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imagine-too-many-books · 2 months

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Imagine Annabeth and Percy have a kid early, unplanned and it kinda fucks with their finances so Percy drops out of school to get a job so he can care for the kid and support Annabeth in school. At first he gets a job teaching kids sword fighting but then he hears about underwater welding which pays well because it’s dangerous but Percy is a child of the sea so it’s much less so for him. His boss is even willing to give him flexible hours which means Annabeth doesn’t have to take their kid to class anymore and they can actually afford daycare (why does is it the price of a mortgage nowadays???). A huge financial burden is lifted and Percy doesn’t mind the work so it’s good all the way around.

Fast forward to when Annabeth is done her masters in architecture and lands a job at a top firm. They’ve got savings and have Annabeth’s income to rely on. Percy heads back to school and finishes a degree in marine biology, going on to research some really niche topics like how underwater welding impacts the environment and shifting from there until he’s a well known expert in the field.

Just them finding their way. Supporting each other and landing on their feet no matter what

#i really like the idea of Percy having a non-linear path through school to a career #he’s 17 #just because Annabeth knows what she wants to do doesn’t mean he does #let him find his path #also if Percy and Annabeth had an accidental baby #(completely possible once they’re at New Rome though I do believe they’re careful and responsible about it)#and if they couldn’t survive with the baby on scholarships + Fredrick’s money for Annabeth + what little Sally and Paul can spare #I think Percy would be the one to drop out for a full time job #and then go back to school once they’re stable #also I just generally think Percy would be the primary parent so Annabeth could really pursue her career #and because Annabeth’s job probably pays more and has more earning potential #percy and annabeth #percy jackson #percy jackon and the olympians #pjo #percabeth #post HoO

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prismatoxic · 2 months

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"chilchuck isn't a twink, he's a DILF!" now i get why you're saying that but i feel like you've maybe forgotten what chilchuck tims canonically looks like

i'm sorry but this man is a twink. also DILF isn't a body type it's a status (and technically, an opinion) so he can be both

"but he's middle-aged!" look at him. look with your eyeballs. his age has nothing to do with the fact that he Looks Like That. he's a twink. the sooner you accept this the less angry his fandom will make you

edit bc this post has become the bane of my existence:

FAQ

Q: wtf do you mean he's a dad? he looks like a kid. A: he is 29 years old, and a half-foot. half-foots are dungeon meshi's halflings, or hobbits, or whatever you want to call them.

Q: wait, if he's 29, why the fuck are you calling him middle-aged? A: half-foots have an average lifespan of 50 years. chilchuck was originally drawn with grey hairs (you can see that in the manga fullbody) but the mangaka gave up on that over time. he's middle-aged for his race.

Q: hey, doesn't that look like a little angry face on his boot in the manga drawing? A: yea kinda

#as a proud member of the chilfucker fandom i think we should all accept his canon appearance even if we draw him way different #if you can only love him if he looks like a hobbit do you really love him at all?#by all means draw and think of him however sparks joy for you. but this is who he is in the manga and anime and you need to accept that #i love all chilchucks but i just love him in general. ideal man #chilchuck tims #tox.txt #edits made because the tags on this post are my villain origin story #i have now muted notifs!

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knifearo · 2 months

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this year my challenge for everyone is to unlearn the association between love and morality. love is not something that is inherently morally good, and the absence of love is not something that is inherently bad. sex without love isn't morally bankrupt, it's just an action. people without love aren't less kind or less good, they're just people. when we can get past this false (and often unnoticed) dichotomy of good love/evil lovelessness then i think we are going to be able to take leaps and bounds in sex positivity, aro advocacy, certain discussions of mental health...

#and also. not the direct focus. but love doesn't make things good. you can be in love and do terrible terrible things.#people do bad things in the name of love and in despite of love all the time.#but!! imagine a world where people could exist as people and not be demonized.#sex positivity means being cool about All sex. reexamine your internal systems of moral judgement.#this goes for sex workers. for aroallo people. especially aroallo men. for aro people in general who might enjoy sex.#and frankly i think it can easily bleed into discussions about mental health disorders around 'not feeling' certain things #especially demonizing ppl who don't feel as much empathy. i think there's definitely a correlation between that and the emphasis on love.#our support needs to go out to Everybody and i think these things are all structured together in one way or another!!#it might not be immediately obvious but when i tell you it all leads back to amatonormativity..... little bit wild.... large bit wild....#anyway. horror movie psychopath 'oh he can't feel emotions or love' damn alright. well. let's take a closer look at that.#silly that there's an association between lack of love and Murdering. feel like that might affect some stuff.#love is just an emotion/a feeling it doesn't mean anything about you one way or another #same with empathy. you can feel it all you want but it doesn't inherently change the actions you choose to take #anyway. thesis statement. there is a socially constructed link between love and morality. unlearn that.#kiss kiss (<— lovelessly)#aromantic #aromanticism #arospec #talking #aroace #aspec #sex positivity

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buggachat · 11 months

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honestly just in general it's very exhausting to try to analyze media that is literally meant to be analyzed, only for the replies to be filled with people arguing not against your analysis, but against the premise that the media can be analyzed at all.

i don't even know what to say about it without starting to really betray my frustration, so i'll just settle with— just don't engage with analysis posts? I'm serious. if you're typing a response to a media analysis post, reread what you've written and ask yourself "is this comment/response against the very concept of analyzing the media at all?" and if the answer is yes then delete it all and go sit in the shame corner. throw your curtains away if you want to so bad and stop telling me that I'm not allowed to hum and haw at the fact mine are blue

#ml fandom salt #I suppose #and no amount of adding ''stop telling me to not analyze the media'' on my analysis posts stops people from saying it anyway #and yes. the leaks count. stop telling me that the existence of outdated leaks invalidates all analyses of the completed material #and no. just like every other time i've said this. me saying that i don't care about the leaks is not an invitation for you to try to #convince me to care about the leaks #do i tag this spoilers? it feels weird to. i mean this to be a vague overarching thing about media in general #also of course any ''or maybe the writers are just bad'' arguments ALSO are included in this. YOU guys have been my bane since FOREVER #would you guys consider commenting on fanart with ''umm.... drawing seems pretty pointless lmao'' rude?#i know this is not the first time i've made a post like this and i'm sure it won't be the last

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xiewho · 2 months

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happy moonar yulenear to these two specifically

#fantasy high #dimension 20 #fantasy high junior year #gorgug thistlespring #fabian seacaster #d20 #fabian aramais seacaster #fhjy #spreading the glasses gorgug agenda #yes that is fabian;s battlesheet yes that is gorgug's hoodie #i am a thistlecaster enjoyer but i also do love them as just a duo in general #so whatever this art means is up to u thumbs up emoji #my favorite jocks theyre so silly TT #i think about them so often their dynamic is so extremely funny and precious 2 me #my art

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cuddlytogas · 3 months

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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

#everyone say 'thank you togas' for not including a long tangent about evil rimmer in red dwarf 5x05 #Our Flag Means Death #Togas does meta #and yes these principles DO fall apart slightly in s2 and i DON'T like those costumes as much #don't get me wrong they're fun and gorgeous - but generally a bit less deep and more inaccurate. so. :(#I'm not sure this really says anything new about Our Flag but I just needed to get my thoughts out #i hate hate hate Gritty Period Drama costumes they're so boring and so ugly and so wrong #god bless OFMD for using more than 3 muted colours and actually putting men in heels (and not as a shorthand for rich/foppish villainy) <3 #looking at that Tudors still is insane like they really will go to any lengths to not make men feel like they've got bare legs XD #image descriptions in alt text #and yes i DID just sink about two hours into those so you'd better appreciate them

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stealingpotatoes · 2 months

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I saw this on twitter and the idea of this happening sounds absolutely hilarious. Like Han, Ventress and Merrin just direct Thrawn to a DMV and make him coming to dathomir absolute hell (I also accidentally sent this ask to someone else 😅)

LMAO???? i take back everything I've ever said about legends, this is everything to me. nothing but respect for MY king of dathomir send that gay blueberry to parking ticket superhell

#finally. han gets to outrank his wife somewhere #instead of being that bum smuggler the princess/general/senator married #thanks for the ask!#also its not a bad thing u sent this to the wrong person. everyone should know abt this #evangelcise (i cant spell that word u know what i mean) it #that thing american christians do. do that

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hollis-art · 3 months

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i literally love Data's "Ode to Spot" so much. i think about it so often,,, there's literally SO much love said in that thing and yet everyone was just snoozing off. my guy Data is FULL of LOVE and AFFECTION, and yet he says he can't feel emotions

whoever decided that Data needed a cat friend?? you are loved and appreciated. best decision for a character EVER

#i am trying to learn this thing by heart. it means so much to me #like yeah. i can't pronounce half of the words but ITS SO HEARTFELT AND IT MAKES ME JUST SO. JHGDSHGJKR #if *I* was in that crowd?? i would be SOBBING. they just dont understand him like i do.#ode to spot #data soong #data tng #the next generation #star trek #star trek tng #data and spot

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dozodraws · 5 months

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I am too connected to you To slip away, to fade away Days away I still feel you Touching me, changing me

#astarion #astarion ancunin #baldur's gate 3 astarion #bg astarion #astarion x durge #astarion x dark urge #baldur's gate 3 #bg3 #my art #jadis #dark urge jadis #IM BACK GUYS #man i missed doing cute shippy art #or just art in general #these two mean so much to me ahhhh #x: Moon and Star

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bigfatbreak · 10 days

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Hello I love your art!!! I was reading through your changeling au and Felix mentions that fae are creatures of mirth. They literally need attention to survive. But what kind of attention? I guess I'm wondering because Adrien has been in the public eye for a while now, but has been personally neglected for even longer. What does that mean for him? Is he starving? Is he in danger of dying? Does he even know it? (I assume not given he doesn't even know he's Fae).

If he is starving / in danger of starving who is the first to realize this?

it depends on the mirth, on the attention, on what it is they seek. Without making things too complicated - I don't like to define everything into neat little boxes after all, there's fun in nuance - Felix is just explaining from his experience, the Fae he was with tended to be "entertained" by certain aspects of their playing, which was the mirth that kept them relevant. Relevancy more than anything is really what keeps their wheels greased.

In Adrien's case though, the reason he's cloying for so many names and to have so many thralls and attendants is because he SHOULD be a more social creature and has been kept woefully alone. He is kinda starving in the way a fae starves - he's relevant, but only in an image his father constructs OF him, which means it isn't REALLY him - and he has no one to play with. No friends, no lovers, and no rivals, makes a very sad fae

#replies #did this make sense ? I have very specific lore in my brain for how this shit works #and it can be sort of confusing to parse #starving doesn't work the same for fae as it does for people #being creatures of mirth #its why they like sweet foods generally. they dont eat it to eat #they eat it to taste something sweet #they take people's names to have people to play with #to feed their desire for entertainment and relevancy #how do i put this another way... anyone in the crowd have adhd? or the tisms? you know hyperfixations #like REAL hyperfixations. not just “I'm interested in this”#I mean “I am legitimately unable to focus on anything BUT this one thing”#“I have made this thing apart of my personality and I need it to survive and I know everything about it and I NEED to talk to someone it”#imagine you exist. but you're the hyperfixation #and you exist... MORE. in a real way. when people focus on you. some aspect of you #want to mimic you or are apart of you or are owned by you. now youre more real.#like that.

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