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#friends are being distant...
hajimedics · 10 months
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A BEAUTIFUL MARRIAGE WITH NO DIVORCE
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starry-bi-sky · 2 months
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i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
#dpxdc#dp x dc#danny fenton is not the ghost king#dpxdc crossover#dpdc#dp x dc crossover#dpxdc prompt#man i just really need more dpdc stuff where danny and bruce have a good relationship. like man i NEED it. like i need to see these two#bonding together. and not in a cracky 'oh danny is a distant friend/cousin/etc' stuff but like. active participants in each other's lives#or as active as can be in this case. i neeeeed these two getting along and caring about one another#this idea came to me like last night and hasn't left since nd it was driving me up the wall to think about both positively and negatively b#i neeeded someone to hear about this or i was gonna implode#danny is the first son#tried to just get the general gist of the idea down but i definitely thought of the idea that bruce lowkey suspects vlad for having a hand#Vlad allows Danny to sneak off because he thinks Danny is alone. if he knew Bruce was there he'd be piiisssed and would put a stop to it#Sam and Tucker are alive they just got ghosted for a bit by danny bc he was in Major Grief and didn't wanna socialize. He couldn't go to#them because he didn't wanna put them in danger via Vlad.#oh that thing he handed Bruce? Yeah that's his ghost core. I have a headcanon (that isnt always applied) that ghosts can take their cores#out of their bodies at will and painlessly and without issue. and its common practice actually to do so bc they can be a not insignificant#distance away from said core before problems start to act up. and its common for ghosts to leave their physical cores at their lairs for#safekeeping because as long as the physical core is fine: so is the ghost. they can reform if their body gets destroyed. it also acts as a#fast travel sometimes. where they can reform at their core in an instant. its not inspired in the slightest by SU but i do see the overlap#most cores are pretty small for safety sake: its harder to hit if its small. and they're pr resilient too but its better to be safe than#sorry. so yeah. danny essentially gave bruce the physical embodiment of his soul and indirectly said#'if anything happens to me at least i'll be safe with you'#danny doesn't know he's batman btw#starry rambles.#was gonna go into danny becoming a vigilante beside bruce but im sleeeepy so i'll do that in a reblog. he's gonna go by nightingale if#anyone is interested. stereotypical but to be frank it is a *good* name imo. has a good amount of syllables and consonants to it#and the bird theme. and since its part of an ancestral name it has even more backing for it being bird-y without being meta
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nauti-ca · 1 year
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mr sims can you NOT eavesdrop on their flirting conversation. thank you
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otaku553 · 7 months
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I have an agenda.
Long hair teenage sabo.
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13eyond13 · 8 months
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The real "mom friend" in Death Note is actually Light Yagami, unfortunately for the world
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distant-screaming · 8 months
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I've been rotating Nick in my head for a hot minute but @ranchthoughts helped me straighten out my thoughts, so here's a little brainworm I had.
I think Nick reads as a voyeuristic character, not just in terms of the character itself but also as a narrative device - he acts as a sort of close proxy to the viewers. Nick goes through Boston's phone the same way we (as viewers) would be able to go through his phone by virtue of peeking over his shoulder, he wiretaps the car and is able to hear Top + Boston the same way we are, he's privy to Sand + Ray's private moment just like the viewers are - and it's almost like Nick seems to have full agency in the story but still doesn't manage to affect the plot in any significant way (thus far, at least!).
It's also very interesting because despite Boston's need for control and Mew's idea of being in charge, the character with the most information and cards up his sleeve, so to speak, is Nick. I wonder how that's going to play out.
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I need pathetic Regulus so bad you guys, I want him pining after James, writing in his silly little diary how good he looks today, I want him daydreaming about their wedding and drawing hearts at the margins of his notebooks with Regulus Arcturus Potter over and over again
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epickiya722 · 2 days
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Yuji's family becomes more complicated when you realize that because Kenjaku also possessed Suguru's body, the Hasaba twins are like his adoptive sisters.
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n4rval · 25 days
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ah. something i find a little funny is seeing people describe the way he speaks as "distant" or "detached", or even outright "cold"
i think it is very safe to say he adresses us in a way that is very personal. heartwarming, even. like someone who is excited to see us and show his work with every release (and has explicitly used the word for it).
idk you guys if you're too weirded out by him that's alright — in fact, the way he has this effect on people solidifies an uncaniness that is very important to his character — but there is no way you can look me in the eye and tell me that "SO TO BE HERE FINALLY ON THE VERGE OF CONNECTION IS QUITE EXCITING." or "I LOOK FORWARD TO CREATING A NEW FUTURE WITH YOU." or "SHALL WE? SHALL WE GO AGAIN?" is expressing nothing but professionalism🚶
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something about how the before-there-was-anything-there-was-darkness-and-before-there-was-darkness-there-were-MONSTERS monsters are always this specific yellow when you see them blaine’s just miserable because their friend ate the ichor of one of said monsters and died about it. ;)
pink hat: oh-- blaine: What. pink: your aura is, like, terrible now
blaine: .... okay. larry: why would you say that?? pink: it's all yellow now
blaine: yellow's a happy color..
pink: not THIS yellow it's a deep, oily yellow- larry: oh, stop-
pink: THE COLOR OF MONSTERS
larry: are you calling them a monster??? pink: no i'm just saying there's like, monsters in their soul and bones,
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katyspersonal · 4 months
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1 Insight: Djura's third companion is Josef
15 Insight: Josef is just a cooperator variant of the NPC type 'Izzy's Successor', Djura's third companion is that corpse you pick Charred Set from
40 Insight: 'Djura's companion' might not even necessarily mean Powder Kegs. For example, Djura's Ally doesn't have any Powder Kegs weapons but is clearly included! Even then, there were multiple Powder Kegs, why just three specific ones? Maybe 'companions' refers to his polycule divorces closest friends or whatever. Could that mean Bestial Hunter who is from Oto Workshop (beta Powder Kegs workshop)? Could that mean Valtr since his weapon was made in Powder Kegs? Could that mean Izzy? Who knows!
60 Insight: Djura's third companion is an OC spot because developers forgor/had no time and we've been doing blue curtains effect this whole time
99 Insight: Djura's third companion is a Blood-Starved Beast that Djura's Apprentice fights with, they left Old Yharnam together and this one was poisoned with Ashen Blood all along and eventually turned
0 Insight: You've been fighting Brainsucker in Upper Cathedral Ward's corridor for too long lol
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lesbianfakir · 2 months
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Ok genuine question is it normal to be expected to hide/lie about your mental illness symptoms to friends? So obviously there’s trauma dumping but this isn’t about that—is it normal to just be expected to pretend you’re happier than you are because if you express that you’re doing bad one too many times people get frustrated that you’re not doing better?
I keep having friendships where I support them through difficult events so I think it’s a safe place but when I start to be honest about my depression they either get frustrated with me (more specifically frustrated that they can’t take my problems away) or distant. I know it’s hard to see a friend in pain but it also sucks to be in a position where you need to be constantly pretending to be silly and happy because that’s what they signed up for. I’m tired of being ‘too much’ for people, you know? I work hard to support my friends through their problems and I’m good at it, but lately I’ve found I just have to deal with everything on my own.
I’m tired of the stigma around mental illness because so much of my life I can’t even talk about for fear of being too depressing. I understand why it is the way that it is but that doesn’t make it any less isolating. It hurts that if I’m having a day where I’m really scared I can’t tell anyone about it because it’ll freak them out and I just have to wait for it to pass when I know just being around another person would help ground me.
Anyways ramble over I genuinely hope this is a problem specific to my situation and you all have people to help you through dark times. I truly hope we’re not all secretly left alone with our demons
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I know multiple of these are likely important to people, but I'm asking in terms of like - which of these do you tend to focus on the MOST, enjoy the most, that is most essential for you to actually care about the media, etc.?
(For example: someone finding "Relatability" most important would likely not enjoy a show much if they have trouble empathizing with the characters/relating to it, even if it were good otherwise. Or, someone might be able to overlook bad acting and ugly costumes, as long as the Character Dynamics are fun to them, because they value that more than Aesthetics- while for others, bad costumes would be a dealbreaker.)
Also feel free to reblog and explain your answer or more information in the tags- I've always been curious about people's relationships to media, how they conceptualize it/what they get out of it, how some people value some parts more than others, how that informs their overall taste and genres they may be more inclined towards, etc. :0c
#I was having a conversation with a friend about our favorite type of media and they said the reason they DON'T like historical or fantasy#media or etc. is because they can't imagine themselves being in those situations like it's too detached from anything that they can relate#to personally. they put themselves in the shoes of the characters and apparently like feel emotions while watching stuff and actually#get into the way the characters are feeling so they kind of judge how 'good' or 'bad' a show's writing/setting/etc. are by how it makes#them feel and if they think the characters reacted realistically based on what they were feeling in the moment/what in their head they#would be feeling if they were in the postion of the character. SO apparently the distance of it being in an unrelatable setting or too#detached from our reality makes it harder for them to relate to and less able to really engage with it on that level. WHEREAS I watch#things exclusively in a very like.. detached way?? I'm INTERESTED.. it's like im intellectually analyzing everyhting that's happening and#can be intrigued by events but it's not in an emotional way? More of like a distant 'intellectual curiosity'. Maybe the premise or the#aesthetics or something about it has piqued an interest for me to observe it. to see what it's like or how it plays out. how the idea#is executed or etc. But like.. I cannot remember EVER really relating to any character or situation or projecting onto a character#or having those sorts of feelings or investment in it. That is just not a central part of why/how I watch things or what I care about#BUT after this I was thinking maybe this is my disconnect? I do not seem to conceptualize media the way some other people do and I often#walk away with an entirely different take on things. etc. So I wonder if maybe it's part of how everyone values different things probably?#maybe I literally just watch stuff and percieve it from a different frame of mind that others. More of a like detached curiosity#vaguely bemused analysis mode. Instead of a 'I am deeply emotionally invested in this and am feeling for all the characters' mode#And also I bet people who care more about plot/story are also the people who mind spoilers. Whereas for me I literally seek out spoilers#intentionally because that element of 'suprise ooh what will happen next!' is not central at all to my enjoyment. I could know literally#everything that will happen and still can find it interesting to observe - since for me#that's not the point. I'd rather know the ending so I can determine whether I want to invest the time in it in the first place. etc.#ANYWAY!! If I had to choose - I would say I'm usually heavily focused on world details and aesthetics. With only a slight preference#towards characters individually being interesting. Group dynamics can sometimes be okay but I get tired of everything being about relations#hips and romance - especially when sometimes it seems to be like. people who could not stand on their own as a character/are fundamentally#boring otherwise lol. I would watch a series of just one guy locked in a closet talking to himself as long as he was interesting and saying#things that were amusing or notable for some reason lol. I actually tend to dislike plot because most 'plot heavy' things like action focus#ed shows ALWAYS feel to me like they're moving so fast just to get from one thing to another that I'm not getting enough details. Part of#why I tend to not like movies. the time limit makes them too quick. I need a 95 hour expostion dump of the history of the entire world#and a series of 17 episodes straight where a guy is trapped in a room & the audience is just psychoanalyzing him. hghj.. Maybe I find all#characters annoying/unrelatable bc people w my personality type make bad characters/are not often represented (or are done BADLY). so then#I'm just picking 'who is the LEAST insufferable? who could i study like a lab rat?' whilst my main focus is the worldbuilding&costumes lol
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irritablepoe · 7 months
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Why can't I have friends that want to talk to me?🥲
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karizipan · 10 months
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assorted 🐟
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distant-screaming · 1 year
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Literally the fact that Tinn spends his senior year flirting with Gun and still makes it into med school is the most unrealistic part of msp
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