And I know, I know for a fact it was very important to Michael...We are not going to do the stereotypical they don't end up together, but you want them to. We're not doing that. They will be together. -Danielle
When did that decision get made on behind the scenes? Because I feel like this might have been the week. -Rider
Yeah. Maybe. Yeah, maybe. But I, I do know, I do know that I don, well, I guess, I don't know. I do not think the network would have been pushing back about what they had seen so far about, oh, this is too serious. But I could see them saying, what's happening with this relationship? What are, what's, where, where are the stakes here? They're just together and they're just gonna casually be together. Like where, what's the thing? And, and Michael saying, don't, don't worry. You wait till you see what we're gonna do. -Danielle
I also think we know Michael well enough to where he would say, and I think I can, I can honestly say that he would say, I knew they were gonna end up together the second she pushed him against the locker...He would say that. The second she pushed 'em against the locker, I knew they were gonna be married for the rest of their life....But that's, but that's what I think Michael would say. It was. He knew from the second Yeah. She pushed him against the locker and they had that moment at the end that they were gonna end up together. -Will
The, the truth. And that storytelling is that the colonel of something great happened in that very first episode. And, and like the, and, but you know, yes. So yes, there is truth in that, right? Yeah, absolutely. Like you see the Cory Topanga episode, And you go, this is the show, if not like a pillar of the show...-Rider
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So this is where I had to pause. And just sort of linger for a moment on what, you know, the, the power of this moment, which was really cool to realize like how big moving is for kids...You, it's a perfect, I mean, it's, it's the perfect storytelling way to show the disempowerment of children. Like, you, you, you can't control this. You cannot, you parents need a job change and move. You were going to lose your teachers, your friends, your community. And it's like and, you can't do anything about it. Like, really? Because you're just a kid. And I thought this is such a great place for storytelling. I mean like, maybe like one of my favorite places is to to to put the, the audience and the characters right. Into, you know, the, the child situation, the children's mindset. You can't, and I think, you know, it's, it's easy to forget that, that kids feel just as much if not more than grownups, right? But there's, they just, they don't have any power. They can't do anything about it. They just....they're stuck with the parents they got, or the par or the, you know, being whatever their, their life situation is, the class they're in, the country they're in, they're just stuck there. They don't get that choice. And, and yet they feel just as much. And I think that is so beautiful. And that is like one of the central, you know, the, the, the best parts of children's storytelling or, or, or, or movies or television shows about kids, is that you can, you can have a moment like this right. Where you really just, and then, you know, for me, I had to think about like, and then where does this episode go? And it goes in a place that really, and we'll get I And, you know, I guess in this next episode, really it, where it repowers the kids through their love. Yeah. Which is just a weird storytelling choice. -Rider
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