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#harry discussions
sleyu · 9 months
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in regards to perv!marauders . . . theyd so get off on the more innocent pics of you— it could be a polaroid of you smiling and it’d be covered in cum by the end of the summer bcos your innocence is so hot to them
i am losing my mind at the thought of this. the mere thought of corrupting you torments perv!marauders and something about the contrast of their filth paired with your seemingly pure disposition makes their cock throb.
the photo usually always comprises you beaming, presumably looking up at them through the camera, batting your eyelashes prettily, looking so radiant and cute. i can picture a photo of you leaning against their palm, their large hands caressing your cheek while you peer up at them. maybe it’s that sleepy look of yours; maybe it’s your flushed face or your puffy, watery eyes; or perhaps it’s the gloss on your lips that makes you look so girly and kissable that has them groaning into their pillow as they fist their aching cock late into the night, feverish and frantic to cum to the sight of you.
it's not only your innocence that gets them off, but it's the thought of ruining it that drives them to the edge. all of them would repeatedly fantasize about making you just as desperate as they are for you. they want nothing more than for you to look up at them—a betrayed, foggy look in your lust-filled eyes—begging them to take you again because three rounds simply aren’t enough and you're far too addicted to their cocks stretching out your ruined cunt to stop.
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Thinking about an AU where Harry travels back to the first war with Voldemort when his parents are still alive. An AU where he is Voldemort's soulmate. An AU where you can't kill your soulmate. Thinking about Harry just fucking with Vee while knowing that.
(because in his time his Voldemort is dead, he was dead because he tried to kill Harry and it backfired. Because in his time Harry lost his other half and broke. That is why he time travels or was forced to travel back by Hermione and Ron because they could see that the loss of soulmate was slowly killing Harry.)
So imagine a fic where Voldemort and Harry are soulmates but Harry learns that after Voldemort dies. So he goes back to the past and start fucking with him out of spite but also protects him and slowly but surely ends up protecting the world.
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Let's Reflect On: Peter Pettigrew's erasure from The Marauders by a big portion of the Harry Potter fandom.
Peter Pettigrew was an 11-year-old boy who happened to be in the same compartment of the Hogwarts Express as James Potter, Sirius Black, and Remus Lupin. They all befriended each other through that interaction - through being sorted in the same house, being dormmates, having things in common, being comfortable around each other.
Peter Pettigrew was a twenty-something-year-old man who was threatened to sell his friends to Voldemort. He was a coward, not a follower.
Even Voldemort himself says it:
“[…] Wormtail here has paid some of his debt already, have you not, Wormtail?" He looked down at Wormtail, who continued to sob.  “You returned to me, not out of loyalty, but out of fear of your old friends. You deserve this pain, Wormtail. You know that, don’t you?”“
Harry Potter and The Goblet of Fire, Chapter 33: The Death Eaters
In the end, at the moment of his death, when ordered to strangle Harry he hesitated. Now, we have seen him murder without batting an eyelash, why would he not do the same with Harry?
Here's my take on it:
I believe Wormtail saw Harry as more than a chore, a body to dispose of. He saw him as James' son. His best friend whom he helped killing son. All the guilt and grief he had been trying to justify and push away since that fateful night dawned on him.
Peter had been there for his beginning; for James and Lily’s beginning. He was there at their wedding, at the baby shower (if there was one), for every Christmas since first year... He felt, not sure love, but definitely guilt. He looked at Harry and saw the face of James and the never-quivering eyes that once belonged to Lily. It was much easier living without carrying the responsibility of having cast the spell that ended their lives.
He hesitated, which caused the silver hand Voldemort had given to him to sense that as a sign of weakness and/or disloyalty, leading him to be strangled to death. With such a choice, he saves Harry’s life and, to me, finds redemption for his treason.
I’m not saying you should love Peter or that he was a wonderful human being who should now be showered with flowers and kisses by any means, but he has a story and he has a past. He has a built-up of growing insecurities until he betrays his friends. All of this is essential to understand that the twenty-something-year-old Peter Pettigrew is not the same as Hogwarts student Peter Pettigrew. There’s background and nuance to each character - If we ignore it and pretend he was an idiot through and through it just turns him into an empty character with no real importance in the plot, which is not the case. Don't reduce the complex relationship of the marauders to that.
To expand on the topic, the extraordinary @theprogressofspring has quite an extensive section on their blog labeled In Defense of Peter Pettigrew, with essays that go much more into detail and actually gave me the courage to post this entire thing. In addition, they also began a while ago writing The Life Cycle of the Common Rat; a story from Peter's point of view, tackling the first Wizarding War and refreshing characterizations of young adult marauders and Lily; it was a really tricky time, and sometimes the people we love are cunts and the people we hate are not pure evil.
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rrotostap · 6 months
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The Discussion (2016-17)
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volitioncheck · 9 months
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does near every single post-canon DE fic out there need to be tagged ‘Sober Harry Du Bois’? i’m getting so tired of it.
do i expect every single piece of fan content to have to fully delve into the often-depressing always-complex topic of addiction? not really. sometimes you just want to write/read a silly fluffy romance one-shot, whatever. i get it. but i think my issue is specifically with the fact that for nearly every sillyfluffy au out there, there almost must be a ‘sober harry du bois’ tag. and it does feel very slapped-on more often than not.
i think to me it is an unconscious statement that nothing *good* can ever happen to harry du bois until he is completely and permanently sober. before solving the next big case, he has to be sober. before quitting the force, he has to be sober. before falling in love with kim, he has to be sober. before accomplishing anything, starting any sort of recovery, making any life improvement, he must first be sober.
sobriety as a goal, as a journey, and honestly as a concept in of itself is not as cut and dry as so many people think it is. and i think it would serve a lot of people well if they did some introspection on the implications of how nearly every single post-canon fic that isn’t dealing directly with harry’s addiction have him as completely sober instead.
if the plot of the fic isn’t going to touch directly on harry’s substance use (and again, i’m not demanding that every single fic should), why does that mean that sober!harry must be the default?
i think i am just tired of reading a casefic, a smutty one-shot, a fantasy au, whatever, where it almost seems that before getting on with the plot, the author feels obligated to first assure us that the harry we’re reading about is a Sober Harry. it’s established with a couple lines in the exposition, probably about his improved appearance, a tag up top, and then never brought up again; a checkmarked box. like the societal image of An Addict has completely prevented people from being able to imagine a person just, continuing to live life, while still struggling with addiction.
life happens, with all of its backslides and achievements, mundanity and changes, to people with drug addictions just as much as people who don’t. is a post-canon harry who isn’t sober not worth writing about?
i think so. i think the game we all played thinks so too. in fact i think that sentiment is woven into the game’s very core. i just wish i saw that reflected in our fan content more.
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bumblingbabooshka · 4 months
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St Voyager Crew's Casual Chats: X
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lanniisters · 3 months
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On Friends-To-Lovers:
I get so annoyed when people throw around the “healthy platonic relationships are so important” thing because YES THEY ARE but you don’t actually think that.
What you think is that, in this particular case, I want these two characters to stay platonic so that I can ship my ship and, simultaneously, feel morally superior. The reality is that there are multiple non-canon ships for whom this applies… but one of them happens to be queer.
Woah hold those trigger fingers!!
While this train of logic does apply to people calling queer coded relationships “besties” or, heaven forbid, “brothers”, it also applies to straight (or straight-presenting) relationships.
You do not need to write two characters as romantic interests (or *groan* enemies) for the story to be romantic. It is OKAY for those characters to form a deep, romantic and emotional bond after years of building trust and loyalty.
As a person who identifies as demisexual, I find the erasure of friends-to-lovers extremely harmful and inherently invalidating. Especially now that we are seeing screenwriters and authors being critical of the trope.
Please, sit me down and explain to me in excruciating details why these two characters - who have seen each other through their darkest periods, who have been each other’s personal cheerleaders, who have loved each other unconditionally - are not good as lovers?
“But can’t two characters just be friends anymore?!”
They certainly can and good for you for believing that characters should show genuine love for one another without having any romantic feelings. But that doesn’t mean the latter can’t exist.
Listen, I never go in expecting my ship to happen and I never expect everyone to agree with it but it drives me up the wall to be invalidated purely because friendship and romantic love can’t coexist in your world. If you want to believe that platonic soulmates should be a thing (AND THEY SHOULD), you also need to understand that you cannot use that term to invalidate another’s ship when the foundations of your own (usually rival) ship are the exact same as mine.
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svankmajerbaby · 4 months
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she's her own means of production!!! she's the mother and the child! she's the woman and the infant! shes the teacher and the student! she's innocence and experience all in one! shes a monster and is also infinitely human!!!!!!
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isahorcrux · 1 year
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In light of the recent announcement of the Harry Potter TV Show and the fact that this is primarily a Harry Potter fan fiction blog, the below needs to be said.
I am not excited about this show.
If you told my past self 5 years ago this, I’d be shocked.  Five years ago, if they announced a Harry Potter TV show I’d be doing everything in my power to be involved some way or another.  However, in the last five years JKR has shown her true colors and spent her free time and money attacking the trans community.  There are many reasons why I’m not excited about the show or looking forward to it in any regard, but to me the most important is that this show gives JKR more money and cultural capital to further her anti-trans agenda.  This is unacceptable.
I think a lot of us raised on Harry Potter really wanted to separate the art from the artist, dive further into fanfic and fandom and just ignore that the woman who created a world in which we’ve spent most of our lives escaping into.  However, we can’t do that.  It’s come to my attention over the past few days that a lot of people aren’t even aware of the active harm JKR is doing to the trans community.  Most people just say, ‘oh she said some weird stuff on twitter’ right?
Well, yeah.  But, did you also know she launched an active campaign against a reform bill that made it easier for trans people to legally change gender?  You know what happened?  The UK blocked that Bill and Scotland now has to launch a legal challenge to the government block.  She’s also funding a Sex Abuse Crisis Center that excludes trans women.  Yeah, that’s right.  She’s using her money from a book about love and acceptance to actively exclude a marginalized group from a crisis center.  She’s also publicly admitted via twitter that she funds anti-LGBTQ political activity in the UK.
So yeah, there’s a direct line of fans supporting official trademarked Harry Potter anything and that money directly harming transpeople.  Sorry for that rude awakening, but some of y’all are doing backflips to avoid seeing this.
Now, is there a way to prevent Warner Brothers (and Max, lol) from making this show?  Probably not?  After mergers and at a point when the tv and film industry isn’t booming, they need money.  You know what makes money?  Harry Potter.  Which is why they’re rebooting it.  Another question that’s been raised, will the looming writer’s strike affect this?  I would guess probably not?  Most UK writers (and International writers at large) are not in the WGA.  JKR has always wanted the most amount of British people involved in Harry Potter adaptations, so they’ll use the strike to find a UK writer and get them to work.
So what can we do?
Don’t watch the show.  Or, if you do.  Pirate it. In fact, cancel your Max subscription before the show launches.
They’re going to spend A LOT of money on this.  If the numbers aren’t there for them they will do what every other streamer does with an unsuccessful show and cancel it.  They announced 5 Fantastic Beast movies, and yet...where’s that last one?
Anyway, thanks for reading this whole thing if you’ve gotten this far.  Please share with friends who are excited about the show.  Please engage in meaningful discussions with other Potter fans.  Please support our trans friends and strangers.
Once again, this blog says FUCK JKR.
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foundfamilyhq · 20 days
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Hey! I was wondering, does "No Harry Potter" include Fantastic Beasts?
Yep, nothing from any of JK Rowling's franchises, including any other book series she's written outside of that universe, will be accepted here. Mod is trans and from the UK, so I don't want to think about these series on a blog I'm running for fun 👍
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neverenoughmarauders · 15 hours
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Sirius Black did not know that Barty Crouch Jr was a Death Eater! He didn’t know that Severus Snape was a Death Eater! He did not know that the dark mark was branded into Death Eaters (and could thus never have expressed the sentiment: Regulus got / took the mark). When Harry told Sirius about Karkaroff showing Snape something on his arm, it confused Sirius.
Death Eaters operated with masks and in secrecy of each other (that’s likely why Snape didn’t know Peter was the spy).
Nobody knew shits in the first war!
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iamnmbr3 · 2 months
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the way Harry actually starts shaking after Vernon yells at him in book 2. I’m going to cry. he deserved so much better. and even if he had to live there for his safety there was no reason someone couldn't have regularly checked on him and forced the dursleys to treat him well...except that then he might not have been as easy for dumbledore to control.
i think maybe dumbledore didn't want harry to have too many outside connections because he was the key piece in the plan to destroy voldemort. and also because at first dumbledore didn't know if the horcrux inside him might corrupt or even possess him. he wanted harry to be easy to observe and easy to control.
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lovelyathoth · 23 days
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disco elysium fandom. y'all are super cool ily but we DESPERATELY need to talk about media literacy and some of y'alls perception of the characters. cus recently i've seen way too much discourse where jean is either the spawn of satan or kim is the second coming of Christ. GUYS. GUYS. they are BOTH flawed individuals, they are both extremely human characters and reducing then to either JUST their positive or negative attributes is such a disservice to the masterpieces of writing that they are.
kim especially to me is so interesting to discuss on how the fandom treats him as a God (i get it dw i love him dearly but he's not a saint) since we view him exclusively from harry's perspective, y'know the guy who basically pulled him out of his depression coma and stopped him from spiralling even more and potentially killing himself, so of course harry is more likely to ignore kim's flaws and, by proxy, the player is too
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david-talks-sw · 1 year
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Okay so I watched Inside Man on Netflix. It's interesting. More importantly, it's a masterclass in crafting likeable characters and how the POV we follow in a scene affects the way we see a character. Also, this somehow relates to the Star Wars Prequels, I promise! 😆
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The moral of the series is that "everyone is a murderer, all it takes is a good reason and a bad day." The main characters are:
A vicar who - through a huge misunderstanding - has now locked his son's tutor in his basement and doesn't know how to get out of this situation, played by David Tennant.
A convicted murderer and ex-criminal psychology professor who solves crimes from his cell, as he waits for his execution, played by Stanley Tucci.
So a man who locked a woman in his cellar and a guy who murdered his wife. In any other movie, these guys are the villains. Yet, both of these characters are extremely likeable!
This is achieved through how relatably they behave in their relationships (kind, humble, humorous)...
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... and through the emotion and/or charisma brought by the actors playing them (it's THE DOCTOR/CROWLEY and Stanley Friggin' Tucci)... but also through the amount of screen time they get.
We're with them for most of the show. There's other characters (the journalist, the trapped tutor and the vicar's wife) and subplots, of course, but they're our two anchors.
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So when I'm watching David Tennant lock his son's tutor in his cellar and consider if he should free her - only to see him and his wife make things worse - I'm not thinking "you monster" like I do when I see Buffalo Bill in Silence of the Lambs for example.
No, I'm thinking "goddammit vicar you're making things worse, it'll come back to haunt you, there's still a chance to turn back, please!" I'm rooting for him to make the right choice because I'm seeing him struggle and despair and hesitate throughout many scenes.
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When I'm watching Stanley Tucci guiltily say he deserves death, after being so darn charming, humble and in clear possession of a moral compass, my instinct as a viewer isn't to go "he's right".
It's to go "aaaw, no it's fine, everyone makes mistakes."
And these characters remain likeable and/or relatable for a huge chunk of time... until, every once in a while, the show reminds you that, "remember, these guys are criminals."
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"One of them's killed his wife then decapitated her, and the other one is contemplating murder, so they did/are doing evil stuff, they're the villains and you shouldn't grow fond of them."
Then it goes back to making you empathize with them again.
It's quite the emotional roller-coaster, very intriguing yet frustrating, which I have to guess is exactly what the show is going for.
But the point is: the amount of time we spend with these characters is partially what elicits this emotional reaction out of us.
If we consider the tutor's character:
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For all intents and purposes, we should feel sorry for her, or full-on fucking love her. Objectively-speaking, she's:
smart but obviously scared,
we establish early on that she has a brave heart and stands up for oppressed women,
she thinks she's trapped by a pedophile or a man defending a pedophile, figures he'll inevitably try to murder her, yet manages to stay resourceful, determined and cool-headed despite it all.
She's an absolute superhero.
But that's not how the narrative frames her.
She's framed as an antagonistic force, in the vicar's subplot.
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She may be the one tied up in a basement, but she's in control and the vicar is not. She's almost framed as being in a position of power (when she's really not), which leads the audience to view Tenant's vicar as an underdog.
When the vicar is trying to look for alternatives to end this situation so that he doesn't have to kill her, she's unhelpful,
and even starts pitting the vicar and his wife against each other.
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Again, in-universe, she's scared shitless and in "fight-or-flight" mode. She's putting up a front because she's just trying to get outta this alive. She's the victim, here, not the vicar who captured her.
But as a viewer, you don't feel that, despite objectively knowing that. Why and how?
Because we barely see this character, compared to Tenant's vicar. So we have more time to grow to feel for him. There's "why".
Also 90% of what we do see of the tutor is her being aggressive, manipulative, sometimes downright merciless and we're seeing her from the POV of the vicar or the vicar's wife. There's "how".
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Result: the viewer feels sorry for the captor and frustrated towards the captive.
This isn't a rational reaction, it's an emotional one (the goal of any visual artform being to get an emotional reaction out of the viewer).
Which means the series and Stephen Moffat effectively did their job.
How does this relate to the Prequels?
Well, a lot of people see the Jedi in a negative light in the Prequels, and Anakin in a more sympathetic one.
Even though the Prequels are about how a good man becomes bad, and even though the Jedi embody one of the major Star Wars themes (selflesness) as opposed to Anakin who clearly displays the anti-theme (selfish)... a majority of fans feels more for the latter than the former. Why?
Because the Prequels unintentionally do what Inside Man does purposefully. You react to Anakin like you react to the vicar. You react to the Jedi like you react to the tutor.
Simply put: Anakin has more screen time than the Jedi. And we don't just see him more, we see him struggle, we see him about what he knows to be morally right vs what he really wants, we see him be overtaken by his own fear...
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... and just by contrast, that makes him more relatable than the Jedi, who have already overcome their character arcs and mostly all learned to keep their flaws in check.
The narrative doesn't intend to frame them as antagonistic. We do see them talk about how worried they are, we do see them emote.
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And if you think about it, it's easy to see why:
their entire way of life is going to crap,
their values are being corrupted as they're forced to fight and die, alongside their clone brothers, in a war they wanted no part of,
they sense that the Force is close to the breaking point and that the galaxy's inhabitants are suffering on the daily.
But, for example, when Mace or Ki-Adi Mundi are shown expressing concern in the Prequels... as worried as they are, in-universe... out-of-universe, their measured reactions doesn't emotionally impact a viewer as much as Anakin's intense ones do.
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So a big chunk of the audience will sympathize more with him than them. But like the tutor in Inside Man, the Jedi are objectively the victims and Anakin is objectively an unstable space-nazi who betrayed and destroyed them.
Just because we're not shown these characters be worried beyond just monotonously saying "I'm worried" doesn't mean they're not actually worried as Anakin is in Revenge of the Sith (if not more).
However we don't see it.
Because these three films aren't about the Jedi Order, they're about the Republic and about Anakin and about how each of these two beautiful things were corrupted (by Palpatine and by themselves) into becoming the very thing they stood against.
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The Jedi aren't a factor in either of those two themes set up by George Lucas.
They became a factor when fans - who despite not liking the Prequels, still admirably chose to engage with the material - made the Jedi be more important to the narrative of the Prequels by re-framing these films as "The Failure of the Jedi".
Now, should Lucas have recognized that most fans wouldn't give two shits about why a Republic falls or the "matinee serial" format, and would've rather he focused on the Jedi, and developed them accordingly? Probably.
But good luck telling an indie filmmaker with a bunch of money how to tell the story he wants to tell.
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Could Lucas have done more with the Prequels to highlight the fact that the Jedi are the underdogs of the story, not Anakin's oppressors? Yes.
But, firstly, he probably didn't think that was a point that needed explaining. And secondly, as he explained at Cannes, in 2002, feature films are a very limiting format to tell a story, especially one of the Prequels' scale. If it doesn't directly contribute to the story you're telling... it's gotta go.
A limited show would've been better to cover every aspect of the Prequels more in detail and avoid confusing the audience re: who they should be rooting for.
Which is why it's interesting, to me, that Stephen Moffat used his limited show to INTENTIONALLY confuse the audience! 😃
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"I don't really give a damn about the way you touch me when we're alone"
"You're ashamed of me." Remus' voice is barely there but it's cold and unfamiliar. Sirius stops in the corridor and all of a sudden it's darker, the scars on Remus' skin glimmer in the low light. No one wrote a book on this, because if they did, Sirius would know. All that occupies his mind is this condition. It feels like a restraint around him, like a tough pill to swallow. Sirius still sees Remus, he still sees the quiet moments they've shared, he still feels his hands on his skin. What he can't help, however, is seeing his shadow in the shape of a wolf.
"You can hold my hand if no one's home."
Sirius reaches for his hand yet Remus makes no move towards him. "I could say the same to you. But I don't. I won't." He's still, illuminated in the lamp light, breathing heavily. “Only one of us is a monster, Remus. And it’s not you.” Rationally, Sirius knows the moon is only days away, that this is so much harder for Remus than it would ever be for him. This time it hangs over both of them. Remus’ footsteps echo away from Sirius. Sirius can’t help but feel like it’s unfair.
"Do you like it when I'm away?"
Sirius feels on edge the whole of the full moon. He sits by the window the whole night, praying for a glimpse or a howl. Something, anything to indicate that Remus, his Remus, was okay. He knows it’s one night. One night, twelve times a year. The condensation from his breath pearls on the glass, illuminated by the moonlight. Sirius feels like the moon is mocking him - I’ll always have him in a way you never will. And Sirius should feel guilty. He really should. But Remus is his, wolf be damned.
"If I went and hurt my body, baby, would you love me the same?"
Sirius wakes up at sunrise. He doesn’t know when he drifted off to sleep but he knows Remus will be back. So he runs. Remus is asleep, caressed by soft sheets he knows Madam Pomfrey has transfigured. He’s lightly bruised and a stitched up laceration graces his left forearm. Sirius can’t help but think he’s beautiful. Sirius always thinks Remus is beautiful. Radiant. Like the moon. He crawls into the bed, jostling Remus awake. He blinks slowly up at the other boy. Sirius holds his breath. Remus concedes. He always does with Sirius. He pulls him in by the waist, and they sleep. Silly boy. He thinks this is what he wants, but he does not understand how it will hurt.
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dersitedreamr · 3 months
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The insane amount of nepotism the HS^2 kids could have if all the beta kids did the same jobs their alpha selves did if harry Anderson became an actor with dave the big shot director as his half-brother the citizens of Earth C would not hear the fucking end of it
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