing about how...well, meaty he is. He's like if my aforementioned previous favorite design, the 2002 one, put on both a lot of muscle and weight. It also ties into his fighting style, said to have been inspired particularly by bears. Even the sounds associated with him are amazing. From that hype-inducing charge of his thermonuclear breath to what might be the best rendition of the classic roar.
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Then there is the body language. This Godzilla's usual gait is slow, almost plodding at times. He shows clear signs of exhaustion in some scenes. What he goes through is hard, and his job is even harder, but he still does it. It really helps sell his personality most of the time.
Part of why I like the Monsterverse so much is that, for the most part, the kaiju are treated as characters in their own right (that's not to say they weren't in previous iterations, far from it, but it's a bit more pronounced here than most of the post-Showa stuff). Sure, some films in this verse are better about it than others (more on that later...), but I like how you can glean what Godzilla is thinking of just by looking at his eyes. Of particular note is how they widen in "Godzilla: King of the Monsters" when Ghidorah gains the upper hand during the final battle, his absolute sneer of anger in the first movie when the male MUTO approaches him, or...this.
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This scene. This one right here encapsulates so much of what I love about this iteration. Where Godzilla, dazed and thoroughly battered by both the fight with the MUTOS and having a building fall right on him, locks eyes with a tiny little soldier. You see a sense of tiredness, of pain, of acknowledgement, and maybe even a little wonder. This is not just some mindless beast fighting for its turf. It's a thinking being. And he's hurt. The most powerful creature on the planet isn't invincible, neither on the outside and definitely not on the inside.
And you know what? I've been there. There are times where I feel like I'm carrying the weight of the world, that there are things too heavy to bear, and its suffocating. Godzilla constantly shows throughout the Monsterverse that his job as a living balancing act is wearing on him. He gets put through so. Much. Crap. From getting buildings dropped on him to being personally dropped from a distance above the clouds to watching his symbiotic partner/mate die, it's almost unfair how we're expected to not really sympathize with him as much as...I'll get to that later.
But he never gives up. Despite all the pain and fatigue, he gets back up, and he fights. And he fights. And he continues until the deed is done. Someone has to rise to the occasion, and it might as well be him. If not him, then who?
That is the biggest reason I resonate with this Godzilla. His awe-inspiring design is one thing, but he gave me the strength to persevere. I don't give up, because he never did. Never before had the Big G been such a hero to me. Such that in 2014 I found myself silently sobbing to myself when it seemed like he was dead near the end even though that was clearly not the case. It's hardly a surprise that I based my personal Godzilla AU on him, albeit with the more sympathetic traits dialed up. Stuff like this made G14 and KOTM some of my favorite kaiju flicks...
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...which made it more than a little disappointing when Wingard took the helm and basically said "screw that, this is about the monke now!" Yeah, GvK is the weakest entry in the series for me for a reason. Godzilla's more redeeming qualities are buried under a narrative that clearly is not interested in giving him the time of day or even the benefit of a doubt. Both it and it's successor, GxK, are Kong movies through and through, and that means poor Big G is put out of focus.
I cannot tell you how much I HATE this idea that the only way a monster can be relatable is if it either looks almost just like us or is really cute. Yes, I understand the universal appeal, but they had such a good thing going for Godzilla! And they throw almost all of it away just so that they can make Kong look better by comparison.
Credit where it's due, these issues are slightly improved in GxK. It's not only firmly established that Godzilla is an overall benefit to the world for keeping the other Titans in check, but we get some interesting bits with him like how he instantly responds and prepares to answer the call of the Iwi and help them. It shows that despite his tenuous relationship with humans, there are ones he clearly gives a lot of thought to. And there's also how he makes the Roman Coliseum his own personal bed. Not only is it kind of hilariously adorable, but if you remember how in KOTM he had his own man-made temple, you get the impression that he has a bit of homesickness. That's the kind of thing I like to see! More of that and less "he's only ever angry and he only ever fights, character is for primates only".
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Also, while the Evolved design has nice details, I WANT THAT GUT BACK! it just looks weird otherwise with that disproportionately skinny waist.
But thankfully, our prayers might be answered:
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With GxK's roaring success (ha!), it's more than likely that the next Monsterverse entry will finally give Godzilla an overdue character arc that doesn't begin and end with "destroy everyone and act big and scary and nothing else". Just please make sure that he doesn't have to die to get that. There are plenty of ways you can make us invest in the guy's story without having to kill him. I WANT to see more of that emotional vulnerability teased across the movies. I want to see him come to terms with how he's been going about his job. And more importantly...I want to see a more explicit Mothzilla scene. A nuzzle and everything. But that's just me.
Whatever the quality of his current status, nothing is taking away how much I love this version of Godzilla. He's taken me out of some very dark places, and for that, I say long live the king.
Also, he brought Mothzilla into the public sphere and every Mothzilla pic made since is the cutest thing ever, so I just love him even more.
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katerina-marie · 3 days
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The Hot Mic Incident (Feel Like Falling in Love)
Sukuna x Reader
A sequel to this and part 2 of a larger (unnamed) series. I do recommend reading part 1 first to be able to understand certain references in this one.
If someone asked you who was most likely to accidentally spill the beans about your new (and still secret) relationship with Sukuna, your answer would have to be your white-haired co-star. But when an unintentional hot mic reveals to the world what wasn't ready to be shared, let's just say it wasn't Gojo Satoru at fault for once.
Notes: A continuation of my Sukuna x Reader celebrity!au inspired by music (though only loosely, so don't look too closely at lyrical meaning). In this case, it's Feel Like Falling in Love by MeloMance. I'm writing this series as inspiration strikes, so these fics may not always be posted according to the series' linear timeline. I will make sure to note when each chapter takes place in relation to the others (this one takes place a couple months after part 2). I will also get around to making a master list of them in chronological reading order as more comes. I hope you enjoy:)
Content: bandmember Sukuna x actor female Reader (referred to as such, but left descriptively vague), no y/n, manager Nanami, bodyguard Toji, actor Gojo, other favorites who have small supporting rolls, all fluff, crack, and humor, innuendos, illusions to sexting, but no actual sexting occurs (sorry), so please read accordingly, out of character and fluffy Sukuna. Please let me know if I miss something!
WC: 4.3k
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“Isn’t it a little early in the morning to be sending naughty pictures to your boyfriend? It’s like 7:00 am.” 
You jumped half a foot in the air and clambered to juggle your phone in your hands before it tumbled out and slid four feet across the backstage floor of the talk show studio. 
“You need to be wearing a bell, Satoru,” you hissed over your shoulder at the menace that had appeared behind you so suddenly, “and it was not an inappropriate photo. I was completely dressed.” 
You teetered over in your heels to grab your phone off the floor and prayed that it wasn’t cracked down the middle, lest you make Satoru cough up punitive damages to make up for it. 
“In my experience, being fully clothed is not a prohibiting factor.”
Satoru snickered at the look of disgust on your face and gave you a small shrug, “Who knows, maybe Sukuna’s into th—,”
You threw yourself forward to try and cover his mouth with your hands, but even in heels you still lacked the necessary height to make contact. You settled for pinning him in place with a glare.
“Will you keep quiet please? I swear, if you and your fat mouth reveal this to anyone, I’m going to have Toji leak that photo of you from one of our nights working on that period piece last year!”
You watched with glee as Satoru’s eyes widened in abject horror, and he reached out to grip the tops of your arms and drag you close to his face. A quick peek from your peripheral confirmed that the staff lingering around the studio probably hadn’t been close enough to hear, but they were certainly watching with poorly disguised interest. 
Were you and Satoru contracted into a false relationship in order to help promote the upcoming movie the two of you were co-starring in? No, that only happened in fiction. Was it firmly implied by the producer that some offscreen tension and chemistry during the course of the film would promise to be advantageous to you both? Yes, and you presumed that in the pursuit of a paycheck some simple flirting couldn’t hurt anyone…though that was a year or so ago, and you were now closer to sending Satoru to an early grave than jumping in bed with him like fans and media were hoping for. 
“Suguru swore he made you delete any evidence of that!” 
You stuck your tongue out at him and pulled back against the hold he had on your arms, but he didn’t loosen his grip in the slightest. 
“He did, but didn’t bother to check with Toji. Looks like that weird phobia you two have of him is coming to bite you in the ass now.” 
Satoru released you with a shiver and took a large step back, his eyes roaming the expanse of the studio as if he expected your bodyguard to be summoned out of thin air at the sheer mention of his name. You didn’t blame him, however, because Toji had a habit of doing just that. 
“It’s not a weird phobia,” Satoru muttered, rubbing his throat absentmindedly and pouting down at you, “it’s PTSD.” 
You snorted. “It wasn’t that bad.”
“It was too!” Satoru cried, “He punched me in the throat and nearly sent Suguru through a wall!” 
“You and your idiot manager were trying to break into my house at 2:00am, drunk as skunks I might add! What did you think was going to happen? We barely knew each other then.” 
Satoru looked down at you aghast, stunned that you didn’t sympathize with his emotions. You considered it even more bewildering that he seriously thought that you would pick his side. You were about to let him know such when your phone dinged twice in quick succession, effectively capturing your attention. 
“Look,” you huffed at him, waving your phone in front of his face so he could catch a glimpse of the time (and hopefully ignore who’s name had popped up under it), “we only have like thirty more minutes before we have to get out there and I need some time to decompress, so I’m going back to the dressing room.” You started to turn away before throwing over your shoulder, “Don’t get into any trouble in the meantime.” 
Satoru rolled his eyes at you, and—in that intolerable way of his—couldn’t let you possibly have the last dig at him and jerked his head to the phone in your hand. 
“It’s not me I’m worried about. Have fun sext—,” 
“Goodbye, Satoru!” You made yourself scarce before he could say anything else, eager to find the privacy of your dressing room so you could fawn over your boyfriend in peace. 
By the time you made it into the safety of your dressing room a few minutes later, your heart was pounding—and not just from getting lost in all the maze-like hallways—and you tried to decide if hiding in the attached closet to talk with Sukuna on the phone or sitting on the couch in the open with a lovesick grin on your face would look less suspicious should someone walk in. Neither option promised much. 
Before you could make up your mind, your phone was ringing, so in order to be able to answer the call as quickly as you could, you dove for the couch and tried not to sound completely breathless when you answered with a quiet, “hi, good morning.” 
“Hey,” Sukuna replied back to you, voice equally soft but tinged with a dry hoarseness that usually followed him out of sleep. It made your toes wiggle uncontrollably against the floor. 
“Oh I’m sorry, did I wake you with the picture? That wasn’t my intention. I just wanted to keep you up to date with my day,” you murmured to him. 
“Don’t worry, you didn’t. And besides, even if it did, it’s not a bad way to start my day.” His words made you melt back into the cushions and you kicked your feet in silent giddiness before tucking them underneath you. “You look stunning, by the way.” 
“Thank you,” you giggled, “though getting here to get ready while it was still dark outside was borderline torture. I’d say that it’s an unfair slight against women, but I’m pretty sure Satoru’s hair and skincare routine took just as long.” 
Your boyfriend let out a disgusted scoff at the mention of your costar’s name, “Please tell me that q-tip is behaving himself.” 
“Sukuna!” You chastised, though you couldn’t help the laughter bubbling up in your throat at the comparison, “You can’t call him that…even if it is somewhat accurate.” 
“It’s one hundred percent accurate,” he argued, “but I won’t call him that to his face…probably.” 
You shook your head in exasperated amusement, nibbling on the bottom skin of your lip before continuing on, “He’s behaving for the most part, aside from his two insinuations that our conversations this morning were of a sexual nature.” 
Sukuna was silent on the other end for a moment before replying back in a low voice with something that had you choking on your spit, “Would you like them to be?” 
He could be heard laughing as you nearly coughed your way into a premature death.
“I’m about to go in front of a live audience and on live tv!” You exclaimed.
“That’s not a ‘no’,” Sukuna pointed out hopefully.
“No.” 
He let out a dramatic sigh and you reached over to a nearby coffee table to unscrew a bottle of water and chug half of it down in the hopes it would help cool you off. 
“Speaking of,” he said, sounding just a tad hesitant, “I’ll uh, tune in to the show to watch if that’s okay with you.” 
You heart skipped a silly little beat at the idea that he wanted to watch some cheesy talk show just to get a glimpse of you. 
“I don’t mind,” you told him, “but it’s going to make me a little nervous knowing you’ll be watching as I stumble through this interview.” 
“Don’t be,” he chuckled, though something in his voice sounded just slightly wicked, “now you’ll get an idea of how I feel when I have to perform.” 
The innuendo had whatever sweet reassurance you had poised at the tip of your tongue fly out of your head, and you scrambled to come with a response that could be said back without implying anything further. The swinging open of your door, however, saved you from the task. 
“Hey, Princess,” Toji called as he leaned his torso around the door, “you need to be out there in five.” 
You startled from your spot on the couch, surprised to realize that your leg was bouncing from where it was propped up on your knee and your finger was twirling a piece of your hair.
Love made you stupid. 
“Toji,” you snapped, “have you ever heard of knocking?”
Your bodyguard rolled his eyes, “I did. Twice.”
Heat flooded your cheeks, especially because you could hear Sukuna cackling through the phone, confirming he heard what Toji just said. 
“Oh…I’ll be right there, okay?” You shooed him off with a flick of your fingers and Toji smirked at you as he began closing the door.
“Don’t be late or I’m sending Gojo in to fetch you.” 
The door closed shut before you could get a word in and you leaned back with a heavy sigh before returning your attention to your phone call, “I’ve to go. I’ll call you when the whole thing is over and I’m back home, yeah?” 
“Sounds good to me. I’ll be waiting for you. Good luck, okay?” 
You weren’t sure if it was all in your head, but you swore you heard a hint of disappointment in his voice.
“Thank you. Bye, Sukuna,” 
“Bye, Princess,” he sing-songed, and you couldn’t help but smile as you clicked off the call. 
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Twenty minutes later found you and Satoru sitting next to each other on a platform stage surrounded by bright lights, a large live audience sprawled in front of you, and an all too perceptive interviewer who had started the interrogation just a couple minutes prior. You wiggled in your seat, uncomfortable from the various wires and clips that secured your mic to your back under your dress. 
“So,” she began, nailing you with a look that promised nothing good, “you and Satoru were supposed to film an advert on the beach early this last summer, but it ended up being you and the so-called ‘King of Curses.’ Tell me, how did that come about?” 
You hesitated a moment, thankful the question wasn’t anything too invasive, but you were still hoping to avoid talking about Sukuna altogether. Usually Nanami would heavily emphasize what could and couldn’t be spoken of before these appearances, but since he wasn’t here, you assumed it had been left to Geto. In that case, you knew he couldn’t be bothered since predicting whatever was going to come out of Satoru’s mouth during these things was an art not yet mastered.
 “Well,” you started, clasping your hands together so they didn’t shake, “it really just came about out of well-timed convenience and a favor to the director. We didn’t want to waste any of the crew’s time or have to worry about re-aligning schedules, so Sukuna saved the day by offering to help. Plus, ‘The Curses’ new song at the time got to debut in it, so it was a win-win for everyone! Except for maybe Satoru, of course.” 
In an effort to divert attention from your answer, you threw Satoru a faux-friendly smile and urged him with a widening of your eyes to explain his part. 
“Oh, yeah,” he replied, adjusting himself in the seat and setting a convincing pout on his face. “I just happened to get pulled into something personal last minute and was going to be late to the shoot. I’m appreciative that the “King of Curses” was able to step in and save the day.” 
You didn’t miss the obvious sarcasm dripping from Sukuna’s nickname when it came out of Satoru’s mouth, and you had to hide a giggle behind your hand at the thought of your boyfriend cursing at his TV at home. 
“But,” Satoru continued, jolting you into awareness when he turned to you and ran a long finger down the bare skin of your arm, “I’m super bummed I missed our chance to get wet together.” The smirk on his face was downright evil, and you just knew your face was a picture of stunned disbelief. The audience was tittering with amusement.
“You wear me out, Satoru,” you hissed at him, batting his hand away from where it still traced slowly over your skin. 
Satoru laughed and threw his head back against his chair before taking a quick look at the camera and then leaning in towards you until your noses nearly touched, “I’m flattered you’d admit that on live television.” 
Your jaw, and everyone else’s for that matter, fell to the floor and you could only gawk at him. Over the interviewer’s shoulder, you could see Toji backstage laughing his ass off as Geto stood at a respectable distance next to him shaking his head. 
We better get those damned bonuses from the producer.
“Well!” The interviewer laughed a bit nervously, breaking the tension in the room and turning to the main camera in front of you all, “That was surely something. We have to go to a commercial, but we’ll be back with these two in just a couple minutes!”
The outro music sounded over the speakers and you and Satoru were released from your chairs to scurry backstage. In between sending friendly waves to the audience and starting the walk backstage, you flipped the switch on your mic off. 
“I’m going to kill you, Satoru,” you spat under your breath as the two of you left stage.
The idiot had the gall to laugh, and in your frustration you took a couple large steps to get a head of him. And because the universe didn’t hate you enough, you felt the toe of your heel catch on a stray cable on the floor, pitching you off balance. In your flailing, you reached out to grasp at whatever object could possibly break your fall, and in doing so latched on to Satoru’s sleeve, jerking the poor bastard off his feet and onto you as you both tumbled to floor in a heap of tangled limbs. 
Your back hit the ground first, your mic digging painfully into your back with a suspicious crack of plastic followed by Satoru landing on your front, pushing all the air from your lungs with a painful “oomph.” 
You stared at the ceiling of the studio, wondering how quickly things would go if one of the giant studio lights fell from above and crushed you under it. You were never going to live this down, especially since it happened still in view of the cameras and the audience if the raucous laughter was anything to go by.
“You know, I never imagined I would actually get you under me,” Satoru mused, staring down at you for a second before lifting his giant self off and then pulling you up to follow. He held a hand against your lower back as the two of you made it to the cover of backstage. 
“Honestly,” you admitted, still a little dazed, “I never would have thought so either.”
Staff fluttered around you a minute later, offering water, smoothing your hair out, and ensuring neither of you were hurt…at least not physically. Your pride was a whole other matter. 
“Oh no,” you groaned, catching Satoru’s attention once everyone had cleared out around you, “he was watching. He just saw me eat it on live television.” 
Your co-star cocked a confused eyebrow at you, “You mean Sukuna was watching?”
“Oh please,” you muttered, “like you didn’t guess. And yes, Sukuna was watching, and now I’m not going to be able to look him in the eye this evening.” 
There was a general increased noise coming from the front of the studio, but you were too preoccupied with your own embarrassment to think much of it. 
“And why is that?” Satoru asked. 
You threw your hands up purely because you didn’t know what else to do with them, “I don’t really know exactly, but there is still something supremely humiliating about doing something embarrassing like that in front of my new boyfriend. He makes me nervous enough as is.” 
There was a sudden outbreak of hollers and clapping from out front, and you swung your head around to look and see if anyone had a clue as to what was going on. It took you a minute before you could see Toji running at you with a wild look on his face. 
“Toji, what the hell—?” You didn’t get to finish your question before he was spinning you around by the shoulders, yanking down the zipper of your dress, and ripping the mic from your back. You shrieked in disbelief as you whirled back around to figure out what in the world he had been thinking. 
“Toji!”
“Your mic has been on this whole time,” he growled, showing you the blinking green light on the cracked plastic box. You swore you had turned it off, but seeing as how it took the brunt of the impact when you fell on it earlier, you supposed it wasn’t unlikely that it had turned back on. 
With sudden cold rushing through your body and a sick ball of dread settling into your gut, you looked between Satoru’s dumbfounded expression and Toji’s face of pure exhaustion and immediately decided that if the ground wasn’t going to swallow you up whole, you were going home.
“Get me out of here!”
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After finally making it to some undisclosed back alley across from the talk show studio, you were assisted out from your crouch in a trash bin by studio security and ushered to a small nearby out-cove to wait for your bodyguard. 
And you just wanted to be famous soooo bad. Glamorous life, my ass.
As luck would have it, you were made aware today of just how famous you, and especially Sukuna, were. For all the grief you gave Satoru about not accidentally spilling the beans about your newly minted—and still secret—relationship with Sukuna, you were the one that had the unintended pleasure of doing the grand reveal. So now the world was free to stir whatever frenzy they saw fit, from the intensely devoted fangirls of Sukuna’s band, to the entire acting community, and the worst of all…your mother. You suspected you were a couple minutes away from an angry phone call demanding an explanation as to why she had to find out from the internet that you were dating a boy with pink hair and face tattoos and how much longer it would be until she had grandchildren. 
All of this chaos and Nanami just happened to be in a whole other country. 
You suddenly regretted sending him on that vacation.
A sharp squeal of tires caught your attention and you looked up to see a shiny sports car peal around the corner and come to a rumbling stop a couple feet in front of you. Before you could even begin to guess who it could be, the head of your bodyguard appeared as the tinted black window of the passenger side door rolled down.
“Get in the car,” Toji hissed, eyes darting to and fro. 
You wasted no time and nearly dove through the open window in your haste to escape broad daylight. You had just finished buckling your seatbelt in the back when Toji mashed the gas pedal and the car leapt forward.
“Christ, Toji!” You gasped, clasping the headrest of the seat you were just flung into, “Whose car is this? It’s certainly not yours.”
He snorted. “Yeah, cause you don’t pay me enough.”
“Rude,” you muttered back to him, “and not true.” 
You tried to squint out the front windshield to determine where you might be, but brick buildings towered on either side of you still, and you assumed Toji was taking some alternative route home. “Seriously though, whose car is this? It’s not one of mine.” 
“Does it matter?”
You rolled your eyes at his bored tone, “Yes, it does. Toji, I’m not your wife, but—”
“Thank God.” He sounded entirely too relieved about that.
“Still rude!” You yelped, but brushed aside the sting of offense to figure out whose leather seats your dress was currently dropping glitter all over. “I’m not your wife, so I don’t particularly care to know what unscrupulous activities you get up to when I’m not keeping you busy—,”
“None,” he deadpanned, shooting you a glare through the rear view mirror.
“—which I’m pretty sure I had you sign a non-compete, but that’s besides the point. I really need you to tell me where you got this car. In case you aren’t aware, my name is going to be plastered on every social media post, blog page, and headline in the next 24 hours and I’d rather that not include my mugshot with “accomplice to grand theft auto” under it. So tell me who this car belongs to right now or I’m jumping out.”
Toji had the audacity to chuckle at you before reaching back to pat your knee.
“Relax a bit. You know I wouldn’t ever put you in harm’s way on purpose. This is Gojo’s car. Ours was being swarmed by the media out front after your little slip up, so I threatened Geto for the idiot’s keys cause I knew it was out back and the quickest way I could get to our little rendezvous point.” 
“Oh,” was all you managed to get out. Letting your racing mind settle down a bit, you snuggled deeper into the plush leather seats and kicked your feet up onto the center console. You got two seconds of peace before Toji opened his mouth again.
“I’m going to have to call Nanami.” 
“No!” You gasped, springing upright again and feeling a warm sting creep to your eyes as your throat began to tense up. “He’s on vacation! I promised we wouldn’t bother him unless one of us was dying. I’d never forgive myself if he had to come home to clean up my sloppy love life!” 
Toji shook his head and shot you a sad smile over his shoulder as he reached for his phone sitting in the front cup holder.
“We may not really have an option, Sweetheart. Not only is Uraume going to be a huge pain to deal with since this could affect Sukuna’s band, but you’ve also got contracts and appearances promised that may get shaken by the fact it’s been revealed to the world that you've been secretly dating the music industry’s favorite ‘hate to love’ rockstar. We can’t fix this without Nanami.” 
The panic that had been brewing in your stomach this whole time was starting to make your head spin up, so you blamed it on that when you lurched out of your seat and nearly over Toji’s shoulder to snatch the phone out of his hand before he could hit ‘dial’ on Nanami’s contact. 
Your bodyguard swore when you knocked him in the face with your elbow in your clamber and his hand gave a vicious jerk of the wheel that had horns blaring from either side of your car as Toji swerved to correct it. You were thrown back into the seat you had just previously been in and you waited with heaving breaths as the car jolted sideways once more before continuing on straight. The fact you barely missed crashing was a testament to Toji’s reflexes.
“Don’t you ever do stupid shit like that again, you hear me?!” You’d never heard Toji raise his voice at you and it did nothing to help quell the tears about to start pouring from your eyes, “I know you’re stressed and something big has just happened to you, I get it, but that’s no excuse to do something dumb! You just about gave me a heart attack,” he finished, his voice still at a higher volume than normal, but it was softened by the edge of panicked concern and the worried glances he was giving you. 
That was enough to push you over the edge.
“I-I’m sorry, Toji,” you sobbed, upset at yourself for messing up again, “I wasn’t thinking, and I don’t want Nanami to feel like he has to babysit me for the rest of his life, or you to think I’m an airhead or something. I also really like Sukuna and I don’t want him to hate me because of what I did!” 
You let your head fall into your hands and hiccuped through another shuddering cry as you struggled to get ahold of the overwhelming-ness of it all. You felt Toji’s hand on your knee again. 
“Hey, hey, take deep breaths for me. No one’s thinking that, I promise you. And I’m sorry for yelling at you like that. It was wrong. It’s no excuse, but that scared the crap out of me and I thought we for sure were getting into an accident,” he admitted. “I don’t want to see you get hurt.” 
You nodded through your tears, unable to respond to him in any way that was legible. 
“Look, we’re almost home. Try and deep breathe for me. Once we get there I’ll help you get comfortable and we’ll figure this out together, okay?” 
As was frequent with Toji, you valued his ability to keep you calm when you got into the worst of yourself and you were grateful for his steady confidence. You reached out and clasped the hand he still had stretched back on your knee to give it a squeeze, hoping it could convey all the thanks you had for him. The two of you kept driving in comfortable silence until you felt the car slow and saw a flash of a familiar gate out the front windshield.
“Hey,” Toji started, his voice suspiciously light, “you think Gojo would realize if we never returned his car?” 
——————————————————————————————————————————
Thank you for reading! I've got ideas for parts 3 and 4 already, so I'm hoping to work on those in the next coming days.
I'll also be posting this series on AO3 under Katerina_Mar if you would prefer to read there:)
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felicjana050896 · 19 hours
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A few words about Charlastor
Today I saw this post:
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(Sorry, I can't post the link, Twitter doesn't want to work on my computer today :\ )
I will quote it here because it made me think again:
Currently, the closest person to Charlie is Vaggie, while Alastor invades her space, Vaggie and Alastor are opposed to each other, Vaggie wants to run a hotel for Charlie (her whole life is based on Charlie...), while Alastor has his own reasons (more on which later we don't fully know) and the two are portrayed as opposing forces pulling Charlie, Vaggie in one direction and Alastor in the other. Charlie's relationship with Alastor will deepen in future seasons (which the author wrote about, that Alastor and Charlie are the main characters of HH and what we see after the pilot), thus distancing it from Vaggie, which we see already in the first season (and what I wrote posts about ), that Charlie's relationship with Vaggie will surely deteriorate as it goes on, their quarrel over Vaggie's lie was, in my opinion, just the first glitch in their relationship (although not very well written in my opinion anyway), at some point in the story Charlie will had to choose between Vaggie and Alastor (and Niffty):
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And considering the other screenshots, they are either forshadowings only to the fact that in future seasons Charlie will be getting closer to Alastor and away from Vaggie, or they may generally herald Alastor's victory over Vaggie, it depends, they are definitely confirmation that the further the seasons, the more Charlostor's content we will have than Chaggie's, the only question is which one will be the endgame?
Alastor stealing Charlie:
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Significant bed scene, Vaggie wakes up without Charlie, alone, and Charlie is later in bed with Alastor on a heart-shaped pillow:
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Besides, I read about Zoophobia and old sketches of Alastor and Autumn, and in my opinion Autumn reminds me a bit of Charlie... but in order.... First, let's go to Roo or Eve (if you prefer), well, I saw one Tik Tok and I definitely agree with it:
Charlie actually resembles Eve much more than Lilith, it always surprised me that Charlie has more father-like features both in appearance and character, and has none of Lilith's (especially when it comes to her ahem... physical qualities...), but I thought they just made her a typical "daddy's girl" and that's it... but if Eve is Charlie's mother and not Lilith..., we still had Lucifer's comment that he stole from Adam both wives, both Lilith and Eve, and although he married Lilith, he probably slept with Eve..., then the only question arises: why did Lilith decide to raise a child that was not her own?
Roo (Eve):
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Charlie:
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Lilith:
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Lucifer:
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Charlie and Eve (Roo) have exactly the same nose, the same lines under their eyes (Charlie in his demonic form has them) and the body sharp is the same, Lucifer by the way does not have a nose (:D), Lilith has a completely different nose, only Eve's nose matches Charlie's....
Moving on, we know that Alastor made a deal with someone, many people speculate that he made it with Lilith, but there are also people who believe that with Roo and I, although I also considered Lilith at the beginning, it was thrown in our faces this 7-year break (that Lilith has not been in Hell for 7 years and Alastor disappeared for 7 years), seems too obvious..., moreover, we know that Lilith had a contract with Adam (end of episode 8), and Adam did not know Alastor, so how could Alastor have an agreement with Lilith and be with her for these 7 years in heaven, if Adam didn't know him at all..., while Roo..., and this is where the issue of Zoophobia begins, i.e. Viv's first idea, where most of the HH characters came from:
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In Zoophobia we had the so-called KayCee, i.e. chaos itself and the main antagonist, interestingly KayCee liked apples (a reference to Eve and her picking an apple from the Garden of Eden, the first sin?):
KayCee had white hair, horns, and the original Alastor was in love with her:
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So KayCee is nothing other than the prototype of Eve.
Moving on, the original Alastor was also obsessed with Autumn, the character of Zoophobia, a blonde deer:
Autumn is a very helpful and good-hearted character and: ,,Although outwardly he appears mature and rational, in reality he is extremely insecure, suffering from low self-esteem. Autumn continues to seek recognition and thanks from others for a little help from him, showing that he needs the appreciation of others. Autumn is also very sensitive and short-tempered: in the webcomic, when Rusty teases him about the little antlers, Autumn explodes in anger and violently scolds him."
Doesn't this in some way resemble the description of Charlie..., a girl with a good heart, wanting to help everyone, and also sometimes quick-tempered (when, for example, heaven rejects her or when Susan pisses her off :D )
So we have Eve, who used to be KayCee, and Charlie, who has a lot of Autumn in her, and if it turns out that Charlie is actually Eve's daughter, Charlie will be a combination of KayCee and Autumn, considering her appearance and character traits are taken from both, two characters that the original Alastor was crazy about ;)
And finally, some shots of Charlie and Alastor:
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And remember about Niffty and KeeKee, they are very important, after all they are in the HH logo :)
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KeeKee, a pet belonging to Charlie and Niffty, Alastor's ,,pet" ;)
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Sorry for the long post again, but I just can't keep it short :D
Thank you for reading and have a nice day, evening or night :)
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nrilliree · 19 hours
Note
https://www.tumblr.com/lovelyherruins/748933862826115073/omg-sometimes-i-forget-team-black-are-real-people?source=share
1. God allow Alicent fans to discover that she is not the eternal powerless victim they think she is.
2. rhaenicents should leave rhaenyra alone, most of them don't even like her character and will always be willing to throw her under a bus so they can benefit alicent the eternal perpetual victim. if you go to this person's account there are literally anti rhaenyra posts, they hate her so much.😭😭
3. Larys has the power he has because Alicent allowed it the same with Criston, she could make Larys disappear whenever she wanted. Alicent wasn't taking care of her business either when she decided to send for a baby that was just coming out of her mother's womb she was just being mean and playing with the power she has.
To paraphrase "omg sometimes I forget team green ARE real people and not just mindless bots". And then he blocked the user because after the first sentence I see that I don't want to read anything at such a low level. If someone starts off personally insulting someone who has a different opinion, it means that he or she has no rational arguments.
Alicent created herself most of her own problems when she decided to lie to Rhaenyra and not tell her for months that Otto had ordered her to visit Viserys. For months. Before Viserys asked if Alicent wasn't telling Rhaenyra about this. The moment she chose not to do so, she had lost any trust Rhaenyra had and had no right to expect Rhaenyra to trust her. Why would she? Alicent lied to her for months, and then she became queen, while her father sent spies after Rhaenyra. When she decided to declare open war at Rhaenyra's wedding, showing blatant disrespect to the crown, the king and House Velaryon, she lost any chance of real support from Viserys. Viserys said in a conversation with Otto that he only now understands that Alicent's visits were out of calculation, and she confirmed this to him with her embarrassing appearance in the green dress. Viserys was a bad husband and father, but Alicent only made it worse. Viserys already knew that it was just a power play, which is why he referred to Aegon as "Otto's blood". He realized too late, but then they started to notice that he was no longer interacting with his children. Previously, he was seen interacting with little Aegon several times. In my opinion, he distanced himself from the children he had with Alicent to make it clear that he still firmly declared Rhaenyra as his successor. It was Alicent who declared war on Rhaenyra, and therefore on Viserys.
It was Alicent who spent twenty years as queen, gaining no allies other than Criston and Larys, and then feeling sorry for herself that no one supported her in the entire Kingdom… after she publicly abused the heiress who she was bleeding through the halls of the Red Keep. It was Alicent who committed high treason by planning the usurpation. It was Alicent who turned her children against Rhaenyra and the crown. It was Alicent who usurped the throne when Aegon did not want it. It was her decisions that caused the civil war and she contributed to the death of her own children. These are her decisions, because Otto wasn't even near her for ten years!
Alicent wasn't a mindless puppet.
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arogustus · 3 days
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Splatband Analysis - Chirpy Chips
(Disclaimer: This analysis is based on what I get out of looking into the character descriptions we have of the splatband characters. If you disagree with what I say, that is fine, we are all beheld to our opinions. Just don't be a jerk about it.)
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Splatband Analysis - Chirpy Chips
It’s the autism and ADHD squad! The chiptune chippers, Marie’s and Nintendo’s favorite band and the only one to survive Nine years together without drama (bar that one time), it’s the Chirpy Chips! Love these dudes.
Now, before we go into this, let’s address the Harmony in the room. Specifically that she has a room, in-game, where she exists in the polygonal flesh to interact with as a shopkeeper. Her autistic swag made her popular enough to be the first Splatband character to show up in the games, which means we actually know her and how she behaves. So, I’m gonna leave her for last and go about her like this: First, I’ll look into what we used to know before Splatoon 3 about her, and then we’ll compare that to her appearance in-game to see if it matches up. See if she was done right by the game. Now let’s meet these chips!
The Band
The Chirpy Chips debuted after Squid Squad all the way back in Splatoon 1, nine years ago (God). Dominating the charts thanks to their chiptune rock style, made with the help of multiple Nintendo machines (Gamers), this band has managed to outlast Squid Squad without disbanding all the way to Splatoon 3!.. Ok, actually that’s not true. According to a Famitsu Interview for Splatoon 2, the Chirpy Chips actually disbanded ever so briefly! No word as to why, but they reformed shortly after and wrote and performed Blitz It during the high of joining back. After that they’ve stuck together ever since, only really going on break because Harmony started working at Hotlantis. 
Don’t site that NoA post for Chirpy Chips Splat 3 that said there was drama by the way. The band was just on break, they are fine and NoA is just trying to stir up fake drama. It’s just like real life!
All of these guys are autistic. Like, that’s not a theory, but a fact. None of their descriptions make them sound neurotypical, that’s for sure. The band just seems to vibe perfectly with each other despite some of their issues, and they all go at their own pace. Turns out the secret to surviving in the music industry all along was to make neurodivergent friends. 
One of their performance tricks that they do is to glow in sync during songs. It’s a super cool visual to imagine, though probably done through artificial means, at least for Orion and Sid. As far as I know, there aren’t any bioluminescent crabs or flapjack octopi. Anemone and squid on the other hand do have glowing members, but it doesn’t confirm if they do it naturally or are using artificial means too. Either way these guys are a colorful bunch. And also none of them know how to dance, emphasizing further that these four are all dorks.
Noiji
Noiji is the hyperactive guitarist of the band, a stark contrast to the significantly less energetic rest of the band. He’s described as uncontrollable and bright, with a sunny disposition and an irresistible urge to run up and down slopes. He sounds overwhelming, and maybe impulsive if that slope running thing can be applied to other actions, but somehow he manages to get along well with the others. What is his secret? Also to keep with the neurodivergenceness, he has a special interest for vending machines. He would have loved them in Side Order, that’s for sure. Honestly I love vending machines too, they’re really cool, but just too expensive for someone of my income level (for now, anyway).
He used to be a part of a punk band called BariBari before he joined the Chirpy Chips.Surprising considering his colorfulness, but he seems to either formerly be, or still is, a punk. No word why he left the band though or what happened to it, but during that point he met and befriended Orion and formed the Chirpy Chips with them. They’re described to be on good terms with each other, which makes sense since, again, they knew each other before the rest joined up. 
Orion
The band's bassist and composer, a shy flapjack octopus. Yeah, despite being an octopus, they’re not an octoling, likely because of the fact the flapjack doesn’t naturally produce ink. They must be classified as something different to the inkfish, but what that is is something I don’t know. They’re an introvert, they don’t enjoy standing out or performing in front of crowds, and the compositions they upload independent of the band are done quietly. Makes one wonder how exactly someone like them made friends with Noiji. They’re an intellectual, geeky type, with a taste for outdated and strange subjects, as well as a preference for chiptune that they ensure the bands music keeps to. 
Surprising us all, Orion also got actual dialogue of sorts in the Splatoon 3 Chill Season 2023 update! Specifically in the form of Harmony reading a letter written by them. As Harmony herself describes, they talk the way they play the bass, EXTRA. Mostly in the form of excited statements and jokes about the band's lack of dancing ability. Kind of a stark difference from what we know of them, either because they’re doing this via text without having to face anyone, or because they’ve become more outgoing over the years. Either way an honor. Also canon they/them! Good for they.
Sid
The band's drummer, and the eldest among them. They’ve been drumming for a while, having performed for several other bands before joining the Chips, and they have a strong reputation in the community because of it. It seems that because of this, they’ve taken something of a silent mentor role to the others, supporting them in the background without ever taking the lead. Sort of a big brother style relationship going on. 
They’re described as easygoing, but with a hidden temper that only ever surfaces once a year, where they become way crabbier. To me it says that they don’t really express their frustrations often, just letting them simmer before they snap and vent it out. And even then they don’t draw a lot of attention that way. 
Harmony (and fish)
The anemone of the hour, the band’s vocalist and visual designer. As said above, I’ll first go over the info we knew of her before her appearance in Splatoon 3, and then compare it to what we’ve learned now to see if it was faithful to her character. 
She’s described as relaxed and going at her own pace, but to the point of being unmotivated. She’s frequently late for practice, and considering the state of her fish, who is “dying” of neglect (quote marks there cause the little guy is still alive somehow), it sounds a lot like executive dysfunction. I would know, I’m like her sometimes. Her singing voice is mentioned to also have been pretty flat and listless, but it seems years of performance has made it change to a much livelier tone in the intervening two years. She talks loosely and moves peculiarly, something the fans secretly enjoy. Why secretly? Is there a stigma against it? Her listless singing is mentioned to be a hot topic, so it might be the case.
We see in the bands’ album art for Splatoon 2 that she’s the one who mixes the chiptune music on nintendo consoles. Easy to say that she’s the pre-requisite in-universe Nintendo fan for this game. There’s one in pretty much every franchise. Skipping to “3” a bit, we can also assume she’s the one who edited the trailer, which shows off a lot of fun visuals and jokes, as well as her just goofing off like the dork that she is. For how reserved she comes off, she’s got an eccentric, goofy side hidden under there.
But now we’ve actually met her as Hotlantis’ shopkeeper! She’s a fan of the place, so despite the threat of having to work retail, she’s staying in the area in the actual manager’s place while he’s gone. She’s a fan of the store and all its useless knick knacks. As for herself as a person, it’s safe to say it all matches what we used to know of her. She’s pretty self-paced and blunt, commenting on your achievements out loud no matter how rude it sounds. She admits to it too if she beats you at tableturf, she doesn’t really know how else to talk. Her lack of motivation shows up anytime she needs to recite something Barry told her to do. She just plain doesn’t want to do any of it. She still does the work she’s willingly doing, she’s just going at her own pace. 
The fish is a fish, no telling what is up with them. Though according to some artbook information in “3” (correct me if I’m wrong), the reason they’re so sick is actually because Harmony’s hair isn’t protecting it very well. They’re still sticking around anyway, granted we’re not sure how clownfish do without an anemone, but it still seems like they’re staying of their own volition.
Harmony’s, and later Dedf1shes inclusion, gives us all hope we can see more of our favorite obscure characters in the games themselves. And looking at Harmony, we don’t have to worry too much about them being out of character, since she’s pretty accurate to the info we know.
I love these weird goobers. They should continue showing up. But now we are in the finale. Ω-3 is all that’s left now. See ya next time!
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eldritch-elrics · 3 months
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"character whose purpose is to seal an (ancient) evil" is always a trope that makes me go a little crazy, in all its incarnations. like ohhhh what if i was born and raised to contain within my body the evil force plaguing us all and i had to become a completely empty vessel so that it wouldn't corrupt me when it was forced inside my mind. what if i sealed away an ancient god of destruction but then was myself sealed in a crystal outside of spacetime for an eternity because others were afraid my power was too great. what if i was created as a failsafe mechanism to seal away my super-powerful engineered weapon of a sister in case something went wrong but my dissatisfaction with my existence eventually compelled me to break her free and absorb her powers myself. it's the play between power and freedom and objectification and never being able to truly get rid of the thing you're holding back, between being trapped in a cage and being a cage...
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gamebunny-advance · 8 months
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Some skrunkly Oatchis from the official Pikmin comic.
Bonus mamuta bugging out their eyes 'cus i think it's funny but I don't feel like posting it by itself.
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Winter's King 13
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No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.
Warnings: this fic will include dark content such as noncon/dubcon, cheating, violence, and possible untagged elements. My warnings are not exhaustive, enter at your own risk.
This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.
Summary: You are a maid to the Duke of Debray, a lord of the Summer Kingdom. That is, until the king of Winter appears with his particular air of coldness. (Medieval AU)
Characters: Geralt of Rivia
Note: Ahhh! I almost own a house.
As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me.
Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Please do not just put ‘more’. I will block you.
I love you all immensely. Take care. 💖
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The queen struts down the hall, the white satin limning her figure. She is shameless as she passes soldiers but she needn’t worry for their judgments. You peek up at the few errant eyes that follow her, though many pass without even a glance in her direction. Servants course through the corridors, busy with preparations for the morrow’s departure. 
You think of asking Queen Jazlene whether now is not the best time. If she should be more concerned with her venture north. Of all she’s acquired of the queen’s former possessions, there is not a fur among her chests. Nothing more than a trim of squirrel or rabbit along a collar. The summer kingdom does not warrant the need. And certainly, you think, the king must be equally busied by the pending journey. 
As ever, your duty keeps you silent. You do not know better than a queen. You bide her whims, not your own. You follow the soft whisk of the robes hem and your mind wanders in your stead. You think of the dark gardens and the king’s words. 
‘Should I remain any longer, I might give it all up.’ He must be eager to return home. You can’t help but harbour your own impatience. For all you’ve heard of the Hinterlands, you cannot picture them well. You want to see them yourself. It is the only time in your life you really ever longed to see something entirely unfamiliar. 
The queen stops and the soldiers on either side of the door shift, alert at her approach. The do not look welcoming. You wring your hands behind your back. What can you do but let the queen proceed? 
“Let me through,” she demands, “I must see the king.” 
“Your highness,” the rusty-haired soldier drawls, “he is not receiving--” 
“He is my husband,” she sneers, “I am the queen.” She points to herself, “I give you orders, sir. Not the reverse.” 
The other man huffs and tilts his head to the other as if to say, ‘don’t bother’. The first soldier raises his elbow to hit the door beside him. 
“Your highness, you have a visitor,” he calls through. 
“A visitor?” Jazlene scoffs and steps forward, grabbing the handles of the doors to try to force her way through. “I am more--” She shakes the doors as they offer resistance from the other side. You can see clearly through the crack between them that they are latched within. 
The metal grinds inside as the lock is slid out of place. The queen blusters through as a dark-haired man stands by the left door, watching behind her as she blows in like a storm. You pause in the doorway, uncertain if you should go further. 
The king sits at the table of his receiving chamber, maps unfurled and kept unrolled by heavy ornaments. He has one arm on the chair and his other hand against the tabletop. He watches his wife with his golden eyes, his lips straight and unamused. The man who opened the door, watches with a crooked grin. 
“Husband, I have come to see you. As we have much travel ahead, I figured it was the best time for us to--” 
“The best time?” King Geralt ponders flatly, “we ready for the ride north. We must anticipate the remaining rebels and assuage lingering acrimony. We must also account for the snows that will meet us in the Hinterland. This campaign has kept me long and the winter will be there to greet us.” 
“Let the servants trouble for it,” she insists. 
The man by the door flutters his fingers at you, “in?” He mouths. 
You blink, uncertain. You step inside hesitantly and step to the edge of the other door. He pushes the left one shut and turns to watch the interaction with glee. 
“You should trouble for it,” the king reproaches, “you should act as queen and so you should think of your people.” 
“Husband, do not presume to educate me. I have had tutors all my life. I understand these things. I was borne to be a lady, to mind a castle--” 
“A castle not a realm,” he shakes his head, “this is no banquet.” 
“Ugh,” she huffs, “what has gotten into you? Last night--” 
“It is today,” he insists over her, “I am occupied.” He shifts his chair pointed and frames an area on the maps with his large hands. “Jaskier,” he calls, “come, we must determine our way through Hare’s Pass.” 
“Your highness,” the man jaunts forward bouncily and as he nears the table, he pulls out a chair, “Queen Jazlene, please, have my seat.” 
The king looks at his companion with a deathly glimmer. The lord in his cornflower jacket is unbothered by the distaste aimed in his direction. He smirks back defiantly. 
“Thank you, sir,” Jazlene simpers and sits with her back straight and her chest pushed out, “I think I’ve forgotten which one you are.” 
“Lord Jaskier,” he intones, “I held the capital while the king claimed his beautiful wife.” 
She giggles and runs her hand along the front of her robe, “oh, how valiant, sir.” 
“Jaskier,” the king growls again, “put your mind back to the road--” 
“We have it figured, your highness,” the lord rebuffs, “surely you should enjoy this time you have in one place with your wife.” Jaskier takes another stool and sits at the table, “I should very much like to know this summer queen better. You secret her away--” 
The king sighs. His fingers tap in irritation on the table. He sits back and throws his hand up. 
“I see you are no help, as usual,” the king snips. 
“And you are tedious,” the lord smirks again. “My queen,” the man sits forward, his attention on Jazlene, “I traveled the summer lands once before. You see, I fancy myself a musician and as a young boy, I would play for the courts. I never ventured to Debray but I was at Harlowe. It is closeby.” 
“I know Harlowe,” Jazlene brightens, forgetting her mission for talk of herself. “Yes, I went there often for their harvest fairs. Were you there when Lord Edmund was still alive?” 
“Ah, yes, I believe he wasn’t there long after I left for the next county,” Jaskier artfully feeds her self-importance. 
“He was a good man. Of the few my father respected,” she mourns with her hand to her chest. She shakes her head and pauses with a sullen sigh, “maid,” she snaps her head up, “bring wine for us.” 
“No wine,” King Geralt counters swiftly. 
“We have a guest, husband, surely we should entertain him according to etiquette. In these summer lands, we offer sustenance to our guests,” she argues. 
“Bring warm milk then. You needn’t be glazed over with wine on the morrow--” 
“I am the queen and I am grown, I will have wine,” Jazlene waves her hand at you tersely, “maid!” 
The king glances at you. You stand in indecision. You can defy neither but in that moment, you must choose one or the other. His golden eyes drift over to the queen and back to you. 
“Go, fetch wine,” he relents. 
You bow your head and spin to set off on the task. Your thankful to escape the tension that floods the room. You can sense that the queen’s intrusion is unwelcome and yet that lord ignores the king’s mood. Almost as if he means to agitate him. 
You weave through the disarray of the corridors down to the kitchen. Barrels of pickled foods and crates of dried goods are stacked, waiting to be loaded onto carts for the distance ahead. The king must still think of feeding his army, and now, a royal retinue. 
You claim a bottle of wine amid the hectic furor and some goblets. You’re out of breath as you return to the upper floors and slow yourself to regain composure as you approach the king’s chamber. You’re let within without obstruction. Just the maid. 
You cross to the table and set the goblets upright, then the heavy bottle. Jazlene ahems and taps the brim impatient before you can uncork the bottle. The neck moves away from your reach as Lord Jaskier snatches it instead. He opens it easily and pours the queen a cup as the king leans heavily on an elbow. As you glance over, you meet his golden eyes and quickly shy away. You see he is not happy. You thought by Jazlene’s measure, thing’s might have been improving. 
You take your place by the wall. The king sighs. He does that a lot, as if he means to say something but will not. Lord Jaskier slides a goblet towards him. 
“Drink and let loose, your highness, you can’t be surly upon the road,” Jaskier chides. 
The king does not move. He glares at his company then looks at the ceiling. Queen Jazlene slurps loudly. 
“How charming you are, my lord, a wonder his highness likes you so much,” she chirps. 
“A surprise to me as well but I think my loyalty more tolerable than my other traits. Yet, you’ve yet to the king bellowing the most bawdy ballad. He is particular lively after a battle,” Jaskier winks at his liege tauntingly and receives nothing in return. “Mm, how about a game? The king is fond of those. How about it, then?” 
The lord lifts his cup and holds it before his lips, watching the king in his cantankerous glower. Another sigh as he sits forwards and tilts a hand indifferently.  
“If it keeps you from chattering,” the king mutters as he clears the heavy ornaments and rolls the map up. He focuses on that as Jaskier pulls a pouch free of his belt. 
“This is one he taught me. The old king before him was fond of it too. The mind’s of rulers, hm?” Jaskier explains as he loosens the tie of the bag and pours out similar pieces to the ones in Geralt’s purse. “Have you played it?” 
Jazlene keeps her hand on her cup. The king continues to clear the table, pushing aside the cup meant for him as he shifts the bottle off another map. He stands and gathers the rolled parchment. He approaches you. 
“Bring these to my bedchamber,” he bids under his breath. 
As you take them, your sleeves brush his and his fingers drag along the fabric of your dress. He stares down at you, his breath fuming like a hearth. You hug the maps and he backs away, returning to the table. You take your order and find your way through the east door into his bed chamber. 
You set down the maps on the chest near the foot of the grand bed. His sword leans against the frame, tall in its sheath. You stop to admire the thick handle and its well-hewn grooves. It must be heavy. 
You tear your admiration from the weapon and return to the receiving chamber. Jaskier reviews the rules as Geralt rolls his fingers against the armrest, bored by the explanation. You resume your vigil and stare at the wall. 
Pieces are dolled out, dice are counted, and the round begins. The king is let to have the first turn. He plays the same as he did against you. It must be some strategy. The queen is prompted to have her go but she is silent. She hums and stares down at the table. Jaskier whispers behind his hand, drawing your gaze. 
“Let her play her own turn,” the king insists, “isn’t any fun playing against two of you.” 
“Your highness, I was only doing my duty as a royal advisor,” Jaskier returns playfully. “By all means, my beautiful queen, I am certain you are as a clever as you are elegant.” 
Jazlene preens in the praise. She drinks some more wine then rolls a dice, seemingly without thought. Several of her pieces are plucked up by both king and lord. She pouts. 
“Wait, what happened?” She mopes. 
“Rules,” Geralt grumbles. “Jaskier, go on then, take my bronze.” 
“I know your tricks,” the lord replies, “I will not fall for it. I’ll have your silver.” 
Jaskier rolls the diamond dice and groans. The king takes his silver instead. 
“You’ve switched out the dice, certainly,” Jaskier accuses. 
“You whine about chance,” the king rebukes and rolls, taking even more silver from his advisor. “And again.” 
He gestures to Jazlene and her brow ripples. You can see she doesn’t understand. She will want to use the square dice then, she might have the iron back that she lost. She uses the slightly rounded die instead. Jaskier is already counting her gold. 
“I don’t understand,” she crosses her arms, “this game makes no sense.” 
“It is your first attempt,” Jaskier assures her, “you will get better.” 
“It’s boring,” she sits back and drinks more wine. 
Jaskier has a swig of his own as he rolls. He claims his silver back from the king and some from Jazlene. She shakes her head and waves you over with her hand. You can see her goblet is empty as you near. You lift the bottle to pour as the king has his turn. He loses a few iron but doesn’t seem to mind. 
The queen’s turn comes and you linger, examining her pieces. Your lips move slightly. Square, square, square. Your eyes flit up and find the king’s watching you. Oh no. 
“Wine, maid,” Jaskier clunks down his cup with a hollow noise. 
You move around Jazlene’s chair as she snarls under her breath. She rolls the triangle die. Her gold is all gone. She slaps her hands down and you rescind the bottle before you can pour as Jaskier’s cup wobbles. He laughs at the queen’s dismay and she sweeps away her pieces and dice before she can lose. 
“It isn’t fair! I don’t understand.” 
“If you don’t understand, ask. Do not be impetulant,” King Geralt reprimands. “You make a mess like a child.” 
“Do not speak to me as one,” she spits back. “I am not!” 
“Your behaviour would suggest otherwise,” the king says. 
“Now, now, perhaps it would be fairer with a forth, eh? Trios always do prove imbalanced,” Jaskier intones.  
As you go to pour the wine, you are suddenly pulled off your feet. You land in his lap and nearly drop the bottle. You hug it close as you notice the king lurch, sitting straight, only to stop himself on the edge of his chair. 
“Eh, do not handle the maid as such,” he demands. “She serves the queen.” 
“She may join us, yes? The queen could have an ally. We will play as pairs.” 
“Let the maid go,” the king grits. 
“Oh, do settle,” Jaskier unhooks his arm from around you. You stand and let your nerves settle, steadying your hands to pour the wine. “You are no fun, your highness.” 
Jazlene giggles, “oh he certainly is not. So dour,” she sounds like Lady Rezlyn in that moment. Often the duchess would throw barbs at her husband shamelessly. “Even his games are dull.” 
“You needn’t play,” King Geralt shoves his chair back and stands, “it was not my suggestion.” 
“She is right. You are much too serious,” Jaskier remarks. 
You leave the wine and back away. The air is thick. You feel as if you should go but cannot without dismissal. The king roils hotly as he exhales loudly. 
“Far too serious,” Jazlene trills, “he hasn’t time for any sort of fun, has he? He must attend his kingly duties and yet, he neglects his husbandly ones.” 
The king lets out a growl. He sneers at his wife as Jaskier’s laughter subsides. The lord looks alarmed as he peeks between the royal couples. 
“Mm, suppose it is time I see to my own luggage,” he rises. 
“No, stay, drink your wine,” King Geralt insists brusquely, “you and the queen can have mine,” he grips the goblet by the brim and shoves it towards Jazlene as the contents slosh. “You will find me attending my dour kingly duties, should you think to recall your own.” 
The king spins and stalks off, hands in fists, and bulls through the doors. They slam behind him and make you jump. You blink at the wood as your heart pounds. For as much as the queen wants her marriage to improve, she is hardly helping herself. 
“Ah,” Jaskier sits with a tut, “he can be a touch sensitive, can’t he?” 
Jazlene laughs, though you hear the nervous rattle in it, “can’t he?” 
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what if i told you i'm making this a series
similar posts: 0 | 1
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aakipple · 4 months
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oc art from the past month ish
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lanymme · 10 months
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Hey. This is my possibly favorite Noble Phantasm line in FGO.
But you can’t appreciate it if you don’t get the Buddhist reference, so come over here and let’s learn some Buddhism with the sexy nun:
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What, you might ask, is an abhisecana (or abhisheka) rite?
As I understand it, it’s an initiation rite for a practitioner who is advancing in their study of the Dharma. In some Buddhist schools, including Shingon—the school from which Tachikawa-ryu, Kiara’s school, branches off (which we don’t know much about, because it’s long-dead IRL and was subject to political book burnings, but that’s another story—this rite involves a student being assigned to a bodhisattva, whose teachings and/or qualities they will study to guide their development and give them direction.
Rather than let a student choose a bodhisattva based on their preconceptions at the time of the ritual, they are blindfolded and cast a flower onto a mandala—like the womb realm mandala, shown below—and whoever it lands on, that’s who they go with.
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But Kiara is, as always, encouraging living beings to give up their heavenly aspirations—to cast their flower instead on the mandala of the realm of desire. Let it fall where it may—chase whatever vice or illusion your whims take you to.
But make no mistake.
However it falls, there’s only one bodhisattva that will watch over you as you dance in the palm of her hand.
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