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project-sekai-facts · 4 months

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Only one date is ever mentioned in-game, that being 2021. Considering that the Virtual Singer Fan Festa seems to be a stand-in for Magical Mirai 2021, we can assume that the Scramble Fan FESTA! event takes place in September 2021 (the real-life MM2021 was delayed to November due to covid-19, but the pandemic doesn't exist in-universe and MM Tokyo usually takes place at the beginning of September). There are Leo/need Daily Life social media posts that show them attending Magical Mirai, and do state the year of the event, but these can be considered promotional material for the event itself rather than canon material, especially since the characters address in-game that only one year has passed since the start of the story (despite the fact they have celebrated new year's day 4 times now. Timeloop things).

Based on this date, we can actually place exactly when every main character was born. The cutoff date for Japanese schools is April 1st, making Ena the oldest main character, being a 3rd year with a birthday of April 30th, followed by Tsukasa on May 17th, so on so forth all the way down to Kohane, a 2nd year with a birthday of March 2nd.

Considering when Scramble Fan FESTA is set, Ena, who was a 2nd year at the time, would be 17 years old. That would place her date of birth as April 30th, 2004. Additionally, while Kohane, a first year at the time, should be 15 during the event, the game considers her to be 16 due to using a set age for every grade bracket. Regardless, the event setting places her date of birth as March 2nd, 2006.

Based on this, we can conclude that:

Ena, Tsukasa, Rui, and Shizuku were born in 2004

Mafuyu, Kanade, Airi, Minori, Saki, Toya, Nene, An, Ichika, Mizuki, Emu, Haruka, Honami, and Akito were born in 2005

Shiho and Kohane were born in 2006

This also means that Ena, Tsukasa and Rui are all older than the MEIKO software (released November 5th 2004), and everyone except Kohane is older than the KAITO software (released February 17th 2006). Every main character is older than Miku, the Kagamines, and Luka based on this information.

Using the information around set ages*, we can also work out rough estimates for when the side characters were born. For example, Arata, who was 19 during the first 3 years of the game, is 3 years older than the members of VBS who were all considered to be 16. Since the members of VBS were born in the April 2005 - April 2006 school year range, Arata was likely born in the 2002-2003 school year range.

* based on how characters like Youta and Miu, who are said to be the same age as Leo/need, were both confirmed to be 16 years old before the 3rd anniversary age-up. Also Haruka's age is confirmed as 16 at a point in time when she shouldn't be 16. Timeloop things.

Based on this, the oldest living side character, Kounosuke, who was 55 pre-3rd anniversary and 39 years older than Emu, was probably born between April 1966 and April 1st 1967. On the younger side of things, Hanano, who was 14 pre-3rd anni, was likely born between April of 2007 and 2008. I've put the rest of the estimated side character DOBs under the cut.

assumed age as of 3rd anniversary in brackets (literally just pre-age-up age + 1)

Rakunosuke Otori - April 2nd 1922 ~ April 1st 1923 (98 (at time of death. would be 100 if still alive))

Kounosuke Otori - April 2nd 1966 ~ April 1st 1967 (56)

Jean Riley - 1967~1968 (55)

Harumichi Aoyagi - 1968~1969 (54)

Shin'ei Shinonome - 1973~1974 (49)

Mr Yoisaki - 1975~1976 (47)

Ken Shiraishi - 1978~1979 (44)

Taiga Kotaki - 1978~1979 (44)

Yuuka Kazamatsuri - 1990~1991 (32)

Keisuke Otori - 1991~1992 (31)

Shousuke Otori - 1994~1995 (28)

Tatsuya Okazaki - 1999~2000 (23)

Ayaka Saito - 2001~2002 (21)

Hinata Otori - 2001~2002 (21)

Iori - 2002~2003 (20)

Mio - 2002~2003 (20)

Arata Tono - 2002~2003 (20)

Souma Miyata - 2002~2003 (20)

Kotaro Mita - 2004~2005 (18)

Sakurako Seiryuin - 2004~2005 (18)

Nanami "Nanamin" Hayakawa - 2004~2005 (18)

Futaba Natsuno - 2004~2005 (18)

Ayumi Tabata - 2004~2005 (18)

Hibiki Miyake - 2004~2005 (18)

Shuuta Hayashi - 2004~2005 (18)

Ibuki Taniyama - 2004~2005 (18)

Yuina Uchiyama - 2005~2006 (17)

Shouta Hayashi - 2005~2006 (17)

Miu Takagi - 2005~2006 (17)

Youta Yoshizaki - 2005~2006 (17)

Riho Hasegawa - 2005~2006 (17)

Saku Kousaka - 2005~2006 (17)

Mai - 2006~2007 (16)

Hanano Yoshizaki - 2007~2008 (15)

Ambiguous:

These ages were given in the 3rd fanbook, but there is not really any way to tell if these are the characters' ages at introduction or ages after the 3rd anniversary age-up. Here are both possible DOB ranges.

Mrs Asahina - 1980/81 or 1981/82 (41)

Yoshiki Shindou - 1982/83 or 1983/84 (39)

Yuuki Akiyama - 1999/2000 or 2000/01 (22)

Asahi Genbu - 2003/4 or 2004/5 (18)

Arisa Higure - 2004/5 or 2005/6 (17)

Additional notes (mod is rambling atp):

Rakunosuke died when he was 98 years old. In the WxS main story, Emu says that he died a year ago. Assuming Emu was 15 at the time, they have an age gap of around 83 years. The year of birth listed here was based on that assumption.

We know that Kanade's mother died aged 30, but we do not know when she died. She is still alive in flashbacks set roughly 10 years prior to the events of game.

We do not have confirmed ages for Nagi, Reki, Sakaki, MMJ's landlady or Mafuyu's father yet.

Rui suggests that Reki is the same age as him in A Story Where You Are The Star. However since it's more vague than Asahi, I left it out. However, Asahi was since confirmed as 18 when he was compared to Reki as being similar age, it is likely that Reki is also around 18 years old.

Nagi's age is left blank in the fanbook due to it not being revealed that she was dead at the time of publication. She is younger than Taiga, but we don't know by how much, but nonetheless she was likely born in the early 1980s.

No NPCs are given exact birthdays

#this post is an apology for the fact i never made a timeline when i said i would. sorry this is kinda confusing also #in short just know that we can assume that the game takes place in the 2021/2022 and 2022/2023 school years #don't use that as an excuse to be weird about the characters bc that's still the in-universe year(s) even if it's not the irl year.#this post is just for fun okay? okay.#project sekai #lore

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bridgetotheskyyy · 7 months

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✨Skyyy's First Kinktober 2023!

Just as it says on the tin, this is my very first kinktober event ever! My main priority will be to post my prompts on ao3 at a timely basis but I will try to post those same fics on Tumblr on the same day if I can! Please patient with me 💕

These are the prompts I've made up my mind on so far, but the list will be updated (edit: still making up my mind lmao)

I am not comfortable with taglists at this time so please just check back here for updates/links to prompts ✌

Prompts will be a mix of one shots and drabbles 💕

18+ only

Character x f!reader always

Fandoms included: naruto, bleach, jjk, arcane, csm, aot

October 1st | Hashirama Senju | PEGGING

October 2nd | Jiraiya | TITFUCKING

October 3rd | Aki Hayakawa | HATE SEX

October 4th | Viktor | RIMMING

October 5th | Naoya Zenin | COLLARING

October 6th | Toge Inumaki | DUBCON

October 7th | Yuji Itadori | STUCK IN WALL

October 8th | Suguru Geto | MASTER/SLAVE

October 9th | Akatsuki | GANGBANG

October 10th | Kisuke Urahara | PRAISE KINK

October 11th | Itachi Uchiha | SOMNOPHILIA

October 12th | Utahime Iori | LINGERIE

October 13th | Kento Nanami | ORGASM DENIAL

October 14th | Armin & Eren | THREESOME

October 15th | Silco | SPANKING

October 16th | Kisame Hoshigaki | SIZE KINK

October 17th | Yuuta & Toge | DOUBLE PENETRATION/ONE HOLE

October 18th | Kisuke Urahara | SENSORY DEPRIVATION

October 19th | Mitsuri Kanroji | BODY WORSHIP

October 20th | Yuuta Okkotsu | VOYEURISM

October 23rd | Mitsuri Kanroji | SEX TOYS

October 24th | Gaara | MASTURBATION

October 25th | Itachi & Shisui | DOUBLE PENETRATION/TWO HOLES

October 26th | Mikasa Ackerman | FACESITTING

October 27th | Kakashi Hatake | ROLEPLAY

October 28th | Toji Fushiguro | PUBLIC SEX

October 29th | Suguru Geto | DADDY KINK

October 30th | Itachi & Sasuke | INCEST

October 31st | Kishibe | STRIPPING

#kinktober #jjk smut #naruto smut #arcane smut #csm smut #bleach smut #aot smut #eventually lol

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landofanimes · 9 months

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Fruits Basket The Stage: 2nd Season

Coming to Tokyo on October 6 to 15, 2023

Ayano-Christie Yoshida as Tohru Honda Naoya Kitagawa as Yuki Sohma Shōhei Hashimoto as Kyo Sohma Yūya Asato as Shigure Sohma Shōgo Tamura as Hatsuharu Sohma

Iori Noguchi as Isuzu “Rin” Sohma Hiroki Nakada as Ayame Sohma Yū Imari as Hatori Sohma Ruito Koga as Momiji Sohma Yūna Sekine as Kagura Sohma Erena Kamata as Kisa Sohma Yoshiaki Jin as Hiro Sohma Chisato Minami as Arisa Uotani Yukari Nakamura as Saki Hanajima Masatoshi Shin as Kakeru Manabe Marina Horiuchi as Machi Kuragi Daiki Miyoshi as Kureno Sohma Seiya Inagaki as Kazuma Sohma Sho Ayanagi as Akito Sohma

Ensemble: Azusa Kawahara, Iori Hayakawa, Sara Maegaki, Ryu Yokomatsu

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yurimother · 1 year

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Yuri of Absence and The Chair of Yuri: Combining Lesbian Manga and Science Fiction - The Secret Garden

This article was originally written in 2021 as part of The Secret Garden, YuriMother's exclusive series of articles, available only for Patrons. If you want to access other articles and help support Yuri and LGBTQ+ content, subscribe to the YuriMother Patreon.

In the “olden days” of Yuri, which is really to say anything in the ‘00s or earlier, there was not much variety in the mainstream Yuri market. If you wanted to read a manga about the romance between two women or watch an anime with clear lesbian elements, choices were between a sweet school story or a classic tragic school Yuri story. As I have mentioned many times recently, one of the most significant advancements in the recent Yuri genre is the advent of sub-genres. Once considered an element or subgenre itself, Yuri hosts various works from isekai to feminist literature. However, one of the most curious and certainly most well-known subgenres is science fiction.

Yuri science fiction is in the spotlight right now, with everything from visual novels like Synergia to webcomics like Ratana Satis’s Soul Drifters. However, one of the most prolific and rightly celebrated titles is Iori Miyazawa’s Otherside Picnic. The series began publishing under Hayakawa’s Bunko JA imprint in 2017, and over the past few years, it exploded onto the scene. It has an upcoming sixth book, a manga adaptation serialized in Monthly Shounen Gangan, healthy overseas publishing, and of course, an anime adaptation helmed by Kase-san and Stiens;Gate director Takuya Sato. It has garnered praise from critics CBR, Anime News Network, and Erica Friedman of Okazu. I wrote glowing reviews for the first few books, complimenting its worldbuilding, pacing, and characters. However, Otherside Picnic did not spring out of anywhere. Indeed, it is the product of gradual shifts in Yuri and sci-fi storytelling and Miyazawa’s genius theories and knowledge of the genres.

The mixture of Yuri and science fiction is not anything new; it predates most other forms of Yuri save Class S school romances. You may not picture many of these when you think of modern Yuri sci-fi, but as early as 1975, we had Yuri stories like Boku no Shotaiken that included small sci-fi elements, in this case, transferring the mind to another body. Over the next two decades or so, a time during which so few Yuri titles surfaced, it is occasionally referred to as Yuri’s “era of Darkness,” multiple titles sci-fi titles including Dirty Pair, Project A-Ko, Bubblegum Crisis, and Iczer featured science fiction settings and Yuri elements. At this time, Yuri was not much of a genre as we think of it today, but more of a factor inserted into a larger narrative. Think of Yayoi and Shion from Psycho-Pass for a more contemporary example. In fact, except for Iczer, none of these titles feature any outright lesbian characters, just female casts with “Yuri-ish” moments of women standing close together and being companions.

These titles feature two key elements that many current series have shifted further away from, soft sci-fi and Weak Yuri. Soft, as opposed to hard science fiction, is the more established of these two scales. Science fiction can be separated between outlandish and impossible ideas, sometimes known as science fantasy, and those based in reality, research, and the hard sciences such as physics, astronomy, and mathematics. Sorting works between these two labels is, ironically, not an exact science, and fans and critics alike argue about their precise definitions. However, let us consider soft and hard science as a spectrum, with outlandish premises like Dragonball on the soft end and the reality-based concepts of Space Brothers at the other. One can sort most titles along this continuum. M Alan Kazlev does an excellent job dissecting this scale in further detail. Many of the titles we enjoy today, including Otherside Picnic, inhabit this transitory space, as it is not fantasy. Still, its reliance on anthropology and psychology’s soft sciences may put it a small step below more grounded hard sci-fi. Still, it is far above the aliens and superpowered robots in ‘80s anime, so we shall consider it hard sci-fi for the sake of this argument.

*Note: Many science fiction circles use the abbreviation sci-fi for soft science fiction and SF for hard science fiction. For ease of readability and common vernacular, this article uses “sci-fi” for both instances.*

Sci-fi Yuri did not break out of soft science fiction territory until very recently. In the 1990s, Yuri underwent dramatic changes thanks to Sailor Moon and Revolutionary Girl Utena, which helped reform it as a genre rather than a feature. Maria Watches Over Us revived S Yuri traditions, and new titles were set in schools and focused on modern girls’ lives. In the 2000s, Yuri magazines began serialization and featured stories such as Kisses, Sighs, and Cheery Blossom Pink and Strawberry Shake Sweet (both serialized under different names). Despite being primarily aimed at adult women, the magazine found success with male audiences, prompting new stories appealing to men and boys. These works reintroduced action and science fiction into the genre with pieces like Kannazuki no Miko: Destiny of the Shrine Maiden, Blue Drop, and Kashimashi: Girl Meets Girl (Yuriboke does a better job breaking all these down). However, all these were still vehemently in soft sci-fi territory, with Kashimashi’s only surreal element being an alien because the author was, to simplify grossly, unable to fathom the existence of transgender people (coming full circle from Boku no Shotaiken). Possibly the only contemporary mainstream hard sci-fi title to include Yuri and enjoy a modicum of success was Qualia The Purple. However, this series did not have the genre-defining power that later works would.

However, what changes between these series and those mentioned earlier is the Yuri itself. The relationships become much more explicit and central to the plot. You can deliberate whether or not Bubblegum Crisis is sapphic, but just try sitting someone down and arguing that Kannazuki no Miko is not built around the crux of two women holding romantic interest in each other. Yuri science fiction author Gengen Kusano proposes a dichotomy similar to soft and hard sci-fi to analyze these titles, Weak and Strong Yuri. He explains it in his own brilliantly convoluted and philosophical way, but in short, Weak Yuri relies on using logic and the mind to make the real imaginary, while strong Yuri is about emotionalism and realism, making fiction into reality.

Strong Yuri is Yuri that focuses on realism through feelings and emotions. Kusano describes it as fiction characters having real emotions. They have strong connections and affection for each other that are real and powerful. The audience experiences the feelings between the characters as they are felt and portrayed. Think of how emotional the exclamations and love, sorrow, confusion, and affection are in titles like Bloom Into You and Citrus. In a sense, they can be so strong that they transcend their fictional confines and become real, as they are experienced by considers, a stage called “radically Strong Yuri.” Most explicit Yuri, which is not subtext or suggestive content but in-your-face lesbianism, is Strong Yuri, although not all Strong Yuri is outright depictions of lesbianism; it is a square rectangle situation, not all rectangles are squares, but all squares are rectangles.

Weak Yuri is cemented in the areas of thought, logic, and epistemology. It deals with the theory of mind, the ability to attribute mental states to others or ourselves. For example, when we see someone smiling or laughing, we may not feel their emotion ourselves, as we do not have direct access to their mind, but we recognize that they are happy. In Weak Yuri, one uses their theory of mind to observe facts and deduce the existence of a Yuri relationship, even if one is not present. So-called “Yuri-ish” titles like Yuru Camp or K-ON! do not outright state or depict romantic or sexual attractions, but is attributed by the viewers onto characters. Said observer witnesses the interactions between girls and, using that factual and observable data, puzzles out a lesbian attraction they prescribe to the subjects, whether real. Shipping culture relies on Weak Yuri’s logic Kusano’s most extreme, “Radical Weak Yuri,” the relationships of real people, like idols, become imaginary through these projections.

Blue Drop and Kashimashi may have been soft Sci-fi, but unlike the soft sci-fi, Weak Yuri series of the twentieth century, they featured Strong Yuri and placed it more as a central aspect of the work with other elements built around, rather than as a side element. The next revolution in sci-fi Yuri came when hard sci-fi titles began production. A few of the principal players here are Kusano himself, Otherside Picnic Creator Iori Miyazawa, and editor Rikimura Mizoguichi, all of whom feature in the viral Yuri Made Me Human interview of Miyazawa. Most of the theories and ideas discussed in this article, including Kusano’s Weak and Strong Yuri arguments, came from these seminars.

It all started with Kusano’s existential widescreen Yuri baroque proletariat hard sci-fi Love Live AU fanfic of the popular ship NicoMaki, consisting of Nico Yazawa and Maki Nishikino. The revised edition of this story, Last and First Idol, was published in 2016 and became the first debut title to win the prestigious Seiun Award in 42 years. Satoshi Maejima’s post-script essay at the end of the Last and First Idol collection gives far more detail into these works’ history. However, Idol was the first prominent story to feature Yuri in a hard sci-fi narrative. It was not perfect. In fact, in its push to feature gruesome content and insane hard sci-fi that Yuri is pushed to the wayside during most of the story.

*Author’s note: The first time I read Last and First Idol, I was completely unaware of its contents, which was a shocking experience; the story comes with a severe content warning).

Last and First Idol did not create a woven hard sci-fi, Strong Yuri narrative. However, it was a definite proof of the concept, a testament that the sprawling details and imagery of hard Sci-Fi could work with Yuri relationships. Kusano’s next short story, Evolution Girls, which would appear alongside Last and First Idol in the collection of the same name, saw the author focus more on emotionalism and create a Strong Yuri work. Nevertheless, Last and First Idol was a massive success. Future hard proof that Yuri hard sci-fi was coming in force came in December 2018, when Hayakawa Shobo ran a special edition of its long-running S-F Magazine featuring Yuri stories. The issue, planned by Rikimura Mizoguchi, proved so popular for the second time in its then 59-year history, the magazine had to reprint before release.

While Kusano was developing theories on Yuri and Hayakawa Shobo worked to push the public eye onto Yuri sci-fi, author Iori Miyazawa was refining his own Yuri premises, ones that, though he did not know it at the time, would not only see Strong Yuri and Hard sci-fi standing side by side in the same story but would synthesis the two into a unique product that could attract new fans and expand the borders of science fiction and Yuri. The work in question, of course, is Otherside Picnic. This light novel series about girls journeying to another world to hunt creatures from occult internet lore is to date Yuri science fiction’s best execution.

As Miyazawa admits, he strives to create Strong Yuri by focusing on emotionalism and realistic characters. However, such character-driven narratives are often at odds with hard science fiction, which requires dense walls of text to explain the complicated science behind its concepts and world. Miyazawa avoids this trap by utilizing Yuri tropes, specifically scenic Yuri and “Yuri of absence,” and integrating Yuri relationship into these explanatory literary lectures. Examining the latter first, rather than using narrative or exposition dialogue to unravel the intelligence behind the world or elements of science fiction, Miyazawa uses the relationship between Sorawo and Toriko.

In Otherside Picnic, explanations of the mysterious Otherside come primarily from two sources, dialogue and Sorawo’s inner monologue. When Sorawo and Torikko discuss a nuance of the paranormal creatures they investigate, it no longer becomes a large infodump but a Yuri scene about their relationship through their interactions and responses. According to both the strong Yuri theory and Yuri’s traditional definition, these emotions and discussions are the crux of the genre – stories about females’ relationships. Similar emotionalism fills Sorawo’s inner monologues, specifically in the frequent romantic admirations of Toriko. Thus, an explanation existing in that same space becomes Yuri, as it mirrors the same emotions and attraction. Merely by placing the usual exposition into interactions and relationships, Miyazawa was able to open hard science fiction to new readers, who may have been apprehensive before because of these text walls.

Miyazawa’s other secret weapon is, as he describes it, “Yuri of absence.” Relying on the principles of Strong Yuri, that Yuri is fiction made real through emotions, Yuri of absence extends these parameters outside of characters. As Strong Yuri relies on feeling, not observable data like characters, anything that invokes two women’s feelings together is Yuri. It could be a song, or an empty bench, as one can imagine two women on it and feel emotions tied to that. Of course, taken to its extreme, nearly anything can then be Yuri, as I have joked before, gesturing to an empty chair proclaiming, “Behold, a Yuri!” However, Miyazawa uses this Yuri of absence sparingly, rendering it closer to scenic Yuri’s intimacy.

Scenic Yuri, a particular type of Yuri of absence, focuses exclusively on setting and imagery, a feature that works particularly well in science fiction as according to Masahiro Noda’s “sci-fi is all about images.” Traditional Yuri uses character interaction and supplements it with images and sights that help communicate characters’ emotions and intimacy, like fleeting shots or descriptions of the sky. Take the shot from Kase-san and Morning Girls where Yamada stands by the bus stop. The distance between the girls, the tree in the foreground on Yamada’s side, and the pole on the right all invoke emotion and help tell the girls’ story, distanced by their differences and upcoming life paths. Now remove the girls, the scene remains, as does its meaning and emotions, whether the characters are present or not.

Scenic Yuri is employed vigorously in more male-targeted S Yuri (a minority of the Class S genre). Here, the imagery provides intimacy so that the voyeuristic viewer could look into the characters’ private and forbidden lives, specifically the girls in all-girls schools. Take the shot from Strawberry “Mo Man May Enter Here” Panic. The sweeping view of the Strawberry Dorms atop Astraea Hill, a place where men are forbidden, gives the consumer an exclusive inside look at the private home of its subjects. Otherside Picnic uses these same scenic Yuri principles in its descriptions. In this case, the intimacy does not come from a place where men are prohibited or a shot describing women’s relationships. Instead, the reports of abandoned ruins and deserted open fields where only Toriko and Sorawo exist provide extreme intimacy. It is an emotional view of two of the few women in this world with nothing but each other; thus, Yuri.

Yuri science fiction is easily the most exciting place in the genre right now. Its creators are experimenting with new theories and storytelling methods to expand the boundaries of what science fiction or Yuri alone could never do. The subgenre has undoubtedly come a long way from its Weak Yuri roots and continues to grow. Industry leaders like Miyazawa and Mizoguichi will continue to push into this excited and uncharted territory, using tactics new and old to bring together Yuri’s emotional and romantic core with science fiction’s epic and provoking imagery. I have few doubts that we have seen all these pioneers have to offer and that Last and First Idol and Otherside Picnic are just the beginning.

Sources

Friedman, Erica, and Kishiji Bando. “Shoujo Yuri Manga Guide.” Yuricon, 29 Mar. 2011, https://www.yuricon.com/oldessays/shoujo-yuri-manga-guide/.

Hanson, Katherine. Yuri No Boke 百合のボケ〜百合が好きだ〜: Sci-Fi Yuri Anime and Manga. 17 Feb. 2012, http://yurinoboke.blogspot.com/2012/02/sci-fi-yuri-anime-and-manga.html.

Kit, et al. Tomo Choco Podcast Episode 58: A Trip to the Otherside. https://directory.libsyn.com/episode/index/show/tomochoco5287491142565609/id/14974343. Accessed 18 Feb. 2021.

Komatsu, Mikikazu. “S-F Magazine’s Yuri-Themed Issue Gets Reprints Before Release.” Crunchyroll, https://www.crunchyroll.com/anime-news/2018/12/18/s-f-magazines-yuri-themed-issue-gets-reprints-before-release. Accessed 18 Feb. 2021.

Kusano, Gengen. “[R-18] #SF #矢澤にこ【SF合同サンプル】最後にして最初の矢澤 - 節足原々（セッソクハラハラ）の小説.” Pixiv, https://www.pixiv.net/novel/show.php?id=4992326. Accessed 18 Feb. 2021.

M Alan Kazlev. “The Scale of Hardness in Science Fiction.” Futurism, https://vocal.media/futurism/the-scale-of-hardness-in-science-fiction. Accessed 18 Feb. 2021.

Masayuki Sakoi. Strawberry Panic S01:E21 - Like a Flower. Madhouse, 2006. tubitv.com, https://tubitv.com/tv-shows/558933/s01-e21-like-a-flower.

Maser, Verena. Beautiful and Innocent: Female Same-Sex Intimacy in the Japanese Yuri Genre. ubt.opus.hbz-nrw.de, https://ubt.opus.hbz-nrw.de/frontdoor/index/index/docId/695. Accessed 18 Feb. 2021.

Miyazawa, Iori, et al. Yuri Made Me Human, Part 2. Translated by Kati_lilian, 24 Aug. 2018, https://teletype.in/@kati_lilian/S1yjBCJgH.

Miyazawa, Iori, and Rikimaru Mizoguchi. Yuri Made Me Human — Interview with Iori Miyazawa. Translated by kati_lilian, May 2018, https://teletype.in/@kati_lilian/SJA8KwjjN.

Moore, Caitlin, et al. “The Winter 2021 Preview Guide - Otherside Picnic.” Anime News Network, https://www.animenewsnetwork.com/preview-guide/2021/winter/otherside-picnic/.167892. Accessed 18 Feb. 2021.

Nicki “YuriMother” Bauman. The History and Future of Transgender Representation in Yuri - The Secret Garden, January 2021 | YuriMother on Patreon. https://www.patreon.com/posts/45495024. Accessed 18 Feb. 2021.

---. “Yuri Is for Everyone: An Analysis of Yuri Demographics and Readership.” Anime Feminist, 12 Feb. 2020, https://www.animefeminist.com/yuri-is-for-everyone-an-analysis-of-yuri-demographics-and-readership/.

Pinansky, Sam. Interview with J-Novel Club’s Sam Pinansky. Interview by Erica Friedman, 1 Oct. 2019, https://okazu.yuricon.com/2019/10/01/interview-with-j-novel-clubs-sam-pinansky/.

Sarantos, Constance. “How Otherside Picnic Breaks the Yuri Genre Mold.” CBR, 10 Jan. 2021, https://www.cbr.com/otherside-picnic-breaks-yuri-genre-mold/.

“「SF冬の時代」は雪解けを迎えた早川書房・溝口力丸 Vol.1.” KAI-YOU Premium, https://premium.kai-you.net/article/201. Accessed 18 Feb. 2021.

Snapshot. https://www.cbr.com/otherside-picnic-breaks-yuri-genre-mold/. Accessed 18 Feb. 2021.

Takuya Satou. Watch Kase-San and Morning Glories. Sentai Filmworks, 2018. vrv.co, https://vrv.co/series/GYQWD1X1Y/Kase-san-and-Morning-Glories.

Walter, Damien. “Science Fiction vs SciFi vs SF: What Is the True Definition?” Damien Walter, 7 Aug. 2018, https://damiengwalter.com/2018/08/07/science-fiction-vs-scifi-vs-sf-what-is-the-true-definition/.

YuriMother. “LGBTQ Light Novel Review - Otherside Picnic Vol. 1.” The Holy Mother of Yuri, 12 Dec. 2019, https://yurimother.com/post/189635367305.

#Yuri #otherside picnic #the secret garden #miyazawa yuri #yuri of absence #scenic yuri #lgbt #lgbtq #lgbtq+#queer #gay #lesbian

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abc-91 · 5 months

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✎Who I'll Write For✎

I write fluff and occasional smut

NOTICE: For smut, any minors are aged up to be +18!

(I might write for other characters depending on my mood and the request!)

Blue Lock: Nagi Seishiro, Itoshi Rin, Barou Shouei, Kunigami Rensuke, Otoya Eita, Gagamaru Gin, Kiyora Jin

Jujutsu Kaisen: Fushiguro Megumi, Nanami Kento, Kamo Choso, Okkotsu Yuuta, Kamo Noritoshi, Inumaki Toge, Todo Aoi, Geto Suguru, Utahime Iori, Shoko Ieiri

Attack on Titan: Reiner Braun, Levi Ackerman, Jean Kirschetein, Erwin Smith, Sasha Braus, Hange Zoe, Pieck Finger

Chainsaw Man [I haven't read the manga yet!]: Aki Hayakawa

Sk8 the Infinity: Kojiro Nanjo (JOE), Langa Hasegawa

NOTE: Upcoming fics!

•Meeting Nagi Seishiro for the first time

•Losing Kamo Choso in the grocery store

•Awkward first date with Langa Hasegawa

•Barou Shoei crushing on Nagi Seishiro’s partner

•Sucking off Barou Shoei

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blueparadis · 1 year

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WRITING RULES

ONE. I write for a variety of fandoms. I mainly write n.sfw & dc, and rarely sfw; if your suggestions interest me I'll take it without further thought. You can refer to this post if you have any doubts regarding thirsts & suggestions vs requests. you can send thirsts/suggestions for drabbles, scenarios and headcanons (0.5k -1k) and headcanons ( 4 characters ).

TWO. ⁰¹do not send me n.sfw suggestions if you're a minor or ⁰²don't have an age indicator in your blog or ⁰³it's stated: “closed”. I'll decline it, even if its piques my interest.

THREE. I'll not write sequels of any fics but that doesn't mean you can't send your thoughts, you definitely can send your after thoughts. I might write about it, maybe a drabble but generally I don't think I'm built for part twos.

FOUR. I'll write fandom!versions of a headcanon post that I HAVE previously done for another fandom. Suggestions of characters for headcanons for “part two”/ different fandom!version is welcomed. All characters I write are adults, that is, twenty years of age and above. expansion of fandoms can be found at the end of this post.

FIVE. I use third person pov/second person pov with she/her pronouns ( preferably f!sub!reader ) Some of my works are in the second person with afab!reader/fem!dom!reader. Each posts have proper content warnings so read carefully before proceeding. since my default is f!reader, I'll stick to that if you don't specify it.

I do not take requests anymore unless it is for an event I make but I do take suggestions.THIRSTS ARE ALWAYS ENTERTAINED.

I also do writing commissions. You can view the details HERE. And if you want to tip me, here is my ko-fi.

Since I'm a multifandom blog i do not have much hard no's for characters. so, if you have doubts shoot an ask if I'll be willing to write on them or not. that being said. I DO WRITE SAPPHIC CONTENT, THAT IS, FEMALE CHARACTERS ( with fem!reader / afab!reader ) ARE ACCEPTABLE TOO.

I’LL WRITE ABOUT : —» SFW + N.SFW, DC — yandere, taboo topics ( incest ), porn without plot, porn with plot, (heavy) angst, major character death, polyamory, fluff, hybrids, a/b/o dynamics, dubcon, various bdsm plays and hard kinks like cnc . . . ANYTHING EXCEPT - bestiality, necrophilia, pedophilia, rape, vore,scat-play.

ANIMANGAS :: although I've listed my favs but i'm flexible with most of the characters. fandoms listed here are open for suggestions and thirsts.

NON-ANIMANGA —» stranger things, wednesday, game of thrones, house of the dragon.

ANIMANGA —»

→ bleach [ ukitake jushiro, urahara kisuke,shinji hirako, yoruichi,rukia kuchiki, byakuya kuchiki]

→ tokyo revengers [ chifuyu matsuno, manjiro sano, sanzu haruchiyo, haitanis, kokonoi hajime, inui seishu, izana kurokawa, wakasa imaushi, yuzuha shiba.]

→ genshin impact [ kaveh, xiao, kaeya alberich, thoma, zhongli, childe, ayato kamisato, al-haitham, pantalone.] [ Arlecchino, Ayaka, Candace , Columbina, Nilou,Raiden shogun,Yelan ]

→ jujutsu kaisen [ uthahime iori, shoko ieiri, geto suguru, inumaki toge, yuuta okkotsu, higuruma hiromi.]

→ chainsawman [ yoshida hirofumi, aki hayakawa,power,quanxi]

→ kimetsu no yaiba [ tengen uzui, sanemi shinazugawa, nezuko, mitsuri.]

→ attack on titan [ armin artlet, eren yeager, mikasa ackerman, pieke finger, annie leonhart, levi ackerman.]

→ haikyuu [ sakusa kiyoomi, atsumu miya, sugawara koushi, oikawa tooru.]

→ blue lock [anri teieri, hyoma chigiri, nagi seishiro, bachira meguru, reo mikage, oliver aiku,itoshis, isagi yoichi ]

→ boku no hero academia [ aizawa shouta, shigaraki tomura, keigo takami.]

OTHERS → honkai star rail, spy x family, hell's paradise, vinland saga, tokyo ghoul, castlevania, yuukoku no moriarty , vanitas no carte, gangsta, kuroko’s basketball, obey me, tougen anki, psycho pass, buddy daddies.

#writing rules

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paradoxoflucidity · 5 months

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𝐎𝐍𝐄𝐈𝐑𝐎𝐒 𝐌𝐎𝐒𝐓 𝐖𝐀𝐍𝐓𝐄𝐃 .

hello? has this message reached you? if you have seen this, then there is somebody in the dream world who is calling out to you ; they are wishing to meet you once again.

PARADOX OF LUCIDITY is a 18+ multifandom role-play group based on Discord. P.O.L focuses on the aspects of having fun while writing with a world built around your characters. Our rules are more laid back and emphasizes the joy of writing with others exploring your characters in a new situation. Won’t you join us?

rules | masterlist | discord invite

( ADVENTURE ZONE . ) - any characters from adventure zone

( BLEACH . ) - ichigo, urahara, shuhei, shinji, renji, rose, gin, izuru

( BOKU NO HERO ACADEMIA . ) - izuku midoriya, toshinori yagi, todoroki shoto, eijiro kirishima, hanta sero, aizawa shota any characters from class 1-a

( BUNGO NO STRAY DOGS . ) - nakajima atsushi, ryūnosuke akutagawa, doppo kunikida, any characters from bungo no stray dogs

( CHAINSAW MAN . ) - power, aki hayakawa, any characters from chainsaw man

( DELICIOUS PARTY PRETTY CURE . ) - amane kasai, kokone fuwa, ran hanamichi, rosemary

( FIRE EMBLEM . ) - male!robin, lucina, any characters from fire emblem: awakening

( HAKUOUKI. ) - any characters from hakuouki

( HYPNOSIS MICROPHONE. ) - rio mason busujima, jyuto iruma, any characters from hypnosis microphone

( JUJUTSU KAISEN. ) - any characters from jujutsu kaisen

( LEAGUE OF LEGENDS . ) - any characters from league of legends

( MYSTIC MESSENGER . ) - saeran choi, any characters from mystic messenger

( NEON GENESIS EVANGELION . ) - shinji ikari, asuka langley soryu, kaworu nagisa, mari illustrious makinami

( PARADOX LIVE. ) - allen sugasano, hajun yeon, naoakira saimon, yohei kanbayashi, shiki ando

( PERSONA . ) - akihiko sanada, shinjiro aragaki, fuuka yamagishi, junpei iori

( POKEMON. ) - nemona, any characters from pokemon

( PROJECT SEKAI : COLORFUL STAGE. ) - rui kamishiro, emu ootori , ichika hoshino, virutal singers

( RWBY . ) - blake belladonna, weiss schnee, yang xiao long, any characters from RWBY

( SHIN MEGAMI TENSEI . ) - gaston, nanashi, any characters from shin megami tensei: iii, any characters from shin megami tensei: iv / apocalypse

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setsunasbabe · 1 month

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☆ SELF SHIPS

*•. a lot of them, i know .•*

my hero academia

setsulena (setsuna tokage x yelena)

denna (denki kaminari x nina)

shona (shoto todoroki x nina)

katsulena (katsuki bakugo x yelena)

kyolena (kyoka jirou x yelena)

yelejire (nejire hado x yelena)

attack on titan

mikalena (mikasa ackerman x yelena)

jeanlena (jean kirstein x yelena)

yelannie (annie leonhart x yelena)

erelena (eren jaeger x yelena)

naruto

sakulena (sakura haruno [naruto] x yelena)

jujutsu kaisen

megulena (megumi fushiguro x yelena)

sugulena (suguru geto x yelena)

yukina (yuki tsukumo x nina)

makinina (maki zenin x nina)

maiena (mai zenin x yelena)

cholena (choso x yelena)

yelehime (utahime iori x yelena)

bungo stray dogs

chuulena (chuuya nakahara x yelena)

siglena (sigma x yelena)

lucyna (lucy montgomery x nina)

michina (michizo tachihara x nina)

ranna (ranpo edogawa x nina)

yecchou (tecchou suehiro x yelena)

one piece

nana (nami x nina)

haikyuu

hajilena (hajime iwaizumi x yelena)

keina (keiji akaashi x nina)

osana (osamu miya x nina)

kiyoolena (kiyoomi sakusa x yelena)

eitalena (eita semi x yelena)

kenna (kenma kozume x nina)

ninatooru (tooru oikawa x nina)

kiyona (kiyoko shimizu x nina)

wakanina (wakatoshi ushijima x nina)

demon slayer

tamana (tamayo x nina)

giyulena (giyuu tomioka x yelena)

inona (inosuke hashibara x nina)

genna (genya shinazugawa x nina)

shinona (shinobu kocho x nina)

tokyo revengers

takulena (takuya yamamoto x yelena)

takana (takashi mitsuya x nina)

seishulena (seishu inui x yelena)

senna (senju akashi x nina)

ninsuke (keisuke baji x nina)

manna (manjiro sano x nina)

yelefuyu (chifuyu matsuno x yelena)

rinna (rindou haitani x nina)

chainsaw man

akilena (aki hayakawa x yelena)

denlena (denji x yelena)

asalena (asa mitaka x yelena)

angelena (angel devil x yelena)

blue lock

renlena (rensuke kunigami x yelena)

megurunina (meguru bachira x nina)

hyonina (hyoma chigiri x nina)

reona (reo mikage x nina)

seilena (seishiro nagi x yelena)

bleach

ichina (ichigo kurosaki x nina)

runa (rukia kuchiki x nina)

uryel (uryuu ishida x yelena)

shinna (shinji hirako x nina)

ninahime (orihime inoue x nina)

soilena (soi fon x yelena)

ullena (ulquiorra schiffer x yelena)

hunter x hunter

chrollena (chrollo lucilfer x yelena)

machinina (machi komacine x nina)

pakulena (pakunoda x yelena)

shizuna (shizuku murasaki x nina)

kuralena (kurapika kurta x yelena)

feina (feitan portor x nina)

philena (phinks magcub x yelena)

seraph of the end

yuna (yuichiro hyakuya x nina)

mikana (mikaela hyakuya x nina)

ninya (shinya hiragi x nina)

yeleren (guren ichinose x yelena)

krullena (krul tepes x yelena)

ninoa (shinoa hiragi x nina)

>>> navigation

#setsunasbabe

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legsandassman · 1 year

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#iori hayakawa

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racecarcat · 2 months

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intro ??! ˚❀༉‧₊

Hiiii!!! I’m racecarcat, if you want you call me kat for short.

I just kinda wanna post stuff because I think it’d be fun. I’m unfortunately very inconsistent and everything (read: my mood) fluctuates very fast. I also, am really bad with tech, and therefore know to format nothing. Consumerism. Anyhow, here are some fandoms I’m in (or rather, have been in that if given the opportunity to talk about I can rant abt for hours):

• Jujutsu Kaisen (JJK)

• Honkai Star Rail (HSR)

• Genshin Impact (GI)

• Bungo Stray Dogs (BSD)

• Project Sekai (PJSK)

• Chainsaw Man (CSM)

• Sakamoto Days (SD)

Here are my fav characters from each, not in a specific order:

JJK: RIKO AMANAIIIII (pls someone love her as much as I do), Aoi Todo, Mai Zenin, Maki Zenin, Hiromi Higuruma, Kento Nanami, Yuki Tsukumo, Iori Utahime, Yuko Ozawa, Mei Mei and Mahito (I like them ironically I swear)

HSR: Stelle/Caelus, Jing Yuan, Welt Yang, Robin, MISHA, YUKONGG, Fu Xuan, Huohuo, Tingyun, Bailu, Ruan Mei, Jing Liu, ARGENTI, BAI HENG

GI: NAVIA, Neuvillette, FURINA, Kokomi, Shenhe, CHIORI, Jean, Lumine/Aether, GANYU, KUJOU SARA, KAVEH, Itto, Nahida, Faruzan, Yanfei

BSD: PAUL VERLAINE, Rimbaud, FUKUZAWA, SIGMA, Kunikida, Chuuya, all the flags (I LOVE STORMBRINGER), HIGUCHI, Hirotsu, ODA SAKUNOSUKE ODA SAKUNOSUKE ODA SAKUNOSUKE, H.P Lovecraft, Louisa May Alcott, EDGAR ALLEN POE, Fukuchi, TERUKO

PJSK: ENA SHINOME, Mafuyu Asahina, Ichika Hoshino, Honami Mochizuki, Minori Hanasato, Shizuoka Hinomori, KOHANE AZUSAWA

CSM: Denji, ASA MITAKAAA, Aki Hayakawa, KISHIBE, QUANXI, Angel, Kobeni, Reze, Madoka, Nomo, Santa Claus, PINGSTI, NAYUTA, Himeno

SD: Taro Sakamoto, LU XIAOTANG, OSARAGI, Shin Asakura, Nagumo, GAKU, Rion Akao, AKIRA AKAO, Natsuki Seba, Nao Toramaru, Obiguro, Heisuke, SHISHIBE, AMANE

And for funsies, here are some ships I like! Fair warning, I LOVE rarepairs and multi shipping:

JJK: Satosugu, Itafushi, NobaMaki, Hakari/Kirara, Choso/Yuki, Yuji/Yuko, MECHAMIWA, Nanami/Bakery Lady, Yuta/Maki, Yuta/Inumaki

HSR: Stelle/March 7th, Caelus/Dan Heng, Gepard/Sampo, Blade/Kafka, DAN FENG/YINGXING, Jing Yuan/Blade, Pela/Lynx, Bronya/Seele, JING LIU/BAIHENG, Himeko/Kafka, Cocolia/Serval, ASTA/ARLAN, Jing Yuan/Fu Xuan, Tingyun/Jing Yuan

GI: Jean/Diluc, Qingxiu/Chongyun, Beidou/Nigguang, Neuvillette/Focalors, Ganyu/Xiao, Lumine/Amber, Arlecchino/Columbina, Yae/Layla, truly too many to count.

BSD: Kunizai, AtsuLucy, Fyozai, FukuFuku, Shin Soukoku, RIMLAINE, Chuuya/Albatross, KuniBram, OdaAngo, Ranpoe, Shirachuu, KuniChuu, Yosano/Koyou, Kyouka/Kenji, SIGZAI etc.

PJSK: Ena/Mafuyu, Toya/Kohane, Rui/Shizuku, RuiNene

CSM: Denji/Asa, AkiAngel, Aki/Himeno, Denji/Yoshida, Violence/Kobeni, Denji/Reze, Asa/Yuko, Quanxi/her gfs

SD: None, surprisingly!

I’m probably use this blog for writing, talking about said fandoms, obsessively thinking about my ocs for each said fandom, and making very politically(/j) incorrect analysis about characters. And, more! I’m sorry this is so long, really just ask me abt anything and it’ll eventually happen.

Last thing: I might post about my own stories that are… painfully unfinished, so here’s a brief intro about each (they’re all heavily inspired by my respective fandoms, we don’t talk abt that):

*Insert Dramatic Title* (IDT): A robot by the name of Edis is asked to save humanity from a prophecy stating that, from five years from now, the world will end.

Slaughterhouse (SH): A pair of twins live in a “Haven Town” where there outside world was shrouded into an apocalypse. They learn how to truly survive in such a restrictive environment and find out the subtle corruption of their system.

‘Vest of the ‘Usual (VOU): A young boy has unusual abilities that leads him to work in the government, which depicts him having to do the unthinkable: go to school. And, do his job, that too.

Act I (A1): Olesia Lexina has had one dream all her life: protect humanity from the evil that is godlyhood! This follows her journey through the ideal of becoming on of the top members of the “Guardians of Humanity”.

Project: New World (P:NW): The government has allowed a project and organization by the name of “New World” to attempt to “purify humanity of all of its wrongdoings” and it has taken the world by storm; unfortunately, Chara has absolutely no interest in any of it.

The Eight Tragedies (T8T): An Angel has come to earth to ultimately destroy everyone on it, in which a humanities major named Reminiscence gives the world (her two friends) a chance to fix their problems before it can do so—by going into the past eight times to fix mistakes that should’ve never happened.

Majic Girl: BOOM ★ (MG:★): this one is something I’ve been meaning to get motivation to work on properly. A young freshman girl watches her whole world turn upside down (close to literally) to as some sort of eldritch horror resurfaces the earth! And she is one of the few people making the attempt to kill it.

$1 Supermarket ($1): The economy as we know it had crashed after inflation has risen way too high to the point even the upper class finds it hard to buy anything. Thus, a brand new chain store by the name of $1 Supermarket has arisen! Where everything is exactly $1! And there’s like, a bunch of monsters everywhere, but that’s besides the point.

Okay, that’s it now I promise. Thank you for reading this far!

#introduction #hiiii <3

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