#i feel like a lot of artists have one animal they love drawing and to absolutely NO ONES surprise mine is lions | Explore Tumblr Posts and Blogs

nitw · 1 day

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Do you have fursona designing advice

HMMMM WELL while i've gone through quite a few sonas throughout the years (mostly different animals including but not limited to: a bumblebee/bear hybrid, a cat, a tiger, a dragon, etc) my current sona is the one i put the most thought into. that being said, my guy is 1) pretty basic in terms of colors and patterns, 2) about as self-indulgent as it gets =w= some people go off the rails with their details and i think that's awesome, but i came to realize that i wouldn't identify as strongly with my sona if it looked too otherworldly if that makes sense

a few tips based on this:

think about whether you want your fursona to be a representation of your ideal/alternate self, or more just like a character of their own. this might make it easier to decide on the aesthetic!! because personally while i Love me a good pastel sparkledog, that wouldn't feel as accurate for myself

DON'T BE INTIMIDATED WHEN IT COMES TO PICKING A SPECIES. this can be difficult sometimes, but try not to stress over it too much. you don't even have to limit yourself to a real life animal! there are no rules, make up your own funky species if you want! combine elements of your favorite animals to get the best of both worlds! and who's to say you can't just change their species later if you get bored? they'll love you all the same!!

can't/don't want to draw them yourself? lots of furry artists out there (especially those that do reference sheet commissions) are willing to help you figure out a proper design as long as you can provide a few basic ideas (that's what i did!) tbh this goes for commissions in general but i can't stress this enough: don't feel embarrassed about sending in a 3-minute ms paint doodle, or a color palette, or an image collage, or ANYTHING else to the artist you're commissioning!!! in my experience people tend to be cool with it, and i know it's wayyy more helpful than text descriptions alone. seriously, compile whatever visual references you can find, i'm sure they'd be happy to help you figure out the design!

have fun!!!!!!!!!!!!!!!!!!!!!!!!!! raaaaaaaaaaaaaaaaaaaaaaaaaa

#asks #these detestable hands

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princekirijo · 3 months

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Idk if I'll ever share it cause like. Idk if I'd want to but god I love drawing Riku's lionsona. He's so fluffy and goofy and something about tlk style (well my take on it ig) that makes it easier to draw him with more fun expressions.

#oc tag #i feel like a lot of artists have one animal they love drawing and to absolutely NO ONES surprise mine is lions #id love to draw all of the prsona characters as lions someday #ive done some (you can probably guess) but they're kinda old #but yeah its a really fun art style to play around with and drawing lions is just #so much fun #lion riku is really fluffy too :3 fluffy fellow #my gf said he looked like simba's long lost uncle so do what you will with that information 😭#if i was REALLY feeling up to it id do one of those 'give me a character and ill draw them as a lion' challenges #THAT would be fun and id include ocs in that too #alas. requests and i dont go well together #i remember someone requested an outfit for one of those outfit memes last year for riku and i finished it #and i never posted it 🚶 it was fucking fire too i still love that drawing #still guilty about it 😭#there is no lore behind him having a lion form btw i just really wanted to draw him as a lion in tlk style

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keeterz · 5 months

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Time to make an updated post on the Guilty Gear artwork I've made up to this point!

First things, gotta include Bridget and Elphelt since these were made this year in 2023. Baiken, Testement, and Giovanna were done back in 2022. I think I'd like to do a Jack-O illustration at some point, and a friend of mine wants to help fund a Ramlethal print, so those might be coming up in the future at some point.

I've made some updates to the chibis as well to include a handful of the male cast! A few noteworthy mentions include an Axl that was inspired by an animation that my friend DoovadHohdan made, a Potemkin that works as a Pot Buster when you use it as a sticker on another sticker, as well as the husbandos in general being paired with plushies of their partners (well, missing Nago and Elphelt because that wasn't a thing at the time)

A little after the Elphelt illustration I also made an Elphelt chibi as well! This one will be double-sided once I convert it to a charm~

Finally, a sneak peak at something that isn't Strive related...well, not yet, at least (maybe). Here's a value comp for an ABA illustration I'm working on based on her Accent Core design! Hoping she makes it into Strive at some point.

I might want to explore doing some Accent Core related artwork in the future. Accent Core is a lot closer to the point of when I first got into the series in my middle school/highschool days, and there are some designs from the older games that are still hecking rad. Plus the music is awesome :D

It's kind of funny; I have to confess that I actually don't play Strive. Truth be told, the GGST movement and limited combo structure never clicked with me when the game first came out (and I was always more of a 3D fighter guy for gameplay with games like Tekken and Soul Calibur). And even though I am pretty sure I would actually thoroughly enjoy playing I-No and Elphelt with the season 3 changes, I just don't really do as much gaming these days since I'm more enamored with making art (and a few other things like biking). Plus I'm kind of just waiting for Tekken 8 at this point (dear god I hope the online is good just this one time god).

But as an artist? You bet your butt I hecking love coming back to Guilty Gear. I've been a fan of the series since the early 2000s (back when I stumbled across an abandonware PC version of Guilty Gear X and became sold on the series). The characters from this series check a lot of boxes for things I love to draw, from the way they are designed and all of their classic rock references all the way down to their zany personalities and backstories. And I feel like Guilty Gear is really special in this regard for me. Even though I'd rather play other fighting games (like Tekken or maybe even SF6), Guilty Gear is probably the one fighting game fandom I want to do art of the most.

If you are a Guilty Gear fan stumbling across this art collection post, hope you are enjoying the art! I will enjoy the series vicariously through you as I get back to working on some Tekken 8 artwork for Frosty Faustings, lmao. And if you're someone who is new to the series, give Strive a try! It's neat and the characters are great.

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crayons-and-glitter-glue · 1 year

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I think about Sun and Moon's original versions a LOT, and I don't get why people say they're not expressive!

Or perhaps, I do, and I just wanna ramble. Anyways! Big ol warning for lots of talking, some fursuit gifs and analyzation of body movement.

So, they have flat, immobile faceplates, right? Technically, yes!some argue that this makes them immediately inert and expressionless and opt to enhance their expressions. And this is a-okay! Do what you like!

But as someone who used to be a costumer, and wears a fursuit on occasion,

(Sorry, I love this gif so much)

BUT! When in a mascot costume, fursuit, or any other costume with a mask over one's face, the performer has to learn how to move in order to portray the emotions necessary for character engagement with the audience! Whether it's exaggerated head bobs, using your hands to talk, or making everything a bit of a spectacle, even the way you tilt your FACE can affect how you look.

Even MUPPETS do this with their limited range of expression. And we can easily draw those conclusions of how the boys were programmed to act in canon!

Take Sun's default animation in the daycare, just standing there.

It's very obvious here what he's trying to portray, and who his programmed audience is- little children! When costuming around little kids, you wanna use big gestures, and get on their level because you can seem HUGE AND SCARY to them! You wanna get down towards the ground, make big sweeping cartoon motions, and make sure all your movements are ROUNDED- not jabbing, sharp, or sudden- so that the kid isn't ever surprised, but rather delighted by your performance as a costumer. I'll show you an example by the amazing performer, Temba the Bat! (Made by Toxicoon, I believe.)

Big sweeping motions, slow without being too spooky, and generally friendly motions while swaying the head! Looks kinda similar right?

Another point is, though, these exaggerated motions don't really... turn off when feeling other things. Sun and Moon don't have a customer service mode, and that's WILD to me that their programming requires them to act like this all the time. Exhibit B: Sun's pain in the transformation scene.

He's making such exaggerated motions and movements to INDICATE he is in pain or holding something back. He's gripping his face like something is trying to come out of it, and even dramatically falls backwards to indicate a loss of control in his body. Whether the way the fall looks so cartoonist was intentionally programmed in, I couldn't tell you.

And then... there's Moon.

This is SO cartoon villain sequel, isn't it? The hands tapping delicately on the surface, the exaggerated head tilt, all of it is so wildly exaggerated in such a smooth way to let you know "Ah! I'm in danger! Great!"

And yet... he still is low to the ground. Still in that pose of going after someone SMALL. Performing for someone small. His evilness is almost completely exaggerated and, dare I say, fabricated by his programming. Of course, the virus probably had something to do with it but LIKE! Look at that range of motion!

Idk what the point of all this is, I just wanna say: it's totally understandable to make the boys super duper expressive in the artistic, flat 2d styles i see a lot!

But man I do hope someone draws them biblically accurate while expressing something else because that would be hilarious to see Sun throwing a temper tantrum by banging his fists on the ground and flailing while his face is just

#daycare attendants #dca fandom

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art · 2 years

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Creator Spotlight: @tinypaint

My name is Michelle Fus. I’m a Jewish, non-binary artist. I graduated from the School of Visual Arts for Computer Art and Animation in 2011. I’ve interned at Pixar and worked for a few years at Dreamworks Animation. Over the past ten years, I’ve self-published two books and have run three successful Kickstarters. I now work with Skybound (The Walking Dead, Invincible) in developing my webcomic, Ava’s Demon, as a physical book series for stores. I like hiking, cultivating plants, caring for my cats, and hanging out with my beautiful husband. You can read my webcomic at avasdemon.com.

Check out our interview with Michelle below!

How did you get your start in art, and more specifically, with Ava's Demon?

I’ve always been into art since I was very young. I started to gravitate towards it in first grade, where we were required to keep a daily journal. I found myself drawing in it more than actually keeping entries. From there, I got more and more interested in honing my skills as an artist. I started making my own comics for fun. I signed up for classes outside of school and put together a portfolio for the School of Visual Arts, where I majored in Computer Art and Animation. After getting my first job in the field, I realized that it wasn’t what I wanted to do with my life. After working my day job, I would come home and work towards building a career in comics for myself by creating and uploading my webcomic, Ava’s Demon.

What is one habit you find yourself doing a lot as an artist?

Looking things up to learn more before I make art or write. For instance, how many livable planets are in a Galaxy? What does a black hole actually look like, and can it give off light? How long would it actually take to travel through space if you had the fastest ship possible? I look up all of these things and then ignore most of them for the sake of writing a fun story and making fun art.

From idea to final piece, how long does it take for you to create something?

It depends on the feeling I want to convey. Sometimes I’ll work for a whole week on a drawing and then delete it because I just don’t feel good about it. Other times I’ll make something in a day that I absolutely love from beginning to end. Some drawings I never delete nor finish, and instead, the files just kind of sit in a folder. The time it takes varies a lot.

Over the years as an artist, what were your biggest inspirations behind your creativity?

I really love good stories. So movies and books with captivating stories usually motivate and inspire me; stories that stay with you permanently, with twists and turns that you can’t stop thinking about. I also love finding characters whose struggles I can deeply relate to. I try to hold onto those feelings and emulate them through my art.

What is the hardest part of your process?

Actually finishing a drawing. The anxiety of it piles on me sometimes. I’ll work for a while on a drawing and constantly ask myself, “Is this drawing really finished? What terrible things about it am I not seeing?”. My desire to avoid making something terrible can sometimes put me in a mental prison where I keep chipping away at a drawing until I no longer know what I am looking at.

What is one interaction you had from a fan of yours that has stuck with you over the years?

In general, I like letting young artists in middle school, and high school know that I wasn’t very good at art at their age (I really wasn’t, I didn’t have the same resources they have now, and I didn’t have any perspective on what it takes to have a career in art, it’s a different world). Kids have come to me at conventions with their work for critique and advice, and I have to tell them that they’re already miles ahead of what I could make at their age. I have to tell them that it’s okay if they can’t make what all the professionals make online, to know that they have SO much time ahead of them to work at what they love. If you love making art, do it often, study art throughout history, and over time you’ll be able to create everything your heart desires.

What is something other people find hard to draw that you find enjoyable?

I have no idea. Sometimes it feels like drawing anything is suffering, even if you like what you’re making.

Who on Tumblr inspires you and why?

@loish has been consistently inspiring me since my days in high school. Every new painting has so much grace and power and is so excellent to look at. Her skill in shape and form seems limitless, and I hope to someday achieve even a small fraction of her understanding of art. Seeing her new work on my timeline also makes my dopamine spike, so I’m always looking forward to updates from her.

Thank you so much for stopping by and sharing, Michelle! Be sure to check out their Tumblr blog over at @tinypaint and follow their webcomic, Ava’s Demon, over at avasdemon.com.

#creator spotlight #artists on tumblr #webcomics #michelle fus #ava's demon

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lackadaisycats · 1 year

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I feel like this must have been addressed somewhere, but I can't find it: why were construction lines included in some shots?

Loved the film btw!! Incredible artistry all around!

It's meant to be reminiscent of the 'Xerox era' of animation history in which you can see some of the rough animation flickering in and out as a result of the technical pipeline employed at the time. Fable and I grew up on a lot of those animated features and have a real love for the grit and texture of it - the way it provides a glimpse of the artist's hand feeling out a drawing. We felt the glossy, smooth-as-silk airbrushed look you tend to get very readily with digital media wasn't right for something like Lackadaisy, which itself leans pretty hard on evocative patina. So, we indulged our nostalgia. As I've said elsewhere, it's completely fine and legitimate if you just don't like it. One thing I won't abide, though, is any accusation of laziness or sloppiness on the part of the animation and cleanup team. For one, it takes a certain array of personality traits to decide to go into traditional animation as a career, and laziness is really not one of them. And secondly, it's not detritus. It actually required more work on the part of the crew to add those lines back in, because the nature of the digital cleanup process eliminates them. -(Not to accuse you of anything, Anonymous. I know you were just asking a question.)

#lackadaisy #lackadaisycats #lackadaisyfilm #animation #2d animation #indie animation #q&a

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spookberry · 2 months

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Shadow High series 3 my new beloved

I didnt even like most of em until i saw them in person, but the knowledge that they'll probably never be in the show has my brain in a "well its free realestate" kinda mood

Random list of information cuz ive been plotting out friend dynamics and background lore

-i like to pretend Rainbow High/Shadow High are actually Rainbow University/Shadow University cuz im in art college Right Now and i think it makes more sense with the whole dorm room situation. And also major makes more sense than focus IMO

-I changed Pinkie's major from film to just undeclared. I think she eventually does land on Film. She just has a lot of interests! Her dream has always been to one day direct films, and I think she comes to love them even more while developing ideas her with the group as she winds up in a Director/Producer position for most of them. BUT also every time she takes a class in a different program she cant help but fall in love with that way of making art too. So she has a hard time picking for a while and changed her major a couple times before landing on Film.

-Pinkie and Berrie bond a lot over a shared interest in vocal synths (tho Berrie knows more about them than her).

-The two made Pinkie's vtuber model together!

-the fandom wiki says PJ is from germany?? Idk how canon that is tbh but ive decided to embrace it i guess

-Rooney's canon name is Scarlet Rose, but i thought it was kinda lame especially when Rosie Redwood is also in this line sooo I renamed her! Stuck to the color name puns tho. Mar Rooney. Maroon. Haha

-Speaking on her though i love that shes from texas and likes writing scifi mystery type stuff and that being said i just Know deep in my bones that she was a Voltron Legendary Defender fan and Keith was/is 100% her favorite. She has a continued fondness for mothman specifically cuz of this.

-PJ and Rooney actually talk about fandom and shows/movies ALL the time. They dont have a ton of overlapping interests, but where they do? The two literally never shut up.

-Rosie is such a random character, like outside of her design she feels very poorly considered. So I scrapped the cosmetology thing and made her an illustrator instead! I think it works better with her love of making art in nature. I can see her being really into illustrated guide books. I think shes a bit snooty when it comes to art too. It takes being friends with other artists to become more open minded.

-I like the idea that Rosie is mainly friends with Rooney and Berrie ontop of that. The three of them often tag team storylines and how theyd interpret them into different mediums. Rosie will draw up a bunch of concept stuff while Rooney writes up a pitch bible and Berrie will start making shit move and throwing in her own ideas on camera angles and character designs.

-as an animation major Berrie was required to take a sound design class early on, which is where she met Oliver! Hes very laid back, and likes to go with the flow, but functions a little like the "mom" of the group. Often reminding the girls to take breaks, drink water, stop looking at their screens lest they get eye strain etc. He's multi-talented tbh but Music is his one true passion and he likes how the girls are always giving him collaboration opportunities.

-Oliver and Rosie like to talk sports a lot, both having played a bunch when they were younger and throughout high school.

-Lavender Lynn is Oliver's number one "person who needs constant reminders to settle down" she is in a constant buzz of trying to get the best shots and is utterly obsessed with the process of artistic documentation. Everything must be documented.

-the whole school loves her for this actually, she has a whole side gig where other students hire her to help photograph their projects. She saves everything she earns from this for her future dream plans to visit paris. She has it set really, many of the artists who she helps photograph now will remain steadfast clients of hers forever onward.

-PJ and Lynn actually took a print media class together at one point. Which didnt at the time spark an everlasting friendship. But it did give PJ an easier in to ask for Lynn's help documenting a project the group was working on. One of Lynn's first times photographing them work happened to fall on a day where Rosie had planned to trick everyone into going on a nature walk sans devices... Lynn wound up really appreciating this outing and decided to continue hanging around the group even after that project had ended.

#shadow high #rainbow high #my art #fanart #i had to write down all my ideas just to get them outta my head #now im free

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unoriginal-and-dumb · 2 months

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INTRO POST.

Hi, im UNO

I have a lot of names you can call me any version of my username. I’m an adult artist, I’ve been drawing seriously for (checks my awesome lightning McQueen watch) 5 years and animating for about 3! I’m primarily self taught, but am currently taking some college classes. I really like cartoons, games, and anything to do with space or cosmic horror

Please don’t tag my posts as ship art unless I specify it as such

I made that infected design!! Came all the way from my head to My math homework paper. Anywhere else you see a similar design is likely inspired from mine (which is fine, it’s only kinda weird when people start crediting someone else errr…. Don’t like that)

You don’t have to read all this, it’s just some stuff about me ⬇️

I do a lot of things other than regretevator, but since it’s my current hyperfixation it kinda just takes over everything

I have special interests in dead space, alien, the thing, nine inch nails, and pizza tower. I always fall back on those with the same love as usual so don’t be surprised seeing anything like/relating/or just of those

I am diagnosed ADHD, autism too I’m very very very INCREDIBLY INSANELY quiet and awkward with 1 on 1 conversations when I don’t know the person personally, sorry guys I may as well be a brick wall though. I am also generally a very private person

I don’t normally give two fucks about sharing sexuality but I feel it does explain things. I am VERY aromantic and UNBELIEVABLY asexual. Extremely sex repulsed, and I wouldn’t say romance *repulsed* but I am maybe just one step below it. It can get pretty bad and sometimes just ruins my day unfortunately. That’s why I ask people to please never tag my posts as ship art unless I do so!!

^ I am very nitpicky with it, but I do like certain ships to a degree! I enjoy Split and Bive, The Noise and Noisette, and a few others.

My page is welcoming to everyone, except for typical Dni criteria, no proshippers no hate none of that. I just wanna post my art and idk be annoying online 😄

I have never once in my god damn life made an intro post and I have never once wanted to either. HOWEVER, a lot of people have been mixing me up with like 2 other people and I don’t like that and neither do they believe it or not.

I’m hoping that introducing myself at all will help perhaps end that!

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idolomantises · 9 months

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I've always wanted to try doing a comic. Do you have any advice for a beginner who's never drawn comics? any mistakes you made that you learned from or just tips?

similar to making a video game and an animated series, don't jump into a massive project right away. practice a bit with smaller, shorter and simpler stories. really allow yourself to refine your work and your writing

if you ever plan on working on an official series, make an outline. seriously, this is so obvious but so many new writers dont create one. they just have an ending and a few key moments planned and think its enough

you will learn, very quickly how annoying backgrounds are. dont be afraid to cheat and use 3D assets to make the workload easier on yourself.

when it comes to design, be sure to draw characters you're fine with drawing over and over again. that really detailed tattoo looks cool on a cover, but how do you feel about redrawing it 5 times in one page?

paneling is a very common thing i see artists disregard when they make comics for the first time. it should be pretty readable (like i love jojo's bizarre adventure but my god its like araki wants to straight up confuse his readers)

dont over explain, let your art speak for itself. your readers are smarter than you think, and gestures and expressions can convey enough.

do cheats. not every panel needs a background. zoom in on the face. copy and paste characters and backgrounds, this one seems obvious but i know a lot of artists are afraid of being seen as lazy. value your physical health over some guy online complaining about you being lazy

#ask quill

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ask-whitepearl-and-steven · 1 year

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Do you ever struggle not sharing details of your story / spoiling people? It's one of the hardest parts of writing for me! I always want to just divulge all of my ideas immediately!

The answer, weirdly enough... is no!

And a part of that is definitely due to me being a giant, secret-hoarding dragon in disguise. But another part of that is the fact that I largely suspect that...

Keeping secrets and avoiding spoilers is the reason this comic is still alive and updating.

Now, that may sound odd. Why would keeping secrets help me post? Sharing work is kind of the life-blood of a lot of creative endeavors. Storytelling is an inherently social activity. All humans, even the most introverted ones, thrive on peer recognition and feedback.

But over the years, I've come to realize something about myself. And this realization may be mostly stemming from me, but I suspect it's actually a pretty common factor for other creatives as well. So maybe I should talk about it (again).

Let me introduce you to something I call...

The Emperor's New Accomplishment.

Here's the thing. I'm an extremely introverted, non-social person. I can go for months without talking to friends easily, even if I love them a whole lot. That all being said, I'm still a human being, and my brain derives happy-social-animal chemicals from being recognized as A Person With Traits. Humans are built that way! We can't avoid it.

So what you gotta understand is - at all times, our brain is seeking social/peer recognition like it seeks out high-calorie foods. And it (largely) does not care what we have to do to get it.

Herein lies the problem.

Usually, creating stuff and thinking about stories and then sharing what we wrote with friends is a great way to get that happy chemical.

But it's time consuming. And difficult. And there's a shortcut.

What we seek when we create Scenarios and Characters and Conflicts is not hard work toiling away writing/drawing/constructing stuff. Many artists actively enjoy this process, but it's grueling.

And just telling our friends about our ideas actually accomplishes the end goal, as far as our brain is concerned! We made up ideas! We told people about it! We got the Good Feelings!

So when I tell people about my Plans to Write A Comic or Ideas To Make a Story, what I'm actually doing is tricking my brain into thinking 'wow, this feels great! We have accomplished the task we set out to do! No more effort necessary!'

And that motivation to actually draw/write/create?

It goes directly into the trashcan.

Now I'm not saying this to suggest people who do this/fall prey to this are lazy. They're not!

But our brains are. They're lazy, and they want to save energy. And they don't care if you WANTED to actually make the story. They will gladly rip the Motivation energy out of our grubby little hands when they no longer deem it necessary to the process.

So - why do I keep so many secrets? How do I stop myself from talking about what happens next in the story?

I'm doing it to keep my actual comic alive.

Disclaimer: Not everyone functions like this, obviously. Everyone has a different creative process. But this is how I've realized MY brain works, so I now take steps to trick my brain back into working. Ha! Take that, brain! Two can play at this--waitaminute.

#chekhov answers #the funny thing is #i am my brain #but damn am i just dangling a carrot in front of myself most of the time

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kidstemplatte · 4 months

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random papa headcanons

i genuinely don’t know where this came from haha. they range from zodiac signs to hobbies to mental health so sorry for the inconsistency lol. please enjoy <3

⋅───⊱༺ 𐕣 ༻⊰───⋅

primo

- primo is one of the most kind and caring people to exist in the world. he’s very intelligent as well- he has a mind suited for many jobs. sometimes he wonders what he would’ve done if he didn’t follow in his father’s footsteps.

- he’s a great writer in all regards- poetry, essays, speeches, all of it. he did exceptionally in school and was very humble.

-primo is great at conflict resolution. he’s direct and efficient but considerate of people’s feelings as well.

-generally pretty healthy mentally but has struggled with depression periodically throughout his life.

-i don’t think primo ever planned to be a father, he didn’t even think it was possible considering his responsibilities. but as he got older and reflected upon his life he regrets that he never had children.

- we all know about primo’s legendary garden, but his next project he’s dreaming of is an orphanage in the clergy. or just to overall encourage more inclusion of children :,) (when appropriate ofc haha)

- a hopeless romantic deep down.

-virgo/libra.

secondo

-secondo is a great artist. he likes painting landscapes and scenery. hes also really good at drawing buildings/ architecture. when he was younger he thought maybe he’d be an architect. some of his paintings are hanging around the clergy but nobody knows they’re his.

- good at math but doesn’t enjoy it persay.

- reads a lot of classic novels (and romance books lol) if he’s reading something trashy in public he’ll switch the cover so he isn’t judged and can maintain his reputation ☠️

-i think he’s struggled with depression throughout his life that’s beyond situational. even when he was at his peak, something chemically in his brain just wouldn’t let him fully soak it in.

-extroverted but very distant simultaneously. has a hard time getting vulnerable with people.

-smokes a lot of weed. i think all the papas do tbh

-huge music connoisseur (prestigious metalhead) (will say “name 5 songs” if he sees you wearing a band shirt)

-biiiiiiig leo/capricorn energy.

terzo

- terzo has adhd for sure lmao. he was never diagnosed though.

- he was the walking stereotype for ADHD as a kid: a rambunctious and high-energy boy who struggled in class.

-terzo is very intelligent, though. he just never cared about school too much. he was good at talking his way out of trouble.

-terzo is incredible sensitive to rejection. so much so that he would have a very very hard time confessing his romantic feelings towards someone. (feelings that move beyond sexual attraction)

- his hypersexuality, though he genuinely just loves sex, is often a subconscious quest for dopamine and validation.

- he has a very kind heart, goes out of his way to make people laugh if he sees they’re struggling.

- loooooooooooves to watch reality tv or anything full of drama.

-either a scorpio or a gemini.

-very active online. he’s a little obsessed with reading fan forums and posts. but he also just loves the internet in general

-i think he was the most interactive with fans, he would respond to fan mail most frequently. when he got horny mail from someone he would often respond with equally something equally risqué ☠️but of course when the subject matter was serious or heartfelt he would respond genuinely.

copia

- copia drew comics when he was younger and still does. over time they’ve evolved from mystical stories to simple doodles to get him through the day.

- sometimes he’s a little forgetful and mixes up his papers, so when he confidently hands his mother a comic strip she’s featured in, it’s a little awkward.

- copia loves animals, and he always has. he was afraid of dogs (specifically bigger ones) when he was younger, though. he also likes birds and can identify most species. (so can primo!)

- copia had a little bit of ocd throughout his childhood that’s lessened up over time.

-he also has generalized anxiety that’s lessened after he’s become papa which is shocking

- he has inattentive adhd. he’s an exceptional worker despite his negative symptoms because he pushes himself so hard to succeed. but sometimes he gets a little burnt out and forgets to rest, or spirals into an unmotivated state.

-we all know he’s a huge dork, so to elaborate upon that: he likes star wars, star trek, dc, and comics of all sorts.

-he has a funko pop collection in his office (including one of himself LOL)

-i think he’s a gemini and i’m so passionate about this. that or a pisces.

⋅───⊱༺ 𐕣 ༻⊰───⋅

thanks for reading yall :,)) i have more stuff coming up i promise i’m just not able to work as frequently due to school!! i hope you enjoyed.

<3, alice

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vivipokedex · 3 months

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Your animal anatomy foundation 100% feels very solid, do you have any books or online sources to recommend to budding artists?

thank youuuu :)))

im gonna be honest... i never really specifically sat down to study drawing animals, or followed any art-oriented books or guides about that or anything. tutorials tend to not be very helpful to me because they rarely deal with gesture and focus more on getting the proportions right, which by itself is only a small part of it. and live drawing classes rarely involve animals...

i think it helps to have an existing, like, sense and confidence when it comes to observation and capturing volume and gesture in general. at the end of the day pretty much everything can be broken down into basic shapes, planes, blobs. actually A Blob is a good starting point to draw pretty much any animal... draw a blob and then put a head and limbs and appendages on it. yknow?

another thing is to just be curious and have an interest in the diversity and minutiae of the animal kingdom. i know it sounds very basic but I Love Animals. there are some real crazy creatures out there. obviously i recommend looking up as many reference pics as you can, not necessarily to copy stuff, but to have a handy guide of where stuff goes. but just looking at pictures honestly isnt quite enough in my opinion... read up on the animal. get a sense of what makes this particular species unique among ones similar to it, how it lives and functions in its habitat... watch a nature docco. watch some footage of weird little shrimp. learn how to tell different species of aeshnidae apart.

also, yeah, youre gonna have to look at and draw some animal skeletons at some point. i dont think you have to like, study the skeleton of every vertebrate you wanna draw, but yknow, its good to have a general knowledge. it really does teach you a lot to draw a horse skeleton and the individual parts in it. ideally of course you would be sitting in front of either the real thing or a 3d model, but sometimes photos and illustrations have to suffice... it's just important that you pay attention to what you're doing.

as for books... well, a relevant point here is that photos arent everything. obviously theyll give you a faithful picture of the living breathing animal, but thats the thing, they wont always let you see the exact shape, all the distinctive details, and so on. so this is where i recommend getting into some old timey illustrated books. yeah youre gonna have to do some treasure hunting... but listen. ive got this awesome book from 1979 for example, which lists pretty much every species of bird that lives in my little corner of the world, along with amazing detailed illustrations. it's so inspiring and informative. it is the kind of stuff i really wanna urge everyone to get into.

#book is Welcher Vogel Ist Das? by dr walter cerny and karel drchal

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riizebabie444 · 1 year

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your future spouse’s love language

hi! i'm pearl and i’m so happy you chose this reading ♡ today’s reading is all about the love language of your future spouse and how they express it. this is my first pac on this blog so I hope you enjoy!

♡ disclaimer ♡ please remember that all tarot readings posted on this blog are for fun and entertainment; you should not refer to these readings as a replacement for advice or guidance on serious matters.

reblogs are appreciated, as is feedback! find more pac’s in my masterlist! check out my paid readings and exchange readings! and donations are greatly appreciated ♡

♥︎ pile 1 ♥︎

♡ love language ♡

quality time + acts of service

♡ how they express love ♡

i immediately see that this person is not a touchy–feely type; they don’t particularly enjoy or feel comfortable with physical touch, especially the type you might expect in a relationship. so, physical touch is definitely on the bottom of the list of their love languages. however, they do like holding your hand and burying their face in your body. and it is clear to me that quality time is very important to them.

this person loves deep conversations; i’m hearing, in particular, the half–full/half–empty debate. i believe it is of importance to them and may be a deciding factor in whether or not they want to pursue you. they seem like the type of person who would use this debate or others like it to judge other people. but regardless, i think they are genuinely a philosophical person; they love talking with you, getting to the roots of your brain and heart, finding out how you feel and why you feel those things so they can know you better.

i think they’re quite a sensitive person; i have reason to believe that for some of you reading this, your future spouse may have grown up with separated or divorced parents, or a broken family in general. this reflects a lot in how they allow themselves to love. they don’t like touch or pda because they very rarely saw it with their own parents. they also may have not received a lot of attention as a child, and this is why quality time is important to them.

i’m seeing art very prominently, so either them or you could be artists. i said quality time and i definitely think expressing yourselves together creatively would be fun to do. maybe art dates, or walks in nature and under the stars to gain inspiration for art. and other activities like pottery class or bouquet making, they might take you to a wreath making class do you can make one together for your home in the holidays; if there's anything fun and creative to do, they want to do it with you.

they have a rough edge that is hard to crack through. but they are driven and if they are serious about you, they will put in the effort. i’m seeing acts of service, like always paying for meals and bringing/making you coffee and driving you to where you need to go. it would also be hard to read their facial expressions, but they are soft for you on the inside and you will know this because of all the little things they do for you.

♡ symbols and signs ♡

clouds, paint/drawing/art, crying, the letter s, a white horse or other white animals (such as a dog or cat), heterochromia, gemini, 5, tree, stars, 32, mythology, leo/5th house, opiuchus, dark brown hair, roses, water signs.

♡ cards ♡

the artist, knight of swords, the lovers rv, five of cups rv

♥︎ pile 2 ♥︎

♡ love language ♡

acts of service, gift giving + quality time

♡ how they express love ♡

from them, i am getting the image of an angel who gives. they are a generous person; they like giving to support you. whether it is extravagant gifts or simply helping you in giving you what you need to get by. i see both ends of the spectrum — for some of you, they will be able to give you expensive and fancy things, and for some of you, they will not be as disposable with their income but will still give to you because they care about you.

gold is popping out a lot, so maybe gold jewellery or other gold gifts, or maybe they like gold wrapping paper. and it is not subjective – it can be anything deemed precious, like gold. but i also see they are quite moderate, so they prefer to give gifts with deep thought and meanings to them rather than going straight for the most expensive and fancy looking item in the store.

i see this person with a lot of fears and anxieties in regards to the relationship they have with you, and they may also worry you feel the same way. and it’s normal to have these feelings at some point in a relationship. so, i think they’d be urged to give more gifts when they have those worries. they want to appeal to you with generosity which could turn into an unhealthy habit, so keep an eye out for those who this resonates with.

bringing you water on a hot day — this image feels really clear. maybe those of you reading this live in a hot country, or really like hot weather. i see the sun bright in the sky and they’re worried you may be dehydrated or suffering from heatstroke, so they will always make sure you are drinking enough water, especially during hot weather.

and carrying on with the topic of sun, there’s a scene where the sun is touching the horizon. perhaps you guys went to watch the sun set after a date. gold rays are coming in strongly, so it might be your guys’ thing – watching the sun set or rise and leaving the curtains open in your home so the rooms can fill with warm, bright light from the sun. consistency is important to them, so little routines like these that you both enjoy makes them feel so special and they love being reminded that you are there to experience these moments with them.

♡ symbols and signs ♡

sagittarius, water signs, flowing water, nightmares, sun, jupiter, marigolds, sunset and/or sunrise, 10, wings, studio ghibli, unhealthy habits, summer, 444

♡ cards ♡

temperance, nine of swords, knight of cups, seven of wands.

♥︎ pile 3 ♥︎

♡ love language ♡

physical touch, quality time + words of affirmation

♡ how they express love ♡

with two kings here, i definitely see they are very vocal and confident with their words. they seem like the person who always speaks their mind, whether they are expressing happy thoughts or bad ones. that also means they will make it clear when they are upset or angry, but it also means they will clear any doubts you have and make sure you know that they love you.

although, for some of you, i see that your future spouse could be the type who falls silent when they are angry, but even in this case, they will eventually tell you what the issue is and make it clear that their feelings for you don’t change so easily.

in particular, i hear “you’re the best!” and grabbing your head and kissing you on the forehead. “i’m so lucky,” “i couldn’t have figured this out without you,” and “you look great in that outfit,” are what i’m also hearing. i think for some of you, your future spouse will be the type of person who has a catchphrase, like “i’m impressed,” or something along those lines. this is just what i heard, but it could be anything, and they will tend to use it to boost your confidence, and also when they are trying to flirt with you.

they obviously love to spend time with you, but i think they will particularly love holidays with you. i’m seeing quiet villas in countries along the equator, maybe that resonates with some of you. for others, i see the coast. peaceful getaways are like a goldmine to them; they may not happen a lot but when they do, they have the best times of their lives with you.

and holding hands is so prominent. just hands in general. even if you’re holding something else in your hand, they will take it and replace it with their own hand. physical touch like cuddling and kissing would take place, but for them, touching you with their hands is what fulfils them. it’s the fact that you are real and touchable so they always need that reality check to ensure you’re really there. and if you like all the touching, then they will do it tenfold. holding hands, or their hands roaming all over your body; whatever it is, they will almost always have their hands on you.

♡ symbols and signs ♡

323, twice (kpop girl group), coasts, nice hands, black birds, italy, blue skies, 11, magpies, graduation, purple gown, olives, pastel colours, chameleon, green, greece

♡ cards ♡

ace of swords, two of wands, king of wands, king of swords

#pac #tarot #tarot reading #tarot pac #pick a card #tarot pick a card #tarot pick a pile #future spouse #future spouse tarot reading #fs pac #jella’s readings

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wellfine · 1 year

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HII I love your art so much it's so expressive and it feels like theres so much movement in it! I was wondering if u had any tips or advice to help with that? I practice anatomy and expression so much but it seems like everything I draw on my own is so stiff!! Anyway I hope you have a great week :)) <3

Hi there! Firstly, thank you so much for the kind words, it means a lot that you would take the time to tell me!

Second- my advice is to take everything you've learned about anatomy and THROW IT OUT THE WINDOW!!!!!!!

... For now. Just into the front yard so you can keep an eye on it. But I have seen many artists concentrate chiefly on studying anatomy only to feel like their art ends up too stiff. My own experience has been to treat anatomy as a tool best used to correct an image in the later stages of construction rather than as your driving foundation.

If "correct" anatomy (however you choose to define that) is the priority of your undersketches, I find that you end up with a sort of Skeleton Song approach to drawing - y'know, the knee bone's connected to the thigh bone, etc etc. Whatever energy, emotion, or intent you wanted your drawing to convey is getting lost each time you split it into another anatomical segment. By over-focusing on individual parts, you lose sight of your image as a whole.

The key to conveying dynamic movement in motionless art is to ensure every element of your image agrees on and communicates the same action, the key to which is something called the line of action.

A line of action is simply that - an implied "line" with wich you lead the viewer's eye and communicate movement. Think of it as the core of your figure's action, simplified to its rawest form. By knowing this, you know what to emphasise and what to de-emphasise.

Well, art is a visual medium and I am better explaining with drawings than words or I'd never have picked up a pen in the first place, so:

Images can have multiple lines of action, lines of action can complement and contrast each other, and a line of action isn't always as obvious as something like running. Imagine you're tring to make your art more "aerodynamic" to the eye. Since I draw a lot of One Piece fanart, I assume you're also familiar with it, and you can probably imagine how Oda uses "lines of action" when composing panels of Luffy punching something, Zoro slicing something, Sanji kicking something- etc etc. He's really good at selling the "oomph" of action shots by reducing visual clutter so that the impact of the action is greater.

(The Monster Trio's abilities are all designed in such a way that allow for REALLY striking lines of action... you can tell Oda loves studying manga fight scenes and wanted to create a world where he could push these concepts to the limit, and it's no wonder One Piece caught the eye of animators even before it was serialised by Toei)

You're probably already noticing how line of action also feeds into composition and silhouette when it comes to conveying movement in an image. Basically put, once you've isolated whatever action it is that you want to convey, the more visual clutter you can streamline away from that action, the stronger an impact that will have on the viewer. A firm line of action, an uncomplicated silhouette for your figure, and a readable overall composition of your image/panel are all ways to minimise visual clutter.

You can also use this information to achieve the opposite effect! Sometimes the ideal action you want to convey is not fast, or powerful, or confident, and you can use the same principles.

In fact, you can apply line of action to images that don't have any "action" in them at all. You can make a drawing of someone simply standing there feel more lively by applying these same principles to their body language:

You can develop an eye for how to simplify movement down to its "lines of action" by studying real photos and other people's art. Try simplifying a figure to its silhouette, and then simplify that silhouette further to a stick figure. And honestly, a lot of this could be boiled down to "see your image as a whole and not just a collection of individual pieces". Set anatomy aside during the composition stage and bring it back in when you start building up the sketch.

Moving away from the line of action, my second piece of broad advice is simply to exaggerate more. Lots of artists subconsciously hold themselves back from pushing motion, expression, etc. out of concern that it will look "too much". Well, maybe it will- but you won't know that unless you try! You can always walk it back if you think you took it too far, but I think you'll be surprised by how far you can push your art before you hit that point.

My final piece of advice is to work on line confidence. Even if you follow the rest of this advice, if you have hesitant and scratchy lines, you're undermining the flow and punch of your art. The best way to improve line confidence is simply by practicing! Do a lot of quick, timed studies, and use a permanent medium like a ballpoint pen or marker. Focus on unbroken lines wherever possible even if it makes your studies look like garbo. I find traditional studies are best for improving line confidence, but if you'd really rather stick with digital then just don't let yourself use the eraser tool, and try using a chunky brush with limited pressure sensitivity.

And that's it! Don't stress about it too much though. Loosen up with your art and, like any other skill, you'll improve with practice, time, and analysing what you like about other people's art. Good luck!

#long post #sorry this is so long I just didn't want to hide it behind a cut because I think a lot of people would miss it #I hope this was helpful in some way! I'm always flattered whenever anyone thinks I'd know enough to ask HAHA #if I have the time then I'm always happy to answer questions like this! :)#not that I am an expert by any means but I can at least share what's worked for me

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attyattlaw · 4 months

Text

cross posting yesterday's rambling thread for posterity and because tumblr lets me edit things. anyway this is a sorta long thing and i might add things i forgot to mention in the twt thread

i tend to draw on-model canon because im a coward + just personal preferences. but the way i convert the canon designs into my artstyle is that i take the distinct features oda gives them and then combine it with personal headcanons to complete what should look like a unique human. Starting with Trafalgar Law, who is unfortunately a bland-ass conventionally pretty boy

someone commented a while ago the law hat drawing tutorial i made a while ago didn't make much sense and i realize its bc of the specific way i draw law's face: heart shaped (ba-dum-tss). That meaning, a narrow chin widening into a mild defined jaw, wide cheekbones, and up to his know-it-all brain dome.

given that, the pudgy guitar pick shape of his head i mentioned here should make a lot more sense.

i don't think this design point is unique to me, as most conventional pretty anime boy gets given jaws like this. a lot of law artists tend to veer into this head shape. just how life be sometimes. other points: flat, thick eyebrows is bc im a hairy gal and i need to feel better about myself.

Killer gets to be more interesting, because he shouldn't be considered conventionally attractive. my idea behind killer's is that those individual features is smth he would be insecure with enough to hide himself in a helmet but i draw him with all the love in the world actually. i'd like to think its how kid sees him or yknow, law, bc he's my kin assigned blorbo and maybe you ship lawkill as a guilty pleasure too i mentioned before (and ruined people's days) when i said whenever i draw killer he looks like griffith before i put on his goatee. the upper half of his face is distinctly feminine, with the lower half kinda over compensating. other than that uhh...idk. stan killer

Kidd is the bane of my existence, i feel like i can never draw his face consistently. yet at the same time he's so damn fun to draw everyone gotta try it.

my problem with kidd is that this mf does have eyelids. most kidd painters out there interpret this as him having deep set eyes (think Matt Smith or jeffrey star) . and yeh skill issue on me i should practice that. other notes, i try to make him younger than canon makes him look. he is my babygirl and he deserves to look cuddly. my band au kidd version has the honor of being allowed some chubs. he's just tries to look older and more menacing with edgy makeup. also i try to give him dimples when i can because, well i can.

Rosinante last bc i lost steam after kidd. the thing abt cora is that aside from not having eyebrows, everything is structured with the generic one piece man template. which means i gotta do everything myself doffy is there bc the way to figure out how to draw these two is to give them minor differences from each other, that being doffy gets slightly sharper features. in canon, these two are also rly wide boys (more of an oda style feat tbh) but i make them long. though bigger brained donquixote artists know that of these two brothers, doffy should be the wiry-er built. anyway that's it. in conclusion, i need to draw more girls actually i feel like im becoming misogynistic by osmosis from oda's style and now i draw girls all looking the same too.

#one piece #trafalgar law #eustass kid #eustass kidd #op killer #massacre soldier killer #donquixote rosinante #donquixote corazon #donquixote doflamingo #was gonna do robin and perona too at least but like...i have a job and stuff

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reallyhardydraws · 5 months

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2023.

i hope any of you reading this will forgive the essay. i started posting to this art blog ten years ago in 2013 when i was just at the very end of high school, uploading short animations i'd made for one of my final projects, preparing myself for art school where i was gearing up to become an illustration/animation student.

i went into my art foundation course in 2014, still thinking i was going to be going into storybook illustration or with faint hopes of becoming like a concept artist for game/animation, although even then i'd started thinking about patterns...

and then in 2015 i did go into my BA, going in for that illustration with animation degree that... usually when i talk about it in real life, i say didn't really feel like the best place for me. if i think back, the best things i got out of it were two of my best friends, one of whom is now my partner. looking back on my BA era, there's some bits of sketchbook stuff...

and while i was at university my main fandoms were thunderbirds are go and x-men for a bit... these are from the end of 2015 into the beginning of 2016...

then for a little while i was doing this still sort of pastel-ish lineless situation:

and i alternated between that and this thin fineliner type work (pretty sure all of the linearted pieces were done on paper and scanned, and all the lineless were graphics-tablet-only) - it was in this style that i started to offer commissions for the first time too.

and i also had fineliner-lined work in sketchbooks that i coloured with marker and posca pens, the colours of which were generally a bit more intense just based on not being able to slide the hue/saturation around on paper:

also 2016 was when i discovered the spongebob musical just after it's trial run in chicago (which ended in july of 2016) and i started making fanart at that point... which would have the biggest effect on the way i drew (and i did end up handing in a piece of spongebob musical fanart as one of my art school homeworks lmao)

from summer 2016 until early 2017 things were still quite soft and pastelly in my digital art, colour-wise:

and then suddenly everything got whacked up to 100% on saturation. also i was using the binary tool to give everything really thin pixel lineart for some reason.

then i went on vacation in summer 2017 and didn't draw for maybe a month? just short of? and when i came back i decided to change everything up again... giving characters blobbier, more ugly-cute faces with large squinting eyes and big nostrils and i was worrying a lot less about making anything look smooth, lineart-wise. i turned off the pen stabiliser in SAI and let it wiggle.

then... the spongebob musical opened on broadway in late 2017, i went to see it live in person for the first time... and my whole brain was ENTIRELY consumed by my love of it. i was putting that david zinn inspired pattern explosion into everything, even if it wasn't sbm fanart.

as we go into 2018, i started colouring my lineart. my biggest interest was still broadway musicals (with spongebob at the top of the list)

i think summer 2017 - early 2018 is probably my favourite art era, i was at my most bright and colourful and exciting... although i know in my actual real life i was struggling a lot with my home situation and i had been for some time. art was definitely my escapism back then, and i think a lot of the time i drew really bright, joyful stuff to try and inject that feeling into myself.

as for my university work, i was putting my focus into 3D paper-mache puppets:

and i was also starting to do more repeat patterns, mostly inspired by things around me. i'd learned how to make patterns actually tile and repeat in 2017, so made a few during my time at uni just to accompany some of my projects, but never as the focus of them. one of my university tutors told me that maybe i should put more focus on doing surface pattern, and maybe applying it to textiles, but i said i wasn't interested.

i graduated from my BA in the summer of 2018, and immediately began volunteering at the whitworth art gallery doing anything i could - stewarding, helping with arts and crafts, dancing with families...

in 2019 i was still very colourful... i was trying out more chunky colouring on characters skintones that i think was def inspired by tumblr artist jadenvargen:

but the blobbyness and ugly-cute style of drawing faces was gone by here, and i think... the way i drew characters probably had better *anatomy*, proportions were maybe a bit more realistic...

in 2020 i started adding the black shading to under the chins and some other places on characters' bodies because i started watching the anime my hero academia with my brother, lmao (and i was starting to pastelise colours a bit again, these are the most pastel-ish examples) my lineart has really smoothed back out too, though i never turned my pen stabiliser back on in SAI. i think my hand just adjusted. probably seems a bit insane to miss that, but i do.

by the end of 2020, the almost-year of lockdown over cobid had... made me a bit insane, i think, and i moved out of my mother's house and into a flat with a friend from university.

in 2021 i think things were much the same... i think from this point on is where things have sort of settled. i don't want to say stagnated, but i do think things have been very... like this for a while.

2022 - got the most exciting examples out...

also i was very into these little frames in 2022.

and then on to 2023! in 2022, i did begin trying to shift gears a bit -- hoping to put more energy into sewing and making products (like my tutor has suggested back in uni, even though i'd really resisted the idea.) i sold at a few in-person markets during winter of 2022, but got disheartened by the amount of money i had to sink in up front to sign up for a spot...

which has made me VERY grateful for the people who have supported me via online sales. it has really helped me stay afloat in 2023 - AND it has felt more wonderful than i can describe that there have been people interested in my work... especially when a lot of it has been my original designs, rather than the fanart that i expect a lot of people initially followed me for.

i've also... in the past 2 years... branched out a bit more when it comes to 'being an artist' - and have had the opportunity to deliver arts & crafts workshops with local refugee & asylum seeker support charity, afrocats. it's taken me to their home base in a church to hotels across the city where asylum seekers were temporarily placed while waiting on their new homes, and of course to my beloved whitworth art gallery, where we welcomed visitors from all backgrounds: from the typical white middle class visitors the gallery usually expects, to all the refugee visitors coming into the space for the first time.

and through my volunteering at the whitworth, i showed up so often they decided they might as well pay me. so i've also become a facilitator of... creative play sessions, my favourites of which have been outdoors. monthly, year-round, we have 'outdoor art club', where i get to paint with mud and make potions from leaves with kids & families - here you can see me tell you a little bit about it in this video below with 'crempog' a puppet character that makes videos about activities for kids and families around manchester (my bit starts at 01:10 although i am in the intro and thumbnail haha)

youtube

and then of course the summer 'PLAYTIME' activities we've had the past two years: scrap studio in 2022, and play market in 2023. it's the best freelance gig ever -- just to hang out and encourage families to be creative and have fun.

youtube

in working more in these new avenues... outside of being - as i've called myself for a long time - "an internet artist"... i've found myself more interested in this sort of thing. in being a "real world artist" too. in doing surface pattern design, and being a workshop facilitator, i find myself wanting to put more energy into these sorts of projects.

in 2023 i've also dabbled a little bit more in youtube videos! i have had a channel for a while and have made videos in previous years, but 2023 has been the year i've done the most in. admittedly most of them haven't been about my art, and more just like... random things that interest me (the spongebob musical in particular) but i've really been enjoying video editing. that's kind of an art form too, so i'm including it here!

moving forward, want to keep putting even more of my energy into other things. my shop, with a bigger range of products to offer. workshops in real life, where i can make a difference.

as for my art blog... i feel like i've done the least drawing in many years in 2023, and... well, things have been weird and complicated for a bit in my real life. i hope to draw for fun a bit more again very soon, and to return to doing things in more of a wild and crazy way, to be more creative and exciting with the way i draw things. still, here's some of my favourites from 2023:

thank you so much to everyone who has borne witness to my art journey this past decade!!! i hope you will stick with me, who knows, maybe for another 10 years if tumblr holds out. especially a big thank you to everyone who has ever commissioned me, or bought anything from my store, you literally keep me able to make art at all and i cannot, cannot, cannot overstate how much it means to me.

i'm moving homes soon, possibly into very cramped temporary conditions for a little while before HOPEFULLY starting my real life with my partner. if i can take one more moment to plug my work, then [here is a link to my online shop] and [here is my ko-fi page too.]

cheers, cheers, cheers!

- LOREN 🌈🍍🎉

#also: i did post. monster high and steam powered giraffe fanart on my main blog when i was in high school #in 2012/2013 it seems like i did absolutely LOADS of fanart for both of those fandoms but didn't cross-post it to my art blog #and uh. well. i'm not about to do it now hahaha

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