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devilmademewriteit · 9 months

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If You Lie Down With Me

pairing: (pre-ellie) dbf!joel miller x fem!afab!reader

summary: there’s only one guy in all of boston that can get you a morning after pill. unfortunately, on top of being a huge asshole, Joel Miller also happens to be your dad’s closest peer.

warnings: rough sex / smut (masturbation, fem penetration, oral [m receiving]) so 18+ only content; unprotected sex; light choking & restraint; light dom/sub dynamic; fem afab reader; reader has long-ish hair (that gets touched); plot-typical violence (guns, death); plot deviations (no Tess); medication ingestion; pet names (baby, sweetheart, angel); dubcon (slight intoxication, power imbalance, no explicit consent).

word count: 6.5k+

no use of y/n in this fic

alright y’all I’m baaaaAAAaack! so this is basically the other version of Dark But Just a Game that I started back when I was writing it & figured I’d finish it to get out of my hiatus. like any devilmademewriteit fic, it’s dark and nasty and deprived like meeeeeee <3 hope u enjoy !

don’t forget to reblog, check out my masterlist, sign up for the taglist, & leave any comments / feedback / & suggestions!

(ps: new part of Salvatore up next !)

—

“three times the guy I ever thought I would meet, so don't say you're over me when we both know that you lie”

— lana del rey, ‘If You Lie Down With Me’

—

Fuck.

Waking up to a racing heart, a pounding head, and a stomach swimming with nausea was never ideal, although it was always a better experience alone — when you could squint and hiss at the light slicing through the weaknesses in the drapes without hearing your groans echoed by a lower, louder, and annoyingly more pitiful voice.

Right. What was his name?

Jared? Jordan? Jermaine?

Ah, who cares.

If he’d wanted a safe place to nurse his hangover, he shouldn’t have fallen asleep in your bed. Sure, the odds of dad being conscious at this hour (especially the odds after a party like last night’s) were Kate Moss — no, Rolling Stones — slim, but the man would get up at some point, meaning that this poor J-whatever was likely sleeping through his only window of escape from certain homicide.

You whisper. You shake him gently. You gingerly tap the roundness of his bicep.

Huh — Not bad.

You congratulate last-night-you for reeling in this morning’s good-looking catch.

Still… nothing. Not a twitch. Nary a croaked ‘lemmesleep’ graces your ears.

After loosing an exasperated sigh and running through your options, you decide to take the most effective (and least girl-next-door) route. The corner of your elbow collides with his ribs, and the boy jumps up, his loose, blonde curls as wild as his eyes, searching the room for his attacker.

You want to smile at the scene, but the motion hurts your head.

“Y’gotta go,” you croak out, thumbs rubbing circles against your aching temples.

He collapses onto his back, copying your movement with his own fingers to his brow. “God. I feel like shit.”

Despite muttering your agreement, you let your eyelashes flutter closed and your weight turn you away from last night’s paramour: no use figuring out who he is after the (f)act — that just makes it personal.

After a few breaths, the boy moves back up to a shakey sitting position.

Probably sourcing for his clothes.

He reeks of booze and sex — but then again, so do you. His roughened, unfamiliar tenor climbs to barely above a whisper, “Z’something stuck on my leg… blood, or something…”

His interrupting your suffering comes as a deeply unwelcome annoyance, so you try to sort him out to clear him out: “Prolly just the condom,” you mumble, rolling back onto your shoulders, reluctantly supervising his movements.

He lifts up fully, sitting criss-cross and pulling his calf towards him.

“No,” he tries to laugh but succumbs to the nausea, settling for a low breath instead, “S’blood, dude, from beer darts — and I didn’t use a condom.”

Your eyes immediately dart over, settling on his naked, wretched, shivering form. He notices your ire and the hitching of your throat, immediately defensive.

“I asked if you wanted to.”

Unfortunately, he had. The memories of your drunken entanglement start to resurface inside your mind. “It just feels better without one.” This time, you curse last-night-you for being such a careless, inconsiderate, horny bastard.

You’re making problems for me, girl.

“J’s get out.”

J-whatever spares no time complying, collecting his few strewn belongings and staggering out the front door. Once it slides shut, so too do your poor, weary eyes.

Shit.

There goes the afternoon.

Getting your hands on condoms in the QZ was at least fifteen times easier than snatching a morning after pill. Those were a hot commodity, especially among the younger, less responsible crowds.

Luckily for you, as a member of aforementioned younger, less responsible crowds, you knew where your best chances lay in finding whatever it was you needed (if what you needed was deeply immoral or wholly illegal). Unluckily for you, that ‘best chance’ happened to be your dad’s closest and longest-running business partner: temperamental, judgemental, frustratingly competent, Joel ‘Local Asshole’ Miller.

But that could all be dealt with after another eight hours of sleep.

—

Opportunity strikes sooner than expected.

Miller’s in your living room by the time you wake up, the low rumble of his southern baritone recognizable even through the closed door. After scrambling to throw on some clothes, you press an ear to the chipping paint, hoping to determine the number of bodies gathered in your home.

Not many. Just Miller (and the old man, of course).

The latter’s presence bodes ill for you. This would all have to be done in secret, which was not an uncommon strategy where ever the former was involved. No one dealt with Joel Miller to conduct clean-cut, wholesome activities. No one was calling him up for a spare copy of the holy book.

No, getting him alone was essential.

A drink slams down on the counter. After a good, patient ten minutes, you hear your father (‘s rather crude way of) excusing himself to the washroom and heavy-set footsteps decrescendoing down the hall.

This is it.

You slip through the door.

At first, your company takes no notice of you, his eyes still glued to the maps and papers littering the counter before him.

Then, a low grumble: “fun night?”

His voice makes you weak in the knees — an involuntary, near ritual-like response you’d noticed around your mid teens and hadn’t managed to kick yet.

You swallow before responding. “Yes.”

It’s all you manage to muster. Miller finally looks up, wincing slightly as his back straightens. He looks tired, at least more than usual, with his wild, grey-streaked hair tousled and the lines by his mouth cutting deep into his skin.

You’re sure you don’t look much better, a suspicion proven by the man’s slowly spreading, barely-noticeable smirk. That gaze makes you self conscious, mute; your right hand snakes up, absent-mindedly dragging a fallen bra strap back to its proper position.

“So, what was his name?”

He’s teasing, sure, but Miller was there last night. He’d always had sharper perceptions than your father did, especially — and ironically — when it came to you. That skill tended to squander your confidence as the daughter of a modern-day mafia-boss and the owner of a hard, violent heart.

Rushed by the sound of your father’s footsteps, you default to honesty.

“I don’t remember.”

“Try.”

“Josh.”

Amusement flits across his stern expression. “Again.”

“Jamie.”

“Warmer.”

“J-J-something—”

“Gettin’ colder, sweetheart—”

“I need the pill.”

It just tumbles out, an exasperated, desperate plea. Miller, a bit taken aback by your candor, drains of his previous playfulness. You almost notice the split second those dark eyes glaze over. For a second, you’re almost convinced he’s distracted by his imagination’s recreations of the act that had you making such a request.

You almost notice the tingling between your thighs.

He stares. You stare back.

Fuck.

It was moments like this that made you wish Tess was still around. Oh, she wouldn’t be any kinder — no, not at all — but she’d certainly be more professional. Tess was all work, no play. Joel was…

You’re enjoying this, you bastard. You’re enjoying that I’m cornered like this, aren’t you?

The bathroom handle clicks when it turns, and your heart drops into your toes.

Maybe Miller really wasn’t going to help you. Maybe he didn’t have the pill and you’d just embarrassed yourself for nothing. Or, maybe he did, but preferred outing you to your dad at the very first opportunity — letting him deal with you the only way he knew how.

Your fears seem confirmed: his eyes leave the grace of your own, trailing back to his big, splayed hands on the countertop. Unwelcome tears burn the corners of your eyes as the panic begins to set in, as footsteps begin to fall…

“Mine. Tonight.”

It’s low and rushed, but it’s clear, cutting off to the sound of your father lumbering in. A man who saw, thought, and lived through transactions, he’s (thankfully) blissfully ignorant of the tension collapsing around him.

“Morning,” he throws your way.

A taunt, of course — it was well past noon.

You nod in acknowledgement, slowly backing into the doorway of your sacred, beckoning room. They resume their conversation from before, letting you sink into irrelevance.

Before shutting yourself in, you catch a few of Miller’s hushed words. They’re spoken casually to your father but, you later decide, surely meant for you:

“Not that one kid — Jeremy — don’t trust him.”

The door seals (well, not seals… it creaks on its rusty hinges and squeezes into its shrinking frame), and relief courses through you, reaching the very tips of your fingers.

That only lasts a minute.

Soon, you’re negotiating with the rising anxiety of being at Miller’s place alone, asking for his help with a problem that could’ve been avoided if you’d only kept your legs shut.

Alone with Miller, the both of you knowing that you hadn’t.

Crawling back under your covers, you begrudgingly make a vow of celibacy. If this was the cost of attention and a (potential) mid-range orgasm, you were about to become very frugal.

Dreams come easy, but they don’t come sweet.

Flashes of last night’s sins overlay Joel Miller’s unintelligible speech, his voice from the next room over lulling you into a rather confusing, disturbed sleep.

—

At nighttime, it’s a short walk to his building.

Down this alley, past this street, up this back stairwell. Part of being in with Boston’s seedy underbelly gained you access to the best and most up-to-date intel; by the age of twelve, you could run the safest — well, least policed — post-curfew routes from memory.

(Which had come in handy in situations a lot more dire than this.)

Sneaking in was easy, although you cursed him for being so preoccupied during the day. Coming in at this hour required some delicate maneuvers through a half-shattered window, and a less-than-graceful leap down left you with a nick on your cheekbone and a shallow cut along the side of your hand.

Thankfully, the blood mostly dries on your walk up the six or eight or ten flights of stairs. You don’t resent the exercise; it feels good to move, putting the jitters building in every still moment in abeyance.

Still moments like the kind that passes after a barely-audible, coded knock delivered by a girl sucking on the side of her hand, almost wishing for the door not to open.

It does.

He’s in jeans — dirty jeans, dusty — and a simple flannel. It’s Miller — it’s Miller at his most Joel-Miller-like-ness.

So why am I so fucking nervous?

He holds the door open, brows knitting at the sight of your hand in your mouth.

“Window,” You offer.

He mouthes a silent ‘ah,’ before leaning forward to duck his head out the door and, in the process, somewhat sandwiching you against his chest.

Maybe it’s because he smells like forest-fires, but your skin burns red-hot.

Miller looks both ways, checking the status of the hall (empty), then nudges you into the dim light of his place with the weight of his hand against your lower back.

The door shuts behind you.

You’d been here at least a million times before, but the thoughts rising now feel so… new. The jacket strewn on the side of the sagging sofa is his — Joel Miller has sat at this table and showered, slept, fucked inside these walls.

Cut it out. It’s just ‘cause you’re alone. And older.

But what about it, now that you were alone and older?

Old enough to know what goes on between a man and a woman and a little bit of desperation at just the right amounts… and there sure was a lot of him, and some desperation, too…

“Nervous?”

Your feet hit the floor, all thoughts evaporating at the sound of his word. Blushing, you try to de-code his taunt, spoken with playfulness and too much condescension.

“Wh — what’d you — nervous for what? No.”

He’s already across the room, sifting through a box of miscellaneous items. A yellowed lamp shade catches his side-profile, illuminates the smirk spreading across his face. Then, a low command:

“Relax,” and your spine settles, acceding to his wish. “Some girls get nervous, y’know, takin’ it the first time.”

Oh.

You clear your throat, daring to take a step into his place, incensed enough to trace the indents and stab-marks decorating his kitchen table.

“No.”

You’re taken aback by the accuracy and the strength underpinning your answer. It’s true, you aren’t afraid, and hadn’t been afraid of much in a very long while.

What’s a Joel Miller to your best friend’s public hanging? What’s he to a dozen rows of semi automatics raining down on your zigzagging toes? What’s he to a period cramp?

Like a bolt of lightning hitting you in the chest, that cocky, gauche and indelicate rebel you’d grown into reappears.

“I’ve been told I take things pretty well my first time.” The tension rises — this time, at your command — just as Joel does, carrying a leather pouch in his right hand. “And it’s not, anyways,” you add for good measure.

The leather drops onto the marked-up table. Joel crosses his arms.

“Not sellin’ me on givin’ you one of these, sweetheart.”

He gestures to the bag.

A mock-frown as you draw closer to him. His eyes, although severe, reflect the playfulness dancing in your own.

“Why not?” You ask, voice dripping with false innocence.

Joel’s gaze doesn’t stray as it hardens, focused on your own. “They’re for accidents, mistakes, attacks,” he explains, deep and dangerous, “Not girls who can’t keep their pretty lil’ legs together.”

Oof.

On one hand, it sounds like he’s genuinely chastising you for your careless behaviour. But, on the other, he sounds jealous, taunting, hungry.

I’ll play that hand.

Sleeping all day had left you wide awake, and that long-time, school-girl crush on the man before you was dying for content to fantasize about. Even if he pushed you off, you’d get to feel the weight of his hands on your body, right?

So, you return with a taunt of your own: “You think my legs are pretty?”

He shakes his head, his signature scowl spreading as he mostly ignores you. “I think you should at least use condoms,” a breath, “N’ know their first names.”

Ouch.

“I usually do.” you murmur, “and it broke last night.”

“Bullshit.”

“What do you mean, bullshit?”

Joel sighs and lowers himself into one of the four old, rickety chairs lining the table. His hand comes up to his temples and you notice how his legs, exhausted, part.

The man doesn’t deign to respond.

Irritation begins to well in your core, sneaking through your arms and up into your throat. The muscle in your jaw must be twitching like crazy.

How does he know? How the fuck does he always know?

Across the QZ, as a skilled liar and born and bred bandit, people tended to hold whatever image of you that you’d crafted for them.

Not Joel. Never Joel.

He saw through you in a way that had always felt… intimate. It was one of the reasons, you guessed, he didn’t dare spend too much time alone with you and why you’d always been curious about him (as a man, of course). Now, there was no avoiding your obvious vulnerability from either of you — you were stripped bare, your dressings in his hand.

It makes you want to flee as much as it makes you want to leap into his arms.

You snatch up the pouch, opening it up to find a mass of differently coloured and shaped pills. Rifling through, you ignore Joel’s stare boring into your hands’ erratic search.

“Yellow ones,” he says.

“I know what they look like,” you retort.

“‘Course you do.”

He moves faster than he should be able to.

One moment, your palm is slicing through the air, headed straight for the highest point of his cheek. The next, you’re facedown on the table. Your attacking hand is caged in by a much larger, much stronger one, pinned to the decaying wood; the other, he pins behind your back. Pills litter the floor — Joel’s boot crunches into a wayward one as he adjusts himself behind you, leaning over your struggling, smaller frame, immobilizing you with his weight.

“Let go of me—” you hiss, words smothered by the wooden surface pressed to your profile.

“—Shut up ‘n listen,” he commands, leaning over to tower over his trapped victim. “Try that again n’I’ll do worse’n kill you. Understand?”

Despite the authenticity of his threat, a strangled laugh wracks your lungs.

“Gonna turn me in for contraband, Miller? Watch them gun me down in the square?”

You smile through your heavy breaths. There, behind your hips, is a growing movement indicative of some other kind of punishment he’s got in mind.

“Or,” you continue on coyly, “Give me another reason to need that pill?”

Joel pauses, untangling your meaning.

Then, an exasperated scoff. His hold tightens on your wrist and you wince. “You always thinkin’ of the fastest way to get a man to fuck you?”

“Only when his cock’s pressed against my ass.”

He goes quiet — only for a moment. Somewhere outside, rounds echo through the night.

“Z’that what you want?” His voice is deep and threatening, promising of the kind of hard, mind-numbing fuck you’d been craving for weeks.

After a hard swallow, you nod, catching the raise of his eyebrows in your periphery.

A moment passes as he mulls over your answer. Only your shallow, anticipatory breaths populate the quiet space.

“Alright.”

And he lets go.

Heart racing, wrists aching, you flip around to his neutral, impenetrable expression.

“Get down on your knees.”

Without taking a moment to decide whether you’re living anything more than just a really fucked up dream, you sink to your knees, folding your hands in your lap (to stop them from shaking). Before you, Joel’s bulge twitches while he watches you yielding to submission, and you try to ignore the excitement building between your own two legs.

His eyes burn into yours: black, starved, weighty. He tells you to shut your own and you do, unable to resist the tone of his command. Within the self-imposed darkness, Joel’s following order — ‘open your mouth,’ — parts your lips as if they were under his spell. You wonder what you must look like to him, needy and ready to receive whatever you’re given.

He speaks again.

“Show me your tongue, angel.”

The gruffness punctuating his arousal doesn’t let you stand a chance. You let your mouth fall open wider.

Next, there’s rustling. You try to remember whether or not he’d had on a belt, listening and failing to hear the soft clinks of a buckle coming undone.

Too soon, something wraps around your chin — thick, calloused fingers — and the pressure of a thumb running down the middle of your tongue sends a rush of electricity down every stacked vertebrae. It’s slow, tantalizingly slow, as if the man were trying to memorize the feel of every groove, ridge, and bud on his leisurely way out.

When Joel drops his hand, a small weight remains at the back of your throat.

“Close.”

You do, opening your eyes to meet his own: severe and wanting — or wanting for severity?

It’s a pill. That much is obvious once the taste begins to spread, bitter and chemical and totally gag-worthy. He follows up with ‘swallow’ for his own sick enjoyment; by the time he says it, it’s clear that you already have.

What kind of game is this, Miller?

Your cheeks burn when your company kneels down. He places his big, broad hand partly on your neck, partly to the side of your jaw, and you’re still too taken aback to tear it off. The feel of his rough palm against your racing pulse silences every urge to enact revenge. Words don’t come — too quickly forgotten on one’s knees.

“You’re way too easy for your own good, sweetheart,” he near-whispers, shooting to kill in a blow packed tight with condescension. “Don’t let me see you here again.”

And that’s it: your cue to get lost.

Slowly, ever so slowly, Miller pulls away from your reddening skin, straightening to stand. You follow suit soon after, heart pumping lead, tongue bruised by the memory of his touch (more overwhelming than the metallic residue dripping down your throat).

He turns, running a few fingers through his hair. It’s the last look you get before resigning yourself to the journey back home.

Still, before turning the rusted handle, in a brief moment of respite, of clarity, you seize the final word:

“I’m only ‘easy’ when I’m drunk. Or interested.”

Silence courses through the room as Joel registers the meaning behind your confession.

“Goodnight, Miller.”

With that, you see yourself into the hallway, checking its status before tearing into the stairwell.

You barely breathe.

He wanted me — he had to have wanted me.

Miller was a pragmatic player; surely, he’d only bother to play with toys he liked like that… right?

Right?

Unable to clear your head or cool the heat radiating through your core, you take the long way home, the distant sounds of a war between rivals soothing the cacophony of noise swimming between your ears.

—

For the next two weeks, all you’re able to think about is him.

You think about him when he’s gone and when he’s in the room, grumbling in hushed tones to your father. You think about him when you’re unable to fall asleep, letting your hands slip beneath the waistband of your shorts, imagining your own fingers as thick, tan ones running through the warmth between your legs.

He takes no notice of you — a fact you deeply resent. Even in your skimpiest clothing, he’s like a damn horse with blinders on. You decide, in the past weeks, he’d either acquired the patience of Job or purged every sinful craving from his system when he’d stuck his fingers down your throat.

Naturally, you’re more than happy when, at breakfast (two in the afternoon), your father gives you the heads up about tonight’s gathering at the Bar (which was really just an asbestos-ridden basement equipped with enough prohibition-style gadgets and architecture to host a good ‘strategic meeting’ every other month).

“Everyone’s gonna be there,” he mumbles. “Need you to keep your ears open. Had to take a couple rats out last week…”

Everyone’s gonna be there.

Smiling to yourself, your thoughts start to spin out. Business, distractions, booze. Tonight would host a million opportunities for you to get him alone.

Hope blooms through your chest.

Do your worst, Miller.

—

“Man, I wish we could’ve experienced cocktails. Straight hooch is ass.”

A peer named Mel, just a year older than yourself, cringes as she sips on whatever murky liquor’s found its way into her cup.

You don’t mind the taste so much, having grown mostly immune to its taste and burn. In fact, you’d come to welcome the subsequent lapse in breath and judgement.

There was little else in this world that made you feel alive.

“Mhm,” you respond absent-mindedly, looking for a familiar scowl among the mass of scowls peppering the crowd.

A sigh to your right. “Always awesome, having your attention.”

The criticism snaps you back into your body. You smile sheepishly at your friend, apologizing through a wince.

She shrugs, her raggedy, pin-decorated jacket jingling with the movement. “S’okay. Known you long enough to know that look.”

For that, she receives a quizzical glance.

Mel comes back with a scoff. “No victims tonight?”

“Oh god,” you shoot her a look of disgust. “Do you mind not using such weird vocabulary? Make me sound like a predator.”

As the words tumble out, you zero in on the object of your search. There he is: eyebrows knit together in concentration, drink in hand, unsurprisingly (and annoyingly) in conversation with your father. A few other stragglers are in the mix, too, but they’re easily overlooked. Time slows to a full stop in his wake —only for the briefest of seconds —

“Well since the last guy actually wound up dead a week later, I think it’s fitting.”

Once again, Mel’s managed to wrangle your interest.

You stare blankly into her onyx eyes, ringlets falling through molasses around her face. “Jeremy?”

And she’s bewildered. “You didn’t hear?”

This time, both of your heads turn in the same direction.

“Ratted to FEDRA about the storehouse off tenth,” she explains, gesturing towards Miller and your father with a tilt of her head. Famous for her bravery, she stoops into your shoulder, averting his gaze and speaking under her breath, “Judging by the way they found him, my guess is it was mostly Miller’s stuff.”

It’s as if she’d screamed it.

The subject of your conversation turns to face you right as your company’s words drift off. Despite the level of noise, the amount of people, and the cloudiness of the air, you’re trapped in the corridor of your mutual stare, cornered.

The challenge, the knowing marking his expression.

“I need some air.”

You twist into the body standing behind you, shoving row after row of criminal scum out of the way. Mel doesn’t follow — she’d never hung around to comfort you, only to inform you. A mutual, typical relationship for the age, and just how things worked in the QZ.

You slam into the door, stomping into a deserted, silent alley, empty save for a few drunk strays. Your lips begin to tingle and a scream builds inside your lungs. Stalking blindly into the night, unsure of your direction, alone in half a top and a plain, ass-length skirt, shivering despite the warmth of the air…

You’re practically begging for trouble.

Just as your eyes catch the numbers on the old, rusted street sign above, just as you realize you’re on a monitored street tonight, only safe after curfew every other Monday and Wednesday, you’re grabbed by the waist, pulled into the space between two buildings, and shoved into a sheltered nook.

A dim, yellow light clicks on automatically. There’s a door (chained closed) leading into the building to your left and darkness to your right.

And there’s Joel Miller above you, his expression indeterminable.

“You asshole,” you barely hear yourself breathe over the sound of the blood rushing in your ears before lunging forward in a useless attempt to, once again, strike his profile.

He catches your wrist, no doubt having anticipated the attack. It’s written on your face, in your eyes, in your shallow, uneven inhalations. He takes your other hand before you’ve even thought to use it, lifting it above your head and slamming it against the old stucco behind you.

“You’re violent,” he says flatly.

He tightens his hold when you struggle against it. “Proud of yourself, yeah? You’re a killer.”

That inspires a slight smirk. You half expect him to return with an ‘as if you didn’t already know that.’

Instead, he says, “Sweetheart, you didn’t even know his name.”

“You should’ve told me.”

And that’s the real source of this anger: it’s rage at being the last to know.

And for what? To protect your feelings? Since when had anyone in your life bothered to do that?

“And don’t call me ‘sweetheart’,” you add for good measure.

You’d wanted him to touch you so badly for weeks now, but here, scorned at being left in the dark and confused at the death of a paramour, you only want to get free.

“And what’d he call you?” He spits, leaning down and in, inadvertently pressing his thigh between your legs — when his breath grazes the skin of your ear, it causes them to part (against your better judgement). “Got lots of names, right?” He continues to tease, “Heard your boyfriend’s pretty one for you before I shut him up — ‘that fuckin’ slut,’ f’I’m rememberin’ right.”

Despite your rage-shakes, you’re warming at the core, Joel’s pressure against it dizzying your already-addled head. It confuses you, makes the scorn easier to access.

“How did I come up, Miller?” You exhale, jutting your chin towards him. “Couldn’t help asking for all the dirty little details, could you?”

He smiles, and the act lacks any sort of kindness. “‘Lot easier gettin’ him alone once he thought he was meetin’ you.” Joel slams your wrist harder into the wall when you try to wriggle away. “Not sure you wanna keep making that kind of impression, angel.”

It’s hard to rationalize with him so close, as his pet-names echoe inside your head. He’d used your name to enact gang-law violence on a boy who’d been inside you, and yet, all you can think, all you can hear, is the way ‘sweetheart’ sounds tumbling off his lips.

“Fucking let me go, Miller,” you manage to exasperate, resenting the begging edge to every word. “I don’t need another abstinence lecture from you.”

Kicking one ankle off balance, Joel turns you around, pressing your stomach to the wall, your back into his chest. Ignoring your whines and pitiful struggle, he wraps a free hand around your neck, pushing your head against his collarbone. Your stomach erupts with butterflies as the rough pad of his thumb traces the front of your throat.

Yes — no — yes, he wants me — no, no, this is wrong, this is so wrong —

“‘Be wasted on you, anyways,” he says, rough and earnest, like his hand sliding down your chest, your breasts, your stomach, “Startin’ to realize if I can’t fix your dad’s mistakes…” and he’s finding the hem of your skirt and yanking it up, bunching the fabric around your hips —

“Might as well take advantage of them.”

He moves hungrily. He’s everywhere, sliding into your underwear and across your breasts, his big arms and suffocating biceps enveloping your entire frame.

“Joel—”

But he claps a hand over your mouth, silencing any hope of your pleas being effective.

“Think I haven’t seen you? Your lil’ looks…” a low laugh, “n’ those fuckin’ clothes?” God, the rumble, the sheer want in his voice hammers at your initial resistance, and you feel yourself welcoming the feel of his thick, long fingers, sliding between your wet folds. You’re clay, melting against the curved, firm wall of his chest.

You mewl pathetically into his palm.

Another low laugh wracks his lungs, dances at the top of your ear.

“Knew you’d be this wet for me.”

“Knew since you got down on your knees,” Joel continues, uncovering your mouth only to ease a few fingers between your lips — lips that part as though commanded, and a mouth that welcomes and caresses whatever it receives, “‘N opened this pretty lil’ mouth for me to fuck it. Can’t close my eyes without seein’ you like that — so fuckin’ needy.” He exhales from between his teeth, signalling his approval while you suck him down to the knuckles.

His fingers tease your clit and you give him your thanks by pleasuring those of his other hand.

When his hands move, it’s to hold you steady and balanced as he drags your underwear down your legs. That thick, heavy cloud of arousal hides any and all rational thoughts from view.

And he knows. He knows you’re past the point of no return, restraining you only out of his desire to rather than out of a real need to. He knows from the whine you breathe at the loss of his hand against your clit, moving to work at his belt buckle instead.

“Gonna use a condom?” You breathe, emboldened by your clearing senses at the temporary lack of stimulation.

At first, you think he’s missed your taunt.

He backs up, pulling your hips along with him until the tips of your fingers are no longer touching the decaying wall before you. Joel pulls you upright and against him with an arm around your waist and a hand around your throat, turning your head and tilting it back to meet your eyes.

You grasp onto his forearms, failing to stand, unable to breathe. His hardness digs into your back, and his cruel eyes show you just how much pleasure he takes in your struggle.

“Don’t like to waste ‘em,” he finally answers, rocking his cock against your spine, “But I will if you beg. You gonna beg?”

He manipulates your answer, fingers moving to your red-hot core — he barely grazes the nerves, only dancing over the needy flesh. You can’t tear your eyes from him either, tethered to your body through his gaze.

Joel Miller was a frustrating lover.

“N-no,” is your answer, slightly strangled and softly stuttered.

He smiles. “S’what I thought.” Then, “Show me what you can do, angel,” he coos, lips just inches away from yours, his hold on your body relaxing —

“Use your pretty lil’ hands n’ put my cock where you want it most.”

And you both know exactly where that is.

After a nod, Joel allows you to bend forward slowly — it’s like moving through honey. Your legs burn with effort as you reach between your legs to wrap a hand around his thick, hard length.

Christ, he’s huge.

He groans when you touch him and uses his own hand to help guide his tip between your folds. One hand holds your waist, fingers extended under your ribs to support your weight in a skilled show of experience.

With his tip at your aching entrance, you try to lean back, to slide yourself slowly down his many inches.

But Joel doesn’t allow it.

He pushes into you in one go, clicking his tongue at your strangled gasp —

The man hadn’t even bothered to open you up with his fingers.

“Ah, c’mon,” he condescends, “You can take it.”

Then he’s setting a hard pace, hands moving from your hips to your ribs to your biceps to your hair to your neck — anywhere he wanted to go, he went. One eventually comes to the front of your throat, tilting your eyes back and up towards the ceiling. Every one of his thrusts arches your back further until you’re contorting into a half-moon shape, standing only by the grace of his support.

And it feels so good. Joel fills you up to the brim, takes you to heaven and floods your ears with hymns, punishes you in the kind of way you’d only experienced in dreams.

Words tumble out, but they’re filled with nothingness. “Joel,” “fuck,” and “yesohgodyes,” quickly become staples of your vocabulary.

He laughs whenever you sob, grows harder every time you moan, restrains you when you try to run away.

The hand around your throat tightens, digging unforgivably into the flesh as you start to let go, as your walls begin to clench and flutter appreciatively around his cock.

“M’I making you happy, sweetheart? My cock making you smile?” He asks gruffly, pulling you back into his chest. Joel readjusts you into whatever shape you need to be in at the new angle, hips still slamming into your ass. Struggling to stand on your tiptoes, he steadies you with his arms and his hand on your jaw, forcing you to look up into his rugged face.

“Mmhm,” is all you can offer him, the pitch jumping up halfway through when the head of his cock grazes that perfect spot inside your cunt.

He doesn’t let up.

“Show me, baby—” he commands, out of breath, too, but not nearly as tortured as you, “—Show me your smile.”

You do your best, smiling up at him, degrading yourself even more at the hands of Joel-fucking-Miller. And he eats it up, loves the way your grin turns into a bitten lip and knit eyebrows over closed eyes, slowing his thrusts to rock even deeper inside you.

You moan something unintelligible, and a laugh rustles through your tangled hair.

“Am I makin’ you come?”

You nod, feeling that familiar rush of pressure blooming somewhere within that throbbing bundle of nerves under his spell.

He smirks in pride and victory, the last look you get before your head falls against his shoulder, your muscles going lax as the peak builds, as your half-sobs grow louder.

“S’it, baby, tell ‘em,” he coos, nipping and sucking the skin on the side of your throat. “Gonna tell the whole street how you take it like a good lil’ slut.”

His fingers fall to your clit, enticing you right over the edge. You vision blurs and your legs shake, but Joel talks you through your orgasm, sweet nothings starting with, “S’right — show me — yes, fuck — good girl…”

And then —

He stops.

You whine, stars dancing before your eyes as the mean, mean man inside you refuses to fuck you through your climax.

“Joel,” you plead, grinding back against him in a pathetic show of need, “Come with me.”

He does the opposite, sliding himself out of your sore opening. You turn to face him, restoring your balance with hands against his chest, gazing up at him in desire-stricken reproach.

“Use your mouth,” he says, voice gruff at your ruined sight and from his own hand on his cock, keeping his arousal level, “Not gettin’ any more help from me.”

It’s unclear whether ‘help’ means pills or his cock, but you assume both to be safe.

You try to argue (having spent the last few weeks dreaming of Joel dripping down your legs) but he just won’t budge.

Then, his voice softens.

“You know your dad’d kill me, angel.”

And it’s really the sweetness of his tone that does it.

Sinking to your knees, it’s déjà vu when you open wide for him, steadying your shaking knees with both hands on his half clothed, half naked hips. Gravel and debris dig painfully into your bare knees, but you ignore the sting, smiling instead at the taste of yourself on Joel’s cock, lips sliding adoringly down the thick length of it.

He groans his approval, tangling his fingers in your hair to help guide your movements.

As you take him in again and again and again, pleasing every inch of him, he chokes out a laugh.

“Never seen you so quiet,” he muses (mostly to himself), caressing your cheekbone with his free hand —

“Gagged by an old man’s cock.”

You pull off, pumping him with both hands, asking breathlessly, “Are you all so big?”

He smiles, eyes darkening at the dirty compliment. “Give you a few numbers n’ you can tell me.”

God, he’s beautiful from down here.

You hold his attention and lick a slow stripe down the underside of his cock, half-grinning up at his lust-filled expression.

“I only want yours, Joel Miller.”

An uneasy inhale as you take him back in, his brows furrowing and his cock growing impossibly harder. Your words please him, he returns by groaning orders and praises like: “S’all yours, baby — take it all — take aaall that dick — good fuckin’ girl.”

He’s so close and you know it, moaning in submission at his hand’s pressure against the back of your head. With your nose crunched into his abdomen, you hold your throat open for him to use it however he pleases — reduced to nothing more than the man’s plaything.

There’s a low “ah, fuck,” from above, and then you finally know what Joel Miller tastes like.

It’s better than the Plan B.

You hear nothing beyond his recovering breaths, feel nothing past pride, lust, and exhaustion.

Eventually, he loosens his grip. You pull off of him delicately, drawing a groan from between his gritted teeth when you make sure to suck every last drop of his seed into your mouth.

Sitting back on your ankles, you roll your head up to face him.

He swipes a thumb under your lips, clearing the saliva connecting you to his softening cock.

“Still mad at me?” He asks.

You’d be crazy to say yes.

“Only for pulling out.”

You note the twitch at the corner of his mustache.

Joel helps you back on your feet, using one hand to pull you up by your arm and another to arrange himself back to decency.

You adjust your shirt; Joel fixes your skirt. It’s a strange kind of silence settling inside this pocket at the side of a random, ruined building.

Then, your company clears his throat, that mask of seriousness falling over his expression once again.

“You gonna be smart?”

What ever could he mean?

Stay away from him? Stay away from men? Practice abstinence? Use protection?

Either way, you’re not one to make promises you know you can’t keep.

You cross your arms.

“No.”

He sighs.

Well, looks like things are already back to normal.

His face softens and he shakes his head, already regretting his next words. “Just — just come find me, then. I won’t do… this again, but — but I’ll help.”

You frown.

“What do you mean, ‘this’?”

He stares down into your accusatory eyes with a look you’d received many times from him, one screaming, “get real.”

“Fine,” you mutter, breaking eye-contact, “Thank you.”

With a stoic nod, he walks around you, heading back into the night. You try, in vain, to watch him go in silence — god knows you had some thinking to get to — and find that, instead of getting it out of your system, the entanglement had only left you wanting for more.

And more and more.

“Is this what you meant?” and you hear his footsteps halt, “When you told me you’d do worse than kill me? When I tried to hit you?”

It comes out before you can help it, and you twist around to face his still, broad shoulders.

You can hear the smile teasing his lips as he utters the words.

“Why are you askin’ me that?”

Still facing his back, you break into a smile of your own. “So I’ll know what I have to do to get you to do it again.”

You watch him shake his head, grey-streaked ripples in the low light.

“Try your best not to find out, angel.”

With that, he disappears into the darkness, leaving you in the flickering doorway. Thighs aching, heart racing, you take a deep breath, trying to memorize the feeling of what it felt to have them taken from you by Joel Miller.

A feeling you’d chase.

—

Put your red boots on

Baby, giddy up

Baby wants a dance

Baby gets her way

Dreamy nights

Talk to me with that whiskey breath

Twirl me twice

I'll treat you like a holiday

And don't say you're over me

When we both know that you ain't

Don't say you're over me

Baby, it's already too late

Just do what you do best with me

Dance me all around the room

Spin me like a ballerina, super high

Dance me all around the moon

Light me up like the 4th of July

Once, twice, three times

The guy I ever thought I would meet, so

Don't say you're over me

When we both know that you lie

If you lie down right next to me

Lie, lie, lie, lie, lie, lie, lie, lie, lie

If you lie down right next to me

Lie, lie, lie, lie, lie, lie, lie, lie, lie

When you lie down right next to me

Get your jacket on

Be a gentleman

Get into your truck

And pick me up at eight

'Cause we were built for

The long haul freight train

Burnt by fire

Without trial like a stowaway

And don't say you're over me

When they all know that you ain't

If you lay down right next to me

Dance me all around the room

Spin me like ballerina super high

Dance me all around the moon

Like six times 'til I'm sick and I cry

Once, twice, three times

The guy I ever thought I would meet, so

Don't say you're over me

When they all know that you're lying

If you lie down right next to me

Lie, lie, lie, lie, lie, lie, lie, lie, lie

Lie, you lie

If you lie down right next to me

Lie, lie, lie, lie, lie, lie, lie, lie, lie

Lie, you lie

When you lie down right next to me

—

TAGLIST (cont’d in reblogs): @millllenniawrites @inkedells @stardust-chords-enthusiast @mattmurdocksgirlfriend @liviloo12346 @anyas-stuff @readingsunshine97 @maudlinflowers @sullysflm @sexygaypalpatine @livyjh @s-unflowxr @lostsoldieronahill @chapterhappygirl @silkiers @jupitersmoon-cal @supernaturaldean67 @peqchsoup @corrodedcherries @hawsx3 @monboudoir @theonewithacrush @pono-pura-vida @fruitcupsworld @mads-grace4 @killerrxger @niallsbunny @snowyarcher @grnherbs @mswarriorbabe80 @tercabed @sweettea-and-honeybutter @bbyanarchist @thisgirl-knm @pedrit0-pascalit0 @redhotkitchen @isitselfishifwetalkaboutmeagain @pseudonymist @goldengrapejuice @soullumii @kamcrazy123 @wclverine

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wriothesleybear · 2 months

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A True Angel Amongst Us

~warnings: Some angst but ends with fluff, insecure Sunday, slight story spoilers, fem!reader, 1.9k words.

~a/n: I've been wanting to write for Sunday for a while now and the first thing I write has angst ;-; I've been having trouble coming up with ideas for him, but after the 2.1 patch, I've wanted to write fluff for him and about his insecure side because I feel like he sort of has one deep down. Angel just needs some love.

Sunday has been tenser than usual lately. The stress from the loss of his dear sister, the struggle of finding her murderer, and the stress from the possibility of a traitor being amongst The Family and the pressure from his master being the main cause of his tension. He puts on a mask and pretends that everything is fine to ensure that The Family's image isn't tarnished, but behind closed doors is different. When he's alone, he just stares off into space, lost deep in the sea of his endless thoughts. Even with you, his dear wife, he puts on a mask sometimes. He doesn't want to worry you and show you the strong leader that he is, who is capable of overcoming any obstacles and who will deliver righteousness when the day comes.

But no matter how much he tries to hide his weaknesses, you can see beyond his mask. You notice in the way his shoulders are always tense, his hands in fists, the frown that lingers on his face when he thinks you aren't looking, and the way he's less talkative during your limited time together. You hate seeing your husband this way, knowing he's bottling everything up inside. It's only a matter of time until it all bubbles up and he eventually snaps.

You decide to visit him in his dreamscape mansion office. You hadn't seen him all day due to him being busy with work. You weren't even able to see him off this morning as his side of the bed was already empty and made up. Knocking on his door, he tells you to come in. "What brings you here my dear?" He says with his masked emotions. Your eyes survey his office, noticing how it's a bit messier than usual even for Sunday's standards. He usually has everything in perfect shape given his ocd. Nothing was ever out of place for him unless something was wrong, further proving your suspicions. He notices how your eyes survey his office, the look of concern on your face is apparent. "I wanted to check in on you, my love. I wanted to make sure you were doing okay." You offer him a gentle, kind smile. "Of course I'm doing well. Why wouldn't I be? As head of The Family, it is my duty to be competent to fulfill my role." He gives you a smile, but it's not a real one. It's one of those fake smiles he puts on for show when out in the public eye.

"Sunday. I know something's bothering you. Please, just talk to me." His smile falters, his fake smile fading as he contemplates your words. You had been worried about him ever since the death of his sister. As the caring wife you are, you've been by his side, making sure that he was doing alright. Bless your soul, but with all the questions and pity stares, he couldn't help but get disgruntled. He knows you meant well, but his insecurity couldn't help but get the better of him. He thought you saw him as weak. I mean, he couldn't protect his dear sister for god's sake. It's his duty to protect those he cares about and he failed. He surveys your face while lost in his thoughts. His train of thought is broken by your calls of his name. He plasters on his fake smile.

"Dear, there's no need to worry about me. Or do you truly believe I'm just that weak?" You're taken aback from his accusation. You gather your courage and try to shut down his allegation. "Of course I don't. You're the strongest person I know, Sunday. It's just.. I can tell you're undergoing a lot of stress lately given the loss of your sister and work. I want to help you." By now his fake smile has fallen completely, replaced with a emotionless look. Turning away from you, his back faces you, making you unable to see the pain on his facial features. "I'm fine. You should leave, dear.." You could hear the coldness in his tone. The emptiness in his words sending slight shivers down your spine. You try to protest and get him to open up to you, but he cuts you off. "Don't let me tell you twice." He says in a strict voice, void of emotion. You hesitate but respect his wishes. You turn to leave without another word said. He doesn't even notice the breath he was holding until the door shut behind you.

Later that night, you lay wide awake in bed. Thoughts of your earlier event with Sunday replay in your head. After you left Sunday's office, you thought everything would be okay by dinnertime, but he never showed. You tried not to take it to heart too much, taking in consideration what he's going through right now, but when it got to midnight and he still hadn't arrived home, you began to feel worse. You've known Sunday for years. You knew how he was raised to become the perfect leader to represent The Family. He was a strong leader who believed in righteousness, in helping those in need, and caring for the people of Penacony. You know he's the kindest and most compassionate person with many strengths, but you also knew that he had many insecurities. He was scared that others would see him as weak and he was worried that everything he worked so hard for would be taken from him. Getting tired of wallowing in your thoughts, you finally decide to find him and try to get him to talk to you one way or another.

Arriving to his office once again, you knock on the door and patiently wait for an answer. "Sunday? It's me. Can I come in?" No answer. Maybe he was shunning you, but you weren't one to back down and walk away. You weren't going to give up on your husband. "Sunday. I'm coming in." Grabbing the door knob, you push the door open and are welcomed to a dark office. The only faint light coming from the windows in his office. Even with the limited lighting, you were able to see that Sunday's office was a bigger mess than earlier. Papers and books were thrown about the floor, the miniature display of Penacony in ruins. Worried, you continue to scan the room until your eyes land on the man slumped over his desk. Walking over to him, you observe his appearance. His clothes are in disarray, coat thrown recklessly on the chair, his wings and hair disheveled. "Sunday.." You hesitate for a second before resting a hand on his head. He tenses from your touch, causing you to withdrawal your hand. "Darling? What happened?" You ask in the most gentlest voice you could muster while trying not to push him too hard to talk. He doesn't reply to you. He keeps his head down on his desk, not willing to move an inch.

You quietly sigh. "Sunday. I understand if you don't like me pestering you with worries and questions. I'm your wife and I care about you. I'm only trying to be there to support you. I am here to support you. For anything. I'm here." Silence. You didn't expect him to reply but you wanted him to hear you out. "I'll give you your space, but just know, I'm here for you with open arms when and if you need to talk." You turn to walk away but suddenly, you're stopped in your tracks by a hand grabbing your wrist. Turning your head back, you see that Sunday is finally looking at you. You can see the pain in his eyes and by how his hand slightly shakes. Without saying anything, you turn your body to fully face him and open your arms wide, silently welcoming him into your arms.

He doesn't waste another second and wraps his arms around your waist, burying his head into your chest. Wrapping your arms around him, you feel his body slightly shaking as you hold him close. "It's okay Sunday. You don't need to hide from me. I won't judge you. Please, don't push me away. I'm here for you." You gently whisper as you stroke his hair. He doesn't speak, all that's heard is his deep, shaky breaths as he tries to control his emotions. It's taking all his willpower to not breakdown crying right there.

"Can you look at me darling?" He's hesitant, but eventually pulls his head away from your body without releasing his hold around your waist. He looks up at you. You notice the painful expression that graces his beautiful features. His golden eyes water as he tries to prevent the tears from falling. He hates showing weakness let alone looking weak in front of you. You cup his cheeks as you search his eyes, giving him a gentle smile. "It's okay to show weakness sometimes, my love. You're the strongest person I know and nothing will change the way I feel about you. I will always see you as the strongest, most caring leader and husband."

Without realizing, tears have begun to fall from Sunday's eyes as he listens to your reassuring words. Your thumbs move to wipe his tears. "I'm...I'm sorry...for pushing you away." He quietly says, his voice slightly cracking. "There's no reason to apologize, Sunday. I know you didn't mean to. I don't blame you." He feels guilty and embarrassed as he tries to move away so you don't see him cry, but you stop him. "It's okay to cry my love. Let it out if it'll help you feel better." He can feel the love through your words and the look you give him, causing more tears to fall. All you do is give him a comforting smile and continue to rub his wet cheeks as he lets his emotions out. You lean down and press a kiss to his left cheek. He gasps, surprised by your sudden action. You switch to his other cheek and continue to kiss his tears away. You leave one final kiss on his forehead and pull his face into your chest. "We can stay like this for as long as you want my angel." He buries his head further into you, wrapping his arms around your waist as you comfort him.

You can feel his body relaxing as he continues to bask in your comforting hold. "Thank you, my love. You are the true angel amongst us." You giggle and continue to hold him close for as long as he needs, occasionally giving him words of comfort and gently stroking his hair and back. You'll wait as long as it takes until he's ready to talk to you, but he understands now that he has you to catch him when he falls and he'll never push you away again.

#hsr sunday #sunday x reader #sunday headcanons #sunday fluff #hsr x reader #hsr headcanons #honkai star rail x reader #honkai star rail headcanons

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krystal-kade · 3 months

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Emily

If Vivziepop wanted to write a REAL critique of Christianity (instead of a show misrepresenting and shitting on it) she would have made Emily the main character

A demon suffering at the hands of Christianity? It's fine, but boring

A seraphim who is a devout Christian suffering at the hands of Christianity because of the hypocritical nature of some extreme Christians? SO interesting.

I thought of this listening to "You Didn't Know" from Episode 6.

"Was talk of virtue just pretension? Was I too naive to expect you to heed the morals you're purveying?" and "If Angels can do whatever and remain in the sky. The rules are shades if gray when you don't do as you say" really made me realize how great if a premise this would be.

Emily is a fucking Seraphim. She's not just extremely Christian: She's an angel. She has a reason to be naive, she grew up in paradise. She genuinely believes everyone's good because that's all she's ever known. She's never experiences hardship, and neither has anyone around her. You know she'd be furious to find out about the exterminations: "Why are "innocent" people having to suffer." She'd want to help others live the wonderful life she's lived. She might help them as an angel, but I think it'd be even more interesting for her to become a fallen angel. Imagine. She lives her whole life a perfect Christian. A perfect angel. A by-the-book girl. A rule following, Bible following good person. She tries to help people from being slaughtered and gets sent to Hell. It doesn't matter how much of a Christian she was, because she went against those in charge of Heaven (similarly to how you can be a Christian, but are ostracized if you go against the Church). She would either get Heaven to change, and be invited back into Heaven, or she would work to create a better Hell as some sort of ruler. She has infinitely more motives than Charlie, and her naivety has more reason. She would know better how to help people become better people. Emily's journey from being a well respected and influential seraphim to a disowned and ostracized fallen angel would be so interesting to see, much more interesting than the mess we got with Charlie

#hazbin hotel critical #vivziepop critical #rewrite #hazbin hotel rewrite #emily hazbin hotel

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fuckyeahgoodomens · 4 months

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SFX Magazine Issue 368, August 2023

THEY’RE BACK – AND THIS TIME THEY’RE IN ALL-NEW TERRITORY. NEIL GAIMAN TALKS RETURNING FOR SEASON TWO OF GOOD OMENS

THE RASCALLY DEMON Crowley (David Tennant) and the neurotic angel Aziraphale (Michael Sheen) put aside their differences to pull off one doozy of a Hail Mary and prevent an impending Apocalypse in Good Omens’ first season. The task cemented the pair’s unconventional friendship. So what are divine beings, who have fallen out of grace with both Heaven and Hell, to do for an encore?

The answer lies with archangel Gabriel (Jon Hamm), who shows up unannounced on the doorstep of Aziraphale’s London bookshop. Suddenly, Aziraphale and Crowley are caught up in a caper of biblical proportions – but also a more intimate tale.

“It’s a mystery,” showrunner Neil Gaiman tells SFX. “It kicks off a story that doesn’t have giant consequences for the universe, even if it does have consequences for Aziraphale and Crowley. We have a lot of the marvellous Jon Hamm, who is the angel Gabriel and turns up at the beginning stark naked, carrying a cardboard box with no memory of who he is. In the same way, it is about Aziraphale and Crowley having to get involved with humanity in a way that they haven’t before.

“They get dragged in slightly against their will to try to sort out the love life of Aziraphale’s tenant,” he continues. “Her name is Maggie [Maggie Service] and she runs the record shop next to the bookshop. You’ll see the coffee shop over the road, which is Nina’s [Nina Sosanya]. The relationship between Maggie and Nina is one that Crowley and Aziraphale try to fix, and mess up, because they are not good at human relationships, even if they can do miracles.”

Truth be told, Gaiman never originally intended this arc to serve as Good Omens’ second instalment. The TV series was based on Gaiman and Terry Pratchett’s 1990 novel. The two collaborators had partially hashed out the details for a sequel to the fantasy comedy, late one night in a hotel room. This, however, is not it. Gaiman instead plotted a new narrative that could provide the connective tissue between the first season and a theoretical season three, if it happens.

“Because the hypothetical season three exists, there is a story that is there, and I didn’t feel that we could drive straight from season one into that,” Gaiman explains. “I knew what the stakes were. I knew what the parameters were. I also knew that I had David and Michael. I had the angels from plot number one.

I had demons from plot number one. And with anybody that I wanted to bring back, but didn’t have room for right now, I did not have to bring them back as themselves. “I had absolutely nothing for Madame Tracy to do in this plot, but I would be damned if Miranda Richardson wasn’t going to be in this. She is one of my favourite people in the world. She is hilarious and is so good. And I knew I was going to have a new demon replacing Crowley as Hell’s representative in London/ the UK. Miranda’s demon Shax is the best demon you could want.”

It’s late February 2022 and SFX is in Edinburgh for a set visit. A soundstage in Pyramids Studios has been transformed into a street in Soho. The visible local stores include the aforementioned book, coffee and record shops, as well as a magic establishment. In the middle of them all stand Aziraphale and Crowley, the latter in close proximity to his classic Bentley. It’s close to the end of the six-episode season, so exactly what the duo is discussing constitutes a spoiler. We can say, however, that Aziraphale has picked up the pace. Time is of the essence as Shax marshals her forces to descend on Aziraphale’s store and retrieve Gabriel.

“This is really Shax’s first time out on Earth,” Gaiman explains. “She is working very diligently and very hard in Hell for a long time. Now she is on Earth, trying to figure it all out. She’s just discovering what Crowley has known for 6,000 years, which is that if you’re a demon and come up with a brilliant plan to screw up the lives of humanity, people will get there first and do worse than anything you could have imagined! She’s coming to terms with that.

“She is having to deal with the first crisis on her watch, as well, which is the disappearance of the archangel Gabriel from Heaven. It would be fair to say that by the end of the story, she is leading as much as she can get from Hell’s requisition department – a legion of Hell – in an attack on a Soho bookshop.”

When audiences catch up with Aziraphale again, he’s enjoying his time among humans. He owns most of the block in a Soho neighbourhood, and he’s meddling in Nina’s love life. Meanwhile, Crowley has been living in his car, with his plants sitting on the back seat. He’s grumpy about his current status quo, but frequently hangs out at Aziraphale’s. The duo began as antagonists, but their history and blossoming relationship will be fleshed out in flashbacks.

“One of the enormously fun things I came up with is the idea of minisodes,” Gaiman explains. “They are 25-minute-long episodes within the episode. We have three of them over our six episodes. Each of them is like one of those chunks of episode three [in season one]. Whereas the longest one of those was four or five minutes, if that, these are full stories.

“You get to have the story of [put-upon Biblical figure] Job, and you learn Aziraphale and Crowley’s part in the story. Then writer Cat Clarke takes us to Edinburgh in the 1820s for a tale of body-snatching and attempted murder that the boys get involved in,” he adds.

“Finally, Jeremy Dyson and Andy Nyman reunite the League Of Gentlemen in a Nazi-period story that takes place very shortly after the episode in the church. That one was the only one I said had to be there, because I fell in love with our Nazi spies in the church. I kept thinking, ‘What would happen if they essentially came back as zombies, with a mission from Hell to try and investigate whether or not Crowley and Aziraphale were actually fraternising?’”

Gaiman admits that one of the greatest challenges has been filming Good Omens simultaneously with his upcoming show Anansi Boys. The two shoot within throwing distance of each other, but are both timeconsuming endeavours.

“If I could go back in time, I would go back to 16 September 2020, when Douglas Mackinnon [co-producer] and I got the phone call from the Amazon bigwigs to say, ‘We have good news for you and interesting news for you,’” Gaiman recalls. “‘The good news is we are greenlighting both Good Omens and Anansi Boys. The interesting news is you are going to have to do them both at the same time.’

“I would go back to then and I would throw myself on the call and say, ‘Neil, don’t! This is unwise.’ That we are doing them both together is great. The amount of sleep I am not getting is monumental and monstrous.

“It’s a little bit like childbirth, in that I managed to forget all the things that drove me nuts about the first one. Having said that, I managed to fix all the things that really drove me nuts making season one, which is great. We just have a whole new set of problems making season two…”

The Odd Couple - David Tennant and Michael Sheen talk character and sets for season two

Crowley and Aziraphale come off as the best of frenemies at times. Where do they stand with one other now?

DT: They are indeed. What’s different in season two is because of what happened at the end of season one, they no longer have head offices that they have to report to. They are in a very different position. Whereas before they were trying to get away with things, now they are kind of free agents.

MS: Although sort of fugitives as well. They are sort of in-between. But this amazing life they have created over a millennia, they are now able to enjoy in a slightly different way. They are not having to put on a front for their respective teams. There is a different kind of freedom.

DT: While at the same time being cut off, so they are also strangers in a strange land.

MS: That kind of connects them in a slightly different way. They have always been the only two beings who could understand each other’s position. Now they are pushed even closer together.

Now that they have the run of the place with no obligations, does that bring its own set of problems, being cut off?

DT: They have this sort of uneasy relationship. They are not entirely cut off from their head offices. Indeed, their head offices are quite keen to exploit that sort of adjacent connection, as we will see as the story unfolds. They exist in this grey area, neither the supernatural nor of the Earth.

MS: By the time we pick up their story in this series, they have appeared in time where they were kind of let alone a bit more. When we pick the story up, they are being bothered again.

The depth and the richness and the detail of what we are seeing on set here in Edinburgh is mind-blowing. How is it for you having it all in one place now, rather than having filming scattered around the UK?

MS: It’s completely changed the experience of doing it. Just being indoors… The Soho set on the first season was freezing cold.

DT: I was in a car park. Even inside the bookshop I was exposed to the elements! There’s a greater percentage of the show set here. There was a practical imperative to making it a manageable environment. If we had been in a car park, the elements might have impinged our ability to film.

Hellraiser - David Tennant is Crowley

You and Michael know these characters inside out. Do you have a shorthand?

It’s a hard thing to be objective about. Although I didn’t know Michael that well before we shot season one, it was always easy and exciting working together. It’s well-oiled now, for sure. It’s certainly fun to come to work. We enjoy bouncing off each other.

How comfortable are they about becoming involved with Gabriel?

I suppose Aziraphale is a much more enthusiastic detective. We are very much voting for the spin-off called The Azirafiles, which will follow this! As with most things, Crowley is reluctant to get involved or to exhibit any kind of energy or enthusiasm about very much. He is dragged kicking and screaming into this. Necessity forces him to get involved, whereas Aziraphale rather likes it.

Where does Crowley hang out these days?

He spends a lot of time in the book shop. He only has one friend. He can only have one friend. That is the great liberation, and also the great prison, that they find themselves in. They have no one else. They have come to rely on each other more than they ever did. And more than they care to admit.

Crowley is a rock star, in a way. Were there any particular musicians that inspired you?

Not consciously, no. The look was assembled accidentally during the first costume sessions. The Crowley of the book is of the mode when the book was written. He is more kind of Wall Street, the way he is described. We just decided that Crowley should always be of the moment he’s in. We were just trying to find a look that we felt fitted.

Divine Being - Michael Sheen is Aziraphale

How has knowing your characters better informed this series?

The first series was the first time we really properly worked together. It feels like we haven’t stopped working together since. Everything that has happened in-between plays into coming back to these characters. I am sure it is all feeding into it. It’s very difficult for us to know how that is informing the characters and their relationships.

With the flashbacks to various points in Earth’s history, is there a period of time Aziraphale enjoys the most?

One of the most enjoyable things for the audience and us is moving through different historical periods. It’s a great source of joy, and people thoroughly enjoyed that episode in the first series, so that has been expanded on in season two. But in terms of which Aziraphale enjoys the most, I think it’s not actually a period of time that we’ve seen him in on this series.

He would have been happiest at the end of the 19th century, in the Victorian era, which is considered the golden age of magic. He would have loved being with the greats like Harry Houdini. He loved the Victorian period. It was a great period of time for philanthropy and doing good works in a municipal way.

How has it been going from something dark like The Prodigal Son to a more whimsical show?

That’s the nature of an actor’s job. You go from one thing to another. In some ways, it’s even more useful to have big differences between the characters. What tends to happen, and I think most actors feel this way, is if you are playing one character for a long time, part of you yearns to play the bits the character doesn’t have. There’s a naivety and an innocence about Aziraphale. But at the same time, underneath that, there is eons of knowledge and experience.

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vidavalor · 9 months

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The *Original* Original Sin Theory or... why Aziraphale's "I forgive you"s really mean "forgive me" and just why he wants Crowley's absolution...

Will this break your heart in a good way and make the end of S2 hurt less? more? both? idk let's find out...

I want to talk about what the Before the Beginning scene does to the Eden scene and what all that suggests about Aziraphale and Crowley's relationship... because it might be enough to upend what we think this relationship is quite a bit, at least from Aziraphale's POV, if it goes in the direction that I think they are hinting at in S3, which I'm basing off of where they took it in S2 in these scenes.

This also contains an analysis of That Scene from 2.06 that ties into lots of other scenes and some other meta related to the show and it's a bit long-- like, the mother of all metas-- but there are pretty gifs and I brought snacks? Just letting you know it's a long post but tuck in with some tea if you're in the mood and thanks for reading. :)

Under the big cutty thing...

Before we get started, a couple of quick warnings: I curse a bit in here. It's in the show itself but just letting you know it's here a bit, too. I also mention *very* briefly suicide ideation in the characters and also very briefly (one sentence) Satan's mind-control of Crowley in S1 in a way that might be sensitive for a sexual assault survivor. There is general mention of religious trauma and abusive relationships (not Crowley & Aziraphale's relationship) all over this. If you are okay with the show, you should be more than fine reading this but just wanted to let you know up front. If you're okay with that, read on...

So, the Before the Beginning scene contains a twist, in that we learn that pre-Fall Crowley is naive to Heaven while Aziraphale is the one who is wary of it. This is especially interesting because, best we can tell, no angel has Fallen yet. There aren't *explicit* consequences for asking questions yet, as Crowley doesn't think it could get him into trouble to do so... but *Aziraphale* does. Heaven in S1 and S2 is shown to be basically a fascist state full of bullies jockeying for power where the ones on top dole out all sorts of abuses to maintain a sense of order among the rank and file. We see the emotional and even physical abuse they dole out to Aziraphale and how little they tolerate any sort of dissent, even from an archangel, based on what they ultimately do when Gabriel doesn't want to do arma-bloody-geddon anymore. Heaven is basically The Kremlin. Toe out of line and they'll toss you off a high-rise while telling everyone how sad it is that you recently had a spell of depression and heart troubles as a way of scaring everyone else into submission, right? What's surprising to us is that Aziraphale knows this *absolutely* Before the Beginning and he's terrified on Crowley's behalf, since this place functions as a kind of mafia state.

This implies something really kind of dark which is that Aziraphale knows enough to know how to toe a party line and keep quiet about any doubts he has. He knows how to survive in a way that then-innocent Crowley did not. He tries to tell Crowley that questioning things is going to get him angel-killed but Crowley has a faith in God that's different than Aziraphale's was even before the Earth was fully created. Crowley believed in Her more than Aziraphale does. He doesn't think anything will happen to him. Aziraphale knows what will and this implies knowledge of the abuse of the system and it completely changes our perspective of Aziraphale throughout the rest of the series. We often think of him as either willfully naive or just desperately optimistic regarding Heaven's goodness but, in reality, he's neither of those things. He's something else, entirely. His actions are not expressing naivete or desperate optimism or anything else.

They are expressions of guilt.

And the Eden scene tells us why he has that guilt.

The Eden scene introduces us to Crowley and Aziraphale and the series itself and it has Crowley posit the central question of the show regarding the nature of angels and demons:

Objectively, when you watch this scene, you think this is about the tempting of Eve and the flaming sword. It is... but it's also not *just* about that. Because Crowley and Aziraphale are watching Adam & Eve venture off beyond the Garden of Eden in this scene. They're still within view so the flaming sword situation happened a matter of minutes earlier. Yet, when Crowley posits that central question of which one of them actually did the good thing and which did the bad thing, Aziraphale reveals that it wouldn't be funny at all if what Crowley is saying (that Aziraphale actually did the bad thing) is true. He's distressed about it and so Crowley, somewhat dryly, reassures him that he's an angel so he couldn't have done the wrong thing. (Crowley, of course, being a literal former angel punished for doing the wrong thing lol and that being the joke but also in there is also the layer of Crowley genuinely liking Aziraphale and trying to tell him that it's all okay and meaning it.) Aziraphale is relieved and this is the key bit here-- he says oh good "because it's been bothering me."

The tone of this is that this central question of whether or not he did wrong or right by Crowley and whether or not Crowley was wrong or right in his actions *has been bothering* Aziraphale and he phrases it in a way that implies he's been losing angelic sleep (so to speak) about it for a little while now. If this was *just about Adam and Eve* then Aziraphale's reaction here makes absolutely no sense because the camera also then cuts in their conversation to in front of Crowley and Aziraphale *to show us Adam and Eve still visible in the near-distance* fighting off the lion with the flaming sword. They literally *just left* so how could Aziraphale be all in knots for awhile now over whether or not he made the wrong call? He's not. You can argue that his decision here in Eden to help Adam and Eve by giving them his flaming sword-- by standing up and doing something in the face of God to help out other beings he secretly thinks might have been treated unfairly-- *is a direct response to what he failed to do back in Before the Beginning*...

... which was to stand up for Crowley.

Meaning: Aziraphale doesn't need to see Heaven's files to find out what happened to Crowley when Crowley fell because he was there. S3 is going to be about preventing the Second Coming and so plot allusions to the crucification (which had its own Crowley & Aziraphale scene in S1) will likely abound. Aziraphale was there when Lucifer and The Gang were tossed out of Heaven. To be fair to Aziraphale, there is basically nothing he could have done to prevent this and the best possible situation is that he didn't even have the chance to. The worst possible situation is that he's literally Judas and sold Crowley out, out of fear of being tossed out of Heaven himself. I tend to think it's more that he just didn't stand up and say anything in support of Crowley to prevent himself from being seen as on the side of the eventual demons. Still, just as Crowley thinks the punishment for Adam and Eve was harsh, Aziraphale thought that asking questions and being curious wasn't enough to send Lucifer and everyone around him to Hell to be damned for all of eternity but it caused an obvious existential crisis in him that he still struggles to totally resolve.

If he disagreed with the decision to cast out the suggestion box-happy angels, he was as "bad" as they were. If he agreed with the decision, he was condemning them and that didn't seem angelic, either. How to be a good angel, which is the only thing he had ever tried to be or knew how to be? He did what he thought must be right-- to follow what the other, more powerful angels said the word of God was-- and if it was Her will, then it must be what was right, even if it was *extremely difficult* to see how this lovebug here was really an evil, demonic creature of Hell...

Not to mention that Aziraphale was in love with WhateverHeWasCalledPre-Crawly!Crowley. (We will just call him "Crowley" for this whole meta, because that is the name he chose for himself.) And maybe Angel!Crowley went after the more glamorous, daring guys. Heaven honestly seems like both a fascist state and high school at once (is there really a difference? lol). Crowley describes how he wound up falling in S1 as that he "hung out with the wrong crowd" and Aziraphale in Before the Beginning honestly seems like he's been flying around watching Crowley make stars for ages, trying to work up the nerve to or find an opportunity to introduce himself to the beautiful hot cool arty science-y guy who barely looks at him when his other option for a view are nebulas... or Benedict Cumberbatch's Lucifer/Satan, whose "stroke of demonic genius, dahling" bit in S1 and dark assault on his fave Crowley while Crowley was driving had a real "Angel!Crowley went for the bad boy who were so bad pre-Fall that they wound up fucking Satan afterwards and friend-zoned angels like Aziraphale" vibes. Alternatively, maybe he didn't totally? Before the Beginning seems to be the first time they met and maybe after that, Crowley and Aziraphale became close. It's just that Crowley canonically also wound up sitting at the cool kids' table because they were the only ones questioning things and he wound up damned for eternity for it and Aziraphale?

Aziraphale blames himself for it.

He has blamed himself for Crowley's Fall for six thousand years.

When they speak in Eden, Aziraphale is being confronted for the first time with what has come of his nebula-joyous, freshly baked blueberry muffin of an angel. He calls himself "Crawly" now-- or that's the name he's been given-- because who he was is dead. His eyes are yellow. He's now a snake. He's maybe a bit sarcastic, a bit dry, and a lot more guarded and aloof but Aziraphale sees flickers of Angel!Crowley in there. He's *kind* to Aziraphale. He's still inquisitive, in spite of it being what damned him to Hell. Aziraphale, God help him, is still wildly into him and, ugh, maybe even *more* so, in spite of everything.

And 'everything', for Aziraphale, includes Crowley being a demon being Aziraphale's fault.

They don't talk about it. Ever.

They don't talk about it because Aziraphale thinks that Crowley doesn't remember. Crowley's memory loss of a lot of his time pre-Fall is canon in S2-- something we, the audience, will need to understand the whole picture when/if we end up getting this revelation in S3 of Crowley's Fall and that Aziraphale feels he's at least partially responsible. What's even harder for Aziraphale is that because Crowley doesn't remember his time as an angel, he doesn't remember their full history together. He doesn't remember how they met and protecting Aziraphale from the first celestial shower and all the times they chatted after that and if they were in love back then, Crowley doesn't remember it. Eden then becomes, to Crowley, the first time they meet... but then look at how while Aziraphale seems to think that Crowley doesn't know him while Aziraphale knows Crowley-- the moment that he pauses so Crowley can introduce himself-- *Crowley* seems a little bemused. Why?

Because what Aziraphale has failed to consider is that the one memory that the demons are allowed to keep, most likely, is their Fall, which means that if Aziraphale was there when Crowley fell, Crowley actually *does* remember him. At minimum, he remembers Aziraphale being there and looking stricken by what was happening so even if he can't remember more than that, he knows he's safe with Aziraphale and that Aziraphale cared about him, which would explain why he risked going to talk to with him on the wall in Eden. He knows they were friends and that Aziraphale is good and he can trust him. It's also theoretically possible that if Crowley remembers his Fall and if Aziraphale was there, it's a trigger to him being able to remember all of his and Aziraphale's time before Crowley fell. Aziraphale might not know this and because these two idiots do not know how to talk-- and especially don't talk about this-- Crowley hasn't told him. In part because Crowley can't go back and he doesn't want them to dwell on Angel!Crowley when Crowley is who he is and if that's a demon, it's a demon, and the whole system can go fuck itself anyway, as far as Crowley's concerned.

Aziraphale, though, is still back on "it's my fault". He thinks he literally took goodness from the world; that he participated in the murder of his friend and the love of his life. He has never. In six. thousand. years. lol. told Crowley that he feels like this because he still thinks that Crowley doesn't remember Aziraphale betraying him and he is terrified that if he told Crowley he did-- if he told him that he was responsible, in part, for his Fall-- that Crowley would hate him and Crowley is Aziraphale's only friend in the universe and Aziraphale is madly in love with him. He couldn't bear the loss of him. He can handle their occasional spats and disagreements, knowing that Crowley always comes back, but this? If Crowley knew that his Fall was Aziraphale's fault? Aziraphale thinks Crowley wouldn't come back from that and he'd never see him again.

In reality? Crowley either already knows this and has the whole time or suspects it or if he found it out, would forgive Aziraphale for it. If he knows, he already has. His counter-argument is, like, what were you supposed to do to save me, exactly, angel? You alone versus all the hierarchy of Heaven and God Herself? I'm *glad* you didn't do something stupid and get yourself tossed into a pit of boiling sulphur. You don't deserve that.

Thing is, though, because they've never had this conversation because they DO NOT TALK lol, Aziraphale thinks he *does* deserve that. But look at what's happened since he made the decision not to save Crowley from falling...

...nothing.

Nothing has happened to Aziraphale. He didn't fall for it himself. He didn't fall for betraying the angel he loved and he wonders every. single. day. why he didn't and the only thing he can come up with is that he must have done the right thing. *It must be* that Crowley did the bad thing and Aziraphale did the good one because Crowley was damned to Hell for all of eternity and Aziraphale is still an angel of Heaven, six thousand years later. It's not for Aziraphale to question God. Her will is ineffable. It's ineffable because he cannot begin to understand how any of this can possibly be just and that just keeps happening over and over and over and over throughout the years to come in every situation he and Crowley find themselves in, from Job to The Flood to Wee Morag and Elspeth to Arma-bloody-geddon, right?

Aziraphale begins to lose count of how many times he's gone up against God at this point. Gives away his flaming sword to Adam and Eve. Saves as many as he could during The Flood-- *with* Crowley. (You know they did.) Lies to Gabriel's face in the eyes of God to save Job and Sitis' children... and learning that Falling was political, really, in the process. Nothing happened to Aziraphale for Job's kids. He suffered no consequence for lying to Heaven and God because Crowley was willing to lie for him-- to protect him from Falling, where Aziraphale couldn't protect Crowley himself ages before-- and nothing happened. Falling, suddenly, didn't seem totally God-ordained it it could be tossed aside by something as simple as having a demon just choose not to toss you to Satan. Crowley didn't take him to Hell because he didn't feel like Aziraphale belonged there. It wound up all entirely within Crowley's control, which then made Aziraphale begin to question if God was even really behind the Fall of Lucifer and the Gang or if it wasn't just the thugs in charge of Heaven who decided to toss them out... thoughts he was terrified to think and didn't dare voice aloud, at least not then.

In another era, Aziraphale and Crowley stood there together to witness the torture and murder of Jesus Christ in the name of God, in a parallel to the Fall. What happened to Jesus? He was betrayed by his closest friend, then tortured and murdered by those in the government who thought he posed a threat to social order. Heaven as Pontius Pilate. Aziraphale as a kind of Judas, in Aziraphale's mind, anyway.

Jesus as Crowley.

Time goes on and he and The Demon Crowley form friendship in their own right, regardless of what Crowley might remember from before his Fall. They form their Arrangement off of that and Aziraphale learns even more that, often, no one is really paying attention to what they do. That no one seems to notice if Crowley performs an angelic miracle or if Aziraphale performs what has become termed a 'demonic miracle'... because, really, *they're the same*, though that's not something Aziraphale can fully admit. He cannot allow himself to believe that demons *are angels* because if there's nothing different between demons and angels than Aziraphale doesn't know anything at all.

Anything at all... He doesn't know what being an angel *is* and it's what he supposedly is so it means he doesn't know who or what he is, really.

He doesn't know what God wants or if he truly believes in Her.

He doesn't know what the purpose of all of this is-- why Crowley had to suffer, why demons in general have to, why the *humans* do. Why it all has to be destroyed eventually. To what end?

Aziraphale has the same questions Crowley does and sometimes, late at night, often a little drunk, he'll dare to ask them with Crowley, and every morning that he still wakes up and sobers up and finds himself still an angel when Crowley Fell for so much less than Aziraphale has ever thought or done, he wonders just *why?*

Why is he still an angel when he, really, is no different from Crowley? Why Crowley is damned? Punished for all of eternity for curiosity and innovation and imagination, while Aziraphale is still an angel, doomed to only have until the clock runs out on Armageddon before losing him for the rest of fucking *eternity* but, until then, stuck suffering watching him suffer while remaining an angel? Is being an angel at this point, really, his punishment for failing the apparently foul fiend he adores?

Does Aziraphale ever have any answers to these questions? Good God, no lol. He's six thousand years into this and he's in the same spot as Amnesiac!ArchangelFuckingGabriel in 2.01:

...would be okay if you could just be one near particular person?

Of course Aziraphale knows what this feels like. Of course. We know he does. And that's why he hasn't been able to make a real move in six thousand years-- because it's his fault, as far as he's concerned.

Crowley's damnation is his fault. Crowley cannot really love him, or couldn't if he knew. Not because he's a demon, though Aziraphale might have thought that at one point but he definitely was cured of it by events in 1941. The more time that goes by, the more Aziraphale knows that Crowley loves him-- that he's *in* love with him-- and the worse it all gets for Aziraphale because every day that he hasn't told Crowley that he didn't prevent him from Falling is another day within the last *six thousand years* of them falling in love and the betrayal seems to get worse and worse to Aziraphale. The time to have this conversation was on the wall in Eden and it still hasn't happened. Still, over time, he starts to realize that Crowley, if ever knew, would forgive him.

Because his Crowley has the kindest of hearts. He really does, and that wasn't taken from him when he Fell and Aziraphale finds every opportunity he can to delight in seeing that and making Crowley reveal it.

It goes against everything Aziraphale is supposed to believe.

Demons are not supposed to be good-- if they were, they wouldn't have Fallen. Yet, Aziraphale knows Crowley is. He never has truly believed that Crowley isn't-- even when he could have, at least at the start. He worried, maybe, that he had helped create a monster out of the most lovely being he'd ever known but Crowley just kept proving him wrong about that, time and time again. *Crowley* doesn't believe it about himself, really, because that's his own trauma from his Fall but Aziraphale believes it about him and that's often good enough for Crowley.

But, really, this is why they still haven't gotten together in six thousand years. This is why Aziraphale seems like he can never get beyond "I'm an angel and you're a demon", no matter what Crowley does or how he proves that there are shades of gray and also, that the entire system is bullshit. It is not that Aziraphale doesn't *know* that it's bullshit-- it's that if he admits that it is, if he stops believing in Heaven (even if he doesn't stop believing in God), then he's left with nothing but the crushing weight of guilt that he has for all the pain that Crowley has been through.

If he tells himself that Crowley Fell *for a reason* and that he (Aziraphale) was *right* to not interfere, to not try to thwart God, even if it would have likely failed, just on principle, to stand up for his friend... then Aziraphale doesn't have to deal with the fact that he made what he really considers to be a colossal mistake and that it has caused the continued pain and torture and eternal damnation of the being he considers his soulmate...

...which is why everytime that pain comes to the surface in something Crowley says or does, Aziraphale *cannot handle it at all whatsoever* and reverts to You'reADemonI'mAnAngel!Mode.

Example: Crowley's religious trauma on display in their bandstand argument:

Crowley owns this, even if he's still traumatized by it. He's saying it sarcastically, making a joke on a song Aziraphale probably barely knows, if he knows at all ("Unforgettable"-- Nat King Cole). Aziraphale *aches* at Crowley saying this-- because it reminds him that it's partially his own fault. And he can't. Do. Anything. About. It.

He's an all-powerful *angel* here but he can't change this for Crowley. He can't stop his suffering some six thousand years after his Fall. He's looking at sexy goth Crowley here and he's thinking about curly-haired, beaming, ball of light! Crowley and that they are *the same person* and Aziraphale *does* know that. He knows it and he loves him passionately and desperately and he is one of the most powerful beings ever in existence and he's standing there looking at the man-shaped-being he adores talking about how he still aches from the betrayal of his fellow angels and his mother God and *there is no way for Aziraphale to fix it* when he can mend broken bones and heal the sick and let their be light! all over the place. He can do proper magic and still, he cannot take away Crowley's pain.

This is Aziraphale's Hell. He didn't Fall but he's been in Hell anyway.

So when Crowley's religious trauma and pain comes out, usually in an argument like in the bandstand scene, Aziraphale does the only thing he thinks he *can* do, right? He's an angel. Still. Somehow. He's an angel and there must be some reason for that and an angel is not a demon-- an angel is a purer being, a healer-- and so he says "I forgive you". He doesn't mean it to be patronizing, even if it is. ("I am a *great deal* holier than thou," as he told Crowley at one point and that was the point, right?) He is trying to say "I am still of Heaven and if it's absolution you need, I can give it to you."

He is trying to say: You are not unforgivable to me.

The real lyric of the song Crowley parodies in the bandstand is what Aziraphale means, whether he knows that song or not...

Unforgettable/That's what you are...

*Crowley*, though, doesn't know about Aziraphale's inner turmoil because *heavy sigh* FFS TALK, YOU IDIOTS *breathes* lol, so *he* hears:

I still think I am better than you and you are Fallen, so you're not worthy of me. I can't love you, not the way you want. I love all beings because I'm an angel and I you know I'm in love with you but I can't *allow* myself to be because it goes against the nature of an angel and I've only done eleven thousand things that should have made me Fall over the years but letting myself be in love with you is the rubicon I won't cross, apparently...

Crowley knows by the time they're having the bandstand argument enough about Aziraphale's general religious trauma (not necessarily about how it pertains to Crowley's Fall but about it in general) to know that he spits out hateful garbage when he feels cornered and how to just call it bullshit and move on. ("I don't even like you."/"You doooo.") But he understandably walks away when Aziraphale pushes him away past a point he can handle-- and Aziraphale knows how to do that. He does it *intentionally.* The "I forgive you" is sadness because it's all he has to offer Crowley but he also knows it'll piss Crowley off enough to end the argument, so he says it intentionally to get Crowley to go away. In this scene (which parallels the end of S2 quite a bit, as many have noticed), Aziraphale is trying to deal with it all on his own, right?

He knows where the antichrist is. He's just not telling Crowley yet. He's trying to deal with it to keep him safe. He's doing it because he thinks he should-- that maybe, when it's something of this level of importance, that his job should be as an angel first, above his side with Crowley. (It's also worth mentioning here that Aziraphale is straight up terrified of Falling, not even just for being damned to Hell but because then, if he's no longer in Heaven, he has exactly zero power to even *try* to protect Crowley.) At the end of S2? With The Metatron?

Aziraphale does the same thing as with the antichrist for a time in S1, really.

The beginning of S2 shows us that Aziraphale has known that Heaven is North Korea since Before the Beginning so now marry that with its last scenes and see the arc that connects them-- Aziraphale does what he does out of guilt over what happened to Crowley to *protect* Crowley. He didn't want to do any of it without Crowley and when The Metatron finally offers that carrot, Aziraphale is suspicious as all hell (pardon the pun) and here we have this moment where part of him *wants* this to all be real, right?

Times change and sometimes, your parents who traumatized the living fuck out of you and didn't approve of your boyfriend, grow the hell up a bit and try to repent and mend fences. Maybe the trust is broken but maybe it can be healed and *as an angel*, Aziraphale is a being of goodness and hope and optimism. He's pure of heart, as Crowley put it to Nina. He *wants* that to be the case... but he also knows it likely is not.

Still... they can't run. There's nowhere that Heaven won't find them. It's no life for them-- no life for Crowley, in Aziraphale's mind, no matter how many times Crowley tries to get him to run away with him. "We can go off together!" begs Crowley, over and over, and Aziraphale's only really ever found that Crowley will only slither off if he's ticked off enough and only "I forgive you" ever really does that enough to work lol. He *means* I love you endlessly but you know this is impossible, you bloody maddening, gorgeous serpent! Will you stop reminding me of what we could have when it can never happen?! but that's not exactly how Crowley's taking it.

In the end, to Aziraphale, Aziraphale is an angel and Crowley is a demon and they are doomed to spend eternity apart and Aziraphale thinks he has no one to blame, really, but himself. If he had somehow saved Crowley six thousand years ago-- or had somehow been brave enough to stand up for him and Fallen alongside him-- they could have been together forever.

But he wasn't then and now The Metatron is here and it's time for Aziraphale to go back to Heaven and he knows, as he sits there drinking coffee with the being whose posse sent Crowley in a free fall into a pit of boiling sulphur, that Crowley will never, ever, ever, EVER go back to Heaven.

But he also knows that Heaven is here to collect Aziraphale and they are making it clear that there is no escape. There's nowhere to run. Everyday, it's been getting closer for six thousand years and going faster than a roller coaster for the last handful but a love like Beez and Gabe's will surely never come his and Crowley's way now.

It was always going to end like this. Nothing lasts forever. He told Crowley that, Before the Beginning. Six thousand years. That was all the time they had before the end of Earth, the place they'd come to call home. They found a way to borrow a few more years at the end of it since S1 and he got to dance with Crowley, their fingers brushing, and that is going to have to be enough because they're out of time.

The Metatron never needed say it directly but it was evident: they wanted Aziraphale to go to Heaven and they would say or do anything to get him up there and Aziraphale may have bought it for a moment but he's definitely figured out by the end of S2 that they need him up there not to become the Supreme Archangel but because his time as an angel is now over. The threat to Crowley is unspoken but omnipresent.

The Metatron makes it sound like he doesn't care if Crowley comes back up to Heaven with Aziraphale or not and he really doesn't and why would that be? Why would he be eager to have the two most troublesome beings in all of Heaven and Hell teaming up and getting in the way of his Second Coming plans, which he absolutely *knows* they won't support? Because they won't have jobs waiting for them up there. Crowley will not be restored to full angelic status.

They're going to kill them. Aziraphale knows it. He's known what Heaven is since Before the Beginning, even if he's been in denial about it for almost as long to try to assuage his own guilt over participating in it.

And it's a lot easier a goal for Heaven to accomplish if they separate them and just Aziraphale goes up to Heaven. If Aziraphale goes alone-- if he keeps Crowley from following-- then Crowley is not a threat to them if Aziraphale is gone.

They aren't as powerful apart.

Aziraphale knows that if Crowley comes to Heaven with him that they will kill him and Aziraphale thinks okay, this is it... this is my moment of redemption.

Six thousand years since Crowley Fell and I can finally make up for not saving him by saving him now.

I can go with The Metatron and let Heaven kill me and know that they will not threaten Crowley if they do because what they are threatened by is both of us together. One of us, alone, is less of a threat and the only problem here is that if I go... Crowley will follow me.

If I just go without telling him what The Metatron said and I don't come back right away, he'll go to Heaven, worried that something happened to me, and they'll kill him when he comes looking for me. He'll find out they've Book of Life'd me and do something stupid and my sacrifice to keep him safe will all be for nothing.

So what's our tortured angel to do?

Bandstand 2.0, right?

He's got to piss Crowley off enough that Crowley won't follow him.

He's got to piss Crowley off so much that Crowley *will never come back* and the worst part is that Aziraphale knows *exactly* how to do it.

He makes his own plans and if things get drastic enough, he'll blow up that damn halo, metaphorically-speaking this time. To save Crowley, he will break Crowley.

It's darkly romantic, really. He'll sacrifice himself for Crowley but to be sure that Crowley will be safe and not follow, he'll have to break his heart a bit first-- to further their misunderstandings in a season based on "I don't think your exactly is my exactly exactly"-level miscommunications.

So Aziraphale accepts The Metatron's offer and lets The Metatron think he completely believes that the offer is legit and maybe a part of him is still hoping that it is but he knows it's really not and that this is a suicide run. This is Aziraphale's Holy Water arc...

...and speaking of Holy Water... that arc from the perspective of this being Aziraphale's mentality... Crowley, tortured by Hell for what he did while with Aziraphale in 1827, then refusing to talk about it, showing up with a cane, sullen and depressed, asking Aziraphale for the one thing that would kill him and Aziraphale's unwillingness to understand that it wasn't completely suicide ideation on Crowley's part but as a way to *protect Aziraphale* and keep him safe. Crowley wanted what could kill a demon not to kill himself but to kill one that might come after Aziraphale. All Aziraphale could see, though, was Crowley's physical and emotional pain, that he could barely keep hidden in that era, and how Aziraphale couldn't make it better. All he could see was how he failed him and led him to this suffering. All he could see in a note begging for "holy water" was Crowley wanting a suicide pill, wanting to destroy himself, unable to take any more, in so much pain that he'd leave Aziraphale forever to make it stop. Aziraphale is blinded entirely by guilt and fails to see what Crowley is really saying, which was, ironically, the last time Crowley began to try to tell Aziraphale how he felt, which was:

I've been thinking-- what if it all goes wrong? (What if I lose you? I'm terrified of losing you. I love you. I wake up from nightmares of you being destroyed by the demons who just spent a couple of decades after 1827 not that long ago torturing me. I didn't know for sure if you were still alive during any of it.) We have a lot in common, you and me. (We're a team. A... group of the two of us.) What if it all goes pear-shaped? I need you to get me the magical demon-killing stuff so I have a weapon against *my own fellow fallen angels* that I can use in case they come after us. I would kill another demon and send every legion of Hell after me to protect you.

Aziraphale: I like pears.

(My God, they are so stupid. Please. I can't take any more lol.)

So, yeah... it's Aziraphale's turn for the holy water suicide run here only with an actual suicide run...

It takes the books in The Blitz for Aziraphale to really understand what Crowley was asking for and what he meant by asking for holy water and by 1967, he gives Crowley the holy water, in the one moment when *they actually talk*, as much as they can, about how much they love one another, that exists prior to the end of its parallel-- the end of S2.

So, yeah, Aziraphale "goes to tell his friend the good news" with a look on his face like he's marching to his death *because he is* and he knows it. His last moments with Crowley, in some of his last moments in existence, he already knows will be spent upsetting the man-shaped being he loves. He's got it all planned out. Not exactly the picnic of his dreams but it'll redeem him and save Crowley and that's all that matters to Aziraphale in this moment.

He will sound naive to the threat of Heaven and because Crowley doesn't remember pre-Fall, he won't remember how Aziraphale warned him against taking on the brass in Heaven so Crowley won't be suspicious, he'll be *frustrated*, like he was in the bandstand. He'll get angry. Aziraphale's goal is to get him to storm out-- but it has to be a really, really, bad relationship-ending storming out.

He can't come back after he drives The Bentley around the block like he did back in 2.01 and say "okay, fine, I'll help you" and Aziraphale knows that if he plays this right, he can make it so Crowley won't because helping Gabriel was one thing but asking Crowley to become an angel with him and pretending like they can go fix the broken system of Heaven is going to be Crowley's bridge too far. It's *the only thing* that Aziraphale believes is Crowley's bridge too far where Aziraphale is concerned and isn't that heartbreaking as hell? That Crowley loves him this much? And they never got to be together the way they wanted? That they were just beginning to get close to trying to figure that out?

That, hours ago, Aziraphale was asking him to dance and trying to ignore the signs of trouble around the corner, desperately wanting more time with him? That they are semi-immortal beings that always somehow seem to be out of time?

Truer words have never been spoken, Crowley. Little did you know, poor demon...

So Aziraphale goes into the bookshop and Crowley looks all worked up and wants to say something and some part of Aziraphale begins to hear warning alarms going off in his head because Crowley *never* looks like this-- is never this flustered, never this uncomfortable, never this nervous, never in a rush to say something-- and Aziraphale thinks no, can't be, we don't talk about this... even if, ironically, all of S2 shows that Aziraphale has been trying *for just that*. It was just a few hours ago that he was trying to Jane Austen a ball for them to use as a pretense to discuss their feelings because, in the height of ironies here, right?

Aziraphale was ready.

They'd had some time without Heaven and Hell breathing so much down their necks, even if the threat still loomed, and spent every day together and it was perfect and it was lovely and he knew Crowley would forgive him and Aziraphale was almost there, right, he was *almost* ready to tell him. He was almost ready to tell him he loved him and that it was him, all those millennia ago, who could have done something and didn't and he's so, so, so sorry and can Crowley ever forgive him? Is there any way that Crowley could ever forgive him after what he didn't say and didn't do when he should have? For all the times since that he's said things in anger when, really, he was madly in love and just full of his own issues to sort out? (Damn, Aziraphale, we're beginning to see your affinity for Austen heroes here...)

But he's out of time so there will be none of that now. Now is his karmic payback. Six thousand beautiful years with the being he loves and feels he doesn't deserve have led to Aziraphale's redemption being that he can sacrifice himself to save him. He can leave the world they love with Crowley and Crowley's *goodness* in it, as it should be. So when Crowley says he needs to say something, Aziraphale cannot-- CANNOT-- let him speak because he cannot bear it.

He suddenly fears that of course-- OF COURSE-- the one moment in all of these trillions of moments they've lived through where Crowley is about to directly say he loves him for the first time is the also the same fucking moment when Aziraphale has to destroy their relationship to save Crowley's life and Aziraphale will be dead after this and he cannot bear hearing what his life could have been. He can't hear Crowley say this right now or else he worries he might lose his nerve. He *wants* to hear it but if Crowley speaks first, Aziraphale might cave, he might be weak again like he was when Crowley Fell, he might fail him again, and he can't. Not after all this time. Not when he loves Crowley so much.

"What's that lovely human expression?! 'Hold that thought!'" he blurts out, in a callback to, of course, the moment Crowley saved him in 1941-- to that night where Aziraphale really realized for the first time that Crowley wasn't just capable of good or capable of being friendly towards him but that Crowley *loved* him and that he loved the Demon Crowley, whether or not he should. ("But somewhere in my wicked, miserable past," sings Frances McDormand as the Voice of God, from her apparent favorite film lol, "I must have done something good.")

Ah, yes. Played for suckers. Here is where it's important to note that in 1941, Aziraphale had no idea that Rose was really Greta and that he, in fact, was the one being played for a sucker. By the end of S2, though, it could be argued that he very much knows that The Metatron is Fraulein Greta Klauschmidt-- someone who presented herself as Captain Rose Montgomery, an agent of anti-fascist good, who approached Aziraphale in his bookshop and told him that he could be an agent of change, too. He could help save the world and stop the global rising tide of fascism represented by the Third Reich. He could even do so using his books. They plotted a sting together, in which he'd bring his books to a church and seem to give them to Nazis to give to the Fuhrer, only for agents to surround them and arrest the Nazis. Aziraphale, desperate to *do* good and to *be* good, falls for this-- he fails to see that Rose is really Greta, a Nazi agent who fools him into working for the enemy and getting him to help destroy the world in the process. Pretty obvious to see here that Greta is The Metatron in S2... but it's likely that Aziraphale knows it and is playing along because it's his turn to save Crowley, unlike what happened in 1941, when Crowley saves him and his books.

Crowley, in the bookshop back at the end of S2 in our present time, stops speaking at the "hold that thought", looking like he's about to be ill, and has to also be thinking of 1941 and the church now that Aziraphale has referenced it. Maybe, in some way, it's an unconscious effort on Aziraphale's part to convey to Crowley that this is a charade-- that he doesn't mean this, that it's an act-- but he really doesn't want Crowley to figure that out. It would defeat his goal. But he also doesn't want to hurt him because he loves him but this is the only way that Aziraphale can see to save him. So he starts gushing about his coffee with The Metatron, right? We all remember this pain lol.

Maybe I've misjudged him. (Aziraphale, we suspect you know that he tossed Crowley into hellfire and stole Gabriel's memories so honestly, the worst part of all of this is that you're so traumatized that Crowley is *buying* what you're saying here...) And guess what?! He wants me to be the new Supreme Archangel! And he said you can come! And you can be an angel again! It will be so fun! We can have a slumber party, Crowley, after days of doing good, and braid each other's hair!

Crowley is like jfc fml are you even serious right now? Which, of course, is what Aziraphale *was going for.* It's the "I don't even like you" and the "we're hereditary enemies" and the "I'm an angel, you're a demon" way of trying to intentionally push Crowley away but the new version of it because none of that flies with S2 Crowley-- most of it barely flew with him in S1-- because Crowley *knows.*

He knows that Aziraphale loves him. And he knows that Aziraphale knows him, which is to say he knows how to hurt him, and that's what this is but also Crowley just sees it as how much Heaven has hurt them both. How much they've hurt Aziraphale. Because just as Aziraphale looks at Crowley in the throes of his religious trauma-- "Unforgivable. It's what I am", etc.-- and wants to help and save and protect him, Crowley feels the same way in return when Aziraphale is like this. Frustrated, sure, but in just as much pain at how much pain Aziraphale is in and feels powerless to stop it but will do whatever he can to try to, yeah?

For Aziraphale, this is all going fairly well (it's miserable but in terms of goal, it's working) through "tell me you said no" but the problem is that Crowley is still pleading. He's still trying to work through it because they're an *us* now and also ironically of course this is when Crowley's been trying to do better with storming out lol so he's trying to couple-solve this. He's not just *leaving* like how Aziraphale had hoped. He had been trying to sell to Crowley that he could pick Heaven over Crowley and Crowley is just kinda... not believing it so much at first and, instead, is trying to approach it like a problem for the two of them to solve together, instead of as a decision that Aziraphale has made for his life that he's stating that Crowley can take or leave.

Which calls back to this scene in 2.01 at the start of this arc, when Crowley calls their life *his* life and Aziraphale counters with that he thought *they* had carved out a life for themselves *together* and Crowley answers: "so did I!" Because they haven't had a discussion about what they are, exactly, at that point, Crowley still cautiously calls *their* life *his* life, retaining a sense of autonomy, as if he's only making decisions for himself when, in reality, they are a couple who are trying to make a life together and have been doing so consciously since S1. Crowley calls that life "precious" and "peaceful" to Aziraphale-- beautiful, lovely things that they both treasure and want and find with one another-- but also "fragile". The threats to them still loom large in the background and they are still so afraid to go much further in their relationship because, in part, of those threats and how terrified they are of losing one another... which just makes the end of S2 even more brutal, really.

(*mantras* cottage in the south downs cottage in the south downs...)

So back in That Scene later in S2, Aziraphale is then just kind of stuck trying to figure out how to get Crowley to be so angry with him that he storms out and never comes back in the face of Crowley trying to very much not do that and then Crowley starts saying that he needs to say what he was going to say or he never will and Aziraphale *knows*, ok? He knows what Crowley needs to say. He just literally cannot believe this is going to happen right now. He honestly can't believe it's happening at all but right now?!

He knows before Crowley begins speaking. He probably knew when he told him to "hold that thought" a few moments before but he *really* knows now. Crowley has no idea that Aziraphale has planned for this to be the last time they ever see one another and to go sacrifice himself to Heaven for whatever they want to do with him to keep them away from Crowley. Crowley looks like he's about to pass out from nerves and can barely speak and just...

...six. thousand. years...

...I know we have all looked at the heartbreak of this scene from Crowley's POV here every which way to Sunday, okay, but just imagine you are Aziraphale, who has loved this being since before the literal beginning of time, and you blame yourself for his pain and suffering, and he's standing here, braver than you've ever been with him, looking into your eyes and telling you that he knows that you love him and that he loves you and he knows you both have known this for basically the entirety of your existence together and he can't pretend anymore. He doesn't want to pretend anymore. He knows things have changed over the last few years between you and he wants more of that. He wants to be with you.

The two of you are not even human, just human-adjacent beings who have gone native from the stars and clouds here, who live and love like humans, who know that maybe the angels and demons have it backwards and God's great creatures are the humans-- that it should be the good in them that you should be trying to emulate-- and Crowley had never been more beautifully, impossibly human than while he's standing there looking ready to pass out while asking you if, after six millennia, it might be alright for him to not hide how much he loves you.

How many times has Aziraphale imagined this by this point? A million? How many different ways? There's at least half of them when he imagines that he's the one who gets up the courage first but there are so. many. Crowley. fantasies. Ones in every time period. But always *a fantasy*, at least up until maybe very recently. Why?

Not even just Heaven and Hell and the threat of being caught but the fact that Aziraphale believes that Crowley doesn't know Aziraphale didn't save him during The Fall and how could he ever really love him if he knew? How could Aziraphale ever go to him like this and give Crowley everything he knows Crowley has desired for so long without telling him the truth about Aziraphale's role in Crowley's Fall-- but then, Aziraphale assumes, he'd lose Crowley forever? So this has always been a pipe dream for Aziraphale-- fantasies from a world where they ever stood a chance of being together-- never really something that could be reality and here it is, starting, happening *now*...

...after six. thousand. years. of living with this guilt and in the last moments in which he will ever see Crowley before he heads to his likely death, with no time to tell him the truth and beg for his forgiveness, no time to ever know what their lives might be like if they could be together.

As Crowley, unbeknownst to Aziraphale, mused dramatically, if not inaccurately, earlier in the season... it's always too late.

It's punishment, in Aziraphale's mind. That's what Crowley's proposal, his confession, is now. It's his Fall, whether he falls or not when he leaves the bookshop for Heaven. It's karmic retribution-- it's God, finally saying something, and what she's saying is:

Look at what you've done, Aziraphale...

Look at how he loves you.

He was never unforgivable.

You are.

Aziraphale might be erased from existence once he gets to Heaven and he knows that's a possibility but he basically is dying here. Crowley is killing him. Crowley has pointed that silver bullet gun straight at his head and fired but he's missed and the bullet isn't in Aziraphale's teeth, it's gone through him.

Crowley, here, tears in his eyes, asking for whatever time they have. An eternity? Impossible, unlikely. Angel and demon. One day, the war will begin again-- another war to end all wars, like all the ones they've fell more and more in love during throughout history-- but it might be the one where Heaven or Hell wins and they're doomed to spend eternity apart. Crowley has said before he thinks the real war is humanity versus Heaven and Hell and that sounds like he thinks there's a chance they could survive it but who knows? They don't know. They're immortal beings who live like humans and that's, of late, included a sense of mortality. They don't know how much time they have left and Crowley is asking for all of it. He is asking for whatever time they have left to be spent together, openly loving one another, and what he doesn't know is what Aziraphale knows:

That they're already out of time.

Crowley is proposing marriage unaware that Aziraphale is dying. It's always too late, Crowley had stated earlier but had hope that maybe it wasn't but it is. And Aziraphale?

Gah. Aziraphale...

He's never loved him more. He's never wanted him more. He wants to tell him that he wants that, too, that they can have it, that Crowley can have anything he wants, but it's not true. It's not true because they could run out the back door of the bookshop now and hop in the Bentley and end-of-Grease it up to Alpha Centauri and Heaven will still find them. Heaven and Hell will still be after them. Running away solves nothing and Crowley always, ultimately, anyway, comes back and this time-- this time-- for Crowley's own good, to save his life, Aziraphale needs him to leave the bookshop and never come back.

And the moment that Crowley confesses that he loves him and that he knows Aziraphale loves him in return and that they've both known this, forever, and asks him if he can be allowed to just love him, Aziraphale loves him so much in return that he'll break his heart to save him from dying.

Dying is... not on, as High!Crowley put it in 1827 lol, but suicide-ish attempts are, if it's Aziraphale's turn this time.

So he twists the knife. He hides the goats as pigeons and he looks at Crowley and does a bit of this:

...only with the exact opposite intent. In the Job minisode, Crowley cannot speak aloud his true intentions. (Something he can finally do in the S2 finale, when he declares his love for Aziraphale.) He cannot tell Aziraphale outrightly that he had zero desire whatosever to kill Job's kids and animals and doesn't plan on actually doing it and, in fact, is actively engaged in a bit of bait-and-switch to make it look like he's doing what he's supposed to be doing as mandated by Heaven! this time as well as Hell (a nice little extra bit of paralleling to the end of S2 and Aziraphale, there.) He wants Aziraphale to believe him enough to allow him to pull it off because saving the kids and the pets (and protecting Aziraphale from any harm that might come to him if he gets in the way of what Crowley's been asked to do) matters more to Crowley than Aziraphale believing him...

...and believing him here means believing *in* him. Believing that they are on the same side and it's their own side and they're in it together. Crowley has to lie to him here *and it works for a moment*. It's really important to note that *it works*. Aziraphale believes that Crowley can do this and that he wants to-- that he not only can but he *longs* (lol) to "kill the blameless kids of Job"-- but it's all in Crowley's wording. He isn't *actually* lying. He *does* long to kill the blameless kids of Job like how he killed the blameless goats of Job-- because he "killed the blameless goats of Job" by turning them into pigeons. So he's really saying to Aziraphale that he longs to *fake the deaths* of the blameless kids of Job and plans to in the same way that he did the goats. In that moment, though? It didn't matter if Crowley was lying or telling the truth. There was only one goal--

--to get Aziraphale to walk away.

To get Aziraphale to leave, for his own safety, and let Crowley handle this. Better that he misunderstand Crowley and be disappointed in him and think him a lost cause than to get himself into trouble. Crowley out here loving Aziraphale that much in the days of Bildad the Shuite. (This poor mfer. Six. Thousand. Years lol.)

So what caused Crowley's plan to save Aziraphale in the Job era to not work?

One of the pigeons bleated, right?

Aziraphale heard it and realized that Crowley hadn't been lying so much as he had been trying to protect Aziraphale from his plan of subterfuge against the Almighty and Satan. The difference is that there are no bleating pigeons in the S2 finale... there's just *a whole certain famous other kind of damn bird instead* and its *absence* from the scene is the big emotional gut punch moment. And we all know it but I'll gif it anyway since this is already a depressing meta (cottage in the south downs cottage in the south downs...)...

...and that *is* the point. Because unlike back in the Bildad the Shuite days, there is no bleating pigeon (at least, not yet) to make Crowley realize that all is not what it seems and that Aziraphale is trying to lie to him and get him to leave to protect him from Heaven.

As Aziraphale is like mortally wounded here by Crowley's confession of love and is so not going to recover from this, he's now got to not only get Crowley to leave feeling like Aziraphale rejected being their own team for Heaven, he has to now do it with all of it out in the open-- with Crowley having openly confessed love for him, with him having asked for them to be together. He's not just going to have to frustrate Crowley more than he ever has before and get him to leave more angry than he was before, he has to, instead, smash into little tiny bits the very beautiful, very passionate, beating heart of the being he has loved since he met him *making the stars* in the bloody sky here...

The only way to get Crowley to go now is to make Crowley think he's rejecting the idea of loving him. Aziraphale honestly can't even sell the idea that he *doesn't* love Crowley because Crowley won't believe it-- he knows Aziraphale does and he's said as much in his whole marriage proposal here. So it has to be that Crowley thinks Aziraphale chose Heaven over loving him. Chose being an angel. That he really meant all of those 'hereditary enemies' and 'you're a demon' moments and to sell that, he sells it.

(You're a dark horse, Mr. Fell, Nina said of him in 2.01... the same turn of phrase Crowley uses when surprised by the secret skills and narrative power of Jane Austen later on in the pub.)

Aziraphale does love himself a bit of theatre. A bit of a disappearing act. The West End, The West End...

...our Nefertiti-fooling fellow...

He sells it with:

Well, of course you said no, *you're* the bad guys...

Come with me... I'll run, it you can be *my second-in-command*...

We can be together. *Angels*. Doing *good*...

...oh, Crowley... nothing lasts forever...

For his final act, The Marvelous Mr. Fell will saw his ineffable husband's heart in half by spewing a litany of everything he can think of to say that will piss him off enough to make him leave the bookshop broken-hearted enough to never come back.

Only someone put a miracle blocker on here because, try as he might and good heavens (pardon the pun), Aziraphale is *trying* here...

...this turnip is not turning into a damn inkwell.

Crowley finally starts to go-- it's looking promising. Finally, Aziraphale thinks, this misery might end. Six thousand years of wanting to speak of all of this between them and hoping for some happiness when-- if-- it could maybe someday arrive, if it even could-- and it's the worst moment of Aziraphale's existence and he knows it is the same for Crowley.

Crowley stops and the "do you hear that?" And no, Aziraphale doesn't hear anything, he just has never been more upset and Crowley needs to just go because Aziraphale can't handle another moment of this, how could it possibly get worse?

Nightingales. Of course.

A call back to S1's "no more world-class composers/little restaurants where they know you/gravalax and dill sauce/old bookshops" but this time, it's "no nightingales". There's Armageddon coming that neither of them know about in this moment. It's still a 'someday, they'll try again' concept to them in this scene, not an extremely immediate threat, as Aziraphale doesn't learn about The Second Coming until after this. So the end of the world that Crowley references here is the end of *their* world and that means no nightingales. No romance. No *them*, together. Worth remembering that Crowley thought, up until maybe what? Five minutes ago? That they were headed to breakfast at the Ritz together. They should have been sitting there together *in this moment*, is what he's saying. Miracling the pianist to play "A Nightingale Sang in Berkeley Square" and gazing at one another over teapots and mimosas and croissants.

That's gone, since you chose Heaven instead, is what Crowley states and Aziraphale knows it because, God help him (no, literally, GOD HELP HIM! WHERE THE HELL DID YOU GO OFF TO THIS SEASON, FRANCES?!), it's what he's *trying* to make happen.

You idiot, says the once-Bildad the Shuite, who thought he was taking his beloved to the ox rib special this morning and not getting dumped for an old floating head and the cinematic world's most contentious to-go cup of coffee, we could have been... us.

Not really a part of the theory here, just the observation that Crowley's confession/proposal begins with him unable to say "a couple", in case this all goes pear-shaped and he needs to have never said something that romantic, so he says instead "a team", "a group-- of the two of us". He says it without saying it. But, by the end? He just says "us." He *present*-tenses it. He's like forget everything else, angel, we could have just kept on being us because we both know what we are. We don't need to find the right turn of phrase or even the most specific human word for it. We are just *us* and we could have kept on with that but you chose the mentality of your abusive family and asked me to be what I'm not and I still love you because I *know* you but I can't be with you like that and *you* know that.

And he kisses him. Because Franny McD says you ain't suffered enough yet, Aziraphale lol. Should I just gif it while we're miserable? If you've read this far, a month has passed and hopefully, you've taken breaks and I do apologize but I'm gonna gif it because yeah. Here we go, folks...

God, make it stop, pleads Aziraphale to literal God and here comes Crowley with the S1 wall slam parallel, all dammit, angel, I know you've wanted us to snog for centuries and this is our last chance.

I know people have opinions about this kiss and I know we're all posting them here, obviously myself included, but while I've seen a lot of like... 'Crowley knows it's the only time they ever will be able to because Aziraphale is leaving him for Heaven' and 'Crowley wants to remind Aziraphale what he's giving up and could have had' and 'Crowley tries the kiss to see if it'll change Aziraphale's mind' takes-- and I agree with all of those things and think they're all right-- I've not seen a lot of 'Crowley kisses Aziraphale *for Aziraphale*' and I think that's a big part of it, too.

Crowley really isn't stupid. Not when it comes to Aziraphale wanting him. It would be honestly hard to spend a zillion lifetimes on Earth and not get it after like...

And Crowley understands Aziraphale's particular brand of religious trauma more than most, since he has a variant version of it himself. He understands that where his whole thing is that he's very much *not* an angel anymore, that Aziraphale's identity is wrapped up in being one and the conflicts he has with Heaven and while Crowley is not yet quite hearing what Nina said-- that she just got out of an abusive relationship and that she's not yet ready to be with Maggie and needs time-- and marrying that to Aziraphale and Heaven (especially because Aziraphale is showing exactly zero signs of trying to get out of his relationship with Heaven lol), Crowley wants Aziraphale to have had what he (Aziraphale) wanted, even if it was for only a moment. He can't go with him. This is the *one* scenario where Crowley cannot follow where Aziraphale goes, where he can't come to him and rescue him, because Aziraphale has said he doesn't want him to. Aziraphale wants to go and do this and the only way he'll take Crowley is if Crowley wants to become an angel again, which Crowley will not do.

And damned if there isn't a part of Aziraphale that thinks that if The Metatron can really be trusted, wouldn't that be something? That if he gets up there to Heaven and he really is made Supreme Archangel and if Crowley changes his mind, if he comes back, like he always does... if he storms out and leaves but then misses him too much and takes the elevator up... then maybe Aziraphale could make him an angel again and while Crowley hears in Aziraphale offering that you aren't good enough as a demon-- you're not good, period and even if he doesn't totally believe that Aziraphale really thinks that but knows Aziraphale has enough religious conflict that it's a problem for their relationship, what Aziraphale *really* means is... I could fix it.

I could go back and un-Fall you. I could take away your pain. I could stop your suffering. I'd have the *power* to do it when I don't right now and it kills me, every day. I could right the wrong I did, the sin I committed-- the real Original Sin-- six thousand years ago when I betrayed you, when Heaven betrayed you.

I could do right by you, the way She never did.

I am going to Heaven to either have the power to do that or to be obliterated into non-existence and I don't totally know which, though surviving is not looking promising, but all I know is that it's too dangerous for you to follow me right now until I do know so I'd rather hurt you than see you dead.

You want to be with me and I am afraid it will lead to your destruction so I need to say anything to put the breaks on your attempt and make you back off. To a lesser extent, I've done it before. Can do again.

Only this time, no hope of the possible, future picnic, I'm afraid...

It really is the worst possible Aziraphale nightmare here like... everything he's ever wanted. Six millennia of wanting to pull Crowley close and he has to reject him or Crowley could die. Fanfic season here said Coffee Shop AU and also a reverse-Fuck or Die for the ages. People complaining that it's awkward? YES. It's supposed to be. Crowley has no idea that Aziraphale is facing a round of sudden death here and was just hoping for his one fabulous kiss and vavoom. Even if it didn't change anything-- he wanted *Aziraphale* to feel that. To know how much he's wanted this for so long and to have it, even if they can't again. The intent is terribly romantic, as is Aziraphale flailing in the middle of it and giving in because he is made of strong, halo-exploding stuff here but he's wanted this forever. He goes up on his toes, he leans in, his hands flail around and he touches Crowley's back. He *shouldn't* do any of this if he's trying to meet his goal of getting Crowley to leave because it gave Crowley hope. It might have even been what motivated Crowley to stay outside and not go right away, or at least a part of it. But Aziraphale had to because he loves him and he couldn't help it.

Then, *sob*, The Michael Sheen eviscerating all of us here...

For anyone who might still be saying that is an "I didn't want his kiss" face... hard, HARD, VERY HARD disagree. That is "I didn't want *this* kiss, like this, right now." That is a man-shaped being who was just kissed by the love of his life for what may have been the first time but, at minimum, is for what he believes will be the *last* time. (I'm still out here holding out some hope for Blitz, Part 3-- a nice first kiss after they kill some Zombie Nazis with Chekhov's derringer in the bookshop but I digress...somehow, even if this entire long meta is one long digression, I digress lol...)

It's the face of a man gutted by the fact that this, in his wildest dreams, was not supposed to happen like this and he's been alive for damn ever at this point so he's had *all* the wildest dreams. And a lot of them, let's be real, have centered around Crowley doing just this. Exactly this. Crowley ain't wrong with the 'grabbing him by the collar and kissing him senseless in the middle of the bookshop' thing. He's wanted to do it for centuries. And the middle of the bookshop bit? That's important, too. This is their home. It's *their* home, even if Crowley is technically homeless. It's safe for him in here and Aziraphale has made it so. It's where they've spent thousands of hours together, happy and safe in each other's company, and here they are, bouille-bouile-bouile-baby-ing finally and it's a complete and utter, unmitigated trash truck dumpster fire.

Honestly, this was a better kiss than in S2 lol. S1 laying down though how long they've been dreaming about it (and having Crowley start listing animals that are in Aziraphale's nonsense magic spell, like he flashes back to 1941 when thinking about the end of the world and kissing Aziraphale in the bookshop... so you can see why I'm moderately hopeful that maybe they did kiss then, once, before then trying to never again until Crowley kisses Aziraphale in 2.06.)

I'm going to bring this back around now to the comparison I made above with Crowley and Jesus and talk about how 2.06's end scenes are also like the last temptation of Christ. Good Omens makes it pretty clear that Aziraphale is the tempter, really, of the two of them, in their relationship. Crowley can't say no to him and Aziraphale has learned it and loves to puppy eyes Crowley into anything he wants.

Crowley knows it and is fine with it. He's smitten and happy to be wrapped around Aziraphale's finger. Crowley has tempted Aziraphale and we see that in S2 with the ox rib. He is, himself, just by existing, tempting to Aziraphale. But in terms of temptation carrying with it a bit of manipulation and *that* kind of tempting being what's demonic in nature? Then Aziraphale is, and always has been, the demon of the two of them. This is true into the end of S2, as while there is almost nothing that Crowley would deny Aziraphale, there is really only one thing and that's to change who he is for him. To become an angel again, to work for Heaven again, after what they've done to him and Aziraphale. So the end of S2 is then Aziraphale's temptation-- it's a test, of sorts, for Crowley, even if Aziraphale doesn't intend for it to be. Crowley resists the temptation. Even for Aziraphale, he won't follow the path of darkness for himself and become something he's not. Crowley-Jesus. (Aziraphale-Satan S3 incoming lol.)

And if you've been reading all of this right then you know what happens next and what it means from the POV of this guilt-ridden Aziraphale...

I honestly don't think Aziraphale is really that angry *with Crowley* at this point-- I think he's just angry. He's reached his limit and then some. He has a lot of simmering, under the surface rage on a good day that only bubbles over when he's stressed by a situation he can't control and here is the ultimate one, really. He's a little mad at Crowley because they've waited countless years for that and in an argument, while ironically probably kind of perfect for them, is not really how *either* of them wanted it to be... but, mostly, Aziraphale is just angry that he can't have any of those moments at all. That they're out of time. That they had all this time and they never really could be safely together and that he's been haunted for six thousand years of the image of his fluffy cloud of redheaded sunshine, bloodied and stricken, and then tossed to Hell while Aziraphale was powerless to stop it. He's never seen those eyes since and he loves the snake ones. He loves all of Crowley with all he has but he's never been allowed to *have* him and never felt safe enough to try and now it's all over. And he still has to make Crowley fucking leave this bookshop for his plan of self-sacrifice to fucking work here so...

...I forgive you. It's the worst thing he can think of. The thing Crowley always hates. The thing that he knows makes Crowley feel lesser and demonic, even if Aziraphale has always, always meant it as an I love you. He even spits it out to Crowley with an almost self-deprecating, referential tone to it-- like "here we go again-- you say you love me and I say 'I forgive you' because I can't say anything else, can I?" The anger is laced underneath it and all the pain but he's intentionally referencing how this this the thing he says whenever Crowley says they can be their own side. He's trying to claim that nothing has changed in all of these years, when they both know that everything has changed since S1 and the bandstand. That's what makes it hurt both of them even more. Aziraphale chooses to say "I forgive you" because he knows that Crowley has never heard it for how Aziraphale means it and Aziraphale is a little bitter about it and lets it show in the moment, since Aziraphale's I forgive you always really means...

I can't stand to see you in pain and if there's any power in me as an angel to stop it, then I will do that so I forgive you and may that make it easier, may that make it all okay, even though I know it won't.

And just before saying I forgive you, Aziraphale's mouth works and he almost-- almost-- says I love you instead... what Crowley would really give anything to hear.

You can see the 'l' forming there, the beginning of "love", what he *really* wanted to say... what Crowley himself didn't even actually explicitly say. Crowley said it without saying it. He called them a couple without saying that word, asked for eternity without fully asking for it, said he loved him by acknowledging that they had both been pretending, but Crowley was terrified and so he said the things in a way that made it obvious what he was saying and asking for but, so unused to not speaking in code are they, that Crowley didn't say he loved Aziraphale, not directly. He did say it. He just didn't say it in those words.

And for a second, Aziraphale almost does.

He can't stand that he's breaking Crowley's heart. He can't stand that Crowley has kissed him and Aziraphale only briefly kissed him back, only barely touched him, when he really wanted to go at him like an ox rib and never let him go, and he starts to say the truth because no part of him really *wants* to be lying like this to Crowley. But he stops. And not even just because he needs Crowley to leave the shop to save his life but because, in the last four minutes, Crowley has confessed love and proposed and they've kissed and Aziraphale, pretty sure he actually died somewhere in the middle there and he's now stuck somewhere in one of Dante's worst circles of Hell lol, just cannot *also* have this be the moment where he says "I love you" to Crowley.

It's not even false hope that maybe they'll somehow have more time. With Heaven breathing down his neck in the form of The Metatron, Aziraphale has no real hope of that. He just always dreamed of telling him and not like this. He doesn't want Crowley to hear it like this, either, not as a part of a rejection. The anger, instead, surfaces, because why can't he and Crowley just *have* this?! How the hell did Gabriel and Beezlebub get to fuck off to Alpha Centauri after dating for ten minutes when he and Crowley have spent bloody eons in queer pining hell over here? What did they ever do that was so wrong to deserve this? Why was Crowley asking questions so terrible? Why have they had to spend thousands of years pretending not to love each other as if love-- the epitome of the angelic-- was unholy? Why, Aziraphale is wondering, now that they are out of time, did he ever spend so many years terrified when, in the end, it all ended tragically anyway?

How many of those years could Aziraphale have spent loving Crowley the way they ought to have been able to have and denied themselves of for so long?

And then Crowley finally does it. Tells him "don't bother" about the forgiveness-- about the love, as Aziraphale has always meant it-- and he leaves. It worked. The anger and pain and saying "I forgive you" after that kiss... it worked. And Crowley leaves and Aziraphale, alone, is a complete mess of broken and furious and broken some more.

Crowley, as we know, doesn't get to see this moment. Muriel does! Great for fic! Hilarious by show standards that the new angel who is literally being ordered to take over Aziraphale's home against his will is who witnesses the aftermath of the intimate moment our angel has been craving, oh, just since before the dawn of humanity over here.

He touches his lips, his hand trembles... have you all noticed that Aziraphale is literally fucking *tasting and eating* what of himself Crowley left in his mouth here? He's pulling every bit of Crowley to his tongue from his teeth and *swallowing*, like he knows it's all of him he'll ever again be able to consume, like he's committing how he tastes to memory for the last like, who knows, ten? fifteen? twenty minutes? of his own existence that he knows he probably has left...

Jesus fucking Christ, Michael Sheen...

This is all without yet mentioning the single most under-analyzed line in S2 that calls into question a ton of stuff, which is this beauty from Shax, right off the top of 2.01:

"Beezlebub's put some of the lesser demons on half-rations."

What does this have to do with Aziraphale consuming Crowley's kiss like it's the most scrumptious thing he's ever tasted (because it is) and being furious that it'll be their last?

Because that Shax line casually confirms that demons eat. Do they eat human food or some sort of demon food or both? Who knows, really, but they're *supposed* to eat. Ok, but is it just a demon thing? No, because it ties to Crowley's comments in S1 about how he complained that the food wasn't really that good lately when hanging out with Lucifer and The Gang, which then implies that, at least back then, *angels* ate, too. Eating was a normal thing. Over time, though, we know that the higher angels have come to see eating as human and pedestrian and not something befitting of an angel. Some demons eat-- even Crowley eats, if less than and differently than Aziraphale-- but the angels think it's beneath them and if we have confirmation via Shax in S2 that they are supposed to be eating and basically only don't die because they're immortal beings and not human, even if they have human corporations, then the show is saying that all of these angels are fucking starving themselves.

They're doing what they're told and denying their own nature and their own needs in the process.

S2 also shows that with the ox rib, right?

Aziraphale went *at* that thing. He'd never eaten at all in a couple thousand years after being told it was un-angelic and so when he tasted food for the first time, he went so overboard that he's been Mr. Prim and Proper with his napkins and table etiquette ever since out of embarrassment over Crowley watching him food orgasm once-- and that's the metaphor there, as we've all figured out. Our show that has a sex worker named Mrs. Sandwich is all about its ongoing food-as-sex metaphor. S2 even opens with the hilarious turnabout from S1 as a "thank you for my pornography", "why do you consume *that*?" Gabriel shows up at the bookshop-- naked-- and has a food orgasm trying hot chocolate for the first time.

Gabe, babe, Aziraphale does not need the play-by-play here....

Mah point is... mah point is that Tumblr is maxing me at 30 images per post and so you'll just have to picture Crowley slurring "dolphins" while I get to my actual point here...

Mah point is while this is a whole separate analysis almost and one that many of you have already done in different ways re: food & sex on the show, my point here is that starving yourself of food in Good Omens is analogous to being touch-starved or love-deprived and before someone yells at me about how angelic beings don't necessarily need sex or are by nature not into sex unless they make an Effort, I agree with you and Neil Gaiman. I'm just also saying the show is suggesting that they all have human corporations and that many of those human corporations are not sex-averse so for those of them that are not, they're literally out here touch-starved and/or sex-starved here in different ways. But, you say, maybe Crowley is hungry (goodness knows, Crowley *is hungry* lol) but Aziraphale eats all the time!

Yeah. Aziraphale eats *food*, all the time. But he isn't touched all the time. He doesn't have sex all the time. He isn't kissed all the time. The 2.06 scene shows him *physically* making that metaphor of food and sex real for us-- we watch him *consume* what remains of Crowley's kiss--showing that he's desperate for it and deprived of it. He's starved for it, to a point of trembling hands and rolling every bit of Crowley's lingering taste around his mouth like he's taking on every last bite of the best crepe he could ever imagine in all his days...

...and then being, understandably, full of rage that this is the only time he's going to ever have Crowley-- and all he's ever going to have of him, when Crowley just offered all of himself-- forever.

And then The Metatron comes back and is Aziraphale ready to go to his death now? And, Friends, Aziraphale...

...is absolutely not.

He's turned away from the door, barely containing tears. When the door opened and he turned, he half-hoped it'd be Crowley but it was grr That Bastard instead. He looks out the window and Crowley is still out there...

...he left but he didn't really *leave*... and it somehow then still isn't over and will someone please just take Aziraphale out back and angel-shoot him? He can't take any more of this.

What about the shop? he asks, in a moment of desperation and terror over what's to come and some blind, stupid hope that he can somehow get out of all of this with him and Crowley still alive and The Metatron, who anticipated this, tells him Muriel lives here now. Aziraphale looks around the home he's made for him and Crowley for the last 223 years and his favorite books and possessions. Crowley's hat from 1941 is on the hat stand, the horse statue is where Crowley put his glasses back when he trusted him, back when he let Aziraphale see his pretty yellow eyes whenever Aziraphale wanted in recent years... before he just put his glasses back on now and closed himself off again.

Aziraphale is never going to see those eyes he loves again. He didn't even get to kiss Crowley without the sunglasses on before it was all over.

Even Gabriel had something to take up to Heaven with him to remind him of the demon he loved but Aziraphale goes to Heaven and to his death empty-handed because he pushed Crowley away to save him from all of this and, in the final push, he looks at Crowley standing there by The Bentley, all that secretly optimistic, beautiful, romantic hope about him still in him from the angel Aziraphale first met, all the awareness there of Aziraphale-- the only being who really knows him-- and so he's still waiting, still hoping. It goes back a few hours to the ball.

I'll be back. I won't leave you on your own.

But it's Aziraphale's call now and he gets into the elevator. The Metatron wins because Aziraphale's love for Crowley wins. He'll die before he lets anything happen to him, even if he wants to run to that car and to him but where would they run *to*? There's no place to go. Crowley has always been wrong about that. They can't go off together. There's no place safe from Heaven for them.

So Aziraphale gets into the elevator at The Dirty Donkey, leaving Crowley alone in the street once again, just with less hope this time than in 1967.

So Aziraphale leaves the bookshop this time, instead of going into it like he did in S1, when he left Crowley in the street, standing beside The Bentley, while clutching a different book this time-- Agnes Nutter's prophecies in his hand versus The Book of Life and its threatened erasure hanging over Aziraphale like the specter that it is. What was predicted about the future versus erasure from the past and all time. Nothing to see here, Crowley! Everything is as it's seems.

Everything is tickety-boo!

Tickety-boo?

Yes, which is also what Aziraphale-as-Crowley said... when he was kidnapped by Heaven and Hell in S1, remember? When he was taken from Earth to be sentenced to death... along *with* Crowley.

This time, Aziraphale is shutting Crowley out again. Telling him 'mind how you go' again, this time a bit more, uh, emphatically lol. And on their heels, again, the end of the world. Arma-bloody-geddon 2.0: The Second Coming.

Aziraphale heard The Metatron saying that was the plan-- as, of course, our villain walked away and meant for it not to be totally heard, further implying that they have no plans to really make Aziraphale the Supreme Archangel and that this is all a remix of Fraulein Greta Klauschmidt. That then makes this all somehow *even worse*... because now Aziraphale gets in the elevator to ride up to his death to save Crowley but now he knows that it was all for nothing.

War is coming. The planet they love will be destroyed. Crowley, if he knows him well enough, will likely die trying to save it. When he does, he'll still be damned to Hell for all of eternity while Aziraphale thinks he likely won't exist at all once he makes it upstairs and Michael finally gets to Book of Life him. Let the other angels think he's been played for a sucker. Better they think him a fool than that they come for Crowley.

He doesn't want to Fall and doesn't wish for it. If they take his memories as punishment, and they almost certainly will, he won't remember any of the moments he spent with Crowley and even if they could have eternity together in Hell if the world is destroyed, he wouldn't wish Crowley the pain of being around him when he didn't remember anything.

Aziraphale only finding out about The Second Coming in the moment before he gets on the elevator-- *after* everything happens with Crowley-- is a million times worse because now Aziraphale is riding to his death knowing that everything they've done in six thousand years doesn't matter and that the events of S1 didn't matter because all it did was delay the inevitable end of the world and everything Aziraphale loves is about to be destroyed.

That, apparently, was God's ineffable, Great Plan.

All of that is what is on Aziraphale's face on the ride up to Heaven in the final splitscreen.

In that splitscreen, Crowley, for what it's worth, is visually echoing the driving back from Tadfield bit that leads to the "tickety-boo" moment of Aziraphale lying to him by omission. He looks close to a parallel to the S1 moment where he suddenly yelled:

"DUCKS!"

They're what water slides off of. In this context? They were also the thing itching at the back of Crowley's mind-- the not quite right thing, the puzzle he couldn't quite figure out, the question he coudln't yet quite answer... until he could. That's positive, actually. It means there might be something for him to realize, even if that realization might come too late in the short term. (They will solve everything and be fine, memory-intact, immortal beings in love who go off together by the end of it. This is all just until then.)

Ducks are also, sort of, the be all and end all of Good Omens. Crowley knows how to take care of them, after all, when others do not. You feed them frozen peas-- they are good for them and they love them, too. (Don't feed him coffee, you Metatron idiot! He only ever drank one mug of it in S1 and it led to the *points above* see: tickety-boo Aziraphale lying to Crowley paralleling sequence of scenes.) [The "do you have one, single, better idea?" scene is Aziraphale drinking coffee, for reference.]

So, yeah, by comparison here... Aziraphale, you are a duck lol. You have been fed bread by idiots for far too long when, really, you need to be eating frozen peas. Crowley knows this and he knows how to take care of you. With any luck, he's about to have his duck-moment-paralleling epiphany any moment now, though I fear you're already going to be memory-wiped and fallen to Hell when he does. That's okay, though, because this is the main scene that still needs a go-around in paralleling and we know Crowley knows where the dungeons are down there from unfortunate, personal experience.

Cottage in the south downs, cottage in the south downs, cottage in the south downs, cottage....

Notes: Hi! If you have made it all the way here, thank you for reading. I hope it was worth the read for you. You all write such great stuff that I felt inspired to put my lit and film studies and psych background to use and jump in a bit. Thanks for indulging me. I also wish to note that there is a gif above that is by @fuckyeahgoodomens but for some reason, the credit was not working properly so I just wanted to make sure you knew who was providing us the visual joy.

#ineffable husbands #good omens #crowley x aziraphale #good omens meta #long post #good omens theory #i am not kidding you this is kinda long but there are gifs and jokes and i brought snacks?#aziraphale #crowley #good omens 2 #good omens 2 spoilers #gabriel

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luckycloverforducks · 3 months

Text

Fuck it, HH swap AU

Their core personalities and backgrounds stay the same, it's mostly a role switch

Niffty <--> Husker

Angel Dust <--> Vaggie

Alastor <--> Charlie

(the typical for swap AUs, I know,,)

Everyone else stays the same

These r edits bc I was just figuring out their designs for the AU, I'll draw them normally another time (Husker isn't here cuz I can't find a good png of the mf)

In this AU Alastor started the hotel mostly because he randomly thought up the idea once and thought, "that's fucking hilarious, I'm doing that" + a secondary sentimental reason he'd kill me for saying (he got genuinely fully invested in the cause eventually)

He advertised it on his radio show suddenly out of the blue after 7 and a half years of radio (lol) silence. Alastor still owns Husker's and Niffty's souls but they're also obviously friends (or atleast close to it)

Also he can read tarot bc why not :3

Charlie is closer to her dad in this AU and more sheltered, adopting a more aloof, smug, and dangerous persona so sinners take her seriously, she also has a very slight condescending outlook towards sinners but she's at her core still compassionate and still views them as her people and want to protect them to a certain extent, and she still thinks the Exterminations are unnecessary and cruel, but she doesn't feel like she can do much about it since according to Lucifer's stories and discouragement, she knows heaven likely wouldn't listen much if at all, but when she heard of Alastor's little project it resparked hope in her and she decided to invest in it, becoming co-owner and funder for the hotel.

Angel Dust/Anthony never made a deal with Valentino and actually stayed in his family's crime/mafia business for the 1st half of him being in Hell, but his dad is a POS and kicked him out for being gay so he started doing s3x work, and then he met Alastor after he brutalized his harassers one day, and Angel wanted to repay the favor somehow. Alastor seems interested in him so they struck a deal (not a soul deal, just a simple deal) which has Angel/Anthony is under Alastors protection in exchange for Angel/Anthony's loyalty and assistance when needed (which is a rare case so Angel still feels like he owes Alastor). They grow friendly with time, and Alastor offers to have him be patient zero for his redemption project, and he accepted.

Vaggie/Vi is still a fallen exterminstor and still met Charlie the same way she did in the show, but after that they went their separate ways and Vi finds herself making a deal with Velvette. Instead of being a pornstar like Angel in the show, she is an influencer and a rockstar/singer, she does enjoy making music and playing the guitar but Velvette tends to overwork her and make her do things she doesn't really like for views/popularity. Velvette is the nicest to Vi/Vaggie compared to with her other employees (which isn't a very highly set bar tbh) but she also frequently break her boundaries.

Vi met Charlie again during one of her concerts and they got close and started dating. (Also one sided Velvette x Vaggie is sort of slightly maybe canon in this AU bc toxic Yuri is fun (and it's only fully one sided after Charlie and Vaggie/Vi started dating))

She helps manage the hotel when needed, but is honestly only there cause Charlie is.

Not much about Niffty changes tbh (she's perfect the way she is, utterly unhinged 😍) she's just a bit more mellowed out and less hyper (she's still hyper just not all the time like in the show) and she's also a bartender and has surprisingly good taste for alcohol, and also frequently makes borderline poisonous drinks while experimenting, but when she gets it right it's really good. Doesn't stop the others of being terrified of her drinks though

Husker is a more smiley and charming in this AU, using a laid back attitude to put people at ease and more willing to open up to him if they need to (he used to use the information people share as blackmail when he needs to back when he was an Overlord, although he never actually needs to spread anything, just threats), and he's still very observant but he's also slightly more unhinged- He's a sort of butler/cleaner for the hotel

He still gets grumpy time to time, but mostly when he's drunk, which isn't as often anymore ever since Niffty was put in charge of the bar (understandably so)

He has a bit of an anger issue and also gets annoyed easily, and sometimes makes unhinged threats as a sort of joke (they stop being much of a joke once you genuinely piss him off)

He likes things clean and tidy because it helps him pretend to be put together

He and Alastor are a bit friendlier compared to in the show, hes still one of the few people that knows more about Alastor, though hes still bummed about the whole being owned by Alastor thing (Husker can also read tarot to a lesser extent bc Al taught him for funzies and Husker thought it's interesting)

His gambling addiction is also ever so slightly worse

#alastor hazbin hotel #hazbin hotel husk #hazbin angel dust #niffty #hazbin vaggie #swap au #hazbin hotel swap au #velvette mentioned #radiodust #chaggie #Velvette x Vaggie #seriously am i the only one who thought of this ship?#huskerdust #the ship tags are mostly just for reach but at the same time not really #i love them #btw #if u even care #UpsideDown/Swap AU

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skxllz · 3 months

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𝐥𝐮𝐜𝐢𝐟𝐞𝐫 + 𝐫𝐚𝐧𝐝𝐨𝐦 𝐬𝐨𝐟𝐭! 𝐫𝐞𝐚𝐝𝐞𝐫 𝐡𝐞𝐚𝐝𝐜𝐚𝐧𝐨𝐧𝐬

♡ ⎬ soft! reader who combs their fingers through lucifer's hair during any given chance. they're aware he can be a stressed out, self-pitying man who just needs some sort of release from all the baggage he carries amongst his shoulders. head pets and playing with his hair comforts him <3.

♡ ⎬ soft! reader who often bakes sweets for lucifer's daughter but saves him a few ‘cause he never treats himself. surprising him with little duck-themed sugar cookies always causes the king the clutch a hand to his chest, little beads of tears gathering in the corners of his eyes. don't tell anybody, but he's a sucker for your baking :).

♡ ⎬ soft! reader who has the habit of saying ‘ I love you, amor! ’ everytime they leave, or lucifer leaves, a room. it could just be momentarily and yet, it's still said — lucifer adores the act though, and his heart flutters everytime. he's never been reminded so many times of how much he's loved.

♡ ⎬ soft! reader who makes pinky promises with lucifer everytime he tends to get stuck in his head. — “ I'm not going anywhere, luci. ever. ” - “ you promise? ” - “ I promise. ” — he's aware how much pinky promises mean to them, just the act of hooking their fingers around one another is enough to soothe the fallen angel's spirit.

♡ ⎬ soft! reader who convinces lucifer to have father-daughter days to further repair his and charlie's relationship. he was afraid unsure of the idea at first, but was later persuaded once you showed up at his room with the blonde herself, a copy of beauty and the beast, and a promise to shower him in all of the kisses he deserves at a later date. how could he say no to that? — the night ended swell because him and charlie were hugging, babbling, in tears from the movie.

♡ ⎬ soft! reader who spoils lucifer with gifts whenever they can. he's usually the one rewarding others’ with gifts, so to be the one getting presents in return was surely something. it was always worth it in your eyes to see the man you love light up like a christmas tree just from the sight of a brand new tool set to craft his rubber ducks with. he appreciated it very much and couldn't express it enough!

♡ ⎬ soft! reader who makes a mixtape of earth's greatest 70's-80's hits. they were alive during the 90's/2000's and figured good ol’ luce would enjoy songs from two very phenomenal decades! he ends up really enjoying billy joel :).

♡ ⎬ soft! reader who makes a habit out of taking polaroid pictures of lucifer when he isn't paying attention. you keep a photo album of all of the pictures to give them to him on his not birthday! it's not only to build memories, but to show you love and appreciate every aspect of him. — when you do give it to him, he ends up staring at the pictures for a good five minutes before slowly standing up and hugging you. you're stuck with the king of hell clinging to you for the rest of the night, shoulder soaked in tears of thankfulness.

❥❥❥

I could add more but this is all I could think of for now 😅

#hazbin hotel x reader #hazbin hotel #hazbin lucifer #lucifer headcanons #lucifer x reader #lucifer morningstar x reader #hazbin hotel lucifer #hazbin hotel lucifer x reader #lucifer morningstar

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clockwayswrites · 5 months

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Like Betta Fish Do - Part 29

WC 2500, Masterpost

A Press of the Button:

An Exclusive Interview with Jason Wayne and Danny Nightingale Following the Infamous New Years Eve Choice

By Clark Kent

“I’m going to throw up.”

I’m sure that I wasn’t supposed to overhear that; it’s not exactly an auspicious start to an interview. Here inside of Wayne Manor’s stately halls the noise of the crowd of press outside of the gate has fallen away and the words from the other side of the door are clear. The voice isn’t one that I recognize, so I place it as the young man at the center of the event: Daniel Nightingale.

“Danny, please, I’ve never liked Daniel,” he’ll introduce himself to me once I’m inside the sitting room. Jason Todd is at his boyfriend’s side, looming like an avenging angel. Or, since we’re in Gotham, a very large bat.

When I was assigned the interview, I hadn’t been sure where it would be held. As readers may know, Jason Todd hasn’t lived at the Manor since his miraculous return from the dead. There were, as he said, too many memories in the Manor for him to return. At the time he had still been struggling to overcome the unfortunate amnesia that he had suffered during his brutal abduction as a teenager.

Whatever trauma is still lingering, it’s clear that both young men are taking comfort being in the manor. The proverbial wagons have been circled inside of the family home. Even cleaned up the sitting room shows signs of a rotation cast of family keeping the pair company: a plethora of blankets, stacked board games, feel-good food, and, of all things, a plush trilobite.

As we take our seats, Danny leans unconsciously into Jason’s space like a flower to the sun. His nerves are clear in the way that his fingers fidget restlessly with the edge of his sleeves. The red sweater is far too large for him and hangs off of one thin shoulder. I have to guess that it’s Jason’s sweater and worn today for comfort. I doubt anyone could blame Danny seeking comfort wherever he can find it.

Less than a week ago Danny was abducted from the Wayne’s New Years Eve party by a Gotham villain known as Two Face. The villain came into being after Harvey Dent, a district attorney in Gotham, was traumatically exposed to a toxic chemical. (More about Two Face can be read in the article ‘A Flip of a Coin’.) Danny had been taken off site while a handful of party goers were strapped to an explosive device.

Presented with the horrifying choice between his boyfriend or his father and youngest brother, Jason had pressed the red button connected to Danny’s trap.

Danny Nightingale had been electrocuted to death.

And survived.

It’s the perfect sort of awful story to capture the attention of the public and press alike, and it’s the reason that I’m at Wayne Manor now.

Hoping to make Danny feel more settled, I start off with some pleasantries before going in with a soft question. How is he doing with all the attention that the event has been getting? It must be overwhelming.

Danny glances towards the front of the house where outside lies the front yard, the protective gate, and the press. “It is. I feel like I’m still getting used to living in a city as big as Gotham, so all of this suddenly… yeah, it’s a lot.”

Danny grew up in a much smaller city in central Illinois called Amity Park. He moved to Gotham in the late summer of last year to continue his education at Gotham University. It’s a change that he describes as good, even as overwhelming as it is.

“Gotham has been surprisingly easy to fall in love with. I can see why Gothamites are so protective of the city,” Danny explains with the first hint of a smile on his face that I’ve seen since I came through the doors.

When I ask him if he hopes to stay in Gotham long term, Danny glances at Jason and blushes faintly. “I’d like to, if I can find work. There’s a lot here worth staying for and the city is just part of that.”

The words cause the first blush I’ve seen on Jason’s cheeks since he was new to the Wayne family and a little overwhelmed himself. Clearly Jason is one of the things worth staying for.

We talk a little about how Danny likes the Wayne family. He admits that he’s still getting to know them. He’d only been introduced to most of the family at the end of last year, right before finals. Already, though, there are stories to be told about board games and good food. Beyond the Waynes, Danny has someone else very important in Gotham.

“Your sister is in town, isn’t she?” I ask. “I imagine having her here during this has been nice.”

“It is. I was actually supposed to go and see her after New Years, but obviously…” Danny clears his throat and Jason takes one of Danny’s hands in his. Danny instantly relaxes into Jason’s side. “But yeah, having her here is really nice.”

“I take it you two are close then?”

“She was my anchor growing up,” Danny says with a little smile that’s tinged with sadness. “I wish she hadn’t had to be. Now that I’m older I know how unfair that was to her, but I’m so lucky that she did. She could so easily resent me for it, but she doesn’t at all. It makes it really easy to love her.”

“Not that it’s hard,” Jason adds with a chuckle. “I think her and Dick have already made an oldest sibling club and Damian thinks both Nightingales hung the moon, I swear.”

“Speaking of Nightingale, that isn’t your original last name, is it?”

It’s been an item of note in the recent write ups on Danny that both of the siblings had changed their last name to Nightingale from their birth name of Fenton. Their parents, doctors both, still go by Fenton. In Gotham, at least, the Doctor Fentons would be described as mad scientists. The so-called ‘ectobiologists’ have made their life a study of ghosts. In Amity Park, ‘the most haunted town in America’, they’re just part of the atmosphere.

Danny sighs and glances away. “No. Jazz and I both changed our last names when we turned eighteen. Jazz had wanted me to change it and go with her when she turned eighteen, but she had this great scholarship for college and she’d taken care of me enough. I couldn’t put that on her too, so I refused to until I was eighteen.”

“So you didn’t actually emancipate yourself?”

“Nope. One day late for that. But I moved out the same day I changed my name.”

“How did your parents take that?”

A wry smile twists Danny’s lips. “They didn’t notice until months later when the lab had gotten too dirty.”

“The lab?”

“It was one of my chores to clean it; another thing that I get was messed up now that I’m older and away from there. We, um, think that it was my exposure to all those chemicals that made me a meta.”

By all accounts, Danny’s meta status is how he survived the electrocution. It’s a label that he looks slightly uncomfortable with.

“It’s not that I mind being a meta,” he’s quick to assure me. “It’s just that… what actually made me one was an accident in the lab. I was electrocuted.” He raises his left arm up. The overly large red sleeve pools down to reveal a branching network of faint silver scars tracing his skin. “It’s hard right now to think back to it, after what happened. I really didn’t know if I would survive… either time. I’m lucky that all I have are scars.”

“But you thought that you might survive.”

“I did,” Danny says with a little shrug. He seems almost at ease with that question, unlike Jason.

Jason has to take a moment to press a kiss to Danny’s temple.

“After the first time I was electrocuted,” Danny explains, “I became a little more resistant to electricity— little shocks and things. It’s not like I ever tested it out with anything big. I guess it was just a feeling I had.”

When I ask Danny if he’s alright to talk about the night of the party he looks stressed by the idea but still gives a little nod. As he points out, it is why I’m there.

“I was getting some fresh air,” Danny explains. He’s picking at the sweater again. “The night was really lovely, but it’s just not the sort of thing I’m used to, you know? So I just wanted a moment to gather myself. I guess… I guess they were already watching me, because they knocked me out before I even really knew they were there.

“I woke up strapped to a metal chair. They’d taken my shoes and socks off. I couldn't understand why, but then,” Danny has to pause here and take a moment. Jason pulls him closer. “Then I noticed that my feet were in water and there was a wire in the water too. The wire wasn’t live but it’s… I mean it wasn’t hard to put it all together.”

“That must have been terrifying.”

“Yeah.” Danny looks over at the windows and the gray winter day beyond them. “I didn’t know who had taken me or why. I could hear some people close, talking about waiting for a signal, but it wasn’t much. When my eyes adjusted I could see a camera on a tripod and a laptop. I didn’t know what was going on, not until it turned on.

“Two Face was on it. I guess you know I’m not a native Gothamite that it took me a moment to recognize him,” Danny said with a weak laugh. “He explained what he was doing.”

I ask Danny what his first thought was when hearing the plan.

“Worry for Jason. Which I know sounds insane, but I guess… I guess I had already accepted the circumstance I was in. I just didn’t want Jason to have to go through that choice.”

“And then Jason was on the screen.”

“Yeah.”

“Jason, what were you feeling at seeing Danny on the television?”

“What do you think?” Jason asks, frustration lacing through his voice. “I was pissed off. I was scared. I was… I hated myself.”

“Why?”

“Because Danny was only in that situation because he was dating a Wayne. Because he was dating me. And there he was, a few seconds from death, bleeding, and… and telling me that he loved me.”

While Danny sounds almost detached talking about it, possibly a coping mechanism, Jason sounds like every wound is still fresh. It paints a terrifying picture of what it’s like to be the one to die versus the one who presses the button.

I turn back to Danny. “You said something to Jason in the video after that. There's been a great deal of debate about your words. Do you feel alright discussing them.”

Danny nods. I read out the quote: You know what you have to do, don’t you?

“Danny, what did you mean?”

“That Jason had to press my button,” Danny says with surprising ease. It’s clear that the order was one that he still stands by.

I ask about that certainty.

Danny gives a little shrug. He tucks himself back further under Jason’s arm, but I'm certain that the move is more for Jason’s comfort. “It was me or a group of other people. That would have been enough. I would never put myself first like that, but then you add in Damian and Bruce being part of that group? I couldn’t ask Jason to choose me over his family and Jason knows I wouldn’t.”

What about the chance of survival?

“Jason and I had talked about my accident before. Death… it’s something we both get, you know? So we both knew that there could be a chance of me surviving, but there was never any guarantee.”

“Are you going on record that you told Jason to press the button, knowing it could kill you?”

“Absolutely.”

And how did that insistence make Jason feel? Right then it seems all Jason can do is curl up around Danny, as if he can shield him from the past.

“Fucking horrible. Danny just looked at the whole situation and made the choice for me. I don’t know, maybe I should think that was freeing, but I still had to press the button.”

I point out that he could have made the other choice and he just shakes his head. “And make Danny live with that? He had made his choice. He didn’t want to trade his life for theirs. I hated it, but what sort of person would I have been if I didn’t let Danny take control of his own life? I knew I wouldn’t be able to live with either choice, so at least… at least I could listen to Danny.”

So Jason had pressed the button, Danny had been electrocuted (he refused to speak on the experience), and Jason had attacked Two Face. The man had ended up with a broken jaw and fractures in the orbital rim. It was while Jason had been sobbing in his father’s arms that they had gotten the word from one of Gotham’s local heroes: Danny was still alive.

“What did I feel? Hope,” Jason said with an almost despairing laugh. “I don’t… hope and I don't do well these days, but I felt hope. I don’t know if I believed it until I was actually holding his hands.”

“I was a little out of it when they got there,” Danny admits, which seems more than fair considering everyone else would have been dead. “But I’m so grateful to Nightwing and the paramedics taking care of me and letting me see Jason before the hospital. I really… I really needed him right then.”

And now?

“I’d like to say that I’m alright, but,” Danny shrugs, “it’s a lot to go through. But I know I’ll be alright. Jason and his family are amazing and I have Jazz here. I’ll keep healing, physically and mentally, and so will Jason. I know the internet has a lot to say about it all, but I think they need to understand that this turned out the best way that it could have.”

Jason kisses Danny’s temple again with a slight smile. He seems to be in agreement with everything his boyfriend said.

“I suppose I have just one more question,” I say after a moment of looking over my notes. “Why do you call Danny ‘fish’?”

I don’t get an answer, but maybe hearing those two able to laugh so soon after such a traumatic event is better than a story.

---

AN: *flops dramatically* darlings, this chapter is finally done! Thank you to @chromatographic and @mokulule for cheer/beta reading for me. This one was really hard to write since it's out of the normal style wise for me, but it felt like the best way to tell the story right there.

I hope you enjoy it!

I no longer tag, you can subscribe at the masterpost!

#dp x dc #dead on main #like betta fish do

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signedkoko · 4 months

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hiii!!! i’m new to anons lol but i love ur writing so much!!

i was wondering if i could pretty please request some vox x reader romantic headcanons where reader is a fallen angel exorcist, like vaggie? and possible vox finds them left after an extermination and takes them in?

tysm❤️‍🩹

Vox X Reader [Romantic]

In which Vox finds you cast down from heaven after the extermination. Reader is genderneutral.

While the Vees remained somewhere safe during the actual extermination

The first person to get back into things is Vox; he needs to know every detail, count every death, and report any massive fallings of overlords

Every camera flickers to life, his teams are sent out to repair, and as his processor is counting up the hundreds of deaths, he catches something strange on his camera

You're limp, shoved against a wall, with gold leaking from your back and a broken spear in your hands

Oh yeah, he's going for this one himself

He's not saying a thing because the implications of who you might be could be world-shattering, and he wants to be the first to say it

Making sure to keep an eye on you via that camera, he's glad he shows up because you look like you are on the verge of death

At first, hes cold, looking at you, wondering if you would be worth the trouble

But then his curiosity kicks in, along with his itch for innovation and wanting to be the first at everything

With the zap of some electricity, hes transporting the two of you to his workstation, where loose wires and all sorts of projects mid-construction are sitting around

At that point, you've actually started to try and fight back, which gives him a good glance at your back, where two gaping holes near your shoulder blades were pouring out the golden blood

" Jeez, chill out! It's not like I can kill you or anything. "

He's unsure of his own words, but you seem to stop then, which confirms that he really did have no means to kill you

But one thing was certain: you were not from around here

Vox will bandage you and ask all sorts of questions; he wants everything, and you seem more than willing to tell him everything, although he could tell you ommit a lot of details

" So then, where'd your wings- "

" I think you have overstepped. "

Alrighty then!

He won't press too much, but he will run vitals to make sure you're in a more stable condition

Vox won't let you out of his sight, though who can avoid his gaze?

For the first week, you remain in the workshop until he can work out a room for you

He would hide you from his coworkers for a month; he's worried they might try to exploit you or let shit out

But eventually he introduces you to Velvette- though neither of you share where you are from, as far as she is concerned, you are something of a partner to Vox

Valentino won't know until it happens accidentally, because jesus, Vox can't trust that asshole with a single thing

He won't want you to go out without someone too often, worried someone might find out and try to kill you

He says it's because he needs to be the only one who can study you, but the way he clings to you at night tells you he just doesn't want to lose you

Author's Note - Alternative title: local tech overlord can't admit he has a crush because ur the first person to be nice to him and mean it

#koko writez #hazbin hotel #helluva boss #hazbin hotel x reader #helluva boss x reader #reader insert #x reader #vox #vox x reader

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cmncisspnandmore · 5 months

Text

One Night Stand; Part 6

Pairing: Simon "Ghost" Riley X Pregnant!Reader

Warnings: Smut, Shower smut, Slight breeding kink if you squint, Simon Riley being a literal angel, basically all smut with a little bit of plot.

A/N: Hi loves, imma be real, i wrote this entire part in a day. I spent pretty much my entire afternoon writing this after i scrapped about 4 different versions. This is the best i got at the moment. Im still working on this series and requests. Just life is kinda busy. So please bear with me and enjoy the brain rot. This is also not proofread at all so RIP to any grammar police.

Word Count: 3012... This seemed longer.. sowwie, its smol.

New to the Series? Catch up here: Part 5

You sleepily make your way towards the bathroom door, hand closing over the knob as the incessant need to pee urges you forward. It was a little after 2am, you had fallen asleep rather early having spent most of the day lounging around the apartment.

Simon was on base for the day, running training exercises with Soap, Gaz and Captain Price. During the 3 months you have been living with Simon, you have come to learn his patterns. Training days meant that 9 times out of 10 he would spend the night on base. The days before a deployment he would make sure to stock the fridge and pantry with your favorites. On Sundays he did laundry, every 3rd wednesday he would get his haircut. Saturdays after returning for deployment were reserved for going out to Soap’s bar and having a well deserved drink. You also learnt his day to day routine, every morning he was home Simon rose at exactly 5:00am, went on a 12 mile run, when he returned if you weren't already awake he would prepare you a healthy breakfast and leave it out for you before heading to work.

On days when you were awake when he got back from his run he would shower, and you both would spend some time preparing breakfast together. Although those mornings instead of the nutritionally packed meals he usually prepared you often convinced him to make some sort of carb and sugar filled breakfast. Those mornings he would often leave the flat grumbling about how he should’ve run extra. Those mornings were your favorite.

Since you moved in your relationship with Simon had not progressed further than friends, sure there was still the burning desire that he ignited within you from just looking at you. And you would often linger just a little bit too long in his arms when he would give you a hug. But there hadn't been any kissing, and you haven't managed to end up naked in between his sheets. But that wasn't for lack of wanting.

As you shove open the bathroom door, you fail to realize that not only was the light on but the sound of running water was coming from the shower. As you quickly beeline for the enclosed toilet space, you don't feel a set of brown eyes watching your every move from behind the foggy glass. It isn't until you wash your hands in the sink and glance up into the large mirror on the wall that you realize you aren't alone. Through the fogged glass of the mirror you can make out Simon’s large silhouette, his tanned skin reduced to nothing more than a tan blob.

“Oh my god!” You squeak, whirling around, your chest heaving as you finally face Simon. He's mostly obscured by the fogged glass door of the walk-in shower, but his bemused smile is clear. “I didn't think you would be coming home!” You mutter out, your cheeks turning pink as he runs his hand across the glass cleaning away some of the fog. Now you can clearly see his face, although distorted by the water droplets on the glass.

“I should’ve texted you, I'm sorry.. I just didn't want to be late for the appointment in the morning..” Simon says as he reaches up, running his hand through his wet blonde hair.

“No, no! I'm sorry, I should've paid more attention. I'm such an airhead sometimes I didn't realize that there was someone in here..” you rush out as you try to desperately keep your eyes from straying from Simon's face. You aren’t sure if it's the heat from the shower or the pregnancy hormones but it takes all your willpower to keep your eyes from trailing down his toned body.

Simon pauses for a moment, his dark brown eyes trailing over you, from the adorable flush of your cheeks to the swell of your stomach under the sleep shirt you have on. “It’s alright. Love," Simon smiles. One of his panty dropping smiles that you swear he reserves for only you. It's the smile that sends shivers straight to your core. That leaves you a hot panting mess behind closed doors. Living with Simon and not jumping his bones at every opportunity was damn near torture during your second trimester. You were able to take care of things yourself, but now that your bump had grown substantially, you hadn’t been able to find relief.

Without thinking, you walk towards the shower and yank open the door, the hot steam pouring out. Little splashes of water hit your skin as you step into the small space. Your sleep shirt and shorts quickly drenched, as Simon stares at you wide eyed.

“Sweetheart…” Simon warns as your hands come to rest on his wet cheeks, your thumb catching on his bottom lip as he looks down at you, his pupils blown wide. You quickly close the space between you two, your bump pressing against the firm plains of his abs, your arms snaking around his neck as you sharply tug him down to your height. Your lips capture his in a sloppy, wet kiss. Simon groans low in his throat, his chest vibrating against your overly sensitive breasts. A new wave of need pluses through you as you try to get closer, Simon's cock jumping to life as it presses against your lower stomach. Simon's large hands land on your hips squeezing slightly as he turns you, pressing your back against the cold tile wall of the shower.

A startled gasp rushes past your lips as your back makes contact with the cold tile. A shiver running through you as your wet shirt makes it feel colder. Simon smiles against your lips, one hand coming up to graze over your pebbled nipples through the sopping wet fabric of your shirt. A breathy moan slips from you as Simon peppers kisses down the side of your jaw to your neck. The spray from the showerhead now sprays off his shoulders as he leans lower.

“Fuck.. Please,” you whine, nails scratching along the tops of his shoulders Simon wraps his lips around one of your nipples, over the fabric of your shirt. The friction from the wet fabric sends waves of pleasure through you straight to your core, your legs starting to shake with need and Simon has barely touched you.

“Such a needy girl…” Simon murmurs against your skin, as he flicks his tongue across your nipple. Your cheeks flush pink at his words but you’re hanging on to each one like they’re your life line. “Why didn't you just come to me if you needed some help baby?” Simon whispers softly, as his fingers trace the bottom of your bump, slipping beneath the fabric of your shirt as he pushes it up.

“I…I don't know,” You mumble your head tipping back against the cold shower wall.

Simon hums, his lips once again brushing across one of your nipples, pulling another moan from you. “God, your tits are amazing. It’s been hell walking around trying not to stare at them. Knowing that my child is the reason, knowing that they are growing to provide milk for our baby,” Simon whispers against your skin, and you swear you could cum just from the sounds of his voice.

“Simon… Please…” you whine, it's small and breathy, in any other circumstance you would be ashamed for sounding so weak, but right now you couldn't give two shits if the damn queen of England was standing here witnessing your plea.

“Tell me what you need baby, I don't want to hurt you..” Simon stands back to his full height, his hand coming to cup the side of your face. You force your eyes open, Simon's beautiful brown eyes staring at you. Simon is a large man, in all aspects of his life and the last thing he would ever want to do is hurt you unintentionally. Especially now, as you carry his child within you, he would rather be buried alive again than accidentally do something to hurt you or the baby.

“I need you to bend me over and fuck me senseless. I feel like I'm going to explode,” you whine, your needy hands coming to rake down his bare chest, sending a shiver through Simon's entire body.

“Whatever you need, Love,” Simon grunts before he bends down and picks you up, nudging open the shower door with his shoulder as he cradles you against his wet chest. He doesn’t stop to turn off the shower or even dry himself off as he brings you into his room. He sets you down on your feet and quickly drops to his knees in front of you. His still warm hands catching the waistband of your wet sleep shorts. He pulls them down your legs, goosebumps erupting across your skin from the sudden change in temperature.

Simon presses a series of soft kisses to the stretched skin of your stomach, his hands briefly cupping your belly/ “Hi Lovie,” he whispers softly to your bump and if you weren’t so ravishingly horny you could cry. The sight of probably one of the scariest men you know on his knees in front of you talking to his unborn child makes you want to scream in the best way. But your mind quickly goes blank as Simon's fingers trace the smooth skin of your inner thigh.

“Turn around, elbows on the bed, pet,” Simon stands again, his hands on your shoulders as he gently turns you. As if on autopilot you lean forwards, resting your elbows on the bed, giving Simon a perfect view of your ass. A deep groan hits your ears as Simon's hand comes to massage the puffy flesh of your ass. Your skin prickles with anticipation as his fingers dip lower, gathering the slick wetness from between your thighs. The breath wooshed from your lungs as he thrusts one finger into your slick cunt.

“You’re so wet for me, such a good girl aren't you?” Simon hums, lazily thrusting his finger before he adds a second. You tip your hips back, trying to make him go faster, this slow languid pace he was setting was driving you mad. You needed to be fucked, and god damn if you didn't get it right now you were going to cry.

“Si…” you whine, pushing your hips back into his hand as he curls his fingers within you.

“Hmm?”

“I’m pregnant, not made of fucking glass. I swear if you don't fu-” Your voice cuts off as Simon slams into you in one quick thrust. Your world spins for a moment and if you hadn't been holding onto the bed for support you would’ve fallen over. A startled gasp passes your lips and Simon all but freezes. “No please don't stop, it just feels different but not in a bad way…” You quickly mumble reaching back haphazardly with one hand to try and grab Simon's hip to force him to move.

“You sure?” Simon mumbles, his hands coming to rest on your hips, as he slowly pulls out before sinking back in.

“Oh god, yes, please,” you moan, your face now pressed into the mattress. That was all it took for Simon to continue, his hips thrust into you at a rapid pace, obscene moans leaving your lips as he slams home each time. Sex felt different this time, there was no slight burn from how big Simon was but you felt full, so deliciously full. You had been worried about having sex at any point during your pregnancy, having read that some women have no sex drive during pregnancy, especially the 3rd trimester. But thank the lord above it was not the case for you. Your thoughts turn to nothing as Simon lets out a harsh moan, your walls fluttering around him.

“Fuck baby, you’re squeezing me so tight,” Simon grunts as he adjusts his grip on your hip bones,his fingertips digging into your skin.

“Feels so good Simon.. I'm gonna cum..” You whimper as the familiar coil in your stomach tightens, teetering on the edge of release as he pounds into you. Your skin slapping against each other so loud you're sure the neighbors know what's going on.

“Cum for me baby,” Simon leans forward, one hand wrapping around your shoulder as he pulls you up slightly, your elbows no longer resting on the bed as he pulls you up against his chest. His hips still pistoning into you as he uses the new position to fuck into your harder. You reach up and grab the back of his neck with your hand, anchoring yourself to him, your other hand coming to find the hand still on your waistline. You guide his hand up to your throat where he gives it a gentle squeeze.

That small squeeze was all you needed to go tumbling over the edge into oblivion. Stars dance in front of your vision as the world goes quiet for a moment. Simon finds his own release moments after yours, his entire body tensing behind you. As you turn to putty in his arms, “Woah, I’ve got you,” Simon whispers into your sweaty hairline as his arms carefully wrap around you and he manages to slip out of you and hold you up.

“Sorry,” you mumble, fully sated as you lean against his chest. You can feel his heart hammering against your back, one arm firmly around you, right under your breasts the other resting lightly on your bump. His fingers softly rubbing along your soft skin.

“You have nothing to apologize for,” Simon grunts, maneuvering you to the edge of the bed where he helps lower you into it.

“I just basically jumped you in the shower… “ you mutter, your eyes heavy as exhaustion hits you like a freight train hitting a brick wall.

Simon pauses as he gathers your wet pj’s from the floor and shoves them into his laundry basket. “You think I would be upset by you jumping me in the shower?” He asks, a small smile on his face.

You lift your head, watching as he shoves the clothes into the basket and grabs a black long sleeve shirt from the closet. He walks over, standing in front of you still in all his naked glory, the shirt in his hands. “Well.. I mean.. we haven’t exactly expressed wanting more than friendship..”

“Love, I’ve been taking it slow because I thought you only wanted to be friends… not because I wanted to. God, watching you walk around the apartment, your stomach growing with my child drives me insane, I’ve wanted to bend you over the kitchen counter and fuck you sensless every morning since the first day you got here.” Simon pulls the shirt over your head, and you put your arms through, the shirt still fits loosely even over your baby bump.

“Oh…” you freeze for a moment, you and Simon had gotten closer over the time you’ve lived with him. You had learnt about his past, about his mother and brother. About his nephew. You held him when he cried one night, his words a broken mess of how he was afraid he would turn out to be his dad. How he wished he could talk to his brother one last time, so he could ask him how he got past the fear of turning into his dad. How he handled the fear of being a dad when he had Joseph.

But the entire time you had lived together Simon had always treated you with respect, he never touched your stomach without asking. He always made sure to keep a respectable distance from you when you were on the couch. He never entered your room without permission and never asked about your life before coming to London.

But it wasn’t to say you didn’t share things with Simon, he knew your favorite color, your worst fear (unrelated to your family’s passing) , your greatest wish, he knew what you used to dream about being as a little kid. He knew that your favorite food could make you smile on your worst days, and that you liked to watch old sitcoms when it rained. If someone was to look into your conversations they would probably think you were already together. That you probably didn’t flaunt the physical aspects of your relationship. Simon had quickly broken down the walls you had put up around yourself, and had comfortably made his own spot in your heart.

Simon sits next to you, now dressed in a pair of black sweatpants, his large hand covering yours. You slowly look up at him, his brow furrowed as he studies your face. The small scar in his eyebrow evident this close, you reach out running a finger across it. The skin is slightly raised and water drips from his hair onto your finger.

“Then you should stop fighting the urge…” you finally whisper, your hand cupping the rough skin of Simon’s face.

“Would you be okay with that? With me touching you whenever I wanted… holding you.. kissing you?” Simon whispers, his eyes closing for a moment as he leans into your hand.

You pull your bottom lip between your teeth, your forehead coming to rest against his, your eyes closed. For a moment you just sit there. Your foreheads pressed together, your breath mingling.

Could you be okay with that?

Could you let someone in that way?

Let someone get close enough that they could see all the broken and jagged edges of you?

Could you open yourself up to losing someone again?

The thought of Simon being gone suddenly, ripped away from you by some unknown, the same person who ripped your siblings and mother away from you makes you want to vomit.

But a small part of you chimes in, the part that knows Simon isn’t defenseless like your family was. Simon was a trained military man, a man who single handedly killed an entire crew for crossing him. He could handle himself. He had proved that time and time again in the field. He also had the rest of 141, the team who would go to the ends of the earth to find him.

You open your eyes, and look at Simon, the answer on the tip of your tongue as you stare at his beautiful face. His light blonde stubble, the small scars, the crook in his nose, the slightly uneven line of his lower lip. “Yes… I-I want that.. I want all of it.”

Next Part: 7

Taglist: @coffeeandtealol, @natashamea18

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