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#chase reblogs
lilislegacy · 13 days
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“honey” is such an ‘old married couple’ nickname. i usually hate pet names, especially for percy and annabeth, but i’m not gonna lie guys…. i kinda love the thought of them sometimes referring to each other as honey?? like, i can just hear it. “honey you know i respect and value your opinions so so much, but can you shut up for like 2 minutes?” “honey you know i love you and your great plans, but can you not get us fucking killed?” “hey honey can you use your sword to cut the tag off my dress?” “wise girl, honey, why is nico asleep in our guest room… again?” peak romance? i think yes. also annabeth is from the south, so it actually makes so much sense.
it’s so unexpected, but also so fitting?? idk for some reason i love it. just me? send help
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theboost · 1 year
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The moral of house md is that romantic relationships are temporary and fleeting and all marriages are doomed but the weird gay thing you have with your coworker is eternal
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chasesylvan · 1 year
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If you receive this, you make somebody happy! Go on anon and send this to ten of your followers who make you happy or somebody you think needs cheering up. If you get one back, even better! ♡
awwwww this is so sweet! 🥺🥺🫶
thank you so much, you made my day 😭❤️
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Started watching PJatO. Things were going great until I found out Walker and Leah (Percy and Annabeth) were born in 2009?? Which is impossible??? Nobody was born in 2009. We were all there. Everyone remembers the year A Very Potter Musical came out
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clarkgriffon · 3 months
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BUFFY THE VAMPIRE SLAYER + Episode Titles in Dialogue
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demigods-posts · 2 months
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headcanon that even though percy and annabeth are borderline celebrities in their universe. and have saved the world countless of times. they still have side quests that no one fucking knows about. any and all side comments about that one weekend annabeth spent in prison or that one time percy faked of his own death in nebraska is enough to give their friends and family whiplash.
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mo-mode · 5 months
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Chiron: Welcome to Camp Half-Blood! Home to demigods of—
Me: Yeah yeah, which demigods can see the shrimp colors?
Chiron: Excuse me?
Me: You heard me. Who’s got the shrimp colors?
Chiron: Well, ah…Iris is the goddess of the rainbow, and Poseidon is god of the sea, but I don’t think—
Me: Give me the shrimp colors, horse man.
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silima · 2 years
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happy lin manuel as hermes casting 🤩😫
based on @eerna's post
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currentlylurking · 11 months
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Thinking about... low stake Fenton Family headcanons. Those kind of things that have no wider world-context when it comes to fic ideas but really speak to their family dynamic.
Like, one of my favourites is that Danny doesn't avoid swearing because it's a kid's show from 2004; he avoids swearing because when he and Jazz were little, Maddie and Jack caught them repeating what what they'd heard from the lab. So they promised their children that if they could make it the next decade or so, until they got their drivers licenses, without swearing in front of them, Maddie and Jack would buy Jazz and Danny each their own car! They assumed the kids would forget before they had to follow through, but Jazz did not. And once she was sixteen, she traded the inability to swear for a car.
Danny can fly. He doesn't technically need to get his driver's license. But by this point he's committed, and won't swear at all - he doesn't want to risk slipping up in front of his parents, and losing his chance at a car!
Another one I really love is that up until he was about ten, Danny spent most of his time at the public pool. Maddie had him and Jazz in baby swim lessons, but Danny loved the water, so she kept him in it. And Danny was an amazing swimmer - he was incredibly fast and by the time he was seven, could dive well enough that there was barely a splash when he hit the water. Danny thrived in the water, and with some guidance, absolutely could have become an olympic level swimmer.
Unfortunately, when he was 10 or so, he mentioned to his parents that the chlorine in the pool hurt his eyes so Jack tried to replace the pool filter with an ecto-based one, which went very badly. And the family was banned from the public pool. They set up a blow-up pool in the backyard for Danny during the summer, but it wasn't the same.
Fortunately, he turned 14 and gained the ability to fly, so he doesn't miss it too much anymore, but Jack does still feel bad.
And of course, the last quality one - none of the Fenton family can cook. Maddie and Jack can bake extremely well, but baking and cooking are different. They like the experiment too much with their cooking, and even without ectoplasm, it usually leaves their food inedible. Jazz can make simple things, like macaroni, but whenever she's tried something more complicated it hasn't gone to plan. She's too much of a perfectionist to risk that.
Danny, meanwhile, has burned soup before and will burn it again. But he's still eaten it. Sam and Tucker have joked about how Danny's tastebuds must've died in the portal too, because there's no way a normal person would eat the kind of things he does, but he's always been like that! He's far too ready to eat almost anything.
It was particularly stressful for his family when Danny was a baby, because it seemed like for the first four years of his life, his sole goal was to eat every single battery he could find.
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yeah, botl-tlo was messy. yes it was chaotically angsty. but you know what would have made it more messy and chaotic and angsty? if rachel was a guy 👀
(I've ranted about this in my reblog go check it out)
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hyperfixation-fix · 3 months
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Learning about mythology is so weird. Like
Norse mythology: Endless food! Glorious death! Battles for the rest of eternity!
Greek mythology: Sex! So much sex! Power! Powerful sex!
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autism-alley · 4 months
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hi originally posted this at the end of a long thread of back and forth, here’s the og post if you want full context but i feel like this needs to be its own post especially bc i keep seeing this argument being made—the argument that the kids (in this case it was annabeth) SHOULD just know the monsters are monsters and who they are and how to defeat them before ever encountering them, that it’s a problem if they don’t.
the problem is not if 12 year olds should recognize a trap when they see one, even if they’re smart 12 year olds, and if that’s realistic. that is entirely beside the point.
the problem is rick riordan wrote a book series whose formula is bringing myths to the modern age and he’s not sticking true to that in the show—percy jackson and the olympians’ Shtick is taking these classic, ancient threats and giving them a new face. these traps work because these kids are not walking into a cave marked with Get Out and getting ambushed by monsters—the monsters are disguised as harmless mortal human beings, in harmless mortal human being places (for the most part) and i think we—and more importantly, the show—are all forgetting the mist, the magic involved here. it’s not just that medusa is a “creepy lady with her eyes covered” it’s that there is ancient magic at work here, magic that, like the systems of abuse pjo exists to criticize, has been evolving and continuing its malevolence for millennia. it’s formulaic, that’s the point. it’s the same trap you’ve learned about all your childhood, the same trap a thousand children before you learned all their childhoods, and still, it works. you fall into the trap. because that’s how generational abuse works. it’s a trap. it isn’t enough to learn monsters exist, what they look like from a second hand story that originated thousands of years ago. if you want to escape alive, you have to adapt as quickly as they do, recognize their face, and ultimately, beyond any individual trap, the game itself has to change. real, generational change.
so. the problem is rick riordan wrote a series with a formula for action that perfectly captures the overarching, systemic conflicts he was commentating on, and then threw that formula out in the show because it was “unrealistic”. i don’t give a damn about realism when it works to the detriment of the story. this is a story about generational abuse, yes, but it’s told through ‘a tale as old as time’ and that’s why it works so fucking well. and when it comes to basic storytelling, if your characters know the threat before they even walk in and you do practically nothing to then make up for the stakes you have removed, that’s a flaw. now you’ve lost the entertainment value for your audience, on top of also lessening your themes.
something else that is so. honestly soul-crushing as a writer and a creative, is that to me this is reflective of the way we are now afraid to tell earnest stories. stories where we care not for listening to the people who want to pick apart fictional, mythical, fantasy stories for not being “realistic” instead of aligning with our target audience who acknowledges reality is not what makes a story. think of your favorite movie, show, book, comic, what have you—has the reason for your favoritism ever been because it is the most reasonable, the most grounded, the most practical out of any you’ve seen? or is it because of the emotion? the way it speaks to you, to your life and the person you are? the journey it takes you on? is the percy jackson and the olympians book series so good because it’s inherently realistic?
the secret to storytelling is, very simply, focus on your story. everything else is secondary. if it’s written well, it doesn’t matter to me that the characters walk into a trap that, to the audience, is obviously a trap. because i can understand how the characters don’t know it, and how the story falls apart if the narrative just tells the characters it’s a trap from the jump. that’s what dramatic irony is—first used in greek tragedies! this is literally a tale as old as time in every sense except for the end—where it’s happy. and it’s not earned if we don’t first see, over and over, the status quo as a tragic trap.
it’s not about if annabeth (or the other kids) is “smart enough” to not walk into a trap, or about if she’s just too prideful to not walk into what she knows is a trap (or any reason that could apply to the other characters), it’s that annabeth, at the end of the day, is a character. she is a storytelling tool for the messages of the narrative. that doesn’t make her any lesser. in fact ignoring it reduces her, because it reduces what she represents. it’s about how rick riordan, or whoever else at disney, has fumbled the storytelling bag so ridiculously hard that they can’t take the simple, effective formula outlined from start to finish (by good ol 2009 rick himself) and adapt it to the screen without answering the most unimportant, derailing, anti-story questions.
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Malevolent where everything is the same but Arthur is wearing wet crocs so all the footstep sounds are replaced with Wet Rubber Squeaking
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pixeldragoon · 10 months
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Kiddos
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daphnebowen · 4 months
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walker's growth spurt in between seasons 1 and 2 better lead to some amazing commentary and jokes within the show
for example:
"hOlY cRaP yOuRe TaLlEr ThAn Me NoW" - grover
"yeah, one day I just woke up like this" - Percy
annabeth's disgruntlement at an even more noticeable height difference (isn't there some point in book two or three where Percy remarks that him and Annabeth are the same height now? well I guess that's not happening)
and so many more
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