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#he's a pathetic wet rat but he's MY pathetic wet rat
kaladinkholins · 4 months
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shoutout to taigen for being the most expressive character in the entire show.
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you will never not know whatever the hell he is feeling or thinking at the moment because he will literally tell you (either very earnestly like when he traumadumps to mizu or very sarcastically which is the other 99% of the time he talks to mizu) or you will see it plain as day on his face.
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this is the textbook definition of a man wearing his heart on his sleeve. look in the dictionary for what a "simple man" means and you will find taigen's face there.
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like once you cut through the massive ego and pompousness he uses to mask his own insecurities and traumas, he is literally just some guy. he's not evil or stupid. not super kind or super smart either. an asshole but not the worst there is. he's incredibly skilled but he's not the strongest ever or even the most skilled. he is literally! just a guy!
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y'all can hate him all you want but let's be real, taigen is actually the most relatable character out of everyone. like this man is POOR, he is PATHETIC, he is COMPLAINING ALL THE TIME, and most of all he is OBSESSED WITH MIZU. if that shit ain't relatable idk what is.
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lefttoesucker · 3 months
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Some more cowboy sketches because art block is hitting and I can't force myself to make any actual drawing 🤠
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whumpwillow · 2 years
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god i love the trope where a deity / other powerful entity is held captive by a human (or group of humans) like here’s this ancient, powerful thing who can do this you can’t even comprehend, except he’s been captured and now he just sits there in his containment, sulking. looking forlornly at you 
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manofthepipis · 7 months
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Sometimes I wonder what would have happened if another Addison somehow went down the spamton route and become a puppet. Like Clicks or something. The pink one witnesses the horrors.
you know i think about that too however i'm cautious about "role swaps" in fandom cuz i'm so used to like the personalities of characters being swapped rather than the roles that were intended
cuz like spamton is the best target for what happened to him. He's beyond desperate, he's the black sheep, he's smaller and isn't successful, whereas the rest of the addisons are the opposite of those things. If the roles were swapped and another addison got picked, I think they wouldn't fall for what they'd think is a "too good to be true" scam, seeing as they're cons themselves. They may doubt it when they see what happened to spamton, but truly they wouldn't be swayed.
OR in the event of one of the addisons ACTUALLY getting to "big shot"dom, top of the mansion, untold riches, etc, they'd fall back when the irons get too hot (like they wouldn't pursue more knowledge, spiraling into religious insanity, but would just focus on sales and their profit/reputation). That, and if their benefactor left, they'd be able to hold their ground (or at least somewhat) while spamton is destined to crash and burn because he just is a really obvious con and his businesses fail regardless.
like, spamton lost the idea of the value of money, instead favoring the things that can make him [[Big]] like the Soul. As soon as he had everything in the world, he wanted more, and I believe this hubris is unique to him because of how much he stands out. He's never satisfied, and will continue to be unsatisfied until everything that was meaningful to him has lost meaning in the pursuit of something grander.
What would be REALLY messed up is that, if that happens and one of the other addisons is chosen, I still believe spamton would end up failing big time, since he was found at the end of his rope presumably (but this time he doesn't have Heaven as a motivator). Thinking of him being the little white addison in the streets nobody associates with, and he's still doing his whole "garbage living" thing except while relatively sane and still his ol addison self. He's bitter and down on his luck, going to shadier means of making a name for himself, and it's not great to see
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hawnks · 3 months
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sorry if i sound dumb but who’s pietro
Dr. Pietro Pragma is a mad scientist who brings the love of his life back from the dead. At the expense of her respect for him. And now the law is after him. And the mob.
Jsjsjdjdkdks he and Kelsi are my OCs. If you’re curious abt them, their story lives in #a study in devotion
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mueslicrumbs · 1 year
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smilesrobotlover · 6 months
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I love your interpretation of linebeck so damn much
HDKSBSKS THANK YOU IM SO GLAD
He’s one of my fav Zelda characters of all time fr fr
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writeouswriter · 1 year
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I think it's time I start hitting my OCs with the pathetic wet rat-ification beam more again, I miss hitting my OCs with the pathetic wet rat-ification beam
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stevethehairington · 4 months
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finished the terror show! and i gotta say — probably not a surprise but — i liked the book better. tbh i don't think the show was long enough. like the book was SO long and despite the slow moving pace it had SO much packed into it, and i think because the show was only 10 episodes it ended up having to smush a bunch of things together and skip out of others and that totally took away from it. don't get me wrong, it's a decent show! but i think it had the potential to be even better if they'd gotten to like, take the time to faithfully adapt the book.
also there was not enough tuunbaq!!!
#the monster scenes were some of the best in the book!!! and they SEVERLY underused that big dude in the show!!!#like removing him completely from the carnivale scene? Bad Choice!!#also i was absolutely not a fan of what they did with lady silence in the show#i feel like the changes they made to her character and the plotlines surrounding her character were HUGE changes that like.#fundamentally changed a significant chunk of the rest of the plot — to the shows detriment imo#ALSO for the love of god!!!!! bring back practical effects!!!!!!!#the creature would have looked SO much cooler if it was mostly practical effects and maybe a little cgi to help#what it ended up looking like was a WEIRD (neg) uncanny valley those-animals-with-human-faces-from-barbie-movies thing that LOOKED so fake#it was laughable really#it looked like a giant polar bear with a human face and it did NOT work#they had the chance to make that thing look TERRIFYING and they didnt and that is SO disappointing and SO upsetting!!!#OH also i feel like they made hickey WAAAAAY more pathetic in the show lmfao#like he was pathetic in the book too! but oh my god he was like a thousand times more wet rat pathetic in the show#and i think they couldve done better with his power trip like they couldve done MORE with it#(i will say tho. they picked an EXCELLENT actor for that role fhsjdid adam nagaitis has a LOVELY face to look at gjdkdk)#((and so does tobias menzies. somethin about that man in that hat was just 👌👌🥴😩))#N E WAYS#i liked the show but i could have liked it even more if it had been closer to the book#the terror#mack watches the terror
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spidezer · 1 year
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can this guy stop MOANING in my ear
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nycorix · 2 years
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Lucienne & The Throne Room
Posting another excerpt from the sandman fic I am working on! It's going to be long and Involved lmao but this scene is pretty close to the beginning - basically, the weather in the Dreaming is fucked and Lucienne has taken it upon herself to investigate why. (Lucienne, the real MVP at all times)
More of this nonsense can be found in this post ! *~*~*
It only takes her three tries to find the throne room. She allows herself a moment of satisfaction, then lets herself in, bracing almost unconsciously.
She has no idea what to expect—the Dream Lord experiences as wide a range of emotions and troubles and snits as the mortals whose unconsciousness he curates, though he is loath to admit it. And while she is a firm believer in the concept of expressing one’s emotions in a healthy way, and Dream has made leaps and bounds of progress in the time she has known him, she also knows his instinct is still to suppress the above with a vigilance bordering upon desperation. 
The trouble with this is it invariably leaks out through the cracks of his consciousness despite his best efforts, which directly affects the very fabric and nature of the Dreaming itself—which is, of course, the environment that she and Nuala and the rest of his subjects all reside in. Whatever this fog is, she is certain that it must be dealt with as early as possible.
The throne room is bitterly cold.
She can see her breath in clouds before her as she strides across the cavernous space. The chill from the fog itself has not yet left her bones, but this is worse; and she shivers, slipping her hands into the pockets of her coat almost unconsciously.
She can see him, seated at the base of the throne stairs, cloak pooled around him like a shadow. His breath is cloudless.
Apart from the clime of the room, Lucienne can see nothing amiss—he is wraithlike and ephemeral in presence, alabaster-pale, bent gracefully over his work in either brooding or concentration, the fall of his dark hair hiding the deep furrow of his brow—but all of this, of course, is normal.
In his lap is a ledger, ornate and leather bound; he holds a feather quill, pinched between finger and thumb as if it may break or disappear, etching across the empty pages perfect lines of his loopy scrawl. 
So: official business, then. The dream journals of the mortals and others under his care dutifully write themselves in his absence, but very occasionally a spell will come upon him, a trance almost, nearly fitlike, and he will spend hours upon hours transcribing entries himself, usually for a specific Dreamer that has for some reason arrested his attention. 
Lucienne clears her throat to announce her presence, stepping forward. 
I did not call for a librarian, he says before she’s even halved the distance.
Lucienne, to her credit, does not break pace, though even after untold centuries of devoted service she will never fully be prepared for the weight his words command, the way they seduce and rebuff in equal measures. His voice is the rust on an old blade, the first breath of a storm, sharp ivory sheathed in the darkest velvet—but it is distant, here, his consciousness lost in the pages of some special Dreamer’s dreams, a monotone echo of habit rather than any true expression of disapproval.
“I know, my Lord,” she answers—drawing near enough to speak quietly, keeping enough distance to remain unable to read the journal. “But perhaps you may yet have use of my assistance?”
And she waits.
He makes a sound that is neither acquiescence, acknowledgement, or dissent, yet manages to somehow be all three at once. The ledger shifts in his lap, and he catches the edge with a thumb. He frowns, pen stilling. Turns a page. The shadows on his face deepen, and his shoulders slowly drop.
He looks up.
Is something the matter? He stares at her with the wide-open concern of someone just woken from sleep, stars glinting in the facets of his eyes.
She tilts her head in deference as her gaze sweeps up and down the whole of him. While nothing seems pressingly wrong, she knows better than to trust his appearance alone. “I was hoping to ask that question of you, sir,” she replies, with all the gentle respect she can muster.
He blinks. Of me. Why would you think to…
There’s a distinct confusion buried beneath his careful mask, mixed with a worry so tinged with the promise of panic that she relents and spares him the spiral of thought. He is, after all, still getting his bearings. Would be, she thinks, for some time yet—for it’s not just the present Dream work that’s preoccupying him.
“The weather, my Lord,” she explains, swallowing the start of a smile as a part of him visibly relaxes. “We were….” she pauses, delicately. “Unsure.”
Morpheus rises as she speaks, eyes falling shut as he turns his attention to the Dreaming. Between moments, in a motion so fluid it is almost indiscernible, the book and pen are folded into the lining of his cloak. Something in his expression resolves, and he exhales, long and soft, thin smoke guttering from his lips. When he opens his eyes, they are blue again. And when he opens his eyes the room warms, as if touched by the first rays of a sunrise.
Unsure, he repeats, a dry twist of amusement bringing an almost human quality to him. And of what do you require certainty, then - my condition, or my intent?
“Both, sir.” She gives honesty without hesitation; and this time, she does allow herself a smile in reflection of his own.
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kaladinkholins · 3 months
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BRB thinking thoughts about Taigen's character, the TaiMizu ship, and a big chunk of fandom's perceptions regarding both those things.
(Inspired by @farintonorth's post related to this topic that just got my brain going brrrrr)
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OK so let me just... start off by saying that I think that reducing stories to their tropes is seriously detrimental to the way some people are interacting with fiction, and while that honestly warrants its own post about the subject, I wanna talk specifically about how this affects the way some people in the fandom talk about Taigen and TaiMizu.
Because yeah, tropes are useful shorthand to refer to certain dynamics or archetypes etc, and they are indeed the building blocks to any story. But in a well-written story, characters and their relationships, actions, and motivations, are much more complex than just tropes. Because in a story that has characters who are more than just cardboard cutouts, their behaviours, backgrounds, motivations and all of that, are inseparable from the context of the overall story they exist in.
So like, sure, you can say Mizu and Taigen have an enemies-to-lovers or rivals-to-lovers dynamic. I also use those terms because it's easier. But I also think this is where things start to get a bit twisted, especially from an intertextual sense. Because "enemies-to-lovers" is also commonly used to refer to other ships in other media, whereby it tends to be rooted in an imbalanced power dynamic, such as oppressor-oppressed and bully-victim.
And while that's a whole can of worms that I won't be getting into because it can quickly derail into a whole separate sort of fandom discourse, I'd just like to make it clear that Mizu and Taigen, in particular, do not have an imbalanced power dynamic. They are not bully-victim or oppressor-oppressed. The only understandable reason why someone might actually think their relationship is imbalanced is if
A) they only watched the first episode, or
B) they cannot grasp the slightest bit of nuance in a character, or
C) they're being obtuse on purpose simply because the Mizu/Taigen relationship, or Taigen's character in general, just doesn't suit their tastes.
While yes, Taigen, along with his whole gang, had bullied Mizu when they were children, that dynamic does not exist between them whatsoever in adulthood. Whatever imbalanced bully-victim power dynamic that had once existed between them was decisively ripped apart the moment Mizu beat him in that duel in the dojo, and then completely obliterated by the end of the season.
Mizu is not a defenseless victim at Taigen's mercy. Mizu can beat Taigen's ass any time she wants (and she DOES, repeatedly in fact), and could even kill him if she felt like it. She taunts him openly and without fear ("I like your hair"; "I can beat you with any weapon you choose") and all he does is bark back, because that's pretty much all Taigen ever does. Time and time again, he yaps about how much he wants to kill her, but time and time again, his actions prove that all of it is just an empty threat. Because though his words say "I hate you", his actions demonstrate the complete opposite. He's shown how protective he is of Mizu, how unhesitatingly he sacrifices himself up for her, how loyal he is in enduring days-long torture to not give up information about her, how even when near-death and in pain, he's still willing to keep standing back up so he can fight by her side and help her win against her enemies.
And Mizu is not an idiot! She sees that too. She does not see him as a threat, an enemy, or even a bully. Especially not by the end of Episode 3, and definitely not by the end of the season. When she finds him in the dungeon in Episode 6, she smiles from relief, and doesn't think twice to take him with her. Mizu finds him, at best, an annoyance, or at worst, an infuriating hindrance on her quest for vengeance. Which is why, when Taigen is about to say, "It's a shame our duel's set for tomorrow; I have to kill you before you get your revenge," Mizu whacks him on the head without a second thought before he can even finish his sentence, and leaves him lying unconscious, face-down, in the snow.
And this further emphasises how he does not hold any power over her. There is no abusive power dynamic between them. She is more powerful than him, he knows this, and all he's ever done after they've met up again in adulthood is get his ass whooped by her, get mad about it and pester her and follow her around, get his ass whooped by her some more, and put his life on the line to protect her.
"OOoooOOoooH b-but he called her a demon at the end of Episode 7 and threatened to kill her again!!!" Oh my god. He called her that because he's calling her out on her selfishness to stay silent about her knowledge of Fowler's plans to attack Edo. Because to him, loyalty and honour as a samurai is more important than anything. So in his own brash-and-immature Taigen way, he felt betrayed that Mizu did not hold the same principles. That's why he got angry. He wasn't even that mad about letting Akemi get dragged off by the Tokunobu guards. It was about saving the Shogun and the Shogunate as a whole. That's why the first thing he does in Edo is not find Akemi, but try to warn the Shogun about Fowler's attack.
Look, I'm not defending his stupid ass, of course. Because calling her a demon especially after their cute little wrestling time was obviously rude and inappropriate, especially since words like "demon", "monster" and "Onryo" have had such a deep effect on Mizu throughout her life, and continue to contribute to her self-hatred. But like? That's the fun of realistic and flawed characters, and realistic and flawed relationships. They're not perfect, and it's why we as an audience root for them, wanting to see them work through their shit and find a way to prevail despite it all.
Also, him saying that was in the heat of the moment. He was angry, he felt like his initial belief of who Mizu was—a strong and loyal samurai, just like him—was shattered, and so he lashed out. Was it rude? Definitely. Was it immature of him? Yes, incredibly. But it's also very much in line with his character, because even though he's grown a lot over the course of the season, the show isn't over yet, so obviously his character arc is just beginning, as that is also the case for the other three main characters: Mizu is beginning to accept herself, Akemi is beginning to grow into her position of power, Ringo beginning to train under Master Eiji, while Taigen is beginning to simply be a better person.
On that note, when speaking of Taigen's immaturity, I think that's also one of the main things that people tend to gloss over when it comes to his character. Because when you boil everything down to its bare essentials, Taigen is, essentially, a boy. I've talked about this before, but to reiterate, Taigen very much behaves like an unhealed child. Even as an adult, he is insecure, prone to throwing tantrums, and is desperate to latch onto some material goal in hopes that it will make him feel better—initially he was chasing status/glory/greatness, and then when Mizu tells him that "Nothing comes from being a samurai but death," he immediately decides he wants to run away with Akemi in hopes that he will be happy.
And it's a big step, acknowledging that he doesn't truly want greatness, but had always just assumed it was his only path to a good life. But it's clear he still hasn't really figured it out. Because if he did run off with Akemi to get married and live in the countryside, he still wouldn't be happy. Because he still doesn't know who he really is, or what it is he really wants. Marriage at this moment is the last thing he needs, and as he is now, he would be a pretty awful husband. A simple life would be good for him, but would he be good at a simple life, when he still has so much he needs to work through?
So anyway, what I'm getting at here, is that he's trying and he is learning and growing. So yeah, he is flawed, but honestly? So is Mizu. And the funny thing is that they're flawed in very similar ways.
Because Mizu is also an unhealed child. That's why she's so angry all the time. That's why she pushes people away. That's why she, just like Taigen, is so happy when given the chance to playfully wrestle in the forge, laughing and rolling around like children without shame or pretense.
Again, this shows there is no imbalance between them. They had grown up together as peers from the same town. And while Taigen had had the upper hand back then, because he'd had a gang of other kids with him, that is definitely not the case anymore. Today, they are equally flawed, equally strong, equally skilled swordsmen, and equally bull-headed.
However, yes, Mizu is definitely leagues more mature than Taigen. But she still holds a lot of childhood wounds that mirror Taigen's own. And we see this especially in relation to her mother. Similar to Taigen who had an abusive and alcoholic father, Mizu's Mama was an opium addict and had hit her, berated her, had shaved her head without her consent as a child, and as an adult, had constantly emotionally manipulated and guilt-tripped her. Mizu's love for her Mama was what had driven her to a path of vengeance in the very beginning. And when she'd found out Mama was still alive, she had wanted nothing more than her Mama's love, and it was this alone that pushed her to agree to the marriage with Mikio in the first place. And now, knowing from Fowler that her birth mother is someone else entirely, is what makes her agree to keep him alive and haul his ass to London to seek answers.
Thus, integral to Mizu's self-hatred is also Mizu's intense longing for love and family. Just like Taigen, whose pompousness comes from his insecurity about being the son of a poor fisherman, Mizu's goals are also shaped by who her parents are. Remember, her vengeance is not against just anyone who's corrupt or evil, but specifically against the men who she believes had assaulted her mother, the men she believes had made her a monster, the men she believes had abandoned her to die and continue to try to kill her. Her vengeance is against a father, on behalf of a mother. In The Tale of the Ronin and the Bride, Mizu is not merely the Ronin, the Bride, or the Onryo, but also the Child.
This is also why Ringo is so good, not only for Mizu, but for Taigen as well. Ringo is wise and caring and considerate, but above all, he is in tune with his inner child in ways that Mizu and Taigen are not. He is always earnest and positive, he sees the world with childlike wonder, but is not naive or blind to its ugliness. His whole life has been a battle. Ringo brings out the best in Mizu, consistently acting as her moral compass and conscience, and Mizu's choice to save Akemi in the final episode is only because she promised Ringo that she would. Because it's the right thing to do. Ringo inspires her to be a better person, and to think outside of her narrow-minded goal of revenge. At the same time, Ringo also brings out the best in Taigen. While at first Taigen had looked down on both Mizu and Ringo ("Half-limb to a half-wit"), by the end of the season, he's proud to have Ringo as a friend and ally, he listens to Ringo's advice ("What would Master do?"), and asserts to the fucking Shogun that Ringo is a worthy warrior to have by his side.
Okay, I've gone on a bit of a tangent here, but my main point is that Mizu and Taigen are incredibly similar. They are equals. They are both flawed, unhealed children who are chasing some impossible outlandish goal in hopes that it will fill the void in their hearts. They also both have a long way to go in terms of character development if they were to ever build a healthy romantic relationship (either with each other, or even with anyone else). So while I believe things will be rocky (because duh, it's a story, we all live for the drama, etc), I think with Ringo's help, they'll get there eventually.
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smokedanced · 10 months
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hannibal lecter handshake emoji izzy hands
pathetic middle aged rat men who think they're something
i love them both
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bearsgrove · 10 months
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im not even third of the way through but the batman (2022) is one of the coolest movies i watched in a While
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depresseddepot · 1 year
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I'm reading the winternight trilogy by katherine arden and I gotta be honest, I am obsessed with whatever fucked up nonsense konstantin has got going on
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the-casbah-way · 1 year
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you know what i’m breaking my silence. the scene where jesse beats the fuck out of saul is so hot
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