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#fatal twelve
satoshi-mochida · 5 months
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Some indie game recommendations from ones I’ve played or know enough about them to suggest them to others(mostly in no particular order), Part 8.
Parts 1, 2, 3, 4, 5, 6, 7, 9
LiEat
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Rise of the Third Power
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Sakuna: Of Rice and Ruin
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Indivisible
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Jimmy and the Pulsating Mass
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Eastern Exorcist
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Everhood
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JoJo's Bizarre Adventure: The 7th Stand User(JJBA fan game)
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Gravity Circuit
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Rusted Moss
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Laika: Aged Through Blood
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Bramble: The Mountain King
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Refind Self: The Personality Test Game
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nameless(fan game for Hololive Vtuber Nanashi Mumei)
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M.A.S.S. Builder
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NAIRI: Tower Of Shirin and it's sequel NAIRI: Rising Tide.
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Fatal Twelve
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Fading Afternoon
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The Friends of Ringo Ishikawa
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Killer Frequency
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Oh…Sir!! The Insult Simulator
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Full Void
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ENIGMA:
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Seven Days
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Siren's Call
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Koumajou Remilia: Scarlet Symphony
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Little Goody Two Shoes
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Pocket Mirror ~ GoldenerTraum
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Battle Princess Madelyn
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When the Past Was Around
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4noki-vns · 3 months
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The Art of Asset Reduction: VNConf 2024 Write-Up
youtube
This is a write-up for my Visual;Conference 2024 talk on asset reduction: presentation of scenes with reduced art labor.
I will discuss how to reduce production requirements via various methods of asset presentation and staging, walking you through case studies of existing visual novels. This talk will guide you to answer the question: How do I fulfill my project scope without asset bloat?
This is an art talk that assumes you have already scoped down your story and have created a list of scenes that you need. This is not a talk about scoping down your game's story.
You have scenes you need to make. How are you going to make them (and with style)?
Abstraction
Cut-ins
Reduce
Reuse
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I. Abstraction
I start off with abstraction as a reminder that visual novels are a combination of visual and novel (amongst other aspects)
Abstraction
Abstraction is a strong tool for bringing focus to the writing, highlighting ambiguity and setting the mood with colors.
Examples I mentioned in my talk include:
Black screen
Solid colored screen
Sky BG
Of Components
The mood-setting power of abstraction also extends to scenes with characters, especially CGs.
As again, abstraction draws focus to what you choose to emphasize: the characters.
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(FLOWERS -Le volume sur ete-)
They are gay. Thank you for coming to my VNConf talk.
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You can similarly abstract characters.
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(Lachesis or Atropos)
Consider representing irrelevant characters (e.g., NPCs) as silhouettes. The reader can fill in the details within the shapes themselves.
Silhouettes are especially great for crowd scenes where you want to draw focus to the main characters.
This will be a recurring theme:
What do you really need to draw?
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II. Cut-ins
One common not-quite full screen piece of art you'll see in many visual novels is the cut-in.
The cut-in typically consists of the:
Item/focus
Frame
And is often for topics such as objects or small animals, which may exist in the scene but may not be within the same frame of reference as the background and sprites.
The separate framing informs the players that the item is "separately framed."
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(Who is the Red Queen?)
For example, this small bird is not huge and would not be the size of a character's head even had a sprite been on screen.
The Foreground-Backdrop Heuristic
Cut-ins make strong use of what I refer to as the "foreground-backdrop heuristic."
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(Shikkoku no Sharnoth)
A general backdrop informs the reader of a broad location or scene (especially if characters are present). Then a more specific foreground (the cut-in) informs the reader of the specifics.
As the foreground cut-in is in a different frame, the pairing of the two helps create a mental model of the space in the reader's mind.
Cut-ins can be used for:
Backgrounds (mix and match foregrounds with a backdrop)
Reduced CGs
Presenting existing assets in a different frame of reference
CG variants
Try tackling your visual presentation in a layered, comic book-esque fashion with cut-ins!
Just be careful about clutter.
Whether you want to go for the layered cut-in style, the 3d stage cinematic style, or a combination of the two, make sure you have a vision before you jump in.
SD CGs
I had to make an obligatory mention of SD "super deformed" CGs in this talk, so here it is in the write up as well.
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(Grisaia: Phantom Trigger Vol. 1)
SD, chibi. However you call these, they're great for playful scenes that might require more art than your classic sprite-background combination.
What SD CGs do best is that they:
Fulfill the role of a CG
Are easier to draw than fully rendered non-chibi art
Can be distributed to different artists to reduce artist workloads due to style difference
Just keep in mind that a simplified CG is still a CG and thus may lack reusability.
Consider what scenes really need a CG.
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III. Reduce
Now, consider asking yourself: "Does what a player does not see need to exist?" (mostly applicable for games with opaque UI)
Yet, what you need to draw is what you need to draw. How can you reduce the work in what you need to draw?
One option is:
Palette Limitation
You've heard of gray scale games, but don't forget about other ways of limiting your palette to reduce workload.
Dramatic, mood setting color power
Less rendering work
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(Sona-Nyl of the Violet Shadows)
A similar idea can be applied to NPCs for a more detailed take on silhouettes.
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IV. Reuse
Lastly, please remember to be economical and reuse assets as necessary. One of the great joys of cut-in BGs, for example, is reusability.
I had to give an obligatory mention to CG variants in my talk, such as:
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(Fatal Twelve)
However, overall, you never know when you'll want to use various components of your art elsewhere such as intermixing CG and sprite art.
Please keep your working layers if possible.
Other reuse examples:
UI (especially in episodic games)
Gameplay (e.g., Kogado's rhythm game)
Consider asking your programmer to work on a framework to reuse, reducing repeated code work.
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Conclusions
All in all, you can make your game.
And it doesn't need to be hellish on your budget or timeline.
If you take anything away from this talk, let it be to:
Prioritize reusable assets
Maintain aesthetic; avoid clutter
Display important scenes
Do not scope up; aim for a set goal
A scene can be presented in many stylish ways, some of which will suit your workflow better than others.
So, go on. Make your game!
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Interested in my works? Find me on itch:
And check out my newsletter:
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VNConf 2023 Talk Write-up:
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mindesendian · 6 months
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「どうしたんだい、凛火?」
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furuichis · 10 months
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kimpining · 1 year
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fatal twelve is at its core a really mid yuri death game visual novel but i have to give it so many points for the fact that the bad end you get is from being too gay and ignoring the death game in favor of dates with gf
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you simply win the game by 'being a worse girlfriend'
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miharuhebinata · 11 months
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the top 6 games i played in 2022
1. Elsinore
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2. The Sexy Brutale
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3. Forgotton Anne
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4. Fatal Twelve
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5. Chrono Trigger
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6. Immortality
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when-they-meow · 4 months
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SHE SAID THE LINE
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moonsinkfoxgirl · 2 years
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her outfits are sooo good...
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dignifiedfire · 2 years
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albaharu · 2 years
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Pls talk to me about Fatal Twelve 
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satoshi-mochida · 1 year
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Fatal Twelve visual novel 5th Anniversary artwork of Shishimai Rinka from it’s developer's Twitter.
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hikari-ni-naritai · 2 years
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dont know if i ever posted it but i made this rinka emoji a while back for my discord server and i want to share it with the world. its just an edit of one of the steam achievement icons but its cute
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mindesendian · 6 months
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wildmike48 · 3 months
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surprise sequel to my cocoa caligula 2 post reading through Fatal Twelve
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Odette is the woman ever
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dameronalone · 4 months
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thinking about how percy jackson is seen as intimidating because of his godly powers from his father but the thing that makes him the most dangerous is his humanity from his mother
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miharuhebinata · 7 months
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"Let's stay here. For just a bit longer."
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