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#fools rush in
isabelladjanis · 6 months
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SALMA HAYEK Fools Rush In, 1997
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nikki-rook · 6 months
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Matthew Perry in Fools Rush In
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vintage-tigre · 9 months
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5ivebyfive · 6 months
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I’m heartbroken over the loss of Matthew Perry. But I’m seeing so many posts about him in Friends and not enough of his other awesome projects. 4 of his characters are in my list of comfort shows. I’ve been through so much, and watching my comfort shows with him, has been with me through those times.
Here are some other great roles I love him in.
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Matt Albie - Studio 60 On The Sunset Strip
My favorite show he’s in by far. If you haven’t seen it you should find it and watch it! It’s only one season, but it’s soooo worth it. I don’t think it’s streaming anywhere without buying it, but if you’re talented enough you can find it elsewhere.
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Joe Quincy - The West Wing
Just a fantastic show. Please watch it! It’s on Max.
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The Good Wife and The Good Fight - Mike Kresteva
Two great shows!! And Mike is a fun character.
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Fools Rush In - Alex Whitman
Romantic comedy. Very good! I’m not sure where/if it streams. I haven’t watched it in a while but it was always a favorite.
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Three To Tango - Oscar Novack
Such a good movie! Funny funny and a great cast!
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Ally McBeal - Todd Merrick
It’s a short guest spot for him, but he is great! Plus, it’s one of my top 5 shows and simply wonderful and fun.
Matthew Perry - Studio 60
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Obviously, these are not all of his roles, but they’re among my favorites. He deserves to be remembered for his roles outside of Friends. I truly hope you check some of these out, because he was so great in everything he did.
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ronearoundblindly · 2 months
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Steve Rogers, number 4, a kiss where it hurts (imagine him making it stop hurting) xxx
*no pairing listed but could work in Fools Rush In, It Had To Be You, Autumn Is Healing, Threadbare, or as a stand alone. While those series do specify female readers, this is written gender neutral. He calls you 'sweetheart' one time.
A Dark Day and A Bright Night, one of my Valentine's Fics of 2024
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Warning only for description of a bad mental health time. (I know not everyone experiences this in the same way, but I tried to cover the gist and focus on Steve's comfort of you.) Otherwise, just sweet, caring fluff! WC 1781
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There are invisible barriers everywhere, and they stop no one but you.
No one else can hear the muddled whispers of what else you could have done, what more you should have accomplished, how disappointing it is that anything took so long.
You can’t do any better. You can’t go any farther. There’s a line in the sand no one can see. Sometimes, no one can see you.
Nothing matches up. Work fast-forwards around you in chaos while you slog through, treading water with all the energy of someone who has been out at sea alone for days and days. You grow so tired.
There are moments you power through, mind racing to gain lost ground on an endless, looped track. You grow so tired, and it’s never just one thing. It’s water and sand and nothing all at once, vast forces beyond your control.
What else? What more? Why so long?
There are barriers no one else can see, and it’s not their fault because it doesn’t match up. We move through life at different paces. We experience different struggles. We are stopped by different forces.
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“How was work?” Steve asks, a chipper smile on his face as he places dinner in front of you.
“Fine.” There are no other words.
“Really? Seems the project is right on schedule, thanks to you.”
You see him pause before he takes his first bite, and rush to pick up your fork, knowing it’s best to participate, knowing the barriers may be invisible but effort is not.
He eats his mouthful, and you stare.
Dinner isn’t a line in the sand, but it feels like one, another interaction you’ll be disappointing in, another fear you can’t explain.
“Not my best work, but it got done,” you manage, mechanically feeding yourself, showing the effort, making a show of the effort. “How was your day?”
It’s a flat question. The response is muddled by water and wind and doubt.
Why can’t you focus? Why can’t you do better for him? Why does he stay?
Steve can’t see any of it. He can’t get to you because there’s no one place you’re trapped in.
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You do the dishes. You watch TV. You start your bedtime ritual, and you’ve participated as little—and as much—as possible because treading water is lonely. You grow so tired.
Tomorrow could be better. You can do better tomorrow. It’ll take effort.
Tomorrow you’ll work harder and you’ll be less afraid. But that’s what you thought the last time you were stuck. That’s what you think each time you find a line in the sand.
You stare at your reflection, still treading, still scared, still misaligned.
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“Did you hear me?” Steve loosely holds you with his palm on your hip. Standing behind you, face sullen in the mirror, he asks where you’re hurting.
To Steve, there has to be a solution. Each mission must have a goal.
You spit, rinse, and put your toothbrush in the holder.
“Just tired.” That’s the sand he cannot see.
“Seems like more than ‘just tired,’” he huffs, unsatisfied, and turns you toward him. “Tell me.”
“It’s nothing you can help with.” That’s the water he cannot navigate.
You’re on your own.
He smirks humorlessly. “That’s never stopped me before.”
But you don’t have the words. All that comes out is “my head.”
“Headache?” He reaches for the medicine cabinet. “You need some—“
You shake your physically fine skull. “No. It’s not a headache.”
Steve’s face…changes in a way you’ve never seen before. You expected confusion, perhaps pity, but this is something all-together reminiscent. His eyes dart around the bathroom like he’s taking inventory, and for the first time today you aren’t the most distracted person in the room.
Then he returns to you.
“I think I’d like a nice bath. Will you join me?”
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He sets it all up, using the best smelling bubbles, setting out the softest towels, and inviting you back into the little spa he created by handing you a lovely chocolate.
When you try to refuse because you’ve already brushed your teeth, he replies, “live dangerously,” and pops a bonbon for himself.
Hopefully, it is dark enough for Steve to miss the tears in your eyes.
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He lets you settle in the water against him, playing by splashing warmth over the parts not submerged. He kisses your shoulders and neck, the back of your head. Steve keeps himself attached by the lips, breathing you in but feeling so far away. Your mind wanders to nowhere, thinking nothing.
“Feels good—I mean, bett—feels okay, yeah?”
He suds up his hands and washes a bit of you, but your muscles are tight and curled.
You’re tucked into yourself, small as can be.
“Can you try to relax for me, sweetheart? Can you let yourself float?”
The tub works for a guy Steve’s size. There’s a little space but not enough to stretch out completely.
The tension in your body is slow to release. You manage to let your arms, knees, and feet peak through the bubble clouds.
Steve nudges, “and your neck?”
You didn’t realize you were holding it up.
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There is infinite space to lay flat in your endless sea. Floating offers a respite, a view of the sky, the same sky blanketing your beach.
Invisible barriers at least spare the scenery.
You and Steve watch the fragrant foam burst for a while. It takes you much longer to truly relax back into Steve. The quiet of the bath drowns you with the noise in your head.
What else? What more? Why so slow?
It’s never just one thing. It is all things, all at once, and nothing at all. All of the elements to survival and understanding are there if you just focus your attention, if you just put in the effort, but you are so tired.
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Steve wraps you in his arms to press you deeper into his chest.
“Sometimes my ma would burn dinner,” he starts quietly, voice rough from holding back all his questions you can’t answer, “and we would scramble around, combing the cupboards. We’d make the oddest meals out of bits and bobs. Maybe half of it, we should’a never touched, but we did what we had to. Ya know what? Those were some of the best times. We did the best we could with what we had—sometimes less—and that’s what made her so amazing. On what she probably considered her worst days,” Steve kisses behind your ear, “I admired her the most. Formed some of the best memories.”
“Let me guess. Because she smiled the whole way through?”
“Nah,” he muses, chuckling enough to shake you in the water, “she threw a pan once. Loosened the door of the stove she slammed it shut so hard. She cried usually until we were sat down eating. Always tried to give me the most food because I was so small… 
“I made it a game. I only took a bite if she did. Win-win.” 
He stays quiet for a beat, assured you’re hearing him.
“You’re not ruining anything by crying,” he says solidly, almost loud in the confines of the bathroom. “Good things can still happen. You still did good today.”
He continues. He details little things he admires about you; how hard you work for yourself, for him, he notices all that. He wants you to see what he sees.
There’s no barrier stopping him.
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The water turns tepid, and Steve gets out first to ready a towel for you. There’s a difference between him treating you like a china doll and his doll. His doll is not breakable. He isn’t gentle because you are fragile; he does it to preserve you for the next day, and the next. Steve refuses to place any more burden on you than already falls.
He’s right there, strong, noble, and determined with forces working against him.
He’s scared and he doesn’t understand. He can’t fight. He has to scramble to catch up, to change plans, to make a meal out of nothing, to turn nothing into something. He doesn’t understand why he’s in a different sea, or why he can’t get to you standing on the same damn beach. His hand is right there on the barrier, but his shouts are muddled.
It’s not fair, and it never will be.
He physically lifts you up, wrapped in a plush bath sheet, his hug strong enough to thump against that clear wall that springs from your line in the sand.
That’s when you realize the barrier isn’t impenetrable. You can still see the scenery. You can still hear muddled sounds.
Some of his voice gets through. Sunlight and warmth get through. The water still buoys you up.
If there are directions to go, there are paths to take.
If there are ways in, there are ways out. 
There are invisible barriers everywhere, but they don’t stop Steve from being there for you.
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One more chocolate. One more brush of your teeth. You trade the fluffy wrap of a towel with the cozy wrap of a t-shirt, and he makes sure you’re comfortable.
A simple goodnight kiss alone might tip you over into exhausted euphoria, but Steve is not that kind of simple.
He props himself up on an elbow and rolls you onto your back.
Kissing your right temple, he whispers, “I love you.” Kissing your left temple, he confesses, “I love your voice,” the peak of your forehead, “I love your spirit,” between your eyebrows, just above one ear, and the other.
“Miss you when I’m not here. Miss you when you’re not here. I miss you even in my dreams.”
Then, and only then, do you get that simple kiss goodnight. His soft lips melding to yours for a long, soothing moment before you two drift off to sleep.
When you dream of a beach and an ocean and nothing at all, you miss him, too. You remember his presence, and the truth becomes as clear as the sky above.
There are pieces of you to love. You are a loved thing. You are light and heat and sound that can get through, even when misaligned, even when you don’t match up, even when not in the same sea.
Steve’s love is invisible, but you know it’s there. It’s not a limit to fear. It’s not a barrier to turn away from. His love is not an obstacle you want to get past.
Not every invisible force is bad.
Sometimes, barriers slow you down, let you listen, make you rest, and help you float.
There are barriers everywhere, but nothing between you and Steve.
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Ransom Drysdale and a kiss out of spite ⬅️ ➡️ Ari Levinson and a kiss out of envy
A/N: oof. *walks away crying* I'm fine. It's fine.
[Main Masterlist; Light Masterlist; Ko-Fi]
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serxndgifites · 7 months
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SALMA HAYEK in FOOLS RUSH IN (1997)
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mysharona1987 · 6 months
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angelstills · 3 months
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Fools Rush In (1997)
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cosmonautroger · 6 months
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Matthew Perry, Salma Hayek, Fools Rush In, 1997
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thebeachesofcheyenne · 4 months
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Love is a gift Alex, not an obligation.
Movie: Fools Rush In (1997)
(Do NOT repost without giving credit please)
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cloudofpinkicecream · 6 months
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Matthew Perry and Salma Hayek in the 1997 film “Fools Rush In.”
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nieded · 9 months
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Fools Rush In Masterpost
Rating: Explicit Archive Warning: No Archive Warnings Apply Category: M/M Fandom: Good Omens (TV) Relationships: Aziraphale/Crowley (Good Omens), secondary relationships Characters: Aziraphale (Good Omens), Crowley (Good Omens), Beelzebub (Good Omens), Newton Pulsifer, Anathema Device, Ligur (Good Omens), OCs
Additional Tags: Alternate Universe - Human, Alternate Universe - Sports, Weddings, Found Family, Queer Themes, The Happiest of Fucking Endings
Summary:
Part 3 of #RainbowRoad. Ezira Phale, McLaren F1 veteran, is in contention for his first ever World Driver's Championship. Meanwhile, Crowley is in his fourth and final season in Indycar, but the announcement of his retirement gets overshadowed by their friends' big news. Or, the one in which Ezira and Crowley get roped into their friends' wedding planning. Shenanigans ensue.
Be prepared for pure fantasy fluff. This is me indulging to the extreme.
Special thanks to @the-bentley, @dustandhalos, @kookaburra-laugh, @ziggyz-eyepatch, @blairamok, @literarion, and @cinnabarmint for making this universe as rich and wonderful as it is.
** Please check out @dustandhalos amazing art here! **
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bonetrussle · 3 months
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Enid Blood-moon Wolf Matron wife companion piece to that sk Wednesday face I did because... i thought she felt alone looking murderous on her own and felt sad. besides, I've been drawing a ton for what my friend and I have planned for our fic, so uh... expect this to pop up sometime in the far future. oh and, the fic this is based on is called fools rush in.
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favegiff · 5 months
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habysstuff · 6 months
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ronearoundblindly · 4 months
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The Dignity of His Choice (abridged ending)
Speedy version of Reflections Part II & III (see previous or series) Steve Rogers x wife!Reader
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Alright, this may not be conventional, but I'm crippled by guilt over this story. There are so many elements that hit brutally close to home based on a personal experience this past year (arguably this past decade but whatevs), and so I have sifted through 28 A4-sized pages, front-to back, and 17 smaller pages, front-to back (save one sheet), as well as a typed-up 7k, in hopes of grasping this magical redemption arc that exists in my mind and falls flat everywhere else. I'm sick of it. I'm sick of loving this story so much that nothing is good enough, and I'm sick of hoping to offer a conclusion that never f***ing comes. Welp, today you can know the conclusion--or the gist of it at least--because that is my Christmas gift to myself. I'm washing myself of the guilt. -> What follows is an extremely unedited and maybe slightly poetic summary of the finale. God, I hope you enjoy it, but really, I just want to feel like I *can* finish something. Sorry if that's dramatic; that's just...the situation of 2023.
Thank you in advance for your understanding, and I hope this serves up some sort of holiday cheer! (No real warnings because smut is reserved for the full-length version. This tale, as always, is 18+ due to very heavy themes.)
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The thing is Steve doesn't regret his choice. How can he regret anything that ensured you were here, alive and happy, by his side? That's not an achievement he'll ever be ashamed of; there's no guarantee in the multiverse that he could have done better.
You spoke of being lucky. You felt guilt that of all the servicemen and women to lose their lives, yours came home in the end.
Steve doesn't see it that way. Yes, you and he are very, very lucky, but overall, Steve won.
In every war, there are battles. In battles, there are fights. In fights, there are shots taken, punches thrown. You don't need to land every punch to win a war. There are always losses.
Steve Rogers tends to win because he understands this.
He knows the value of strategy. He knows the value of hope. He especially knows the value of planning for the worst.
And so he's surprised--as he often is with you--that he hasn't lost more.
You accept the loss as well as the win. You endure more gracefully than he ever imagined possible during those long months alone and away.
His sacrifice may have played a factor in your safety, but in the end, it just came down to you. You fought for yourself. You battled for your beliefs. You warred for your convictions.
Steve can understand that. He admires it.
He plans to make this dreadful mess up to you, he hopes for the time to do so, but before he can strategize how, your bubble of isolation is burst by a knock at the door.
"Open up, Rogers. Please," Sam Wilson requests anxiously over F.R.I.D.A.Y.'s speaker.
He could simply mean you since you are a Rogers and neither of you have heard the okay that the world knows Steve's alive. Although, Steve still doesn't have a phone again, and you haven't exactly been checking yours during recent...activities... (Not to put too fine a point on it, but Bucky's little gifts aren't going to miraculously last eight days and nights.)
Steve stays in the corner of the kitchen, drying his hands from the dishes you two were washing together, while you answer the door.
It swings open in the direction that still hides Steve.
"Hey--" Steve hears the soft pause in Wilson's voice "--I think...I may be out of line here, but Stark ordered personnel to vacate the compound."
You cross your arms over your chest, nervous. "Do we need to leave? I--As in, you and I? Are we included in that?"
"No," Sam says flatly. "It's just...suspicious--look, can I come in?"
"Sam, wait!" You push to make a wall in the doorway, meaning Steve can no longer see you or what's happening while a silence, an extremely pregnant pause, stretches.
Afterward, there's a whisper.
"Is he here?"
Your reply is only a stutter of unfinished words, but that's enough. Sam's stepped past and halted a few feet inside before his scanning gaze lands on Steve.
Steve's not sure what he expects his friend to do. He's misjudging reactions left and right these days, so he can't presume that--
"Gym?" Sam ticks his arm, thumb pointing back out to the hall. "I'm going for a run."
He has to convince you and Steve that the whole place really has been cleared before Steve changes clothes.
The string-light and garland-lined corridors remind Steve that his apartment remains devoid of any festive touches. You two have been too distracted to realize it's the day before Christmas Eve, so the 'evacuation' will likely draw no attention from the average employee.
Stark is just adamant they have the holiday for family. That's all. The only people who live there are Avengers.
The smell of the rubber floor when they walk onto the track spikes nostalgia in the back of Steve's brain, and in his utter joy to be there again, he starts sprinting like old times.
His blood pumps and his lungs stretch, but it's too hard, too fast. His blood thunders in his ears and makes his head swim. His lungs burn fiercely and seize. He collapses, gasping through his weakest asthma attack yet, but it still happens.
Things are almost, almost the same. Things are still different.
Without taking the opportunity to gloat (too much), Sam uses his powers, skills he's had all along, to divine Steve's real fear:
Steve changed things, and he may have changed things so much that it's all ruined. He can't go back to being Cap because he showed his colors: he chose you over everything else. What if you can't go back to being his wife because of that same choice?
Sam helps Steve off the floor.
"You walked the same circle for a long time, buddy. Instead of getting off the track entirely, try one lane over. Baby steps."
Steve snorts. "Ya know, she said something similar."
"Yeah, well, some of us filled in the stoic charm while you were gone."
"Comes naturally to you, doesn't it?"
Wilson turns to walk backwards, flashing pearly whites. "The outfit is growing on me, and I think the press were just about to stop calling me Black Cap." He playfully punches Steve's shoulder. "We'll see how far this sets me back, huh?"
After realizing he has to take it easy, Steve enjoys a long, mostly quiet run beside his friend, never once passing him. Though Steve asks about returning tomorrow, Sam has to decline. Christmas Eve is for Sarah and her boys, and Sam's sister will raise hell if crossed.
Just before leaving the gym, Sam hugs Steve, the length and intensity of the embrace telling Steve all he needs to know. Sam--like everyone else who knows so far--is happier than he is hurt, and that stifles Steve in a torrent of humility.
He doesn't deserve the strength of this family built around him, but he is grateful.
Steve also doesn't expect to find Natasha and Bucky in his apartment when he returns. He was hoping to put up some decorations with you, bring a touch of joyous spirit to that place you've been emotionally entombed for months, but he outright frowns when seeing the box they brought.
Between you and Nat sits the bin of intel the Keepers gathered on you and left behind at a raided facility. You're pouring over the dirty details of horrible intrusion to your private life, both you and Steve's, and he can't help but watch your face closely.
You do look horrified. You look furious for minutes on end, file after file, until you finally ask, "who's had stuff like this on you guys?"
That's the thing. That's the part eating away at Steve's shame. It's why he can't be beyond a superficial level of sorry for what he's done.
"The Red Room," Nat replies softly.
Buck shrugs. "Hydra...among others."
Steve knows what that intel could have been a precursor to; they could manipulate more than just him. You could have been used, you could have been changed, and it would have been his fault. Extremes are most of his life, so Steve goes to extreme measures to keep his life separate from all of that.
Blurring those lines--bringing you closer to the fray of this scary and violent world feels irresponsible.
You continue to ask candid questions about what Nat and Bucky were doing this whole time. The response is grueling, a complex web of taking out targets without signaling an ulterior motive, every interaction carefully executed to seem natural, all the while knowing that Steve waited to come home and you waited for...well, the truth.
The way Natasha describes it makes Steve sick to his stomach.
He never wanted this, but he has to live with the consequences.
You thumb over a few stalking photographs in your hand and simply say, "that was quite a commitment."
Something triggers in Steve, and suddenly, his next move is crystal clear.
"I'll--I'll be right back," he blurts.
All three of you startle in confusion, sat around the coffee table like it's the most normal thing in the world to share so much. You've had top clearance for twenty-four hours. You're already a pro, and that makes Steve's idea that much more perfect.
He races through the building, glad he doesn't have to hide, and pounds on Tony's door.
As soon as Tony opens up though, Morgan rushes past his legs and lets out a blood-curdling cry that ends in a sobbing, "you're alive."
The little girl flings herself into Steve's arms, refusing to let go the entire time he asks Stark--all the Starks--for a favor.
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You wake up the next morning to find a note from Steve and a dress of yours hung by the tree you put up after a long meal with Nat and Bucky.
Important errand, the note reads. Expect Tony to come by at 11. Wear this, please. I love you.
It's the dress you chose for your first date with Steve, the date that kinda never happened because the compound was invaded and you had to kill a guy. Odd memory to resurrect, but you do adore that dress.
You're not surprised when Tony arrives in one of his signature suits, nor when he makes a show of walking you through the halls on his arm. He has the uncanny ability to chat about nothing using the maximum number of words. He's delightful that way.
Your first real clue is Morgan, standing outside some double doors to one of the flex rooms, like the ones changed for training different abilities, like the ones used for therapy circles. In fact, it's the same room, the exact same double doors as years ago.
The girl looks fit to burst, clearly told to keep her cheers to a minimum as she clutches a wicker Easter basket in her hands, crouching as if ready to spring into action.
Pepper stands close by. Nat and Bucky whisper conspiratorially a ways down the hall.
Then you notice.
Tony has on a black suit with red pin-stripes, Pepper a blue dress with a white belt, Natasha a red dress with a white belt, and Bucky a navy suit with a black-shirt underneath.
"We did our best on short notice," Tony rambles off, guiding you to a stop in front of the party.
"This is for you," Morgan squeaks, ripping a colorful bundle of pipe cleaners out of the basket. There are buttons woven to the tops of each 'stem.'
Pepper quickly adds, "wild flowers were...a bit scarce, as you can imagine."
You brave a single question.
"What's going on?"
Everyone just beams at you, falling into a pattern of pairs behind Morgan before Tony winks and tells you to follow his lead.
The doors open, and there, at the end of the aisle, stands Steve--your Steve--in his old Captain America outfit minus the cowl. His hair is still long and darker, but his beard is properly trimmed.
All you can think is how you'll tease him about that.
You pinch at the leather sleeve in curiosity, and Steve leans over.
"This is the last thing I'll ever do in it," he says before kissing your cheek. "Promise."
"Says the guy who's stolen it twice," Tony mutters from his place on the other side of Bucky.
"He has a point," Nat chimes in.
The poor priest clears his throat and bellows, "dearly beloved..."
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He keeps his promise.
At a press conference just before New Year's, Steve is announced as one of those rescued from "an enemy base" in an undisclosed location.
The crowd of reporters erupts in a chaos of inquisition, but all Steve will give them, standing there in a simple sweater and slacks, is his official resignation of the title Cap.
"What do we call you then?" someone shouts from the back.
"Just Steve. I am Steve Rogers, that's all." He looks to his left for the comfort of your face. "And this--" he grabs your hand "--is Mrs. Rogers, my soulmate."
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@im-a-slut-for-fluff @whiskeytangofoxtrot555 @fangirl-swagg @georgeweaslysgirl @austynparksandpizza @bucky-fricking-barnes-reads @fallinallinmendes @claireelizabeth85 @patzammit @supraveng @1950schick @jamneuromain @yiiiikesmish @ashesofblackroses @spectre-posts
A/N: and yes, the full-version will be written eventually.
[Main Masterlist; Ko-Fi]
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