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transmascaraa · 29 days

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Reader "secretely" steals an prop their partner uses to try and recreate something they do with it

(example - gamings Lion dance hat (I'm not very cultured idk how it's called canonically...) to try and do at least a part of lion dancing, lyneys cards to try and do a magic trick, wanderers hat to try and do his usual poses etc!!)

multiple characters headcannons!

JUSTIFIED stealing.

characters: lyney, gaming, wanderer x gn!reader

author's note: this one's next because i can🤩 yeah i'm gonna do all 3 of those so i hope you have fun reading lol

♡ Lyney

-uhm you basically stole his hat AND his cards right before an important magic show.

-he was looking for them literally EVERYWHERE.

-but he couldn't find him so he was getting worried by the second.

-until he saw you walking up to him with his hat on your head.

-"hello lyney, my love, may i show you a magic trick before i return it to you?" as you put his hat out to him.

-"oh, mon amour, of course! just please hurry, i was getting really concerned there." he awkwardly laughs it off.

-he's not one to really have a problem with you taking it with yourself, butttt his magic show was starting soon!

-your card trick was one where you turned 2 cards into 4, then 4 into 8.

-even tho it was a starter trick and he knew exactly how you had done it, he smiled brightly.

-he's happy to see you having fun with something that he likes himself.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

⑅ Gaming

-again, a performance was starting soon.

-and he couldn't find his lion dance hat!(that's what i'm gonna call it)

-the first few times he walked into your room, he asked you if you'd seen it, but you always said no.

-you were getting more suspicious to him each time.

-so he secretly walked into the room, but then you just looked at eachother when you realized he had caught you.

-you, in a random pose, mid-dance, in his lion dance hat.

-"you- i was looking for it EVERYWHERE!! are you serious??" he was laughing while talking, it was actually quite cute to him, how you looked in his hat.

-"well- uhm- rate my dance?" you then tried to make up a little dance for him and he really liked it

-after he literally laughed his ass of with you, he said:

-"10/10. but i have to go to my performance now, i'll be back soon. see you, love, and then i'll let you use it once again."

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

๑ Wanderer

-(i am so excited to write this one)

-so basically, he was about to go for a walk through the desert, with nahida, and he was missing his hat.

-usually, it's in the living room on the table, or next to the bed. and he searched throughout the whole house, nothing.

-but then he entered your shared bedroom.

-you, on the bed, in his drip marketing pose, shouting his "voicelines" in whispers.,

-"uhm- hi?-" you said awkwardly.

-"what the fuck." (he thought you were cute.)

-"i'm just- uhm- cosplaying you? ahm- yeah, i'm cosplaying you." the best excuse you could come up with.

-"cosplaying my ass. your outfit is your everyday outfit. you didn't even try to make your hair like mine. the hat doesn't suit you like that." he started acting smart and like the know-it-all

-"excuse me-" but then he cut you off (again).

-"no excuses. i said what i said." he took his hat back from you and just before leaving the room, he turned to you and said something more.

-"don't touch my hat, idiot. bye."

-you could've sworn you've heard a quiet "i love you" at the end.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

damn i really like this one too

i used to hate them when i js started writing wtf

but i most definitely at least improved lmfao

| @keeyisbored | @mariaace <3

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gammija · 11 days

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tiefling jon's first day at the Archives

#id in alt #the magnus archives #tma #magnus archives #elias bouchard #jonathan sims #tma jon #jon tma #jon sims #tma dnd au #tiefling jon #gammijart #tma s4 #so this is that comic i was talking about a few weeks ago. with way too many backgrounds and effort #ill say i did enjoy doing the backgrounds a lot and thats worth a whole lot. but also. if this gets no notes i will. cry #anyways. love drawing a correct perspective grid and then fucking it up in favor of something that is wrong but FEELS right <3 #also any anachronisms shall be explained by this being a fantasy setting #always difficult to post something that's not a joke. sincerity. yuck #and this does still have some jokes. just less punchy than id usually post. also no jmart or other ships. whoof #i havent done enough with elias. he's such a slimy bastard - v fun to write #he talks a bit more formally here than in canon but tbf he is an elf so /shrug #EDIT: aaaah between panels 4 and 8 i forgot i gave him an ace ring!!

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set-wingedwarrior · 1 year

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I should have known that people would have acted annoying about the Team's reunion and, after the dumb takes I saw, here I am to make a breakdown of their reactions in relation to the context because that's defenitely how my psychology majoring is supposed to be used apparently

Before I dig specifically to each character I'd like to remind people that, like Weiss herself said, everything happened so fast. It's not just that the time itself wasn't that much. In between the fight and them trying to find each other in the Ever After it would have been, what? An hour?

It's been 2 years for us guys, for them it isn't that much time to justify the super touchy and hugs reunion like we got in V5, or V6 in Argus, or V8 when they meet back (except for Blake, but I'll get there). You all need to remember that media in general for stories like this aren't your fluffy fanfic full of feelings and hugs and kisses all the time.

Now, welcome to my psychology class! First on our list, our one and only traumatized team leader child, Ruby Rose.

"Why didn't ruby rush to hug her sister?"

Well, let's see it from her point of view; actually, we litterally saw it at the start of the episode! We saw how fast everything went from her eyes!

She had to go in fight mode in a fucking instant because, differently from Blake (who was trying to jump after Yang) and Weiss (who was busy stopping her), Ruby has been attacked immediately by Neo after her firt attempt at her life failed. She didn't even have the time to process what happened because she was already fighting for dear life!

Our brains are very resourceful machines that always try to save energy (it's why stereotypes exist, it's our brains identifying stuff by one thing to not think about it too hard), and considering how complex and crippling the feeling of loss is, and how much it takes to process, in a life or death situation our brains would just shut it down.

Because we're all different people it might not work the same for everyone, but Ruby is a trained fighter, she's a huntress, her body and mind falling in fighting mode is actually the most logical reaction in the given situation because it falls both on habit and instinct.

And given that she didn't even have the time to process the the thought that Yang might have been dead (even during the fucking fall she had to fight Neo still, give my girl a break!!), it's very reasonable that despite the frustration and stress of everything else in the Ever After, she wasn't too worried about Yan'g safety. Because she never got time to even think "I lost her" that she got in the very same situation. So, "If I fell and I'm here and I'm okay, then Yang is too, she must be fine".

Besides, Ruby did run towards her after fighting the thing!

Yang just interrupted her with her "Dammitt! You're not supposed to be here!" before Ruby settled to get near her and "If you thought we wouldn't come for you then you must have forgotten who raised me", so any argument about them not caring is just really dumb.

In conclusion, considering that she found out that her sister was probably okay before her brain could have even processed the concept of her loss, and all happening in a very short spawn of time, it makes 100% sense that Ruby wouldn't need to jump in her arms and cry or whatever. They're in a weird place but they are okay and that's all that matters (before Ruby will discover the horrors of what happened after she fell and the horrors of her quickly approaching breakdown, but that's for another time!)

Blake on the other hand.

Blake is the one that speed into action the moment she saw Yang fall. When chaos wa around nobody went to attack her, she saw Yang disappear in the void. Now, she got to feel the loss, the pain, the weight of failure because she failed to save her!

And her first reaction was to fucking jump after her. Because she couldn't fail, she couldn't lose her, she must save her! And Weiss had to drag her up the platform herself to stop her from doing so because they had a job to do and Blake was blinded by pain!

Then, she got blinded by rage. It wasn't her fault, it was Neo! And Cinder! And I think that in that moment of emotional disregulation it's reasonable to think that Blake wasn't acting for the good of Mantle, of the plan, or anything else. We all saw it in her eyes, it was pure rage, she wanted revenge! And that's completely reasonable in that given moment. She saw the love of her life DIE because of them, OF FUCKING COURSE SHE'S BLINDED BY SUCH POWERFUL EMOTION.

As you can probably already tell, Ruby and Blake's actions are dictated by very different feelings! Even if the action itself, fighting, is the same, the mindset and motivations differ completely!

So, what happens when she meets Yang again? That after the danger is over (because it's not like she dropped everything, they fought the thing and waited for the situation to calm down and be safe. She also waited for Ruby to say her things first tbf) she fucking runs to tackle her!

Because Blake actually got to see and feel the loss! She thought she had lost her! She thought that she died because she wasn't fast enough! So, even regardless of the romantic feelings (that obviously play a part because come on, they've been inseparable for volumes now, it's obvious that she would have felt it all that harder), it makes sense that Blake's the one to feel pure utter relief in seeing Yang still alive! And she'd need to go to her, feel that she's there with her!

Now, probably the most complex one to explain: Weiss.

In a way, she's middle ground between Ruby and Blake. Weiss wasn't attacked right away either, but she had to jump in action to stop Blake. That means that she stopped to see what was happening and at Yang's "death" she just assumed what Blake was about to do or else she wouldn't have ad the time to stop her (we saw how fast Blake was)

That means that, in some way, she got to take in what was going on before going in fight mode, but she still didn't get to process it herself because she needed to act on the others' behalf. Where Ruby was litterally just hanging in there and Blake was blinded by her pain, both of them against Neo, Weiss saw what happened and told to herself "I must keep going with the plan, I must protect who's left, I can't let Yang''s sacrifice go to waste" and went to fight Cinder alone (until Penny arrives).

Weiss during the fight is the one more "emotionally stable" (more like she efficiently locked them to be functional in the fight), she's well aware of what is going on and doing her best. In this mindset, she got to fight but also to see more clearly everything that is happening.

She's also the one who stayed there the longest. She's the one who saw the worst because she's been there long enough to witness more horrors, but despite the awareness she didn't get the time to really feel them. When does she though?

After she saw all of her teammates, her family, die. When she's almost completely alone. Only her Penny and Jaune left, Cinder towering them while she's using Gambol Shroud, everything she has left of her family, to try keep fighting. Because at that point there's less chaos, less things to prioritize her focus on, the evacuation is done, she just has to not let Cinder get Penny's powers.

We didn't see Weiss and Blake finding each other, but my guess is that either there was a hug off screen or, more likely, she kept it together because they logically needed their weapons and teammates back first. She then chooses to stay focused (and cheer for Blake, bless her), and work, and shuts down every question about what happened because she knows that talking about it would break her down and be a distraction from their objective.

Which is why she doesn't speak until they're all together: withouth a distraction, she's crying before she even got to start.

The pain added up and got to her, and I'm pretty sure that Ruby's big reaction wasn't just because of the news on their own, but also the feelings Weiss was letting out while telling them (you know when you feel someone is feeling bad even when they don't tell you nor openly act up on it? And you still feel deeply bad/uncmofortable?).

I got overboarded here, but in short Weiss didn't act too clingy in the reunion either because she was busy staying focused first and then dealing with EVERYTHING that happened earlier and that she needed to tell them. Like, after getting both to Blake and Ruby, Yang's safety was basically 100% sure anyway, so. And, again, everything happened so fast.

It's been 2 long years for us. Not for them. So, to the people who have been complaining, you're just projecting your own personal feelings on them and then calling it bad writing when they're not acting like you feel right now.

Class dismissed.

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hephaestuscrew · 2 months

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“This has both our names on it”: Viewing Fleet and Clara’s relationship in Victoriocity through a queerplatonic lens

TL;DR: By Season 3 of Victoriocity, Fleet and Clara have developed a committed emotional partnership that certainly moves beyond the purely professional. Whilst very much operating as a duo, they can be interpreted as often rejecting or subverting romance-coded elements in their relationship, instead embracing a unique dynamic that can be read as resonating with the concept of a queerplatonic relationship (QPR).

Buckle up because this is over 2,500 words long! If you'd rather read it as a document, you can access it here: Fleet & Clara QPR Google Doc

Disclaimer: I'm not making any claims about creator intent, nor about how anyone else ought to interpret Fleet and Clara's dynamic. It's also worth acknowledging that queerplatonic relationships are inherently defined by the people in them and any attempt to apply such terminology to a story set in 1887 is obviously anachronistic (although whether that should matter when said story also contains a cyborg Queen Victoria is up for debate).

With that said, if we define a QPR as a committed personal partnership which is not entirely captured by the typical expectations of either friendship or romance but may contain some elements typically associated with either (other definitions of QPRs are available), I enjoy viewing Fleet and Clara's relationship through a QPR lens, and I want to talk about some of the reasons why I think this reading works.

***Spoilers for all three seasons of Victoriocity and the novel High Vaultage***

Detective duos

Even before we actually get into Fleet and Clara's particular bond, detective / crime-solving duos as a general concept have QPR energy to me (which probably predisposed me to this interpretation). It's the Holmes-and-Watson legacy. It's the use of the word 'partner' in a non-romantic context (‘associate’ or ‘companion’ can also serve a similar purpose). It's the intense trust and reliance on each other. It's the sense of being a recognisable pair, always appearing together, known as a duo, with skills and attributes that complement each other.

Romantic assumptions

Moving on to Fleet and Clara specifically, one aspect of their relationship that can be read through a QPR lens is how they are often in situations where other people believe or imply that there is a romantic relationship between them. Sometimes this is a deliberate strategy of theirs, and sometimes it’s imposed upon them by others. But I’d argue that there’s never a point where they both simultaneously seem entirely comfortable with that romantic narrative for their relationship. Usually one of them will actively deny the assumption or react negatively to the implication:

When Mrs Hampshire interprets Clara and Fleet as a couple experiencing “young love”, Clara might be happy to adopt this as an effective cover story, but Fleet seems unsettled and keen for them not to be perceived this way: “No. No. You’ve misunderstood, we are not, that is to say I am…” (S1E2)

When Warden Hughes assumes Fleet is the new Warden and Clara is the new Warden’s wife, Clara says “I am certainly not”, with emphasis on the ‘certainly’. (S2E2)

Fleet definitely doesn’t sound enthused when he realises Clara has gone for a married couple as their cover story at the Grand Salcombe: “I am sure I’ll regret asking, but by any chance am I [Mr. Theasby?]” (S2E2)

When Titus Byrne tells the pair “I take it you're happy sharing [a room]”, Clara responds with a horrified “What?” (S3E4) (Obviously sleeping in the same room isn’t inherently romantic, but it is often perceived that way.)

Of course, fake dating and external assumptions of romance are very common tropes in romantic will-they-won't-they dynamics, and these moments could definitely be interpreted that way for Fleet and Clara. But I prefer to read these instances as reflecting a different kind of closeness between these two characters. They have a sense of emotional partnership that allows a marriage cover story to seem plausible to others and that other people sometimes automatically assume to be romantic (obviously with some period-typical heteronormativity at play). But to me, it doesn't seem like either of them are fully comfortable with their relationship being perceived in a directly romantic way. Perhaps they are a couple in a different sense…

Proposal via door plate

The way that Fleet asks Clara to be his business partner has always seemed to me like a platonic version of when people find personal ways to surprise their romantic partner with a proposal:

CLARA: You bought me a door plate for your office? [...] This has both our names on it. FLEET: What do you think? CLARA: I like it. (S2E7)

Fleet could have just asked Clara outright, without going to the trouble of buying a sign that would have been useless if she’d said no. If it was purely a professional business proposition with no emotional meaning behind it, I think he would have just asked verbally. But instead, he gifts her a sign with their two names paired together: Fleet-Entwhistle Investigations. There's something so intimate about that to me: about Fleet asking Clara whether she would like to be a duo with him in a more formally-defined but still non-romantic way; about him choosing to present this offer in the form of a gift; about the way he presents her with their two names joined together etched into metal and asks what she thinks; about the significance that this gesture attaches to their partnership; about him having enough trust that she'll say yes that the effort and vulnerability of presenting her with that sign seem worth it for him. And the gesture means an awful lot to Clara:

She thought about the door plaque he’d had engraved with both their names on it as his way of inviting her to be his business partner – typical Fleet, refusing to tell her so much as his favourite breakfast food and then to go and do something like that. It was the nicest thing anyone had ever done for her. (High Vaultage, p187).

Anniversaries

In the special episode ‘Murder in the Pharaoh's Tomb', Clara says “And you know what else is a big occasion Fleet? It's our one-month anniversary.” She wants to celebrate the anniversary of Fleet-Entwhistle Investigations. Their partnership holds a significance for her that means key dates associated with it are worth remembering and remarking upon.

When Clara first mentions their anniversary, Fleet nearly chokes on his drink, which seems like an instinctive reaction to the usually romantic connotations of an anniversary (see my point above about Fleet not being comfortable with their dynamic being perceived as romantic). But when Clara clarifies what she means, Fleet seems much more cheerful about the notion of their anniversary: “Ah, so it has.”

“Miss Clara Entwhistle, my partner”

I get extremely strong QPR vibes from this moment, when Fleet introduces Clara to the sailors at Grave End:

FLEET: This is Miss Clara Entwhistle, my partner - in business, my business partner. CLARA: I'm also his friend, but he doesn't like to say it. (S3 E3)

Fleet and Clara are partners, but not in the way the average person might assume from that word, which Fleet realises mid-sentence here. This is another instance of Fleet reacting negatively to the idea that their relationship might be interpreted romantically (see above). And yet, 'partner' (rather than, say, ‘colleague’) is the word that comes naturally to him in this moment to describe who Clara is to him. He then frantically emphasises the professional element of their relationship so as to avoid the romantic implication, but Clara is keen to proudly assert that there is a personal, emotional aspect to their dynamic too. They are first-and-foremost partners, and they are friends, and they do not want to be seen in a romantic light - this post basically writes itself...

“Her ridiculous detective.”

When Clara fears for her life at the display of the Lanterns, the narration tells us:

“she thought of her brother, her sister, her parents... Her ridiculous detective.” (High Vaultage, p172)

The fact that Clara thinks of Fleet in this moment of fear clearly indicates his importance to her, but I think the phrasing of this quote is particularly interesting. The narration lists Clara's immediate family: two of whom are dead (her sister and father), one of whom is publically mourning Clara's life choices (her mother), and only one of whom we have any real evidence of her having a positive relationship with (her brother). And then, separated from these complicated familial relationships by an ellipsis, the narration tells Clara also thinks of Fleet, “her ridiculous detective”.

Parents and siblings are familial relationships that tend to come with established expectations, in which the use of a possessive pronoun (i.e. her brother) to indicate the relationship is a norm. ‘Detective’ does not fall into this category; unlike ‘brother’, ‘sister’, ‘parent’, ‘friend’, ‘partner’ etc., ‘detective’ is not a word that inherently implies a relationship or that we'd usually expect to see preceded by a possessive pronoun. The idea of ‘her detective’ therefore stands out, giving the sense that there is a unique relationship being indicated here. The way in which Fleet is ‘hers’ is something that Clara has chosen for herself, something that they have shaped together. Who they are to each other can't necessarily be fully expressed using standard phrases that traditionally describe relationships between people. But Fleet is Clara's detective, of which she only has one, and who she'll think of in the midst of “the screaming of the heavens at the end of the world”.

Fleet is also the only one in this list of Clara's loved ones who gets an adjective - her love for him has detail. And while “ridiculous” might often be perceived as negative (it's certainly not a classic romantic endearment), it seems to me like there's such fondness in it in this context: the recognition of and affection for eccentricities, the idea that his importance to her is not (purely) based on his professional strengths but on Fleet as a whole - perhaps at times ridiculous - person.

“Settled”

When Clara and Fleet talk about Clara's mother’s expectations for her, they have this exchange:

"She's still living in hope that one day I'll settle down." "You're not settled?" asked Fleet. "I am." (High Vaultage, p259)

By ‘settle down’, Clara's mother of course means ‘marry’, ideally into “at least a minor baronetcy”. But Clara already considers herself "settled", just not in a way her mother would understand or appreciate. She's not looking to "settle down" into a lifestyle other than her current one. She is settled in a situation where Fleet is certainly her closest personal connection in London (and perhaps anywhere), and where the two of them work closely together, operate as a duo, and then go back to their separate homes. And this partnership with Fleet is a comfortable set-up that feels right for Clara exactly as it is, rather than being a precursor to, or a distraction from, the marriage ambitions that her mother wants for her.

I think this exchange also contains an implicit sense of the commitment between the two of them. Fleet wants to check that Clara is ‘settled’ in her current situation, of which working closely - and platonically - with Fleet is obviously a major element; Clara confirms she is. There's a subtle indication of their shared intention to be in this for the long haul.

As a sidenote, Fleet and Clara’s implicit assumption that their partnership is a long-term one can manifest itself in joking contexts as well as serious ones. Look at this exchange from S3E5:

FLEET: We're not bandits, we're just going to flag it down. CLARA: We'd be terrific bandits! FLEET: Let's just see how our current line of work goes.

I think it’s notable that, in this joking speculation, both Fleet and Clara use ‘we’ and ‘our’. The joke could have been phrased just as effectively if they were imagining only Clara becoming a bandit. But the suggestion is that, if either of them was a bandit, they’d be bandits together. Even if they changed their lives entirely, they'd still approach life together.

Inseparable

Fleet and Clara have become a nearly inseparable duo in a way which is noticed by others. For example, after Clara and Fleet fall out in High Vaultage, Fleet meets with Keller, who says:

"You're here with me instead of barrelling across town with her, so I'm just assuming there is some thickheaded puffinry for which you need to apologise to Miss Entwhistle" (p335)

Keller, hardly the most emotionally perceptive man in Even Greater London, automatically infers from the fact that Fleet is on his own that he has had a falling out with Clara, rather than that they just happen to be in different places. When all is well, Keller expects to see the two of them together, whether or not they are in a position to be actively working a case.

Going back earlier in their partnership, Keller makes a similar assumption about Fleet and Clara being inseparable in S2E6. When Clara shouts her name amidst Keller's anti-Vidoc booby traps, Keller asks "Entwhistle? Which means… Fleet?" Again, there's this idea that if one of them is there, the other is likely to be there too - they come as a pair. (It's worth noting that this scene takes place less than two weeks after they first met.)

“Like a friend might?”

At the end of S3E7, Fleet suggests that he and Clara go to the theatre together. It would have been easy for this invitation to have been explicitly framed as a romantic proposition, or even for the nature of the offer to have been left more ambiguous. But Clara says "Archibald Fleet, are you inviting me to a social activity? Like a friend might?" The use of the word 'friend' directly labels this as a platonic interaction. And it's with that platonic lens on it that Clara is extremely excited to spend non-work-related social time with Fleet.

“Maybe it'll just be my good luck charm.”

CLARA: My grandmother's ring, I don't suppose you managed to hold on to it? [...] FLEET: Oh, it's been crushed.. I'm sorry Clara [...] CLARA: No, you keep it. FLEET: What? No... CLARA: Keep it. Maybe it'll remind you not to run towards trains. FLEET: Maybe. Maybe it'll just be my good luck charm.

In S3E7, Clara gives Fleet a ring, which - as a gift from one person to another - is traditionally a symbol of a particular, legally recognised, kind of personal commitment. But when Clara tells Fleet to keep the damaged ring, down in the Underground tunnels after the destruction of the beast and Fleet's latest brush with death, it is quite a different situation to a wedding or a proposal. A married man would traditionally wear his wedding ring on his finger for all to see, but Fleet won't ever wear this ring like that. The ring itself has been bent into a different shape between the wheels of their misadventures, subverting the usual associations of a ring given from one person to another. (In a heteronormative world, those associations are particularly strong when the two people in question are a woman and a man.)

That ring is not an engagement ring, but it is Clara’s grandmother's ring, an inheritance from the blood family she never really felt she belonged in, now given to the man who might be a very different kind of family for her in London. That ring - with which Clara saved Fleet's life - is a symbol of their bond. And it therefore serves as a reminder for Fleet “not to run towards trains" and as a “good luck charm”. I like to think he'll carry that ring with him, perhaps in his jacket pocket - a little piece of his partner, kept close to his ticking heart…

Thank you for reading all of this!

If you’ve read all of this, I'm assuming you also enjoy the concept of Fleet and Clara as a QPR (unless you're really a glutton for punishment) and that makes me very happy! This was long because there's so much to say about them… And I wrote all of the above without even getting into: the potential to headcanon Fleet and/or Clara as aspec (which I don't think is necessary for QPR headcanons, but which is also fun); Clara's baggage around and discomfort with marriage in general; the speed with which Fleet and Clara become a ride-or-die duo; and the many other demonstrations of care, understanding, trust, respect, and affection between them that didn't feel as directly QPR-coded to me but are nonetheless wonderful. Please do feel free to share your own thoughts!

#victoriocity #clara entwhistle #inspector fleet #archibald fleet #high vaultage #I'm not really trying to persuade anyone who doesn't already vibe with Fleet & Clara QPR as a concept #I just enjoy digging into that interpretation #I don't have any lived experience of QPRs myself #I'm just an aro who occasionally yearns #which tbf is probably the demographic most likely to obsessively interpret fictional duos as QPRs #I tried to avoid straying into anything like ‘they are too important to each other to be *just* friends’#when writing this #because I deeply dislike that outlook #That's not what I'm getting at here #Friends can be that important to each other without being in a QPR #I just think Fleet and Clara are important to each other in a particular way that can easily be read as a QPR or QPR-adjacent #Ngl for me personally I was very happy that there was no explicitly romantic Fleet and Clara moments #in S3 or High Vaultage #I’m sure I would still love their dynamic if they did explicitly take it down that route #I’m sure it would be done well #But the fact that Fleet and Clara are platonic (or at least ambiguous) means a lot to me personally #A related thought to that bit on romantic assumptions is that under amatonormativity #even the denial of romance/attraction is so often treated as evidence for it #which can mean that there's no way to escape that implication #so that's another reason why I enjoy taking characters at their word #when they express discomfort over a dynamic being interpreted as romantic #I finished writing this on Wednesday and I've been so impatient about waiting until S3 is fully out to post it lol

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danidoesathing · 1 month

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my ass out here finished two fics within a week as though im a competent writer. the fuck

#here's to hoping its three with the dale fic #tbf ive been working on these for a couple months at minimum and they just as synced up #still. wild lol #enjoy I guess #my writing #dani speaks #hatchetfield #nightmare time #nightmare time yellow jacket #hatchetverse

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hailsatanacab · 11 months

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Wip Wednesday babeeyy

eyy I've finally remembered that wip wednesday exists!! here's some proof that i'm working on something, and that something is the follower milestone gift i said i was going to do and i promise i'm doing it! i'm doing it it's happening i promise! so here's a little taster!!!! and here's Part One if you want a refresher!

And then the kid just vanishes.

In the blink of an eye, in the time it takes for him to look down, screw his face up because this is all confusing as fuck, and look back up, he’s just gone. There’s nowhere to hide, there’s nowhere to go, Jason can see everywhere around him—but he can’t see Danny.

“Well… shit."

“What, what happened?” Dickybird hisses in his ear, the unsaid, exasperated “now” very clear in his voice.

As much as he loathes to admit it, Jason is feeling very much the same way right now. What was meant to be a simple case of “investigate the potential child abuse and put an end to it” has instead become something… less simple. When is it ever simple in his life?

Still. If working with supers, metas, vigilantes, whatever, has taught Jason anything, it’s that just because you can’t see someone doesn’t mean they’re not there.

“Hey, kid… Danny. Listen, I’m not here to hurt you and if you’re still here, if you can still hear me, then, I don’t know, do you want to get a bite to eat or something? I just want to talk. I just want to figure out what’s happening.”

Jason doesn’t hold his breath.

Okay, no, that’s a lie. Jason holds his breath, but he swears he’s holding it so he can more accurately hear if Danny is still around. That’s all it is, he’s not attached to this kid already. He’s not.

When no answer comes—not even a whisper of a breath or the scuff of a sneaker on the pavement—he suppresses a frustrated growl and opts instead to breathe deeply and pinch the bridge of his nose.

“So…” Tim begins, drawing out the word.

The urge to growl—hell, the urge to pull out his comms and smash them on the floor—grows.

“The kid’s a meta, then. Potential powers including but not limited to: invisibility or teleportation. You think he’s still there?” There’s no reason for the kid to still be around, not at all. If it was Jason, he’d have scattered as soon as he realised the stranger impersonating his dad wasn’t the guy he thought was impersonating his dad, and honestly, wasn’t that extra fucked up? That someone impersonates people in this town often enough that it’s not a surprise? The way Danny spoke about him… What was his name?

Amorpho. Amorphous. Without shape.

A shapeshifter?

Whatever. It’s a mystery for another time, because there’s still a more pressing mystery in front of him.

Or,. rather, not in front of him.

Yes, there’s no reason for Danny to still be here, but…

Jason sighs.

“I’m going to Bat—Nasty Burger. Really? Is that the best burger joint here? Nasty Burger? Whatever, I’m going to get some fucking fries.”

Jason feels fucking stupid talking the air like this. He must look fucking stupid, too, but the thing is… There’s a prickling on the back of his neck, a rolling taste of green on his tongue when he glances through his peripheral, the vague weight of an unseen eyes on him.

Call it wishful thinking, call it a hunch, call it something else, but Danny’s still here.

“There’ll be a burger waiting for you, too, if you want it. My treat.” Jason turns in a full circle, examining everything in his surroundings. Nothing seems out of place, nothing screams wrong to him. “I just want to talk.”

He waits for a full minute with no success, which makes Jason feel even more stupid, before clicking his tongue and making his way to the, hopefully ironically named, Nasty Burger.

#dpxdc #wip wednesday #lol i've been trying to post this for ages #even thought i should make a new day - fuck i forgot about wip wednesday friday #might still do that tbf haha #hailsatanacrab🦀🦀writes #so here we go!!!#idk if i'll delete this later - is that what people do with wip weds?? idk #uh but here we are #please give me some motivation i'm at a wall and i'm banging my head against it 🙏🙏#uh. also. this silly little wip that i had no idea how to follow on from what i'd added to the prompt #is now like 12k long and growing more and more #why do i do this to myself #everything just becomes so big woof #anyway enjoy!!

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