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wonderfulworldofmichaelford · 27 days

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Psycho Analysis: Princess Azula

(WARNING! This analysis contains SPOILERS!)

This is one of those characters I should’ve done a long time ago, but just never got around to because I felt it was just way too obvious. I mean, come on, Avatar: The Last Airbender is considered one of the greatest works of western animation. Everyone and their mother has talked about this show at some point, so what could I even add?

Well, as it turns out, the way people talk about Azula is exactly what inspired me to write this! I have never seen a character so completely and critically misunderstood! Hell, this is a character that people like to disregard the core themes of the story to talk about! Discussion of her online made me so genuinely angry that I decided fuck it, it’s Azulain’ time! So here we go, my 200% anger-fueled analysis and review of the mentally-unstable Fire Nation princess who terrorized the Gaang!

Motivation/Goals: Azula has basically made it her life’s mission to be the ultimate tool of the Fire Nation, and specifically her father Fire Lord Ozai. To that end, she does basically whatveer he tells her to do? Kill the Avatar, conquer Ba Sing Se, take out her brother and uncle… So long as what she does has a net benefit for the imperialistic goals of her country, she’s down for it, and doubly so if she thinks it will get her even a little crumb of daddy’s attention.

Performance: Superstar voice actress Grey DeLisle of Literally Every Fucking Cartoon Ever Made fame lends her voice to the crown princess of the Fire Nation, and her smug, condescending delivery really sells Azula as a manipulative schemer who is constantly playing 4D chess to outmaneuver her opponents. I think I might even go so far as to call this one of DeLisle’s finest performances ever, for reasons pertaining to her delivery of lines in certain parts of the story that will be described below.

Final Fate: Azula’s fate is a perfect example of the show’s excellent writing because it robs us of catharsis in an extremely narratively satisfying way.

Throughout the finale, we watch as Azula’s mental health rapidly declines as literally everything in her life spirals out of her control for the first time. This is a girl who has defined herself as always being two steps ahead, always having everything firmly in her grasp, and yet her brother has run off with the heroes, her two best friends “betrayed” her, her father gives her the throne but only because he is crowning himself the Ultra Super Cool King Deluxe, and she is constantly grappling with feeling as if her mother viewed her as a monster while also subconsciously knowing that Ursa did truly love her. Keep in mind, all of this is happening to a teenage girl, so is it any wonder she completely and totally snaps?

Her final Agni Kai with Zuko during the height of Sozin’s Comet is epic, but it’s the conclusion where she is defeated by Katara and left as a sobbing, flailing mess that really knocks Azula’s character arc out of the park and cements her as the ultimate antithesis of Zuko. He had the guidance of a good, kind father figure, while she was stuck with Fire Hitler; he had a group of friends to love and support him, while she only had companions who put up with her out of fear and turned on her when they finally had enough; he was able to come to terms with his past traumas and grow to be better because of his numerous support systems, while all she had were toxic influences that led to her essentially collapsing under the weight of her internal conflict. She is what Zuko could have been if no one lent him a helping hand… and it is soul-crushingly tragic. The last we see her, she is a broken mess of a person, someone who has literally lost everything in their life, had the sole purpose of their existence stripped from them, and has just been reminded that she lost because she is a lonely, miserable, pathetic individual without any friends.

After her being on top for almost the entire show, this should feel like a triumph! But it’s not. It’s sad. It’s tragic. There’s no joy to be found. And boy oh boy, is it fucking powerful.

I’m just going to ignore what happens to her in the comics. It’s better that way.

Evilness: So here’s where things get really interesting, because while Azula does some truly evil things throughout the show, there is a tendency to exaggerate just how awful she is because most of her evil actions are just things she says she wants to do/has done. Combined with her smug, arrogant demeanor and it’s easy to believe she would do these things, but we don’t actually witness them. To wit, while she taunts Sokka about torturing Suki to the breaking point, when he finally reunites with her she sure doesn’t seem as cripplingly broken as Azula implied. I think it’s important to note that, as Azula is a massive liar, if we don’t actually see her do something (even something she’s threatening to do), it’s not really a mark against her. She’s a cunning manipulator, after all, conquering an entire city without lifting a finger.

On that note, though, she does have plenty of wicked moments under her belt. She conquered Ba Sing Se for the Fire Nation, she constantly tried to kill Aang and her brother while they were on the run in the Earth Kingdom, she had her friends locked up for defying her… Like she’s one messed up daddy’s girl. Even taking into account the inherent tragedy of her character and the fact she’s a teenage girl, she still kind of steps up to crossing the moral event horizon. She’s very much the product of grooming in an environment meant to espouse the joys of fascism and imperialism, and since she never had a strong guide like Iroh her moral compass is busted.

With all that being said, I think she’s a solid 5/10. She does some really nasty things, but at the same time a lot of what colors the perception of her is stuff she only implies. Also I’m not considering any of her pre-breakdown fights with Zuko as truly evil; this is just how siblings are. You bet your ass sibling squabbles would look just like that if they could shoot fireballs from their hands.

Best Episode: For all her badass moments, awesome schemes, incredible fights, and powerful moments… “The Beach” might be her best episode. This might sound crazy, but I stand by it; I think showing us an awkward, human side of her really helps to sell that Azula isn’t actually some unstoppable force. She’s just a teenager who has no social skills and can’t exist outside of the confines of being a royal or a warrior without looking like an absolute weirdo.

Best Quote: After outmaneuvering season 2’s arc villain Long Feng, who concedes to he rand says she’s beaten him at his own game, she flippantly replies, “Don't flatter yourself. You were never even a player.” I don’t think even Jet got so brutally murdered. It’s the sickest burn in the series aside from Zuko’s scar.

Final Thoughts & Score: The whole reason I even wrote this Psycho Analysis is because the constant and critical misunderstandings of Azula I see online constantly piss me the fuck off.

There is a subset of Avatar fans who completely and steadfastly believe that Azula is in fact an irredeemable monster, a complete sociopath with no redeeming qualities who needs to suffer and die. They reject any attempts at assessing the character in a more nuanced light, because “why can’t villains just be evil?” They treat her as if she’s some sort of pure evil being instead of an emotionally stunted child.“She’s crazy and she needs to go down” might as well be the mantra of these media illeterate Avatar fans, parroting opinions that mirror the words of Iroh after Azula almost killed him but ignoring that crucial context as well as Iroh’s entire character. Like, do these people actually pay attention to the core themes of the entire show? You know, mercy, redemption, humanity, the importance of all life? Did they miss the part of the finale where these core themes were cemented by Aang removing Ozai’s firebending with energybending, or were they too busy bitching about it being a deus ex machina to realize it’s thematically appropriate?

Like they want Azula to just be this evil, unredeemable cartoonish villain in a show that explicitly says no one is like this. There’s even a point in the final episodes where it’s pointed out that genocidal colonizer tyrant Ozai was once a sweet, cute little baby, and didn’t just spring forth as a fully formed Red-Hot Hitler. Azula is a person groomed by an unrepentantly evil father to be the Fire Nation ubermensch, the ideal tool for the conquest of the rest of the world. She was never allowed to have a normal childhood, as evident by her awkward behavior and social ineptitude when she’s actually allowed to cut loose and be around people her own age in a relaxed setting. Everything that she is—a liar, a manipulator, an attempted murderer, an egomaniac—are all the result of Ozai’s upbringing, being entrenched in the propaganda of her nation, and a lack of authority figures with a moral compass in her life. She didn’t have an Iroh to guide her, all she had was Ozai. In this sense, Azula is as much a victim as she is a victimizer.

But she is a victimizer. She is still consciously making bad decisions, she is still doing evil and sometimes appearing to enjoy it. There’s no reason to believe she couldn’t turn things around if given a helping hand like her brother was (though there would need to be a lot more effort due to her being in Ozai’s company unimpeded for way longer than Zuko), but she’s not some innocent little bean who’s being persecuted by others. Azula is still a villain, and viewing her as just a mere victim is a disservice to the character just as much as painting her as an inhuman monster. She is a very nuanced character, but she never gets the sort of POV work Zuko does to fully flesh out what’s on her mind and let us see the world through her eyes so the work done for her is more subtle, at least until her final breakdown. At that point, the show is literally beating you over the head with the fact she is an incredibly tragic character whose entire existence is pitiful and broken, and who lives as a mirror to Zuko, showing him a dark path he could have walked down if he didn’t receive love, support, and compassion.

Ultimately, Iroh wasn’t wrong when he said “She’s crazy and she needs to go down,” but I take it with emphasis on and. Azula is, in fact, crazy. She is incredibly mentally disturbed, her mind warped and molded by her father to the point she breaks if she starts to lose control even a tiny bit. And, as an antagonistic force working against the heroes, she does indeed need to go down. I’m sure he wasn’t too happy with his near-death experience, but you will not convince me that the sweet old Iroh, who himself changed and redeemed himself after being a fucking war criminal who nearly conquered Ba Sing Se, could not see the nuance in the Azula situation and genuinely saw his niece as some beast to be slaughtered.

But that’s enough with the ranting, let’s get to the actual final thoughts and score for Azula. She is one of the most engaging and magnificent villains in animation, a real firebrand (heh) whose numerous schemes are gripping to watch, building her up as someone you want to see finally get defeated only for the writers to pull the rug out from under you and remind you just what Azula really is. Avatar had no shortage of brilliant and subversive writing, but I think Azula’s ultimate arc is an unsung masterpiece among it. The character is so mired in discourse these days it’s easy to forget it, but she genuinely is a grand character.

For her score, I’m gonna say she gets a 9/10. She’s easily the best villain on the show, far outshining her rather generic father, the deliciously hammy but ultimately rather shallow Zhao, and the scheming but relatively minor Long Feng (to say nothing of the numerous minor villains that range in quality from wastes of time like Combustion Man to genuinely amazing and horrifying like Hama). I think the only thing holding her back from a perfect score is that sometimes it feels like things fall into place a little too perfectly for her, and she doesn’t face setbacks too much until the very end, but considering the immensely powerful culmination it’s nothing that ruins her. Azula is a character just as rich and deep as anyone else from the show, and I really wish more people looked at her with nuance.

I also wish the fucking comics didn’t exist. Maybe I’m asking for too much.

#Psycho Analysis #Princess Azula #Avatar #Avatar: The Last Airbender #ATLA #Grey DeLisle

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